#arknights *breaks down in tears*

[mr-valden]

"Just wait 6 months till the event comes to global"

YOU CANNOT SHOW ME BITS OF THE EVENT AND SAY THAT

You cannot show one of my highest kins acting nearly EXACTLY like how I've been recently and tell me to just wait and find out as soon as its out

EBENHOLZ WE ARE GETTING OUR DIAGNOSIS TOGETHER, C'MERE

[rimeiii]

Forget your tears - be brave, and fall asleep (WHB Belial x MC)

Revisited the chapter 8 Mephisto boss fight (and by extension the second phase BGM Lullabye) because the recent trailer for Arknights anime season 2, Perish in Frost, had a tiny snippet of it that maybe sent the entire fandom into a frenzy. Then I remember seeing a post speculating about the effects of the seed of the fruit of knowledge on a human with the most angst-filled HC in which it turns the human into an ally of the angels. And thus, this was born.

Also served as a distraction to the entire PM situation so...yeah. Apologies for any shit writing.

Tags: GN Reader x WHB Belial. Written before launch, so prepare for lore inaccuracies. Angst. Likely not proofread. Also it's been a while since I last wrote something and this is my first rodeo with reader insert so...

Title is taken from the English translated lyrics to Lullabye from the Arknights OST!

Belial had always associated music with comfort.

Ever since he'd lost his voice to the angels when he was young, he'd always experienced nightmares. Try as he might, no matter how much he actively attempted to suppress the memories of that day, they'd return to him when his psyche was at its most susceptible. Like a monster laying in wait, these memories would remain dormant - deceptively harmless, until they'd viciously resurface in his unconscious mind.

He'll always remember. The agony of his vocal cords getting burnt away, the searing pain in his throat as his voice is completely annihilated, the demons of Paradise Lost regretfully telling him there was nothing they could do about his voice.

The way his heart ached unbearably harshly as he is beset upon the realization that he is effectively rendered mute. The soul-crushing realization that he can no longer sing, melodies and lyrics becoming nothing more than ideas locked in his mind. The deep despair as it dawned on him that he could no longer communicate effectively with anyone.

Pain made way to sadness, to the despair of loss, to anger at the angels.

Belial was young, at the time. Impulsive and perhaps a little bit rash, fueled by wrath towards the beings that stripped him of his voice. A wrath so uncontrollable that even with Jjyu doing his utmost best to keep Belial's anger in check, residual traces of his wrath remain.

Perhaps it was an effect of Satan's influence on the demons of Gehenna. Perhaps his anger was just that potent. Perhaps, he was angry at how he never obtained a peaceful rest.

But either way, Belial's turbulent emotions remained - until Solomon arrived and managed to quell his raging emotions.

Solomon came with a song. A lullaby, a song to soothe a troubled soul. Though the melody seems anything but - a melancholic melody in a tongue Belial is unfamiliar with, yet carries with it the sorrow of a protector in the night. Silent, yet steadfast, always ready to be a sanctuary.

It was enough for his restless heart to grow calm.

Even after Solomon left, there remains a recording of Solomon singing the lullaby. It always became a source of a comfort for Belial, a brief calm within the turbulent storm that was their war against the angels. And it has become his way to remember his beloved Solomon, the only being in the entire universe to be able to calm his restless heart.

It was his main source for comfort, at this point.

~

The very first time Belial heard someone else sing the very lullaby that only exists in recordings, it was sung by Solomon's descendant, (Y/N).

It was late, while they were settling down for the night. They were changing into their sleepwear in Belial's room, who was bundled up in the covers while beckoning them towards him. And unconsciously, perhaps due to the comfort of the darkness surrounding them, they started humming that familiar tune.

Immediately, Belial grew still. Is that...

Fortunately, Jjyu was quick to pick up on Belial's confusion, as usual.

"Hey, that song..." Jjyu murmured, quiet and shaky, breaking the fragile silence of the night. Seeing that he caught their attention, he continued his question. "How do you know it?"

"Hm? Oh, my parents used to sing it to me whenever I couldn't sleep, back when I was a kid." (Y/N) replied. Belial noted the slightly subdued delivery of their statement and immediately sat up straight, scooting over to create more space for them.

"It's been a long time since I last heard them sing, but it has always stuck with me up 'til now, y'know?" (Y/N) laughed weakly as they settled down beside Belial. They snuggled closer to Belial, nuzzling their head into the crook of his neck, savoring his warmth and presence. "Even after they're long gone, I still remember their voices, and the lullaby."

"Where are they now?" Jjyu asked, even though both he and Belial had a feeling they knew what was coming next.

A sad, rueful smile made its way onto (Y/N)'s lips.

"Gone."

Immediately, Belial wrapped his arm around (Y/N), giving their shoulder a comforting squeeze. I'm sorry.

"It's been years, Beli. I'm fine now." They replied. He noted the slight tinge of grief in their voice but refused to comment further on it, seeing as they diverted the conversation to another topic. "Why did you ask about the song, though?"

"Solomon used to sing that lullaby whenever Belial would get nightmares." Jjyu supplied easily. "It would calm him down after one."

(Y/N) hummed contemplatively. "I'm probably not as good as Solomon, but if you want, I don't mind singing for you if you get any more nightmares, Beli."

Jjyu looked like he was uncertain, however one look at Belial must have showed how the other demon was truly thankful for the offer. Because while Solomon's singing was the one that calmed him down all those years ago, he still thought the way (Y/N) hummed the lullaby in question is soothing and beautiful in its own right. And, because of that, he decided he wanted to hear them sing.

"Thank you, (Y/N). We'll take you up on that offer."

(And hey, at least Jjyu isn't being an asshole for once.)

~

There's a lot to be said about the significance of music, especially for someone like Belial, who loves and appreciates all the intricacies that came with music and its structure.

The lullaby he'd always come to associate with comfort had also become associated with (Y/N), the human who had won over his heart. They sang it with such profound emotion, sorrow and solace blending into a heartrending harmony, so similar yet so unlike how Solomon used to sing it to him. It was soulful, soothing, and calming all at once.

It was so unlike the way they sing it now, consumed by the heavenly powers and transmogrified into a heavenly being, becoming a berserk "angel" hell-bent on killing the very people they once considered friends.

(Jjyu would prefer calling whatever they transformed into as a monster. Belial would be inclined to agree - if not for the fact it was (Y/N) they were talking about.)

Their voice is raw, broken and distorted. Rage, anguish, anger, and despair, all intermixed into a cacophony of grating noises. It was so unlike the charming and beautiful voice Belial was used to, and it hurts.

It hurts, because he knows why (Y/N) turned into this heavenly being in the first place. Because he knows they sacrificed themself, offered themself up to keep the demons safe. Knows, that even if it meant they were to die, they were willing to give up their life for the demons they have grown to cherish.

And yet Belial, still stuck in denial, desperately searches their eyes for any sign of the human he had grown affectionate towards. A spark of life, a hint of familiarity, something, anything-

Nothing. There is nothing.

They are unfamiliar in his eyes. A husk of their former self, blazing a warpath of complete and utter annihilation of Hell and its denizens.

Was this what (Y/N) meant when they told me to gain the strength needed to kill them?

His allies are all too far away from him. Satan made his orders clear, no matter how painful it was for them all - kill (Y/N).

He has a clear shot at the moment. Though their movements are erratic, they often remain still for long periods of time - exhaustion, perhaps, due to taking up a form they are not used to. Yet they continue singing, as if it could relieve some of the pain and anguish their forced transformation has caused them.

And Belial remembers.

He remembers them singing to him until he falls asleep.

He remembers the comfort from their voice, singing to him such a familiar lullaby.

He remembers them, eventually recording themself singing the lullaby and giving the recording to him.

So similar, yet so different to how she's singing it right now.

He can't bear seeing them suffer in a fate worse than death, nor can he bear hearing the lullaby, now distorted beyond belief. So he takes aim despite his tears, aims the muzzle of his sniper rifle at their forehead...

BLAM!

They crumple into the ground in a heap, before immediately turning to dust.

Belial sobs, and Jjyu wails with him, the pair of them unable to retrieve any trace of their prior existence.

And the lullaby, a song he associated with comfort once upon a time, is now identic of anguish, of the loss of a loved one.

[f-117-nighthawk]

How about we trade? You receive: playlist update. I receive: plot

What is UP buttercups it’s pride month and along with a fic that’s been in my drafts for LITERAL YEARS I bring you….

Playlist update.

Under the cut, because as usual this be Long

Two side notes: since, for complicated and somewhat stupid but out of my control reasons, I cannot access Apple Music at work, some of you have been treated on Spotify to the in progress versions of the playlists that usually only I see, not just the versioned ones I keep active. Surprise? 

Second, keep in mind if you see a repeated (or remixed) song, that means something. Sometimes it’s different than a simple “these take place at the same time” ;) you should also pay attention to similar lyrics, things about the same concept… there is a lot of thought put into these. 

An organizational note: there’s seven playlists now! They’re sort of ordered here to what they’re most closely linked to: the main one and Dystopian Fiction, Through Apocalypse Skies and Endless War, Filaments and For Who I Could Have Been, and Design Your Universe is… mostly by itself, except the times it’s not.

Dark Matter

I am Dark Matter, your road to ruin…

Your World Will Fail and Dark Matter are what they’ve always been: the beginning. the end. Everything. Nothing. 

(Your world will fail my love/It’s far beyond repair/Your world will fail my love/It is already there)

(Bring me your soul/Bring me your hate/In my name you will create/Bring me your fear/Bring me your pain/You will destroy in my name)

Things got shifted around a bit here to accommodate some things that fit better in another playlist, but No Remorse No Regrets is still the key one here. It is Haggar, and sort of Zarkon, but also not. 

(It won’t remember so it won’t forget/It knows no justice or regrets for the blood it lets/Believing nothing, it knows no pain/And it feels no remorse when it enters your brain)

The End of the World and Apocalypse 1992 are the two halves of the Fall. More in that playlist :)

(Sold on a dream of a future serene/then why does it feel like the end of the world)

(Fly high through apocalypse skies/Fight for the world we must save/Like tears of a unicorn lost in the rain/Chaos will triumph this day)

Apex is the final moments of the Fall from the Blue Lion’s perspective (yeah, I said Red Lion last time, but this makes more sense. Trust me)

(Now we sleep/for a thousand years/something is coming/coming for me)

You Keep What You Kill covers the slow degeneration of the Empire between the Fall and present day. The knowledge harshly taught by the Thuranial War has been long lost, and the Devourer reigns once again, searching after Its missing part and the Burning Star. Zarkon and Haggar, under the Devourer’s… guidance…, scour the universe, adding to Its power. Marzin and Galraasa rise the ranks as the left and right hands of the Empire, omens of destruction before the might of the Empire. The ‘holy half dead’ that shape the devouring of the universe.

(Defying dimensions/These ruthless creatures will steal your soul/Breaking away from the chains of mortality/They won’t be taken down/Bow now to the holy half dead/The master to death mongers calls)

Ensheath is about Kolivan, placed here due to its relevance as he is forced into the role of Fourth General under the worst circumstances, and everything that almost causes him to follow Raelos in losing faith, were it not for the first of his ‘radiant knight’s. (Side note, if you play Arknights, guess who Margaret Nearl is here?)

(I once had the fight of a radiant knight/before I learned that justice may never exist)

Immutable is about Krolia. It’s her thoughts as she joins the Blade, as she leaves Earth and Keith behind, as she makes her way through a universe changed in the ten thousand decaphoebs she was asleep. It’s about the universe passing one by, and what she’ll do to keep her hope safe. 

(She’ll risk it for the lives/She’s left behind/Hope’s on the rise/But she’s flying blind)

The Glory and the Scum is the reason Krolia isn’t around until MGHM. Suffice to say, she isn’t happy with some of the fallout of the events that lead into Ensheath, and decides that if Kolivan isn’t going to listen to her, she’ll go save the universe somewhere else. She is, after all, a Paladin.

(Look at what we’ve done/Take a step back/Shake your head at what we have become/We’re the glory and the scum)

The Seven Sisters is about Keith, and is the first of four fics connected to Closure by its influence on Child From the Stars (Lost in the Dark), as well as its relation to MGHM. It’s half the source for the Pleiades symbolism that crops up throughout Dark Matter. 

(I cast my hope upon The Pleiades/The Seven Sisters who would come for me/They’d fall to Earth to grant a child’s dream/But I’m still waiting)

Starlight is the Adashi song. Here is the sad part, where they’ve separated by the launch of the SFSS Genesis and the things that were said. It’s also Shiro’s thoughts from the war as he watches Earth from ‘distant skies’. 

(At night the earth will rise/And I’ll think of you each time I watch from distant skies/Whenever stars go down and galaxies ignite/I’ll think of you each time they wash me in their light/And I’ll fall in love with you again)

Waking Dream and Abyss are Awakenings. Mostly the Red Lion, but also extendable to the others. 

(Centuries like flowing streams as years go rushing by/Waiting in the dark for afterlife)

(Open my eyes in a daze/How long has it been? Am I so out of place?/Warmth I can no longer feel/My mountain is gone, I’m surrounded by steel/The strangest of structures arises ahead/Seems to be held up by nothing/Where have I gone, do I dream?/How can the stars be all I can see?)

Who Will Save You Now is about the Paladins in First Contact. It’s the video messages they send to their families, the warning that Something Is Out Here. It’s a declaration of protection for the Earth, but also a recognition that they may not be able to do it themselves.  That is, of course, if they even get the message.

(I will not take from you and you will not owe/I will protect you from the fire below/It’s not in my mind/It’s here at my side/Go tell the world that I’m still alive)

It Has Begun is the Battle of the Sarnan Nebula (aka: Blackout)

(Even a well lit place, can hide salvation/A map to a one-man maze that never sees the sun/Where the lost are the heroes/And the thieves are left to drown…We will face the odds against us/And run into the fear we run from/It has begun)

And then it’s, of course, The End of the Beginning, it’s eponymous fic. And one of many, many connections to String Theory. 

(Every night I die just a little/All this time, I’m caught in the middle/All your life, you fought with no winning/This is just the end of the beginning)

A Simple Plan is, well, not so simple. Several ‘simple plan’s come together, from Lotor’s scheming, Haggar’s suspicions and own needs, Galraasa’s orders to go beyond, and Team Voltron struggling to fit into their new roles while also building the Coalition. And to top it all off, everyone needs one thing to make all this happen: marthuzitok. 

(How long can we hold off ending?/How long can we pretend we’re ok?/No one goes on fighting it forever/I know I’m better this way)

Crown of Mine is at the very end of A Simple Plan, but also woven together. It’s about a Black Paladin who doesn’t think he deserves the title, and his eventual desire to ‘burn this crown’ he never wanted. This also makes ASP the second of the Closure fics. 

