#aroacejoncrane
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wellnoe · 2 years ago
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hey do you have any recs for starting to read jean grey? i have no xmen experience outside of rougegambit deadpool and like. one moon knight crossover issue. but your art has made me go 👀👀👀👀👀 - @aroacejoncrane
sure! i'm going to copy and paste from a similar ask:
!! the jean recs i’m listing here are some issues that i keep returning to as ‘important’ in my idea of jean:
i think classic x-men #2, #8, #26, and #43 (which is the one i really want more people to read!) all have some good jean stuff in them. Fantastic Four #286 is both really sad to me and i think how jean reacts when people find her is like. important to how i think of her. the adventures of cyclops and phoenix and the further adventures of cyclops and phoenix are also both good. x-men #53 is like. very important to my read on jean. onslaught isn't good but this issue? perhaps. uncanny x-men 381 also “Monsters” from x-men unlimited (1993) #31 kind of informs a lot of how i talk about jean’s telepathy.
i have a lot of feelings about jean in the silver age, but i don’t think those comics make a lot of the connections that later comics might. also, i think louise simonson is one of the best jean writers, and i really like how jean is portrayed in x-factor, just. in general. so i always recommend that.
these are foundational jean issues to me...one's that really affect how i think about her. i think you can read most of these with a general vague knowledge of what happened in the dark phoenix saga and that jean and scott were like. dating/married. hope that's helpful!!
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parmaviolets · 2 years ago
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some recent work I've done for @aroacejoncrane my beloved !
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marcfrenchie · 2 years ago
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aroacejoncrane -> marcfrenchie
like if seen yknow how it is
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xuanelle · 2 years ago
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marc... - @aroacejoncrane
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BINGO!!!! do you ever think about marc and his relationship with his father and how even when he's gone it still shapes him and is so vital to understanding who marc is and break down crying, bc I do. also I think if you like marc bc of the mcu I don't wanna talk to you, leave him and me alone. he's just I think about him a lot and I just feel so much but especially his relationship to judaism, makes me insane.
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xycuro-illuminati · 2 years ago
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🌹 Who is the hopeless romantic?
shrouddevil,, - @aroacejoncrane
🌹 Who is the hopeless romantic? -Shroud for sure; He will do anything he can to be the most hopeless romantic out of the two to the point of outdoing Matt's efforts sometimes. All in good fun, obviously. He greatly appreciates Matt's gestures and kindness, Shroud just wants to show Matt that he deserves the same kind of love but more.
(ask game here)
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kideternity · 2 years ago
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@aroacejoncrane
do you have any pointers in writing peter's voice? for fic purposes ofc. like, are there any particular words he uses a lot? nicknames? i know he jokes a lot, but like, in a specific way?
Thank you for asking about the specifics of how Peter jokes, because something that’s been frustrating me a lot in recent comics is how wrong they’ve been getting it. Everything I’m about to say refers specifically to 616′s Peter Parker, for the record. So my first tip with Peter’s voice is a general one, and it’s to put as much steel behind his voice as you can. Write him like a man who has spent half of his life being able to bench press a bus and who can sense a gun and move to stop it before its drawn.
