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da-rulah · 10 months ago

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Rubenesque - Secondo x F! Plus Size Reader

Summary: Retirement had its perks. For Secondo, one of those was being able to spend much more time on the things he enjoyed. And there were only two things he truly enjoyed these days; art, and you. Although if you asked him, he’d insist that they were one and the same.

So how would he react when he learns that your peers are mocking your sinfully gorgeous body, and you're struggling to love yourself?

Rating: Explicit, 18+ Only

Word Count: 7.8k

Warnings: Fatphobic comments, low self esteem, sensual sex, semi-public sex, fingering, oral sex (f receiving), body worship, p in v sex, creampie

A/N: Yes, this is self-indulgent. Sue me. And whilst it is a plus size reader fic, anybody can still enjoy Artist Secondo who enjoys his women...

Disclaimer: The painting in the header has been modified using photoshop to edit out a creepy old man. It is a Rubens painting, named "The Hermit and the Sleeping Angellica". It's important to also note, Rubens never painted any scenes for the satanic church. This is fiction for this particular story.

ALSO AVAILABLE ON AO3 | TIP JAR

Retirement had its perks. For Secondo, one of those was being able to spend much more time on the things he enjoyed. And there were only two things he truly enjoyed these days; art, and you. Although if you asked him, he’d insist that they were one and the same.

Except, you were finding it harder and harder to believe him in that regard. With the whispers of harsh siblings as you passed in the hall managing to reach your ears, you were struggling more and more to understand why you were one of Secondo’s favourite things at all. He was unaware of your harsh feelings towards yourself, let alone of the whispers in the halls. But then, now he spent most of his time in his art studio on the edge of the grounds, you weren’t surprised that he was oblivious to the going’s on in the Ministry. Now that his younger brother was running the show, he didn't have to meddle quite so much in the politics of the Clergy. He’d only get involved when they tried to undermine Terzo; something he would never stand for, no matter how much he aggravated him. The burden had been passed on, and after decades of devotion and servitude, he figured he’d earned a little respite.

His studio was his sanctuary. Few were allowed to set foot inside; the exceptions being his brothers, and you, naturally. You still remember the first time he invited you in. It had been one of your first official dates, and he’d set up a quaint little dinner by candlelight surrounded by his art and tools, showing you a piece of him so heavily guarded from the outside world, lest they think he’d gone soft.

The studio itself was rather beautiful. It had once been a greenhouse, ornate green iron housing panels of thick glass from floor to ceiling. The panes considered as walls were covered in old stained-glass patterns of every colour in the shape of intricate florals. It had belonged to Papa Primo before, but in his old age, he simply didn’t have the time to run multiple greenhouses, and chose to keep the ones he did work out of closer to the Abbey itself to save him the trouble of a long walk. But for Secondo, it was perfect.

Now out of commission, the old greenhouse had been repurposed into his own studio. Shelves of pots had been replaced by blank canvases; racks of plants now saved for his supplies. He’d added a potter’s wheel and small kiln at some point too – one of his many artistic adventures that he revisited from time to time.

But his chosen medium had always been oil paints. Despite his talents in clay sculpting, pottery, sketch work, watercolour - any and all of it - oil paints were the greatest weapon in his arsenal. Many of his paintings hung in the Ministry, amongst the art commissioned centuries ago by various painters of the Renaissance and Baroque eras. Some of these painters had been commissioned to do large pieces in Catholic places of worship too, but had been swayed by the money and a promise of a life free from judgement to paint beautifully dark imagery throughout.

Secondo’s oil paintings fit right in, his style similar to the artists he’d admired for much of his life. His subject matter varied, from beautiful scenes of sin, to intricate studies of the human form, to landscapes and still life. You adored his work, finding yourself having to rotate the canvases you hung in your quarters when he’d gift you a new one every so often.

As Secondo spent the summer evening on the finer details of a scene from the Book of Revelations, the sun had begun to illuminate the colours of the stained glass with a warmth that cascaded over the stone floors. When you’d quietly entered into the studio so as not to disturb his focus, you were struck yet again by the beauty of his hideout.

The coloured rays of light cascaded over your lover, stood at his easel without any acknowledgement of your arrival. How one man could look so dreamy, as if he’d been plucked from the most romantic of novels, was beyond you. You could only see him from behind, but it didn’t go unnoticed how his shirt sleeves were rolled up to his elbows, the fabric stretching over his thick arms and solid back and tucked into his slacks. His apron was tied around his waist, pulling him in and showcasing a strong torso that Pythagoras himself would theorise about.

Secondo was an artwork you wished you could paint and immortalise yourself. But you’d have to settle for committing this to memory instead as you approached where he stood, pulling a stool from a workbench and gently setting it down beside him.

“Buonasera, amore mio,” he greeted as you sat, never taking his eyes from the canvas as his fingers handled his brush so carefully.

“That’s beautiful,” you told him honestly, eyes scanning the half-finished work of the Whore of Babylon atop her beast of seven heads.

Secondo smiled, his eyes flicking to the side to look at you briefly as he muttered a “grazie.” He continued the detail he was trying to finish, the two of you settling into comfortable silence. You hadn’t come here to chat, anyway – more to escape, than anything. You had once again heard harsh whispers of cruel siblings as you’d passed them in the halls not twenty minutes before deciding to find Secondo, and you weren’t sure you could take anymore today. You simply wanted his company.

“I may need your assistance soon, mia musa (my muse),” he announced after a few moments of quiet. “I will finish this soon, and I need some... inspiration,” he paused to smirk back at you momentarily, “for my next work.”

“What could I help with?” you asked, your tone somewhat dejected. Secondo stilled, his brow creasing as his head tilted slightly in your direction enough to be able to study you. If you’d been looking at him instead of your fingers in your lap, you’d have seen the way he squinted at you, noticing everything.

“I want to paint you, mia musa,” he explained so gently, reaching towards you to tilt your chin up to him. When he met your eyes, he knew instantly something was the matter; you never avoided his gaze like that.

“I wouldn’t make a very good subject matter...” you shook your head, standing up and wandering over to the rack of finished canvases Secondo was yet to do anything with. You looked through them, your mind elsewhere unable to really take in the art itself.

Secondo studied you from his easel, watching with concerned curiosity. Something wasn’t right; that was incredibly obvious to him. He’d known you long enough and intimately enough to know that you weren’t yourself. And it didn’t sit right with him that you were putting yourself down either.

You ran your fingertips over the tops of a particular art piece of his, feeling the texture of dried paint as your thoughts raced through every comment you’d heard through the halls since your relationship with Secondo had gone public. Such hurtful things about you and how you looked...

“At least Papa Secondo is strong - he’ll need to be...”

“I know... he could have his pick of sisters, and he chose her?”

The laughter and digs at your body rattled around in your head; so much so, that you weren’t aware that Secondo had noticed at all until two strong arms were wrapping themselves around your waist from behind you, his unusually bare palms flattening against your stomach which had you recoiling instinctively. Secondo’s hold on you loosened, his hands hovering around you instead as he tried to work out what he’d done wrong.

“Amore, I-”

“I’m uh... I’m sorry, just...” you back peddled, trying to find an excuse for how you were acting that wouldn’t result in more questions, but you had nothing. Instead, you slid out from between him and the rack in front of you, back to his easel to find something to occupy your hands and avoid further conversation. You’d come here to watch him work in silence, to avoid people yet to not feel alone. You didn’t want to talk about this and make it into a bigger deal than it was.

But Secondo watched you still, feeling oddly rejected for the first time with you. You’d never refused his touch before, never run away from him before. He could only imagine he might have said or done something wrong... Perhaps he was spending too much of his attention on his art and not on you. But that had never been an issue before – he’d always made such an effort to balance his affections.

He took a few steps towards you, slowly like he was testing the waters, but you could barely even look at him, studying his half-finished painting instead as your cheeks began to ache from holding back unshed tears.

“Have... Have I upset you, amore?” he asked cautiously, keeping his distance if that’s what you wanted. You pressed your lips together hard, taking a deep breath in and shaking your head. “You can tell me, I won’t be angry. I’d like to know so I could correct it-”

“You haven’t,” you interrupted him, still focussed on the painting as one pesky little tear dripped down your cheek. With such a keen eye for detail, he noticed immediately, and his chest tightened. He was at your side in just a few quick strides.

“Amore, what is it?” he asked, frantic but being so gentle with you as if he’d break you with a simple touch. His fingertips once again guided your chin to look at him, and when you saw the concern and fear in his eyes you could hardly hold up the dam anymore.

You tried to speak, but the words got stuck in your throat. You didn’t want him to worry, and you knew if you told him everything, he’d want names. But now the tears were flowing, it made speaking all that much harder. Secondo waited patiently, wiping at the tears as they fell with the pads of his thumbs.

“I just... I’m not sure I understand why... you’re attracted to me,” you hiccupped, your shoulders shaking, eyes trained on your feet. Secondo was taken aback... Why wouldn’t he be attracted to you?

“Amore, you... you are one of the most beautiful creatures I have ever laid eyes on, what are you talking about? Have I not been making you feel so?” he panicked, immediately thinking perhaps he had been neglecting you in some way. But surely not, he told you how beautiful you were at least once a day in some shape or form. And it wasn’t as if your sex life together had been dwindling...

“N-no, I know you are attracted to me, I just... Don’t understand why,” you sniffled, meeting his eyes. “Nobody else would-”

“Why does anybody else matter?” That stumped you. You couldn’t explain yourself without informing him of what he didn’t hear himself when he spent his days in his studio, away from the whispers. You didn’t have much choice, here...

“They... they talk,” you mumbled.

“Who?”

“The siblings. They whisper, they believe you deserve better, they don’t understand why you would pick me.”

Secondo’s face darkened, the hard lines of a lifetime of stress forming deeper crevices across his brow. He was infuriated to know that members of his own congregation could be so narrow minded, despite the decades of teachings of what beauty meant and learning to accept anybody and everybody, no matter who they are or how they looked... But above that, he was enraged at the thought they were hurting you. He would find them and tear them a new asshole – but his first and only concern was you.

“There is not a single thing about you that isn’t beautiful, amore. Do you not see it?” That only made you cry harder, because no, you didn’t see it. You had struggled with your body image for so long, and while you did your best to tell yourself you were beautiful despite your hang ups about your weight, you’d never come to love yourself in the way you intended.

“I just... I struggle to see how all this,” you gestured to your body, “is beautiful. It’s not easy when the world is constantly telling you your body is wrong,” you cried. Secondo had no idea of the years of torment you’d faced at the hands of your peers, no matter where in life you found yourself. Beauty standards had plagued you for the longest time, and it constantly chipped away at the shred of self-confidence you had.

Secondo stepped closer to you, an arm wrapping around your waist and pulling you closer as he wiped your tears again. “There is nothing wrong about your body, mia musa. You are un'opera d'arte (a work of art), no?”

He was doing his best to comfort you, to tell you how exquisite you were but he could tell in the way you looked away from him with a small shake of your head that you didn’t believe it. All those years of being told your body wasn’t attractive had worn you down, and now you were hearing it all over again in the one place you should be able to feel truly comfortable. Secondo wouldn’t stand for it.

The arm around your waist dropped to untie his apron, lifting it from over his head and throwing it down onto the stool he’d been working from. Then he threaded his fingers through yours, with a tight and reassuring grasp. “Come with me,” he told you, giving your hand a light tug as he stepped back. You followed him, allowing him to walk you out of the studio and through the gardens towards the Abbey. Panic washed over you, thinking he was taking you to confront the siblings in question.

“Secondo, I don’t want to talk to them-”

“That’s not where we’re going,” he assured you, “but they will be dealt with.” His protectiveness of you made your chest ache. How did this man adore you this much? You may never know.

The grounds were relatively deserted. The sun was dipping below the mountainous horizon, casting a deeper orange glow over the Ministry and signalling the end of another day. The majority of Siblings were busy with their own lives, spending their downtime in the mess hall or in their dorms. A few stragglers were walking through the halls, including a couple of the siblings who’d whispered such cruel things to you.

Secondo felt your hand squeeze his momentarily, and when he looked, he saw the look of embarrassment on your face as you walked towards them. He put two and two together very quickly when the siblings in question watched on, staring at you with amused little smiles. As Secondo marched you down the hall, his glare stuck on them and the moment they looked at his face, their smiles fell to looks of fear. Even as he walked you past where they stood, he stared with a look of thunder that chilled each of them to the bone - and rightly so.

But he kept walking, until he stopped outside the large doors to the chapel. He dropped your hand only to open the heavy door and push it open.

Inside the chapel, a handful of siblings were busy replacing candles and reordering the pew cushions as were their duties after any kind of service. At the sound of the heavy door creaking at the top of the aisle, all of their heads whipped around and stared in confusion between you and Secondo. He ushered you inside and held the door open as he turned to the siblings.

“Out,” he ordered, his face stern and in no way amused by the puzzled looked the siblings shared between them. No one moved, looking around at the jobs that were yet to be done around the chapel.

“B-but, Papa... we still have to-” one of them stuttered, Secondo’s mere presence and demeanour enough to have the poor soul on edge.

“OUT!” he yelled, startling even you who jumped beside him. The siblings didn’t argue, knowing better than to stick around and hurried out of the door past the two of you. Once the last sibling had scurried out, Secondo closed the door with a heavy slam, pulling the wooden plank down that bolted it shut from inside.

He walked around the pews towards the edge of the Chapel, stopping in front of one of the murals that had been painted centuries ago. He gazed up at it, before looking back at you and holding out his hand for you to join him. You did so with caution; not because you were scared of him, more so plagued by your own insecurity than anything. But when you approached his side and placed your hand in his, he held it so gently, guiding you closer to his side. Now stood shoulder to shoulder, you followed his gaze to the beautiful artwork on the wall that Secondo himself had worked to restore and keep in perfect condition since he was a young man.

“What do you see, when you look at this?” he asked with tenderness, leaning down but never taking his eyes off the painting, “what do you notice?”

You studied the images in front of you; a large scene of the Garden of Eden that differed from the traditional depictions. In this scene, it was Adam who was eating the apple, the Devil’s serpent coiled around a branch above Eve’s head. It showed the truth of that long-standing story, falsely peddled and passed down through centuries. Adam had been the one to sin, and lied to protect himself. The apple had become stuck in Adam’s throat as he lied to his God, hence the anatomical term ‘Adam’s apple’ that only men are born with. Eve sat on the roots of the large tree, weeping at Adam’s betrayal. She had played no part in this sin, and yet, she was to be blamed for it; but even that was not the first injustice of a patriarchy.

“It’s... Adam’s betrayal. I see a woman scorned and forced to carry a burden of centuries of judgement,” you told him, feeling almost like a student being quizzed by her professor. You wanted to get the right answer, even if art was subjective.

“Eve looks beautiful, no?” he asked, waving his hand in her general direction.

“Of course,” you told him, her ethereal presence highlighted with gentle pastel colours, her body on display as she wept on the large tree roots in a way that could only be described as elegant. Eve was one of the first of many scapegoats throughout the teachings of the Bible, and yet, not the first woman to have been cast from the Garden of Eden. Another painting on the opposite side of the Chapel depicted that first woman; Lilith.

Secondo turned around, again guiding you by the hand to the other side of the large Chapel where her painting resided. Her scene showed her expulsion from the Garden of Eden long before Eve was created from Adam’s rib. Lilith was Adam’s equal, his first wife, born of the same soil as him. And yet, because she didn’t obey Adam, she was cast out.

Again, this was how the Bible would describe Lilith; rogue, disobedient and evil. But this was merely a patriarchal fantasy, her story twisted and moulded into a lie through generations. Truthfully, Adam believed Lilith should lie beneath him during the marital act – sex – but Lilith had disagreed, stating they were of the same soil, the same earth and were equal. She should not have to lie beneath him at all. That is what got her cast out of the Garden.

In her scene, she looks freed. There is no weeping, no remorse. She looks strong and independent, marching her way towards the fallen Angel known as Lucifer to begin her work with him; as his equal. Her painting is a triumph, and she looks as beautiful as you had always seen her.

“And what do you notice here?” Secondo asked, his tone still so calm and tranquil, how he always spoke of his beloved art.

“I... I see Lilith, marching towards her truth and forging her own identity.”

“And she looks beautiful too, does she not?”

“Well yes, of course,” you agreed without hesitation, but you were confused as to his point.

“These women – these two symbols of our very existence – do you notice what they have in common, amore mio?”

“Adam’s betrayal,” you scoffed. Secondo smirked.

“Well, sí, sí, but... I mean to look beyond the meaning of the scene itself, and look solely at them, their form.”

You looked behind you back at the painting on the other wall, scanning Eve before turning back to Lilith to find the similarities. But you were at a loss. Different hair colours, slightly different skin tones, different coloured eyes.

“I don’t follow?” you admitted, feeling a little silly for not understanding.

“You say they are beautiful, sí? And of course, hai ragione (you are right). But,” he stopped, stepping closer to the painting and reaching his fingertips out to trace the nude body of Lilith, having you look closer. He lowered his voice to almost a whisper, and said, “their bodies, amore... Do you not see?”

His fingertips continued to trace the artwork, every beautiful curve of Lilith’s figure, unashamedly thicker like her flesh would ripple if the painting came to life. Secondo looked back to you, a softness in his eyes as he watched it dawn on you. You’d never noticed before, never questioned it but now that you were looking around at all of the artwork in the chapel, you noticed more and more that the prominent women, the ones whose beauty and power are marvelled within your religion, looked like you...

Your eyes glossed over with emotion; how had you missed that? The very essence of beauty, and their bodies were nourished, full and spectacularly curvy. They were voluptuous and had always been revered throughout time as soft, feminine figures of power.

“These paintings, amore, were all commissioned by a painter known as Peter Paul Rubens. Do you know of him?” he asked, turning his back to the painting to stand in front of you, still holding your hand. You shook your head, pressing your lips together in the fight to keep your cheeks dry. “He is very famous for how he painted women. He enjoyed the larger women; more of them meant more beauty to paint. And people worshipped the women in his paintings, fawned over them. He became so famous for his portrayal of beauty, that there is a term for a thicker, healthy, beautiful woman such as you, mio dolce...”

He took a step closer to you, his free hand brushing strands of hair you’d let fall to conceal your face away behind your ear, so he could see you in all your beauty. The softness in his eyes he reserved only for you forced a stutter in your pulse, seeing the adoration he never tried to mask since the moment he’d met you when you joined the Ministry months ago.

And then he leaned forward, his hand slipping to the back of your neck to keep you gently in place while he brought his lips to your ear, and whispered, “Rubenesque...”

Your hand squeezed his in a visceral response, something you couldn’t control. Secondo lingered there, completely consuming your personal space as he was always so welcome to do.

“Dolcezza, you have been mia musa since the moment I laid eyes on you. If I could not have you, then I knew I at least needed to paint you – over and over again, if you would allow me.” As he spoke, the hand holding the back of your neck began to trail down your spine, making a beeline for your waist where he gripped a handful of your body and gently squeezed. “You instantly reminded me of all of my most treasured art pieces, an amalgamation of the strength, power and elegance of all the women in paintings I had studied for decades.”

He dropped his chin to press light kisses to just below your ear, still whispering his adoration of you as they travelled over what little skin was exposed.

“When you walked into this Ministry, I was so sure you had walked right out of a Rubens painting, that you could not possibly be real.” More kisses, his lips tickling your skin with every word in between. “That you had somehow been sent here for me alone. And then...” more kisses, his chest now pressing against you while your hand in his at your side tightened in arousal, “you indulged me... You sat for your first painting, so shy and timid with the most intoxicating pink blush to your cheeks. I tried to remain professionale, to focus on the art but... my mind wandered so freely.” Just like his hand was now. From your waist, it wound its way around your hip and down your thigh, pushing back to trail up the back of your thigh to the swell of your buttocks.

You cast your mind back to that first sitting, before Secondo had truly shown any interest in you. You assumed you were simply sitting for a painting, that he asked various people to do so throughout the Ministry. And whilst he had on the odd occasion, it was never for a piece as intimate as that...

He’d been so gentlemanly in his invitation, setting up part of his studio with a chaise longue and allowing you the time you needed to feel comfortable. He’d left you to undress and replace your clothes with a robe, shown you how he had pictured your pose and then allowed you your privacy again to disrobe and drape the chiffon fabric across you in a way that made you as comfortable as possible. There was no requirement to be completely on display – his only request had been that you were comfortable showing as much of your body as you chose.

“If I had thought before then that I wanted you, the way that I craved you after that moment, mia musa...” Secondo’s voice remained low and deep as he stepped around you, keeping his lips hovering by your ear as he took up his position behind you. He dropped your hand in his in favour of holding you steady by your waist, softly gripping at the flesh there. Naturally, you sank into him, pressing your back to his strong chest and extending your neck to allow his lips to ghost over the skin.

“It was truly a test of my self discipline to have you sit for me. But I had just been gifted the most beautiful art to work with and I was petrified to lose it if I had made my move then. And then...” His arms wrapped further around your body, strong, paint covered hands sliding around you like boa constrictors. One arm crossed over to grip the opposite hip, while the other, crossed your chest to knead gently at your breast. “You made me fall disperatamente innamorato di te (desperately in love with you.”

Your head was swimming with Secondo. All of this, you had known to some degree but to hear him truly spill confessions while his hands were all over you felt like the most erotic experience you’d ever encountered. His breath felt hot against your exposed throat, radiating through your entire body and setting it alight. All you could do was cover his hands with your own and get lost in his touch.

“I remember the first time I touched you, amore... The smallest, most innocent of touches... During your third sitting, I had to angle your chin to match the work in progress and you were so soft...” If you didn’t know any better, you would think Secondo too was lost in his imagination. And that he was, his eyes shut as he touched you, recounting those early memories with you. “Your eyes were so wide, glistening orbs of innocence and nervousness. I could stand it no more... I had to have you. I had never needed anything so much in my life, dolcezza... To taste your lips, to feel how soft you were beneath the fabric.”

You remembered the way he’d looked at you in that moment, like he was fighting for his damn life inside his head to keep away from you. He’d stared at your lips for too long, and when he’d met your eyes again and saw no hint of you backing away, he had lost his control. That was the first time Secondo had you.

The hand kneading at your breast travelled further up your chest to your neck, his thumb reaching to tilt your chin up towards him so he could look you in the eye. Your hand wrapped around his wrist, desperate to keep him close.

“Satan himself blessed me with a woman such as you, mia musa...” he breathed with hooded eyes as if he were drunk on you, and without giving you any time at all to argue or respond in any way, his lips came crashing down on yours with a lust that neither of you had ever felt for another soul in all your years.

He held you upright when he felt you melt too far into him, succumbing to his kiss with ease. You couldn’t help yourself, consumed by his very being and already so tightly wound up from his teasing touches and admission of the extent of his obsession with you. This man was as desperate for you as you were for him and it didn’t matter if you understood the reasons why or not; you simply accepted then and there that he was, that to him, you were the most beautiful creature to have graced his world.

Lips and tongues clashed together without rhyme nor reason, moans lost to each other’s mouths as you lost yourselves also. His hands roamed your body as he held you against him, his grabs a little harsher, needier now. You could feel his hard chest and soft stomach pressing tightly against your back, a bulge that had long since begun stirring nestling between the cheeks of your backside. You could feel that heat inside you building to unbearable temperatures, the need to have him doubling with each second that passed.

Using all the strength you could muster, you ripped his hands away from you just enough to spin in his arms, gripping him by his shirt and pulling him into you for another heated kiss. In an instant, his hands were back on you, fisting handfuls of your body as he pulled you tightly into him, his chest rumbling low in satisfaction.

“Secondo...” you moaned, his name coming out as a whisper against his lips.

“Sí, mia musa?” He nuzzled his nose against yours, leaving brief but frequent kisses to your lips as he waited for you to speak and tell him what you needed from him.

“Take me to bed...” you begged, wrapping your arms around his neck and kissing him again, “Please?”

Secondo chuckled devilishly when you asked so sweetly to dive headfirst into sin. Knowing what you were truly like when he would have his way with you, he always found it so amusing that you were so polite and demure otherwise. He revelled in the idea that it was only him who saw your untamed side.

“To bed, dolcezza?” he questioned, teasing his fingertips along the edge of your jaw until he was low enough to tilt your chin up to him. “But we worship right here, in the Chapel, no?”

The smirk that spread across his face sent a shiver of delight down your spine. Was he suggesting...?

Before you had any time to question him, he began walking backwards, gripping your hands in his to pull you along. He pulled you through the pews to the centre aisle, then began to back up towards the Sanctuary steps that lead to the Altar at the head of the Chapel. As he did, he jolted you closer, attaching his lips to yours and carefully manoeuvring you both while he stayed attached to you, keeping the burning embers of arousal stoked.

When he reached the steps he spun you around, pushing you to step up them until he sat you down on the middle step. Then he dropped to his knees on the stone as if he were about to pray at your feet. He crawled his way up the steps between your knees, forcing you to lay back as he hovered above you, his hands all over your thighs like he couldn’t bare not to touch you.

“One day, mia musa, I will paint you naked as the Dark Lord intended, laying on these steps...” he promised, his lips tickling yours as they barely grazed them, teasing you. “And I intend to draw from memory...”

With that, he pushed the hem of your habit up and over your thighs, fingertips pressing into the supple flesh as he enjoyed every inch of you. He popped the buttons that hid your chest from him, pushing the fabric from your shoulders and arms until he could drag it all from your body, helping you to shimmy from the skirt and kick it from your legs. He was wasting no time at all, attaching his lips to your collarbone and suckling marks into the skin while he worked quickly to take your underwear from you too until you were just as he’d wanted you; naked as the Dark Lord intended.

Just as his hands had roamed your skin, his lips now followed suit. Every inch of your glorious chest was being suckled at, nipped at, like a starved man. He was careful to pay close attention to your nipples, hardened not simply from arousal alone, but the slight chill in the air within the stone walls of the ancient Chapel. But with Secondo crowding you, riling your body up so, you barely noticed, heat instead continuing to burn from within.

Secondo growled into your flesh at the sound of your moans, truly worshipping you like a deity. “Tu sei fottutamente delizioso (You are fucking delicious),” he roared, ripping his lips from your body only to attach them to yours again with hunger. As he lapped his tongue into your mouth, his hand disappeared between your thighs, heading straight for your core with no hesitation. He needed more of those moans and fast, wanting to hear you sing for him. He’d take your song over the choir’s in this Chapel any day.

Just as he’d wished, you cried out into his mouth, unable to hold back as pleasure shot through your core the second his fingertips dragged over your clit. You fell back against the steps, your arms spread out either side of you onto the red carpet runner. Secondo chased you, never letting you get far away enough from him to not feel his hot mouth on you somewhere.

“Tell me, amore mio, may I indulge in the communion wine?” he asked. You had no idea what he was talking about, too lost to the pleasure his fingers were giving you to put two and two together, but you nodded anyway; you’d let him do just about anything to you, the state he’d got you in so far. “Grazie mille,” he thanked, as if you would ever truly deny him.

He pushed himself upright, only to crawl back down to the bottom step. His fingers lost contact with your core but just as quick as they had disappeared, his tongue replaced them. You couldn’t help but sing for him yet again.

He kept his eyes on you the whole time, watching as you lost yourself against the steps. At this angle, he could barely see your head thrown back over the delectable sight of your wonderful body, and it only drove him further into ferality. You would never appreciate this sight as he could, watching your body as it moved in ripples with every sensitive jolt and contraction of muscles. He could see your responses to his tongue all over, like echoes emanating from your centre.

When he inserted two of his fingers inside you to compliment the work his mouth was doing to your clit, your head jerked up, eyes meeting his. Seeing the hunger in his eyes peeking above the curve of your stomach had you clenching around his fingers, a fresh wave of arousal dripping from you. Immediately, you felt Secondo lap it up, humming at the taste while his eyes fluttered shut.

“S-Secondo... I...” You wanted to tell him how incredible you felt, how close you were to your undoing already but the words never came, stuck in your throat thanks to his fingers curling inside you to hit the spot he’d memorised that first time he’d slept with you.