(I wish I could be the me that you see/But I’m too drawn to black and white/Don’t be confused, spare me the excuses/It’s not even worth the fight)

Outnumbered, Bringing it Down, and Wildfire are the Siege of Naxzela/Breaking of the Naxzela Line, the one major victory the Coalition manages to get before the Raid on Hell due to the success of Project Kuron. Oh, and remember that episode where Shiro tries to talk to Lance in the meld? Yeah that. Wildfire is specifically related to that one scene in String Theory where the real Shiro tries to help Voltron.

Why is it that songs from two different gachas ended up here with the same motif about breaking the clouds? I dunno, but it’s useful

(Outnumbered but we can’t back down/It’s us against the world, us against the world/Outnumbered but we can’t back down/Ten to one, on the run/We will still overcome)

(Devouring me/Devouring me alive/There’s something inside you that isn’t right/Something that haunts your dreams/There’s something that you have lost/And you’re bringing it down/You’re bringing it down, on top of us)

(Unsheath a sword to rend those clouds above the ground/wake up it’s time to gather now)

Shortly after is Memories of a Girl I Haven’t Met, which Every Time Our Earth Shakes is the end of. Krolia content!

(In this lonely place, bathed in silence and thoughts of you/I can’t see your face but I’m trying to envision you/So are you really out there? Are you awake with memories/Of a boy you haven’t met yet who’s wished upon the Pleiades?)

(Surrounded by lonely, bruised, and broken love/I’ve seen it and I won’t be like everybody else/Wave after wave, no change in my faith/I’m here for you through high or low/And every time our Earth shakes, I’ll fight through the pain/I’ll die before I ever let you go)

Remember that line about dinosaurs in MGHM? Laser-shooting Dinosaur. I’ll leave it there. 

(Here I come/drop your jaws to the floor/I’m riding on my mighty shooting dinosaur)

Then, the aftermath of MGHM and Laser Shooting Dinosaur is Brothers of Crail, where Allura finally makes contact with Oriand. 

(A secret ancient brotherhood, with laser sword in hand/guardians of ancient technology from centuries gone by)

Legion features the Whispers, Voltron, a few mullets, the Druids making a dangerous mistake, and… does this thing count as a robeast?

(Fallen angels ripping through/The circuitry inside this suit/Of flesh and bone that’s overthrown/No matter how hard you try/They keep waring deep inside/Where there’s a star collapsing in your heart/There’s something in your eyes/That’s coming back to life)

And then, which you can finally read, TRIALS (reimagine), Wrathful Cerulean Flame, Fools of Damnation, String Theory, I Am the One, and Final Mission ~ Quantum Burst. Yes the last one is mostly here for the whole big fun mess in The Architect to Rule Your Fate :3

(Hear me from the bottom/Forged in regret, I’m the silversmith/Doomsday, you we had it coming/Marching the streets with an iron fist/Obey no more in silence/The steel in our hearts will be monuments/Today, they’ll hear the violence/We’ll rise from the dark like Lazarus)

(So follow me/And we’ll burn the clouds away/And we’ll burn the clouds away/Keep our demons all at bay/There will be an end someday/And I must lead the way)

(Fool, dance for me again/I am your destiny, mark my words/Don’t you ever disagree/Fool, kneel for me again/I am your agony, walk my way/I will never set you free)

(You don’t believe in space/You don’t believe in light/You don’t believe that anything is well beyond your might/We walk across the sky and beneath the ocean floor/We’re never going anywhere we’ve never been before)

(I am the one/I am the architect to rule your fate)

House on Fire is the follow up to String Theory, dealing with the political fallout of having a spy in Voltron itself for decaphoebs, as well as the more personal struggles the Paladins go through in that fact’s wake. 

(So I’ll just hold you like a hand grenade/You touch me like a razor blade/I wish there was some other way right now/Like a house on fire we’re up in flames/I’d burn here if that’s what it takes/To let you know I won’t let go of you)

Belgrade, which I'M POSTING RIGHT NOW! Is the klance shenanigans in the aftermath of House on Fire and finally resolving that little plot point about Lance’s reoccurring crush. 

(We pretend in the darkness/We pretend the night won’t steal our youth/Singing me the sweet songs of seduction/Let me be the fool, fool, fool/Who will live and die for you)

Here to Save You is about Sam. And Pidge. And Matt. And Zaivorg cannons. 

(A slave for humankind/I made sure I would survive/To stay alive/Now it’s time to move on/When there’s nothing left to prove/I’m coming to get you)

Iron is the third Closure inspired fic, and I cannot believe I have managed to give away so little of the plot so far so we’re gonna keep it that way. But it is, as all Closure fics, about Keith and his struggles with identity. 

(You can’t live without the fire/It’s the heat that makes you strong/‘Cause you’re born to live/And fight it all the way/You can’t hide what lies inside you/It’s the only thing you know/You’re embracing that, never walk away)

Storm the Castle is very related to the next few, but wouldn’t have happened without Iron. It’s our Last Marmorait making a point. One that Zarkon isn’t happy with. 

(We will not be prisoners/In a kingdom taken hostage by her crown/But we will not abandon her/…Rise now, stand and fight/Take your freedom, claim your right/Rise now, stand and sing/Storm the castle, kill the king)

The second major turning point in the war is Monarch, Birthright, and Firewall. The first two are about Lotor more than anything else, and the very high level target the Coalition is after. Firewall is the same event, but focused on a very… specific thing. The Devourer is not happy, and things learned in the framing story of Through Apocalypse Skies and String Theory swing back with a vengeance. 

(I am not the person you remember from before/The one you patronized and stepped on, the one you hurt/And I have pulled the arrows, now my skin has become stone/No longer am I prisoner to your empty fucking words)

(The voices in my head have all begun to sing/(The voices in your head have all begun to sing)/And they sure as hell hope I am listening/(I sure as hell hope you are listening!))

(They come to your dreams with illusion/They come to bring shape to your mind/You know how to stop the intrusion/We all have to fight for our lives)

And then… The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Here Comes the Reign doesn’t fully come into effect until several months after Firewall, but starts with The Day the Earth Collapsed. The Burning Star rampages through the universe, taking back what is rightfully Its, but the Devourer Star won’t take that lying down. 

(You made something they can’t take away/Now bring the fire of the burning sun on everyone)

Supersonic is here as a microcosm of everything that happens between Firewall and Soulbound as the Colation go after the warlords, culminating in Holding Out for a Hero as the Paladins, exhausted of war and going a little crazy from their string of victories, decide to have a little fun

(Supersonic, polyphonic, this is our war/Mustering the armies, marching faster than before)

(I need a hero/I’m holding out for a hero ‘til the end of the night/He’s gotta be strong, and he’s gotta be fast/And he’s gotta be fresh from the fight)

Earthrise and But Tonight We Dance are the last Closure fic. They’re both very much klance songs, although BTWD is a little more than that. Earthrise is Lance mooning (hah), while BTWD is here to remind everyone that Keith is Very Aro. Also, Keith loses a fight with a rock.

Have I mentioned they need to stop having relationship milestones in a war zone?

(I still fall for you like suns do for skies/Cerulean pouring in from your eyes/Just a hollow moon that you colorize/So powerful, I feel so small but so alive/Like watching the Earthrise)

(Tomorrow we might wake in servitude and silence/I will give you everything if only you would have me/Tomorrow we will sweat and toil/Our hands will quiver, caked with soil/Tomorrow we’ll give it one last chance/But tonight we dance/But tonight we dance!)

Closure is placed here with the last of its fics. Closure in general is a lot of Keith’s character development, coming to terms with his identity in many ways and accepting his place in the universe and amongst his family. So this last one is then bright light at the end of the chorus, with a ‘last goodbye’ meaning never having to say goodbye. 

(I am the child from the stars/That got lost in the dark/Between heaven and hell/I am forced to live on/I am the cause when you sin/I am the demon you skin/But there is no more tears to beautify/This is my last goodbye)

Alchemy and Soulbound swing us back to universe level action. Revelations from String Theory and Firewall slam themselves into a Whispers-Voltron mission, leaving them reeling and Krolia questioning her very identity in Disappear. 

(Synthesized and transformed/pathetic life form)

(Soulbound, endlessly forever/Locked between the darkness and the light/Don’t drown in the swarming, blackened rising/Hold on to humanity and fight)

(Stone heart, paired with empty eyes/That stared right through mine)

Something Wicked is. Well. Too bad this song isn’t on the album Vessels. 

(When all of the forces/Have been overrun/You’ll whisper, serpent tongue/What you fear you have become/Something wicked this way comes…)

Shortly after that is My Darkest Hour and Faster than Light. Haggar decides enough is enough and goes after the final piece of her puzzle with [something wicked], sending the Blade into chaos and the Coalition scrambling. And this leads directly, and I mean directly, into…

(When the sun comes crashing down/When the world is spinning round and round/I will face what must be my darkest hour)

(Once more we’re flying fast as light/Dark matter passing in the night/Pursued by a force we can’t outrun/As we hurtle towards a dying sun/We maneuver through the remnants of a moon/On the solar winds of supernovas/There is not a place to hide, the Matriarch is close behind/It’s plain to see she’s coming for us all)

Cosmic Vertigo and Other Worlds than These. Together they are the second of two revelations into the truth behind the Devoured Star and Burned Star. 

(Banish me like burned down planets/Write my fate with sparkling lies/I am the universe; you’re just one sky)

(Pull the wool out from your eyes/It won’t shade your frail belief/In the end we cannot hide/There are other worlds than these)

Godhunter is Team Voltron, well, hunting pieces of the gods.

(She’s been watching for a century/With hatred, and with scorn/If you know the hunter’s coming/Then you hide or keep on running/'Cause she’s slain the gods before)

Trophy Hunter, Coldharbour, Ember, and Redemption are the culmination of Godhunter. They also link directly to Soulbound, and are one hellish battle, which is a problem because they lead directly to…

(You, you won’t escape me, I’ll rise from the deep/In this final moment, no words left to say/I can’t let you be when a life fades away/You, you won’t escape me ‘cause I’ll set you free)

(If you kill my flesh tomorrow/then I’ll take my final breath/it’ll turn into a last laugh/and I’ll lay in a silent death)

(Dark matter falling from the sky/Dancing flames reflecting in your eyes as you watch them burn/Watching all your riches witches burn) 

(Remember me not for the mess I’ve made/But who I could have been/Finally I’m going home)

World on Fire, This is a Call, The Reckoning, Game Ender, The Wind that Shapes the Land, and Louder than Words. :3

(World on fire with a smoking sun/Stops everything and everyone/Brace yourself for all will pay/Help is on the way)

(This is a call to action/This is a call to arms/All lives for one, together/There are no false alarms)

(I see your face, find peace of mind/Between the madness and the sadness and the fire burning/The end of war, the great divine/We’ll see the day of reckoning)

(We will rise as one/Stop what has begun/Bringing down the main offender/If you hear me now/Scream the words out loud/We will be our own defender)

(Search within/Uncover the will to win/Turn against the tide that washes o'er/Find the strength to fall and rise again/Open up the gates, unleash the force/I am the wind that shapes the land/Old as time and twice as strong/Oceans arise at my command/I alone can carry on)

(We have the force to fight/We have the blinding light/A war is more than heard/Coming in louder than words)

Of course, we can’t leave without the denouement. World with no Sun is Haggar’s final thoughts at the end of Louder Than Words, while Diving Bell is the Paladins’. 

And a sequel hook. ;D

(I wish I could give it all back/But it’s tied to the moment that I took/I followed a most selfish path/Waiting on a world that can’t see me/Waiting on a world that can’t see me/Waiting on a world that wants no one/Waiting on a world with no sun)

(Wake me when the new day comes/Together we will ride the sun/The future is an empty gun/We fire onto them one-by-one)

Dystopian Fiction

The pages of our lives aren’t bulletproof…

Dark Matter is here as it always is, but it’s also about… something super spoilery. 

(Don’t stop, don’t think/Move up, don’t blink now/On your knees pray for rain/Don’t breathe when you take your aim)

Waiting on the Sky to Change is Akane’s song. It’s about ‘The Necromancer’ and her drive to fix Earth, how she’s tired of sitting around waiting. It’s time to do something.

(I’m done running towards the eyes of tornadoes/pretending this is hope)

The Human Condition is the advent of the Éshkayklos and Cascade, who oppose Project Necromancer and everything it and its champion stand for. Infected then is the slow, uhm, infection of the Sol Federation with their ideas and some of the results of that.

(We have the cure for the disease/Locked down inside us/When all is dead, then we will see/We are the virus)

(Here’s a challenge for all mankind/The preacher man is warning of the end times/The weatherman agrees but she don’t know/So she’s got to go now)

A Place I Thought I Knew is Earth, but especially Adam, in that tumultuous time after the Genesis disappears. 

(And here I remain/still crying out his name/I stand alone at the dawn of a new horizon)

Who Will Save You Now is Sam’s abrupt arrival back on Earth, and several things that follow from that. 

(Alone with this vision/Alone and blind/Go tell the world I’m still alive)

Tunnelvision is Team Earth going “no, fuck you Sanda and Torrent, we need to tell people about the impending alien invasion”. It helps, but…

(You took me for a fly/And fancied yourself a spider in a web of little lies/What a nice surprise/When the curtain’s pulled back, you can see the whole trap inside/And now the emperor has got no clothes/What a lovely show/When your cover’s blown, you’ll never know/'Cause you can’t see past your nose)

Codebreaker and Cross the Line are the Éshk’s final offensive before things really hit the fan in:

(Codebreaker can’t you find/Can you read between the lines of code?/Tell me all that you know/How far down the hole does it all go)

(Cross the line, redefine, break away unbent, unafraid/Together we stand in the dark/Seeking the light and what is right, together we cross the line/Our journey will come to an end and then our human cause will be/Justified)

The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Leaving Earth and Help is on the Way are the common populace dealing with the effects of the previous song. More specifically, they’re Adam’s parents, and all the horrors they never wanted to see. Dystopian Fiction, in contrast and as the title track, is the Garrison, specifically everyone left at Levitt Base, struggling against the same effects. 

(We were told just to sit tight/cause somebody will soon arrive/help is on the way/but it never came)

(I’m a dead man/In the wasteland/I’m a soldier fighting for superstition/Under searchlights/In the long nights/We’ve been written like dystopian fiction)

World on Fire and The Reckoning are the two songs of that big finale that make it over here, as they’re the ones that have bits that happen before This is a Call comes into full effect. 

