#artistdirection

[prettyoddfever]

Do you have any idea why they decided to put live in Chicago on Spotify and not live in denver? I was listening to them both today and thought that both brendon and Ryan's vocals were alot better in denver than Chicago?

I know nothing about Spotify or how the music industry works or anything. I am still grumbly about the entire concept of streaming services and the fact that my new car doesn't play cds.

But yeah Live in Denver was a reflection of the Fever era, which was extremely engineered & polished. Matt Squire mixed Live in Denver, so I think that maybe helped it fit the sound of AFYCSO. The band's second album went in a totally different direction in many ways, but one of the core concepts they kept returning to was how they wanted things to sound real and organic, like there was an actual band playing with flaws & everything (see the "recording live as a band" section). The vocals in Live in Chicago reflect their approach during that second era. They wanted to keep their flaws this time instead of fixing them.

Spencer did an interview with ARTISTdirect about Live in Chicago and said:

Audio-wise, we went back and forth with the mixes. Our touring sound guy, Jason, mixed it. He had his little Pro-Tools rig hooked up. We'd come in backstage before we played and adjust the mixes with him. I'm glad it came out as well as it did. If it sounds to you like it's real, then that's the best thing for it.

When they started doing live show recordings, there was a big question: "Is it cool to go back and add things after the show?" The general consensus was, "Yeah, everybody does it," but they don't really say anything about it. Then you do hear some live records where it's amazing how "produced" they sound. It sounds like the band could've just been in some big, empty room in a studio recording it. For us, we never have a show where nobody messes up or nobody's off-key. We figured leaving some of that stuff in and not trying to make it perfect helps separate the songs from the way the recorded versions sound. It's another vibe and style.

...We wanted Live In Chicago to have that feeling of a friend in the room with a camera, so it didn't feel like there was this weirdness ever, and we could be natural. At the same time, we wanted to get that 35mm film look and make the DVD not look like a super-streamlined digital thing.

[rammingthestein]

Paul and Oliver in Foxborough, MA, United States during Rammstein's 2022 North America Stadium Tour © Jens Koch & P.R Browne

"It's interesting because the band is made up of six really different personalities. There's quite a bandwidth of influences that end up coming into the music. Ollie and myself are both avid wind surfers, for example. Till is big on hunting. Flake likes to go on trips to the mountains, and he also reads a lot. Richard likes watching movies, and Schneider does yoga, so there's a huge range of influences that end up in the music." | Paul for ArtistDirect, 2009

[thebloodbrothers-archive]

Interview with Jordan Blilie of the Blood Brothers by Scott Batiuk

(transcribed from sandiegopunk.com on 07/19/2002)

The Blood Brothers signed to ARTISTdirect Records, and Ross Robinson is producing their next album. Ross Robinson of all people, though. His production is responsible for making bands like Limp Bizkit and Korn the multi-platinum monstrosities they are today.

But have you heard March On Electric Children (the Blood Brothers newest album)? The perfect pick-me-up when you're suffering from a bad case of the Warped Tour blues; for when you think the world is doomed to be permanently overrun by boring, cookie-cutter pop-punk and all of its mall/jock-core brethren.

There's two vocalists. Both sing, both scream. But not in a Linkin Park brand of vocal wackness. It's more like that screaming humanoid creature in Aphex Twin's 'Come To Daddy' video. Except it hopped up on goofballs. And there's two of 'em.

The lyrics:

'The flock of grinning octopi drop like tears from a varicose thigh singing''do you want to live forever? Nail your crotch to the hive of pleasure!''

or:

'The theater wails like deceased violins, high heeled castanet clicks rape harmony. Youth decays in 4/4 time.'

March On's guitars alternately bludgeon and hack you to pieces; jittery bass segments; jangly keyboard whines and seething undercurrents of static; it's blistering, grimy, and unwholesome.

But Ross Robinson and ARTISTdirect'

Well, the Locust signed to Epitaph-subsidiary Anti. Cattle Decapitation signed to Metal Blade. Is this a sign that the bigger labels are starting to wake up a little bit? There's no way in hell this stuff is going to catch on in the mainstream, is there?

