#artctic

[ijustwantedtobeoneofthestrokesuk]

Believe The Hype

Sheffield

Conor McNicholas “Arctic Monkeys killed the NME. I went to see them on the small band stage at Reading Festival, couldn’t get in the tent and kids were singing every word to songs they hadn’t been released yet, they hadn’t even had an NME cover yet. We’d lost control of the conversation. After that, we knew they were going to big but not to the extent that they did.”

The Strokes were the catalyst of this story, their success put the spotlight on New York and it gave the bands who had been struggling before they had even formed an opportunity to strive. Then it was The Libertines who set London on fire but they burned out before the scene exploded but again, they weren’t then first band doing it. This story can only end with one band, who destroyed it for all of the others, simply because, they were better. Everything changed when Arctic Monkeys arrived and they took it in their own hands.

Blaine Harrison (Mystery Jets) “The first time I encountered Arctic Monkeys was a tiny support show we were playing for a long-gone indie band called Dogs in Stockton in Yorkshire in 2005, and Arctic Monkeys were first on the bill. No one knew of them yet but we’d heard their demos through the producer of our first album, James Ford.  

There was about 6 of us in the room when they came on to play, but as soon as Alex stepped up to the mic: ‘Last night these two bouncers…’ we all knew we were watching something very special. When their demos surfaced they spread across the internet like wildfire and were headlining festivals within a year. In terms of their impact, it was incredible to see a band whose lyrics took the idiosyncratic eccentricities of being British and made it on such a huge level. For the first time since Blur maybe. I guess a good riff is global. Maybe that’s the secret. Riffs transcend language barriers.” 

It’s hard to put a defining moment for the band that changed everything...  

Their first gig was nothing to write home about and the early material didn’t stand out but once they cracked the code, something changed for Sheffield’s Arctic Monkeys who’ve not stopped dropping classics ever since. The amount of people trying to watch them at Reading & Leeds Festival, before they had released anything was madness, their (proper) debut single went straight in at number one, as did the record-breaking album. Then there are the headline slots at Glasto and how their sound has naturally evolved over each album. Arctic Monkeys have consistently hit milestones that any band would be proud. All of this wasn’t a surprise, the media didn’t know about the Arctic Monkeys until they had to, even the music industry was caught off guard but those who were in the scene could see it happening, months ahead of it.  

Bill Ryder-Jones (The Coral) “They turned up and changed things, finally we had someone original who spoke about our lives. They changed things more than The Libertines I think.”

The buzz from the demos was unlike anything else before it and it wasn’t part of any clever marketing plan (no hook-up with the NME). It was fan-led and it worked because they were better than everybody else (this wasn’t unique, there were lots of new bands at the time gaining a fanbase because demos were making their way around the forums, but Arctic Monkeys were unique). The Strokes hype was fully calculated, this wasn’t. The internet created a new opportunity to break a band, despite it being nothing to do with the band. Arctic Monkeys killed the scene because they were too good, no other band stood a chance after their arrival.  

Ronnie Joice “The Arctic Monkeys were the explosion at the end of a fuse that The Libertines had initially lit. Their demos online were lapped up by everyone, not only because they were free and there was almost an album’s worth of music there but because they were fucking amazing.” 

Alex Turner, Matt Helders, Andy Nicholson and Jamie Cooke were 4 school friends from High Green in Sheffield who liked football, Oasis and hip-hop. They saw their mates Milburn play gigs in Sheffield at The Boardwalk and they wanted to do the same, Milburn said they could support them when they got some songs. Alex’s dad was a music teacher so he had access to equipment then, at 16 Matt got a drum kit for Christmas and Andy got a bass. The 3 of them played covers together, none of them sang, then Jamie joined in. They briefly had a friend, Glen who came to sing but that didn’t work so Alex sang until they found a singer. None of them had played before and they only practiced when they were together in the garage at Alex’s parents' house so they all learned at the same time. Matt had been a DJ at house parties before, playing UK garage and hip-hop giving him an understanding of rhythm, Alex had an interest in language, other than that, it was a similar story to the beginning of a lot of bands. 