(Sent by forces beyond salvation/There can be not one sensation)

(We’re all alone, walking in twilight/The night has been long and so many have fallen/Feel no remorse, light will be breaking/Our freedom is worth it all)

Through Apocalypse Skies

Chaos will triumph this day!

TAS starts off setting the stage for everything.  Not all of the five main members of the Daibaaltea-Taibderion Alliance have songs yet, but they will eventually. Holy Flaming Hammer of Unholy Cosmic Frost more sets the stage for everything broadly, about how the five of them fit together, and the trouble brewing under the surface. Hail to Crail is Altea, more specifically the Knights of Zhael. Questlords of Inverness, Ride to Galactic Fortress is the Dalteri, with focus on the flagship Invernes itself. Fellows of the Hammer is the Aberdéts, because, well, dwarves. And guess what’s back for the Galra: Remnants of Stars

The Taibdee will get one. Eventually.

(Behold the knights of Crail/atop the city walls/they swore a mighty oath to say/Dundee will never fall!)

(Here every day the warriors train/in the art of epic fights/riding on eagles, questing so true/a legion of powerful knights emblazoned cross the sky/hear the kingdom cry/hail to Crail!)

(Ride on the wind and hail to the king/when the questlords of Inverness ride)

(The new blood of the realm now/flows from the seven stars/and spoken by all of us/to be strong when the time comes/is the oath made by everyone)

(As children of space/with stardust in our veins/we will give in to know the truth/we are the remnants of stars)

Rigor Mortis is the Voltron Comet slamming into Daibazaal. The beginning of the end. Dark Matter rises from its open, frozen maw. 

(Hydrate in violence/the darkness that you see/awaken the virus/to spread your disease)

(Bring me your soul, bring me your hate/in my name you will create/bring me your fear, bring me your pain/you will destroy in my name)

The Promise is exactly what it sounds like: the first of the Harbingers making a deal with the devil. Alchemy and No Remorse, No Regrets are her experiments in this context, echoed throughout the other playlists. 

(It won’t cost you much, just a single drop of blood and I’ll hand you the things you have long been wishing for/ it’s an easy way to choose, what do you have to lose?)

(Drink me/you know I can guide you through oblivion/trust me/I know what’s inside you makes you bleed)

(Strange persuasion/clearing the way to the clearest path/dreams illuminating/parting the seas to take it back)

Summon the Choir is a success, from a certain point of view. 

(First blood from cosmic wonders/a dark flood of power from under)

Can You Hear It? is… well. Remember the Sinkline Comet?

(Can you hear it?/the tolls of madness ringing/do you fear it?/an ancient choir is singing/all consuming/calling to me/in a dream, it’s a thorn I can’t dig out/can’t you hear it too?/if you listen close now)

Unfortunately, all that leads right into The End of the World, the end of Daibazaal. All is quiet for a moment, like the happy little whistle at the beginning of the next song.

(Sold on a dream, of a future serene/then why does it feel like the end of the world?)

Then we record scratch into The Fall. She Will Weep is a dialogue between two siblings, unwilling to compromise on their ideals, even if they ultimately want the same thing: peace and stability for their recently displaced people. But the one who’s side god is on, who is crucified but still alive, escapes to Altea, bringing the horrors with her to the Battle of the Five Armies. (Yes, this is a LotR song, but also, guess what serves a very similar purpose to the arkenstone. I’ve been looking for a song explicitly about the arkenstone to stick in here, but haven’t found one. I’m surprised Wind Rose doesn’t have one tbh). Crack the Sky is… it’s not quite a literal crack in the sky, but it might as well be. All of this is Apocalypse 1992

(What used to be two loving hearts/what we felt at the start/somewhere down the barrel of a gun/it was all torn apart)

(Confounded, distracted/trapped by a stone of power/Ensorcelled, corrupted/await the final hour)

(I know that you hate me but I think that I can live with that/last man standing, last resort/I’d rather walk alone than save myself)

(Fly high through apocalypse skies/fight for the world we must save/like tears of a unicorn lost in the rain/chaos will triumph this day)

But again, we can’t leave it without the denouement. Silent Tears of Frozen Princess, Ashes, and Apex are all the perspectives of survivors of the Fall, waiting, watching. Voltron will rise again.

(Frozen princess in this land of fears/your mighty kingdom has fallen/I see the glitter of your silent tears/afar in the wuthering dark)

(What will we do when the world it is ending/and time it is halted for friend and for foe/try to hold on to the time as it passes/I’ll tend to the flame, you can worship the ashes)

(Brother mountain, now we sleep/for a thousand years/I will see you again/something is coming/coming for me)

Endless War

‘Cause you’re fighting an endless war, hunting a miracle…

The beginning of Endless War is from one of the perspectives of She Will Weep, the other sibling than we follow during most of TAS. Dark Matter here intwines with I Am the One far, far earlier than the Paladins of the present time figure it out. That’s what happens when one stands directly next to two Harbingers throughout most of Apocalypse 1992. 

(Don’t stop, don’t think, don’t look back/You’re a bolt of lightning in the sky now/Don’t stop, don’t think, don’t look back/I’ve pulled you in, nowhere to hide now)

(I am the one/I hold the dreams from fallen heroes)

(From the caves beneath Dundee/Ancient hermit arrives/A messenger to the war in the stars/Korviliath is nigh!)

Ashes is a needed perspective of one sibling on another, the beginning of the Fifth General questioning her orders. Meanwhile, remember how I said Alchemy was an experiment of the Witch’s? 

(What will we do when the world it is ending/And time it is halted for friend and for foe?/Try to hold on to the time as it passes/I’ll tend to the flame, you can worship the ashes)

(Take the poisoned cup/you cannot hide behind golden shrines/you can be the one in crisis, give into your greed)

The Truth Beneath the Rose is the birth of the Fifth General of the Blade of Marmora, although no one calls her that yet. Raise Your Banner is her newfound resolve and her first steps to creating what will become the Blade. 

(Blinded to see the cruelty of the beast/It is the darker side of me/The veil of my dreams deceived that I have seen/Forgive me for what I have been, forgive me my sins!)

(Wake up/I’m defying you, seeing right through you, once I believed in you/Wake up/Feel what’s coming deep within we all know)

Silver Moonlight is her ultimate goal, but not everyone agrees with it. Not everyone thinks it’s even possible, or that it still exists, or that this will be anything but an Endless War.

(I’m impatient, but it’s colors that I need/Too many shades of grey, I cannot breathe/The dreams I have ain’t tainted, I need you to believe/The only way to make them real, oh)

('Cause you’re fighting an endless war/Hunting a miracle/And when you reach out for the stars/They just cut you down/…/Is it worth dying for?/Or are you blinded by, blinded by it all?)

Of course, the fact is that the Endless War does end. Alchemy’s effects are still strong, even as they fight Against the Tide. The Fifth General is betrayed on Holy Ground, with her final stand in I’d Rather Burn. 

(I finally get what you’ve been saying/now that we’re knee deep side by side/the storm clouds are circling above us/as we struggle against the tide)

(You got inside my head, I want you out/'Cause I’ve been betrayed on holy ground)

(Won’t let you take my soul away/I’d rather go to the stake/I’d rather burn)

But even that isn’t enough. Empty Eyes and The Departure are [beeeeeeeeeeep]

(I don’t know where I’m going/In search for answers/I don’t know who I’m fighting/I stand with empty eyes/You’re like a ghost within me/Who’s draining my life/It’s like my soul is see through/Right through my empty eyes)

Filaments

Filaments is intimately connected to both the main playlist and the following one, and I’m doing my best to explain some things, but some you’ll have to wait and see. 

How long is the body beholden? How long ‘til we run out of road?

First Light is the dawn of something… a little different. Filaments is the title track, and I’m not going to say more than it’s connected to the same exact things First Light is.

(We can change our fate. We can change the future. We can change… the past)

(These glowing filaments/Conducting this enchanting/Sarcophagus that’s holding us)

Starlight and Carry Me Home are primarily adashi songs, but also follow the transition between the two playlists’ proper stories, as well as Shiro’s retirement from Voltron.

(Don’t leave me lost here forever/I need your starlight and pull me through/Bring me back to you)

(Carry me home to the morning light/carry me home before you wave me goodbye/Oh, carry me home…)

Prognosis is about record skips that only certain people can remember, and the decision that it’s time to back into The Breach. 

(How long is the body beholden?/How long 'til we run out of road?/Deep down in the black of the ocean/Fading from the glow)

(Follow me/Follow me now once more into the breach/Can you see?/Can you see how this is the way to destiny?)

This next part is supposed to act similarly to the beginning of TAS. there is an overarching story, but there’s more specific songs for specific… well, Other Worlds Than These. Right now the only song here is Masters of Destiny though, which is also sort of an overarching thing and also sort of a single world. We’ll get there. Of course, as these things sort themselves out, Something Wicked this way comes.  

(In the end we cannot hide/there are other worlds than these)

(I used to be sure it’s me who sleeps/but can it be/somewhere there’s a life/that dreams of me?)

(And it clawed/Back in the world again/Here for a new revenge/An enemy I can’t condemn)

The Art of War is the beginning of the end, with Cascade finally showing his true colors, the Sol Federation not having a good time, and Voltron getting dragged into it. But the consequences…

(I can remember all the days of violence/I can remember all the days they fought for rights/When men united all by fear and interest/I mustered them with hopeful promises I’ve broken)

The Future is Now and Tresspasser sort of take place during The Art of War, sort of not. Team Voltron is trying to figure out where their Black Paladin is, why exactly all their sensors are so incredibly broken, and what’s up with Krolia. Meanwhile, Keith is in the middle of an argument with himself.

(They said there was no way/But they forgot the black hole in the sky/Yesterday is nothing/I have half a life to rewrite)

(Where’s my heart?/I want to feel whole again or nothing at all/Where’s my soul?/Because I’m not myself)

Centigrade is Keith exposing a fraud, and Team Voltron [BEEEP], and Miserable Me is very related

(What did you hope to find adrift and lost in time?/Is this the end ready to begin?/It’s time to escape the fate of destruction, excavating within until salvation/No longer pretend the future’s a lie from a past you cannot hide)

(history misunderstood this deity/miserable me!/oh why is the deep dark shored sea the only friend to me?)

This all leads into Unveiling the Architecture, Altas Obscura, Dark Matter, and A Theater of Dimensions. No I will not be explaining.

(All human history a sigh from their endless lungs)

(I am the keeper/I am the secret/I am the answer/I am the end)

(I’ve seen our freedom in the mist of time/The old signs I’ll follow and the day of relief will be yours and mine)

Afterlife and For They Shall Inherit the Earth are a fitting denouement to everything. The Immortal has frequently been used in place of Voltron within the playlists, which given the parallels means it make sense to end on this note. 

(But with such power, think how you could rule/Hold to your promise to watch over those in despair/Why would you choose to serve when you could be master of all?/Be true to your honor and fight for a world that is fair!/Out of shadow, out of darkness, welcome to the light/As the day shines boldly over night/Follow me to finally be who you are inside/Open wide, embrace the afterlife)

For Who I Could Have Been

Your world will fail my love, it’s far beyond repair…

Conflict is also connected to Filaments in ways I will not explain here. Something Wicked is almost the same thing it was in Filaments proper. 

(Whoever fights monsters should see to it that in the process he does not become a monster…)

(A prisoner of time and space/Construct we can’t escape/A fleeting moment alive)

(When all of the forces have been overrun/you’ll whisper, serpent tongue/what you fear you have become)

Rise and Fall serves a very similar purpose to the Art of War. It ends with The Art of Bargaining. 

(You push my back against the wall/when I attack I’m taking all)

(I might be guilty but can a person change/I’ll say it like I mean it but believe it, that’s insane/You’re only making this harder/I’ll make you an offer/An offer you can’t refuse)

Widowmaker, Eon, and Reset Rewind are all about a single decision that changes the fate of the universe.

(Rise above the shadows putting forth your hands/God will shield his eyes in spite of all your prayers and he will not hear/Your hands, stained of blood/What have we become from a smoking gun?/What have we become)

(If time’s a song I won’t wait for it’s reprise/I am done wishing farewells and goodbyes)

(Erase bad times/create a timeline/with the pleasure/heavier than all the pain)

Frequency, Your World Will Fail, The Future is Now, and The End of the World are the fallout of that decision.

(And now the silence screams that you are gone/you’ve tuned me out, I’ve lost your frequency)

(Your world will fail my love/It’s far beyond repair/Your world will fail/If you are alive you must run for your life)

(They said there was no way/But they forgot the black hole in the sky/Yesterday is nothing/I have half a life to rewrite)

(Is everyone everywhere forsaking?/ or is there anybody else out there?)

So, in a way, is Dark Matter and A Theater of Dimensions. 

(Tear down hollows/Take back eternity)

(I’ve seen our freedom in the mist of time/The old signs I’ll follow and the day of relief will be yours and mine)

It’s such a quiet thing, to fall. Far more terrible is to admit it, and to fix it. But that’s what the catalyst does in Redemption, Endlessness, and For They Shall Inherit the Earth. 

(To know that your days are numbered/To know that your time is short/Death is what gives life meaning/So who will you be at the end of the road?)

(Soon, beyond the fields you’ve come to know/You will join the silent flow/Follow me, I am the spark/At the end of everything/Tip the reaper to ensure/The blade is sharp/As soon we’ll go/Follow me into the dark/To the birth of everything)

Design Your Universe

(this playlist is DM canon. But it’s not the DM canon we know and love. We will get to see at least part of it. Eventually.)

Who decides about what’s true or false? 

Dark Matter, because it’s not DM without it

(So climb up and come clean/Move back the smoke screen/It’s all here, it’s all you/Get clear on the darker view)

Divide and Conquer explains where things changed from the DM canon we know and love. It’s about how a dictator, no matter their intentions, is never the correct choice.

(Seek the mastermind/The one who’s always right/We’re searching now and endlessly to set us free/Seek the mastermind (Seek the mastermind)/There’s no one you will find)

Martyr of the Free World is a very specific piece of that change from main canon, while Black Smoke Assimilation is what she leaves behind

(If you gun down the messenger/You guarantee that she will be made/Into a saint/A martyr of the free word)

(Out of reach/I planted you, the seed/You’re learning to believe/That you’re the one that changes everything, everything)

Cosmic Vertigo is here for the same reason as in the main playlist

(Just enjoy it while it lasts/Cling not to the broken past)

The Land of Unicorns is Gloryhammer finally making a comeback, and Team Voltron meeting up with, well, Team Voltron.

