#arlette thomas

[laurent-bigot]

[rediffusion] PATTES BLANCHES – Jean Grémillon (1949)

Pattes Blanches, entrepris de façon quasi impromptue présente a priori tous les inconvénients d’une commande : le scénario d’Anouilh devait être réalisé par le dramaturge lui-même, s’il n’en avait été empêché par des problèmes de santé à la veille du tournage. Grémillon reprend donc le projet “au vol” mais y fait quand même un certain nombre de modifications ; l’histoire qui se passait au…

[foundfamilyappreciation]

Hello and welcome to the second Found Family Face-off! This time it's siblings! As mentioned in the intro post, this is for siblings of different genders, as there will future tournaments for brothers and sisters respectively to give as many found siblings as possible to be included! Anyway, please meet your contestants and round 1 match ups below:

*Please don't clown on this post and argue against why certain characters can't be found siblings (aside from if they're in an explicitly canon romantic relationship that I missed while trying to vet them). Please respect that these are people's headcanons and they might not align with yours (heck, some of these even I don't agree with but again, that's just my opinion) and that this is just for fun etc.

Group A

Ahsoka Tano & Rex VS Ahsoka Tano & Anakin Skywalker (Star Wars)

Garrazeb Orrelios, Sabine Wren & Ezra Bridger VS Cassian Andor, Jyn Erso & Bodhi Rook (Star Wars)

Kilindi Matako & Maul VS Cal Kestis & Merrin (Star Wars)

Michael Burnham & Saru (Star Trek: Discovery) VS Mako Mori & Raleigh Beckett (Pacific Rim)

Tegan Jovanka & Vislor Turlough VS 10th Doctor & Donna Noble (Doctor Who)

Luke Smith & Sky Smith VS Luke Smith & Maria Jackson (The Sarah Jane Adventures)

Aidan Waite, Josh Levison & Sally Malik (Being Human U.S.) VS Steve Jinks & Claudia Donovan (Warehouse 13)

Amanda Brotzman & Vogel (Dirk Gently's Holistic Detective Agency) VS Wednesday Addams & Eugene Ottinger (Wednesday)

Group B

Parker & Eliot Spencer (Leverage) VS Inej Ghafa & Jesper Fahey (Six of Crows/Shadow and Bone)

Duke Thomas & Cassandra Cain (DC Comics) VS Will Byers & Jane "El" Hopper (Stranger Things)

Angus MacGyver, Wilt Bozer, Riley Davis & Sam Cage (MacGyver 2016) VS Josh Lyman, Toby Ziegler, CJ Cregg, Sam Seaborn & Charlie Young (The West Wing)

Malcolm Bright, J.T. Tarmell & Dani Powell (Prodigal Son) VS Kate Beckett, Javier Esposito & Kevin Ryan (Castle)

Jake Peralta + Rosa Diaz (Brooklyn Nine-Nine) VS Meredith Grey + Alex Karev (Grey's Anatomy)

Fig Faeth, Adaine Abernant, Fabian Aramais Seacaster, Gorgug Thistlespring, Riz Gukgak & Kristen Applebees (Dimension 20: Fantasy High) VS Travis Killian & The Doctor (The Game of Rassilon)

Meriadoc Brandybuck & Eowyn (The Lord of the Rings) VS Lester Papadopoulos & Meg McCaffrey (Trials of Apollo)

Alanna of Trebond, Gareth of Naxen & Raoul of Goldenlake (Song of the Lioness) VS Keladry of Mindelan, Neal of Queenscove (Protector of the Small) VS Sandry fa Toren, Tris Chandler, Daja Kisubo & Briar Moss (Circle of Magic)

Group C

Katara & Zuko VS Toph & Zuko (Avatar: The Last Airbender)

Sokka & Toph VS Aang & Toph (Avatar: The Last Airbender)

Korra & the Air kids (The Legend of Korra) VS April O'Neil + the Ninja Turtles (Rise of the Teenage Mutant Ninja Turtles)

Sprig Plantar & Anne Boonchuy (Amphibia) VS Hiccup Haddock & Heather (How to Train Your Dragon: Race to the Edge)

Luz Noceda & Hunter VS Luz Noceda & Gus Porter & Willow Park (The Owl House)

Luz Noceda & King Clawthorne (The Owl House) VS Rayla & Ezran (The Dragon Prince)