They taught themselves while Alex started to pick up the art of songwriting but he was painfully shy. They weren’t the most outgoing bunch of lads but each one wanted to have their moment in each song, however big or small that was, a sly guitar solo, something fancy on the bass or a drum trick. It might have gone unnoticed by the listener but it played a huge part in the dynamic of the band. Within 2 years they wrote some of the biggest songs of all time. 

James O’Hara “I first heard of Arctic Monkeys on a coach coming back from York having watched Judan Suki (early Rev and Ed band), Alex was playing rhythm guitar with them and played me a track, can't remember which one and can't really remember if I liked it, just remember thinking it was a proper shit name for a band, still do, it's awful.” 

On the 13th June 2003 Arctic Monkeys played their first-ever gig which took place at The Grapes, a pub in Sheffield city centre.  

Like any new band, at first, they weren’t great, they played gigs around the city and used Yellow Arch Studios to practice and write. They’d get all their mates and family to come to gigs to make it look busy. They recorded demos to hand out at gigs. The first bunch of songs were ok but they quickly progressed into something special, so much so that their friend and photographer, Mark Bull (the Sheriff of Sheffield) wanted to share the songs with a friend, instead of giving them the CD he uploaded them online and gave the friend a link.  

Alex wrote the songs, he’d bring them to Yellow Arch and The Attic (around the corner) and they’d add their own parts, practice them then play them at a gig. The songs were just about what happened on nights out, social commentary, similar to the way rappers write.  

This was at a dawn of a new era, MySpace was coming of age, there is a misconception that Arctic Monkeys were ‘a MySpace band’, when in reality they didn’t even have MySpace, they didn’t really understand the internet.  

James “I think everyone in Sheffield knew they were great ages before the press caught on, I do remember turning up to a gig at The Harley and being a bit annoyed that it was so hard to get in. Felt like every person I knew in Sheffield was at that gig.” 

In 2004 these demos that had been ripped from CD started to make their way around the internet, shared on forums, such as the influential .org. This was driven by two fans, the Sherrif of Sheffield and Curly Matt, a student in Nottingham who loved the tunes, which included iconic tracks ‘Dancefloor’ (I Bet That You Look Good On The Dancefloor) and ‘Scummy Man’ (When The Sun Goes Down). The band were completely unaware of their online popularity and were left shocked when they’d start to play outside of Sheffield and not only have fans but have fans who knew the words to the songs.  

James “I think the file-sharing helped get people to gigs and then they blew people away and I think they were, in large part, blissfully unaware of what was going on online.” 

2005 started with Arctic Monkeys playing to a handful of people at gigs in Sheffield, by May they sold out The Boardwalk, then in July The Leadmill could have sold out several times, a month later it was those famous Reading & Leeds Festival shows.

Up to this point, they had only officially released 2 songs, Fake Tales Of San Francisco and From Ritz To The Rubble on a local label. But everyone (well, the indie kids on the forums) knew the songs from the demos, which was basically the debut album. After that there was a bidding war, they could have cashed in and signed to a major label offering £££’s but they chose Domino Record Company instead, an independent label who took the band to Lincolnshire, away from distraction to record the most important album for a generation.  

Paul Melbourne “After The Libs changed everything, Arctic Monkeys did it again but in a bigger way, and there's not been another band since that has released consistently good and evolving music the way they have.” 

In the video for the band’s first ‘proper’ single, I Bet That You Look Good On The Dancefloor (which topped the singles chart in October ‘05) Alex told viewers not to “believe the hype”.  

Luke Travers “I remember watching the music video for I Bet You Look Good On The Dancefloor and seeing Alex Turner and Matt Helders wearing Fred Perry polo tops, I instantly got my mum to buy me one. I remember watching Matt Helders drum and thinking that's all I want to do.  

I think they connected with kids my age with how rough and ready they were, I never worried about getting spots again when I saw them on TV, looking like an average teenager, as weird as that sounds! They shaped a lot of my life from school going into college and as their music/appearance changed I felt I changed as well. I think seeing they could do it made me feel I could as well which really got me into music, I put down my skateboard and focussed all my time on playing the drums. Music to this day is still a massive part of my life and it started with that.” 