His free arm wrapped its way around your thigh, pulling it over his shoulder to surround himself with you. He loved that feeling, being encased in your gorgeous body as he pleasured you; he’d easily lose himself there. As your moans grew louder, reverberating off the stone walls, Secondo seemed to muster more energy to barrel you towards your undoing. What was fuelling him, you weren’t sure, but you were more than grateful for it. Perhaps it was the anger from before at the comments of your peers. Maybe it was the thought of defiling you on the Sanctuary steps. Maybe he had riled himself up so damn much talking about how much he adored you, how attracted to you he was that he couldn’t help himself.

The only thing you knew for sure, was that he was making good on his word; he was worshipping you.

It took mere minutes for him to have you dangling on the edge of sanity, your moans so high pitched he knew you were about to snap. He watched you again, his eyes staring up at you. It wasn’t until you looked down at him again and made such exquisite eye contact that you snapped, too turned on to hold off anymore.

Your body convulsed as your orgasm hit you, back arching from the steps beneath you, body shaking. You gasped, lungs filling with too much air and stopping any sound from leaving your body. Your eyes rolled back into your head, completely overcome as Secondo didn’t let up. He knew better than to slow down now, letting you ride your orgasm out. He ground your hips into his face, using that delicious nose of his to his advantage until he was completely buried in you, smudging your inner thighs with his face paints.

As you came back down, your body twitching under him, he made sure to clean you up, lapping up every drop of your essence he could despite your whimpers of oversensitivity. You reached a point where your clit was just too sensitive, throbbing under his tongue, and you had to push him away from you. But you hated the idea of rejecting him in any way, and so you dragged him back up to you by his collar to smash your lips to his breathlessly. You didn’t miss the flavour on his tongue, knowing that was your essence only driving you to absolute distraction...

“You’re... wearing... too many... clothes...” you told him between kisses and deep breaths. He only grinned into your kisses.

“Mi dispiace, amore,” he apologised with a smirk, immediately rectifying the issue as he untucked his shirt from his slack, unbuttoning the buttons and throwing it to the side with your habit and underwear. You couldn’t help but lay back on your elbows on the steps, watching as he undressed, enjoying the view. Such strong arms, a solid chest, and a soft stomach, all deliciously covered in a layer of black and grey hair; arousal began to stir again within you...

“I am supposed to be worshipping you, amore mio...” he smirked, a cockiness glinting in his eyes.

“I'm not stopping you,” you teased, spreading your legs a little wider and arching an eyebrow at him in invitation. As he threw his slacks and underwear to the side, you caught him licking his lips as his eyes dragged over you, waiting for him on the steps...

Unholy shit, you were sublime, with your flushed cheeks and forehead glistening with sweat... With your beautiful curves and soft skin... He would never tire of you. Never.

He couldn’t help himself then, crawling over you and dipping his head down to initiate yet another moment of passion with a sordid kiss. It seems he was unable to keep his hands to himself, wanting nothing more than to feel you, but more importantly, to make sure you knew he wanted you. After today, all he wanted was to make you feel wanted, appreciated, fucking deified. He was certainly doing his part.

The longer he made out with you, the more you needed him... You could feel his length pressing against you and it was driving you mad being so close, yet so far from what you wanted. To encourage him, you reached your hand between the two of you, wrapping your fingers around his tip and paying particular attention to the frenum piercing of his you loved so damn much, sitting on the underside of his cock.

At your touch, his lips parted, a low hum vibrating in his throat. It was as if you were taunting a beast within him, the animal poised and ready to pounce. And pounce he would, grabbing both of your wrists and pinning them to the steps above your head.

“You want my cock, dolcezza?” he teased, his lips so close but just out of reach no matter how far forward you tried to lean. “So keen to be fucked on the Sanctuary steps, eh?”

He wouldn’t let you answer, instead shuffling so he was lined up perfectly between your legs, rolling his hips against you to coat his shaft with your essence. You could feel the ridges of his veins and that fucking piercing at they caught on your clit, still sensitive but the stimulation bearable now.

“Worship me, Papa...” you whispered the order, catching him off guard. His eyes widened for just a moment, and there was no way he could deny you...

Trapping your wrists in one of his hands, he used his free hand to guide himself to your entrance, sinking into you in one fluid motion. Secondo breathed out a long breath through his nose, humming again as your heat consumed him. You felt everything, every ridge yet again, filling you deliciously in the way his fingers never could. They were no match for his thickness and length, reaching places you’d been unaware of before him.

When every inch had sunk deep inside you, his hips pressed flush against your own, he dove into you for a deep, hungry kiss. Like he couldn’t stop himself, his hips dragged back and slammed into you, the slapping sound echoing through the Chapel. And after that, he wouldn’t relent, repeating the same motion over and over again, slamming his hips into you as he grunted his pleasure into your mouth.

Eventually he let your wrists go in favour of grabbing at your body again, kneading it like pizza dough with love and adoration. You held his head in place, whimpering into his kisses every time his cock slid inside you. He lifted your thigh to his hip, deriving a better angle to rock up and hit where you needed him.

“Sei la mia opera d'arte preferita, una cazzo di dea che prende vita, (You are my favourite artwork, a fucking Goddess come to life,)” he spewed his words quickly, his brain unable to translate to English quick enough to spill his thoughts. You understood him just fine, his confession having you clench on his length. He roared in pleasure at the feeling, barrelling toward a climax.

“S-Secondo please...” you begged, “’m gonna cum again.”

“You’d better, dolcezza. I will not leave mia musa unsatisfied on the steps, eh?” he promised, the hand that was kneading at your breast dipping down to press flat against your stomach, fingertips digging into the softness and thumb dragging over your clit again.

It didn’t take much now that he’d added more stimulation, and you were coming undone in no time at all... Your walls clenched around him so incredibly tight, body curling up into him until his face was pressed into the crook of your neck, his chest cushioned by your voluptuous body. You spluttered out a litany of curses and his name like a chant at Black Mass, filling the Chapel’s empty hall.

Everything became too much for him too, biting down on your neck and growling into it while his rhythm faltered, and his cock shot load after load of his spend deep inside you. His grip on your body tightened, pulling him closer to you as the two of you shook and convulsed from your respective orgasms, overcome with pleasure.

“Y-You are a dream, mia musa...” Secondo panted above you, removing the hair stuck to your forehead with sweat and tucking it behind your ear. “Don’t ever forget that, eh?” You could only nod, your mind still very much hazy in post-climax bliss.

“I couldn’t give any less of a fuck what the other fottuti idioti (fucking idiots) think of our relationship, you understand? You must never forget, you are the beauty standard to the greatest artists in history,” he assured you, peppering gentle kisses to your neck, your cheeks, your lips – anywhere he could.

“Including you,” you complimented with a smirk, catching his gaze with heavy eyes, drowsiness overcoming you. Secondo chuckled, shaking his head.

“Including me,” he repeated, “If you say so...”

“I do,” you told him earnestly, “Nobody has ever made me feel as beautiful as you do when you paint me, my love.” You cradled his head in your hands, fighting the urge to curl in on yourself out of shyness.

“Ah. Then I simply have to paint you more... What a shame,” he teased with playful sarcasm, a grin spanning across his very smudged face as he leaned in to plant a slow, loving kiss to your lips.

#papa emeritus #papa emeritus x reader #papa emeritus ii #papa emeritus ii x reader #secondo #secondo x reader #papa secondo #papa ii #papa emeritus ii smut #papa emeritus smut #secondo smut #papa secondo smut #ghost bc #the band ghost #ghost band #ghost #the band ghost fanfic #da rulah writes #plus size reader

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justaghouletteintheclergy · 3 months ago

Text

𝐵𝑢𝑟𝑔𝑒𝑠𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟

𝑃𝑎𝑖𝑟𝑖𝑛𝑔: 𝐷𝑟𝑒𝑎𝑚 𝑜𝑓 𝑡ℎ𝑒 𝐸𝑛𝑑𝑙𝑒𝑠𝑠 𝑥 𝐹!𝑅𝑒𝑎𝑑𝑒𝑟

𝐹𝑎𝑛𝑑𝑜𝑚: 𝑆𝑎𝑛𝑑𝑚𝑎𝑛

𝑊𝑎𝑟𝑛𝑖𝑛𝑔𝑠: 𝑣𝑖𝑜𝑙𝑒𝑛𝑐𝑒, 𝑐𝑢𝑙𝑡 𝑝𝑟𝑎𝑐𝑡𝑖𝑐𝑒𝑠, 𝑡𝑎𝑙𝑘𝑠 𝑜𝑓 𝑑𝑒𝑎𝑡ℎ 𝑎𝑛𝑑 𝑟𝑒𝑙𝑖𝑔𝑖𝑜𝑛, 𝑏𝑟𝑖𝑒𝑓 𝑚𝑎𝑙𝑒 𝑛𝑢𝑑𝑖𝑡𝑦, 𝑚𝑖𝑠𝑜𝑔𝑦𝑛𝑦 𝑎𝑔𝑎𝑖𝑛𝑠𝑡 𝑟𝑒𝑎𝑑𝑒𝑟 𝑎𝑛𝑑 𝑖 𝑏𝑒𝑙𝑖𝑒𝑣𝑒 𝑡ℎ𝑎𝑡'𝑠 𝑖𝑡

𝑆𝑢𝑚𝑚𝑎𝑟𝑦: 𝑇ℎ𝑒 𝑦𝑜𝑢𝑛𝑔𝑒𝑠𝑡 𝑐ℎ𝑖𝑙𝑑 𝑜𝑓 𝑡ℎ𝑒 𝐵𝑢𝑟𝑔𝑒𝑠𝑠 ℎ𝑜𝑢𝑠𝑒ℎ𝑜𝑙𝑑, 𝑠𝑛𝑒𝑎𝑘𝑠 𝑡𝑜 𝑡ℎ𝑒 𝑐𝑒𝑙𝑙𝑎𝑟 𝑎𝑓𝑡𝑒𝑟 𝑚𝑖𝑑𝑛𝑖𝑔ℎ𝑡, 𝑤ℎ𝑎𝑡 𝑤𝑖𝑙𝑙 𝑠ℎ𝑒 𝑓𝑖𝑛𝑑? 𝐷𝑒𝑎𝑡ℎ, 𝑙𝑖𝑘𝑒 ℎ𝑒𝑟 𝑓𝑎𝑡ℎ𝑒𝑟 𝑠𝑢𝑚𝑚𝑜𝑛𝑒𝑑? 𝑂𝑟 𝑠𝑜𝑚𝑒𝑡ℎ𝑖𝑛𝑔 𝑒𝑙𝑠𝑒 𝑒𝑛𝑡𝑖𝑟𝑒𝑙𝑦

𝑆𝑒𝑞𝑢𝑒𝑙: 𝑇𝑜 𝐵𝑒𝑔𝑖𝑛 𝐴𝑛𝑒𝑤, 𝐵𝑢𝑟𝑔𝑒𝑠𝑠 𝐷𝑎𝑢𝑔ℎ𝑡𝑒𝑟: 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 𝐼𝐼

𝐺𝑜𝑡ℎ 𝑑𝑖𝑣𝑖𝑑𝑒𝑟 𝑏𝑒𝑙𝑜𝑛𝑔𝑠 𝑡𝑜 @/𝑘𝑜𝑑𝑎𝑠𝑤𝑟𝑙𝑑. 𝐵𝑎𝑛𝑛𝑒𝑟 ℎ𝑜𝑤𝑒𝑣𝑒𝑟 𝑏𝑒𝑙𝑜𝑛𝑔𝑠 𝑡𝑜 𝑚𝑒.

The young woman's mind screamed at her, warning her of the danger she would face if caught doing this, alas, her desire to know of the secrets her Father's cellar held was far too great. She grew up hearing the whispers of the entity held imprisoned by her Father, Roderick Burgess. She had always wished to venture downstairs to catch a glimpse of the entity they all spoke of but her Father forbade her from doing so.

Roderick never cared much for his daughter, never really wanting a daughter in the first place, that feeling grew much stronger after her elder Brother, Randell Burgess, passed away. He treated her more of a housemaid than daughter ever since that tragic day, only conversing with her if he needed anything or if chores needed to be done, when she suggested helping Roderick with the Order, he snapped, screaming about how he forbids her from ever interacting with magic or the Order. She never once brought up the subject again, fearing another scolding. Y/N's only source of love and friendship came from Alex, her second eldest Brother, Sykes and Miss Ethel Cripps, she had not known Ethel for very long but she grew fond of the blonde woman, and Sykes treated her more like a daughter than her Father ever did. Although her relationship with her Father was... Less than ideal, she always did admire his love for magic and the forbidden, she found the subject utterly fascinating! Secretly wanting and wishing to seek out and learn of these arts.

Which is why she was in her current predicament, she vividly remembers of the night Roderick summoned the being.

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"The chanting was loudly pounding in her ears, there was a chill in the air, her heart was racing from anxiety, candles flickering all around, the display of dark magic surrounded her. The little girl was fascinated as well as fearful of the ritual taking place, this ritual was the summoning of Death. To summon and bind Death to the mortal realm and compel him to bring Randell back from the grave. Chants and cries somehow growing louder every passing minute as the ritual goes on, her eyes darted around the room, waiting, watching her Father at the head of the circle, passionately crying out the spell, their crying echoed in the cellar, getting louder, almost screaming out. When suddenly..! The feather her Father dropped in the binding circle for the spell was lifted in the air, quickly lit aflame then snuffed out just as fast, both Alex and Y/N stepped closer; watching with navie curiosity, a strong wind suddenly snuffing out all the candles in the room, a thunder boomed through out the room, the binding circle started to glow gold as the spell went on, everything was happening so fast for the poor girl all she could do was hold onto her Brother as her hair whipped behind her, squinting her eyes as she tried to watch the ritual unfold before her. As soon as the binding circle began to glow something appeared in the center, her young mind could not make out what it was but she remembers how it kept twisting and turning almost angrily as the Order continued onward. The twisted form let out flashes of light all around the room almost in the same fashion lighting would. "i summon you in the name of the old lords! Namtar, Allatu, Morax.. Maborym calls you!" The twisted form seemed to have gotten more enraged as Roderick called out, as if fighting against the spell itself. "Horvendile calls you!" The form became larger and larger as it contorted within itself with each passing second. "We summon you together, come!" As her Father called out one last time, within the large form a figure dropped onto the cold hard ground.

All was silent, the chanting no longer present, no one dared to speak as they stared in trepidation, the young girl eye's widen as she too stared at the dark figure, the spell.... It worked. Her Father did the impossible, he had summoned the Angel of Death! No man has ever achieved such a feat! The candles lighting themselves once again as Death laid there unmoving at their feet, the Order soon began to speak in hushed whispers as they still stared in awe of their accomplishment. Death was draped in a pure black cloak and wore the most usual helm, no scythe in sight like she was led to believe from old books in the library. Roderick called for Alex to take the possessions of Death off his person, first was a black leather pouch filled with... Sand? Seemly nothing special, just ordinary sand, next was a stunning ruby necklace, it seemed to glistened under the light above the circle, before taking hold of the final object, his helm, Roderick reached forward and striped Death of his cloak, the moment that cloak was striped away the young girl quickly shut her eyes and turned her back towards him, fearing what might happen if she even glanced at the Angel of Death. Only hearing her Father shoo off a raven that had apparently came along with Death himself. Roderick now equipped with the objects of Death, left the cellar, son and daughter by his side, that was the last time she ever set foot in the cellar.

✦•······················•✦•······················•✦

Until now.

As she grew, she learned that the divine being in her Father's cellar was in fact not Death but someone else entirely, they say he is just as powerful and dangerous as Death himself. How this knowledge came to be in the Burgess household was all thanks to the man in white. She remembers how the man in white came to her Father, evidently this man knew everything about the being trapped below, she remembers feeling uneasy when she watched the two of them walk into the study. Only Roderick and Alex knew of his true identity, withholding the information from the rest of the Order. Her desire to see this being and learn of them grew ten fold when she heard of this; watching the entrance leading to the cellar closely and as soon as she saw the guards leave, she took her chance, hastily slipping in and stepping down the stairs knowing a new shift will be coming down soon. But she had to do this, she needed to do this, she couldn't explain it, she... Felt a tug in her soul, like a calling of her name, she certainly could be imagining all this in her own mind, after all she grew up surrounded with magic, witchcraft and other dark forbidden arts, that alone could easily trick someone into feeling this sort of way.

Nonetheless as she raced down the cold steps, her heart raced in anticipation, her hands were in agitation. What form of being could possibly be imprisoned here? If not Death... Then who? Turning a corner, she took a shaky breathe as she slowly faced the entrance way to finally gaze at the being her Father captured all those years ago. She gasped as her eyes set on a...Man? He simply sat inside a glass sphere of some sorts, this man he was... Beautiful, beautiful too poor a word to describe him, he was...well...Divine, he had to be angel, there was no question about it. Not bothering to flip on the lights, she slowly approaching this angel, his hard stare boring into her eyes not once breaking contact, carefully watching her every move like a predator watches their prey.

The man now watching her with peaked curiosity, asking himself as to why she would dare get closer, the woman now face to face with the angel trapped in glass, she could study him more in depth, immediately noticing his lack of any sort of clothing, her face felt warm at the realization yet not daring to rip her gaze from his, continuing to study his handsome features, he had dark wild hair, porcelain like skin, pink lips, a strong yet soft face, she easily could compare it to the marble statues in museums, Yet... the thing that captured her attention the most was his eyes. Oh his eyes... His eyes were bright and sparkled in a way that it was like looking up into the night sky, completely shallowed in darkness, only the stars shining the way. Others may have saw a creature, a monster locked away even but that is not what she saw, she saw a man so beautiful so ethereal that she could not believe he was right in front of her, almost as if.... He came from a dream.

The man held his strong stare at the mortal in front of him, she shivered under his intense star filled stare, she felt as if his eyes were piercing into her very soul, eyes bewitching body and soul alike. "I'm so sorry" she said softly, breaking the silent. As beautiful as he was, she felt deep pity for this poor creature, to be stripped of everything that you were and imprisoned, like a butterfly who was pinned down beneath glass. The man didn't react her apology, just holding his strong gaze on her. "You do not deserve this, no one does...I want to help you" she whispered as if afraid someone will hear her, the man's face soften at her words almost surprised by the words, was he hearing the woman correctly? She was offering to help him? But why?

While the man pondered over her words, to show a sign of peace the woman slowly reach out and ever so gently placed her hand on the glass, the man blinked completely confusion, the two not moving for a moment until he slowly did the same as she. She gave him a soft smile at the gesture, her mind begining to wander as she looked onward at their hands, wondering what would it be like to be touched by him? Would he be gentle or rough? She imagined his hands interlocking with hers, would his hands be as soft as they looked? Her eyes wandering back to his face, eyes now resting on his lips... What would his lips feel like pressed against hers? Briefly she pictured his lips gently brushing against hers, smirking as he teased her before kissing her deeply. The very thought of such actions had her breathless and weak kneed.

A sudden movement within the sphere broken her out of her daydream, the man seemed to have moved closer to her as best as he could despite the restriction, his nose barely touching the glass, hand still against hers, his eyes were now.... Different somehow, still very intense yet... There was something else.. Could he somehow see into her thoughts? Did he see how she imagine them sharing a passionate kiss? Her face turning red at the thought, this reaction did not go unnoticed by him, he placed his other hand on the glass still staring intensely but much softly than before. Begining to lean in, mirroring the man's actions, it all came to a halt when she heard a familiar voice shout out.

✦•······················•✦•······················•✦

"Y/N!" She jumped at the sound of her name being shouted, quickly spinning around to see her Father storming towards her.

"Father i-!" Was all the young woman could get out before Roderick, grabbed onto her throat, throwing her down roughly, swiftly bringing his cane down on her causing her to cried out.

"ARE YOU MAD WOMAN? DO YOU KNOW WHAT HE COULD DO IF HE WERE TO ESCAPE?" He struck again, again and again, with each hit skin split, blood spilled and bones broke, her cries and screams of pain and misery echoed in the cold cellar, all while Roderick was beating at his daughter as she helplessly laid on the ground, the man in the glass watched in repugnance, how could such a man do this to their own flesh and blood? Their beloved child, the one they promised to care for and protect, the one they should love and cherish with all that they are, his heart broke for the young woman, wishing he could help her, to end the pain that her very own Father was inflecting but sadly..he could not, he could only watch as the horrific scene played out before him.

Roderick grabbed at her hair, forcing her onto her knees, facing her towards the other man, he could see her clearly now, blood and tears falling down her face onto her silk nightgown, eyes struggling to stay open as she looked at him, trapped within the sphere all he could do was offer a look of sympathy towards her "Dream of the Endless! I offer her to you!" Dream's attention drawn now onto Roderick "I have no use for this girl, if you give my son back, she will be yours to take" Dream stared at the elder man, he would sacrifice one child to bring another back? How could a parent be so heartless? To put so much pain and anguish onto his daughter, her only sin of being born. He felt a deep anger inside of him, he is a prisoner in amateur mage's cellar, stripped bare of everything he had, forced to stay in the mortal realm while his kingdom was in dire need, Roderick, demanding each day to bring his son back has the audacity to sacrifice his own daughter like she nothing more than animal. All of this enraged the King of Dreams however.. despite this, he did not speak.

"DID YOU NOT HEAR ME? I AM OFFERING HER TO YOU, TAKE HER" the elder man screamed, but ever still, no words were spoken from Dream.

"Father... Please.." The young woman whimpered, pain obviously laced her voice, at her plead he released her hair causing her to fall back onto the floor, too weak to hold herself up without support. The old man walked away in a huff, calling for the guards to come take his daughter away.

As her bloody body was lifted from the floor, her eyes once again set on the man trapped in glass, before consciousness took her she uttered a single word "Dream"

#first time writing something like this #hope everyone likes it!#the sandman #dream of the endless #dream of the endless x reader #morpheus x reader #message from the clergy #art from the clergy #the creature bit was taken from toms interview #felt inspired to mske this for awhile #his character is just so good how could i not?#hate the whole show tho expect for three characters lol #anyway like i said first time writing a fanfic!#writers on tumblr

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comfortless · 1 year ago

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Hello! This is the Frankenstein anon back with more praise and another prompt that you might like. Again you are amazing and everyone you come out with stuff, I weep for joy! Please continue what you are doing because it is absolute art✨

Okay onto the prompt. So lately tiktok has been putting onto this telenova drama called Hilda Furcão which is pretty much this priest and prostitute fall in love but due to societal pressures, cannot be together. The YEARNING in this show is amazing and I can’t help but think of Priest Konig in this situation. Imagine he falls in love with reader who works at a brothel but because he’s a churchly man, he’s fighting demons in his head (and down yonder) cuz he YEARNS for her but the lord says no🥴

Please keep doing what you’re doing and I’m constantly cheering you on with your work! ❤️

In the Arms of Flowers

content/warnings: 18+. minors do not interact. pining, lots of talk of religion/silly metaphors, fluff, ridiculous attempts at courtship from both, dark (if you squint), implied cyber stalking, violence/murder, minor character death, some angst, sexual violence (not done by König), König becomes horribly obsessed and reader is fine with it, virgin!König-> oral (both receiving) piv smut.

wc: 11k.

There’s a garden in the churchyard, one that’s always been, even before his vows were taken and the cassock was pulled around his shoulders.

It’s the very place that the arching den window in the clergy house faces out towards, and the very place that an angel descends from Heaven to stalk through night after night.

Even when the thunder clamors and rolls to light up the sky above, the pretty thing is there, kneeling amongst the blooming lilies. A listless sort of purity swallows over her, bathes her in the white of petals and the bright illumination of each bolt of lightning above, arcs a halo over her head like a proper mirage.

The whole town knows these doors remain open, but never does she even look toward the church or the home of holy men at all: only the flowers. The lilies and carnations seemed to be her favorite to haunt, weaving through the petals as they sway for her in breezes like whispers from the pouting lips of cherubim.

He’s prayed for this lost soul many times already; clutched the rosary between his fingers and whispered to the Lord to protect her, to heal whatever aches, to bring her wandering feet into the chapel one of these days. But as most lilies, this one’s beauty is gone away by mid-morning.

Tonight, he wills himself to bring her in for prayer and refuge from the coming rain. Its been a long time coming, and regrettably he’s hesitated at every other opportunity. Nothing’s changed, the scene was so commonplace even the others have commented on it prior.

Maybe he hallucinates her holiness; the halo has become made up of fallen petals now as they arch over the crown of her head where she’s found sprawled out amongst them. She raises herself to sit upright, dusts the dirt from her knees and offers a wary glance with each step he takes until his soles halt in soil that would soon be mire.

“I’m sorry. I’ll leave,” the angel breathes out with her eyes darting from his collar down to rest at the expanse of short blades of grass between them. “I don’t mean to cause you any trouble.”

She doesn’t meet the concern in his eyes, and König is no stranger to sin. To the shame and grief that he’s absolved from far worse than her in the stuffy wooden confessional.

“You’re welcome to stay.” A silent prayer rests there in his breath — please stay, though even he wasn’t certain as to why there’s a demand stirring in the pit of his stomach for this woman clad in a dirtied white dress.

She smiles then, gazes right up at him in such a way that immediately sparks something misplaced, something tucked away beneath studying scripture and kneeling before the wooden altar. A sin of the flesh, a heated poker jabbing at both his heart and his loins.

“No, I’m okay,” she assures with a slight dip of her head, already taking steps back to dart away, back to whichever gilded little nest of baubles and starlight she took flight from. “I was just heading home.”

And that’s it. He doesn’t plead for her to come inside, the offer has been laid out already. It’s not his job to force a belief that one doesn’t want, only lend a kindness and a cushioned pew, advice for the lost and a choir for bleating lambs.

He bids her goodbye and walks back to the clergy house, ignoring the strange looks of his peers as they all prepare to bed down after a nightly prayer. It’s rare to smile here, when sacred words are passed from the wrinkled, cracked lips of his seniors. But König does smile, the grin is as bright as the seconds of white lighting up the sky in intervals as he silently thanks God for such a sweet vision amidst such darkness.

The fixation does not falter for the following three nights. She doesn’t return to the churchyard to whisper secrets to the blooms, but the angel weighs on his mind so heavily that König finds himself convinced that she must have been his calling, a soul that he would assuredly save.

His sermons now lack their passion. The parishioners come to him with weighty hearts and misery in their eyes, but bless him all the same, even when he’s distant. Away with the fairies, some would say. He can’t help but wonder when one such service rolls to a closing prayer if whoever conjured such words had also been in the presence of a seraph.

“Do you need prayer?,” one of his fellow priests asks as the flock trickles out, worry clear in the wrinkles laden beneath this eyes and the way his lips draw down before pressing thin. “You don’t seem to be sleeping well.”

And König regrets the words he speaks next, when he describes the woman from the flowers in detail greater than necessary: how her eyes seemed so soft, her smile fragile, and her body language more docile than that of even a lamb. He mentions the dirty dress, the way she seemed to be trying to escape something yet refused the shelter he offered.

The other priest nods and sighs, his eyes squeezing shut in thought, and though König has not feared a scolding since he abandoned home nearly two decades prior, the way the ordinarily calm priest seems so frustrated by this sends a swell of fluttering anxiety beneath his ribcage.

“The woman you describe is a temptress,” his elder explains coldly. His sharp, dark eyes rest on König’s face as though the disparity in their height does not exist at all. “Best to let her be, she does not want our help. Leave it alone.”

“Ja. Verstanden.”

The warning is enough to dull the buzzing in his chest, the mush that’s been made up of his head until he sees her again.

The bakery in town regularly makes donations of pastries and thick loaves of bread for church goingson. It isn’t regular that he’s been asked to pick them up; the eldest of the priests usually does so, some blood relation to the owners that König has never cared enough to ask about. The old man never did well in the summer months, though, far too frail now to bear the heat snaking over his pale skin and leaving burns.

With the mistake of rambling onward about this perturbing fascination still grating at his mind, he doesn’t hesitate to volunteer, to take the old truck and step away from the stained glass and crucifixes for a brief outing. A moment of respite.

There’s a complimentary mug of coffee presented across the expanse of the counter when the cashier greets him with a smile so broad it seems faked.

König’s fingers twitch when he grasps at the handle; the uncertainty was something he had sworn he would outgrow one day with God’s healing, but it never seemed to stray far from him. It rests over the back of his neck like a feeding vampire when he takes his first sip, one that burns his tongue and stings at his eyes when he notices the woman seated at a table in the corner.