Lilo Pelekai & Stitch (Lilo and Stitch) VS Luca Paguro, Giulia Marcovaldo & Alberto Scorfano (Luca)

Hisirdoux "Douxie" Casperan & Claire Nuñez VS Hisirdoux "Douxie" Casperan & Nari (Tales of Arcadia)

Group D

Roronoa Zoro & Nami VS Roronoa Zoro & Perona (One Piece)

Kyōka Izumi & Atsushi Nakajima (Bungo Stray Dogs) VS Phoenix Wright & Maya Fey (Ace Attorney)

Miles Edgeworth & Franziska Von Karma VS Miles Edgeworth & Kay Faraday (Ace Attorney)

Sento Kiryu & Misora Isurugi (Kamen Rider Build) VS Mikasa Ackermann and Armin Arlett (Attack on Titan)

Shadow the Hedgehog & Maria Robotnik (Sonic the Hedgehog) VS Lucas, Kumatora & Duster (MOTHER 3)

Junpei Iori & Female protagonist/Kotone Shiomi (Persona 3) VS Ren Amamiya/Akira Kurusu & Futaba Sakura (Persona 5)

Sombra & Cassidy VS Baptist & Sombra (Overwatch)

Beauregard Lionett & Fjord VS Beauregard Lionett & Caleb Widogast (Critical Role)

Also! To help me out and get the brackets done and published sooner, here's a list of contestants that I haven't found picture for and would super appreciate help in tracking them down. Massive shout out to those who sent in pics with their submissions, yall are MVPs.

(Need the ones that aren't highlighted)

Feel free to submit them via ask, submission or by reblogging and adding them to this post. Thanks in advance!

[projectourworld]

We take so much for granted, never thinking, never imagining for just one minute that this could easily be us, in the near future.

Nyiragongo territory in Goma, the Democratic Republic of the Congo. Thomas Tumusifu Buregeya, 22, repairs his mother’s tent at a camp for internally displaced people.

Photograph: Arlette Bashizi/Reuters #displaced #people

[rachelmygod]

Pattes blanches (Jean Grémillon, 1949)

[aristicalli]

All is fair in love and war

[akamatthewmurdock]

IN 1922, I MURDERED MY WIFE.

[saa-na]

The Allure of the Archives by Arlette Farge 1989. Translated by Thomas Scott-Railton 2013.

[jamieroxxartist]

✔ Mark Your Calendars: Monday July 18 on 🎨#JamieRoxx’s Pop Roxx Radio 🎙️#TalkShow and 🎧#Podcast w/ Featured Guest:

Arlette Thomas-Fletcher, #Writer, #Director (The Lonesome Trail; #Movie | #Family, #Western)

☎ Lines will be open (347) 850.8598 Call in with your Questions and Comments Live on the Air.

● Click here to Set a Reminder: http://tobtr.com/12121163

Pop Art Painter Jamie #Roxx (www.JamieRoxx.us) welcomes #ArletteThomasFletcher, Writer, Director (The Lonesome Trail; Movie | Family, Western) to the Show!

● WEB: www.thelonesometrail.com ● FB: @TheLonesomeTrail ● TW: @FruitstheSpirit

Based on the book by Arlette Thomas-Fletcher, #TheLonesomeTrail saddles up for a digital release July 12 from Gravitas Ventures.

The award-winning western marks the directorial debut of author Arlette Thomas-Fletcher, a “Trail Blazer” in every sense of the word as she is the first African American, woman to write, produce, direct and executive produce a western movie. Thomas-Fletcher’s love for horses and westerns stems from her childhood where she grew up around farming, horses, watching western movies and television shows with her father at a very young age.

The film stars #PeterWray, #DonaldImm, #ColinMcHugh, #KellyRussellSchwartz, #LamontEaster (Homeland), (We Own This City)’s #AntoinetteGreene, #JohnnyAlonso (What Death Leaves Behind), and #VivianYoonLee (The Substitutes).

Synopsis : The story begins when a cattle baron starts using trail hands to terrorize homesteaders in a small mining town a preacher comes to the rescue. With a Bible, not a gun this man is able to sway the homesteaders into standing their ground for their rights to free land. The homesteaders are rallied by preacher Carson to hold their position and not be frightened away by the constant barrage of raids on their families. Mike McCray the cattle baron doesn't stand for the resistance claps back and causes much damage to the preacher’s family and homesteaders. Frustrated with the outcome, one of the preacher’s own family members turns against him and sides with the McCray clan.