The hype, which was growing by the day was justified when debut album, Whatever People Say I Am, That’s What I’m Not was released in January 2006 (a week early as it leaked online), becoming the fastest-selling debut album in UK chart history. It was an album written by teenagers, about teenage life. About girls, nightclubs and scraps. It sounds so simple but it was Alex Turner’s capability to make everyday life sound so poetic. It was a generation-defining band and set an unrealistic standard for all of the other bands to keep up. 

Conor McNicholas “People think of Arctic Monkeys as an indie band but, early on they were probably more influenced by Red Hot Chilli Peppers’ Blood Sugar Sex Magik and hip hop. The way Alex delivered lyrics and Matt’s drumming came from hip-hop. They connected with people, they looked great, they had an attitude and their songs were amazing, they weren’t fucking great.  

We booked them on the NME Tour for January and February 2006, the band were adamant that they wanted to be first on, the slot that Coldplay, Franz Ferdinand and Kaiser Chiefs had previously played but they were the biggest band in the country. It simply wasn’t possible, venues wouldn’t allow it, fearing crushes. They should have headlined but they wouldn’t, Maximo Park had to, and every night they had to play after the most important band of a generation, it was morally destroying them “

From then the band had ‘made it’ but no one ever expected them to go on to do what they have done. They weren’t ‘cool’, they didn’t live the rock ‘n’ roll lifestyle or seek fame like some of the others in the scene did. In the early days they avoided interviews and award shows as they found those situations uncomfortable and unnecessary at the time, many mistook their shyness for arrogance.  

James “They dealt with early success with commendable maturity and resilience. They had and still have an unerring ability to sniff out bullshit, if something doesn't feel right they don't do it. It served ‘em well and it continues to serve ‘em well.” 

There seem to be conflicting stories around the departure of bassist Andy, who was replaced by an old friend, Nick O’Malley who was in another Sheffield band, The Dodgems. At the time we were told that Andy was uncomfortable with the pressure of success and attention however Andy has spoken years later and that wasn’t the case. These were times when mental health wasn’t discussed, especially when it’s teenage lads living out a dream. The band was writing songs for the second album on tour, during sound checks, after a UK tour they had 1 day off before heading on a European tour, then 3 days off before an American tour followed by studio time. Andy needed to sort something out at home with the family and told the band he needed some time off. Nick stepped in for the American tour, Alex was going to play bass on the recordings. When they returned from America Andy was told he was no longer in the band.  

They didn’t speak for 2 years after the meeting and Andy doesn’t have memories for the following few years as he, understandably struggled with depression and suicide but he got help, time healed it. They are mates again now. When the band headlined Glastonbury for the first time in June 2007 he watched them on TV at home, alone but in a home bought with money from the songs they were playing.  

Having been to Leeds Festival as punters in 2003 and 2004, then packing out the Carling tent in ‘05, the lads found themselves on the main stage in ‘06, playing just before headliners Muse, having released just one album. It takes most bands years to get to this stage, none of them could have even played their instruments 4 years previous, now Matt is confidently drumming in a tracksuit.  

Like The Strokes with Is This It, all eyes were on Arctic Monkeys to see if they could replicate the magic of the first album with a second, and the answer was yes. Favourite Worst Nightmare came out just 14 months after the debut, it flowed with more greatness and showed progression. The quick follow-up allowed them not to milk the success of the debut, they weren’t comfortable heading out on an arena tour just yet. Many bands would dine out on the ‘if it ain’t broke, don’t fix it’ mantra but the secret to Arctic Monkeys success is that they haven’t stood still. Each album they release shows progression, Tranquillity Base Hotel & Casino took a huge left turn but like the rest of the back catalogue, topped the UK album chart, only The Car didn’t, but it was competing with Taylor Swift…

Conor McNicholas “I wasn’t surprised how commercially successfully Arctic Monkeys became, firstly they were British, British bands always do better because they are ‘for us’, but they were just brilliant.  

For Arctic Monkeys to be a great band the second album had to be good. I was invited to Domino Records office, sat in a room with huge speakers, a cup of tea and left to listen to Favourite Worst Nightmare. As an editor, if what comes out of these speakers is good we can run with this, covers, interviews, tours… if it’s shit I’ve got to get the fuck out of here, drop this band and find an equivalent act ASAP. If it’s not good it will just tank. 