I guess we'll see what happens when the new albums come out. In the meantime, San Diego, go watch the Blood Brothers play Oops! The Tour with the Locust, Harkonen, Arab On Radar, and Lightning Bolt at the Epicentre on 8/7. You'll be hard-pressed to find a freakier, more fucked up night of music this side of a Creed concert. But in a good way.

Scott: Some people describe your guys' music as hard core. Some people say it's punk. What does Jordan say?

Jordan: Oh, what does Jordan say'um, I'd say it'd be kind of just a terrible hybrid of both. I think that there's elements of both in our music, but I don't think that either one would really predominate.

S: For March On, you guys did kind of a concept album.

J: Yeah.

S: Are you going to do that again for the next one?

J: No. We actually did the exact opposite. Whereas all the songs are tied together on March On, we just tried to make every song as unique to itself as we possibly could. It was a fun thing to do for that record, but it was also a little bit limiting as well. You can't really get that many ideas out using that format, so we just wanted to make every one as different as possible.

S: What was your first reaction when you found out that Ross Robinson (Korn, Limp Bizkit, Vanilla Ice) wanted to produce your record?

J: We erased the email that was sent to us and just kind of laughed about it. And then later on, we started to think about it more, and then we just eventually called 'em back and got a hold of him. We thought this was kind of ridiculous and funny at first. We didn't take it too seriously.

S: Honestly, how the fuck did that happen? How did Ross Robinson get into you guys?

J: One of his friends, he's this guy named Casey, he sings for a band called Amen, and he acquired our CD and liked it and passed it on to him. So then Ross had his manager email us, and that was how it all pretty much started.

S: That's just so weird, 'cause I mean, that guy did Vanilla Ice's record!

J: I know (laughs). I know. I mean, it was pretty bizarre. We were all a little bit taken aback.

S: So is ARTISTdirect giving you total freedom for artwork and music and everything?

J: They just pretty much fund whatever we want to do. Like now they're giving us tour support, so tour's a lot more comfortable than it has been in the past. You know, recording budget and stuff like that. What else'I mean, pretty much everything that a band would need to be a band, they basically provide.

S: Do they ever shoot down ideas like on the artwork, for example?

J: No. No. They're perfectly content with what we want to do. They pretty much made that clear to us right off the bat. We just recorded the record and we did like 13 songs, 12 of which are going to go on the album. You know, there's no one there telling us to 'Write more of this sort of song. These need to go. Where are your choruses? Where are your verses?' Pretty much, all of our lyrics are going to be as fucked up as they always have, and our music as well. The artwork will probably go along with both.

S: So how much say did Ross have then?

J: Umm, let's see'he would offer ideas, like you know, say we were playing a part like six times, he'd go, 'you know, I think maybe you guys should play it four.' We'd try it out, and if we liked it that way, we'd work with it that way. If we didn't, we'd just say no, we don't want to do it this way, we want to do it our way, and it was perfectly fine. There was never any pressure to do anything that he wanted us to do that we didn't want to do. It was more like just having another objective person to bounce ideas off and maybe to get us to think about things that we hadn't really thought of between the five of us. The whole experience was really open, really constructive. I think we all walked away from it feeling good. It was really positive.

S: So, for the record, your next CD will NOT be rap-rock?

J: No. Well, I mean, I HAVE been honing my skills as an MC a bit. But'no.

S: Maybe for the future?

J: Yeah, you know, maybe the next one after that.

S: It's just weird. What do you think it means that a bunch of bands like you guys and the Locust, who are pretty inaccessible, are getting, not major, but bigger label interest? Why do you think this is happening?

J: I just think that music has become so fucking stagnant in the past 5 years that labels, especially like upstarts, are looking to sign bands that sound completely different from what's out there right now. That's pretty much the only possible reason I can see why anyone would want to sign either us or the Locust.

S: You don't think it's gonna be the big hit sound of the summer? Like if I turned on MTV2 and I saw a Locust video, I'd probably shit my pants.

J: (laughing) You'd love it wouldn't you?!

S: It would be cool, I guess, but I don't know how I would respond to that.

J: No, it's like there's nothing I want more than for, you know, just to be cruisin' the beach, you know, spring break, Daytona, Fort Lauderdale, and have our songs be the soundtrack for that. Basically that's what it boils down to.