Arlette Thomas-Fletcher, a resident of Reisterstown, Maryland has been writing, producing and directing award-winning Christian-based plays, music videos and short films for more than a decade. Thomas-Fletcher is the first African American to serve as the president of the Women In Film and Video chapter in Maryland and the owner of Fruits of The Spirit Production LLC company. THE LONESOME TRAIL, an original script written, directed and produced by Thomas-Fletcher, has already started making a buzz by winning “Best Screenplay” at the Christian Film Festival and receiving awards from the Global Independent Film Awards for Best Screenplay, Best Director, and Best Feature Historical Film.

● Media Inquiries: October Coast www.octobercoastpr.com

[surrealistnyc]

A Spark in Search of a Powderkeg

Rebellion is its own justification, completely independent of the chance it has to modify the state of affairs that gives rise to it. It’s a spark in the wind, but a spark in search of a powder keg.

André Breton

If only one thing has brought me joy in the last few weeks, it began when the matriarchs at Unist’ot’en burned the Canadian flag and declared reconciliation is dead. Like wildfire, it swept through the hearts of youth across the territories. Reconciliation was a distraction, a way for them to dangle a carrot in front of us and trick us into behaving. Do we not have a right to the land stolen from our ancestors? It’s time to shut everything the fuck down!

Tawinikay (aka Southern Wind Woman)

The toxic cargo carried in Canadian pipelines, whether it be tar sands oil or fracked liquid natural gas (LNG), is, according to all serious climate scientists, a major, perhaps even decisive contribution to global warming, i.e. ecological catastrophe.   Meant to fuel industrial expansion, the pipelines have themselves become fuel for revolt. Designed to move these dirty fossil fuels from one location to another, they are a crucial element in normalizing the dubious paradise of unlimited growth in awe of which all obedient consumer/citizens are supposed to genuflect. In what the colonial mapmakers have called British Columbia (BC), resource extraction has always been the name of the game. However, the emergence in February of this year of a widespread oppositional network ranging from “land back” Indigenous warriors to elder traditionalists and from Extinction Rebellion activists to anarchist insurrectionaries was heartening. Railways, highways and ferries were blockaded, provincial legislatures, government administrative offices, banks and corporate headquarters were occupied. The catalyst for this rebellion was a widespread Indigenous uprising that refused the illusory promises of reconciliation. Together, these rebel forces disrupted business as usual in solidarity with the Unist’ot’en Big Frog clan of the Wet’suwet’en tribal house.

       ​As objective chance would have it, the primary Indigenous land defense camp is situated not far from the same Hazelton, B.C. area to which surrealist Kurt Seligmann and his wife Arlette had journeyed in 1938. During that time, they visited Gitxsan and Wet’suwet’en villages, marveled at the imaginative power of the totem poles and ceremonial objects, made field notes, shot 16mm film, collected stories and recorded mythic histories. Now, in 2020, growing numbers of these same Indigenous peoples have been threatening to bring the Canadian economy to a grinding halt. Unwilling to be bought off by corporate petrodollars or mollified by a legal system that has never done anything but pacify, brutalize, or betray them in the process of stealing their land, Indigenous peoples passionately fought back against the forces of colonial law and order in a radical whirlwind of willful disobedience and social disruption. One action built upon another in creating a rolling momentum that seemed unstoppable. When one railroad blockade would be busted by the Royal Canadian Mounted Police (RCMP), another would spring up in its place elsewhere extending the frontlines of the battle all across the continent. Then the debilitating Covid-19 virus arrived to compound the damage that had previously been done to the capitalist economy by the incendiary virus of revolt. The resistance of these Indigenous communities against the pipelines concerns all of us, worldwide, since they are on the front lines of the struggle to prevent cataclysmic climate change.