All of these things were going through my head then that drumbeat opens up on Brianstorm from these speakers, like bam. The production levels had just gone up, the scale of it, I nearly cried, I knew within 3 seconds that they were going to be one of the biggest bands. The album just flows, it’s in my top 3 albums released during my time at the NME. I knew that was the pinnacle, no way they’d do it on the third, no band ever does. Humbug didn’t hit the mark but they got their shit together again.  

They only did interviews with the NME when they were told to but they never enjoyed them, at least one interview for every album release and ideally at Christmas, they had a sense of humour.” 

While Arctic Monkeys were the biggest band in the UK Alex went off and worked on a side-project with Miles Kane (who had supported Arctic Monkeys in previous bands, The Little Flames and The Rascals) and producer James Ford (long-time collaborator). The Last Shadow Puppets had a ‘60’s pop-inspired sound and it was the start of Alex ‘performing’. The 2008 debut album, The Age of the Understatement is grand and bold, the long-awaited follow-up, Everything You’ve Come to Expect (2016) is playful and when they toured it, Alex showed a touch of Bowie as he confidently strutted on stage. 

After 2 huge albums and major tours behind them Arctic Monkeys headed to the States to record their third, heavier record, Humbug (2009), in LA, produced by Queens Of The Stoneage’s Josh Homme (you can hear his influences) then in New York with James Ford, Humbug might have shown a new sound to the band in everything from the lyrics being less ‘to-the-point’ and the drumming was heavier. There wasn’t the ‘hit’ singles on Humbug, compared to the first albums but it highlighted the band’s new objective, to be more dynamic in the studio and explore more sounds. The album gave them the freedom to do what they wanted going forward. 

A solo project for Alex (Submarine an EP (2011), the soundtrack to Richard Ayoade’s film of the same name) and the easier-on-the-ear 4th album, Suck It and See (2011) bridged the gap between the time turned up the gears once more. 7 years since the release of their debut album, Arctic Monkeys were an established band around the world with 4 albums that showed ambition, America was the home for Alex and Matt but as a band, they hadn’t “made it” there, yet…

Then AM arrived in 2013, a slicker, sharper, leather jacket-wearing band appeared and delivered a flawless and concise album to match their new look. From the moment AM kicks in with Do I Wanna?, then into R U Mine? you know this band means business. The hysteria was back, the band cracked America and they headlined Glastonbury for a second time. What else was left for the band who sold millions of records, headlined the biggest festivals and won the awards?

Well, they kept people guessing and waiting. The band wanted to go into the studio after a lengthy AM tour but they were empty. They gave themselves some space as they hit their 30’s, Jamie and Nick were living in Sheffield, Matt was still in LA (working on various projects, including a Iggy Pop album). After touring the second The Last Shadow Puppets album Alex moved to Paris, and for the first time he wrote songs on piano, initially for a solo project. After sharing the demos with the rest of the band, it turned into a very different 6th album.

There’s no point second guessing where Arctic Monkeys will go, nobody would have thought they’d get a lounge album when they dropped Tranquility Base Hotel & Casino. There was no lead single, or press shots that would guide you like the leather jackets and hair cuts that came with AM. The reaction was mixed. Fans loved it or hated it, reviews were the same. One of the hardest things for the band after releasing their debut album was avoiding to repeat it, it was so successful it would have been easy to milk it, now they couldn’t sound any further away from it. It was 5 years between AM and the follow-up, it might not have been as successful as the previous albums but there was a thirst for the band and when they toured they seamlessly fit in their new piano-heavy tracks alongside indie disco hits with ease.

Again, don’t bother predicting what album 7 would sound like, people were expecting they would return to the heavy sound of AM but no, The Car arrived in 2022 and it followed with more puzzling, piano-fueled tracks that Tranquility Base Hotel & Casino offered. In some parts, it was heavier, in other parts delicate. Alex works on a different level to anybody.