S: Yeah, and then next thing you know, you're gonna have the Vans OOPS! Tour.

J: (laughing) Yeah, yeah, exactly. We'll be hittin' you know, some domed parking lot'summer, you know'

S: Carson Daly will be emceeing it and everything.

J: Mm hm.

S: So, what do you guys think of the Punk Rock Tour of the Summer aka the Warped Tour?

J: (laughing) The Warped Tour! I DON'T think about it. There's no bands on there that interest me whatsoever (laughs). I mean, the Warped Tour! It's pretty ridiculous to me.

S: It's laughable, but it's amazing how popular it's become and'

J: Yeah, because I remember it like a few years ago when I was still, even in like junior high, early high school, it seemed to be something that was actually an alternative to what was going on at the time. Namely Lollapalooza or any of those big rock tours. It was something that I thought was actually pretty cool. I mean, I remember Rocket From The Crypt did a year. I don't know who else. I stopped paying attention to it. Now, like you said, it's just completely laughable.

S: I keep thinking that it'll die out soon, but more and more of the generic, mediocre pop-punk shit just keeps comin' up.

J: I mean, you hope it would die, but you know (laughing), it just doesn't seem to. You're right.

S: And I really wish someone would just take a shit on Good Charlotte.

J: You know, really. Especially'especially, have you seen their show that they host?

S: Oh that's AMAZING.

J: (laughs) It's jaw-dropping entertainment right there!

S: It's like I'm repulsed. It's disgusting you, but you have to keep watching.

J: Yeah. Or you could just turn it off (laughs).

S: (laughing) Well, I don't know. Maybe if you're weird like that.

J: (laughs)

S: So if someone was stuck in a rut of that generic, mediocre pop-punk stuff, what would you recommend to get them out?

J: Uh, Liars. Chromatics. Electric Light Orchestra. Anything old. Neil Young. Pretenders. Let's see'Pretty Girls Make Graves, Cancer Conspiracy'uh, who else'that's about it. I don't really listen to that much new music. Hip hop. Nelly. Go pick up Nelly's new CD. I mean, you can at least dance to it, you know?

S: It sure is 'Hot In Herre.'

J: Yeah, I mean totally! That's my summer anthem right there.

S: I could go off on that, but I don't want to take up too much more of your time here. Um, so you guys are doing the OOPS! Tour in the next couple weeks right?

J: Yeah, we hook up with that I think in about'I think it's like nine days now. We meet them in Fayetteville, Arkansas, and then just go through the mid-west, and then back home.

S: That seems like it's going to be the freakiest tour you're gonna see this summer. Kind of like the opposite of the Warped Tour.

J: Yeah, yeah.

S: What do you guys have in store for all the kooky kids who come out to that?

J: Ummm'I don't know, we're just gonna play our songs, hopefully reasonably well. Um, you know, I mean, stage dives abound, brah! Let's see, what else'I mean, we don't really have any gimmicks planned or anything like that, but it should be fun regardless. I think that just watching us is fine enough.

S: Obviously, obviously'.

J: (laughing) I'm joking! I'm just kidding.

S: I mean, the tight pants and everything, you can't'

J: Oh yeah! You can't go wrong with that!

S: I really think you guys should go for the drummer in the cage, upside down, fireworks type thing.

J: Yeah, yeah, totally. Spin him around a bit. Mark told us that he wants to be spinning.

S: (laughs) 'Cause I mean, what good is a show if the drummer isn't spinning in circles, you know?

J: I know. No shit. Really

[my-chaos-radio]

Release: March 9, 2009

Lyrics:

Hey I'm in love

My fingers keep on clicking

To the beating of my heart

Hey I can't stop my feet

Ebony and Ivory and dancing

In the street

Hey it's cause of you

The world is in a crazy hazy hue

My heart is beating like a jungle drum

My heart is beating like a jungle drum

My heart is beating like a jungle drum

Man you got me burnin'

I'm the moment between

The striking and the fire

Hey read my lips

'Cause all they say is

Kiss kiss kiss kiss kiss

No it won't ever stop

My hands are in the air

Yes I'm in love

And so onburuburobummbummbumm

My heart is beating like a jungle drum

My heart is beating like a jungle drum

My heart is beating like a jungle drum

My heart is beating like a jungle drum

Songwriter:

Sidney Joseph Bechet / Zutty Singleton

SongFacts:

“Jungle Drum” is the third single from Icelandic singer-songwriter Emilíana Torrini’s third album, “Me and Armini”. It was released as a digital download on March 9, 2009 and later as a CD single in Germany on June 19, 2009.