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On top of all of that, he’s a certified genius and worse yet, he knows it. So you know, he’s going to be kind of obnoxious. Peter has, over the years, stated three main reasons for why he makes jokes in the costume: the first is that it centers him. The second is that it helps to keep civilians calm. The third is that it throws whoever he’s fighting off their rhythm. It’s useful to keep the reasoning behind him making a joke in mind while you’re writing him – is he saying it to get under someone’s skin or to lighten the mood? How Peter jokes with people in his life vs how the jokes he throws around while he’s fighting are also very different things, and I think the inability to separate them from each other is a big part of the dilution of the character’s voice. Consider the greater scene when writing a joke into his dialogue – does it fit the mood? Personally I’d rather fewer jokes and him written like a real character than seeing him as a perpetual humor machine who spits out rambling dialogue regardless of context. Hickman’s writing for him in FF (2011) #1-11 is really standout in this regard; it’s a serious book, so by in large Peter acts seriously within it. I think funny gets unfairly equated with immature a lot, and immature is not something Peter traditionally embodies. I also think writing Peter as genuinely insecure, especially as an adult, is an easy mistake to make – he uses self-deprecating humor not infrequently, but it’s not really a sign of how he views himself. He’s just an obnoxious, sarcastic New Yorker. (This isn’t necessarily a useful piece of advice, but if you can familiarize yourself with strong New York-based humor, I find it helps a lot. But I live twenty minutes outside of the city and my mom is a Brooklyn native and I know this isn’t really possible for everyone.) I’ve talked a lot about the Jewish coding of Peter Parker, but his wit and how it ties into where he lives plays a big part of this: Jewish humor employs wit as a weapon. Peter is punchy both physically and verbally. He’s sharp-tongued, observational, and witty. In fights, he tends to be very direct:
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(Spectacular Spider-Man #71, #105, and #140) Or alternatively, extremely mocking:
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(Spectacular Spider-Man #67 and #145) The dialogue here is funny, but it’s pretty distinctly sarcastic and really aggressive. If you compare it this scene where he’s joking with Mary Jane to try and put her at ease in Amazing Spider-Man #511, you can spot the difference pretty easily:
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Here he’s talking loose and a little ramble-y, weaving a ridiculous story, a little awkward. It’s not aggressive, it’s not sarcastic. (But again, note the beats here: statement, period, statement, etc, then he slides into the rambling. It’s punchy.) Write the humor and how he speaks around his mood and who he’s with. If he’s in a good mood with someone he loves, he’s verbally very gentle. If he’s in a bad mood – and he has a definite temper – and he’s around someone he loves, while he’d never intentionally be physically violent with them, he can verbally lash out.
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(Spectacular Spider-Man #191)
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Marvel Knights Spider-Man #5 – he’s technically right; he hurts people for free. :P But he’s very good at hurting people, and that extends to doing it emotionally. He’s got a sharp tongue along with that hot temper and he’s not always great about holding it. Don’t be afraid to let him be an asshole if the situation calls for it.
Referential humor, or jokes involving current (or what the author believes is current) pop culture are a really new addition to his repertoire and one I’m not a big fan of; traditionally, he’s depicted as someone who is behind the times when it comes to media, and also as someone who, beyond the fact that he’s too busy for it, doesn’t really care. Humor is an entirely subjective thing, but I find in canon these kinds of jokes come up when the writer isn’t all that confident in his voice, so they write him around a joke they’ve come up with instead of writing the jokes around him. As an added con, these kind of jokes date the work – a good joke will be funny now and it’ll be funny in 20 years. A joke that requires the audience to have specific pop culture knowledge relevant to the times is going to get lost in translation sooner or later. Don’t over explain your jokes, either, as a general rule when writing comedy. It can be tempting, but if you’re not sure the joke isn’t going to fly under the radar, it’s better to cut it than to segue away trying to clarify it. Trust your audience to get it or leave it out. Don’t feel pressured to joke all the time, either – like I said, he’s not a perpetual joke machine and writing him like that makes him feel like less of a real character. He can be very serious. When he’s extremely angry, he drops the jokes – and occasionally words altogether – entirely.
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(Amazing Spider-Man #539.)
Apart from the jokes, I don’t know if there are particular words he uses a lot. He’s got a pretty good vocabulary, so you can pull out whatever words you want for him. He does like a good (or bad) nickname. He calls Aunt May “pretty lady” all the time, and Mary Jane “pretty girl” and a whole host of other terms of endearments like honey/baby/sweetheart/hot stuff etc (nice job calling your wife the same thing you call your best friend the Human Torch, Peter). He’s a big terms of endearment guy – he’s used “kid/kiddo” with multiple partners, which is vaguely appalling, but that’s him for you. I know terms of endearments can be a bit of a mixed bag with writers and readers. Some people like them, some don’t, so if you’re not big on them I don’t think anyone would fault you for leaving the honey/baby/sweethearts etc out of his dialogue, but he does canonically use them with his significant other. (He and Felicia have canonically referred to each other as ‘baby’ while not in a relationship, so do with that one what you will.) 
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(Amazing Spider-Man #86, Spectacular Spider-Man #154, Marvel Knights Spider-Man #5, Peter Parker v2 #2) One other thing I think it’s important to note with Peter is that he’s deeply, deeply romantic and I think on a very instinctual level, he’s a comforter. If someone he loves is in pain or worried, he wants to make them feel better and he wants to fix the situation, and that’s going to come out in his voice along with his actions. He’s a fixer, in and out of costume.