As bands go, Arctic Monkeys define a generation, they haven’t followed trends or made money moves and they have repeated themselves. Alex might cringe when he is still having to sing the lyrics he wrote as a teenager. He’s probably not been on a dancefloor in 20 years but those hits will be passed down, generation to generation, like any culturally important songs are. 

Is This It, Up The Bracket and Whatever People Say I Am That's What I'm Not had an impact on society that goes beyond them being just great albums. Without Is This It we might not have got either The Libertines or Arctic Monkey, and while Alex Turner confesses that he “just wanted to be one of The Strokes” on Tranquility Base Hotel & Casino opener, Star Treatment, The Libertines definitely made it look possible. 2 decades later and they still sound exciting. Some bands are only important in the “moment” but we have lived through that, we can look back, remove the context and The Strokes, The Libertines and Arctic Monkey still matter (beyond the Y2K revival Gen Z trend).

[d0ttiezz-x3]

seeing one post here related to club penguin and homestuck crossover has given me an idea to look at every possible classpect definition and re read dreamself stuff to assign them to all epf agents (aunt artctic, rookie, gary, jet pack guy, dot and paige)

ill update you guys once im done with all of it

[m3l4nch0ly-h1ll]

I wanna meet more alt trans guys on tumblr!! What kind of bands do you like to listen to?

Ayee I'm glad to have someone ask! I love Queen, Gorillaz, Mother Mother, Artctic Monkeys, and Chase Atlantic. I need to get more into alt music but I have a thing for dark and indie music too, like Phoebe Bridgers.

[lastofthepencilpushers]

Color vs. Monochrome

That's probably the appropriate Artfight theme for @yaizaworld10 's sibling characters Milie "Rainbow" and Luke "Monochrome" Long.

They're not only as opposite as the aforementioned theme, but some of the other official (and proposed) themes as well:

Sun/Moon

Dream/Nightmare

Bloom/Wither

Heroes/Villains

Order/Chaos

Creation/Destruction

Tropic/Artctic

Still, they do love each other despite their differences.

This may be just a speculation, but if these two were competing in that "Color vs. Monochrome" duel, he might've "rubbed her face in it" after seeing the results.

Hope you like this as much as the artist does.

[cclawdd]

and then they all stood up and clapped and artctic monkeys walked in the room and played 505 life in class!!!!!!!1!!1!!''!'

[the-ladida]

Artctic Monkeys - AM

it bothers me that you often don't really hear about people having a "favorite album" the way they might have a favorite movie or favorite video game

[kalvanreaped]

@ Kalvanreaped

- ND, genderqueer Finnish entity

- Koiri, 18 y.o, Ashlin, he/it/xe/sie/shy.

- holothere - Transspecies - alterbeing - ++ more.

- pronouns.cc & pronouns.page (to be added)

- interacts from @ Reveseke.

— starting line.

No discrimination of any kind here. I am pro-para, anti-contact & pro- safe recovery. I am pro alterhuman, nonhuman, transspecies and so on, of course. I am pro contradicting labels & good faith labels.

I am not part of ship- or syscourse, do not drag me into the dumpster fires they both are. I find both discourses' rad antis and pros extremely harmful and I do not want to be part of that In any way, sharp, or form.

I do not condone demonization or romanticization of any mental illness or personality disorder. I do not condone harassing, sui baiting, or witch hunting of any kind if you do, do not follow me.

I am anti rad//qu.ers, wrongfully used Trans.X/-id folk, xeno//satanism. Racists, zionists, white (or any race) supremacists, facists and those who shove down religion and arm chair diagnosis on people's throats.

— ending line

List of identities below cut.

Theriotypes;

KIN; Canine clado; mutt, coyote, manned wolf, African wild dogs, domestic sighthound (unsure which, maybe borzoi?), eel, magpie, wolverine, and hyena.

LINKS; crow & jumping spider emotionalinker

Fictotypes;

KIN; Ashlyn banner (holothere), MC spectator, Sentinel, lycanwing, monstrous nightmare, and speed stringer, Houndoom, Lucario, and poochyena + houndoom & onyx cross.

LINKS; The Green & Red Lion conceptlinkers & Pidge and Scrapraptor otherlinker. Logan Fields emotionalinker.