Critics received the song very positively; Popmatters reviewer Spencer Tricker called "Jungle Drum" the album's "catchiest song" (alongside "Big Jumps"), "as good as the Fisherman's Woman singles". He also praised the song for having "an irresistible chorus with some completely unexpected interludes." Matthew Allard of ARTISTdirect stated that the song "was intended to be an iPhone advertisement". Clickmusic reviewer Francis Jolley called the song "a lively, fun little gem reminiscent of Nancy Sinatra in her heyday" and "infectious Scandinavian pop." Both Popmatters and Clickmusic reviews praised the song's rhythm section, calling it impossible "not to tap your foot along."

In 2009 she was also seen in the TV show “Germany's Next Top Model”. As a result, the song gained great popularity in German-speaking countries. It was scheduled to appear in the dance video game Just Dance 3, but did not appear for unknown reasons.

In 2010, the track was used as the theme song in a video created for the Icelandic government's official campaign "Inspired by Iceland" to attract tourists to Iceland.

[onejdesigns]

Hey Creative's ♥️ I finally put together my 9 goals for the year. 2018 was a tough year a lot of unexpected circumstances. But this I know, there is always a reason behind the why? And I am at peace knowing that God has a plan for me, plans to prosper me and not to harm me, plans to give me hope and a future. . . #2019goals #familyadventure #art #graphicdesigner #artistoninstagram #goals #blogger #blogging #contentstrategy #contentstrategy #content #socialmedia #creativedirection #artistdirection #justnoami #onejdesigns #tccollection #blessed https://www.instagram.com/p/BssuswzByvi/?utm_source=ig_tumblr_share&igshid=17dovkkty2nke

[mblayers]

“CB - 102″

Mixed media artwork. Acrylics, pens, colored pencils, oil pastels, graphite, gesso

Visit my Etsy gallery.

[humbleprideglass]

From my neck of the woods to yours, with love. 🌎💫🌲💙 (Shop link in bio) . . #artistdirect #pacificnorthwest #pnwonderland #artistsoninstagram #blueberry #glassart (at Oregon) https://www.instagram.com/p/CMiLh3_HQO2/?igshid=1vbr3plr304di

[renderedimpressions]

10% OFF my entire collection - plus free shipping - Today thru Sunday! Visit my Etsy Shop @RenderedImpressions. I am also honoring this on my website just DM me with the painting you’re interested in and I’ll take care of that for you. I generally ship within 3 days or less. #renderedimpressions #cybersale #originalart #beautifulpaintings #artistsoninstagram #artistdirect #etsyshop #etsysellersofinstagram #joy #iloveart #gifts #holidayshopping https://www.instagram.com/p/CIBT6Vsn4a2/?igshid=1douoz77for0q

[24kmusicmag-blog]

A Perfect Circle Release Haunting New Song, Announce First Album In Fourteen Years @ARTISTdirect

Tue, 17 Oct 2017 10:21:30 A Perfect Circle’s last album release came on Election Day in 2004, when George W. Bush earned his second term as President of the United States. The band followed that polarizing album, eMOTIVe, with an extended hiatus before reforming in 2010 and...

[prettyoddfever]

ok ignoring the fact that Shane turned out to be not-so-great, I’m still super grateful that he was the one to shadow the band during the Honda Civic Tour and film other important parts of the early Pretty. Odd. era (for real, though, late spring 2008 in North America sort of feels like its own mini era since there was so much content). Shane was good friends with the whole band, which made such a difference in the kind of footage he got... it’s like the band is hanging out with a friend or the camera isn’t even there at times. 

Spencer summed this up perfectly when he told ARTISTdirect: “Shane did our tour documentary. He lives with Brendon. We've known him for a couple of years, and that's one of the things that we were pretty excited about. It wasn't like when we're doing a video interview with MTV or something, and we didn't really know the people there. With Shane, we've known him for so long. He's done things for us, and his work just felt natural. We didn't feel like we were on the spot. That lended to it coming off naturally. We didn't want it to come off as fake at all.”