(Ride far away, cross the mighty River Tay/Over mountains into the unknown/Follow your heart, let it guide you through the dark/To the Land of Unicorns)

Legendary Enchanted Jetpack is a journey into the depths of the Altean Empire. Return to Me is another fight over the Black Lion, but the players aren’t who you think, which is the final goal of Storm the Castle

(Quest for Fife to end pain and strife/in search of the enchanted engine)

(Return what you have taken from me/Rightfully mine, I will not allow this, thief/Think you know this weapon in your hands?/You are a fool, I am his only command)

(We will not be prisoners/In a kingdom taken hostage by her crown)

Unleashed is from the perspective of The Matriarch, for once, showing a little about how this version of her was not particularly willing

(Where was I meant to be?/I feel I’m lost in a dream/Long for the day I can be myself/Free)

Hootsforce and The Epic Rage of Furious Thunder are a final battle. 

(Fight for the king, for the hammer and the ring/Fight for the ancient story)

(In the epic rage of furious thunder, legends create their tales/when the twilight calls and the dark lord falls our glory will prevail!)

Design Your Universe, as the title track of this one, is all about how a simple change can change the world. It’s also uh…. pretty literal

(We can’t undo what we have done/So show us now what we’ve become/Confront us with our viciousness/And our weakness/We can’t evade our destiny/So show responsibility/For we all surely have a sense/Of our consciousness)

[crowned-hound]

hey you! yeah, you! did you find specter’s and amaia’s dance as gay as we did? then you should read this fanfic! faerieko provided the dialogue for specter and the illustrations found therein.

(and maybe stay tuned because we’re gonna keep making arknights stuff) -

The tide surges, and all at once she breaks the surface. Laurentina is awake.

The walls of the church press around her—akin to an undersea cavern, the confines sweat with moisture. The lighting is low, the candles along the wall offering up only a token effort to illuminate the shadows that plunge down the hall and disappear into forever. Laurentina is reminded of a battle half-remembered, faces and monsters blurring in and out of a fog that her mind has produced because she is only herself some of the time.

There is a fear to that. Something that sits heavy in her heart. But sharks must keep moving forward.

Speaking of forward, there is a shape emerging from the darkness. She recognizes the steady click of heels accompanied by a third tap of a cane. It can belong only to one person.

Amaia’s eyes are gold in the way the candlelight burns.

(Read more on AO3 or continue below)

“Good evening, Laurentina,” she says, and she is casual, like an old friend stopping by. “I’ve been translating a manuscript from Victoria that might interest you.”

There is no point in concealing her lucidity from her. Amaia always knows, and Laurentina will not give her the pleasure of seeing her hide behind a façade. She is not afraid of her. No, when it comes to Amaia, she—

“Is that so?” she asks, eyes half-closing. “Do tell.”

“Are you familiar with any writings from the land?” Amaia taps a single finger against the head of her cane. Her nail makes a nearly indistinct sound.

“Not at all. Not many pieces from above made it to under the sea.” Even if they did, such things did not tend to be highly regarded by most. She…remembers that, remembers some things of home. Others are a struggle, grasping at vapor that transforms its shape when she reaches for it.

Amaia nods. “Then allow me to elucidate. Imagine something…mundane. A work uniform, perhaps, or a shirt. When your clothing becomes damaged, what are you inclined to do?”

“Hmm, well, it depends on how attached I am to said piece of clothing.” Laurentina brushes a hand down her nun’s attire. It’s not something she likes at all, but she has nothing else to wear. “If I adore it, then I would do everything in my power to repair it…but if it’s any old piece, or maybe something I knew was on its last legs, I might either replace it or simply throw it out.”

“As you do. Let’s say you’ve chosen to repair it because it is dear to you. Something with sentiment. The hole is patched, and it is good as new. There comes a time, however, where it begins to tear in other places, but because you care for it so dearly, you continue to repair it. Every little tear is sewn with another patch. Held together with new thread.”

Amaia pauses.

“How do you feel about the habit? I had it specially made for you.”

Laurentina’s places her hand upon her chest. “Oh? Are you trying to explain a metaphor to me?” She leans in once the question has been poised, closer to Amaia’s face. A whisper: “I’m actually fond of long dresses, so for you to have me dislike even this is quite the feat.”

“That’s unfortunate. You look adorable in it for what it’s worth, Laurentina.” Amaia smiles, her head tilting a little. Laurentina does not entertain her with a response.

The bird drowned so long ago. What is left, this talking corpse, no longer answers to the name Liberi.

Amaia continues. “It’s more of a thought experiment. Called the ‘Ship of Theseus’, it asks the question: if you replace the parts of something over time until nothing of the original remains—” Her eyes lower to colorless slits, “—is it still the same thing? It carries out the same functions. It possesses the same value. But nothing of the original construction is as it was.”

“I see…it sounds as if it has brought about many arguments, but I’m sure the Church of the Deep feels they are beyond this.” In their obsessive search to change and grow, the Seaborn will discard everything but their drive. Their limbs, their selves, even their lives without question.

“On the contrary. It’s a question I’ve poised to the rest. What do you think?”

The halls feel like another world. If the other cultists are present, none make themselves known. The steady drip-drip-drip of falling water seems overly loud in a place that is sacred in the way only obsession can breed. Their shadows shake and shiver.

“When we are born,” Laurentina says at last, when she is tired of the sound, “we are but a blank canvas without paint. A featureless stone that has yet to receive the touch of a sculptor. Are any of us ever truly the same from birth to death? Identity is ever changing…but to be sure in one’s identity is crucial to one’s state of mind.”

Amaia’s lips curl.

Laurentina looks her evenly in the eyes, bringing herself back, and there is nothing but contempt in her gaze, sudden and blazing. “And I promise you this…you may try to shape me—I may not even be recognizable one day—but I will remember what you’ve done. No one is allowed to kill you, but me…”

Drip. Drip. Drip.

“A clean canvas, hewn rock…all these things must be defiled to have reason given to them. Meaning.” Amaia’s sigh is delicate. “It is my fervent desire that ‘we’ will die together. When that time comes, We will welcome it.”

“No, no…I will make sure your life is mine. That the last thing you will see is me telling you to suffer in your death. To realize you could not assimilate me in the end. Your purpose was meaningless.”

Amaia does not even blink. “The only thing that allows you to keep your sense of self is what you hate the most. Is that any way to live, Laurentina?” She opens a hand, a ring on her finger glinting in the low light. “When the Herald arrives, I hope you will come to your senses. Rest assured that I will be there to lead you onto the correct path. After all, my Sleeping Beauty…only I know how to wake you.”

Laurentina looks at that hand. “I think it’s good to remember that which I hate so that I may never become it. You only know so much about me from what I’m willing to share, after all.” She reaches for her and brings her close. Amaia steps in of her own volition, and there is a yearning.

After all, she and Amaia are—

“Amaia…”

The golden bands of her rings are cold against Laurentina’s skin. Amaia purrs. “It’s often been said that the opposite of hate is not love: It is apathy. The more you hate, the more you will obsess. Do you truly not understand? You are already turning. You will continue to think upon it until it is all you know. And that will bring you closer to Us.”

“Then we’ll make it a wager.” Laurentina runs her thumb along that hand. Once. Wanting to feel more of that cold metal. It is grounding.

The water, the walls—

Laurentina says, suddenly:

Drip. Drip. Drip.

Amaia blinks.

Laurentina smiles again. “As if you could ever serve as a muse for art…”

“Have you been sleeping? You do become so disagreeable when you haven’t rested.”

“That is not for you to worry about.” She has slept enough for a lifetime, and she will sleep longer still. The waking is always fitful, brief, abrupt.

Fingers brush her cheek. Her attention is drawn despite herself. Laurentina looks, and Amaia removes her hand.

“I always worry about you.”

Laurentina’s eyes lower. “Keep it to yourself then.”

Amaia’s smile is almost lovely to behold, but the light in her pale eyes is only reflected warmth. “Were you going somewhere, Laurentina?”

“I wished to go for a walk…”

Amaia turns and gestures down the hall. Through the black, and the damp, and the endless pressure of shapes writhing in waters. She is allowed to wander because she will not escape. They will find her once she sleeps again.

When it comes to Amaia, there is no one else she–

[dlartistanon]

So I've just finished R8-9 and it absolutely destroyed me, never thought I'll ever cry in a gacha game even though it's obvious what will happen. The description of the stage is also very powerful ("To Lose," got literal chills when I first saw it) and I think it's hands down the most well-written scene in Arknights thus far. I don't think I've seen you write your thoughts about it (sorry if I missed it!), so what do you think about it?

Honestly, I had to keep taking breaks around that chapter because it was so... heavy. I couldn't take it in all at once, y'know. I cried over FrostNova, I cried over Patriot, and I cried over this. On the surface, yes, AK is a tower defense game, but when it wants to, it is scarily good at pulling your heartstrings until they tear. And you can feel it.

For me, the saddest part wasn’t necessarily the loss itself, but what it represented. It’s not so simple as “person loses someone they care about = go off the deep end”. That wasn’t the inciting incident. It’s a little more complex than that. Consider this the first step of the destruction of a found family.

When you continue through the next chapters, as well as take into account everything about Kaschey and his “wager” with Talulah? You’ll understand that Talulah was put into an impossible position, one that she had no chance of winning, not in a world like Terra.

Reunion’s downfall, at Talulah’s hands, is the biggest tragedy of all.

[shinishinigummy]

Masterpost for Whumptober 2021!

Originally, I wanted to do a challenge so I can practice writing fiction again. It's insane how months of being busy and being depressed have led me to forget how much I loved writing stories. In fact, looking at my tumblr, I realized that I had stopped posting 2015.

I want to change that. So anyway, Whumptober happened. I want to thank my good friend @Coffee for introducing me to the prompt list.

I don't really know how masterposts go as this is my first one, but I'll just add a link to all of the days I posted.

31 DAYS OF WHUMPTOBER

Color Codes:

Violet - Pandora's Box (OC) series

Red - D&D OC fics

Blue - Fic for specific fandoms

Green - Standalone OC fics

Day 1: All Trussed Up and Nowhere to Go ["You have to let go" | bound] TW for violence, blood, and torture. The first in the Pandora's Box series!

Day 2: Talking is Overrated (Hades) [Choking] TW for violence and blood, and slight torture. A Hades fic featuring our lovely Elysium lads!

Day 3: Sticks and Stones may Break my Bones but... (Genshin Impact) [taunting | insults | "Who did this to you?"] Featuring my best boyes Razor and Bennet. Not really a ship fic.

Day 4: Trust Fall [“Do you trust me?” | taken hostage | pushed] Some little wlw action because of brainrot.

Day 5: I've Got Red in my Ledger [betrayal | misunderstanding | broken nose] TW for blood and violence. The father encounters some trouble.

Day 6: Touch and Go [bruises | touch starved | hunger] NSFW for some descriptions, and TW for blood. Featuring my dhampir warlock OC Anitta Strangelove~

Day 7: My Spidey-Sense is Tingling [helplessness | numbness] CW for sleep paralysis. An attempt at a creepypasta.

Day 8: Coughing up a Lung [pneumothorax] CW for death. I had to research pneumothorax before this.

Day 9: Rumors of my Death Have Been Greatly Exaggerated [presumed dead | (blind) rage | tears] TW for slight torture, blood, and violence, featuring my friend's D&D OC! I CAN'T BELIEVE I FORGOT TO POST THIS ON THE DAY I HAD TO POST IT BUT ANYWAY...

Day 10: Oops, I Did it Again (Persona 5) [flare-up | ice chips] Short p5 speculative fic featuring one of my favorite ships! Pegoryu AAAAA

Day 11: Just Keep Swimming [adrift | drowning | dehydration] More pandora's box. Also referencing Kate Bush's song "And Dream of Sheep"!

Day 12: It'll be Fun, They Said (The Sandman) [torture | made to watch | begging] NSFW for explicit scenes and BDSM. TW for (implied) gore and blood. A fic featuring my Corinthian brainrot

Day 13: That's Gonna Leave a Mark (Arknights) [“This is gonna suck” | burns | cauterization] Featuring an OC operator, and Skyfire.

Day 14: Under Pressure [crush injuries | beaten | force] CW for bodily harm. TW for graphic depictions of violence. Featuring my half-elf bard D&D character Oxyll Orobyn!

Day 15: Feed a Cold, Starve a Fever (The Sandman) [delirium | fever dreams | bees] An OC meets Delirium.

Day 16: On a Need to Know Basis [recovery | scars | aftermath] TW for substance abuse. Featuring my OC high elf monk!

Day 17: Field Care 101 [“Please don’t move!” | hemorrhage | dread] Wartime. Featuring my OC Spotty in a war AU!

Day 18: The Doctor is In [“Now smile for the camera” | doctor’s visit] CW for scary descriptions of monsters. Another attempt at a creepypasta!

Day 19: Just a Scratch [bleeding | stabbing] TW for graphic depictions of violence. Featuring my good friend's D&D OC!

Day 20: Lost & Found [trapped under water | solitary confinement] The origin of Pandora..?

Day 21: That's Where the Blood's Supposed to Be [bleeding through the bandages | pressure | blood-matted hair] More of my OC Spotty in a wartime AU. She makes a friend..?

Day 22: They Made Me Do It [cursed | demon | obsession] TW for madness and depictions of drowning. A prequel to pandora's owner.

Day 23: You Break It, You Buy It (Persona 5) [auction | pursuit] A short AU side-story-ish fic featuring the phantom thieves!

Day 24: One Down Two to Go [self-induced injuries to escape | flashback | revenge] TW for graphic depictions of violence, specifically breaking bones. Featuring my girl Anitta!

Day 25: Hide & Seek (Poppy Playtime) [escape | flight | hiding]

Day 26: You Will Go Down With This Ship [fallen | waterfall]

Day 27: I'm Fine. I Prom... [passing out | vertigo | collapse] CW for poisoning/poison gas. Featuring my OC Priscilla in a highschool prom AU

Day 28: It's Not Just in Your Head [“Good. You’re finally awake.” | nightmares | panic] TW for violence and death (massacre). Featuring the backstory of my wood elf druid Vasilisa Morozova and my friend's human artificer Alvard Fenriksen!

Day 29: All Work and No Play [“You’re still not dead?” | too weak to move | overworked] TW for exorcism and torture. The last in the Pandora's box series.

Day 30: Digging Your Grave [major character death | left for dead | ghosts] Featuring my OC Human Hexblade Warlock Priscilla. An epilogue I should have written ages ago.

Day 31: Hurt & Comfort [disaster zone | trauma | prisoner] The final entry in Spotty's adventures in a wartime AU.