Deityfolk & adjacent types

Kin; deity of medicine and death, deity of crossroads and the lost, eldritch deity, hostiaen. Oracle and death omen & harbinger.

Othertypes

Immortal, zombie; infected/plagued one. Merfolk; scavenger & carrion feeder merfolk, (fluid region merfolk, primarily artctic & tropical merfolk.). Apocalyptic scavenger, eldritch mimic (human mimicker), dog/houndboy hybrid. Revenant, time traveler. Winged being, Glitched being, faceless, cryptid.

Conceptype;

Winter & surma.

Other other

Undead, ghostly, folkloric and celestial nonhuman. Anjesque without being an angel, and para-anthro + alteranthro.

Species specific:

Morima, calamoer, drakemoian (specifically fear & melancholy drakemoians), eldrorian, aniluma, korathioner; chioner & vathmer specifically, but relation to koramer. Suianis. canithrope

[silentwulfdogs]

Welcome to my lair

this is a side blog of @carnivore-buffet

hello! I'm Joel! Here's some basic info about me

Pronouns, Genders

He/him Dog/Dogself Wolf/Wulfself Woof/barkself Any masculine/canine related neos!

I am transmasculine- but have not come out to anyone. I have lots of xenogenders too but thats another section of the pinned post

Theriotypes, kins

Wolfdog, Artctic wolf, Caribou/reindeer, Elasmosuarus, Utah Raptor

Felinekin, Caninekin

-fictionkin-, Questioning a game of thrones character?

Disorders, alterhumanity blah blah

Pshycopath w/ some heart,Random shifter ( impulses via theriotypes via OCD, like doing quads), High-functioning OCD ( impulses, control over some), might have some osdd/did because I have a headspace- ENTJ, Therian, Otherkin, Fictionkin

Interests, hobbies, fandoms

Furry fandom, GOT, WOF, WC, TLOU, ( wow 4 in a row) Fursuiting, Biology, Marine bio- i mean taxonomy, oil painting, all that good WOF artist bullshit, fishing, hunting, foraging, mushrooms and edible plants, quadrobics- theres more...

I do moodboards, stimboards, fashionkits ect.. heres the stats and formats.. Moodboards: Open! Stimboards: Closed fashionkits: YES. playlists: closed

i do other formats, but this is my main.., can add more pictures too, change outline size blah blah- big ol star watermark is my watermark, can remove if ya want.. woof fucking keep it you bitch!

fashionkit format: n/a i forgot where i put the bitches in my folders

[harley-quinns-riddler]

Arctic Inferno by Geza Tatrallyay - #BookReview

The Book Review Artctic Inferno is an incredible sequel to an environmental thriller by the always fantastic Geza Tatrallyay. Who’s ready for an international environmental thriller that will honestly make you kind of scared it could happen tomorrow? Okay, maybe not the anxiety inducing side of it… but the thrilling read? Hanne Kristensen, our geologist lead, is back and working with the newly…

[kamisden]

love seeing the mossy etho and artctic fox trend just to remember my hc9 etho is already pretty mossy

the slab called etho but but he's an overgrown alien-

Just binged his season 9 hermitcraft episodes so far and I just really like the theme and colour palette of his base, this is the consequence.

[megu-meow]

Lol, I saw your question post, so I hope you don't mind :)))

3. When is your birthday?

4. What is your zodiac sign?

8. Where are you from?

12. What was your last dream about?

15. Favorite song?

17. Who would be your ideal partner?

28. What type of music do you like?

63. Biggest Fear?

69. Extrovert or Introvert?

71. What makes you nervous?

86. What are you allergic to?

Lmao sorry for all the questions 😂💕

OMG thank you for all the questions, I'm so excited >.<🥰

3. When is your birthday?

July 22

4. What is your zodiac sign?

I'm a cancer lol :)))

8. Where are you from?

I'm from Hungary, but I live in Denmark now

12. What was your last dream about?

The last dream I remember was lie a week ago: I was basically in the Harry Potter universe and I was the Chosen One, not Harry. So I was being hunted down by Voldemort and his Death Eaters and they finally got to me, but then I realised that I have powers like Gojo, so I had infinity I guess, because they were casting spells towards me and none of them reached me. I wanted to try using Hollow Purple on Voldemort, but my roommate/best friend was captured by Bellatrix Lestrange and they would have been caught in it, so I didn't. I think I woke up after that :)) I've been having very crazy dreams lately, I guess it's from melatonin.