[laurabarbosaart]

http://www.ebay.com/itm/Blue-Birds-Animal-Art-Whimsical-EBSQ-Original-Painting-on-Canvas-LAURA-BARBOSA-/142459439165?ssPageName=STRK:MESE:IT

[tumblechop]

Weird but cute little things that look like they are edible but they're not. These are #slugimalz by @kultoyz #weirdbutcute #adorable #donteatit #bunnyhat #artistdirect (at DesignerCon) https://www.instagram.com/p/BsW8pgXHw8X/?utm_source=ig_tumblr_share&igshid=1mmtq0wjsle5u

[alexstorm]

2]My first memories of that, and hanging out with him and his friends certainly revolved around laughter.A very eccentric sense of humor that I'd not witnessed before." | artistdirect(.)com/the-last-shadow-puppets/interviews/alex-turner-talks-last-shadow-puppets-everything-you-ve-come-to-expect/5058 | Miles said they didn’t massively hit it off at first because he was probably cold [to Alex]. Al asked Kane to teach him the guitar solo of Put Your Dukes Up John. Soon the pair were always together

.

[applicationtrust]

Slash anastasia

Slash anastasia professional#

The whole album was recorded with analog equipment only.( February 2021) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. He criticises the album for containing "absolutely no surprises" but adds that it "never tries too hard, so it winds up satisfying on its own limited scale." Īnother 3/5 rating came from Johan Wippsson, writing for, who wrote that the album "is far better" than Slash's debut, praising the decision to have Kennedy perform on all tracks, though admitting that he "had expected better songs". He observes that performing with Kennedy "clearly is easier on Slash's soul" compared to the vocalists in Slash's previous bands, and that the music on the album "reflects this ease". Stephen Thomas Erlewine gave a more mixed opinion of the album in his review for AllMusic, awarding it 3 out of 5 stars. He concludes that the album is "a collection of lean, high-octane rock-and-roll tunes". Geist compares the album to Slash's solo début, which he criticised for sometimes seeming "strained under the weight of its creator’s own grand ambition", whereas on Apocalyptic Love, Slash's band "let the riffs and hooks fly freely". īrandon Geist of Revolver also gave a positive review of the album, giving it a 4 out of 5 rating. He also praises Myles Kennedy's vocals and cites "Anastastia" and "Far and Away" as standout tracks, praising their orchestral and cinematic elements. Writing for Artistdirect, Rick Florino gave an enthusiastic review, awarding the album 5 out of 5 stars and stating that it "embodies every side of Slash", featuring "some of the man's most incendiary and infectious playing yet". On Metacritic, it has a score of 62 out of 100, based on 13 reviews. The album received mixed reviews from critics. The number one album for the week was John Mayer's Born and Raised, with 17,800 copies. The album debuted at number two on the Canadian Albums Chart, selling 7,500 copies.

Slash anastasia professional#

Release and reception Professional ratings Aggregate scores It is an "internet rumor" according to Slash that the lead intro riff for "Anastasia" takes inspiration from Johann Sebastian Bach's Toccata and Fugue in D minor, which Slash interpolates live in his version of " Speak Softly Love". On March 26, 30 second samples from "Apocalyptic Love" were made available on. Kennedy, who wrote the lyrics, has said that some of the lyrics on the album are about his past negative experiences with drugs. Slash released the track listing for the album on March 5, 2012. The first single, "You're a Lie", was released to rock radio on Februa 30-second preview of the song was released online with this announcement. The album was finished in February 2012 and was given a May 22, 2012, release date. Slash described the new material as "very heavy". Slash began working on his second solo album in June 2011, and that December, three songs-"Halo", "Standing in the Sun" and "Bad Rain"-had been recorded. Slash later said that his second album would be more of a collaboration album with Kennedy, and said he was unsure whether it would be released under his own name or a new name entirely. Kennedy had previously appeared on two songs from Slash's first album, and was later the vocalist of Slash's band on tour. Shadows, and Kid Rock, he said his second album would feature Alter Bridge vocalist Myles Kennedy as the sole singer. Unlike his self-titled debut solo album, which featured a variety of singers including Chris Cornell, Ozzy Osbourne, M. During his first solo world tour, Slash announced his second studio album.