       ​In the future, a key question will be whether Canadian authorities can successfully put the genie of Indigenous rebellion back in the colonial bottle of “reconciliation”. As surrealists, we hope they will not, and we stand in solidarity with the unreconciled insurgent spirit of defiant Indigenous resistance. A new reality is to be invented and lived instead of the one that today as yesterday imposes its environmental miserabilism and its colonialist and racist hierarchies.  As surrealists, we honor our historical affinity with the Kwakwaka’wakw Peace Dance headdress that for so long had occupied a place of reverence in André Breton’s study during his lifetime before being ceremoniously returned in 2003 to Alert Bay on Cormorant Island by his daughter, Aube Elléouet, in keeping with her father’s wishes. With this former correspondence in mind, we presently assert that our ongoing desire to manifest the emancipation of the human community as distinctively undertaken in the surrealist domain of intervention is in perfect harmony with the fight of the Indigenous communities of the Americas against globalized Western Civilisation and its ecocidal folly.

                                                                                                               Surrealists in the United States: Gale Ahrens, Will Alexander, Andy Alper, Byron Baker, J.K. Bogartte, Eric Bragg, Thom Burns, Max Cafard, Casi Cline, Steven Cline, Jennifer Cohen, Laura Corsiglia, David Coulter, Jean-Jacques Dauben, Rikki Ducornet, Terri Engels, Barrett John Erickson, Alice Farley, Natalia Fernandez, Brandon Freels, Beth Garon, Paul Garon, Robert Green, Maurice Greenia, Brigitte Nicole Grice, Janice Hathaway, Dale Houstman, Karl Howeth, Joseph Jablonski, Timothy Robert Johnson, Robin D.G. Kelly, Paul McRandle, Irene Plazewska, Theresa Plese, Michael Stone-Richards, David Roediger, Penelope Rosemont, LaDonna Smith, Tamara Smith, Steve Smith, Abigail Susik, Sasha Vlad, Richard Waara, Joel Williams, Craig S. Wilson

Surrealists in the UK: Jay Blackwood, Paul Cowdell, Jill Fenton, Rachel Fijalkowski, Krzysztof Fijalkowski, Merl Fluin, Kathy Fox, Lorna Kirin, Rob Marsden, Douglas Park, Michel Remy, Wedgwood Steventon, Frank Wright, the Leeds Surrealist Group (Gareth Brown, Stephen J. Clark, Kenneth Cox, Luke Dominey, Amalia Higham, Bill Howe, Sarah Metcalf, Peter Overton, Jonathan Tarry, Martin Trippett), the London Surrealist Group (Stuart Inman, Philip Kane, Timothy B. Layden, Jane Sparkes, Darren Thomas) and the surrealists of Wales (Jean Bonnin, Neil Combs, David Greenslade, Jeremy Over, John Richardson, John Welson)

Surrealists in Paris: Ody Saban and The Surrealist Group of Paris (Elise Aru, Michèle Bachelet, Anny Bonnin, Massimo Borghese, Claude-Lucien Cauët, Taisiia Cherkasova, Sylwia Chrostowska, Hervé Delabarre, Alfredo Fernandes, Joël Gayraud, Régis Gayraud, Guy Girard, Michael Löwy, Pierre-André Sauvageot, Bertrand Schmitt, Sylvain Tanquerel, Virginia Tentindo, Michel Zimbacca)

Surrealists in Canada: Montréal (Jacques Desbiens, Peter Dube, Sabatini Lasiesta, Bernar Sancha), Toronto (Beatriz Hausner, Sherri Higgins), Québec City (David Nadeau), Victoria (Erik Volet), the Ottawa Surrealist Group (Jason Abdelhadi, Lake, Patrick Provonost) and the Inner Island Surrealist Group (as.matta, Jesse Gentes, Sheila Nopper, Ron Sakolsky)

The Surrealist Group of Madrid: Eugenio Castro, Andrés Devesa, Jesús Garcia Rodriguez, Vicente Gutiérrez Escudero, Lurdes Martinez, Noé Ortega, Antonio Ramirez, Jose Manuel Rojo, María Santana, Angel Zapata

Surrealists in Sweden: Johannes Bergmark, Erik Bohman, Kalle Eklund, Mattias Forshage, Riyota Kasamatsu, Michael Lundberg, Emma Lundenmark, Maja Lundgren, Kristoffer Noheden, Sebastian Osorio

Surrealists in Holland: Jan Bervoets, Elizé Bleys, Josse De Haan, Rik Lina, Hans Plomp, Pieter Schermer, Wijnand Steemers, Laurens Vancrevel, Her de Vries, Bastiaan Van der Velden

Surrealists in Brazil: Alex Januario, Mário Aldo Barnabé, Diego Cardoso, Elvio Fernandes, Beau Gomez, Rodrigo Qohen, Sergio Lima, Natan Schäfer, Renato Souza