It’s her: temptation and fate packaged up in a loose fitting sweater that covers the pulse in her neck and a short skirt.

She holds her phone, not the mug stationed before her, staring down at the thing with the most somber expression he’s ever seen on a lady before. She taps her thumbs at the screen, talking to someone, but there’s a loneliness in her expression apparent like the rust on the old truck parked outside.

Poor little thing.

She glances up when his staring is detected, confusion stripped bare upon her with a pinched brow and a slack jaw. Then, follows realization and she offers the same smile she did that night, some seventy or so hours prior.

“Morning, Father.”

There’s not a fractal within König that wants to make the sweet spirit uncomfortable, but each step he takes towards her table seems to make her shoulders tense. She knows that he knows, sees that sympathetic look in his eye and hates it.

Maybe even hates him for the divinity he wears in the sable cloth pulled over his shoulders.

That doesn’t stop his approach.

König sits across from her with shaking hands and a forced smile like the one the cashier wears, drops his mug onto the table and offers her his hand. Fingers bending to graze the palm as though beckoning a frightened animal when it’s he who feels most afraid.

The angel merely eyes him cautiously for a moment before she takes the cup into both of her hands and gives him a fragile huff, dismissing his attempt to pray for her soul. Again. Yet, the sting he feels is not from a lack of a starved savior complex being satisfied, only… that he has yet to touch her somehow. That sudden thought stifles him in full.

But angels are nothing if not merciful and loving; she picks up on his dejection and speaks again in his place.

“How are the carnations?”

“Hm?”

“The flowers in the garden… the red ones,” she elaborates with a soft laugh, hides it behind the rim of her cup when it’s raised for her to take a sip. Her mouth looks soft, compelling, and he’s staring again. “I like them the most.”

He knows he should stop this, that what’s become of an innocent meeting has left him feeling anything but. There’s a howling chasm in place of the heart of a worthy devotee. She’s nothing like the women who frequent the church — the only other women he sees. Brighter at best and alluring at the worst.

“I thought the lilies were your favorite…” It’s unsuited for a priest and a man so tall and broad to sound so breakable, but his voice only comes in an hurried breath, embarrassed and small.

She shakes her head, tousles her hair in the process. “I like all of them. The ones at your church grow prettiest.”

“I see…”

The woman gives him an expectant look, as if prompting him to speak more, before her phone chimes and the air seems to shift from tentative yet sweet to something vast and cold. She doesn’t seem eager to be interrupted in such a way, either; her expression falls from that subtle playfulness to something akin to a regretful acceptance.

She stands from her seat abruptly and takes a step towards the door. “I have something I need to take care of.”

God gives and takes away.

“I can bring you some,” he offers, winding in the too-small wooden chair to face her. Too late to reel in the flirtatious nature of such an offering, too late to bite his tongue and remember the vows he had taken. The burden upon his heart seems far more pressing than any words from an old book. “Carnations and lilies… some of the others, too.”

The woman almost seems shy when she glances over her shoulder and offers him the most imperceptible nod. “Yeah, sure… I’ll see you around.”

His angel leaves him to rot in thought at that lonely table, in this tiny bakery. He does not think to repent for the way his temperature and pulse spiked in her presence, for the way he takes her empty cup and stuffs it into one of the boxes of baked goods to collect later.

Riding back to the church is dreadful, because she’s already fastened to his heart like a ribbon on a pretty bouquet. He’ll ask the sisters from the cloister to clip flowers for him, tie them up in a lace that will leave her face warmed and lips pouting.

When the people in the church have their fill of sweets and bread, König tells a lie, maybe several.

He claims he doesn’t know why that innocuous porcelain thing is resting where food once had, doesn’t know why the baker would have stuffed that in there too. He takes it to his room and claims that he would return it come morning.

The bed has always felt far too small for him alone, but he pictures her there with him, sat upon his lap when he brings the cup up to his lips with his eyes closed.

It’s cold and hard, difficult to imagine it to be a kiss at all, but he pretends her lips are upon him, eager and willing. It takes only rolling his tongue back to flick over itself, envisioning it being her own, for him to feel his trousers grow too tight. He doesn’t touch himself. He can’t bear the thought of it, not with the cross staring down at him from the far wall.

And finally, regret comes.

Shame, too, because König is aware he’s become a bit of a creep; enchanting himself with second hand kisses whilst his angel takes another man to bed. A man undeserving, but… he could be. He was deserving enough to become a holy man, surely she could see he was worthy of her as well.

The bed is too small even when he curls into himself and pulls the blanket up passed his eyes. Sleep is too skittish to come for him, even when he prays in a whisper to be absolved of his lust.

The dreams are only filled with images of an angel trapped in a rose bush, the thorns sinking into her wings until blood is drawn, but still she smiles. She reaches toward him with shaky limbs, whispers something so dreadfully mournful he knows to his very soul that she is his purpose alone.

It’s what wakes him in a fit, compels him to venture out through the yard with a heart set on seeking guidance. There are moonbeams above and animal calls from the surrounding trees. All of God’s creations are in perfect, dreamy harmony.

Why couldn’t he be the same? Always the outsider in one way or another; always the sore thumb rather than the loving green. Desolation is an art, a skill he’s learned to hide back: clenched teeth to still a wrathful tongue and a layer of muscle to guard that wounded thing in his chest.

There is no better peace than the quiet of the church in the late hour. Moonlight through stained glass and empty, antique seats that would make the worldly whip out their phones to snap pictures in a heartbeat. The doors are always open, for the sinners and the devoted alike, though the confessional is rarely touched when there would be no saint awake set on absolving.

Perhaps that’s why he takes to the booth he needs to make himself smaller to fit into: one shoulder and one foot first, then the next set. He’s never cared for it, left it to the better and smaller. The sound just past the thin partition rattles him. It isn’t the creaking of wood below his feet, but something softer. A weak sniffle. A cry from the other side.

“I’ll leave in a moment,” comes a voice, broken from tears and so horribly sad that the usual script entirely fails him. He recognizes the voice, though a bit warbled now. The voice that would make the choir pause, an angel’s sweet tone.

“Wait… no. You can stay. I’m hiding, too.” A breathy laugh comes forced and misplaced. Priest or not, König has never been the best at consoling anyone, let alone one so far above him.

“I’m not hiding,” she tries to sound braver now. He can imagine her chin tilted forward and that sweet smile trying it’s damndest to paint its way across her face. “But… why are you?”

“Don’t know.”

“Who are you?” The crying seems to have ceased entirely for now. Clearly whatever seemed to ail her could be remedied by her own curiosity. A cute, unorthodox little thing.

“König.” It served well enough as a confirmation name when he could not settle on one of the saints. King of them all, one of the other saved men had said in jest. Ironic, now.

“I like your voice, König,” she murmurs, deliberately testing the pronunciation on her tongue in such an alluring way that a small shiver runs its way down his spine.

“Danke… and you?”

God forgive him, he doesn’t even try. Doesn’t try to bring shame or guilt, read her scripture or pray for her soul. He only listens in silence when she tells him her name, beautiful and charming as he had expected it to be. The woman then tells him of her work, of the motel she ventures to at night… the troubles with money and even vaguely, some of the men she suffers through. This had been a bad night. Strange how a singular hour could have broken someone down to such a desperation to open up, to grasp for what small comfort they could receive.

But she came for him.

She must have hoped to see him.

He thanks his god for that.

— — —

“I bought a phone.”

“I see that.” Her fingers graze over the stems of the flowers, cleanly cut by hands more patient and stable than König’s own.

The angel isn’t looking up at him, not this time. There isn’t even a smile on her face when she cradles the bouquet close to her chest, petting over it where she sits upon the motel bed wearing nothing but some strappy, barely-there lingerie. Pure white with pink lace over the cups of her bra where her breasts swell with each shaky intake of breath.

In this week apart, he’s kept the device hidden in a loose pocket and spent many a night scouring the seediest websites looking for a hint of a body that may belong to her in this very area. Only one seemed to match. The messages exchanged were about hours and pricing, establishing a location, and terms he didn’t quite understand. He didn’t harp on the small details, but finding her messages to be so rigid and dry did surprise him. There were no cute hearts or winking emojis, it all felt horribly transactional.

Priests don’t make a lot of money, it all goes back to the church, but he’s thieved enough from the offering bowls to have a night with her alone. As disheartening as the lack of flirtations seemed, he hoped not to squander whatever opportunity this outing proved to be.

The balaclava covering his face wasn’t purchased with the intention of making her nervous, only… shielding himself from curious stares. The whole town knows his face, his name, the words he speaks so resolutely to his flock. Just as well as they know of who she is, what she does.

Even this knitted shield couldn’t hide himself from her, though. The very moment he entered this drab, modestly decorated room with flowers in hand she had only looked further lost.

“You look very pretty,” he tries as he removes the mask and drops it to the floor, kneels just a hair from where her feet dangle from the bed. “I’m glad that I found you.”

“Thank you.”

The flowers are placed on the side table, petals falling down to the thin carpet below. A cascade of red like blood and white like doves feathers. Purity and a wound in one.

The poor thing looks scorned when she does give him a glance then, but she forces herself into a position that stokes a hellish, unnatural flame within him. Her thighs part as her hands rest on the cups of her bra, pushing the thin fabric down to reveal areola, her soft nipples, sights that he had never seen before.

“You shouldn’t even be here, König,” the lady warns when his gaze sweeps over the innocent flesh laid bare before him. The angel isn’t even wet. Her panties are pristine over her womanhood, and it dawns on him that… she wouldn’t risk what he was even for the generous donation he had given.

“I don’t want to ruin you.”

But she should. Crumble him into salt, cast him away with the wind. Should.

She sees something holy in him too… albeit, not in the way that he would like for her to.

He swallows hard as he rises to his feet and sits next to her. The hands that were so accustomed to being joined in prayer find her breasts now with tentative touches, a curious squeeze, until he wills himself to readjust the fabric and conceal her properly.

“Ja, but… I just wanted to visit you.”

“You don’t need to pay me just to see me.”

The tension in the room finally begins to dissolve. Not by much, but when she sighs something that sounds like amusement, the restless throbbing of his heart does begin to settle.

As much as he would like to take her like some beast in rut, lay some claim to her in bursts of white seed, he doesn’t even know where to begin. Each curve of her body looks as though it would feel like a miracle beneath his palm, under his tongue.

It’s just that nothing is going to happen, not here, not now that he’s brought a prostitute flowers and revealed who he was to her. She sees something pitiful, where he only sees someone to love.

He can’t tell her that he dreams of her, that he views her in the same way he views his god. That would only scare her away, lead her to believe he’s a lunatic rather than a man only just now having his first taste of love.

“Then could I see you every night? So that you don’t have to…” His head dips, because no matter how he tries he knows any word he says is foolish.

This isn’t something she’s doing because it is fun for her; it’s a job just like his own. Flesh or words spoken… did it even matter? And yet, König could feel a malicious, gnawing envy at the thought of a bolder man taking his place tomorrow evening. That man wouldn’t hesitate to peel away her pretty lingerie and fuck her, shove his tongue into her mouth while his cock sat between her legs as if it belonged there.

“König,” she sighs next to him, pityingly.

His jaw tenses as his fingers curl into his palms. The hopelessness of it all crashes down around him as though sung out from the loudest of the choir. He hardly notices when she presses her head against his shoulder, only realizes how close she’s come to him when her hand curls over one of his own.

“You’re the strangest man I’ve ever met.” It’s not a compliment but it feels like one when she laughs like that, airy and soft. “The sweetest one, too.”

He smells her perfume from this close, something scented like fruit or maybe maple, sap-sticky and saccharine. All of her flesh feels warm against the plain t-shirt he wears, a warmth he would give anything to dive into, but not without her explicit command. A powerful seraph in the form of one painfully cute, gentle lady. If anyone could see what he saw now, they too would forsake those holy books and eat from her open palm instead.

“I don’t know what to do,” he confesses, a peculiar bitterness hanging on his tongue.

“How about a walk?”

He pulls the balaclava over his face again when they make their way out into the quiet, darkened street. Hand in hand. It’s not from shame, but a necessity, perhaps, because his pale face has only flowered into a lasting pink since laying eyes upon her on that mattress, sprawled out and waiting. The blush only deepens with every squeeze she blesses him with, every hushed word spoken as she tells him about her favorite places.

She’s dressed in the same white dress they had initially met in, now clean of the dirt from flower beds. Somehow even more radiant at this close, too.

The churchyard and the clergy house are nothing in comparison to the way the rest of the town feels when the moon rises. It’s a world all their own, a place where no one looks at her as if she were a simple harlot, but a queen amongst chipping wood and tarmac. There’s even a skip in her step as she walks ahead of him, her hips swaying beneath her skirt. All because there’s no one here but she and her most loyal and only acolyte.

He wills himself out of her grasp when they cross the threshold into the cemetery. The darkness there is enough to pull him back to earth; thoughts of how easily swayed he’s been linger in the back of his mind. The want doesn’t even begin to reel back its claws, but the guilt does sink its pearly fangs in alongside it.

“I get it. You don’t want to be seen with me,” she says a small step away, drawing her hand up to her chest. It’s the saddest she’s ever looked, and he doesn’t have the words to further explain that he has no god damn idea what he’s doing: here, with her, in the midst of something that feels so normal even though it should not.

“Nein! That’s not—“

“You don’t want to touch me. You barely talk…”

Because the words don’t come easy. Because he’s never felt such an overbearing devotion to anyone, anything apart from what he prays to. How could she… this woman that shared in such loneliness with him not see him for what he was, not see him in the way that he sees her?

“You’re misunderstanding.”

“You just want to… to convert me, is that right?,” she hisses, sounding more shaken up than he had ever hoped to hear.

All hesitation had to be swallowed back.

There was no other option. He could feel her slipping away, a pain he wasn’t prepared to face.

God gives and takes away, but König refuses to let go.

His eyes narrow, his breath halts entirely, and he cups her face in his hands as gently as he can. The distance between them feels like miles as he lowers his head to kiss her through the knit barrier. It’s flighty and petrifying on his side… he feels cold sweat wet his brow when the warmth of her pulls through.

She could hit him, spit her curses like a proper witch, and he would only fall to her feet and kiss her heels. But… she does none of those things. Whatever pain was brewing here is ripped away with the night breeze.

Her hands peel away the balaclava, discard it somewhere into the tall grass where it wouldn’t be found, and she grants him his first, proper kiss.

With only the cracked headstones and cemetery angels watching, what once was tentative becomes a full indulgence. König samples from her mouth as though it weeps honey when the gentle peck graduates to a parting of lips. His hands run down the length of her sides as she grasps at his shirt, they pull her in close until her chest meets his own and two pairs of eyelids flutter.

She feels more heavenly than his imagination could have prepared him for, her tongue hotter and her sounds… the soft sighs and shaky murmurs of approval that fill him with both a maddening love and an urge to burn everything away if only it would keep her safe and near.

The world ceases to be entirely, cast down with Lucifer to the sulfur and smoke. Her lips remain parted when they break apart, a haze over her eyes reflecting the veil clouding his own irises.

Was a kiss really forsaking his vows? Was that really such a painful treachery? No… no it shouldn’t be. The issue remains that he can not see her as just some woman. Something as small as this could consume him entirely.

The night is spent with an abundance of those shared kisses when they return to the motel. Tentative touches, too. He’s never held a woman, not in the way he gets to hold her then. She presses tightly to him, her back to his chest with her hand keeping his own in place over her middle. She’s so soft, swans down plush and smooth as silk ribbon.

There is mint lingering on her breath each time she speaks. No talk of her work, only… she confesses how she had feared him so initially, how she worried that a holy man stepping into her life would only be further condemnation: an angel terrified by a devil that does not exist at all.

He knows he’s lost a part of himself here when he tells her he wishes to meet with her again, that if the church is no longer the place she fancies to walk, he’ll meet her amongst the dead again and again when the old clergymen sleep. Those promises he had reserved solely for God turn on themselves now, when he reveres the idol he shares this bed with.

Though her hips press back against his groin when his fingers crawl up to her sternum, and the desire strikes up within him, his cock remains untouched here. He doesn’t whisper a prayer for forgiveness into her hair when he grows hard, just tucks her in closer and smiles where his head rests atop her own.

It’s the closest to bliss he’s ever felt.

— — —

“You weren’t here for morning prayer.” The voice isn’t accusatory, just observant. The nightly prayers were missed too, though a reprieve is granted by way of those remaining unmentioned.

But the guilt does eat at König when he sees the concern in this man’s eyes, splinters at his very soul until he asks in a fragile voice if he can speak to the old priest in the confessional.

Everything here feels much too small and the booth is more or less the same. The wood closes in around him, bathes him in a blackness that even the glow of candlelight within these walls can not reach. The partition separating them does not help bolster courage, it only leaves him feeling more alone.

The clergyman listens in silence as König confesses that he has become weak. He does not mention the lady of the night, but there’s no need to at all: finding himself so captivated with a woman that he considered breaking every promise to the higher power was bad enough. He does not mention how he’s considered pleasuring himself, touching her too… only that they shared a night together embraced, counts the kisses that were exchanged with each digit of his hands.

There’s a pitying sigh from the other side before the man begins a lengthy prayer that König does join him in. With the “Amen” that follows, he’s told only to rid himself of those thoughts, to bury them with fasting and prayer. No more visits with this temptress, remain on the right path. The very, very simple things he must do to receive God’s forgiveness and favor once more.

“You are not a disappointment,” his elder reminds him with a small pat to his cheek and a smile. It’s more fatherly than the sparse affection he received from his own flesh and blood before coming here.

“Danke… thank you,” he breathes when his eyes bear the burden of tears.

God loves him and so do the sainted men.

But to never see her again would be worse than flagellation.

He chokes down the pain with more water when his stomach roars with hunger, hides the broken heart with smiles and prayer. Holy clothes feel heavier now. The money he stole to spend that night with her is returned to the collection pool in a week's time. The smartphone he had purchased is tossed out with the rest of the garbage in the bins. Even the cup is returned to the bakery after being rinsed in the sink.

Still not a part of him feels absolved from this torturous puppet show.

He thinks of her more than he ponders over his fear of Hell itself. God feels like an old memory as the days pass. He counts them in his daybook, an ‘X’ next to the dates he had gone without seeing her. Ten becomes twenty, and it becomes no less agonizing.

The prayers come easier, at least. He joins with his fellow men, kneels with his hands clasped before him, speaks such heartfelt words now that on more than one occasion he’s shared a healing tear or two with the other clergymen.

God is an old friend, yes, but that title is just a placeholder for the one his prayers are truly for. The little angel of the garden, the woman who has given him nothing at all but stole his heart all the same. Was she not the same as God from that aspect?

After a month, he’s finally given the privilege to stand before the altar and preach to the parishioners again. His sermon is directed by the other clergymen, a subtle admission of his own misdeeds as he guides the flock away from the sins of lust, of worldly pleasures that would steer them away from the right path.

Amidst the men and women crowding the pews sits a new face. She wears a hat, looking uncertain and skittish as a bunny amidst a pack of starved hounds beneath its curved brim. Her coat is tugged tightly around her where her hands grip to keep it closed and snug. No one is out to get her, not here, but there’s a purplish bruise on her neck. A sad stare trails up to meet his gaze when he stammers through the words of scripture.

Then, she smiles and his heart only feels full.

The sermon ends clumsily enough, but she waits for him in the center pew. He ensures the others have cleared out before he takes rigid steps toward her, where he sits a foot or so away on the bench; the feigned friendliness is only a front for the rapid beating of his heart and the way the blush upon his face paints up to his ears.

“I waited to walk with you… like you promised we would,” she says in place of a greeting. There’s no chiding in her tone, just curiosity. Gentle, like she’s speaking to a wounded bird, and perhaps that’s what he’s become: some big, ugly vulture. Holy in its love of everything from the sky to the rot down below.

“I’m sorry. I..,” he laments, grasping for an explanation that does not come.

“No, I understand. It’s alright, König.”

He knows he doesn’t deserve the gift of her redemption with how easily he turned away from her, from the blooming of… something. It was best not to use that word anymore.

“I just didn’t want to wait any longer. I missed you,” she huffs when the silence extends between them, breaks up the tension in the air but not what creeps over her own shoulders.

“Your bruise..” He wants to tell her of his sleepless nights, of how he pictures her in place of any old deity upon a throne in heaven, but settles for where his eyes linger on her neck.

No explanation is provided, but she lets him bring his fingers to it, ghost over where the purple melds to yellow in the shape of thick fingerprints. Add wrath to the ever growing list of his sins, because it’s all he feels amidst the envy and love.

His fingers dig into the plain back trousers when they rest upon his lap again, something foreign buzzes beneath his skin. The thought that any man would be brazen enough to lay hands upon his very own angel.. It’s unbelievable, unforgivable. His thoughts spiral so quickly it’s frightening. Timid things can become vicious, too, when backed into corners.

She manages to keep this growing storm in check when she stands and smooths her skirt, and offers to tidy up the church in an act of ‘repentance’.

The chores are simple and the sisters that linger far past service seem grateful to have her here as she takes up the broom and sweeps away at the dusty floor. They chatter away with her, take her hat and rest their hands over her shoulders when the cleaning winds to an end. His angel closes her eyes in prayer, doesn’t so much as open them to send him a knowing glance when they pray for her to find a good husband, someone who deserves such a lovely, godly woman.

She shares a meal with them while König keeps to himself with scripture in hand, mindlessly roving over the words even when his thoughts drift to the night of their first kiss.

He reasons that it’s only natural when she gives him such a display of acceptance too. It only solidifies what he knows already: this woman is no succubus— she has not crawled from the depths of Hell to drag him back with her, she’s only heavensent. An angel with a broken wing or a gaping wound somewhere… something to care for.

She’s encouraged to return by several fond voices. A few of the women even offer to walk her home, the daylight is dying and it’s dangerous for a lone lady out at night. The angel smiles at him then, sharing in the knowledge that she prefers the dark. Not the wicked things, but the peace and the beauty of the moon.

And she returns when he abstains from her.

She confides in him after each sermon that she does long to see him more often, but she likes the way he speaks of Mary Magdalene and the other women in scripture, pokes fun at the lilt to his voice when he notices her amidst the crowd of others. She says she likes him a lot before they part ways in the evenings, but she doesn’t tempt him with pouts or trailing fingers.

He thanks her for respecting his faith each time - despite being the one who crossed several boundaries initially. Though he keeps his hands to himself now, the looks he gives to her are pleading and soft. If she would pull him into a kiss now, he would let her have all of him. They could run away together, from the church, from her clients…

It’s on one of those cloudy Sundays that he does ask her if she’s stopped. He braves the look she gives him when his question comes as a hushed stutter. The comfort between them no longer feels tentative. It’s just there. Ever-present as the sky above.

“Well, you haven’t,” she whispers in response, propping her elbow up on the back of the pew. It’s as if she believes it could be so simple, but it’s not. Not for either of them.

The spiels of Heaven and Hell won’t reach her, so he doesn’t bother with those. She offers him an invitation with her words and the way she remains so open that it’s difficult not to take.

It’s been months since he touched her last and the love has only seemed to have grown. Strange. Perhaps he is as odd as she’s imagined him to be. There have been weddings in this very church, talks of long years of courtship, and even then what those men must have felt for their brides had to have paled in comparison to this. It had to.

“Tell me how to,” he breathes without any underlying thought. Saints don’t question their gods, they only serve them.

“You’re actually considering it…?”

“I might.”

The silence crowds around the bench while her fingers brush over the pages of a hymnal in repetition and his only inch closer to her clothed knee.

“You could meet me at the cemetery tonight… We could talk more there.”

“At night is probably not the best time.”

“Well, we’re friends, aren’t we?”

Friends don’t kiss. Friends don’t feel the way he feels now, or how he’s felt for the past few months. Platonic arrangements don’t require repentance. But, he bites his tongue and tilts his head back, lets it roll off the shoulder when his hand draws back to his lap. Another time.

Not where the Heavenly Father could see, if he were even watching any longer.

“… Tomorrow morning would be better.”

“Then I’ll come get you. Don’t you dare try and get out of it,” she chirps with the wildest glint of mirth alight in her eyes.

Stay.

If the church caught fire now and the rafters came to sink into the earth not a part of him would or could even care as long as she were just here. But he watches her go without a word of opposition, watches her nod toward the sisters standing out in the yard and clasp her hands in front of her, smiling to herself as though the world were made for just the two of them.

It stings during nightly prayer, and it burns when he lies in bed to wait for the morning. There are cicadas singing and footsteps on old wooden boards to remind him that he isn’t entirely alone, the scent of tobacco drifting from his window when another plaster saint hides beyond the veil of night to smoke. He doesn’t sleep, his eyes remain fixed upon the ceiling until the darkness of the room drifts to a dull gray with the sun’s slow rise.

And König does not wait for her to fetch him. Morning prayer dissolves into a mournful cry because there is no part of him that can fathom or interpret any of this. A trial should not feel like a blessing when he’s faced with it. God must be playing the stupidest game imaginable to test him with someone so lovable, so charming. Where the church leaves him feeling filthy with remorse, she purifies him with only a curl of her lips and starlight dancing in her eyes.

None of it is fair.

The guilt must be something obligatory, summoned up like puffs of dust from the floorboards. Worshiping idols is a sin, but it’s not the angel that feels like one, it’s the attention he pays to the cloud in his head that does. That’s the one that should go.

He grits through prayer with the other men, doesn’t chime in with unnecessary words of devotion this time. The coffee burns his tongue when he downs the mug and forgoes breakfast. There are dark rings beneath his eyes when he ventured to the washroom to brush his teeth, and there are whispers in the halls that the young priest must be either coming under a possession or God is preparing him for something. Something big and exciting. He ignores those and the stern glances from the little nuns in their robes, huffs something of a joke about a momentary sabbatical when he lumbers out of the walls of the church.

There are no new bruises this time, but König has the memory of the last ones stuck in his skull. A clear image of four small marks on the side of her neck, another on its opposite. Larger, more pronounced. Five marks from a hand that never belonged there. Kerosene and a match are what the thoughts running rampant in his head would look like to an outsider.

She tells him on the thin picnic blanket that she’s got a new client, that he gives her enough to where she doesn’t have to consider any others now. The man has a much stranger set of interests, ones she hadn’t delved into before him, but she’s merciful enough to withhold the details that would lead König to make the crucifixion seem a gentle affair.

She tells him because she wants him to be proud that it’s only one now. That she’s making some sort of progress for him. None of it is fair, and he knows without asking that she feels more akin to the way that he does than any of the holy men.

And still he can’t help but ask, “Do you love him?”

“Of course not,” comes her immediate response, and there’s a near imperceptible glare there, judging by the fire in her eyes. It’s cute… and he feels the world's ugliest fool for daring to ask for reassurance as though this relationship was any sort of normal. If it were even a relationship at all.

Their hands touch, reaching for the same flaky pastry in the basket she brought along and Heaven’s bells ring out in his ears when her gaze sweeps over him. Everything is sugared dough and right again. She offers him her lap in place of a pillow for his head when the clouds grow thick and gray above, feeds him from her own hand and runs her fingers across his face with the other.

“How did you get the sky in your eyes?,” she asks him, makes him blush so easily his heart stutters within his chest. He feels like a boy in her presence, and in a way, to her, maybe he even is just some inexperienced whelp nipping at her heels.

The angel does not judge, she softly rakes her nails behind his ear and neck until he shivers in her hold. His hair is next, a victim to her comfort as she tousles it between her fingers, strokes him like the smallest of kittens when he feels anything but.

“I don’t know what you mean,” he mutters, raising a hand to brush at her cheek. Warm as he expected, yet softer. There’s nothing wicked here, only a woman. A woman who loves him as he loves her.

“Your eyes are pretty… sad. I love them,” comes the sweet reply that reduces him to nothing but scattered feathers and a howling ache.

Did he even exist before now? Before her? This woman has filled him with such purpose, breathed new life into a stagnant soul. The church was a safe place for a man scorned by the rest of the world, but that blanket felt unnecessary now. He wanted to feel her hands move over him like this, smell the petals in her perfume, hear her voice speak to him, all of it. Forever.

“I think that I lose myself when I’m with you.”

“Does that hurt you?”

“Nein… I’m happier like this.” It’s the closest to a confession he can whisper.

And he returns to her, morning after morning König rushes through paying his dues to God and his men to return to her like this.