[whitejeweler]

Welcome to Music Monday when we bring you fun songs with jewelry, gemstones or precious metals in the lyrics or title. Today former Nickelodeon star Victoria Justice expresses female empowerment in her 2013 debut single, “Gold.”

In the song, a girl is trying to tell a long-time buddy that she’d like to be more than just friends.

She sings, “Hey, boy, whatcha gonna do / If you want me like I want you, then man up and make your move / I’m Gold, Gold.”

Justice explained to Artistdirect how the word “gold” in the lyrics is intended to convey empowerment, not conceit.

“It’s not like I’m saying, ‘I’m gold. You should love me because I’m amazing and awesome.’ It’s more like, ‘I feel empowered about myself. I feel good as a woman. I have self-respect. You should go for me!'”

Called the “perfect summer tune” by MTV Buzzworthy, “Gold” combines flirtatious, confident lyrics with an upbeat, carefree vibe.

The 28-year-old Justice became a household name in 2010 when she starred on the hit Nickelodeon series Victorious. With the release of her debut single, she followed the leads of fellow Nickelodeon alumnae Ariana Grande and Miranda Cosgrove, who also transitioned from acting to music.

Born in Hollywood, FL, in 1993, Victoria Dawn Justice made her acting debut as a 10-year-old on The WB comedy series, Gilmore Girls. Two years later, she landed the role of Lola Martinez on Nickelodeon’s comedy-drama series, Zoey 101. From 2010 to 2013, she played Tori Vega on Victorious.

After releasing “Gold” in 2013, Justice took a seven-year hiatus from the music industry, returning in December 2020 with her single, “Treat Myself.”

Trivia: Justice’s love interest in the official video for “Gold” is played by Colton Haynes, who starred in the MTV series, Teen Wolf.

Please check out the video of Justice performing “Gold.” The lyrics are below if you’d like to sing along…

“Gold” Written by Tove Nilsson, Peter Thomas, Jason Weiss, Sam Shrieve, Ben Camp, Jakob Jerlström and Ludvig Söderberg. Performed by Victoria Justice.

I’ve tried to let it go But these butterflies I can’t ignore ‘Cause every time that I look at you Know we’re in a catch-22 We’ve been friends for so long but I Need to tell you what’s on my mind I’m sick and tired of playing games ‘Cause I know that you feel the same

I know you inside out, so I’m asking now Take a chance on me How much clearer can I be?

Hey, boy, whatcha gonna do If you want me like I want you, then man up and make your move I’m Gold, Gold You, me, good as can be, want to be more than your company So bet your money on me I’m Gold, Gold

Do I really need to spell it out? My heart skips when you’re around I got everything that you need So come on baby get close to me So confused that I’m not surprised From greater bells, and rolled the dice Know all your moves, don’t know why I fall Should put me out, but I want it all

I know you inside out, so I’m asking now Take a chance on me How much clearer can I be?

Hey, boy, whatcha gonna do If you want me like I want you, then man up and make your move I’m Gold, Gold You, me, good as can be, want to be more than your company So bet your money on me I’m Gold, Gold

Na ra ta la la I’m Gold, Gold Na ra ta la la I’m Gold, Gold

Been to cool just to tell you straight out, but by now I wish you figured it out, I wish you figured it, I wish you figured it, I wish ya You’re not a fool you see what I’m about, so by now I think you figured it out, I think you figured it out, I think you figured it out, I think ya!

Hey, boy, whatcha gonna do If you want me like I want you, then man up and make your move I’m Gold, Gold You, me, good as can be, want to be more than your company So bet your money on me I’m Gold, Gold

Na ra ta la la I’m Gold, Gold Na ra ta la la I’m Gold, Gold

Credits: Screen capture via YouTube.com.

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[24kmusicmag-blog]

7-Inches For Planned Parenthood Announces Digital and Physical Release Date @ARTISTdirect

Thu, 19 Oct 2017 10:51:15 A release date has been set for the fundraising EP collection 7-inches for Planned Parenthood. The digital format will be available for download on Friday, October 20th, while the physical version ships on November 17th. With the announcement comes the release...