Surrealists in Chile: Jaime Alfaro, Magdalena Benavente, Jorge Herrera F., Miguel Ángel Huerta, Ximena Olguín, Enrique de Santiago, Andrés Soto, Claudia Vila

 The Middle East and North Africa Surrealist Group: Algeria (Onfwan Foud), Egypt (Yasser Abdelkawy, Mohsen El-Belasy, Ghadah Kamal), Iraq (Miechel Al Raie), Syria (Tahani Jalloul), and Palestine (Fakhry Ratrout)

Surrealists in Prague: Frantisek Dryje, Joe Grim Feinberg, Katerina Pinosova, Martin Stejskal, Jan Svankmajer

The Athens Surrealist Group (Elias Melios, Sotiris Liontos, Nikos Stabakis, Theoni Tambaki, Thomas Typaldos, Marianna Xanthopoulou)

Surrealists in Costa Rica: Gaetano Andreoni, Amirah Gazel, Miguel Lohlé, Denis Magarman, Alfonso Peña

Surrealists in Buenos Aires: Silvia Guiard, Luís Conde, Alejandro Michel

Surrealists in Australia: Anthony Redmond, Michael Vandelaar, Tim White

Surrealists in Portugal: Miguel de Carvalho, Luiz Morgadinho

Surrealists in Bucharest (Dan Stanciu), Mexico (Susana Wald), and the Canary Islands (Jose Miguel Perez Corales)

 Postscript: During the process of gathering signatures for the above declaration, we were inspired to see its uncompromising stance against white supremacy and police repression reflected in the brightly sparkling flames of the Minneapolis uprising that lit a powder keg of pent-up rage and incited an earth-shaking eruption of spontaneous rebellion in the streets of America. It was only fitting that in solidarity with the uprising about police brutality kicked off by George Floyd’s execution/lynching at the hands of the police, anti-racism protestors in the United States would take direct action by beheading or bringing down statues of Christopher Columbus, genocidal symbol of the colonial expropriation of Native American lands. (Guy Girard, Michael Löwy, Penelope Rosemont, and Ron Sakolsky, June 18, 2020).

[genderqueerjacobin]

My booklist

From my old syllabus:

The Old Regime and the French Revolution, ed. Keith Michael Baker (Chicago, 1986)

Ending the French Revolution: Violence, Justice, and Repression from the Terror to Napoleon, Howard G. Brown (Virginia, 2006)

The Family on Trial in Revolutionary France, Suzanne Desan (California, 2004)

The French Revolution in Global Perspective, ed. Suzanne Desan, Lynn Hunt, and William Max Nelson (Cornell, 2013)

The Oxford History of the French Revolution, William Doyle (Oxford UP, 2002, 2nd Edition)

A Colony of Citizens: Revolution and Slave Emancipation in the French Caribbean, 1787-1804, Laurent Dubois (North Carolina, 2004)

The King’s Trial: Louis XVI vs. the French Revolution, David Jordan (California, 2004, 25th Anniversary Edition)

From Deficit to Deluge: The Origins of the French Revolution, ed. Thomas E. Kaiser and Dale K. Van Kley (Stanford UP, 2011)

The French Revolution: Recent Debates and New Controversies, ed. Gary Kates (Routledge, 2006, 2nd Edition)

Choosing Terror: Virtue, Friendship, and Authenticity in the French Revolution, Marisa Linton (Oxford UP, 2017)

The Coming of the Terror in the French Revolution, Timothy Tackett (Harvard UP, 2015)

There are also some articles and things I have on my computer that I’ll be reading, which I’ll post about when I read them.  

I still have my old syllabus from this class so I’m going to try to follow the readings as they were scheduled, but I don’t have all the books (what I don’t have I’m ordering, if inexpensive, or getting from the library) and might not have access to all the articles anymore, so we’ll see when we get there.  