When the graveyard is silent and the dew still sticks to the blades of grass, her voice sounds sweeter somehow beneath the glow of the rising sun. The birds sing around them and often she pushes wildflowers into his hair, clasps her hands around his neck and teaches him to kiss.

Her tongue moves with grace, his is only a thing of greed. Each chaste peck is met with a hunger from somewhere so foggy and forgotten it never had a home at all, not before now. The angel needn’t show him where to rest his hands, they pry at every part of her: gentle brushes against her cheek and neck, kneading at her shoulders, further, further until he does finally starve off any lingering thought of what is good or evil to explore the curve of her lower back.

Most of the time words come in afterthought, once lips are wet and plush from this gentle devouring, after she steels herself from running her hands any further down than his stomach. He tells her in truth that he prays to her, not for. Not anymore.

The shadows cast from the aspens keep them tucked far away from sight, from God and his people alike. A temple for two without four walls to close them in. The only place on this earth that he’s ever found himself in perfect solace.

“I want to try something,” she breathes just when he’s prepared himself to leave. The tree at his back, knees parted, where she remains sat across from him. There’s nervousness there, not the fretful way she looks after a long night, nor the way she looked to him upon their first meetings. “Do you trust me?”

“Ja… more than anyone,” he reassures in a soft tone of voice, tipping her chin up with the tips of two fingers to further accentuate it. Her beauty and her uncertainty always strike a chord within him, a fire that never dwindles. When her eyes search his own, his breath catches.

He doesn’t say a word when she peels away the robes from the front of his trousers. Her hands linger on at the waistband for a moment, takes enough time to offer the gentlest peck to the side of his neck before continuing. It’s another first, being exposed to a woman like this when she lowers the band and has him shimmy backward to free his cock from his pants. Soft with shame or embarrassment, a concoction of other things he could not name, but the moment she looks up at him with pure delight he feels himself grow stiff.

“Wow… You’ve got a perfect cock,” she assesses with a laugh, finger running up the length of it as it twitches to life under her touch.

Scheisse.

He strokes her cheek with reverence as she bends down before him, watching him carefully through her eyelashes. Her warm breath drifts over his manhood and he’s already horribly aware that this would not last long. Another lesson, like the kisses, maybe. She could mold him any way that she likes and he would be pleased to play the role of her Adam.

The tongue isn’t what he anticipated. She flattens it against the tip, breathes a laugh when a keening whine is pulled from his throat. To see such an ugly, vulgar thing pressed to the beautiful mouth he’s kissed a dozen times now. It feels wrong. There’s no hesitation when her lips wrap around him. And then all of it— everything is just right. Every moment spent in this hazy, loving glow with her is right. If Hell were to come from this, then let it.

He can’t tear his eyes away from her, can’t bring himself to speak when he feels the way his cock hits the back of her throat, feels her swallow around him and make such a pleased noise as she wraps her fingers around the expanse she can not take.

Its pitiful, the way he must look: mouth agape, eyes lidded and heavy… He brings a hand to her hair, and runs his fingers through it as if she isn’t letting him fuck her mouth, but rather in the midst of something far holier, softer. Sacrilegious or divine. If God we’re watching, let him.

She pulls back a little, an obscene, wet sound in answer when her mouth is drawn back enough to merely press a kiss the tip, puffy lips glossy with drool. “Is this okay…? Not too much?”

“You are so pretty… it feels… just keep going.” His voice no longer possesses any feigned confidence, it begs like a wounded thing, chanting, “Bitte. Please…”

His hips tilt up when she parts her lips again, all trepidation be damned. This is something, something he’s aches for and never had the chance to feel. All of the ache, the longing to be diminished, to unite with the angel who fled Heaven for him. The cock pushes at her open mouth, smears thick beads of precum over her cheek, before she takes him in again with a delighted, muffled sound. Her soft mouth, the tongue that thoroughly laps at his shaft and follows her movements to wrap and suck at the head. Otherworldly, and… unfathomably bittersweet.

Her lips suction around him, the movements of her wrist only increasing, and with the second roll of his hips he feels his stomach begin to tense as pure heat rolls its way through him. A gentle coursing becomes a blinding inferno in mere seconds, and regrettably, instinctively, that hand so gently combing through her hair comes to snare it instead and force her down further.

His soft grunts and low pleading morph to something choked and almost agonized. It’s the purest rapture, a pleasure so absolute his eyes prick as he bows lower to cover over her as she swallows his devotion by mouth. The angel pants breathlessly when she pulls away with saliva and semen still stringing them together, cleansed by his thumb tracing over her lips, replaced so swiftly by his own mouth. The kiss is so chaste it feels misplaced here, but she nuzzles against him in this comedown from ecstasy, doesn’t even chastise how he lasted a mere two minutes.

And he vows, vows in the sweetness of her comfort and love that no one else will ever have this again.

— — —

Abstaining from meals during a fast is a struggle in and of itself; abstaining from her is some long-forgotten circle of Hell.

It’s not avoidance, but a necessity.

To think that his first sexual encounter would provoke days of concern, a wistful daydream about a future he never would have thought to have had otherwise. There was a desperate, starving desire to repent when he first arrived home after that, but nothing that a bottle of communion wine and a cold shower could not wash away. Repentance has lost its merit to him.

And after seven days, he’s perfectly aware of what he must do. To absolve them both from things where atonement seems far from a necessity at all. He folds his holy robes and leaves them on the bed in the room too small, set neatly next to his Bible. The rosary was the one thing that König could not bear to part with. The beads, red and shimmery, were chosen and strung together with him in mind. It’s slipped into the pocket of his jeans after the plain, black t-shirt is pulled over his head.

There’s a hammer in his gloved hand, and he doesn’t recall where he found it. Lying with its head rusted in the churchyard, perhaps half buried beneath the soil. Some of the other clergymen are talented at fixing things, but König’s never been very good with that. His first rosary was broken with a careless slip of his fingers, and he’s shattered more porcelain than he could count on accident.

Even communion wine can be a bit too strong, sometimes. Or maybe that’s only when the bottle’s been entirely downed. He’ll blame one of his betters when the stock is counted and one turns up missing, if they bother to come seek him out again at all.

The motel is dead at this hour, so late into the night. The few normal visitors have already been accounted for with watchful eyes, and the angel waits in one of the rooms on the second floor. He imagines the laces on her lingerie, the healing bruises on her throat, and that sweet expression upon her face. Or maybe that one was reserved solely for him. He prayed… no, he hoped so.

After tonight, there would be no more mercies for him. Or perhaps there would be an abundance, blessings from the vultures and the wolves and the maggots he would feed. New gods that were still far lesser than the angel who suffers men in sheets, but only looks to him with love.

And he doesn’t have to wait long, because the demon finds his way here with haste. Does he come here every night looking as proud as he does now? His attire even resonates with death, black with those white details, a costume that seems so fitting for one about to meet the very face he wears.

Killing someone isn’t so easy. Cain murdered his brother with a rock, described in such loose detail that one would think a playful throw led to Abel’s end. But it’s not so, not when the victim is hellbent on living.

The demon is smaller, but strong. He’s been in situations like this before, doesn’t have to spit the words to tell König so. They’re felt with each blow, with the sharp edge of the knife this bastard manages to dig into his side. Just barely, before it’s jerked out of his hand and thrown several paces away. The skittering across the tarmac is enough to chant doom.

There’s blood. More with the first strike of the hammer. It seemed so much easier in thought rather than practice. In his imaginings, the head would split with the first fall like an overripe apple, crumple in and the breath would leave the demon in an instant. Instead, it’s dozens. Blow after blow while the smaller man struggles below him.

A strange catharsis comes over him when his soul grows murky, when his hands are slick and the struggle comes to an abrupt end. The sobering only comes when he’s spent an hour driving down the most forested roads to find a place to dump the body. There’s no tact to it, laying a man to rest in shrubbery and dirt. With a head so collapsed it’s hard to think of this as a man at all. A corpse, something no longer simply human.

König does not pray for him when he rests the hammer in the deceased’s hands. Does not offer it more than a passing thought when he peels away back toward home. The deed is done and he’s free of those horrid burdens tainting his heart, keeping him held back on a short leash to divinity.

Like fate, she’s found out in the garden again after the bloodied shirt and stained gloves are discarded. The wound is patched with what he could find available, a hastily tied strip of gauze covers his side. A week or so at best until the gash would heal into an ugly, jagged scar. It seemed even a bastard devil’s blade couldn't be sharp enough to fell a Goliath when he’s caught by surprise and horny.

He feigns merely emptying the garbage into an outside bin, plays off the sting of the gash with a humble, lumbering gait. She beams up at him through lines of tears running down the sides of her face like small, silver streams beneath the darkened sky above.

He’s not a saint anymore, no… a guardian angel. The archangel Michael with his sword set ablaze and divinity scrawled into every scale of his chest plate. Something holy and glowing, unsullied and beautiful.

Like her.

“You’re crying…”

“Sorry… bad night. Client just ghosted me.”

No. This was good, couldn’t she see that? All the sleepless nights, the prayer and the constant, overwhelming longing. Everything he had suffered for her, and still she only comes to him with the thought of that horrible thing in mind.

“He’s dead.” Maybe it was just the fear of a loss of money. He had enough saved up someplace, and the collection pool would be beneficial enough to pivot them towards a new life. No church. No lonely motel. He had to test it, give her a trial and hope that she did not simply break.

The look that crosses her face is one of confusion… Then comes a strange twist of relief. Her mouth falls slightly agape and her arms squeeze slightly around his middle.

“We just spoke a few hours ago. How…?” Finally, suspicion.

Maybe he’s too drunk on playing God now to care, to realize this isn’t how a good man would have handled things. The only thing that holds any weight, that resonated with him any at all is the thought that he loves her, that he will protect her until his dying breath, pray at her feet and anything else she might ask.

That’s what pulls him to press her down against the bed of the truck, to kiss her with every lesson she’s blessed him with in mind. Tongue and teeth, fire and spit, she accepts all of it. She doesn’t beg him for an answer: she’s seen the worst of men, taken cocks far less deserving. Her hands find his hair as they drift away here, gives the strands a sharp tug to usher him closer, roll her tongue against his own.

The sheer tights she wears beneath her skirt are ripped at the seam between her legs by large hands, panties pushed to the side before she finally presses against the broad chest against her to gain some space. Her breath is shallow, face warmed and hair a mess, still the loveliest thing he’s ever laid his eyes upon.

“Are you afraid?” He tilts his head to the side, curious, as if there were no reason for her deny him of this now after he had just *killed for her*. After he forsook what once was all he knew all for her. He would do it again without question, with no gain at all, but the sting of rejection was not something he could entirely choke back.

But his angel never runs out of mercies, it seems.

“No… just give me a second.”

She slips her hand down between her parted legs, demonstrates for him just how to prepare a woman. He watches, mesmerized, as she circles the bud above her slit, dips her finger downward to spread wetness along her flesh. Dew over petals. A finger slips inside of her, and all at once is shoved aside.

“Let me,” he pleads, already pressing both hands to her inner thighs, tilting her hips upward as his head sinks between them.

“You don’t have to,” she whispers, but grants him his wish with feverish nods that betray her words, allows him to kiss her sex as he shifts himself into a better position.

There’s nothing to go off of but her sounds, the cries of pleasure when his tongue lolls out to lick at the nub where most of her reactions stem from. He mutters against her about her taste, something so ethereal he could not even begin to place. Her scent envelopes him in full, and he’s never felt closer to anything prior. She allows his clumsy licking, moans louder for him when he can’t stifle his own groaning. The pants are too tight around him, and patience is another virtue he finds that he lacks.

She doesn’t reach some fantastical height of pleasure when he presses a finger into her cunt, but her body seems to fit even that like a glove, squeezing around him as he lazily circles her bud with his tongue. She doesn’t come, but she tugs him by the hair to usher him back into another kiss, hands roving down his abdomen to free his manhood from the barriers of fabric. And finally… finally he’s granted entrance to Heaven.

The first thrust leaves him spiraling, lost into a world of silk and honey. And the angel does not give him any time to recover, she writhes beneath him, shifting her hips to pull him in deeper, muffles each whine and groan from his lips with her tongue hungrily lapping over his own.

He’s thought about having a woman many times, but never imagined it could feel this good. To be so complete, every woe or fear cast aside in the act of mindless pleasure.

He doesn’t know where to put his hands, to keep his eyes shut or gaze down at her and cease this assault on his mouth to tell her that he loves her, that she feels like pure fucking paradise and he’s already on the verge of coming undone. He settles for moving, dragging himself in and out of her in slow movements, turning his face away to bite down on her shoulder when the feeling of her walls cinching him like a vise threatens to spur him into finishing on the spot.

“That’s just… god… you’re good at this,” she gasps when a hand is sunk between their bodies, flicking at her clit as he spears her open. Her hands find his back, raking her fingernails down past his shoulder blades. It’s agonizing, trying to fight back the urge to breed her full, watch his come spill out from her perfect cunt until he finds himself hard again. The very thought makes him gasp, grind himself deeper inside of her as her nails dig into his back.

“Mein… this is… you understand…,” he’s babbling, hardly coherent, and she only seems to accept it. The angel chants her agreement amidst the beginning of her rapture.

She cries out for him when she comes, her sex pulsing around him as she shivers that all restraint is immediately lost. She hugs him so tightly, squirms as she hisses a curse into his ear.

It’s a miracle he’s even lasted this long. He halts his pace for a mere second to prop himself up, gaze down at her in absolute reverence before that fire swallows him whole. It’s unceremonious when he comes: a growl and a wail as he buries he face into her neck and pumps every last drop of his seed into her pussy.

He doesn’t want to pull out, doesn’t want to leave such a complete embrace. The world has already ended for him, a long time ago on the very night they met. There’s no need to drag out their ruin with whatever else occurs when she’s out of his grasp.

She strokes over the marks she’s made, gentle, tickling touches of her fingertips and shy giggles when their eyes meet again.

“I thought I would never get to do this with you,” she admits, quiet when her hands drift to cup his jaw instead. “You’re perfect, you know that…?”

He wants to cry, wants to fuck all of his woes away, kneel before her and beg that she find a place where they can never be apart. Steal her away to some cabin up in the Alps, where flowers grow in thick patches on the hillsides, a wild garden of her very own.

“… You should stay with me,” he huffs into her ear, fingers dimpling the flesh of her hips as he tries desperately to force himself closer to her.

“You can’t mean the church,” she giggles. “So where should we go?”

“We can figure that out in the morning, hm?”

#könig x reader #konig x reader

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midfight-artchive · 10 months ago

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#archived art #queue clergy #ruvyzvat #sarvente #chat i think about this image so much. so so much #i love love LOVEEEEEEE how messy the start of their relationship was #and how they eventually grew from it

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osiiiris · 7 months ago

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I barely know anything about Necropolitus! Would like to know more about another actual canon character

Please, have a seat *prepares two cups of tea*.

Now, unfortunately we don’t know very much about the character of Bishop Necropolitus Cracoviensis II himself, we only know that he is the official Ministry’s artist, and he took care of the Ghost’s albums artworks since Infestissumam.

We know from him that he knew Terzo since he was a cardinal in Krakow, that they studied Futurism together and liked to party, as he himself reveals in the following FB post. Plus, we have some pics of him working on Meliora in his sacristy:

Among his Facebook posts, there’s also this presentation of the back cover for Prequelle, which I find interesting:

He signed also the Ghost-inspired cover of Noise magazine in 2015.

We also know that Terzo helped him sketch the cover for Popestar (since Tobias IS the Papas and the album is Terzo’s, I’m considering it part of the canon).

But most importantly, we can see a certain dedication from the Bishop to Terzo’s equipment…

Now, while he’s worked with almost all the Papas, he’s only spoken openly about Terzo. The main elements we have are:

The yearly 666 creampies Terzo used to “eat”.

Wild parties in the seminary attic.

Futurism manifestos study.

A shared passion for architecture/city planning.

His admiration (or devotion…) for Terzo.

His Terzo’s nsfw fanarts.

TO ME, IT IS ENOUGH.

We have the artist and the muse, two clergymen bound by a shared passion for art, the life of the party, a power couple with aligned visions, who shared long and passionate conversations about art and most likely they used to hang out at cabarets and literary cafés together.

Necropolitus admired Terzo’s ambition, and Terzo admired his artistic talent.

Necropolitus loved hearing Terzo speak about his plans for the Papacy and trusted in his work completely.

To this day, Necropolitus still remembers him, remains devoted to him… he still holds on to his portraits, never letting the memory of him fade.

#the band ghost #papa emeritus iii #bishop necropolitus cracoviensis #ghost lore #These two fucked #Terzopolitus

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heritagebrowser · 7 months ago

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The pulpit at the Saint- Bavon's Cathedral (Sint-Baafskathedraal) in Ghent, Belgium.

Rococo pulpit made by Laurent Delvaux in 1741. The statues represent the blessing of the truth over error. Made of (white and black) Carrara marble and Danish oak, with gilded wood and wrought iron fence, made by J. Arens. The pulpit could be realized with money from Bishop Triest's fund. Laurent was commissioned by the Chapter of Sint-Baafs. The contract between both parties was signed on March 6, 1741.

As early as 1719-1720, the cathedral's clergy had a plan to replace the old pulpit, previously donated by Viglius Aytta, with a new work of art. In 1738-1739 and later, Van der Brugghen from Antwerp, Theodoor Verhaeghen from Mechelen and Laurent Delvaux from Nivelles made a design for a new pulpit. The latter's model was accepted for execution by the Ghent chapter, which concluded a written agreement with the sculptor on March 6, 1741. It precisely described which materials should be used, namely Danish oak and white Italian marble, and what the artwork should look like. In 1745 Delvaux had completed his work.

That pulpit, rightly regarded as a very representative piece of rococo church furniture in Flanders, has been elaborated on a rather large scale. The viewer's gaze is immediately drawn to the allegorical marble sculpture group under the tub, depicting Truth and Time. The Truth, in the form of a beautiful young woman in a graceful pose, holds a bulky, open book in her hands. Her beautifully arranged robe, which the artist managed to portray in a striking way, captures the movement of her long flowing hair. The globe under her right foot means that truth is higher and worthier than all other goods. The sun, shining on her breast, wants to show that Truth is a friend of light and that she looks up to God, without whose light there is no truth. The woman is crowned with a laurel wreath, the sign of victory. The book in her hands contains the following sentence from a speech by Paul to the inhabitants of Ephesus: 'Awake, you sleeper; rise from the dead, and Christ will give you light” (V, 14).

With her graceful body, slightly turned towards him, Truth turns towards a winged man, who foretells Time. He is winged because the proverb says: time flies. The old man sits on some blocks of stone and leans against a tree that supports the pulpit. He is awakened from his sleep by a putto blowing a trumpet, and lifts the veil that hid the Truth from him. People noticed his expressive head with striking play of light and shadow in the spirit of the late Baroque. For centuries, humanity was ignorant of Christ's message of salvation. She didn't see the Truth. Now Time throws off the veil that hindered his 'insight'. Instructed by the Truth, he is inspired by the divine Word, which is symbolized by the putto with the trumpet.

The entire group, inspired by an unfinished work by the Italian sculptor Bernini, is very balanced. The successful contrast between the youthful and lovely woman and the muscular old man, their posture and their draping testify to the artist's talent.

The branches of the tree swing smoothly around the pulpit, which is decorated with numerous rococo motifs and four medallions in relief. Three of these are explicative representations of the victory of Truth over Time and are therefore closely related to the group of images at the bottom. At the front we get the birth of Christ surrounded by angels and cherubim. This represents the Light among people. On the right the conversion of Paul is depicted, who was struck blind on the way to Damascus.

On the left is the conversion of St. Bavo. His eyes opened and he saw. After all, he was moved by the preaching of Saint Amandus and withdrew into a hollow tree in prayer. The last medallion on the back features the bust of Bishop Antoon Triest. The draped sounding board with a dove in a halo at the bottom is supported by two apple trees. On the sounding board, two angels hold a large cross, whose sleek surfaces contrast sharply with the playful branches of the tree. A third angel takes the apple from the mouth of a serpent that is writhing in the tree. At the entrance to each staircase there is a life-size angel on the inside with the coat of arms of Bishop Triest, thanks to whose fund it was possible to have this sculpture executed. The banister with its graceful curves and its lush and playful shells on the parapet is a beautiful piece of rococo in itself. The entire pulpit should not necessarily be viewed from any one point. It is conceived as an image that can be admired from all sides, without the composition losing value. (Source: Erik Duverger)

#gent #ghent #ghent belgium #flanders #vlaanderen #belgium #church #art history #sculpture #pulpit #artwork #sculptor #rococco #rococo #religion #catholic #cathedral

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qm-vox · 5 months ago

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Man Who Talk To God Have Difficult Life - Playing Clerics In D&D

(St. Nokta Kinslayer, whom you'll meet further down in the article. Art by the esteemed @druid-for-hire who quite frankly cannot be thanked enough!)

Guess who's back motherfuckers. When they ask how I died, tell them, still angry. After the paladin article I asked around about classes to cover "next" and got a lot of requests; rogue, warlock, sorcerer, so of course I have elected to be a good friend by losing my will to live for months on end and then doing none of those. Let's talk Clerics, shall we? I'll not lie to you, this is going to be an angrier article than the paladin one, in no small part because it's inevitably going to go into contentious ideas like alignment, fantasy religion, and others that the player base has been knife fighting about since mammoths still walked the Earth. There are going to be moments when I look y'all in the eyes and say with my metaphorical human mouth that the problem is you Doing It Wrong, and I can only ask that you hear me out. Not to assign you homework about my fuckin' cleric article or anything, but the one I previously did about The Many may be helpful here as well. There's going to be a bit of a focus on D&D 5e here, and I'll be frank about that: most people are playing 5e these days, and as I'll be arguing further down, Pathfinder's take on Clerics and more broadly on faith are a worthless poison that actively worsens the world.

This article's title is drawn from Small Gods by the esteemed Sir Professor Terry Pratchett. As always, credit goes to Afroakuma for teaching me a great deal of the examples I'm going to give, though citing specific sources are going to be difficult as many of the books in question have been out of print for decades and I am neither an academic nor a machine.

Now for the obligatory Content Warnings. We're looking at discussion of fantasy religion & comparisons to real-world religion, violence, discussions of atrocities such as torture, desecration of the dead, and destruction of culture, as well as traumatic deaths/backstories for the sample clerics at the end. As mentioned above, there is also going to be some alignment discourse. You have been warned; do as thou wilt.

Without further ado, let us begin with...

O Mighty Smiter - Clerics Through D&D's History

We begin the obligatory text wall.

Clerics have been here since the beginning. They were around back when "Elf" was a class, and while their history is complex it has, eternally, been colored by the bit where Cleric has an inherent identity problem. In many ways it is, as a class, too broad, so wide-open that getting something coherent out of it is an exercise in frustration or even futility. It'll be easier to talk about what Clerics aren't than what they are, and oh boy, will I. A brief note here: while Druid is going to come up in the context of 1e and 2e, and again a bit later when I start talking about priests (yeah, that's a separate conversation, we're gonna get there), this article is not otherwise dedicated to Druid. I'm gonna need a significant amount of whiskey for both me and my priestess before we god damn go there.

AD&D 1e and 2e: Deus Vult - Do the world a favor if you ever pass near Gary Gygax's grave: piss on it. Ol' Gary G rooted Cleric in his classic blend of obsession with medieval ideas and piss-poor research, invoking many myths about priests of the Crusades and applying them as a one-size-fits-all vision of war-clergy of Every God. He would personally run into problems with this in his own writing before he got out of the game, and rather quickly at that, as he tried to write faiths whose imagery and ideals did not fit the Crusader Priest ideal, but since he was, and I cannot stress this enough, a hack with all the morals and emotional intelligence of mustard gas, he never quite solved those problems for himself. I'll hop off my screed now, I just want this said up front, especially since it's the fundamental evil that chases Cleric to this day.

The O.G. Cleric was described as a melee combatant that took a close second-place to Fighter in that arena, with proficiency in heavy armor and a variety of useful weapons, though they were forbidden from using "edged weapons that spill blood" (there's those Crusader myths). Random fun fact, the very first incarnation of Cleric only had spells up to 7th level, but the level tables for their class went up to level 29 or so, and man, ain't that just wild. As your Cleric gained levels they also became more highly placed in the church of their god, eventually hitting High Priest and just kinda sitting there as they leveled up. Interesting note here: Clerics couldn't be Neutral (that is, not Lawful, Chaotic, Good, or Evil) back in the day, and instead anyone wanting to run a Neutral Cleric had to take a subclass you might have heard of by the name of Druid, which in turn eventually had to face other Druids in SINGLE COMBAT in order to level up past a certain point. Why? I don't know. Summon Gygax's ghost and ask him between rounds of spiritual torture. This original version of Cleric had Turn Undead, a feature that's been attached to almost all Clerics by some name or another in all of their incarnations, and boy, Turn Undead used to be fucking wild. Roll a dice, consult a table based on your result and your level, and end up Turning or Destroying a number of very specific kinds of undead. AD&D 2e would put "undead gods" on this list starting at 13th level or so, and let me tell you: this came up in published material more often than you might think. Last but not least, like most characters back in 1e and 2e, Clerics eventually got to run a building full of people. At first the Cleric attracted about 20-200 "fanatics" who would work for free and help them build a shrine (no word on how TF you feed and water these fanatics) but eventually was given the right to build a proper castle-temple and produce 1 silver per month per resident via "trade, taxes, tariffs". Ladies and gentlemen, D&D.

Aside from the aforementioned alterations to Turn Undead, AD&D 2e introduced a concept known as Spheres to Cleric casting. Now, stop me if you've heard this before: each god gave access to 1 or more Spheres, which were specific lists of spells that their Clerics had access to (fun fact, Paladin casting was "as Cleric of 9 levels lower", but only with access to specific Spheres). So if you worshiped, say, Lathander, you had access to Healing, Sun, Divination, and IIRC a couple of others, and that's it, that's the whole ticket. Now, you may remember Kits from the Paladin article, and Clerics did have some of that action, but more than that they had "specialty priests", a sort of even-more-hardcore version of this whole proto-Domain deal; a Specialty Priest had different class features in comparison to normal Cleric, and access to different or more Spheres, both of which were determined by their god. Each Specialty Priest was, in its way, its own separate subclass of Cleric and if you published a god back in the day you had to get one of these installed. Were they all good? No. Fuck no. God no. Are you kidding me? But they were often very distinctive.

This doesn't get talked about a lot, at least not until we hit Pathfinder, but Clerics have had codes of conduct like Paladins for as long as they've existed, sort of atomized across their various gods. The rules around these have always been vague, and rarely culturally enforced in the player communities, but they did and do exist. A cleric of Kelemvor raising a zombie has done a bit of a blasphemy; raising a ghoul or vampire probably entails divine retribution, a reduction in character level, or even the loss of their powers. Oh, and other gods are probably trying to court you since clearly you're looking for new management and a trained cleric is a resourced that's hard to pass up.

No version of Cleric has ever particularly had a strong identity, but this original version may have been the closest to having one...because it's bad. To the credit of 1e and 2e, the eventual installation of Nonweapon Proficiencies, later to become the Skills system, did let them be competent as actual like, priests? Cleric got access to the stuff needed to actually minister as a spiritual leader with some extra socked away to practice sacred arts related to their god (ex. bookbinding for a cleric of Denier) and maybe even some god damn hobbies too. But outside of the ever-more-niche & esoteric arena of specialty priests, themselves presented as particular fanatics, agents, or chosen ones, every cleric was a Crusader, and every god's clergy were war-priests. And that's weird, right? And so now we must move on to the demon that never dies.

D&D 3.5: The Word Of My God Is 'Begone' - Quick question, have you ever wanted to roleplay someone perceptive but otherwise deeply stupid and utterly incompetent to move unsupervised through human society, who is, nonetheless, OMNIPOTENT? Welcome to the 3.5 Cleric, one of THE casters of all time in the absolute Caster Supremacy Edition. I hope you came ready to hear casual mentions of mechanics that would make a Victorian occultist cry. If you go looking at the class page for Cleric you might notice there's both jack and shit there, and for my readers who got into D&D at 5e the following might be a bit of a shock: Cleric was one of the strongest classes in 3.5.