[fukasenanairo]

ReoNa - Untitled World Lyric Translation

I read a translation of this song on a youtube video, but decided I liked to put my own flair in especially considering this is a ReoNa song, so this is what came of it. 

This song made me sad. Arknights in general makes me sad. Especially after chapter 6 of the main story, and I worked on this translation thinking of a certain character in that chapter. I just wanted everyone to be happy...

What should I believe in? 破裂しそうな胸抑えて 今日もまた　ああ僕は孤独だ Why should I believe in? 痛みは折り重なって　枷になる 泣いてる暇もないよ 

救いのない夜が　諦めていく朝が 何度も通り過ぎてゆく 無惨に潰えた希望の後残された 灯火揺れた

Still believing

Nothing lasts forever My tears are brave forever 誰かの振りかざした正義が痛くて 誰かが泣いても また胸が痛んで それぞれの真実に傷ついたとしても 僕は全てを許すしかないよ

What am I looking for? 屈託ない空の青が 今日もまた　僕を突き放す Why life is a shadow? 救いようもないと知りながら それでも刻んでゆく足跡 

悲しみにも慣れて 逃げることにすら疲れて 心が痛くても泣けなくて 何処かに辿り着けば いつかは笑えるのかな まだ息をしてる Still believing 

何度も　何度も アバターが壊れてしまう 繰り返しの中 今日も僕は息をする

Still believing 

Nothing lasts forever 冷たい運命に 飲まれても消えそうな　灯火を手に 潰れそうな夜も 歩みは止めないよ それぞれの真実と痛みの果に

いつか全てが壊れても 何の為？　誰の為に？ 答えはなく運命は終幕を辿る せめて少しでもあの日に繋ぐよ 囁くように歌う 祈るように歌う

I sing our song

What should I believe in? I clutch onto this heart that might burst apart Today, too, I am alone again Why should I believe in? The pain piles on one another and chains me down I could not even spare any tears.

Nights of no salvation, days of abandoned hope They pass me by, one after another Hope is mercilessly crushed, leaving only A wavering light.

(Still breathing)

Nothing lasts forever  My tears are brave forever Justice brandished like a weapon to cause pain Even if it stings my heart to see someone else’s tears Even if we are tormented by our own truths I could only forgive everything.

What am I looking for? Today, too, the tranquil blue sky has forsaken me Why life is a shadow?  Knowing that no salvation awaits Even so, I will march on forward. 

I’ve grown used to sorrow, too tired to even run away My heart aches, yet I could not even muster the tears If I could reach somewhere Would I be able to smile again? I’m still breathing, still believing

Over and over again It feels like my avatar will break apart But in this repeated cycle, today too, I am still breathing

(Still believing)

Nothing lasts forever I took this wavering light in my own hands From the desolate fate that threatens to swallow it up Even if this night crumbles away I will not stop moving forward Until each truth and pain comes to an end. 

Even if it all returns to dust one day

For what purpose? For whose sake? Without receiving an answer, fate reaches its curtain call Then at the very least, I want to reach my hands out to that day I sing, as if in a whisper I sing, as if in a prayer

I sing our song

[ragnaofazure]

Characters that were, or never were.

((Hello! This is a list of characters I have actually played on or off the site (like Discord), wanted to or considered quite strongly but never followed suit to do so or whatever.))

((It will all be under read more; this is a long post! If you are interested? Have fun discovering who was in any corner of my repertoire! The list should not be that extensive! I will reblog it if I added anyone new I could recall and forgot to initially should that happen. These are mostly in some form of chronological order with added notes about what their place is with me and more.))

Yu Narukami - (Persona 4)  

Additional note: (Have to biasedly put him first at the top and say how he was my true first muse here, lasted literal years. All my experience comes from him and his blog. He reached nearly 1k followers between both regular and not safe blogs, my true labor of love lost to me deciding to deactivate the blog. Some know me from him originally! You all know who you are!))

Sal (or “Syake”/”Syake-san”) - (Wadanohara and the Great Blue Sea)

Additional note: (My first attempt at a second character and his blog did kinda work for a while, getting a lot of interactions during the original Funamusea craze back in the day. First time playing a truly well evil character and learned lots. His blog eventually died down and faded, but it was an experience I haven’t forgotten.)

Nepgear - (Hyperdimension Neptunia)

Additional note: (A standalone blog attempt again, flopped hard due to how the fandom seemed to have it’s problems on the RP side as well as my own personal reservations (met some couple of awesome people there still around me today though!). One of the most ways to trash a character by a series that had a bit of an identity crisis in the writing department as the years went on. Still not over how hard they literally screwed this good girl over. Every single time.)

Iku Nagae - (Touhou Project)

Additional note: (Part of an incredibly failed multimuse project (that Nepgear was the face of and part of as well for that matter after her blog flopped) and she never got to really experience light of day. I had only the idea of how I wished to portray the character and I still do, but at the same time, I have no idea if it would have earned me the most interactions, admittedly. All due to how passive she is.)

Varus - (League of Legends)

Additional note: (Me having a thing for characters with tragic stories of loss? Are doomed as if fittingly to pay for their sins and as a cost for the tools to live and revenge? He spoke to me way before Ragna. I knew how I wanted to write him, give him flair given his character, which other Champions I wished for him to interact with soon... I had a much clearer idea. But ultimately, also part of the doomed multimuse blog that never took off.)

Goomy - (Pokémon)

Additional note: (No gijinka, only small, sticky bby that I debatably would never allow to evolve and, of course, could talk. Best Dragon type line to ever exist don’t even @ me okay. It’s just... cute. The anime really made it stick out and I loved it. I always also have loved essentially weaker characters and creatures a lot, thus... It resonated with me greatly and idea of how I was going to go about him (yes, had decided on male for it). Again, multimuse failed, so he went away with it.)

Karol Capel - (Tales of Vesperia)

Additional note: (Weak that could be truly strong when overcoming his fears, and that resonated with me given how I consider myself a coward in real life. I also have a thing also for playing characters everyone finds annoying to make them look better when they should not be as disliked too. And once more, multimuse, gone with it, never found a place to remotely discover if I would have also wanted to play him at large either too.)

Elphelt Valentine - (Guilty Gear)

Additional note: (I don’t need to say anything, most of you knew her enough! Blog flopped hard and I couldn’t find the activity I desired. Why I played her? Just... bubbly sweet girl that didn’t want to act on her capability to be deadly as a Gear and only wished for happiness, I liked all that sugar with that depth I tried to give her. As of recent times, Tumblr locked me out and I could not log back in. I sort of took it as a message as to why I maybe shouldn’t try with secondary blogs to a big degree.)

The Masochistic Admiral/Commander/Master(?)/Doctor(?) - (Kantai Collection-Azur Lane (Maybe even Fate and Arknights???) )

Additional note: (So this is a nameless original Admiral/Commander character by the artist known as “Yamamoto Arifred” (look up on danbooru tags under Kantai Collection alongside). I absolutely fell in love with this guy. How I wish it was possible to play him further then I did, I revisit the art work every so often and every day I recall why I liked him so, so much. He’s just beyond amusing, wacky, outright insane and nonsensical in many good shapes and forms. But he only wants one thing: All under him to succeed and become the best they can be under his very questionable yet effective command. I could go on and on but this is already long enough. Standalone blog, flopped due to lack of activity.)

Thief (”Touzoku”) Arthur - (Million Arthur series)

Additional note: (Super unknown series, super unknown plot, I only met all the characters via the available and uncared for fighting game... And her backstory plus design gave me so many ideas I wanted to play around with as a thief wielding a goddamn Excalibur. Of the first characters I said I wanted to play on impulse alone, but who would have cared? Where could she have fit? It was the bigger discouraging thoughts. I have some icons still... But as always, the hesitation from impulse in itself.)

Hassan of the Serenity - (Fate Prototype/Fragments - Grand Order)

Additional note: (Best Assassin, best girl, only Servant that has brought me to tears in this extensive series, for the love of anything holy let her be happy I swear to God, everything about her cuts me so deep, I can’t deal with it every time I think about it ...I’m calm. But really. She touched me so, so deep. I was normally indifferent for so many years about Fate until I stumbled upon the Prototype duology, and subsequently, the Fragments side. After learning her origins and more, her wishes... I can’t state it enough. I am passionate about this girl. She deserves the world. And I would have loved to give her the best if I got to write her.)

Peri - (Fire Emblem Fates - Heroes)

Additional note: (What everyone sees as an annoying, questionable character and way more, I see as yet another pick for me with great potential to try and develop to be liked more by many, for she is not completely disposeable. I had ideas and wanted to take her further while still having her not lose the tendencies she has, because that would be breaking and disregarding character, but sadly, Peri never as much as left my constant thoughts then trying to privately sample around for myself, would have loved to, though. Very.)

Sigurd - (Fate Grand Order)

Additional note: (Amazing design, amazing voice... Literal definition of: “Do it for her”, loves his partner despite their fate... Incredibly underrated man. He is simply the best and I was interested in finding footing to play him, as he deserves to be noticed more for just being... Simply amazing. There is not much more to say than that, he is cool and that is final. Don’t even fight me on these cold, hard facts.)

[f-117-nighthawk]

*inhales* playlist update

Because this hasn’t had an update since Horizons, and new Les Friction dropped since then

You get the Full Thing this time because I cannot help myself (and everything ended up with at least one new song). Be warned: this is fucking LONG BOI

Dark Matter

This thing alone is almost five hours long now. It seems to add an hour every time I do one of these big updates lmao. Large portions of the explanations are taken from old versions of this, as parts of this have been set in stone, but I want everything together instead of recursive looping back onto itself

Your World Will Fail, Dark Matter, and Eater of Worlds are still exactly what they’ve always been: the beginning, and the end. Everything, and one thing. 

(Your world will fail my love/It’s far beyond repair/Your world will fail my love/It is already there)

(Bring me your soul/Bring me your hate/In my name you will create/Bring me your fear/Bring me your pain/You will destroy in my name)

(Can’t imagine the violence/The rage and the love in my madness/I am the eater of worlds and I’m looking for someone to feed me)

No Remorse No Regrets is one of the new ones :D This is… the specific event. It is the crux that everything dominoes after. It is Zarkon, but also not. It’s directly part of…

(It won't remember so it won't forget/It knows no justice or regrets for the blood it lets/Believing nothing, it knows no pain/And it feels no remorse when it enters your brain)

Apocalypse 1992. Still about The Fall, still the turning point for the entire damn war. Still about poor Krolia. Still the Rogue One of DM, detailing the rise of [REDACTED] and the final hours before the destruction of everything sentient species knew beforehand.

(Fly high through apocalypse skies/Fight for the world we must save/Like tears of a unicorn lost in the rain/Chaos will triumph this day)

Apex is the final moments of Apocalypse 1992 from the Red Lion’s perspective, and connects nicely (just as in the albums lol) to the next UtA songs.

(Brother mountain/Now we sleep/For a thousand years/I will see you again/Something is coming/Coming for me)

You Keep What You Kill covers the slow degeneration of the Empire between The Fall and the Battle of Arus. The knowledge harshly taught by the Thuanial War is forgotten under the influence of Zarkon, Haggar, and [REDACTED]. Marzin and Galraasa quickly rise the ranks as the Empire’s left and right hands, like omens of destruction before them. The four are the ‘holy half-dead,’ the ones who shape the devouring of the universe before them.

(Defying dimensions/These ruthless creatures will steal your soul/Breaking away from the chains of mortality/They won’t be taken down/Bow now to the holy half dead/The master to death mongers calls)

Immutable is sort of a companion to a later song, in that it is very very much an Arknights song, but also very very much a DM song now. This one is about Kal’tsit, but it’s also now Krolia. It’s about Krolia’s thoughts as she joins the Blade, as she leaves Earth behind, as she makes her way in a world ten thousand years past what she knew before. About what it’s like to be left behind as the world moves on without you, and what she’ll do to keep her hope safe.

(She'll risk it for the lives/She's left behind/Hope's on the rise/But she's flying blind)

The Glory and the Scum is (most) of the reason why Krolia isn’t around until MGHM. Think Winter Soldier-ish. It’s also from Krolia’s perspective as she’s talking to Kolivan in a conversation I implied in Shatterpoint. Perhaps it shall see the light of day.

(Look at what we've done/Take a step back/Shake your head at what we have become/We're the glory and the scum)

The Seven Sisters is about Keith, mostly, connected to Closure via its influence on Child From the Stars (Lost in the Dark) and also to Memories of a Girl I Haven’t Met (considering it’s the source of half the chapter titles). My Thing for the Pleiades is out in full force in that last one

(I cast my hope upon The Pleiades/The Seven Sisters who would come for me/They’d fall to Earth to grant a child’s dream/But I’m still waiting)

Starlight is the Adashi song. Here, it’s the sad part, based around the time that the SFSS Genesis launches for Kerberos. It also is sort of about Shiro’s thoughts throughout the war as he watches ‘from distant skies’

(At night the earth will rise/And I’ll think of you each time I watch from distant skies/Whenever stars go down and galaxies ignite/I’ll think of you each time they wash me in their light/And I’ll fall in love with you again)

Waking Dream and Abyss are Awakenings. They’re specifically the Red Lion waking up on Sendak’s ship to her new Paladin, but also sort of the rest of the Lions as they find new Paladins for the first time since The Fall (and, also, an accidental hook to the end of Filaments just by virtue of being on the same UtA album…)

(Centuries like flowing streams as years go rushing by/Waiting in the dark for afterlife)

(Open my eyes in a daze/How long has it been? Am I so out of place?/Warmth I can no longer feel/My mountain is gone, I’m surrounded by steel/The strangest of structures arises ahead/Seems to be held up by nothing/Where have I gone, do I dream?/How can the stars be all I can see?)

Who Will Save You Now is about the Paladins in First Contact. It’s the video messages they send to their families, the warning that Something Is Out Here that they need to prepare for. It’s a declaration of protection for Earth, but a recognition that the Paladins may not be able to do what they say.

(I will not take from you and you will not owe/I will protect you from the fire below/It’s not in my mind/It’s here at my side/Go tell the world that I’m still alive)

It Has Begun is the Battle of the Sarnan Nebula (aka; Blackout)

(Even a well lit place, can hide salvation/A map to a one-man maze that never sees the sun/Where the lost are the heroes/And the thieves are left to drown…We will face the odds against us/And run into the fear we run from/It has begun)

And then of course The End of the Beginning. Which is, well, the eponymous fic. And don’t forget the String Theory connection! Fun fact: part of the last chapter leads directly into part of String Theory at the moment.