I’m also going to (re)read some books I either used for my final paper or have picked up/been interested in reading since I took this class.  They include (rereads bolded):

The Terror: The Merciless War for Freedom in Revolutionary France, David Andress (Farrar, Strous, and Giroux, 2005)

The French Revolution and the People, David Andress (Bloomsbury Academic, 2004)

Scripting Revolution: A Historical Approach to the Comparative Study of Revolutions, ed. Keith Michael Baker and Dan Edelstein (Standford UP, 2015)

The Forbidden Bestsellers of Pre-Revolutionary France, Robert Darnton (W.W. Norton Company, 1996)

The Literary Underground of the Old Regime, Robert Darnton (Harvard UP, 1985)

The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution, Dan Edelstein (Chicago, 2010)

Subversive Words: Public Opinion in Eighteenth Century France, Arlette Farge, trans. Rosemary Morris (Pennsylvania State UP, 1992)

Goodness Beyond Virtue: Jacobins During the French Revolution, Patrice LR Higonnet (Harvard UP, 1998)

Martyrdom and Terrorism: Pre-Modern to Contemporary Perspectives, ed. Dominic Janes (Oxford UP, 2014) (only the chapters on the French Revolution, obviously)

Robespierre: A Revolutionary Life, Peter McPhee (Yale UP, 2012?)

Liberty: The Lives and Times of Six Women in Revolutionary France, Lucy Moore (Harper Perennial, 2007)

The Twelve Who Ruled: The Year of Terror in the French Revolution, R.R. Palmer (idk what edition yet--possibly the Princeton Classics reprint, 2017)

Citizens: A Chronicle of the French Revolution, Simon Schama (Vintage reprint, 1990?)

Fatal Purity: Robespierre and the French Revolution, Ruth Scurr (Holt Paperbacks, 2006)

In Defence of the Terror: Liberty or Death in the French Revolution, Sophie Wahnich, trans. David Fernbach (Verso, 2015, first published as La liberté ou la mort: Essai sur la Terreur et la terrorisme)

Phantom Terror: The Threat of Revolution and Repression of Liberty, 1789-1848, Adam Zamoyski (Basic Books, 2015)

Obviously this is a lot and I don’t think I can finish the syllabus reread AND the extras in the space of one semester, which is fine!  I fully expect this list to grow and hopefully lead to years of happy armchair scholarship.  

Reread starts August 28, 2019!

[bspolink1348]

Les nouveautés de la semaine (19/12/2022)

A la une : Émotions, travail et sciences sociales / Régine Bercot, Aurélie Jeantet et Albena Tcholakova (sous la direction de)

Cote de rangement : HM 1033 E 265773 / Domaine : Sciences du Travail

"En quoi la prise en compte des émotions permet-elle de mieux analyser les dynamiques au travail ? La pluralité des chapitres vise à répondre théoriquement et concrètement à la question en montrant que les émotions dialoguent avec le sens du travail et son organisation, impulsent ou réduisent les potentiels d���action. Les lecteurs auront accès à une traduction inédite d’un très beau texte de la grande sociologue américaine Arlie Russell Hochschild. La manière dont le discute Christophe Dejours met en saillie les différences de préoccupations et de concepts entre sociologie et psychanalyse. En outre, plusieurs chercheurs et praticiens disent comment la prise en compte des émotions s’articule avec les corpus de leur discipline. Sociologues, anthropologue, historienne, cliniciens nous livrent la manière dont ils et elles s’appuient sur l’existence des émotions dans le travail pour fonder leurs repères, leur approche et leur contribution à l’analyse des mondes sociaux et particulièrement du travail. Ainsi, la visibilité des émotions ou son invisibilité peuvent constituer un indicateur très pertinent pour l’historienne, nous explique Arlette Farge. Les émotions jouent comme révélateur des conditions de travail et participent activement des spécificités professionnelles. L’expression des émotions est sociale et genrée (Angelo Soares). Elles peuvent être prises dans des rapports de domination et instrumentalisées par autrui pour conduire à des comportements particuliers, ainsi qu’en témoigne Patricia Paperman. Elles supposent toujours une activité de travail spécifique pour les assumer, les mettre à distance, les exprimer ou les taire selon les contextes et les situations. Cela peut conduire, lorsque l’organisation du travail est pathogène, à une désaffection, risquée pour le sujet (Thomas Périlleux). On pense couramment à la dimension individuelle de ce travail sur les émotions mais l’ouvrage montre qu’il fait l’objet d’une appropriation collective (Julien Bernard) et parfois institutionnalisée comme dans les hôpitaux (Michel Castra), ce qui permet de penser qu’une prise en charge organisationnelle des émotions est possible. À quand sa généralisation ?" - Quatrième de couverture