In terms of the actual mechanics related to Cleric in 3.5, Turn or Rebuke Undead and spontaneous casting were some of the big ones. Well, "big" ones; Turn Undead qua Turn Undead was actually kind of shit and would often just not actually like...turn...the undead, but the charges of Turn Undead a Cleric kept around could be used for many other options that permitted alternate spending, notably here to include Divine Metamagic. These alternate spends were better than using Turn Undead for its actual intended purpose more or less always, and Divine Metamagic (DMM) in particular was an unholy monstrosity that underlied a lot of Cleric's power later in 3.5's run, letting them customize their prepared spells on the fly without having to use up higher-level spell slots. Now, I really cannot stress this enough: Cleric was one of the most powerful classes in core alone, without adding any supplements. DMM and similar options made Cleric even stronger but they were very much gilding the lily, to be frank. "Hey Vox why are you saying this," you would not believe the number of ignorant pricks who made a literal moral crusade out of going to "core only" in 3.5 claiming it made for a better balanced game. The good version of 3.5 has never existed, destroy anyone who claims otherwise.

Where was I - spontaneous casting, yes. Now, Clerics were still prepared casters, they had X spell slots every day at very specific levels and had to pick specific spells to fill them. That is, if you want to cast create water more than once in a given day, you need to memorize create water more than once that day. However, Clerics could convert a spell of any level to either cure wounds or inflict wounds of the same level, depending on the alignment of the Cleric (Good Clerics Turn Undead and cure wounds, Evil Clerics Rebuke Undead and inflict wounds, and Neutral Clerics not otherwise restricted by their god get to pick one for their entire career). This gave 3.5 Cleric a lot of flexibility, very valuable flexibility in a game environment where casting a heal mid-combat was basically always the wrong move, but out-of-combat healing was still an invaluable resource. RIP to Evil Clerics though, inflict sucked ass.

Lastly, we have domains. Now, if you check through the domain list on the SRD you may notice that they are rather less defining than the 5e Domains, granting a single power apiece and a list of spells you get access to. Most gods in 3.5 granted access to 3+ Domains, and their Clerics got to pick 2; together, these are the "kind" of Cleric you are, the aspects of your god that you kinda embody which then shape your power. Clerics got special extra spell slots solely for Domain spells in addition to their usual progression, and could memorize these Domain spells in normal slots as well. 3.5's list of Domains was deep and wide to the point of self-parody, and the power that gave a player to customize their Cleric's aesthetic and mechanics could be immense. Sure, many Domains were much weaker than others (Magic Domain is bonkers and that asshole is in core) but ultimately every Domain is stapled to Cleric, and since Clerics don't learn spells, only memorize them, there's a floor as to how weak you can possibly be.

So, what are your restrictions on Cleric? Not many. Non-War Domain Clerics had a sort of mid list of weapon options, sure, but if you're not casting you're playing wrong already so who gives a shit. Heavy armor and full access to shields meant a lot of build flexibility as far as that goes, so no problems here. The biggest thing is that a Cleric needed to be, and remain, within one alignment "step" of their god, plus or minus any other specific restrictions. That is, a Cleric of Liira, who is Chaotic Good, must be Neutral Good, Chaotic Good, or Chaotic Neutral; becoming Lawful Good, True Neutral, Chaotic Evil, etc would result in losing all Cleric powers and being unable to take Cleric levels until they fixed their shit or found a new god. Strictly speaking, these Clerics could/would still Fall a la paladins if they sufficiently blasphemed against or angered their god, but in practice this sort of thing was just...not common.

This is the section where I would talk about other divine classes in 3.X but honestly they were all so god damn weird and specific that no comparison really could be made. Shugenja, for instance, just isn't cognate to Cleric. The closest thing is the Healer class, no points for guessing what their deal is, but the thing with Healer is they have more in common with paladin, so like. Cleric or bust baby, welcome to fucktown.

Which brings us back to what Cleric was like narratively, the answer to which is: confused. The thing is...Clerics have always, likely will always, want high Wisdom, which makes them perceptive, good at detecting lies, weirdly talented at handling animals, competent to navigate the wilderness, and also I just described a Disney Princess. The trouble is, nearly everything else is strictly secondary. Every caster wants and needs Constitution in 3.X so they can make those Concentration checks and also, you know, not die, so okay, you're perceptive and you can hold your liquor, but after that nothing else matters. On the one hand, this makes for a great deal of versatility in terms of your ability scores, but on the other hand Cleric had 2+Int skill points per level on the most dog shit skill list in the game so being a very smart Cleric rarely bought you anything. Higher Charisma could be cool, but hey, see that skill list? It's still shit, and if you aren't also buying Intelligence you quite literally can't afford to keep up the social skill tax. A true war-priest wants Dexterity so they can act before their enemies and command the battlefield but that's more or less all you buy out of Dexterity on Cleric so congratulations, you're an almighty quickdraw and also illiterate. "What about Strength," what about it.

I really cannot overstate the paralyzing nature of that skill list, because priests - which 3.5 wanted Clerics to be, which it thinks they are - need more of them than most people think. A proper spiritual leader needs to buy up Insight, Knowledge (Religion), Knowledge (Local), Knowledge (Nobility), and Persuasion at a minimum, and they sure do also want Intimidate and Perception. You get two of those. Two. Just two. If you buy up Intelligence after you eat your vegetables like a good player, you maybe get to buy four of those. And that's it, that's all you fucking get. Clerics are not competent to be priests, which is going to be true of them going forward from this edition on. Now, I'm painting with a relatively broad brush here, and there's definitely religions on Earth these days which did, or still do, separate out roles that might reasonably be called a priest & Cleric vs. those roles that are community leaders and interpreters of doctrine and law, but there's a shocking amount of "here's my vision of what priests are and do" that Cleric wants to be, and isn't, because of this whole fucking deal.

But while 3.5 was extremely blind to the bit where Clerics just were not what it thinks priests are any more, it was very much not blind to the terror and power of their spellcasting. A high-level cleric, in the narrative of any given setting, is a terrifying force - an army unto themselves, a one-woman political bloc whose existence is an implicit threat of violence on a civilizational scale. I didn't spill all that ink about the power and mechanics of Cleric up there for nothing; 3.5 was very interested in how those mechanics could manifest within the narrative, how they are inextricably bound to said narrative. Hell, in Expedition to Undermountain alone the backstory of the dungeon includes one non-relevant sect of Clerics who was, in-universe, trying to game the spell slot system, alongside another unrelated sect that the PCs trip over by accident and fight inside their half-constructed fortress of partially undead bone which they control via Rebuke Undead.

Lemme say that again just for emphasis: there's an adventure where an accidental encounter is a long siege through a half-animated evil fortress that can be controlled through pure divinity, which was invented because its builders, in-universe, were trying to optimize their power and create an advantage they could control but their enemies couldn't. And this is just my favorite example, it's hardly the only one. Even the fucking novels got in on this sort of thing. We all joke about how wizards have no rights, because they don't, but watch a Cleric hit level 7 or so and you'll realize quickly that they are becoming something to which mortal laws are more like polite suggestions. Nor is this necessarily solely the sign of greater favor and thus potentially restriction from their god; indeed, a Cleric has to bring things to the table themself, narratively speaking! Divine spellcasting is a real skillset that you get better at with practice and experience, and part of the reason higher level Clerics get so much attention from other gods - aside from the obvious "this person can solo an army and still go home in a mood to have sex with their wife" angle - is that a skilled Cleric is a rare resource worth stealing.

Overall, 3.5's vision of Cleric is perhaps the one that suffers most from Cleric's identity-draining lack of specificity. Its Clerics were powerful, but they were also largely all the same; they could change their spells every day, but that only really meant that your list of spells doesn't really matter beyond personal preference. Domains offered some customization, but they didn't go far enough, and indeed if they were to go far enough the all-consuming might of Cleric would only be even more flagrant. So let's return to the most honest edition of D&D, shall we?

D&D 4e: Healer Calls The Shots - There are a lot of reasons that D&D 4e was born dead, and a big one is that classes with healing abilities were labeled 'leaders'. This seems absurd these days, especially if you're into esports at all; the support player being the team leader has become accepted strategy in a variety of games, in no small part because one simply cannot win without them, and yet at the time the D&D fanbase - still in an awkward transitional period of nerd masculinity that I don't have the time or the PhD to write about - rebelled against this concept with fountaining violence. The "girlfriend classes", leaders? Absurd. Preposterous. Clearly Sir Dipshit the Fighter with no mental stats or applicable skills is the leader.

I'm not fucking bitter, you are.

So what was Cleric's deal, exactly? Cleric qua Cleric was a Leader, as mentioned before, that could primarily be built either as a scrappy melee type or a more hard-support implement caster. "What's an implement caster?" glad you asked; back in 4e you had to hold a casting implement to cast your spells, something like a rod, staff, wand, holy symbol, your mother's haunted skull, whatever, and these had specific mechanical effects that altered your abilities. Some classes, like Cleric, could also or instead use a weapon as their implement, but in practical terms the strict wealth-by-level guidelines meant you got one or the other and would build your stats accordingly. Keep this in your back pocket for later, it's going to come up again. Also for your back pocket for later: these implements were, well, implemented as part of 4e's item progression, and the expectation was that you would spend your available resources (in this case, gold/phantom gold, collectively Wealth By Level) on better implements that would make your abilities work more work-y. Limited wealth meant that while in theory you could have both a magic weapon and a magical implement, in practical terms you get one or the other 'cause there's other shit you gotta buy.

What Clerics did with these implements was sell healing and healing accessories. While 4e introduced the concept of Radiant damage (used there as especially good against fiends, undead, and other forces of evil) and Clerics did indeed have access to some of that as well as buff abilities, their main thing was being the ranged healer par excellence, able to heal or cause healing far in excess of their peers in the role such as Warlord. Here, then, we return to the throughline of the divine healer which stretches all the way back to fucking BECMI, and which modern audiences may recognize more readily as the JRPG archetype of the White Mage - itself rooted in BECMI again! This hobby is an ouroboros, I say, with love.

Joining Cleric here are a selection of other classes with divine powers who take on a similar conceptual space. I talked a bit about Invoker during the Paladin article so I'm not gonna go over them again (this shit is long enough as it is), so we're gonna talk about Warpriest and Runepriest.

Introduced in the Essentials line, Warpriest was - like most Essentials classes - a simplified take on Cleric meant to be more accessible to new players. It shifted just about everything towards Wisdom in terms of writing one's character. Warpriests were these tanky all-around characters who gave up some of Cleric's team support for better attacks, and notably did not select powers on level-up, but rather got a progression based on their Domain. Readers familiar with D&D 5e might see some similarities here.

Runepriest, on the other hand, was a weird freak of a Defender whose thing was projecting offensive or defensive Auras that they could amplify with their support abilities and swap out every time they attacked. Their primary stat was Strength, drawing on a similar idea to the later revised 5e Barbarian or, perhaps more familiar to y'all, Beast incantations in Elden Ring. Very much not simplified, Runepriest offered some initial build diversity but didn't get a lot of support as the gameline continued, ironically ending up as very limited despite seeming intentions of breadth.

Narratively, these classes were somewhere in the range of 'village preacher with a hidden badass streak' to 'war missionary' to 'literal thug for the literal god of literal fascism'. 4e here stands out for being the first edition to acknowledge that a Cleric is not really a priest as such, and is much more like...a chosen one, a conception that very much fit well into 4e's idea that adventurers are inherently freaks who do things no sane person would ever consider. If you're thinking, "gee that sounds odd, why wouldn't there be like Clerics just existing inside cities", I point you at works like Dungeon Meshi who advance this same idea. Fundamentally, the skills one uses to break into ancient tombs full of undead are not skills you develop while working as a spiritual leader or a bureaucrat or even as a military officer. Adventuring is not a career you get into because your life is going well.

Of course, as mentioned, D&D 4e was born dead, so now we need to talk about the demon that ate its corpse and was, for a time, the unquestioned king of the TTRPG space by dint of its treachery and malice.

Pathfinder: Deus Vult Part II: World Holy War - Keep Pathfinder in your back pocket next to casting implements, they're gonna star in the religion section later as I express a fundamental anger that borders on inhuman rage. You have no earthly idea just how much I'm cutting out of this section alone considering that like many, I was there for Pathfinder during the beta and thus got in on the ground floor of a great deal of incompetence, malice, cruelty, outright betrayal, unexamined double-think, and egotistical bullshit.

That said, let's actually talk about Cleric.

In terms of Cleric qua Cleric, you may be noticing that the table there looks a lot like 3.5's Cleric, and indeed in many ways they're pretty similar. The biggest immediate difference is the addition of Channel Energy, which lets a Cleric become a healing bomb (or harm undead bomb, or vice versa) a certain number of times per day linked to their Charisma modifier. This is in addition to spontaneous casting, so it's a strict addition; further, it being a 30-foot burst means a channeled heal might actually be worth your Standard Action at some point in your career. It won't be, but it might. Additionally, Pathfinder Clerics are proficient in the Favored Weapon of their god by default (more on this later), which - by contrast - was often much harder to access in 3.5.

Like D&D 3.5, Pathfinder has a dizzying array of Domains to go with a default setting packed full of gods (more on this in the religion section later), ranging from things as broad as 'all magic ever' to things as embarrassingly specific as 'ambushes as laid by kobolds specifically'. Seriously, look at this list, it's absurd. And while by sheer numbers and specificity it's roughly equivalent with 3.5, I'm not about to claim 3.5 has the high road here, Clerics in Pathfinder get more abilities from their Domains and thus your choice of Domain and/or Subdomain is far more important to your Cleric than it ever was in PF's parent game.

Indeed, option paralysis is going to be the name of the game here. Clerics in Pathfinder, in addition to Domain and Subdomain and their choice of god, also get to pick out variants on the Channeling ability that I talked about and, like all Pathfinder classes, have access to a dizzying array of Archetypes. These Archetypes in turn range in scope and concept from variations on how one has trained as a Cleric (such as Crusader, keep that name in mind for later) to like, race essentialism as class features such as Fiendish Vessel. Sit on that statement for a bit. Really internalize it.

Now, while the rules for Pathfinder give provisions for older versions of Clerics such as Clerics of ideals, Planar Clerics, etc, in practice Pathfinder is very much married to its one-and-only setting, Golarion, and to its particular vision of Clerics as the dedicated priests of a single god. This is a difficult vision to accomplish, as they still aren't competent to be priests, but it's also one that adds another layer of information a player has to juggle, as Golarion makes a much bigger and yet somehow much smaller deal about Clerics falling and losing their powers; each of its gods has a published code of conduct, Obediences you can perform for mechanical benefits, and sometimes even exclusive spells. I said I was gonna cut my beefs with Paizo out of this section but I really cannot resist just one: this is from the creators who made their first bones by arguing that mechanical bloat was the cardinal sin of 3.5 and advertised a return to the purity of Core. It would be funny if it weren't so fucking infuriating. If you can't hack it as a Cleric of your god, you lose your powers until you either start hacking it, or find a new god that agrees better with your current behavior, and those gods are very much in the market to hire.

In addition to Clerics as the hypothetical main priests (both as PCs and NPCs), Pathfinder introduces Inquisitors, Oracles, and Warpriests and we're gonna have to talk about all of them so I hope you weren't doing anything else with your day. Let's start with Inquisitors. Meant to be to Cleric what Ranger is to druid, Inquisitor is a wildly revealing take on how Paizo thinks about religion and ethics. To wit:

"Grim and determined, the inquisitor roots out enemies of the faith, using trickery and guile when righteousness and purity is not enough. Although inquisitors are dedicated to a deity, they are above many of the normal rules and conventions of the church. They answer to their deity and their own sense of justice alone, and are willing to take extreme measures to meet their goals. Role: Inquisitors tend to move from place to place, chasing down enemies and researching emerging threats. As a result, they often travel with others, if for no other reason than to mask their presence. Inquisitors work with members of their faith whenever possible, but even such allies are not above suspicion."

James Jacobs would like to tell you, with a straight face, that this is a normal and expected way to engage with religion, to think about religion, and that Inquisitors as presented here can be of any alignment and serve any god, all of whom will keep them around on purpose. In a related story, James Jacobs is a sniveling wretch. In another related story, the aesthetics and proficiencies of Inquisitor are very much like, the Hugh Jackman Van Helsing. I do not say this as an insult to either Inquisitor or to Mister Van Helsing, his aesthetics slap, but do keep that in mind for what I'm gonna say later.

Mechanically, Inquisitor drops a lot of control and damage, gleefully sacrificing most of the support a Cleric offers in favor of singling out particular targets and persecuting them to death. They also get a surprising amount of out-of-combat utility, adding their Wisdom modifier to Knowledge checks to identify "monsters" ("hey what's a monster" good FUCKING question), gaining bonuses to tracking like a Ranger, and adding a FAT bonus to Sense Motive (this becomes Insight in 5e) & Intimidate checks. Their combat style is a mix of hard control spells and self-buffs to damage so they can sandpaper their enemies to death; very functional, but also very much a particular vision of a holy warrior. And lest we leave this unsaid, Inquisitor spells were very much concerned with rooting out "heresy", heterodoxy, and punishing "sinners" within their own faiths, which is a wild-ass statement when you remember, again, that they can follow any god. You wanna tell me the god of revolutions runs secret police whose job it is to murder heretics? You wanna tell me that, James Jacobs? That's what you're telling me? Fucksake. Adding to this is that while Inquisitors can take Domains, they more commonly take bespoke Inquisitions that, well, make them better at being the secret police. You know how the god of the harvest runs the Grain Gestapo and they're the good guys somehow? Like that.

This, however, is where I drop the other shoe. Look at Inquisitor's skill list. Look at their skills per level. Are you seeing what I'm seeing? They're competent to serve as spiritual leaders, indeed, infinitely more competent to do so than either Cleric or Warpriest are or ever will be. The rest of their abilities make that idea just a little bit absurd, but if you don't mind every local village priest being an apprentice serial killer on their off hours Inquisitor is the only divine class that can do the job. The only one. There are no others. The next-closest candidates are fucking Bard and Rogue.

Which brings us to Warpriest, I think. I will not mince words here: Warpriest fucking sucks. Pitched as one of the many so-called "hybrid classes", Warpriest's parent classes are Fighter and Cleric, and it really got the worst end of both. Cleric is cracked enough that even with 6th level casting Warpriest evens out to doing fine, but my fucking god. Warpriests get some minor buffs to their weapons and armor, allowing them to customize those items and granting a phantom buff to the budget they can assign to them, as well as access to Blessings, their particular spin on Domains. These are good ways to extend their spellcasting but are, essentially, equivalent to a secondary pool of spells and buffs; likewise, their Fervor ability is a pool of healing/harming in theory, but in practice you burn Fervor to self-buff as a Swift action (Bonus Action for you 5e folks) or you're doing it wrong. The problem here is that Warpriest is just...worse Cleric. The phantom buffs to their weapons and armor, as well as their pool of bonus Combat feats, do not make up for the bit where they swing less accurately, less often, than an equal level Fighter, Paladin, Ranger, etc. You're casting or you're failing, and if you're already a hard caster, you're a Cleric - and Clerics, y'know, are already war-priests.

Oracle is the weird one out of this list. A spontaneous and Charisma-based divine caster, Oracle stands out for having a more limited list of spells that they get to use more often, and for having flexibility with their use of Metamagic feats the way a Sorcerer does. "What if I don't want to use Metamagic feats," I'm afraid you'll need to go fuck yourself, this is what you're doing. Oracle was an instant smash-hit with the player base of Pathfinder for its strong aesthetics and customization; where most Clerics are essentially the same with minor differences, every Oracle is, in some way, different. In particular, each Oracle has a Curse which makes them like, literally & textually disabled in some way but also grants them power, ranging from "you're just deaf, that's it that's the curse" to "you've been infested by an alien hive-mind from literal space, good luck fucker", and also pursues a Mystery that gives them themed abilities and further customizes their spell list. Unfortunately this is still a Paizo class; in terms of the actual mechanics, most Curses are essentially meaningless, with a rare few either being so bad that they're unpickable or so good that you kinda have to justify why you didn't take them (Deafened is the latter, incidentally) and most just being nothingburgers that matter not at all.

Now, notable here before I talk about Mysteries is that Oracle, like Cleric, is living that 3/4th base attack bonus life and can natively wear up to medium armor. Unlike Cleric they are not natively proficient with their god's Favored Weapon but otherwise they're fronting as a gish (spellblade for you youngbloods, a character that mixes magic and melee). The thing is, while that 3/4 attack bonus is great for spells that make attack rolls - here Oracle is handily beating contenders like Wizard or Sorcerer in terms of accuracy - they are, you know, ninth-level casters. The correct move for your turn is "I cast a spell". There are not exceptions to this. In an extremely related story, most Mysteries are full of not-spell things to do with the actions you would normally use to cast spells, and while some of them - such as the endless parade of ways to boost your Armor Class - replace certain spells, essentially saving you a slot, many of them are just kinda...weak blasts or control abilities that don't meaningfully compete with, again, "I cast a spell". And like, the flip side of your choice of Mystery often not mattering is that you're free to pick something that seems thematic to you, but riddle me this: if you never use the abilities you pick up, does it matter that you have them?

There's some obvious winners in Mysteries, as there always is. Lore and Time are cracked as hell, and you can get away with something like Metal that has mostly passive abilities, but here we need to talk a bit about the theme and flavor of Oracle. Paizo sold the class on the idea of mysterious connections to the divine, a sort of divine mirror to their Witch class whose associations with the otherworldly are potentially unknown to them and move them without their consent. They then immediately abandoned this faster than my father abandoned me; every published Oracle is the Oracle of one god in particular, Mysteries are associated with gods the way Domains are, and this means that in all ways Oracle is a Cleric who can get laid. I am, perhaps, disproportionately angry about this, both on a professional level (lying to your readers is a bit of a dick move) and on a personal one (I wanted the Oracle they sold and did not receive it). And that's...a bit of a let-down, right? Paladins are already god-locked in Pathfinder too, so at this point Oracle, while having strong imagery, is not meaningfully different from its peers in a way that you can really latch onto. I dunno. It's a waste, y'know?

Overall, Paizo's vision of its divine classes is not able to be separated from its vision of religion as a zero-sum holy war in which everyone is desperate for converts, no one trusts anyone else, and rooting out one's own flock for heretics and heterodoxy is considered normal and morally acceptable behavior. Paizo deadass thinks the Spanish Inquisition are the good guys, if not literally, then in spirit, and that is, not to put too fine a point on it, disgusting. Mechanical innovations are present here, but to be frank the signal-to-noise ratio is awful, and it's very much not worth the effort to pillage their work for the few good ideas that have managed to survive.

Which brings us, at long last, to:

D&D 5e: The Power of God And Anime On My Side - I apologize for nothing and I will do this again.

So, right here up front, before I talk about anything else, anything else at all, Fifth Edition Clerics are, for the first time, both not priests and not trying to be priests. To quote Pages 56-57 of the 2014 Player's Handbook: "Not every acolyte or officiant at a temple or shrine is a cleric. Some priests are called to a simple life of temple service, carrying out their gods' will through prayer and sacrifice, not by magic and strength of arms. In some cities, preisthood amounts to a political office, viewed as a stepping stone to higher positions of authority and involving no communion with a god at all. True clerics are rare in most hierarchies.

When a cleric takes up an adventuring life, it is usually because his or her god demands it. Pursuing the goals of the gods often involves braving dangers beyond the walls of civilization, smiting evil or seeking holy relics in ancient tombs. Many clerics are also expected to protect their deities' worshippers, which can mean fighting rampaging orcs, negotiating peace between warring nations, or sealing a portal that would allow a demon prince to enter the world.

Most adventuring clerics maintain some connection to established temples and orders of their faiths. A temple might ask for a cleric's aid, or a high priest might be in a position to demand it."

Merciful fucking Illmater, we made it y'all. Not that the player base, by and large, has noticed; many people continue to play clerics as priests, to think of all clerics as priests and spiritual leaders, and to expect them to be such. And they are not priests. As I've argued already they've never been priests, but 5e does have a firm vision of Clerics - they're shonen protagonists. The chosen many, as it were, and that vision is clearer and more thematic than Cleric has been since mammoths still walked the Earth. Y'all are doing this wrong. Please stop.

Anyway, mechanics! The more things change, the more they stay the same; Cleric still has a dog shit skill list, they're still a mid-armored all-rounder with anti-undead features, they're still pretty good at resisting mind control. The Optimal Cleric(tm) is rocking high Wis and Dex so they can act first and get off their powerful control spells, which in turn implies light armor in an unusual first for D&D, but I'll be real with you: Cleric has one of the best spell lists in the game, as long as your Wisdom is high you can do whatever you want and never be punished for it. Notable here in comparison to previous editions are the flexibility of the Cleric's spell slots in 5e - you can cast any spell you have prepared out of your slots rather than locking 1 spell to 1 slot - and Ritual Casting, a feature most people associate with Wizards but which is very, very much available to Cleric and gives them similar out-of-combat utility. Turn Undead and Destroy Undead return, both more functional than they've been in decades, and are now linked to rests of any kind and also used to charge Domain features. "What about Divine Intervention -" what the fuck about it.

Which brings us to Domains. And the thing about Domains is there's still a lot of them in the context of 5e; the Player's Handbook alone published seven of them, and just about every player-oriented book after that had 1-2 more, sometimes as many as three. Cleric is feasting, and while most of the food is decidedly mid it still doesn't matter because it is, again, stapled to Cleric. Like I could wax poetic, at some considerable length, about why Domains like War, Trickery, or Grave are bad options, but y'know, the thing is, they're still fucking Clerics, they'd be doing fine with no Domain at all. I'm not gonna go into a massive breakdown of the pros and cons of any given Domain, but in general you'll have the most harmonious time with Domains that don't expect you to be spending your actions doing things that aren't casting spells. War, for instance, is gonna be a let-down because it really wants you to be making weapon attacks and you do not have the tools to make that remotely worth it; conversely, Grave also sucks, but it mostly fills in actions that your spells can't or won't, so you'll have a much smoother time playing Grave. For those wondering, the hands-down winners of the Domain list are Knowledge, Life, Light, and Tempest, though an extremely dishonorable shout-out goes to Order as a control & utility pick that is completely unaware of its own existence as a cosmic fucking horror story. See the sample Clerics below for that shit.

Now, remember when I told you to keep implements in your back pocket? 5e also has them, but they're introduced a bit...unevenly. Magical items do exist that do what magic implements used to do, namely, boost your spell DCs and spell attack modifiers - the caster equivalent of a magical weapon - but not many were ever published, and the ones that were are mainly for arcane casters. Fans of Critical Role may be recognizing items like the Spire of Conflux or the Hand Cone of Clarity as taking this role (and indeed quite a bit of Mercer's world and mechanics draws influence from D&D 4e), while players of Baldur's Gate 3 are pointing at the screen and naming some of their favorite caster-focused shields, gloves, and helmets right now. Any of these are a pretty neat way to engage on this idea as long as you keep things under control (you don't wanna exceed a total of like, +3/+3 here), but you as the DM, or you and your DM if you're a player, can and will be making this shit up yourself for your Cleric.

So, what's 5e's vision of Clerics, narratively? Well...see, the thing is, the text I quoted above is mainly it. D&D 5e is remarkably lore-light on the player-facing end, instead investing a lot of its lore writing in wild reworks of various cultures such as drow or gnolls, which I will not comment on because I do need to end this article at some point and I'm still in the fucking context section. There's a soft sympathy towards the position that 5e's Clerics, as they level, are holier Clerics, rather than more skilled Clerics (again, see above), but even that is a very tepidly held position, one which in novel writing and related media is far from consistent or primary. That said, I couldn't walk out of this section with a straight face if I didn't talk about the WILD fucking Domain assignments 5e makes for its gods, which in some cases is an artifact of many more specific Domains no longer existing, but in other cases appears to be the product of some of the most ignorant Protestant bullshit you can possibly imagine when thinking of the gods in question. Again, see the existence and flavor of the Order Domain as an example here, but like, in what fucking universe is Helm associated with the Light Domain? Since when was Wee Jas a Grave Domain kinda goddess? Not to hype this up twice in two paragraphs, but you will notice when we get there that I have chosen to ignore this whole affair for many of the upcoming sample Clerics and when I do there'll be some discussion about it. I do these things to myself and I really wish I didn't but this is who I am as a person now.

