#art nouveau brooch

[mote-historie]

1890 René Lalique, Swallow Brooch/Hair Ornament Combination, diamond and enamel.

[gemville]

Art Nouveau Plique à Jour Enamel, Green Enamel, Blue Sapphire, Pink Sapphire and Diamond Dragonfly Brooch, Circa 1900

Source: sothebys.com via Pinterest

[binenbaumaj]

Sapphire 14k Floral Brooch 14934-8433

This lovely floral brooch features a pink sapphire that shines with a delicate pink color. The brooch is set in 14k gold and has the Dutch hallmark, which confirms its quality and origin.

Details: pink Sapphire, 14k Brooch.

Dimensions: 2.9 x 1.6 cm.

Weight in grams: 4.2.

Condition: Very good condition - slightly used with small signs of wear.

This glorious piece ships from our store in the center of Amsterdam, The Netherlands.

We offer both registered shipping and local pickup at our store, with any applicable shipping costs refunded in the case of local pickup.

Add some sparkle to your style with Binenbaum.com. We offer a stunning selection of antique and vintage jewelry that you won't find anywhere else. Whether you're looking for a timeless ring, a dazzling necklace, or a unique brooch, we have something for every taste and occasion. Visit our website today and treat yourself to a piece of history.

https://www.binenbaum.com/product/sapphire-14k-floral-brooch-14934-8433/

[boylerpf]

Magnificent gold and enamel plique-à-jour pendant/brooch designed as a “Morning Glory”. It was once part of the collection of Ada Rehan, a popular actress of the late 19th century who starred in several Shakespearean plays.

Work signed Marcus & Co around 1900. Via The Newark Museum of Art collection

[melanchol1e]

Art Nouveau Sterling Three Swallow Brooch

[fashionsfromhistory]

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)

[frostedmagnolias]

Marsh-bird brooch

c. 1901-1902

Designed by: Charles Robert Ashbee

Gold, silver, enamel, moonstone, topaz, freshwater pearl

MFA Boston

[wgm-beautiful-world]

Art Nouveau - Brooch by Philippe Wolfers, Circa 1900 - Gold, enamel, opal and diamonds

[shewhoworshipscarlin]

Art Nouveau brooch, 1890s.

[recherchestetique]

Divine “THISTLES”, by René Lalique

[dozydawn]

Art Nouveau brooch features a diamond set enameled snake around a large freshwater pearl. The brooch was made by the Newark, New Jersey firm of Krementz & Co.

[paletapessoal]

Necklace by Georg Kleemann, c. 1900

Brooch, unknown, c. 1905

Pendant, René Lalique, c. 1900

[gemville]

Art Nouveau Opal and Diamond Brooch Pendant

Source: vicmart.com via Pinterest

[fashionsfromhistory]

Bodice Ornament & Hair Comb

René Lalique

1903-1904

The Art Nouveau style caused a dramatic shift in jewellery design, reaching a peak around 1900 when it triumphed at the Paris International Exhibition.

Its followers created sinuous, organic pieces whose undercurrents of eroticism and death were a world away from the floral motifs of earlier generations. Art Nouveau jewellers like René Lalique also distanced themselves from conventional precious stones and put greater emphasis on the subtle effects of materials such as glass, horn and enamel.

René Lalique, 'the admitted king of Paris fashions', chose his materials for aesthetic effect and artistic refinement, not for mere preciousness or brilliance. Credited with introducing horn into the jewellery repertoire, he dazzled the public with a collection of ornamental combs made of horn. They were moulded and sculpted in the shape of flowers, waves and butterflies.

Victoria & Albert Museum (M.116A-1966 & M.116A-1966)

[frostedmagnolias]

Art Nouveau 18ct Gold & Diamond Brooch of a Fox in Foliage

c. 1900-1910

[wgm-beautiful-world]

RENÉ LALIQUE (1860 - 1945) ART NOUVEAU - The Kiss brooch, gold, emanel and ivory. Circa 1900 - 1902 FRANCE. Museum Calouste Gulbenkian, Lisbon, PORTUGAL