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Sciences politiques

Naissance d'une nation européenne : réflexions sur la question ukrainienne / Olivier Weber

Cote de rangement : DK 508 .57.E9 W 265772

L'invasion de l'Ukraine : histoires, conflits et résistances populaires / Karine Clément, Denys Gorbach, Hanna Perekhoda, Catherine Samary, Tony Wood

Cote de rangement : DK 508 .852 I 265782

Developments in Russian politics 9 / edited by Richard Sakwa, Henry E. Hale and Stephen White

Cote de rangement : DK 510 .763 D 265784

Radical empathy : finding a path to bridging racial divides / Terri E. Givens

Cote de rangement : E 185 .615 G 265787

Comment devenir dictateur : le culte de la personnalité aux XXe siècle / Frank Dikötter

Cote de rangement : JC 495 D 265777

Quantum international relations : a human science for world politics / edited by James Der Derian and Alexander Wendt

Cote de rangement : JZ 1254 Q 265783

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Sociologie

Promesses alimentaires : injonctions, bricolages, résistances / sous la direction de Tristan Fournier et Sébastien Dalgalarrondo

Cote de rangement : GT 2850 P 265771

Playtime : comment le jeu transforme le monde / Aurélien Fouillet

Cote de rangement : GV 1201 .38 F 265776

Claude Dubar : une sociologie pour l'intelligibilité du social / Mokhtar Kaddouri, Marie-Christine Vermelle, Zaihia Zeroulou, Aurélia Mardon (dir.)

Cote de rangement : HM 479 .D72 C 265779

The origins of unfairness : social categories and cultural evolution / Cailin O'Connor

Cote de rangement : HM 821 O 265791

Les visages de l'État social : assistantes sociales et familles populaires durant l'entre-deux-guerres / Lola Zappi

Cote de rangement : HV 40 .46 Z 265775

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Philosophie

Walter Benjamin : critique en temps de crise / Philippe Ivernel

Cote de rangement : B 3209 .B584 I 265780

L'identité humaine en dialogue / Claude Romano

Cote de rangement : BD 438 .5 R 265781

Theory of the gimmick : aesthetic judgment and capitalist form / Sianne Ngai

Cote de rangement : BH 201 N 265789

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Communication

Tenir sa langue : le langage, lieu de lutte féministe / Julie Abbou

Cote de rangement : P 120 .S48 A 265778

A tactical guide to science journalism : lessons from the front lines / edited by Deborah Blum, Ashley Smart, and Tom Zeller Jr.

Cote de rangement : PN 4784 .T3 T 265786

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Gestion

Trafficking data : how China is winning the battle for digital sovereignty / Aynne Kokas

Cote de rangement : HD 30 .3815 K 265790

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Santé

Pilule : défaire l'évidence / Alexandra Roux

Cote de rangement : RG 175 .5 R 265774

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Économie

Achieving a just transition to a low-carbon economy / Raphael J. Heffron

Cote de rangement : HC 79 .E5 H 265785

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Sciences du travail

Work and personality change : what we do makes who we are / Ying Wang, Chia-Huei Wu

Cote de rangement : BF 698 .9.03 W 265794

Where's the 'human' in human resource management ? : Managing work in the 21st century / Michael Gold and Chris Smith

Cote de rangement : HF 5549 G 265793

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Finance

Why international cooperation is failing : how the clash of capitalisms undermines the regulation of finance / Thomas Kalinowski

Cote de rangement : HG 3881 K 265792

---------------------------------------

Migrations

Navigating the European migration regime : male migrants, interrupted journeys and precarious lives / Anna Wyss

Cote de rangement : JV 7590 W 265788

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Tous ces ouvrages sont exposés sur le présentoir des nouveautés de la BSPO. Ceux-ci pourront être empruntés à domicile à partir du 16 janvier 2023.