Going to the Land Of Context is like going to the Underworld, it takes you three days no matter how fast you travel. But at long last we have arrived, and we can conduct the actual fucking article. May Oghma pity me, for I myself will not.

Gotta Go, The People In The Important Pajamas Are Mad - Clerics At Your Table

Before I say anything else, that headline is not my original line but I cannot for the LIFE of me remember what early aughts webcomic it's from. I am likely misquoting it but if anyone on this hellsite recognizes it and can point me back to it for a proper credit I will be quite grateful & also get the citation in.

The following section is meant to help you in fleshing out a Cleric concept to play or even to use as an NPC. While some of this advice is edition-agnostic and indeed when we get to the religion section we're gonna return to some Takes Through The Editions and I will be very sad and also angry, a great deal of it will be slanted towards 5e because, let's face it, that's what people are playing. Make of this what you will. Also covered here will be same-paging (again), Clerics & alignment, and common pitfalls of playing Clerics (and suggestions of how to avoid them). So, without further ado:

Same Paging - In Which I Blow The Meta Joke About This Being In Any Class Article I Do Early Like A Damn Fool

Same-paging is the practice of talking to your group in a way that helps set mutual expectations, and it’s something every RPG group should strive to do regardless of the system they’re playing in. You’ve probably done this to an extent before, as part of being pitched a game (”We’re going to do a dungeon crawl through the deadly halls of Undermountain”), during character creation, and the like. If this opener to the section sounds familiar, it's because I copy-pasted it from my last class article and there's nothing you can do to stop me. In the specific case of Cleric, the elephant in the room you need to explicitly talk about and not just assume shit about is the sort of relationship you're looking to develop between your character and their god(s) and, y'know, any themes or ideas about spirituality that you explicitly would like to see included or, conversely, very much need to not see included. We're gonna get into it more in the religion section later but man it truly does fucking blow chunks if you're looking to have, say, a serious exploration of your character's faith and its relationship to society, but the rest of your group is on some Reddit Atheist shit, right? Hell, it's not even pleasant if you unexpectedly end up doing the inverse. In addition to this, if you're looking to explore ethical or doctrinal dilemmas (i.e. if you're really into the idea of playing a Cleric of Eldath as a dedicated pacifist, or dig into the conflicts that might arise between the Orders of Denier who preserve knowledge vs. some kinda magical infohazard), this is the time to say it and chew it over with your group. And again, as long as everyone's having fun and not hurting someone else any way you play it is fine - a kick-in-the-door style campaign is a perfectly fun campaign to have. The point is to set expectations up front, not to like, ensure that the group is playing in the one ordained way to play. Which is bold words considering how many times in this article up to this point I've deadass accused people of playing wrong, but I do mean it. I contain multitudes.

One Day, A Tortoise Will Learn To Fly - Making Your Cleric

The Pratchett quotes will continue until morale improves.

Once you and your group have communicated your expectations to each other, it’s finally time to start sketching out your concept! There are many ways to do this, though the two primary schools are mechanics-first and narrative-first. That is to say, opening up with something like "Using the Knowledge Domain to pick up proficiencies on the fly sounds fun to me," works out great, as does opening up with something like, "My Cleric learned her ex-wife was literally a goddess about three weeks ago and is having a wild one about it." However, this article is about to be long enough already without me trying to write a mechanical guide to 5e Cleric, let alone any other Cleric, so we're gonna focus on the narrative approach. If you need a mechanical guide, I promise you that the player base of whatever edition you're into has made several and that the author of each one has some kind of passionate beef with the authors of all of the others. Consider the following questions for your Cleric:

Why Did You Become A Cleric? To be a Cleric is to be of the chosen many; inherently, you're gonna be a bit weird. That weirdness may be because of the conflict between your perceived social station vs. who you are as a person (to wit, people might expect a Cleric of Oghma in the Forgotten Realms to be a stuffy scholar and be surprised when he shows up to strongman competitions or turns out to be one of the Sword Coast's most prolific authors of erotica), but in all honesty odds are much higher that you're a freak. Incredible divine power doesn't erase the bit where adventuring is not a career one takes up because one's life is going well. That said, just because you're a chosen one doesn't mean you didn't also get to choose. Did your Cleric pursue Clerichood for some reason, and if so, why seek that power? If they didn't seek it out on purpose, how do they feel about this change in their relationship to divinity and the burgeoning power within them? This is where you can get both characterization and plot hooks; a Cleric forged when she swore herself to the Red Knight in a desperate attempt to defend her farm from bandits is a very different beast from one who sought power and station from Bahamut so they could enact reforms in their society. Look for connections to the game world and reasons to care about it.

How Did You Learn? There's some obvious things to answer here - your Cleric learned how to wear up to Medium armor, the proper use of shields, and basic combat techniques - but the more interesting question to dig into is your spells. D&D has actually had many different schools of thought here, some of them co-existing or competing with each other. D&D 5e, as mentioned above, breaks on the idea that a higher-level Cleric is a holier Cleric, and that their casting is an almost intuitive process of seeking intercession or requesting miracles in advance in case they need them. Many people play their Clerics this way, but here I will once again climb atop my mountain of old-ass lore and offer an alternative: divine spellcasting as a skill you actually have to learn and practice. In this school of thought, a higher level Cleric is a more practiced and powerful Cleric, and is intrinsically attractive to "rival" deities not simply because they are a great champion of their own but because they are a potent resource. For those in the audience wondering how this makes any fucking sense, I will point out, gently, that this idea is actually still prevalent in Japanese media and its White Mage archetypes, as well as in popular videogames like Elden Ring. These Clerics learn spells from somewhere, and the "somewhere" has a broad variety of answers; they unlock the secrets of their rites through cryptotheology, they experience divine revelation, their god teaches them personally, they're mentored by more experienced Clerics. Indeed, Ms. Jester Lavorre of Critical Role fame engages on her divine casting in this mode, often expressing that the Traveler has been telling her about new spells or teaching them to her personally, and while this is set up as something suspicious about the Traveler in her story it's actually a quite storied idea of Being A Cleric with deep roots in many D&D settings. Regardless of your choice here, though, consider this next question:

How Do You Relate To Your Power? This is another arena with a lot of unquestioned ideas that do not necessarily like, relate to how Clerics have been historically or even what they could be if we took only 5e as gospel. In most cases, people take a very Protestant slant to their Cleric; their spells and powers are divine gifts which can and should be revoked at the whim of their god, who is in turn a being of higher morality who intrinsically knows better. And like, I'ma get into this in the religion section here in a bit, but this is a wild idea when you actually look at the gods in question, let alone when you remember that to be a Cleric is to build a relationship with one's deity. Pious service as thought of by Christians is a way to relate to your deity, sure, and there's even some hanging around that are into it (Torm, f'rinstance), but like, Waukeen would find such a relationship distasteful, would say to such a cleric, "Girl, you're selling yourself short." So put some real thought into this, and you may come to surprising answers for your Cleric. Do they see their divine power as bringing forth the holiness intrinsic to the world? As an outflowing of their own passions and obsessions? Could your Cleric read as a grim cynic to others because they view their spells as not fundamentally different from arcane magic, and caution sternly that power is power regardless of source? Are they gifts from the world of wonder and horror, which anyone could use if they knew the right way of seeing? Your Cleric's abilities are not like a second layer on top of their personality, they're part and parcel of who they are as a person; give it consideration.

What Are Your Values? Hear me out; this seems like an obvious question, something every character should ask, but here I'm going to introduce an argument that I'll elaborate on later - gods in D&D are, essentially, worldviews. And while the worldview embodied by your Cleric's god(s) is obviously the one most important to them - they did become a wholeass Cleric about it - D&D has some specific-ass gods. A Cleric of like, Azuth (god of spells, patron of wizards) is not getting a party line about a whole lot of basic ethics and kinda has to figure that shit out for himself. So ask yourself not just who your Cleric believes in, but what, and how this might relate to their faith or grow from who they are as a person. A Cleric who is the fourth child of a noble house (kicked out to a life of adventure because they ain't inheriting shit) may well have opinions about noblesse oblige, politics, and power that have absolutely nothing to do with their chosen god; likewise, D&D has a rich tradition of Clerics of fairly evil gods such as Auril, Loviatar, or Umberlee who are out here selling the wonders those dark powers have on offer because they genuinely believe in helping people or, you know, have Standards, the thing professionals are supposed to have. A frontier Cleric may well have opinions, for better or worse (traditionally worse, D&D has a long history of being friendly to empire) about the colonial project they're a part of, or a Cleric up from the Underdark might be spending her free time in academic knife fights defending the beauty and splendor of her home's ecology. Your Cleric is a real person in a real reality, not an extension of her god; that's the kind of thing that gives a person some fucking opinions, no?

What's Your Relationship To Your God(s) Like? And in a related story, this point! Unless something really odd is going on, your Cleric is not a divine being free from mortal needs or the burdens of history; it therefore follows that she is not about to be a perfect incarnation of her god(s) ideals. That's, y'know, the neat bonus you get for having an afterlife. Let's leave alone for a moment that there is a pretty strong possibility that your Cleric is so uneducated and/or fucking stupid that they don't know the textual dogma of their own faith (though please, do not forget this, it's one of the funniest things about Cleric); the ideals of that faith, and of their god in particular, are something they are probably growing into. This really should not be a controversial take, not after Critical Role blew the fuck up with the likes of Caduceus Clay and his spiritual journey in the name of the Wildmother, but you might be surprised. It is, genuinely, okay if your Cleric is kinda bad at following their god(s) in some ways! Maybe even many ways! A dwarf Cleric who's out adventuring instead of at home using their magic to help their clan is already failing at least one major ideal of the dwarven pantheon, for instance. Clerics and even priests of Sune Firehair (goddess of art and beauty, a chaotic and capricious foe of evil whose mantle is the splendor of the living world) have a partly-deserved reputation as shallow hedonists who reify existing beauty standards; the entire faith of Lathander has a serial inquisition problem that they haven't stopped having an ongoing civil war about since the fucking Dawn Cataclysm. So how does your Cleric see the divine ideals to which they are meant to aspire? Is their deity their teacher and guide? A stern master to be obeyed? A distant and dazzling figure almost disconnected from matters of dogma in the Cleric's mind? Their literal actual lover? There can be many answers here, and while I don't want to downplay the delicious angst of a well-done "I'm a bad worshipper of my god and I'm guilty about it" arc...well, the signal-to-noise ratio there is real bad, let's say. More on this in a later section.

Hobbies? Pick some. I really should not have to be saying this and honestly it's a dependent consideration with the whole 'what are your values' thing but if I see one more Cleric whose entire life and job is religious service with no interests outside of it I'm going to drop the moon on Europe and whatever happens will happen. Fucksake, this isn't even a 'many D&D players are culturally Christian' thing, this is just lazy writing and historical illiteracy. Did you think all those monasteries and temples in like, Redwall and such making beer or growing crops was just the authors having a fuckin' laugh? Come on.

Playing With The Big Boys Now - Cleric Aesthetics

You may be remembering this section as where the Paladin article talked a bit about refluffing. This is...sort of like that. As one of D&D's full casters, Cleric is deep in its particular idiosyncrasies, and using the Cleric kit to make a non-Cleric thing, while possible, is still going to have a...a particular shape, let's call it. If, for instance, your setting doesn't have any separation of arcane and divine magic & "clerics" are just a different school of magical study, you're probably fine. If you're trying to do a fully technological setting where "spells" are high-tech gadgets, you're gonna run into a bigger set of problems much faster. All of that said, though, there's still quite a bit to talk about in terms of bringing out unique flavor for your Cleric, some of which are habits that the 5e player base has already rushed ahead to hold up as good practice and others which are rarely thought explicitly about. I do hope you came ready to learn about obscure TTRPG audience drama that has never wholly died out. Let's start with the easy one first, shall we?

Spell Aesthetics - I'll not lie to you, I should probably be angrier about this topic but the convoluted history of the player base's relationship to "what do your spells look like?" is too fascinating for me to really build up the fury it deserves. There has been, indeed, in some senses still is a shockingly vitriolic argument within D&D circles about whether or not all spells of the same name look the same, and while I am vastly simplifying the two perspectives generally break down into "they need to look the same so that they are identifiable for balance reasons" vs. "having your own personal brand is sick as hell". The latter has traditionally won by default in terms of the overall body of D&D's work, especially in the spaces defined by the novel-writing, though the influence of CRPGs like Neverwinter Nights who break on the side of spells looking the same for everyone (for obvious reasons) shouldn't be downplayed. D&D 3.5 had a Feat for this that makes your spells a little harder for people to recognize via the Spellcraft skill but mostly just gives you absolute reign to customize the look of your casting; Pathfinder, by contrast, doesn't want you customizing jack shit (and indeed late in its run also edited Silent Spell and Still Spell so that your casting of spells is still detectable to the naked eye, cowards that they are). That said, and to the surprise of absolutely fucking nobody, I break very strongly on the side of "having your own personal brand is sick as hell", as do many of the major works of modern 5e, here to very much include Critical Role but also many other actual plays such as Dice Shame or Planet Arcana.

So, what goes into deciding what your spells are like? First things first, the mechanics; an aesthetic that doesn't do what the spell does, or have the components the spell uses, is right out. It's one thing if your group handwaves certain ideas for ease of play or because they don't interest y'all (see here the common practice of replacing expensive material components with just subtracting the gold from your sheet when you cast), but like, your guiding bolt fires Something that requires an attack roll, it deals Radiant damage, and it causes some kind of light that clings to an opponent. Verbal components, mechanically, must be spoken in a clear voice. Somatic components...exist. To be perfectly honest no one has had a clear idea of what Somatic components are ever aside from a vague idea that they require your hands (this is mechanically explicit in 4e & 5e) and even then there's exceptions, dishonorable shout-out to the scene in War of the Spider Queen where a wizard casts with his fucking feet. Notable here is that casters in 3.5 through 5e can replace non-expensive material components with a focus/implement/character feat, such as a staff, orb, wand, crystal, or in the case of Clerics, their holy symbol; these implements are touched, invoked, involved in the somatic components, or otherwise pretty obvious. The next bit of this is gonna be all about selecting your own aesthetics but I do want to reiterate first something I have said before and will continue saying over and over and over and over and over and over and over again: in any conflict between the narrative and the mechanics, the mechanics win by default. This is because they are the tools with which you actually engage with the game world. When your Cleric of Umberlee casts flame strike, there is some manner of dealing Fire damage involved. Maybe it's boiling sea water, maybe you hit a motherfucker with an underwater volcano, maybe you just go "the classic burning column of fire is fine", but you can't bitch slap people with that spell and then say it's actually the cold ocean depths. Alright? Alright.

So when you're looking at "what do my spells look like" there's three places I like to interrogate. The first and most obvious is, what's the deal with my god? This can be a pretty broad thing to look at; gods are worldviews, and those can be interpreted very differently. Not to return to a super famous example here or anything, but when your friend and mine Caduceus Clay (Critical Role) has spiritual guardians that look like swarms of beetles and manifests his damage spells as aspects of decay, another Cleric of the Wildmother may well lean into vines and trees, or their guiding bolt might appear as hurling a whole-ass rhino at your face that then explodes into light. Here, then, we roll into the second question: what domain is your Cleric? This is the aspect of your god or your faith that you're the closest to, which is dearest to your heart, and will therefore manifest in the act of spellcasting - which in turn is derived from your relationship with the divine. A War Domain Cleric of say, Eilistraee, may well emphasize the martial prowess of that goddess in their spells, manifesting spiritual armor, blades of moonlight, mighty shields, numinous warriors, while a Twilight Domain Cleric of the same goddess is gonna be all in on the moon and stars, the sky at night, crescents, and the like.

Lastly there's the physical action of spellcasting to consider, and here I would like to hasten to point something out. While it is common practice to simply use one's holy symbol as a divine focus, it is not required. Many faiths on Earth have holy symbols or something cognate to them, but there are also many that do not, and for those looking to explore a faith in a D&D god which doesn't practice that sorta thing Clerics are, like all casters, perfectly empowered to use a Component Pouch and cast spells in a more formal, ritualistic fashion than the typical image of calling out to one's god and seemingly producing a miracle without actually casting a spell (but more on this in a bit). Is your Cleric a student of divine magic, going through carefully-practiced forms? Are they intuiting their way through spellcasting, a razor's width away from being something like a Sorcerer? An almost saintly figure, whose spells appear for all the world as miracles (and if they are how do you square that with the dumb plans the average adventuring party engages with)? Do they speak their spells in a booming voice, announcing the presence of the divine? Are the rites they chant almost business-like, a concession to the needs of the casting but perhaps not seen as properly holy or reverent? What language are you casting in? Give it some thought.

Turn Undead & Other Features - Surprise bitches, there's old-ass lore about this too. While all Clerics can Turn Undead no matter how little sense it makes (look my in my lich eyes: what the fuck does Azuth care about undead?) and this is for Doylist reasons of legacy design, how they've gone about doing so and why have multiple interpretations. Way back in AD&D 2e this was something you were encouraged to think about and design for your cleric (see: The Complete Cleric's Handbook & The Complete Paladin's Handbook), both in terms of the physical action and what the power looks like. The classic wave-of-radiating-force look, displayed in Baldur's Gate 3 and used extensively in Critical Role, is indeed an old one with a lot of pedigree, associated with Clerics of sun deities such as Pelor or Lathander, but also with militant deities like the Red Knight, Bahamut, or even Wee Jas (it might seem weird that the goddess of necromancy is out here sponsoring Turn Undead but for the Ruby Lady specifically it's less 'begone, unnatural horrors' and more 'behold, my eviction notice'). Going with this has traditionally been some kind of plainly-spoken invocation or prayer; 'disperse and dispel', 'back to dust', 'return to sleep', that sorta thing.

However, this is far from the only possible look or interpretation. Indeed, popular these days is simply lifting one's holy symbol and calling upon one's god, which I have some objections to - it's not appropriate for every god, and it's also just kinda unoriginal - but is perfectly serviceable. Turn Undead as a sort of spell, with obscure incantations or formal rites for gods like Azuth (here making one's Turn Undead similar to dispel magic rather than any intrinsic divine abhorrence) could fit your Cleric, as could Turn Undead as a power move where you assert your god's greater authority over the undying (excellent for many non-nature Evil-aligned gods, and hilarious for gods like Loviatar). Likewise, Turning or destroying the undead can and should be flavored by your god and Domain; a Cleric of Chauntea that Turns Undead may well terrify them with the reminder of the grave, the bounty of the earth that will grow from their stolen bones, while a Cleric of Mystra simply unbinds the magic that holds them together (and, again, the eternally hilarious Clerics of Loviatar manifest the power of their goddess to beat the shit out of the undead). One move might even be to say your Cleric of a god who doesn't give a shit about the undead is actually drawing on another god from their pantheon who does; the aforementioned Cleric of Azuth is actually invoking his vassal, Velsharoon, who has authority over necromancy.

When it comes to one's Domain powers, you kinda live and die by your brand here. Every Tempest Cleric in 5e is gonna have the exact same fucking power list, so if you're not making your Tempest Cleric of Umberlee different from a Tempest Cleric of Gruumsh what the fuck are you even doing. While the way your god interprets these themes is obviously important - your character chose to follow them for a reason, after all - perhaps more important is the way your Cleric relates to them. A Chaotic Neutral Cleric of Umberlee who has a love of the terrible beauty of the sea conjures storms of sublime awe, like something out of a Gothic novel, while a more traditional Chaotic Evil one may well lean on storms as instruments of vengeance and punishment, sharing in her goddess's petty malice. When your War Domain Cleric takes that attack as a bonus action, is he seizing a moment, or drawing on berserk rage? What kind of Light or Life do you have? The opportunities are here y'all, seize 'em.

Radiant and Necrotic Damage - These are relatively young as far as D&D goes, and while they have bones in with earlier kinds of damage they're actually a bit thematically confused. Just to give you an idea here, Radiant damage is dealt by guiding bolt, the Light Domain power, ACTUAL FUCKING LASER RIFLES, and also flame strike. It has replaced instances of "this damage derives from pure divine power and cannot be resisted", Positive Energy damage, and also just fire damage for some fuckass reason. So when your Cleric is dealing Radiant damage, something all Clerics do, what is it? Nearly any of the above is a potential option, though I'll admit that I'm a sucker for the Positive Energy damage where you give living beings super-cancer that devours them in moments and/or unbind and dispel undead. Complicating this is that in the 5e paradigm, Radiant and Necrotic damage are both associated heavily with divine classes, and have nearly equal claim to holy power.

Which brings us to Necrotic damage, which is dealt by inflict wounds, as well as spells like blight, and also associated with Evil Clerics via spiritual guardians and similar spells. This one is derived from Negative Energy damage historically - that is, pure entropic power, not just death but "stop", "cease", "still", "silence" - but this is not always the case, and it very definitely has been used in 5e to represent things like blood drain, soul drain, pure unholy power, and also flaying someone alive. Similar considerations to Radiant damage apply, but they apply especially when you're out here casting Necrotic blasts when you, say, worship a nature or life god. What exactly are you doing? Why is it you're doing it that way? How is this, too, a miracle?

I May Have Started Worshiping Umberlee Because The Priestesses Are Hot - Clerics & Alignment

So here's the thing. As I mentioned above in the 69 page long context section, Clerics have had Falling mechanics for awhile, even if they have been consistently downplayed or ignored in comparison to Paladin. There's also been a very long time in which Clerics were required to be close to their god(s) in alignment, and there's something to be said there; how can one build up a deep and intimate relationship with a divinity that you have nothing in common with? But there are many groups that don't want to fuck with alignment (I'm gonna do that alignment article one of these days and on that day I will die), settings where alignment and worship are less connected (see: Eberron), and of course in 5e these ideas are no longer formally connected in that fashion, with alignment requirements being removed. Hell, books like Xanathar's Guide to Everything and Tasha's Cauldron of Everything introduce some wild-ass ideas on the random fucking tables like "your Cleric has an ongoing relationship with an imp she doesn't fuckin' like". That seems pretty functional, so, why am I talking about it? Glad you asked: I'm an ancient-ass lich and a bit of an alignment apologist, and also this is my article and I'll infodump about alignment bullshit if I want to.

Now to make a proper run at this I'd really need to actually do that alignment article, so I'm gonna ask you instead to journey with me to an imaginary land where everyone is engaging on alignment in good faith and understands two foundational principles that the modern zeitgeist has kinda left behind; the first being that alignments are broad categories that describe beliefs which have things in common, and the second being that any given one of the nine alignments has room for many, many variations on those beliefs. Not to put like too fine a point on it but just as one f'rinstance there are no less than three different Outer Planes you can point to and say "this is Lawful Good" and each and every one of those three separate dimensions of Lawful Goodness contains its own internal array of differing beliefs and expressions of what it means to be Lawful Good. And in that sense, your Cleric's god is going to be a worldview that is included in their alignment, but is not necessarily, often, or even ever a generative force for that alignment. Evenhanded Tyr is not a fount of Lawful Goodness from which mortal beings drink to become more holy; he has a worldview, beliefs, and dogmas which one can describe as being Lawful Good, and he/his church seeks to teach them. Likewise Umberlee, the famous Bitch Queen, is not Chaotic Evil in the sense of 'overthrow all governments' but in the sense that the sea recognizes no master, is sovereign in itself, and will not be denied; that she is friendlier to Chaotic worshipers comes down to a sort of mutual comfort and expectation. A Chaotic person might not like that her goddess is a divinely infamous bitch, but she like, gets it, y'know?

So when it comes to your Cleric and alignment, there's an easy ask: what is it about their faith that attracted them to it, and in what ways are they aligned with that faith & in what ways are they lacking, opposed, or still have things to learn? The gods of D&D are stranger and wilder things than people give them credit for, to be sure, but the thing is that being a perfect embodiment of your god(s)'s worldview is one of those neat bonuses you get for being a dead person, not something people generally pull off while yet living. And, not to leave this bit on the table, not all or even most of those conflicts are necessarily what one might call a dealbreaker. It can be something as simple and doesn't-need-to-be-solved as like, a follower of Azuth spending time running for political office (a Lawful/Lawful disconnect; Azuth doesn't really give much of a shit about mortal law), something profoundly wrong but understandable (a follower of Oghma who passionately hates certain kinds of literature or poetry; Oghma is the god of all language and written art), or even really major which can form the core of an arc where either the character or god has to give (Shadowheart in Baldur's Gate 3 goes through this, but for the one person on Earth who hasn't played yet a different example might be a worshiper of Bahamut who ended up joining the colonial invasion of Chult, directly angering his god because he has failed to understand some fundamental fucking lessons here).

All of this is a lot of words to re-argue a previous point; your Cleric is not a sovereign being, capable of acting without reference to the real reality or by pure ideal alone. They have baggage, they have community, they have or had a family, they have beliefs shaped by being a real thing in a real reality. Look at the ways these aligned beliefs both touch and conflict with their church, their god, or both, and you will find a bounty of characterization and plot hooks. Keep in mind as well that the gods of D&D are fallible beings; they are students of their own ideals as much as they are teachers of such, and there are, indeed, perfectly usable hooks to be found there as well. Your Cleric is not a saint or a savior, usually; they are a student and teacher of divinity who seeks to understand it, and going on that journey together with one's god is something that has been lost in the current paradigm of the D&D audience being friendly to fucking Reddit atheism.

Call It A Girlfriend Class One More Time Motherfucker - Common Cleric Pitfalls

I'm not bitter, you're bitter.

D&D is a snake devouring itself, and like many such ongoing communities and fandoms it therefore has a lot of cultural baggage which is, how do you say, completely disconnected from objective fucking reality. This section covers some common pitfalls people walk into when making and playing Clerics. If some of these end up sounding like personal callouts...dunno what to tell you. Examine your shit.

Healbot.exe - Yeah we're starting off with the big one. Look me in my eyes. Look me directly in my fucking lich eyes. Clerics are not healers. No one in D&D is a primary healer. There have been exactly two effective primary healers in all of D&D history; the first is the Vitalist, a Psionic class published by Dreamscarred Press as part of a third-party supplement for Pathfinder 1e, and the second is Life Domain Cleric in 5e. That's it. End of list in all of history. "But what about -" no. I promise you, whatever you're thinking of is not a primary healer in the fashion you think it is. This is an ancient misconception, rooting all the way back to when only divine-type classes could heal (Cleric, Druid, Paladin, Ranger), but even back in that day healing was valued more highly than its actual effectiveness; the archetype of a videogame healer, someone like Mercy in Overwatch who can turn the tide by keeping vital people alive long enough to make big plays, that has never been part of D&D - at least not before players have access to the spell heal, which radically flips the math by itself. Much like the question of alignment, I do not have the page space or the fucking game theory degree to give this topic the attention it truly deserves, but the very short version is that PC hit points are very low, damage is quite high, and healing doesn't solve either of those problems. When you burn your action, Bahamut fucking forbid your one spell per round, on a heal what you have done is a few things: failed to advance the combat towards a conclusion, failed to meaningfully mitigate damage, burned a spell slot that could have done one of those first two, and quite possibly put yourself out of tactical position. There are cases where a heal is the right call - the spell heal as mentioned already, or in 5e getting someone to stop making Death Saves - but in general if your options are healing or doing literally anything else, pick literally anything else. Am I coming at this very strongly? Yes, but the thing is that the perception of Clerics as being "healbots", expected to memorize primarily healing spells and cast the same, has been an equally ancient and infamous perceived drawback to playing Clerics; indeed, there was a time when tables would offer incentives to someone for playing the Cleric because "someone has to be the healer" and nobody wanted to be. Does that sound like a fun experience to you? Is that the future you want to keep having? No? Good, STOP FUCKING HEALING.