(Every night I die just a little/All this time, I’m caught in the middle/All your life, you fought with no winning/This is just the end of the beginning)

A Simple Plan is about anything but a simple plan. Lotor is making his secret bid for the construction of the Sinkline ships, but there’s one more thing he needs before it can come to fruition. Haggar has suspicions, and knows one thing that she needs to keep from both him and Voltron. Team Voltron is still struggling to fit into their new roles, especially with a Black Paladin who adamantly does not want to be Black Paladin, and is in desperate need of one thing to fix the last of the damage done during the Battle of the Sarnan Nebula. 

(How long can we hold off ending?/How long can we pretend we’re ok?/No one goes on fighting it forever/I know I’m better this way)

Crown of Mine weaves in and out of A Simple Plan. It’s about said Black Paladin and how much he just does Not Vibe with any of this. Also hey fun fact if Genius is to be believed it’s literally about imposter syndrome! Good job with the lyrics then, Acacia Ridge, because guess what Keith has :D

In addition, the second of the Keith-centric Closure-inspired fics is… sort of a mess between A Simple Plan and Crown of Mine. But it is here

(I wish I could be the me that you see/But I'm too drawn to black and white/Don't be confused, spare me the excuses/It's not even worth the fight)

Outnumbered is the Siege of Naxzela/Breaking of the Naxzela Line, the one major victory the Coalition actually gets before Something Specific

(Outnumbered but we can't back down/It's us against the world, us against the world/Outnumbered but we can't back down/Ten to one, on the run/We will still overcome)

Bringing it Down is uh. You remember that episode where Olkarion gets attacked and Lance tries to communicate with Shiro in the meld? Yeah it’s like that

(Devouring me/Devouring me alive/There's something inside you that isn't right/Something that haunts your dreams/There's something that you have lost/And you're bringing it down/You're bringing it down, on top of us)

Shortly after is Memories of a Girl I Haven’t Met. Krolia content! And Every Time Our Earth Shakes is the end of it.

(In this lonely place, bathed in silence and thoughts of you/I can’t see your face but I’m trying to envision you/So are you really out there? Are you awake with memories/Of a boy you haven’t met yet who’s wished upon the Pleiades?)

(Surrounded by lonely, bruised, and broken love/I've seen it and I won't be like everybody else/Wave after wave, no change in my faith/I'm here for you through high or low/And every time our Earth shakes, I'll fight through the pain/I'll die before I ever let you go)

Then, FINALLY, there is Legion.  Featuring the Whispers, Voltron, and a few mullets. And the Druids making a dangerous mistake. and….robeasts?

(Fallen angels ripping through/The circuitry inside this suit/Of flesh and bone that's overthrown/No matter how hard you try/They keep waring deep inside/Where there's a star collapsing in your heart/There's something in your eyes/That's coming back to life)

And then. Hoh boy. The beast of beats. TRIALS (reimagine), Wrathful Cerulean Flame, Fools of Damnation, String Theory, and I Am the One. We’ve got [REDACTED], we’ve got [spoiler], we’ve got the first major turning point in the entire war, and the first revelation of the true nature of [REDACTED]. Hence the honor of being the separation point of my two main DM folders. TRIALS is the first part, the horrifying realization. Wrathful Cerulean Flame is an Arknights song and serves a very similar purpose as to when we get to see it with Amiya. Fools of Damnation and String Theory itself are from Shiro’s perspective. I Am the One is… an image song? I guess? That’s all I’ll say on that. 

(Hear me from the bottom/Forged in regret, I'm the silversmith/Doomsday, you we had it coming/Marching the streets with an iron fist/Obey no more in silence/The steel in our hearts will be monuments/Today, they'll hear the violence/We'll rise from the dark like Lazarus)

(So follow me/And we'll burn the clouds away/And we'll burn the clouds away/Keep our demons all at bay/There will be an end someday/And I must lead the way)

(Fool, dance for me again/I am your destiny, mark my words/Don't you ever disagree/Fool, kneel for me again/I am your agony, walk my way/I will never set you free)

(You don’t believe in space/You don’t believe in light/You don’t believe that anything is well beyond your might/We walk across the sky and beneath the ocean floor/We’re never going anywhere we’ve never been before)

(I am the one/I am the architect to rule your fate)

House on Fire is the aftermath of String Theory, and a large vibe of We ARE Struggling Together! It’s about family, never letting go of something you care about, and the slow act of trusting.

(So I’ll just hold you like a hand grenade/You touch me like a razor blade/I wish there was some other way right now/Like a house on fire we’re up in flames/I’d burn here if that’s what it takes/To let you know I won’t let go of you)

Belgrade is the klance song! Belgrade also leads almost directly into…

(We pretend in the darkness/We pretend the night won’t steal our youth/Singing me the sweet songs of seduction/Let me be the fool, fool, fool/Who will live and die for you)

Here to Save You is about Sam. Mostly. It’s also about Pidge. And Zaivorge cannons.

(A slave for humankind/I made sure I would survive/To stay alive/Now it’s time to move on/When there’s nothing left to prove/I’m coming to get you)

Iron is the third Closure-inspired fic. It’s about Keith coming to terms with parts of himself, and learning how to use them to great effect. Also has a huge info dump about the Blade.

(You can’t live without the fire/It’s the heat that makes you strong/‘Cause you’re born to live/And fight it all the way/You can’t hide what lies inside you/It’s the only thing you know/You’re embracing that, never walk away)

Storm the Castle is very related to the next few, but only happens as a result of Iron. It’s the three Marmorait making a point. 

(We will not be prisoners/In a kingdom taken hostage by her crown/But we will not abandon her/…Rise now, stand and fight/Take your freedom, claim your right/Rise now, stand and sing/Storm the castle, kill the king)

The second major turning point in the war is Monarch, Birthright, and Firewall. I really recommend reading the whole lyrics for Monarch. Monarch is here because Lotor is also the ‘singer’ of Birthright, and both songs are to a very specific high-level target of the Coalition. Firewall is a little different as it’s a Team Voltron song not a Lotor song, but happens because of the same thing the other two do. They’re all not exactly a direct result of Iron, but they wouldn’t happen how they do without it, and then [REDACTED] swings back into the fray and things learned in String Theory/the framing story for Through Apocalypse Skies hit in full force.

(I am not the person you remember from before/The one you patronized and stepped on, the one you hurt/And I have pulled the arrows, now my skin has become stone/No longer am I prisoner to your empty fucking words)

(The voices in my head have all begun to sing/(The voices in your head have all begun to sing)/And they sure as hell hope I am listening/(I sure as hell hope you are listening!))

(They come to your dreams with illusion/They come to bring shape to your mind/You know how to stop the intrusion/We all have to fight for our lives)

and then, The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Here Comes the Reign doesn’t come into full effect until several months after Birthright/Firewall, but starts with The Day the Earth Collapsed. It’s largely about Haggar and [REDACTED]

(You made something they can’t take away/Now bring the fire of the burning sun on everyone)

Supersonic is here… as a framework for what I like to call The Meme Battle. It’s generally about the increase in Coalition support and general winning as they go after warlords in the aftermath of Feyiv, culminating in I Need a Hero which is, of course, The Meme Battle.

Yes, it’s the Shrek version. It’s the Meme Battle.

(Supersonic, polyphonic, this is our war/Mustering the armies, marching faster than before)

(I need a hero/I'm holding out for a hero 'til the end of the night/He's gotta be strong, and he's gotta be fast/And he's gotta be fresh from the fight)

Earthrise and But Tonight We Dance are the next big event. Earthrise very much is a Klance song, and BTWD isn’t exactly a klance song, but it’s here for them. On a diplomatic mission gone wrong, the Red and Blue Paladins of Voltron uncover a literally-buried government conspiracy, a rebel cell, and nearly die. A normal days work for the two of them. But they’ve really gotta stop having relationship milestones in the middle of a warzone. 

Another reason it’s here is Tonight We Dance is a very aro song to me. “A language universal, but I speak not its tongue” hits hard. I felt like I needed a bit in here to remind listeners/readers that romance isn’t a language Keith speaks. And it becomes very explicit in this fic, just like Belgrade. It is, on the other hand, very much a language Lance speaks. Seriously, Earthrise is just Lance making heart eyes.

(I still fall for you like suns do for skies/Cerulean pouring in from your eyes/Just a hollow moon that you colorize/So powerful, I feel so small but so alive/Like watching the Earthrise)

(Tomorrow we might wake in servitude and silence/I will give you everything if only you would have me/Tomorrow we will sweat and toil/Our hands will quiver, caked with soil/Tomorrow we'll give it one last chance/But tonight we dance/But tonight we dance!)

But Tonight We Dance is the last of the Closure fics, which is why it’s here. Closure in general is a lot of Keith’s character development and some of the struggles he goes through to accept his place in the universe and the fact that yes, he does have people that care about him. The last fic is me shining a brighter light on Closure’s chorus and taking a ‘last goodbye’ as never needing to say it again

(I am the child from the stars/That got lost in the dark/Between heaven and hell/I am forced to live on/I am the cause when you sin/I am the demon you skin/But there is no more tears to beautify/This is my last goodbye)

Then we step back into the universe-level action with Soulbound and Disappear. Revelations from String Theory and Firewall swing back in with a vengeance on a joint Whispers-Voltron mission, leaving them reeling and Krolia questioning her very identity. 

(Soulbound, endlessly forever/Locked between the darkness and the light/Don’t drown in the swarming, blackened rising/Hold on to humanity and fight)

(Stone heart, paired with empty eyes/That stared right through mine)

Something Wicked is. well. 

(When all of the forces/Have been overrun/You’ll whisper, serpent tongue/What you fear you have become/Something wicked this way comes…)

About three months after that is My Darkest Hour and Faster Than Light. Haggar realizes something and goes searching for [something wicked], sending the Blade and the rest of the Coalition scrambling. These also lead directly, and I mean directly, into…

(When the sun comes crashing down/When the world is spinning round and round/I will face what must be my darkest hour)

(Once more we’re flying fast as light/Dark matter passing in the night/Pursued by a force we can’t outrun/As we hurtle towards a dying sun/We maneuver through the remnants of a moon/On the solar winds of supernovas/There is not a place to hide, the Matriarch is close behind/It’s plain to see she’s coming for us all)

Cosmic Vertigo and Other Worlds Than These. Together they are the second of two revelations in what, exactly, is [REDACTED]

(Banish me like burned down planets/Write my fate with sparkling lies/I am the universe; you're just one sky)

(Pull the wool out from your eyes/It won’t shade your frail belief/In the end we cannot hide/There are other worlds than these)

Godhunter is Team Voltron, well, hunting for gods, even as one of them disappears.

(She’s been watching for a century/With hatred, and with scorn/If you know the hunter’s coming/Then you hide or keep on running/'Cause she’s slain the gods before)

Trophy Hunter, Ember, and Redemption are the culmination of Godhunter. I’ve been thinking of them as akin to the suicide mission in Mass Effect 2, if that gives you an idea of what the hell they run into. They link up to Godhunter and Soulbound in subject matter, and lead directly into…

(You, you won’t escape me, I’ll rise from the deep/In this final moment, no words left to say/I can’t let you be when a life fades away/You, you won’t escape me ‘cause I’ll set you free)

(Dark matter falling from the sky/Dancing flames reflecting in your eyes as you watch them burn/Watching all your riches witches burn) 

(Remember me not for the mess I’ve made/But who I could have been/Finally I’m going home)

World On Fire, This is a Call, The Reckoning, Game Ender, The Wind That Shapes the Land, and Louder Than Words. Yeah it got longer.

(World on fire with a smoking sun/Stops everything and everyone/Brace yourself for all will pay/Help is on the way)

(This is a call to action/This is a call to arms/All lives for one, together/There are no false alarms)

(I see your face, find peace of mind/Between the madness and the sadness and the fire burning/The end of war, the great divine/We’ll see the day of reckoning)

(We will rise as one/Stop what has begun/Bringing down the main offender/If you hear me now/Scream the words out loud/We will be our own defender)

(Search within/Uncover the will to win/Turn against the tide that washes o'er/Find the strength to fall and rise again/Open up the gates, unleash the force/I am the wind that shapes the land/Old as time and twice as strong/Oceans arise at my command/I alone can carry on)

(We have the force to fight/We have the blinding light/A war is more than heard/Coming in louder than words)

Surprise! We’re not done! World with No Sun is Haggar, at the end of all things.

(I wish I could give it all back/But it's tied to the moment that I took/I followed a most selfish path/Waiting on a world that can't see me/Waiting on a world that can't see me/Waiting on a world that wants no one/Waiting on a world with no sun)

Diving Bell is the Paladins at the end of all things, and the struggle to come to terms with everything. 

And a shameless sequel hook ;)

(Wake me when the new day comes/Together we will ride the sun/The future is an empty gun/We fire onto them one-by-one)

Dystopian Fiction

This is the only one that doesn’t have anything new I think? So here’s everything in it pulled together

Dark Matter is on here because title track, but also it does end up with effects. Especially by the end… and of course the Thing that is Wrong With Earth.

(Don’t stop, don’t think/Move up, don’t blink now/On your knees pray for rain/Don’t breathe when you take your aim)

The Human Condition is the Éskhayklos manifesto. A warning of the end times. The condemnation of the parasites. The reveal of the only cure. The final extinction cycle. Also their new image song, as Cross the Line got moved.

(We have the cure for the disease/Locked down inside us/When all is dead, then we will see/We are the virus)

INFECTED is the Éskhayklos’s slow, well, infection of the Sol Federation, and their descent into full-blown terrorism. (And yes, I know the actual lyrics have ‘he’. Shhhhhh. It’s a STARSET song, it’s about a Shirogane, even if it’s sort of from Cascade’s POV)

(Here's a challenge for all mankind/The preacher man is warning of the end times/The weatherman agrees but she don't know/So she's got to go now)

Who Will Save You Now here is about Sam, and the aftermath of Here to Save You, in addition to its referenced role in the main playlist

(Alone with this vision/Alone and blind/Go tell the world I’m still alive)

Tunnelvision is Team Earth saying “no, fuck you Sanda and Torrent, we don’t care if we’re charged with treason people deserve to know”

(You took me for a fly/And fancied yourself a spider in a web of little lies/What a nice surprise/When the curtain’s pulled back, you can see the whole trap inside/And now the emperor has got no clothes/What a lovely show/When your cover’s blown, you’ll never know/'Cause you can’t see past your nose)

Codebreaker is Adam’s song! But here it’s also in conjunction with Cross the Line as the final Éskhayklos mission before...