[abelkia]

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : John Fahey "The Great San Bernardino Birthday Party" (Guitar Vol. 4: The Great San Bernardino Birthday Party and Other Excursions/Takoma Records/1966) Joseph Spence "The Glory of Love" (Good Morning Mr. Walker/Arhoolie Records-Mississippi Records/1972-2009) ~Joanna Newsom~ "Divers" (Divers/Drag City Records/2015) Ramsey Lewis "Black Bird" (Mother Nature's Son/Cadet/1968) Emmanuelle Parrenin, Jean-Loup Baly, Jean-François Dutertre & Dominique Regef "Sur le pont de Nantes" (Le galant noyé : Ballades et chansons traditionnelles françaises/Le Chant du Monde/1975) Syndrome 81 & Coline Vialle "La ville" (Prisons imaginaires/Destructure-Sabotage/2022) Noël Akchoté & Stefania A. Verità "Le mépris" (Au Bordel - Souvenirs de Paris/Winter & Winter/1999) gnac "Une chanson du crépuscule" (An Evening in the Company of the Vespertine/Vespertine/1997) Arlt "Désennuyons-nous" (La Langue/Almost Musique/2009) Olivier Bloch-Lainé "Des Mots (Les Dromadaires)" (Des Mots/CBS/1976) The Soundcarriers "All These Things" (Wilds/Phosphonic/2022) The Rolling Stones "In Another Land" (Their Satanic Majesties Request/Decca/1967) Source "Nuit d'enfer" (7"/Sonor/196?) Hans Edler "Säg Vad Är Det ?" (Elektron Kukéso/Wah Wah Records/1971-2014) Liaisons Dangereuses "Mystère dans le brouillard" (7"/Mute Records/1981) The New Age Steppers "Love Forever" (The New Age Steppers/On-U Sound Records/1981) Céline Lory, "Écriture automatique - 10/9/2022" Serge Gainsbourg, Michel Colombier & William Klein "No no yes yes" (Mister Freedom OST (EP)/Barclay-Vadim Music/1968-2008) Gloria Barnes "Old Before My Time" (Uptown/Maple Records/1971) Bed "An Itch" (The Newton Plum/Ici d'ailleurs/2001) Scott Walker "The Ballad of Sacco and Vanzetti" (The Moviegoer/Philips/1972) Jacques Doyen, Jacques Lasry & Arlette Thomas "La mort des amants" (Poésie à Mi-Voix/Barclay/1967) Jacques Duvall "Je te hais" (Comme la romaine/Ariola/1983) LCD Soundsystem "Losing my Edge" (12"/Output - DFA Records/2002) https://www.instagram.com/p/Cih_M2eNyQ6/?igshid=NGJjMDIxMWI=

[rachelmygod]

Pattes blanches (Jean Grémillon, 1949)

[salonaudiovisualfrancispou-fan]

Disponible en #filmin // Hace siete años que Bernard y Mathilde se conocieron, se enamoraron locamente y se separaron violentamente. El destino los reunirá de nuevo cuando Mathilde, recientemente casada con Philippe, se instala en la casa contigua a la que ocupa Bernard, su mujer Arlette y su pequeño hijo Thomas en la localidad de Grenoble. Bernard ha encontrado la felicidad con Arlette. En cuanto a Mathilde, su marido Philippe, mayor que ella, le ha proporcionado el equilibrio que necesitaba. Inevitablemente se entablan relaciones de vecindad entre las dos parejas. En la campiña de Grenoble todo el mundo se conoce y todo el mundo se encuentra en los mismos lugares, sobre todo en el Club Deportivo. https://www.instagram.com/p/ChuXMXxLvJc/?igshid=NGJjMDIxMWI=

[downloadarmy]

The Woman Next Door

The Woman Next Door

Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives… A somber study of human feelings.

[dzamie]

I was actually thinking about this earlier today! Like, say I asked you to memorize, in order, these names that many people today would easily recognize:

donald trump, tom holland, crimea, lil nas x, hamilton, steven crowder, simone biles, ron desantis, thomas hawley, tesla motors, vr goggles, israel, palestine, christopher pratt

It'd be a real chore, and it would suck, and you'd probably forget it as soon as you were successfully tested on it. And, like, millenials and gen Z know these names; it's not like I'm slipping in stuff like Tabitha St Germaine or Helen Arlett. It's still difficult.

Now, in contrast, plenty of people know the first fourteen names in We Didn't Start The Fire ("Harry" to "Monroe"). Same length, similar areas of culture (in the same order), but much, much easier to recall and remember even years later. Hell, the song's probably the only place most millenials and zoomers know a quarter of those names!

Songs are amazing!

I love how humankind's tendency to automatically memorize things with rhythm is such an essential survival tool for societies without ubiquitous written material, and it's so strong that nowadays we constantly have songs cycling through our heads for no reason and it actively annoys us