15. Favorite song?

This is very hard, I LOVE music, I can't function without it.

All time favorite I would say is Self Control by Frank Ocean, but currently it's fool4love by ericdoa.

17. Who would be your ideal partner?

I think I want someone with goals in life. I don't really like people that are okay to settle and do not try to achieve something. Also, I feel like I would be most comfortable with someone that is good with communication, I think that's essential in a relationship.

28. What type of music do you like?

I mostly listen to rap and trap, but I like everything, honestly.

Some of my favorite artists would be Kendrick Lamar, J Cole, Lana Del Rey, Kid Cudi, Artctic Monkeys, etc.

63. Biggest Fear?

Death for sure. Also, snakes. I hate snakes, they're very scary.

69. Extrovert or Introvert?

I feel like I'm somewhere in the middle between the two. It really depends on my mood, usually I'm friendly and outgoing, but if I'm not in a good mood I like to be alone without talking to anyone. I think I'm leaning towards extrovert more.

Even this quiz, I've taken it like 5 times, and every time it's either INFP or ENFP, it really depends on my mood.

71. What makes you nervous?

I don't really know, probably confrontation.

86. What are you allergic to?

Oh boy, a lot of things :)))

Fruits with small seeds - like berries, UV light, some painkillers, bees, bleach, pollen, etc.

[youneedone2]

Smile by Paul Nicklen

[ahmetanak]

I have some photos, but not many. Not enough to cross five fingers of a hand when I push my memory. This photo is one of them in January 2017; Arctic Circle, Rovaniemi Finland. This walk I took is called White Silence. I don't know what he's telling you, but the effect he has on me is still his name, White Silence. There are also some photos; calls you again. That's one of my photos. My review for Practical Photography, one of the UK's famous magazines. I've prepared for the December issue. In my link profile for Luminar4, you can contact me for Luminar3. Ich habe einige Fotos, aber nicht viele. Nicht genug, um fünf Finger einer Hand zu kreuzen, wenn ich mich erinnere. Dieses Foto ist eines davon im Januar 2017; Polarkreis, Rovaniemi Finnland. Dieser Spaziergang, den ich gemacht habe, heißt White Silence. Ich weiß nicht, was er dir sagt, aber der Effekt, den er auf mich hat, ist immer noch sein Name, White Silence. Es gibt auch einige Fotos; ruft dich wieder an Das ist eines meiner Fotos. Meine Rezension für Practical Photography, eines der bekanntesten britischen Magazine. Ich habe mich auf die Dezember-Ausgabe vorbereitet. In meinem Linkprofil für Luminar4 können Sie mich für Luminar3 kontaktieren. J'ai quelques photos, mais pas beaucoup. Pas assez pour croiser cinq doigts d'une main quand je pousse ma mémoire. Cette photo en fait partie en janvier 2017; Cercle arctique, Rovaniemi, Finlande. Cette promenade que j'ai faite s'appelle White Silence. Je ne sais pas ce qu'il vous dit, mais l'effet qu'il a sur moi est toujours son nom, White Silence. Il y a aussi des photos; vous appelle à nouveau. C'est l'une de mes photos. Mon commentaire pour Practical Photography, l'un des magazines les plus célèbres du Royaume-Uni. J'ai préparé le numéro de décembre. Dans mon profil de lien pour Luminar4, vous pouvez me contacter pour Luminar3. #madewithluminar #luminarfeatureddecember #luminaraccentai #ahmetanakcollection #nikon #myshot19143 #finland #artctic #northpole (Rovaniemi, Finland) https://www.instagram.com/p/B2R6_wshL8M/?igshid=1wck7nod02i14

[ooh-love]

Polar Bears: A Summer Odyssey

[arcane-trail]

🔮Enchanted & Mystical Blog 🔮

[avi-mation]

*Phil joined the party*

*SBI assemble complete*

Don't mind Techno, they are a family, thank you very much