(Codebreaker can’t you find/Can you read between the lines of code?/Tell me all that you know/How far down the hole does it all go)

(Cross the line, redefine, break away unbent, unafraid/Together we stand in the dark/Seeking the light and what is right, together we cross the line/Our journey will come to an end and then our human cause will be/Justified)

The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Dystopian Fiction is the title track for this part. With the events of The Day the Earth Collapsed, the Garrison and our heroes on Earth are at their lowest point. It really is a piece of dystopian fiction, between [spoiler] and [spoiler]. They’re fighting for something that, at that point, must seem like ‘superstition.’ And also: “Nobody can shoot me down, not just yet” is about Adam bc Fuck Canon. Even if he does, technically, get shot down.

(I’m a dead man/In the wasteland/I’m a soldier fighting for superstition/Under searchlights/In the long nights/We’ve been written like dystopian fiction)

World on Fire and The Reckoning are the two of their subset that make it over here, because they’re the two that happen before the result of This is a Call can come to fruition, and are more focused on our Earth heroes anyway.

(Sent by forces beyond salvation/There can be not one sensation)

(We’re all alone, walking in twilight/The night has been long and so many have fallen/Feel no remorse, light will be breaking/Our freedom is worth it all)

Endless War

Dark Matter is here because it always is, twining through everything else.

(Don’t stop, don’t think, don’t look back/You’re a bolt of lightning in the sky now/Don’t stop, don’t think, don’t look back/I’ve pulled you in, nowhere to hide now)

I Am the One links into Eater of Worlds as sort of the begining, sort of during Apocalypse 1992. Our Fifth General has her realization about [REDACTED] far, far before Team Voltron does, because she’s there in the thick of it during Through Apocalypse Skies. Inferno is here out of disgust on the second Fifth General’s part

(I am the one/I hold the dreams from fallen heroes)

(How do you keep your head high? Tell me what you see in the mirror/How can you stand the presence of the devil's eyes?)

(We are gods, we are monsters/We create to devour/Not for love but for power/What’s a life worth in the end?)

(From the caves beneath Dundee/Ancient hermit arrives/A messenger to the war in the stars/Korviliath is nigh!)

Ashes is also from the second Fifth General, a solemn promise to let her figure it out herself, and to guard the flame while she does.

(What will we do when the world it is ending/And time it is halted for friend and for foe?/Try to hold on to the time as it passes/I'll tend to the flame, you can worship the ashes)

The Truth Beneath the Rose is her doing just that. Also… kinda connects to a song in the main playlist, but not very obviously.

(Blinded to see the cruelty of the beast/It is the darker side of me/The veil of my dreams deceived that I have seen/Forgive me for what I have been, forgive me my sins!)

Raise Your Banner is The Fifth General’s newfound resolve as she starts collecting allies against Zarkon’s empire.

(Wake up/I’m defying you, seeing right through you, once I believed in you/Wake up/Feel what’s coming deep within we all know)

Silver Moonlight is cracks forming in The Fifth General’s new set of alliances and her desperate and occasionally rash attempts to get them to believe in her goal. Not just the main one to take down the empire, but the one that will allow them to do that.

(I’m impatient, but it’s colors that I need/Too many shades of grey, I cannot breathe/The dreams I have ain’t tainted, I need you to believe/The only way to make them real, oh)

Endless War is the title track, connected to Catalyst, Holy Ground and I’d Rather Burn as a specific event but also sort of encompassing the Fifth General’s motivations throughout the series. She’s “hunting a miracle” that is also those colors from Silver Moonlight, and then the end of Endless War kicks in with Holy Ground, and the Fifth General’s final stand in I’d Rather Burn. 

('Cause you’re fighting an endless war/Hunting a miracle/And when you reach out for the stars/They just cut you down/…/Is it worth dying for?/Or are you blinded by, blinded by it all?)

(So in a world of silent people/We dared to make a sound/Sometimes the fire has to take you/For you to burn them to the ground)

(You got inside my head, I want you out/'Cause I’ve been betrayed on holy ground)

(Won’t let you take my soul away/I’d rather go to the stake/I’d rather burn)

Empty Eyes is [long spoiler beep].

(I don’t know where I’m going/In search for answers/I don’t know who I’m fighting/I stand with empty eyes/You’re like a ghost within me/Who’s draining my life/It’s like my soul is see through/Right through my empty eyes)

Design Your Universe

okay this playlist is DM canon. But it’s not the DM canon we know and love. We will get to see at least part of it. Eventually. 

Dark Matter, because it’s not DM without it

(So climb up and come clean/Move back the smoke screen/It's all here, it's all you/Get clear on the darker view)

Divide and Conquer explains where things changed from the DM canon we know and love. It’s about how a dictator, no matter their intentions, is never the correct choice.

(Seek the mastermind/The one who’s always right/We’re searching now and endlessly to set us free/Seek the mastermind (Seek the mastermind)/There’s no one you will find)

Martyr of the Free World is a very specific piece of that change from main canon, the martyr of the Blade equivalent, while Black Smoke Assimilation is what she leaves behind

(If you gun down the messenger/You guarantee that she will be made/Into a saint/A martyr of the free word)

(Out of reach/I planted you, the seed/You're learning to believe/That you're the one that changes everything, everything)

Cosmic Vertigo is here for the same reason as in the main playlist

(Just enjoy it while it lasts/Cling not to the broken past)

The Land of Unicorns is Gloryhammer finally making a comeback, and Team Voltron meeting up with, well, Team Voltron.

(Ride far away, cross the mighty River Tay/Over mountains into the unknown/Follow your heart, let it guide you through the dark/To the Land of Unicorns)

Return to Me is another fight over the Black Lion, but the players aren’t who you think, which is the final goal of Storm the Castle

(Return what you have taken from me/Rightfully mine, I will not allow this, thief/Think you know this weapon in your hands?/You are a fool, I am his only command)

(We will not be prisoners/In a kingdom taken hostage by her crown)

Unleashed is from the perspective of The Matriarch, for once, showing a little about how this version of her was not particularly willing

(Where was I meant to be?/I feel I’m lost in a dream/Long for the day I can be myself/Free)

Hootsforce is mostly here bc it’s fun. But it’s also about a final battle.

(Fight for the king, for the hammer and the ring/Fight for the ancient story)

Design Your Universe, as the title track of this one, is all about how a simple change can change the world. It’s also uh…. pretty literal

(We can’t undo what we have done/So show us now what we’ve become/Confront us with our viciousness/And our weakness/We can’t evade our destiny/So show responsibility/For we all surely have a sense/Of our consciousness)

Filaments

Filaments! It has become utter chaos in here since last time. So much it requires a companion playlist. Oh yeah did I mention there’s a fifth playlist now?

Dark Matter is here because, well. A) Title track, B) yes, it still has effects. It’s the overarching theme, after all. Filaments sort of has a subtitle itself, which is ‘The Undoing,’ after the other part of the lyric that the subtitle of the main playlist comes from. It’s about undoing a past mistake (that wasn’t obviously a mistake until much later) and reconciling the events of Your World Will Fail.

(I am the keeper/I am the secret/I am the answer/I am the end)

Filaments is the title track of this part. It’s… a little hard to explain without giving away the entire plot but it’s about the connections between different parts of the universe, and some fall-out of Cosmic Vertigo and Louder Than Words.

(These glowing filaments/Conducting this enchanting/Sarcophagus that’s holding us)

Starlight is, again, Adashi song, and this time the happy part

(Don’t leave me lost here forever/I need your starlight and pull me through/Bring me back to you)

Carry Me Home is its eponymous fic.

(Carry me home to the morning light/carry me home before you wave me goodbye/Oh, carry me home…)

Know that stuff in Carry Me Home about “The record skip that only [Keith and Krolia] can remember”? Yeah, Prognosis is a huge step to figuring that out. And then it’s time to go into The Breach.

(How long is the body beholden?/How long 'til we run out of road?/Deep down in the black of the ocean/Fading from the glow)

(Follow me/Follow me now once more into the breach/Can you see?/Can you see how this is the way to destiny?)

The timey-wimey ball gets tossed around more in Blackstar. Partially due to [REDACTED] and a certain terrorist’s reemergence, but also due to Prognosis-related stuff

(They'll let you try/To reverse everything/Don't waste your time/Sing Hallelujah 'cause you can't change anything)

Eon straight up plays Calvinball with the timey-wimey ball and gets the Paladins stuck in a groundhog-day situation, and the only way out? Isn’t good.

(If time's a song, I won't wait for its reprise/I am done wishing farewells and goodbyes)

There’s some nebulous chaos in here, more timey-wimey shenanigans, but also guess what comes back? Something Wicked

(And it clawed/Back in the world again/Here for a new revenge/An enemy I can't condemn)

Okay, here’s where it becomes so chaotic it requires two playlists. The Art of War is Cascade finally showing his true colors, and the Sol Federation not having a good time. (And the Coalition is going to get dragged down with them) But the consequences…

(I can remember all the days of violence/I can remember all the days they fought for rights/When men united all by fear and interest/I mustered them with hopeful promises I've broken)

The Future is Now, No Remorse No Regrets, and Trespasser sort of take place during that, sort of after, while Team Volton is trying to figure out what happened to their Black Paladin, why, exactly, their sensors are so incredibly broken, and where the fuck Krolia went. Meanwhile Keith is having an argument with himself.

(They said there was no way/But they forgot the black hole in the sky/Yesterday is nothing/I have half a life to rewrite)

(Lies but never a liar/Takes but never a thief/Leaves with only a cross to bear/What it gives is yours to keep)

(Where's my heart?/I want to feel whole again or nothing at all/Where's my soul?/Because I'm not myself)

Centigrade is the beginning of the end, and [spoiler] realizing just what is going on.

(What did you hope to find adrift and lost in time?/Is this the end ready to begin?/It's time to escape the fate of destruction, excavating within until salvation/No longer pretend the future's a lie from a past you cannot hide)

A Theater of Dimensions is. Well. You’ll see. It’s a little hard to pick a lyric from AToD, I'll say that much.

(I’ve seen our freedom in the mist of time/The old signs I’ll follow and the day of relief will be yours and mine)

Redemption is the end of an argument, and much the same as the last place it was. It is such a quiet thing, to fall… far more terrible is to admit it.

(To know that your days are numbered/To know that your time is short/Death is what gives life meaning/So who will you be at the end of the road)

And then there’s Afterlife. Fitting to end on a UtA song, after everything, especially since The Immortal has repeatedly throughout DM been a metaphor for Voltron. Also fitting that it’s this one, considering the parallels between the end of The Immortal’s story and Filaments

(But with such power, think how you could rule/Hold to your promise to watch over those in despair/Why would you choose to serve when you could be master of all?/Be true to your honor and fight for a world that is fair!/Out of shadow, out of darkness, welcome to the light/As the day shines boldly over night/Follow me to finally be who you are inside/Open wide, embrace the afterlife)

Oh yeah. Here’s the other half

For Who I Could Have Been

Your world will fail my love, it’s far beyond repair…

Dark Matter and Filaments, but of course

(Tear down hollows/Take back eternity)

(A prisoner of time and space/Construct we can't escape/A fleeting moment alive)

The Art of Bargaining is the aftermath of The Art of War. It is… an argument, for lack of a better term. No Remorse No Regrets and Widowmaker are the results, and where Team Voltron begins to lose. Lose the plot, lose the war, lose… themselves. God will shield his eyes because he is not there. 

(I might be guilty but can a person change/I'll say it like I mean it but believe it, that's insane/You're only making this harder/I'll make you an offer/An offer you can't refuse)

(The one I loved/Is the one I see/And what I'd give is not enough to bring her back to me)

(Rise above the shadows putting forth your hands/God will shield his eyes in spite of all your prayers and he will not hear/Your hands, stained of blood/What have we become from a smoking gun?/What have we become)

Centigrade is Team Voltron attempting to fix the mess. Unfortunately, that might not be possible, given what they’re missing. After all, Your World WIll Fail

(Burn and incinerate/Dark matter you contain/Forging a new life/Erasing what you used to be)

(Your world will fail my love/It's far beyond repair/Your world will fail/If you are alive you must run for your life)

So they fall back to The Future is Now, which slams almost directly into Theater of Dimensions. 

(They said there was no way/But they forgot the black hole in the sky/Yesterday is nothing/I have half a life to rewrite)

(I’ve seen our freedom in the mist of time/The old signs I’ll follow and the day of relief will be yours and mine)

Redemption is the end of an argument, and much the same as the last place it was. It is such a quiet thing, to fall… far more terrible is to admit it.

(To know that your days are numbered/To know that your time is short/Death is what gives life meaning/So who will you be at the end of the road?)

Elysium and Endlessness are the final things needed to fix everything. 

(Sailing beyond the astral field/Wide eyes accept the light no mortal eye has seen/Rapture/Hear the angels sing/Craving for something more beyond the open door/Resembling something like a dream/Is this what it means to be free?)

(Soon, beyond the fields you've come to know/You will join the silent flow/Follow me, I am the spark/At the end of everything/Tip the reaper to ensure/The blade is sharp/As soon we'll go/Follow me into the dark/To the birth of everything)

They are An End, Once and For All. But also the birth of everything. There is a bit of truth to every myth, and a lie to every story. One cannot live without the Other. Saviors, conquerors, heroes, villains, who can tell the difference, in the end? The world cycles on without them. 

[f-117-nighthawk]

Playlist Update? From MY Brain? More Likely Than You Think

can't remember the last time I posted these all together but I just put a few new songs in. I've been playing Arknights bc STARSET songs keep being used in the trailers, and then I was listening to Transmissions while making dinner, and uhhhhh there's two new Transmissions songs on the playlists, plus whatever else the spotify links needed to update to my ever-changing apple versions.

This is just the main playlist, because this one is now 3h 40m, and the other three playlists are about an hour each. I’ll give them their own post tomorrow. Under the cut, because it's also Write Random Snippits and Include Important Lyrics time

Dark Matter

Surprise surprise, this one’s got probably the most work done on it. A lot of that is moving things around, a few deletions, and the additions.

DM now starts with Your World Will Fail, Dark Matter, and Eater of Worlds. Turn the Lights Out still kinda applies, but I stopped vibing with it starting everything, and wasn’t really sure where else it should go so it got dropped. It’s role is sort of picked up by a UtA song later? Anyway, the opening three are still very much about not only the birth of [REDACTED], but the birth of the universe itself. And that’s why it feels better to start out with YWWF. Because it is the start.

(Your world will fail my love/It’s far beyond repair/Your world will fail my love/It is already there)

(Bring me your soul/Bring me your hate/In my name you will create/Bring me your fear/Bring me your pain/You will destroy in my name)

(Can’t imagine the violence/The rage and the love in my madness/I am the eater of worlds and I’m looking for someone to feed me)

Remnants of Stars is a hook to Filaments at this point, but stays way up here because the thing it’s about connects back up to those three ^ and is something slowly realized by the Paladins throughout the series. There’s kinda three different points that they realize something new about this (at the moment, I Am the One, Cosmic Vertigo, and Centigrade).