This all just stuff I keep in mind for myself when writing him, but for me he’s a very instinctual character – if a line feels right, go for it. Good luck and happy writing! 
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transguygardner · 3 years ago
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red hood? and hes a villian but an obligatory jon crane - bat aroacejoncrane
red hood
ok i think jason and guy both like would get to better places with bruce if writers cared BUT i think if the two of them were in a conversation together within five minutes they’d start a batman kvetching session and that’d be the majority of their dialogue and then guy would say something that’d make jason go “ew gross thats my dad” and guy doesnt know whether to laugh or apologize so he does both. i think guy would also tell jason he should hang out with simon
jon crane
the only way i can see a team up between them is if scarecrow is like blackmailing guy somehow in order to take him to meet sinestro or something cause he wants to experiment with yellow ring power and his fear gas. and then you could get a nice character study story examining guy’s fears (cause he does have them and imo sinestro is one of them) while others are working to undo the blackmail if its like a hostage situation or something. i think it’d end with guy threatening to leave scarecrow to suffocate in space or something. and scarecrows like “b-but batman’ll” and guy’s like “batmans not here” he doesnt kill him but he scares the shit out of him
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fluttershiesworld · 3 years ago
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song - girl by jukebox the ghost name - bat! - @aroacejoncrane
FINALLY A WARM ONE LOL <3 this one is VERY warm colored it’s like mainly slightly orange yellow and a BIT of pink as well. :) like that v
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[ID: a shade of an orangey yellow color. end ID]
also i LOVE this song i hadn’t heard it b4 but it’s so good actually so tysm!!! :P
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the-angel-of-filth · 2 years ago
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✨Art Fight 2022 Attacks, Part 1!✨
I’ve been holding off from posting this art until my summer college classes were over so now I’m posting the attack now <3. Here’s links to all the original creators and their respective ocs!
Fantia—skies’ oc, Droplet!
My MOTW oc, Daisy Ward, holding ichorslushie’s oc, Peeble!
My oc Belphegor hanging out with Pibis’s oc, Belphegor!
@mostly-sketchy’s fursona, Laurel!
@aroacejoncrane’s spiderverse oc, Doctor Octopus of Earth-031095!
@lachrymoon’s oc, Jericho!
More attacks to come soon!
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moonslinger130 · 2 years ago
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yeah, but also consider: steven grant in No Poor Person Actually Wears This Outside fits but like. fun.
blazers with eyes painted on one side of them. fully floral patterned suits with actual roses glued on. he will take advantage of the fact that he has money for fun clothes - bat @aroacejoncrane
my idea of steven grant is that he tries hard to maintain “normalcy” and reputation, so while he stands out from the average civilian through his status he doesn’t try to stand out much otherwise among his peers (whether he actually succeeds in blending in is another thing). however it is a very fun image you have concocted
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mothermara · 2 years ago
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trick or treat! im gonna wear my spiderman hoodie and call it a day - bat @aroacejoncrane
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yayy : ) butterfinger
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iotaqizm · 3 years ago
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infinity sign! - @aroacejoncrane
wobbly by ezra furman - "genders my friends ive just been changing genders fluidly"
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kattitude130 · 3 years ago
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infinity sign :) - @aroacejoncrane
“In Your Eyes” The Weeknd
I know it hurts to smile but you try to
Oh, you try to
You always try to hide the pain
You always know just what to say
I always look the other way
I’m blind, I’m blind
In your eyes
You lie but I don’t let it define you
(send ∞ for favorite lyrics from a shuffled song)
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marcfrenchie · 3 years ago
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zonesunsetz -> aroacejoncrane
like if seen!
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freddiegoesmetal · 2 years ago
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mariana, stained bathroom sink - @aroacejoncrane
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i’m shocked so many of you would let me dye your hair when i have never even done my own
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moonslinger130 · 3 years ago
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red hood (for doodle reqs)! i would like to see him roundified. also i am hesitant about saying this bc he doesn't have a consistent appearance in canon but i would love to see a jon crane,, - @aroacejoncrane
ROUNDIFICATION....... COMPLETE
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i saw two designs i liked so there we go
and also jon crane scarecrow attempt hes soooooo funky
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