Now, I said I don't have the game theory degree to unpack this, and I don't, but that was aggro as hell so I do owe a bit of an explanation. Healing being bad in D&D comes down to a few incentives, some of which I just mentioned above, but there's another big one - the only hit point that matters is your last one. Your PC, and indeed NPCs/monsters, are just as effective at 1 hit point as they are at 100 as they are at one thousand as they are at one million. Meanwhile, especially in 5e towards which this article has a significant bias, average NPC/monster damage is more than double that of an on-level heal until, again, heal; therefore, a cure wounds or healing word for someone who isn't unconscious has, at best, bought them half a turn of being alive, and given that the real swing is much larger than actual average damage the odds that you get that half a turn - pathetic in and of itself - are not in your favor. Your party does not need to be healthy, only alive; this, then, is why you only start healing once they stop being alive. Area-of-effect heals like mass cure wounds change this math a bit especially in response to area-of-effect damage which is typically lower than single-target damage, but here I will finally hold to my repeated statements that I lack the education to unpack this; if a mathematician wants to compare a devil's fireball to mass cure wounds in the notes here, please, be my guest, genuinely.

Zealotry - Welcome to the Cleric version of "stop making your paladin a cop", which readers may remember from the Paladin article. Here I need to cut a fine line; the average D&D player likely has a pretty strong idea of a particular kind of person when I say "zealot", and that kind of person is the scum of the Earth. And, indeed, while masterful roleplaying and acting might make running a fanatical missionary interesting for your play group, this is a common failure mode and I do not fucking encourage it unless you're really sure that you are, in fact, the god-king of Big Dick Mountain. However, this mode of like, the Baptist preacher is a very narrow and specific kind of zealotry and passionate belief, and I am here to make the argument that a good Cleric is, indeed, a zealot on some level, at least in part because odds are good that you, person reading this article, are yourself a zealot on some topic or other! The esteemed Kendrick Lamar, for instance, is a zealot of hip-hop. I am a zealot of old D&D lore. Ed Greenwood, praise fucking be, is a zealot of anthropological worldbuilding. To be a Cleric, one of the chosen many, is to have a deep and passionate connection to the ideals of your god; it is to care about those ideals, and to learn them further, to be a student and teacher of them, to be a disciple and practitioner of them, and that indeed is a kind of zealotry that has nothing to do with trying to convert people or oppress them (usually). Kill the part of you/your Cleric that cringes; if you're running a Cleric of like, Sune Firehair, right, pour in your passionate opinions about art and beauty and love. Go on rants about proper trade and taxes when you're running a Cleric of Waukeen. Get fuckin' homoerotic about the ocean with your Cleric of Umberlee. When your Cleric is moved to share their wisdom with others, look for ways in which these lessons are relevant to their lives, and commit to the fuckin' bit. These are the things which are, definitionally, most important to your Cleric, closest to their heart. By all means, act like it, yeah?

Slapfights And Other Bad Ideas - Way back in 1e, D&D described Cleric as a secondary weapon-user, competent to fight in melee but lesser than Warrior-group classes. This is a lie. This has always been a lie. 5e furthers this lie with the Divine Strike class feature, but the thing is that while you are not technically doing nothing by making a weapon attack you really are not doing much and should be looking into doing literally anything else; if you're not casting, you're doing it wrong. There are going to be levels in which Divine Strike edges out a Cantrip, but ultimately you are not a weapon user and should not be acting like one. Going further here, the sanctioned action for Cleric is to bump your Wisdom as fast and hard as you can, because it controls all the Cleric things you do. Here I again return to my statement that in any fight between mechanics and narrative, the mechanics win by default because they are how you engage with the game world. Once you eat your vegetables, then you can go off doing wild shit like taking strange Feats. If you need to see this in action, look no further than the oft-cited Ms. Jester Lavorre of Critical Role fame (Campaign 2, The Mighty Nein).

St. Dipshit the Illiterate - Man I hope you're ready for a third version of this joke when the inevitable Druid article happens. Like with the Paladin article, this isn't so much a pitfall as it is a for-your-consideration; Intelligence has long been a real easy dump for Clerics, and that's gonna shape how they move through the world. While D&D 5.5 (the 2024 releases) went some distance here by giving Clerics the ability to add Wisdom to their information-style checks, for every other Cleric you have someone who is very attuned and attentive to the living world (high Perception, Insight, and Survival), but very bad at formal learning, academic study, and the like. Does your Cleric compensate for this by seeking aid when they need that kind of intellectual rigor? Taking more time (that is, making more rolls) so they can correct for their own shortcomings? Do they embrace the intuitive knowledge they can gain via their Wisdom-based skills rather than attempting to record or examine? Of course, I should not leave this on the table either; as of 5e, Charisma is also an extremely easy an attractive dump stat, and since CLERICS ARE NOT PRIESTS exploring a low-Charisma Cleric who can only really show her troth through works rather than words could be quite interesting, should you be inclined.

The People In The Important Pajamas - "Cleric" NPCs

Again, if anyone can track that webcomic down my life is yours.

You may remember this section from the paladin article and be wondering what the scare quotes are about. Following through with my argument that Clerics aren't priests, some of the potential NPC roles I'm about to outline aren't Clerics, strictly speaking, but would have been Clerics back in 2e (when they could be priests) or 3.PF (when everyone was in fucking denial). Our first entry is going to cover a concept that you could pillage for worldbuilding purposes, and then the rest are potential Cleric roles. Ready set GO!

Adepts (Revenge Of The Old Lore) - Introduced by this name back in D&D 3.0 and rarely used by Dungeon Masters or, if we're being honest, the game writers, Adepts were an NPC-only class back when PCs and NPCs were built using similar rules. Sorta like a Cleric, and sorta like a Druid, and sorta like a Wizard, but absolutely dog shit at all three of them, an Adept is the spellcaster who is worse than other spellcasters at everything; that is, they're meant to suck shit, but can be competent to, say, buy a remove curse from, to manufacture magical potions, to help enchant divine-type magical items, and the like. Notably, being an Adept means you're not part of the chosen many - this was the class associated with people who put in the work to learn divine magic the hard way, or who for one reason or another could not commune with their god in a manner that might be more associated with a Cleric. As little use as it saw, this is a concept that could use some bringing forward - many, many D&D settings, here to include Greyhawk, the Forgotten Realms, and Eberron, blithely assume that these services are on offer, and indeed that in a big enough city you might even be able to buy raise dead or stronger magic. You know who sells that but isn't qualified to be the kind of freak an adventurer is? Adepts!

Retiree - Of course, sometimes Clerics do survive being adventurers, often "intact" for a given value of that (having regeneration in-house saves you a fortune on prosthetic limbs). This kind of Cleric-as-NPC are going to be famous figures, perhaps thrust into positions of spiritual or communal responsibility they might not be equal to; after all, Clerics aren't priests. Make an NPC a lot like a Cleric, turn them middle-aged or old, call it a day. Someone like this may have taught a PC Cleric, especially if they caught said PC early on and intervened to try and ensure this youngblood doesn't die screaming between learning the difference between "my god is with me" and "I'm invulnerable."

Rival - As a PC Cleric gets more powerful and starts, you know, slaying fucking dragons and shit, the strength of their legend may well give their word weight on dogma, doctrine, and ethics. Someone more happy with the status quo of their faith, or someone with a differing vision, these can be great Cleric NPCs, rife with potential for social conflict and always able to be tapped for an epic caster-on-caster showdown. Your goal here is to make someone who could be a player character, they just aren't; bring in passionate ideals, think through their reasons for supporting the vision of faith they do, and, oh yeah, don't forget the weird pile of magic items endemic to all adventurers.

Cackling Villain - Did you know Clerics have been either the best or second-best necromancers in D&D for nearly every edition? They're third-place in 5e, behind Necromancer Wizards and Oathbreaker Paladins, a first-time event for them, but quite literally every Cleric of 5th level or higher can wake up in the morning, decide to raise an army of the dead, and then do that. They can just do that! Even outside of strict necromancy Clerics have that combination of zeal, competence, perceptiveness, and, let us not forget, terrifying magic that can make them excellent setpiece villains or even non-villainous antagonists. Your party thinks a wizard is behind this bullshit? They're gonna wish it was a wizard.

Religion In D&D Part 1 - Context Part II: Revenge Of The Context

Do I need to break this up into two headlines? Strictly, no. However, this thing is already a fucking doorstopper, I might as well give a place where people can pause.

So remember, eighty years ago, way back at the top of the article, when I said this was going to be an angrier article than the last one? Despite writing that warning myself I have, during the course of this, been shocked at how salty and aggressive I've gotten about things thus far, and this is coming from someone who knows he has anger issues in the first place. I genuinely did not realize the depths of passionate opinions I have on offer about Cleric. However, that warning was for these next two sections, as I'm very, acutely aware of my beef here, my deep well of bitterness, and my years of confused rage that have become a kind of formless hate for the way the discussion on fantasy religion across the genre, but especially in D&D, has been discussed. Y'all got a lifelong atheist out here about to tell you that you're being harsh and reductive about religion as like, a concept, and to make matters worse the behavior of the D&D audience in general has been such that I am now in a position where I need to do apologetics for known genocide enthusiast Gary fucking Gygax. Do you have the slightest idea how little that pleases me?

So let's start this off right. A lot of folks operate on incomplete, incorrect, or just plain nonexistent ideas of what faith has, historically, looked like in various D&D settings, so I'ma play the hits here and then we're gonna get into the next section where I make some suggestions. Alright? Alright.

Greyhawk: Weirdly Coherent - Commonly and incorrectly hailed as the first D&D setting (rest in peace Blackmoor & Dave Arneson), Greyhawk (known in-universe as Oerth) was written primarily by Gary Gygax, though shaped heavily by his home games and the players thereof. Now, I'm not gonna veer into a hit piece on Gygax (and even if I wanted to better ones already exist), but notable in the context of his writing on fantasy religion is that Gary Gygax was a fanboy for the Crusades, but also a massive (and half-educated, poorly researched) fanboy for ancient Celtic legend. Some of the oddities for this strange mix have already been mentioned, such as how the original Cleric is based on Crusader priests and the modern Cleric is still feeling that influence, but this - alongside growing up very culturally Christian in, you know, the United States of America - was also very much influential on how Gygax would come to write his fantasy faiths and also run up on his own limits with the same.

Faith in Greyhawk is polytheism as brought to you by someone who almost sort of understands the idea of polytheism. Genuinely, Gygax made a good run at this and kinda tripped over his own shoelaces at the end...well, his own shoelaces and his unrelenting race essentialism, thanks for the racial pantheons buddy. Greyhawk is home to many faiths, which worship and/or fear and/or oppose multiple gods (for example, Erythnul is associated with the so-called New Faith of the Flaeness but is more of a demonic figure of evil than a god you are, socially, expected to 'worship'). For your average person, the buck stops here. While an individual god may have greater prominence in a given region for political, social, or mythological reasons (for example, the relative prominence of Boccob the Uncaring in the Free City of Greyhawk in no small part due to the influence of the legendary Cleric known as Riggby) and therefore have a grand temple or dedicated cults in their name, this isn't the norm everywhere. When the Church of St. Cuthbert of the Cudgel installs a building in your frontier village they're here on a mission, it's weird, and you should be worried. On a normal day, your average lay member performs acts of worship as part of their day-to-day life, calling upon the god(s) who are relevant to their endeavors to give thanks, to ask for blessings, to honor them, or to plead mercy. Clerics, in turn, while socially conflated with the more specific cults are often pantheistic Clerics, drawing upon many gods as representatives of the overall faith. Dogmas are typically a little light on details when it comes to the afterlife, in part because the idea of an unearthly reward for one's faith is often seen as a little distasteful, and in part because going to the afterlife of a particular god is actually pretty rare on Greyhawk. Your average person is drawn to the Outer Plane that most aligns with their worldview, and goes on their spiritual journey in the hereafter without reference to a particular god.

Which is where we get to the weird shoelace tripping, because you only get an afterlife related to your faith if you've developed an intimate and intense relationship with one god in particular. When this relationship has become a defining, perhaps the defining part of your life (whether or not you're a divine caster), then you go to that god's afterlife when you die. The typical case here is someone with a deep passion for work that falls under the purview of a god, such as a master thief ending up with Olidammara, or a mountain man passing into the dominion of Elhonna. Clerics, though rarer, are prime candidates for this sort of afterlife, but also like...the fuck were you on, Gygax? Admittedly not all faiths in the real world particularly concern themselves with the hereafter or claim to have answers about what it might be like or what it entails, and in that sense Gygax's Planar afterlives as soft mysteries and a sort of default state aren't entirely out there - it's the strange dash of monotheism at the end that gets me. And, not to leave this unsaid, Gygax is not a particularly good fantasy anthropologist, so sometimes he just. Wrote shit. That he perhaps should not have written if he wanted to retain the chunk of his dignity that he lost by publishing it. I'd say to do a shot every time he writes something weird about women as gods or women in faith but you'd get through one book and be dead already.

Forgotten Realms: The Original Sin - Ed Greenwood you are this hobby's cool grandpa and also mine and I'm so sorry that I need to put you on fucking blast here. I can only hope that you've heard all this already; it's been being bitched about for twenty years, after all.

Statistically the first D&D setting that you personally have encountered, the Forgotten Realms (the continent of Faerun on the planet Toril, in-universe) was originally written by Ed Greenwood and has been contributed to by a list of other authors entirely too long for me to cite without dying of starvation at this keyboard. Most commonly known for its gonzo locations, intricate worldbuilding, and being absolutely riddled with famous high-level NPCs engaged in high-level bullshit with one another and the world at large (a status encouraged by the staggering array of novels and videogames set in it), the Forgotten Realms is also infamous in the audience for requiring that people worship a god that is their closest and most favored god and to be true to that god or face punishment in the afterlife. Those who are False to their faith face an eternity of civil service in the City of the Dead, while the Faithless end up mortared into the Wall of the Faithless to suffer until eventually becoming one with the Fugue Plane. It's very easy to point the finger at Ed Greenwood's Catholic faith when it comes to these worldbuilding elements, and while I'm certain that has something to do with the state of affairs I need you to take a walk with me.

The Forgotten Realms is a land of miracles and wonders. It is lousy with gods; indeed, if you ever go look up a full list (do NOT fucking use the FR Wiki) you may well spit your drink at the screen. Faerun is home to gods native to the world, interlopers from other Primes, gods from human cultures that ended up here when their faithful were kidnapped across the Planes (here to include gods from Ireland, Egypt, and Finland, raise your hand if this sentence is how you learned that there are gods native to Finland), alien horrors from beyond the stars, Planar luminaries, ascended mortals, and more. These gods gather into pantheons, though to be frank that relationship is often quite uh, feudal, or familial. Trying to claim the gods of someone else's pantheon don't exist or are lesser than your own god on Faerun is a real fast ticket to getting your ass beat by said gods while your own gently asks what you've learned from this experience. Among other things, though, this means that "converting" within your own faith basically isn't conversion; if you grew up in a family of Chauntea worshipers and you get real into Mielikki this event, socially, is fucking nothing, it's a non-event. It might be a different story if you turned around and started worshiping Mystra, but even then that question is very much mediated by one's culture and geography; converting even far outside one's current or native faith is a non-event in, say, Waterdeep, but it might be a little more surprising in Neverwinter.

Here's the thing: the Forgotten Realms does not experience a separation of "religious life" from "normal life". This is gonna be a hard idea for my American readers in particular to grasp, but while Jane Average Realmswoman has a single patron deity and she is trying to emulate that god's example as much as possible, it is perfectly normal for her to pray to other gods, ask for their favor, and interact with their worshipers, and this is in no small part because they are inescapably bound with Jane's everyday life. The local cults of Azuth and/or Mystra bankroll the parchment makers who print the novels Jane reads (because parchment is required for scrolls, and both churches are also in heavy on magical industries), the fishermen who catch the food she buys offer fearful worship to Umberlee who is both their provider and their destroyer, the faithful of Sylvanus, Chauntea, or Eldath maintain the city parks and fight tooth and nail to keep them wild. When she feels lost in her life and needs guidance, the temples of Selune are open at all hours of the day and night and are the closest thing the Realm has seen to A. therapists and B. benevolent therapists. The weird BDSM club she goes to every now and again opens every party with a hymn to Loviatar. The Temple of Illmater doesn't run a fucking bake sale once a month vaguely for poor people in general, they go forth amongst the downtrodden and help them every god damn day, offering food and potable water, healing, healing again, healing a third time it's a bit of a theme, a listening ear, and campaigning for their interests in the political arena. Jane herself is a worshiper of, oh, let's say Deneir, she runs a bookstore and dedicates herself to the Goddess of Libraries; she goes to the temple of Deneir for copies of their holy texts to give away to those who ask, to verify rare tomes or donate them for the public good, and for those rites which are held in the temple, but when she went and got married a few years back she and her wife were joined in the temple of Sune Firehair, goddess of love. These gods and the organizations they run have been part of Jane's community since that community was founded, and each advances something in the living world that they see as holy and worth having; they are entwined, active, earnest. You've gotta be chill about people worshiping another god or being part of another faith entirely or your social life is going to just fucking explode.

This, then, is the full and glorious flower of Ed Greenwood's zealous dedication to anthropological worldbuilding, and unfortunately it has been sorta softly hidden and scraped under by years of corporate writing. Back in AD&D 2e, the books Faiths & Avatars and Powers & Pantheons went in deep on this subject, digging on all levels into how these religions practice and their role in everyday life, but from 3.0 onward this theme has seen less importance alongside a plethora of other writers who did not understand the vision, not that I'm looking at any RA SALVATORE YOU FUCKING HACK in particular. The end result is that the average player for 20+ years has been introduced to the part of faith in the Forgotten Realms that is deeply weird monolatry, and has reacted to that vision, but been denied the full view of a strange but very functional polytheism whose bones are still in the setting. That vision of strange monolatry is also one that other settings have been copying for a dog's age, here to include our next subject, Pathfinder. Strap in, I am going to say a lot of things and none of them are kind.

Golarion: World Holy War - Originally written by James Jacobs and contributed to by a plethora of freelancers and internal staff members at Paizo, Golarion is a shallow theme park of a setting characterized by incuriosity, disinterest in the human condition, incompetent homages to other, better settings, and thoughtless, distinctly American sympathy for empire. Like with many things James Jacobs claims to love but refuses to understand, Golarion's model of divinity is very much based on what people think the Forgotten Realms model is, and even in the context of that already-corrupt shadow, Golarion's is much worse. Much of the worldbuilding around divinity and cosmology is utilitarian; for instance, Mr. Jacobs is on record stating that gods on Golarion empower Clerics and other champions because direct miraculous intervention would set off a chain of mutually assured destruction that would leave no mortal life behind. Other bits are clearly more personal; as a key for-instance here, gods on Golarion are generative forces for alignment. That is, a god defines what it is to be, say, Lawful Good or Chaotic Neutral, and to defy a god is to have your alignment changed (see: Wrath of the Righteous). It is for this reason that the churches of Golarion concern themselves to an extreme extent with orthodoxy ("right thought", contrast orthopraxy, "right action"). Sharp-eyed readers may be recalling that I talked about paladins in Golarion being expected to root out heresy; this situation is also why every god on Golarion supposedly maintains Inquisitors, as seen prior in this article. Further, these literal thought police deploy spells like castigate which punish and humiliate victims, primarily those of one's own faith, into confessing their "sins", which, while we're right here, how did the literal god damn Catholic remember that not every faith has sins or engages with the idea of sin and James Jacobs fucking couldn't pull that shit off?

Churches on Golarion do not have broad faiths that include multiple gods. Any given god may have divine friends, allies, or slaves, but ultimately the churches they run all have missionary work & attempted conversion in common. There was a good chunk of time in which Sarenrae, goddess of redemption, was running a fucking slave empire into swordpoint conversions, and only as of Pathfinder 2e has that been being fixed at all, in no small part because, again, James Jacobs does not understand the things he claims to love and dug his heels in when readers told him to his fucking face that this was a bad look. Likewise, these churches are separated from "normal" life quite a bit, being a place where one walks to in order to get one's worship on before returning to the rest of one's life, a particularly Protestant model of worship reproduced so thoughtlessly that I'm shocked Mr. Jacobs didn't achieve a state of no-mind and escape Samsara. Sometimes they sponsor religious organizations such as knightly orders or wizard colleges but these are exceptions, not the rule, and even then "oh hey the Hellknights are coming to town" isn't exactly a day to day kind of fuckin' event, is it? Mechanics like Obediences attempt to walk this back, but the thing about requiring you to spend resources to get mechanical benefits from worshiping your god is that you've turned around and made this a strange thing. Praying and honoring, say, Shelyn every day is no longer something you just do, it's something weird freaks do and they get divine power from doing it. There is no escaping the blade of the ludonarrative; mechanics win all conflicts because they influence the actual game world.

Now, while I sincerely hope my complete contempt for James Jacobs has come across here, I do have an obligation to be evenhanded. Pathfinder 2e has walked some of this back, but the root problems remain. The second edition of Golarion has, for example, removed Alignment entirely, which certainly solves one problem, but it also replaced castigate with crisis of faith, a Cleric spell designed to kill other Clerics by making them doubt their gods. Likewise, Pathfinder 2e has been mum on certain cosmological revelations from late in Pathfinder 1e, one of which being the idea that only one god will survive the end of the universe and they get to be the supreme god of the next one, which is given as the motivation for them being so far up on the nuts of getting converts. This idea is, to me, completely repulsive, but it's also just such a revealing take on what Paizo thinks gods are and what they think of faith. And unfortunately, the broad zeitgeist of the current D&D audience is very sympathetic to that idea, which brings us to:

Religion In D&D Part 2 - I Cannot Believe I Of All Fucking People Have To Tell You To Stop Being Such A Cynic

Man the little icon on the scroll bar is gettin' real fuckin' small at this point. This will be the last major set of arguments for the article; following this section will be one sample Cleric for every Domain published in 5.0 (5.5, released in 2024, is a bit young for me to bother just yet), so just stay with me here y'all. It's been a long, angry, bitter journey, and yet there is this final hill to die on.

So, what's this broad zeitgeist I was just talking about? To be frank, it's a combination of thoughtless American Protestantism and some r/atheism bullshit. As the audience for D&D has gotten more left-leaning and queer, in no small part due to the wild successes of shows like Critical Role and Dimension 20 (and WotC's weak, half-done, and yet unambiguously open support for including queer players, players of color, and others traditionally gated out of D&D), there has been a...conflation, shall we call it, of the fictional religions in various D&D settings with, not to put too fine a point on it, real-world Evangelicals and others who perpetuate harm in the name of faith. And, y'know, I get it. I'm a whole-ass bi dude from the edge of the Bible Belt, I used to get fuckin' jumped every other day or so, I lived in Kansas for six mother fucking years, I get it. But uh, remember when I said I'm a bit of a zealot for the old lore? Remember my consistent theme in articles of not liking it when things with great potential are left on the table because there is an Approved Way to view them? Yeah. So. Let's talk. We're gonna lay out some arguments and some suggestions.

Everything Old Is New Again - "But Vox," the strawman who teleported into this sentence is saying, "you yourself have said that the stuff you're into is old! Surely there needs to be an accounting for the changes in play culture, let alone real-world culture?" And like yeah, sure, but here's the thing: edgy-ass immature atheism (I say, as an edgy atheist) is also old as hell in D&D. Like, old-old. Late-game AD&D 1e old. Older-than-me old. Now, D&D's first serious and nuanced internal conversation about the nature of divinity and its role in mortal lives was part of Planescape, whose bones remain in all modern settings to this day (even Exandria, primarily written by Matthew "I Am In Every Videogame, Yes, Even That One" Mercer), but like a lot of settings it was very...inconsistently brought forward during 3.X, leading to the loss of a lot of its strangeness, its philosophy, and even its earnest willingness to simply be cringe but free. Though this was by no means confined to Planescape, as many writers of D&D novels were extremely willing to question the utility, motives, or even divinity of the gods - here to include Paul Kidd (author of the novelizations for White Plume Mountain, Descent Into The Depths Of The Earth, and Queen of the Demonweb Pits), who I usually claim as my gold standard for D&D novelizations but whose attitude here is, quite frankly, embarrassing in its confident thoughtlessness and cynicism. The ideas that gods are super-predators, that they are a class of abusers, that they are false idols, that they cannot claim divinity because they are limited/can be killed, these ideas are, statistically, likely to be older than you are. Better writers than you have been fumbling this since before you learned how to read.

Jesus Christ Is An Outlier And Should Not Be Counted - So here's the thing. The idea that a god needs to be a transcendent being, with attributes that render them sovereign from the living world, removed from time and supreme in all senses? That's just Christianity. If you go talk to like, a rabbi, an imam, if you can have a frank conversation with a Hellenic pagan or a Zoroastrian or a follower of Voudoun, they'll offer quite different perspectives, often a number of different ones from within their own faiths. There are more conceptions of what it is to be divine, to be a god and to worship gods, than there are cultures that have believed in gods, and to be frank the best advice I have for you here is to go outside and touch grass. Then, take some of the grass with you and have some fascinating & frank conversations with anyone who is not Christian. Even Gary Gygax, fanboy of the literal fucking Crusades, tried to handle his shit here and got more than nowhere in terms of success. When you insist that the gods of D&D need to be like the god of Christianity, you are both limiting yourself creatively and engaging on a great deal of art in bad faith, bringing with you your own baggage which you are failing to question. These conversations are gonna be difficult! You're going to feel ignorant; you may try the patience of the people you're seeking to learn from. But to learn is an unalloyed good, and here I am speaking of far more than the hypothetical benefit it's going to bring to your Cleric in your happy elfgame time.

The Lord Is God Of Both Good And Evil - Surprise bitches it's a second alignment section. First tings first, I want to repeat again that gods in D&D are not generative forces of virtue; rather, they are worldviews. This changes if you're playing Pathfinder, but if you are playing Pathfinder, stop immediately. And this argument can seem like I'm splitting hairs, but it changes the game quite a bit; a lot of players and readers wonder why, say, Liira isn't out here trying to solve all of the world's problems, but that is not Liira's fucking job, y'know? Her job is to be the goddess of joy, the pure light and laughter of seeing the world of wonder, to be god of delights and surprises, and it's not exactly fair to ask her to be something else. If your character is a Liiran and you have some concerns about, I dunno, the homelessness problem in Waterdeep, that's on you to work towards.

Broadly, though, there is a problem in the fanbase that was laid out excellently in The Ones Who Walk Away From Omelas, written by the esteemed Ursula K. Le Guin; people find it very easy to assume that if something is described as good, as benevolent, as truly kind and compassionate and full of wonder, there has to be some kind of catch. There is a hidden evil, there is a dark cost, there is an ulterior motive. And like, look, the gods of D&D are fallible beings, they make mistakes, but the thing is that when D&D tells you a god is Good, it like...means it. Does the writing always bear this up? No. The writing is often friendly to things that are in fact bad. But even figures like Bahamut or Tyr, infamous for their associations with fantasy cops, they're trying to be the gods of like, Sam Vimes, not the gods of police brutality. Likewise gods are not the primary drivers of the battle between good and evil - they are prosecuting their worldviews, and those worldviews relate to a Prime Material Plane that is of both wonder and horror, that is full of the creations of many gods and even many mortals. It is the law of the living world that wasps lay their eggs in living things, but so too is it the law that the land is bountiful, that a shocking number of alien beings would love you to pet them, that the sunrise after a storm is uncommonly beautiful and glorious.

As far as evil gods go, let me link my article there again so I can expand on it. Broadly, evil gods in D&D can be thought of as part of two camps; Greenwoodian evil, and Dickensonian evil (shout-out to my close friend and priestess - don't question it - the Celt for this framework). Greenwoodian evils are parts of nature, unrelentingly bound to the living world, who are gods over things that are terrible but necessary. Talona (goddess of plagues), Umberlee (goddess of the sea), Auril (goddess of winter), Loviatar (goddess of suffering), these are Greenwoodian evils, and if you're noticing that most of these are women, well, Ed Greenwood seems constitutionally incapable of writing a woman who is not, at worst, both glorious and terrible, and this is a compliment. Now, Greenwood has gods that don't fit this conception - look no further than Bane, god of tyranny - but the great joke at the expense of these gods is that they are not, contrary to their own belief, sovereign from the living world, they are not above it, removed from it. They are, instead, bent, defeated, broken, and beaten down until they service the natural order, and each time they attempt to shatter the cage the world of wonder has woven around them they lose some part of themselves in the process.