(Shed all you know and make way for a galaxy of light/Answers found hidden inside the smallest stone/Bringing forth a new way of life/Open your heart to the sky)

Apocalypse 1992 hasn’t changed. Still about The Fall, still the turning point for the entire damn war. Still about poor Krolia. Still the Rogue One of DM. It happens between parts of Awakenings, detailing the rise of [REDACTED] and the final hours before the destruction of everything sentient species knew beforehand.

(Fly high through apocalypse skies/Fight for the world we must save/Like tears of a unicorn lost in the rain/Chaos will triumph this day)

Apex is the final moments of Apocalypse 1992 from the Red Lion’s perspective, and connects nicely (just as in the albums lol) to the next UtA songs. Which we’ll get to in a bit.

(Brother mountain/Now we sleep/For a thousand years/I will see you again/Something is coming/Coming for me)

You Keep What You Kill covers the slow degeneration of the Empire between The Fall and the Battle of Arus. The knowledge harshly taught by the Thuanial War is forgotten under the influence of Zarkon, Haggar, and [REDACTED]. Marzin and Galraasa quickly rise the ranks as the Empire’s left and right hands, like omens of destruction before them. The four are the ‘holy half-dead,’ the ones who shape the devouring of the universe before them.

(Defying dimensions/These ruthless creatures will steal your soul/Breaking away from the chains of mortality/They won’t be taken down/Bow now to the holy half dead/The master to death mongers calls)

The Glory and the Scum is partially here bc I missed having Delain, I’ll freely admit that. (Delain split up! Like six months ago! I’m still sad!) Here, it’s (most) of the reason why Krolia isn’t around until MGHM. Think Winter Soldier-ish. It’s also from Krolia’s perspective as she’s talking to Kolivan in a conversation I implied in Shatterpoint. Perhaps it shall see the light of day.

(Look at what we've done/Take a step back/Shake your head at what we have become/We're the glory and the scum)

The Seven Sisters is about Keith, mostly, and connected to Closure via its influence on Child From the Stars (Lost in the Dark) and also to Memories of a Girl I Haven’t Met. Also the thing about the Pleiades has kinda become A Thing associated with my two favorite halfbloods.

(I cast my hope upon The Pleiades/The Seven Sisters who would come for me/They’d fall to Earth to grant a child’s dream/But I’m still waiting)

Starlight is the Adashi song. Here, it’s the sad part, based around the time that the SFSS Genesis launches for Kerberos. It also is sort of about Shiro’s thoughts throughout the war as he watches ‘from distant skies’ (and influences String Theory kinda)

(At night the earth will rise/And I’ll think of you each time I watch from distant skies/Whenever stars go down and galaxies ignite/I’ll think of you each time they wash me in their light/And I’ll fall in love with you again)

Waking Dream and Abyss are Awakenings. They’re specifically the Red Lion waking up on Sendak’s ship to her new Paladin, but also sort of the rest of the Lions as they find new Paladins for the first time since The Fall (and, also, an accidental hook to the end of Filaments just by virtue of being on the same UtA album…)

(Centuries like flowing streams as years go rushing by/Waiting in the dark for afterlife)

(Open my eyes in a daze/How long has it been? Am I so out of place?/Warmth I can no longer feel/My mountain is gone, I’m surrounded by steel/The strangest of structures arises ahead/Seems to be held up by nothing/Where have I gone, do I dream?/How can the stars be all I can see?)

Who Will Save You Now is about the Paladins in First Contact. It’s the video messages they send to their families, the warning that Something Is Out Here that they need to prepare for. It’s a declaration of protection for Earth, but a recognition that the Paladins may not be able to do what they say.

(I will not take from you and you will not owe/I will protect you from the fire below/It’s not in my mind/It’s here at my side/Go tell the world that I’m still alive)

Then there’s The End of the Beginning. Which is, well, the eponymous fic. And don’t forget the String Theory connection! Fun fact: part of the last chapter leads directly into part of String Theory at the moment.

(Every night I die just a little/All this time, I’m caught in the middle/All your life, you fought with no winning/This is just the end of the beginning)

A Simple Plan is about anything but a simple plan. Lotor is making his secret bid for the construction of the Sinkline ships, but there’s one more thing he needs before it can come to fruition. Haggar has suspicions, and knows one thing that she needs to keep from both him and Voltron. Team Voltron is still struggling to fit into their new roles, especially with a Black Paladin who adamantly does not want to be Black Paladin, and is in desperate need of one thing to fix the last of the damage done during the Battle of the Sarnan Nebula.

(How long can we hold off ending?/How long can we pretend we’re ok?/No one goes on fighting it forever/I know I’m better this way)

Memories of a Girl I Haven’t Met. Such a short song for such an important fic. It skips all the way over Naxzela to the Mission to the Baaria Shipyards, the first major offensive that isn’t somehow connected to canon (even if only a very very small part of it is actually at the shipyards lol). This is also the song that solidified Keith’s very queer identity in Dark Matter. And more Pleiades stuff!

(In this lonely place, bathed in silence and thoughts of you/I can’t see your face but I’m trying to envision you/So are you really out there? Are you awake with memories/Of a boy you haven’t met yet who’s wished upon the Pleiades?)

There’s another fic in here that I’m still waiting for a song to catch my ear, but it’s pretty big so I’m putting it in here. For the moment, it’s called MGHM 2.0: Electric Paladinloo. Featuring the Whispers, Voltron, and a few mullets.

And then. Hoh boy. The beast of beats. TRIALS (reimagine), Dark On Me, String Theory, and I Am the One. We’ve got [REDACTED], we’ve got [spoiler], we’ve got the first major turning point in the entire war, and the first revelation of the true nature of [REDACTED]. Hence the honor of being the separation point of my two main DM folders. TRIALS is the first part, the horrifying realization. Dark On Me and String Theory itself are from Shiro’s perspective. I Am the One is… an image song? I guess? That’s all I’ll say on that. (I would like to note that the STARSET songs bar OWtT tend to be about the Shiroganes…)

(Hear me from the bottom/Forged in regret, I'm the silversmith/Doomsday, you we had it coming/Marching the streets with an iron fist/Obey no more in silence/The steel in our hearts will be monuments/Today, they'll hear the violence/We'll rise from the dark like Lazarus)

(You're the cause/The antidote/The sinking ship that I could not let go/You led my way, then disappeared/How could you just walk away and leave me here?/Light the night up, you're my dark star/And now you're falling away)

(You don’t believe in space/You don’t believe in light/You don’t believe that anything is well beyond your might/We walk across the sky and beneath the ocean floor/We’re never going anywhere we’ve never been before)

(I am the one/I am the architect to rule your fate)

House on Fire is the aftermath of String Theory, and a large vibe of We ARE Struggling Together! It’s about family, never letting go of something you care about, and the slow act of trusting.

(So I’ll just hold you like a hand grenade/You touch me like a razor blade/I wish there was some other way right now/Like a house on fire we’re up in flames/I’d burn here if that’s what it takes/To let you know I won’t let go of you)

Belgrade is The klance song! It is a) a bop b) always stuck in my head because it is That Good. The line in the chorus about ‘sweet songs of seduction’ is eternally funny to me bc a)they’re both ace and b)QPR’s don’t usually involve seduction. Belgrade also leads almost directly into…

(We pretend in the darkness/We pretend the night won’t steal our youth/Singing me the sweet songs of seduction/Let me be the fool, fool, fool/Who will live and die for you)

Here to Save You is about Sam. Mostly. It’s also about Pidge. And Zaivorge cannons.

(A slave for humankind/I made sure I would survive/To stay alive/Now it’s time to move on/When there’s nothing left to prove/I’m coming to get you)

Iron is the third Closure fic (the second is End of the Beginning, forgot to mention that. They’ve slowly moved away from actually being related to it in anything but name and general idea). It’s about Keith coming to terms with parts of himself, and learning how to use them to great effect. Also has a huge info dump about the Blade.

(You can’t live without the fire/It’s the heat that makes you strong/‘Cause you’re born to live/And fight it all the way/You can’t hide what lies inside you/It’s the only thing you know/You’re embracing that, never walk away)

The second major turning point in the war is Monarch, Birthright, and Firewall. I really recommend reading the whole lyrics for Monarch, because the entire thing is very much a Lotor song. I had a bit of trouble picking a lyric to use here. Monarch is here because Lotor is also the ‘singer’ of Birthright, and both songs are to a very specific high-level target of the Coalition. Firewall is a little different as it’s a Team Voltron song not a Lotor song, but happens because of the same thing the other two do. They’re all not exactly a direct result of Iron, but they wouldn’t happen how they do without it, and then [REDACTED] swings back into the fray and things learned in String Theory/the framing story for Through Apocalypse Skies hit in full force.

(I am not the person you remember from before/The one you patronized and stepped on, the one you hurt/And I have pulled the arrows, now my skin has become stone/No longer am I prisoner to your empty fucking words)

(The voices in my head have all begun to sing/(The voices in your head have all begun to sing)/And they sure as hell hope I am listening/(I sure as hell hope you are listening!))

(They come to your dreams with illusion/They come to bring shape to your mind/You know how to stop the intrusion/We all have to fight for our lives)

and then, The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Here Comes the Reign doesn’t come into full effect until several months after Birthright/Firewall, but starts with The Day the Earth Collapsed. It’s largely about Haggar and [REDACTED]

(You made something they can’t take away/Now bring the fire of the burning sun on everyone)

Supersonic is here… kinda as a placeholder? Things have shifted around since its original purpose, and frankly it’s here still as a framework for what I like to call The Meme Battle. It’s generally about the increase in Coalition support and general winning as they go after warlords in the aftermath of Feyiv, culminating in I Need a Hero which is, of course, The Meme Battle.

Yes, it’s the Shrek version. It’s the Meme Battle.

(Supersonic, polyphonic, this is our war/Mustering the armies, marching faster than before)

(I need a hero/I'm holding out for a hero 'til the end of the night/He's gotta be strong, and he's gotta be fast/And he's gotta be fresh from the fight)

But Tonight We Dance isn’t exactly a klance song, but it’s here for them. On a diplomatic mission gone wrong, the Red and Blue Paladins of Voltron uncover a literally-buried government conspiracy, a rebel cell, and nearly die. A normal days work for the two of them. But they’ve really gotta stop having relationship milestones in the middle of a warzone.

Another reason it’s here is Tonight We Dance is a very aro song to me. “A language universal, but I speak not its tongue” hits hard. I felt like I needed a bit in here to remind listeners/readers that romance isn’t a language Keith speaks. And it becomes very explicit in this fic, just like Belgrade.

(Tomorrow we might wake in servitude and silence/I will give you everything if only you would have me/Tomorrow we will sweat and toil/Our hands will quiver, caked with soil/Tomorrow we'll give it one last chance/But tonight we dance/But tonight we dance!)

But Tonight We Dance is the last of the Closure fics, which is why it’s here. Closure in general is a lot of Keith’s character development and some of the struggles he goes through to accept his place in the universe and the fact that yes, he does have people that care about him. The last fic is me shining a brighter light on Closure’s chorus and taking a ‘last goodbye’ as never needing to say it again

(I am the child from the stars/That got lost in the dark/Between heaven and hell/I am forced to live on/I am the cause when you sin/I am the demon you skin/But there is no more tears to beautify/This is my last goodbye)

Then we step back into the universe-level action with Soulbound. Revelations from String Theory and Firewall swing back in with a vengeance on a joint Whispers-Voltron mission, leaving them reeling and Krolia questioning her very identity.

(Soulbound, endlessly forever/Locked between the darkness and the light/Don’t drown in the swarming, blackened rising/Hold on to humanity and fight)

About three months after that is My Darkest Hour and Faster Than Light. Haggar realizes something and goes searching for her fifth [spoiler], sending the Blade and the rest of the Coalition scrambling. These also lead directly, and I mean directly, into…

(When the sun comes crashing down/When the world is spinning round and round/I will face what must be my darkest hour)

(Once more we’re flying fast as light/Dark matter passing in the night/Pursued by a force we can’t outrun/As we hurtle towards a dying sun/We maneuver through the remnants of a moon/On the solar winds of supernovas/There is not a place to hide, the Matriarch is close behind/It’s plain to see she’s coming for us all)

Cosmic Vertigo and Other Worlds Than These. Together they are the second of two revelations in what, exactly, is [REDACTED]

(Banish me like burned down planets/Write my fate with sparkling lies/I am the universe; you're just one sky)

(Pull the wool out from your eyes/It won’t shade your frail belief/In the end we cannot hide/There are other worlds than these)

Godhunter is Team Voltron, well, hunting for gods, even as one of them disappears.

(She’s been watching for a century/With hatred, and with scorn/If you know the hunter’s coming/Then you hide or keep on running/'Cause she’s slain the gods before)

Trophy Hunter, Ember, and Redemption are the culmination of Godhunter. I’ve been thinking of them as akin to the suicide mission in Mass Effect 2, if that gives you an idea of what the hell they run into. Also I switched which specific Redemption is on the playlist, because I was listening to Red Handed Denial again and their Redemption was vibing way more than the Hammerfall one. They link up to Godhunter and Soulbound in subject matter, and lead directly into…

(You, you won’t escape me, I’ll rise from the deep/In this final moment, no words left to say/I can’t let you be when a life fades away/You, you won’t escape me ‘cause I’ll set you free)

(Dark matter falling from the sky/Dancing flames reflecting in your eyes as you watch them burn/Watching all your riches witches burn)

(Remember me not for the mess I’ve made/But who I could have been/Finally I’m going home)

World On Fire, This is a Call, The Reckoning, The Wind That Shapes the Land, and Louder Than Words. Switched the order up a bit so it makes more sense chronologically, because the message ‘sent by forces beyond salvation’ has to get there before the reckoning can begin.

(World on fire with a smoking sun/Stops everything and everyone/Brace yourself for all will pay/Help is on the way)

(This is a call to action/This is a call to arms/All lives for one, together/There are no false alarms)

(I see your face, find peace of mind/Between the madness and the sadness and the fire burning/The end of war, the great divine/We’ll see the day of reckoning)

(Search within/Uncover the will to win/Turn against the tide that washes o'er/Find the strength to fall and rise again/Open up the gates, unleash the force/I am the wind that shapes the land/Old as time and twice as strong/Oceans arise at my command/I alone can carry on)

(We have the force to fight/We have the blinding light/A war is more than heard/Coming in louder than words)