Now, Dickensonian evil is named for the works of Seth Dickenson, which concerns itself with the Sword Logic, the logic of empire. The argument it makes is that reliance on others makes you vulnerable, and only through becoming a sovereign being can you be safe and complete; the ideal being, in the conception of Dickensonian evil, interacts with others not at all, or, if it must, interacts with them only to consume them for resources. Bane is a Dickensonian evil, as are Bhaal, Myrkul, Gruumsh, Hextor, and the like, and the thing about the Sword Logic is that it is persuasive, powerful, and wrong. However, while it is ultimately self-defeating, the harm done to real people in the meantime is an incalculable tragedy, and thus it needs to be opposed at all times. As edgy bastards say constantly: you can't let God do all the work. This style of evil appeals to people who are, themselves, cruel, ruthless, and inclined towards consumption, but it also appeals to people who are hurt, who have been betrayed, whom the world has let down, and in that sense there is quite a lot to explore here. The ordinary person does not give in to the logic of empire without cause.

For gods of both good and of evil, the question at the root of it all is this: why do people willingly worship them? What worldview is on offer, and why are you sympathetic to that worldview? What would it mean to change, adopt, or oppose that worldview? If you take nothing else from this section, take that and ponder it.

Death Is For The Dead - Going with the above, holy fucking hell y'all the cosmology is not as important as you think it is. There is a vast emphasis placed by the player base upon the afterlife, one which sometimes bleed into the writing (in Starfinder, published by Paizo, "choosing your own afterlife" is seen as the ultimate expression of religious freedom) but you know what most people know about the afterlife? Nothing useful! Jane Average Realmswoman knows that she will in some way be with her goddess when she's dead and that it'll probably be pretty cool and that's about it, and as far as these things go Jane is correct. People tend to react with shock and horror when they learn for the first time that the usual spiritual journey someone goes on in the afterlife will end with them becoming one with the Plane and/or god they're associated with, and to an extent I have some sympathy for this. Lifelong atheist, remember, the idea of "losing myself" to become part of something greater sounds terrifying...but is that what's fucking happening? If one is to experience an afterlife, that is, a form of life, one must be able to change. There is no escape from eventually changing so much that you would be unrecognizable as the living person you once were, and for those who want to try we have undeath on offer (except we don't, undead also experience those sorts of changes and as a result there is truly no escape from being a real thing in the real reality). And in this cynicism for the afterlife people miss the forest for the trees. When you end up, say, in the divine realm of Oghma and are filing books in his infinite library, Oghma isn't using your soul for slave labor here. You're a newly dead person who needs time to acclimate to not having the needs of the living, and moreover you're a newly dead person whose greatest, most ardent passion was language, poetry, prose, nonfiction, the glory of writing in all its flower, and now you have unlimited access to such, an endless opportunity to truly understand and grow closer to this thing that was so important to you. I'm not saying not to involve cosmological themes or to not take adventures to divine realms, don't mistake me, but...maybe try to open your mind to the idea that this thing which is supposed to be good and natural is, in fact, good and natural.

Gods & You - This is more or less re-stating some arguments from above, but put some thought into the churches and faiths your character has a relationship with. Are they part of a broader faith? Is such a faith big where they live, and what does that mean for them? What sorts of interactions and opinions, right or wrong, do they have with the local religions and why? It doesn't have to be anything huge, but the faithful are, again, inescapable. People's lives in these settings are religious, and that faith infuses their day-to-day; so too does it infuse your character's. And while I'm right here, having beef with those faiths and/or the gods behind them? Legit. Not just legit, but on the table to be consummated; there is a long and strong tradition in D&D of killing gods with your own two hands, and while gods can be hard to keep dead (look at Bane), killing them always means something. Maybe you can take their place and try your hand at being a better god than they were. Maybe you're just trying to stop their evil schemes. Maybe they slept with your mom and you take some exception to this. Whatever it is, these sorts of conflicts both have bones in with real-world religion and a storied history in D&D itself, and they shouldn't be considered outside the scope of your ambition if you really wanna go for it.

Y'all, it's been a journey. If you've made it this far thank you for reading, and as always I remain open to feedback and criticism. Please don't let the incredible length of this piece or my unrelenting, undying fucking rage intimidate you; I wouldn't be making articles like this if I wasn't trying to have a legitimate dialogue with my audience, y'know? Now, I have one last bit for you. In an effort to be helpful, to fucking flex with my writing, and as a little treat, the following section will present some example Clerics. All but one (Matthias Winters) are from the Forgotten Realms. If you make the egregious mistake of looking up the Forgotten Realms wiki, it will tell you that Matthias's god is an aspect of Velsharoon; this is incorrect, and the first person to try to tell me otherwise will be turned into a bowl of spaghetti and served up at a high school dance. This is the one thing I will be entertaining no arguments about. That said, please feel free to take these characters as inspiration, mine them for ideas, or even just to play them yourself if you're inclined to indulge my staggering arrogance in such a fashion.

One last note; you will notice that I have often disregarded the Domains associated with various gods in the books. This is in no small part because WotC did those assignments with incredible, mind-blowing fucking incompetence, and also because a great deal of their former Domains or Spheres no longer have adequate representation. I have chosen to ignore them on purpose and with malice aforethought.

Now, without further ado, may I present:

The Chosen Many - Sample Clerics

Our sample Clerics will be formatted as follows:

[NAME]

Species Domain Cleric [Background]

General pitch of their concept & plot hooks

Personality Traits: [HERE] / Ideals: [HERE] / Bonds: [HERE] / Flaws: [HERE]

Matthias Winters

Human Death Cleric [Guild Artisan]

Mattie was only an apprentice when the monsters came to his village, ravening things set loose by an unwise summoner. People he knew died, until the Shrouded Lady came and destroyed the beasts with a dark and divine grace he had never before encountered. This Lady did not ask for money, and she did not ask for favors, but of the proud and simple people of the village she did ask two things: to let others know that they had a friend in the lich-god Mellifleur, Friend of Heroes, and for Matthias's services as her apprentice. Both were granted, with many tearful goodbyes and promises to write, which have been, it must be said, kept. It's a strange life, working as a Cleric to the Lord of the Last Shroud. Matthias isn't terribly educated, no, but he's no fool: he knows his god is evil, far more vile and underhanded than Matthias himself would ever want to be. And yet, "Friend of Heroes" seems to be no empty title. Matthias is sent on odd errands all across the land, all of them ominous and to some nebulous good. Go here, says the Shrouded Lady, and warn the town that a drow raid is coming; go there, and deliver these potions to the Moonstone Four, who will have need of them. Matthias has guarded caravans, healed the sick, slain the wicked, and placed far more magical items into chests within crumbling ruins than he ever thought plausible. During less pressing times, his work as a smith still sees use, crafting items of unusual make and odd, threatening beauty for more powerful spellcasters to enchant. One day, the Shrouded Lady has promised, his training will be advanced enough to create his own.

Mellifleur is evil. Matthias knows this. But does it matter so much, if Matthias is still helping? Does the promise of lichdom for himself really matter, if he can do more right by the world with all that time? He thinks about this, between hammer strokes, and he has no answer yet.

Personality Traits: "I tend to work when I need to think." & "I ask people what they think of death." & "I eat big and hearty; quality is a distant consideration." / Ideals: "If you've helped others, the method shouldn't matter [Neutral]." & "Professionals have standards [Lawful]." / Bonds: "I might uh, be in love with the Shrouded Lady." & "I seek a lost artifact of Mellifleur that can divine the plots of other evil gods." / Flaws: "When I don't know what to do, I take the first order I'm given that sounds right." & "There is no kill like overkill."

Elrissa Morrowmoon

Drow War Cleric [Soldier]

Born on the surface as the first generation of her family to be so born, Elrissa was raised in a community devoted to Eilistraee, actively involved in shepherding escapees from Lolth's dominions. She grew up idolizing the warrior-priests of her goddess, their grace and confidence, their surety, but never felt that for herself; big for a drow, hell, big even in comparison to a human, she despaired at ever achieving her dreams of becoming one of Eilistraee's paladins, even as she trained every day with gritted teeth and tearful eyes. When her community was found and raided in an attempt to capture the escapees as sacrifices to Lolth, Elrissa lost her father, and the very next night she stormed into the sacred grove and screamed her demand for vengeance up to her goddess.

She was answered.

In a sick way, Elrissa feels sometimes it might have been better if she wasn't. Now she's a holy warrior, now she knows she has the favor of her goddess and none can deny it, but she's still the plodding, clonking, clanging thing she was before, hunting the faithful of Lolth in her plate armor like an army of pots and pans. She lacks subtlety; she lacks grace. But while Elrissa is still in some ways the little girl who was never good enough in her own eyes, watch her change when the innocent are threatened, or when the priests of the Spider Queen are within striking distance. She does not leave survivors. She will not heed surrenders. She is coming, in a tide of moonlight and hateful sorrow, until no brick stands atop another.

Personality Traits: "I am very earnest and forthright." & "I get easily distracted by nature." & "I maintain my own equipment; no one else gets to." / Ideals: "People get better when they're offered love and support [Good]." & "For drow to have a future, Lolth must die [Neutral]." / Bonds: "I will find the ones who killed my father and repay them in kind." & "Sacred groves, even those of other gods, are worthy of my protection." / Flaws: "My hatred of Lolth can blind me to practical realities." & "Alcohol isn't a problem, it's a solution."

Gemma Rivergard

Half-Elf Forge Cleric [Noble]

Gemma acquired her vocation the way she gets most things: she bought it. As the fourth child of the noble Rivergards, who make their money in trade, her life was always a bit of a loose end. On a dare, she walked into a temple of Waukeen, laid out a spread of gems and gold and art pieces from the family vault, and announced her intention to purchase the exalted station of Cleric. She was as surprised as everyone else when the Goddess of Coins agreed.

Gemma is still a bit of a loose end. Waukeen blessed her with the power to make the goods her family merely trades, and much more besides, but lacking a specific holy mission she's taken to traveling, and it's broadened her horizons. One walk down a poorly maintained road might lead to a quest to cull the monsters threatening it, or politics with a greedy lord who has forgotten the value of commerce. She's set predatory contracts to rights, fought to the death against slaver rings, and purchased a truly concerning amount of amateur art from various goblins. And yet while she's happy with her growth as a person, Gemma still feels like she's lacking a purpose. Surely she can't purchase that.

…Surely not?

Personality Traits: "Is this some kind of peasant joke I'm too rich to understand?" & "You not understanding if I'm joking kinda is the joke." & "That really updated my journal." / Ideals: "To broaden one's horizons is to improve oneself [Good]." & "Every man has his price. That's not always a bad thing [Neutral]." / Bonds: "I haven't left my family! I'm still looking out for them." & "I still keep up with the goblin artists I've bought paintings from. I'm kinda their patron." / Flaws: "You bet I can't? Hold my beer." & "I forget sometimes that my experiences aren't universal."

Neela Wagonborn

Halfling Trickery Cleric [Haunted One]

So, here's the thing. This isn't Neela. Neela is not here at the moment, and you can't leave a message. Neela, you see, was captured by a Thayan looking to build a better Mirror of Opposition, and the wizard's experiment spit out Aleen, the Lawful Evil reflection of the original Neela, who had spent her life to date as a Cleric of Liira, Goddess of Joy. The mirror's enchantment, normally used to compel the summoned copy to kill the original, did not do this to Aleen, who was swiftly captured herself, brutally experimented upon, and then turned loose with the promise that her "creator" would be watching.

She's been hiding for all her life is worth, posing as Neela and playing a nerve-shredding game of balancing distance from Neela's loved ones with staying close enough to not arouse suspicion. Who knows if she'd survive getting killed in this Faerun, which is so unlike the one she knows? Praise be to the gods both above and below, though, Aleen here has an excuse: she's been receiving revelations from Liira, which are guiding her on a quest whose objective is unclear to her, but which has enabled her to become more powerful as a Cleric. If she's tricked the Lady of Illusions…well, that speaks well of her odds, right?

Liira has not been tricked. This journey of self-discovery into the world of beauty and wonder is about to be the funniest prank the Lady of Mists has pulled in fucking centuries.

Personality Traits: "The road calls! Immediately!" & "I remember those who wrong me." & "I have a weakness for musicians." / Ideals: "A deal is a deal [Lawful]." & "Everyone else is looking out for themselves first. Why should I be better? [Evil]." / Bonds: "That Thayan needs to die. Screaming." & "No one can find out who I am. No one." / Flaws: "I'm a good liar, but not as good as I think I am." & "My cruel streak can snatch defeat from the jaws of victory."

Fila Firetouched

High Elf Tempest Cleric [Entertainer]

Descended from a long line of Waterdhavian elves, Fila broke with family tradition by converting to the worship of Sune Firehair, goddess of beauty and patron of the arts. During their more youthful years they lived down to the stereotypes of the many lay members, producing a frankly embarrassing catalogue of love poetry, ex-lovers, and amateur paintings, but after the loss of their sibling to a sea storm their art took a rather more gloomy and Gothic direction. Storms and landscapes featured heavily, and with their newfound focus Fila was praised as an artist to watch, with a keen eye for the sublime. Their parents and community did their best to support Fila, but they were determined to process their grief in their own way, seeking to capture the "true heart of the storm", which they feared, hated, and also loved.

It was atop a hill in the Dessarin Valley, during a savage spring storm, that Fila was struck by lightning while trying to paint. They died in an instant of eternal agony, but it was not to be their end. Rather than claim Fila's soul, Sune Firehair offered them the chance to return, to continue their art and seek out others whose beauty was hidden by the cruelties of the world. Fila accepted, and returned to a body branded by the storm and crackling with divine power.

The plate armor is still taking some getting used to, as are the odd glances and awkward greetings from the church, but the storm, oh, the storm…

It feels like an old friend now, beautiful and terrible. It's all too happy to help with Fila's work.

Personality Traits: "Hold a moment, I need to sketch this for later." & "There is a party person in me that comes out sometimes." & "The amateur poetry will continue until morale improves." / Ideals: "The world is good, the world is beautiful, the world is worth fighting for [Good]." & "If you don't challenge norms and expectations, people will never examine them [Chaotic]." / Bonds: "I don't always get on with my family, but I'd still do anything for them." & "I haven't forgotten any of my ex-lovers; they can ask a lot more of me than I care to admit." / Flaws: "My resurrection was a miracle, but sometimes when people say my scars are a curse it still feels like they're right." & "I may be a little too excited about my newfound powers of violence."

Nattie Kells

Human Order Cleric [Hermit]

Nattie's family likes to say she was born morose; a depressed and somber child, she never quite got on with the people of her river town, and made few friends, not even during her wild years of late adolescence when she carved her way through every interested lass available only to seemingly lose her passion. Oh, yes, people tried to help, but the things they found meaning in just didn't quite resonate with Nattie, and she dabbled with this church and that career and suchlike before, inevitably, dropping them in favor of her only seemingly eternal passion: reading. Eventually she scraped some money together to go traveling, looking for anything that could speak to her, and she found a long-abandoned shrine to Jergal, the Last Scribe, assistant to Kelemvor and Lord of the End of Everything. It wasn't meaning, not exactly, but the idea that all would be ash one day, that meaning was not required, it had a comfort to it.

She was 23 when Jergal came to her in her dreams and requested her services, which would necessitate a return to lands where other people dwelled. Nattie awoke to find a pile of equipment near her, along with a holy symbol, and she set off, learning the ways of divine magic in her dreams as she made the long and pointless trek back to "civilization". Now, as the Quill of the Last Scribe, Nattie enacts what she thinks of as fate. A charm spell here, a nudge there, and things happen; a man meets his future husband by taking a road he would have walked past, a goblin scout is devoured by an owlbear he would have avoided, a horse spooks and kills its rider. Nattie has hurt people. She has saved people. She tells herself it doesn't matter, but beneath the layers of lassitude and nameless sorrow there is an uncertainty. What is she becoming?

This, too, is Jergal's design. Nattie is determined to live in misery, but the Last Scribe can wait for her to realize better. He can always wait.

Personality Traits: "Ugh. People." & "Primary sources motherfuckers! Write some! Keep them safe!" & "Nobody talk about the kind of person I am around furry animals. I mean it." / Ideals: "It means something, that you were here, and that you were alive [Good]." & "People return to dust eventually. It doesn't matter if they return to dust faster [Evil]." / Bonds: "My lonely home in the shrine is sacred to me." & "The bookstore I used to go to as a child was nearly going out of business, but as long as I keep spending adventuring money there it will never die." / Flaws: "I don't really have any bad feelings about people dying. People die all the time. They're very good at it." & "I wish I felt more blessed by the attention of my god, but he's such an aggravating little bitch. Why's he gotta be so annoying?"

Dagill Tapper

Shield Dwarf Knowledge Cleric [Background]

The son of miners, Dagill quickly proved to have a keen interest in learning, if little talent for academia. For much of his youth he found employment running books for the clan's mines, until - on the advice of the local priests of Moradin - he was sent to Neverwinter to be educated in magic, as the gift was in him and his home had little resources to explore it. Wizardry did not work out for Dagill, despite his passion for the Art, but that passion saw him into the worship of Azuth, God of Spells, and eventually he was chosen as a Cleric.

Dagill's interests lie in the recording and advancement of magical knowledge, and his new faith keeps him busy. Between expeditions to recover lost knowledge and study traditions of spellcraft, he assists in scribing scrolls and seeks out potential mages in under-served populations. Though his clan doesn't approve of his conversion, he's still a dwarf's dwarf, with a deep love for the gods of his people, who returns home often and pays his dues in gold, labor, and knowledge for the good of his people. They'll come around eventually. They must.

Undiscussed with most is Dagill's dearest ambition: to find one of the lost scrolls penned by the very gods, and cast it with his own hands. What else could bring him closer to his new god?

Personality Traits: "Have you heard the good word about how great wizards are today?" & "Despite it all, I'm still a dwarf's dwarf in a lot of ways." & "I make a big deal out of Azuth. All the time! People should appreciate him more!" / Ideals: "The advancement of the Art is meant to help people [Good]." & "We have obligations to truth, and to history [Lawful]." / Bonds: "I still send money to my clan, and I should visit again soon. I might have an arranged marriage coming up." & "The wizard who tried to teach me is a good woman; I need to repay her kindness." / Flaws: "I have a bit of an inferiority complex about wizards." & "I am easily distracted by puzzles and riddles."

St. Nokta Kinslayer

Goblin Life Cleric [Outlander]

Honesty can change a life, you know. Nokta's warband came up against a pack of tall-folk adventurers, as goblin warbands sometimes do. She was a soldier, then, seemingly destined to be smeared beneath a mercenary boot, but when she was captured the adventurers said: talk, and we will let you live. She talked, of course she talked, Maglubiyet teaches survival at all costs, but her fellows found out, and intended to kill her along with the adventurers during an ambush.

The tall-folk fought like demons to save Nokta, because they had said she would live, and they meant it. Despite their best efforts she died, to an arrow in the throat, only to wake with the battle still raging, brought back to life by diamond and spell and the tall-folk shaman in his metal armor. Three times did Nokta die, and three times was she brought back, only to watch the tall-folk shaman take a blade to the heart. Gripped by something she couldn't name, Nokta raced over, and took his diamonds, and tried to speak his spell, fervently calling out for his strange tall-folk god to spare him.

Nokta was answered in the name of Illmater, the Lord on the Rack, god of mercy and of self-sacrifice, and has served him since. For dying and returning, her new church calls her Saint, but her people call her Kinslayer, and the Traitor Shaman, and more besides. There will be no peace, and though Nokta knows her suffering reduces that of the world, this cannot continue. If the Fire-Eyed God wants her head, there can only be one recourse: break his priests until the cost of war sickens Maglubiyet , and he accepts peace. Saint Nokta is unafraid, and she is unmerciful.

Personality Traits: "What, tall-folk - uh, I mean, yes, my child?" & "I don't hate vegetables, I love meat." & "The Tall God says His blessings are for all. For some reason." / Ideals: "Peace for peace, wrath for wrath [Neutral]." & "I don't understand the compassion I was shown, but I do treasure it [Good]." / Bonds: "The adventurers who fought for me have my service for the asking." & "I'll drop everything to fight the servants of the Fire-Eyed God." / Flaws: "I don't know what this 'love' is, and 'trust' is also still pretty difficult for me." & "My fears drive me to violence far more often than the Tall God likes."

Jelka Threebones

Orc Grave Cleric [Acolyte]

Jelka came to live amongst the Sky Pony tribe of the Uthgardt as a young adult, one of several political hostages exchanged between her own tribe and the Sky Pony as part of a peace agreement; with both in the shadow of the Kingdom of Many-Arrows, wise leaders on both sides sought to cool traditional conflicts between them in favor of looking to the greater threat to their mutual north, and Jelka was selected for her cool head, proud bearing, and great foresight for such a young orc. The story might have ended there, if the Cult of the Dragon hadn't moved into the area looking to pillage the spirit mounds and burial grounds of both tribes' warriors to secure a supply of corpses for their necromancies. Outraged at this desecration and disrespect, Jelka called upon Gruumsh and Tempus in the name of both her peoples for the power to revenge herself upon the defilers, and her prayers were answered.

Today, Jelka continues her campaign of revenge in the name of Gruumsh, hunting down those who raise the dead, defile graves, and bend the minds of warriors. Her list of enemies is long and only growing longer, and she is keenly aware that she is not yet mighty enough to face down the likes of dracoliches or, say, the entire sovereign nation of Thay. But she will be. She must be. Wrongs have been done, and she wades into battle chanting the litany of them in an endless roll of accusation and reprisal, screaming hateful hymns alongside her chosen allies. Her new mission has made for strange bedfellows, but for all her outward fury Jelka remains the curious and level-headed young orc she was when she was selected all those years ago. Perhaps there are other enemies she might make peace with, to gain the satisfaction of her almighty vengeance.

Personality Traits: "Raise a cup with me! We should celebrate!" & "I'm very curious about new cultures, sometimes to the point of being annoying." & "I love a good story." / Ideals: "The world will hit you hard. If you don't take revenge, all you'll get is hit again [Evil]." & "If you don't have the guts, you don't deserve the glory [Chaotic]." / Bonds: "My word of alliance, once given, is absolute." & "I have siblings in my first tribe who should be adults soon. If they need my help, they have it." / Flaws: "I never forget a sleight." & "I pick fights I can't win sometimes."

Kellard Frosthalt

Rock Gnome Nature Cleric [Folk Hero]

Kell should have been a druid. He knows it, his clan knows it, druids know it, there's even odds that mushrooms in Menzobarrenzen know it, but he's always had a deep phobia of shape-shifting, so for a long while he was content to study nature…academically. Sure, his papers were trite, but the man published and that's not nothing. When he was hired to catalog finds for an expedition into Netherese ruins, the team found an ancient shrine to the goddess now known as Chauntea, and beset by undead guardians. Unwilling to let the sacred place be defiled, Kell took up arms for the first time, and found himself blessed with power.

Now Kell spends his time in lost places, seeking revelation and tending to the needs of rural communities. His new position is intimidating. More than many other followers of the Lady of Waving Grain, he understands that his goddess is an ancient and persistent foe of evil. Only…can something better truly be grown from her foes? Is Kell ready?

Personality Traits: "I love nature! Let me tell you about this parasitic wasp!" & "I know it doesn't fit my station, but I just, I need to be dressed sharp, okay?" & "I tell jokes with a completely straight face." / Ideals: "There are no pointless things; all things of the world have a treasured place in it [Good]." & "Generosity is the highest virtue [Good]." / Bonds: "Fuck Netheril, fuck the Netherese, burn their ruins and salt the ashes." & "After that first fight in the ruins, a peasant family took me in. I owe them my life." / Flaws: "I have a deep and abiding phobia of having my body changed against my will." & "I never, ever, ever, shut the fuck up."

Dolly Bookchild

Half-Drow Peace Cleric [Investigator]

Most half elves lose their human parent first, but as the child of two adventurers Dolly wasn't exactly surprised when her drow mother bit the big one doing battle with a demon accidentally released from an ancient binding. Seeking to understand her loss, Dolly started spending time in the sacred libraries of Deneir, and eventually converted after falling in love with learning. Academia isn't exactly her strong suit, but Dolly has a lot of practical knowledge that isn't often written down in an accessible fashion. Her new church was proud to fund the publishing of Dolly's Practical Survival Guide.

Still, a new love of learning isn't closure, and Dolly yearned to be an adventurer like her parents. After her second book went off to the printers, she stayed up in vigil to ask Deneir for a cleric's power, vowing to use it to find and advance knowledge, and to protect the ignorant. Her wish was granted, and now she bears the peace of the library wherever she goes. Every day is a lovely day for learning.

Hopefully one of these lovely days Dolly will figure out that the demon isn't done with just her mother.

Personality Traits: "It's a beautiful day to learn something new, isn't it?" & "Ah, the great outdoors!" & "I skip when I'm happy. No really. No, really." / Ideals: "Knowledge belongs to everyone [Lawful]." & "Extend grace to the ignorant; they truly do not know better [Good]." / Bonds: "Dad's getting on in years. I need to make sure he isn't worrying about me when he passes." & "I still return to my temple pretty often; it feels more like home than home does." / Flaws: "Sometimes I forget that my fun adventures can have deadly consequences." & "I'm from the big city where my heritage isn't a big deal, so it's surprising every fucking time that it's a big deal elsewhere."

Jonas Cobbler

Aasimar Light Cleric [Urchin]

So here's the thing. Jonas had a bit of an odd childhood. Raised by a then-single mother who is a devout follower of Lathander, Jonas was maybe six, seven years old when he mentioned in his prayers that he's a boy and asked for some help being a boy because he knew Mommy worked very hard and didn't have a lot of money. His first direct experience with divinity was his god's gentle voice in his mind saying: yes, my child, your new dawn is upon you. He had some explaining to do the next morning, and his mother was happy for him and seemingly cross with Lathander, for some reason?

It wasn't until Jonas was about seventeen that he got answers to that particular mystery; he came home to find his mother, her partner, and a golden-haired stranger waiting up for him. His mother introduced the stranger as Jonas's father...

...Lathander.

Maybe running away from home in a bit of a panic was the wrong move, but uh. Jonas has at least one parent looking out for him now, right? It'll be fine. It'll be fine. It's all gonna be fine.

Personality Traits: "I am extremely food-motivated." & "Let me teach you my secret handshake!" & "Uh, I've got, a spell for this, uh - fuck - uh, in the name of the new dawn uh -" / Ideals: "You don't need a reason to help people [Good]." & "The best time to be a better person was yesterday. The second-best time is now [Good]." / Bonds: "My old friends mostly went off to real careers, but we still stay in touch." & "There's a hidden place in the old neighborhood that I take care of." / Flaws: "I cannot walk into church any more without thinking, holy shit this guy slept with my mom." & "I am embarassingly weak to a pretty face."

Freddie Wright

Human Twilight Cleric [Criminal]

Hailing from a family of Selunite wererats in Yartar, Freddie used to have a fairly exciting life spying on Zhentarim operations, right up until she blundered into a cell of Sharrans in the sewers. They pushed her into a portal to see what would happen, but not before somehow stripping her of her lycantheropy to ensure she would suffer and die. Freddie arrived in Undermountain with nothing but her faith, and in her time of need the Moonmaiden answered. Against all odds, Freddie survived, scrounging up equipment, learning the traps, and eventually staggering out of the Well into the Yawning Portal Inn. She still has nightmares, but Freddie is grateful every day that she's alive to have them.

Now the former wererat stalks the Sharrans up and down the Sword Coast, seeking the return of what was taken. She hates her heavy armor and despises being caged in one body, but despite her snappish ways she takes her duty as a guide very seriously. That's part of the problem, actually. The dead of the Underhalls haunt Freddie and beg her intercession so that they might move on, and with every ghost laid to rest her prey gets further away. But what's a girl to do, ignore them? No. Freddie has faith. This righteous path must, will, make her whole again.

Personality Traits: "Time is money, hurry it up." & "Sometimes I overcomplicate things because I'm biased against direct solutions." & "Hey that reminds me of something that happened in my family -" / Ideals: "If you give people what they need to grow, they become their best selves [Good]." & "No one else can walk your path for you [Chaotic]." / Bonds: "Yartar is still my favorite city, and I stop by to do good by it when I can." & "The dead of the Underhalls that follow me have none other to speak for them." / Flaws: "Do you have any idea how much this stupid monkey body pisses me off?" & "I've got a vengeful streak that is not uh, approved Selunite behavior."

#d&d #rpg #cleric #d&d 5e #d&d oc #pathfinder #extreme rage

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