#arctic animal cartoon

[cluedoenthusiast]

🔈[X]

[m00nb04rd5]

Captain Barnacles (Octonauts)

[gameraboy2]

Jonny Quest (1964), "Arctic Splashdown"

[annavaldezart]

Fox Portal!

[domono08]

Redesign of My arctic fox oc Tundra.

Yes, her culture choices are reminiscent of Blaze.

[dailybehbeh]

Behbeh

[statichex]

Dragon Fox Discord Stickers

Just some cute little sticker freebies I shared on discord over the weekend. I did a mountain, desert, and tundra version of the stickers and may do more as I really love how they turned out.

[speilsese]

Copy & paste this in Google Translate Auto Detect & into English:

Chuidich na beòthachaidhean sin mi gus mo leasachadh mar an neach a tha mi. Ge bith dè an ìre de Inbheach, Jock, Janegirl no Nerd a th’ annam. Bidh mi an-còmhnaidh a’ comharrachadh mo thraidiseanan mar an teis-meadhan airson cò tha mi -Nate St Aidan- mar Fhrangach-Quebec, Acadien, Gàidhlig, ('s dòcha Metis) Neo-nàiseantach, Neach-iomairt, Ceannard & dìonadair.

Bidh mi a’ coisrigeadh a’ mhìorbhail seo a thaobh far am biodh daoine beòthail nan robh cothrom aca air beatha nas fheàrr no eadar-dhealaichte ann an Atlantic Canada. Dìreach mar a tha Glooskap & alt beul-aithris a’ fuireach an seo am measg cridheachan is subhachasan sgeulaichean.

[one-trick-human]

[captoons]

Recent Character Drawings - Mar 28th

[falhiyousri]

(via penguin lover Pullover Sweatshirt by YOUSRI FALHI ⭐️⭐️⭐️⭐️⭐️)

[cluedoenthusiast]

i hope this makes sense

[ranilla-bean]

The Iconoclast: Appendix

This is the appendix for my fic The Iconoclast, in which I will discuss some of my cultural and historical inspirations for the worldbuilding.

Disclaimer: I'm certainly not an expert on or practitioner of all the cultures I took inspiration from. In outlining my influences I hope to show my admiration and give appropriate credit to them.

Contents

Intro

Religion

Martial culture

Talent show

Miscellaneous

The Iconoclast is set in the same world as ATLA, about 800 years before the era of the cartoon. I was inspired by 10th-11th century societies; the Fire Nation is inspired by the Khmer empire, Kyoshi Island is inspired by Heian period Japan, and so on. Of course, the aesthetics of Hari Bulkan are heavily inspired by Angkor—Virtual Angkor was a huge help in visualising the city. 

The immense population of Angkor was sustained by intricate water management techniques. The Khmer built reservoirs to collect water and sustain agriculture through the dry season. However, the impressive structures of Angkor had a dark side: they were built by enslaved labourers. Enslaved labour was extracted through human trafficking and debt bondage. In The Iconoclast, I integrated the institution of slavery with the caste system.

The exception to my adherence to periodisation was in the Inuit traditions that inspired the Southern Water Tribe, as the 10th-11th centuries appear to have been a period of migration eastwards across the Arctic for Inuit people. In addition to this, periodisation in Inuit history is more difficult to reconstruct due to the colonial destruction of knowledge. As a result, I took broader inspiration from pre-colonial Inuit culture.

Religion

The Fire Nation is based on the Khmer empire, which in this period adhered to Hinduism before the uptake of Buddhism. The cult of the Devaraja (lit. “god-king” in Sanskrit) arises from the specifically Southeast Asian branch of Hinduism. The Devaraja is regarded as the avatar (in this case, a human incarnation) of Vishnu. The Khmer king was marked out by dress: he wore a golden crown, or a wreath of flowers. His palms and the soles of his feet were stained red. He wore a sampot patterned all over with flowers—the more flowers, the higher the status.  

I conceptualised Zuko as being seen as an incarnation of the sun. Following Hinduism, this would be Surya. Fanon tends to use “Agni”, in fact the god of fire. Either way, as a non-practitioner of this religion, I’ve personally avoided using gods still worshipped today in my worldbuilding. My inspiration has largely been in the philosophy of religion.

Such philosophical ideas include: dharma, avatara, ahimsa, and brahman vs. atman. I found the Bhagavad Gita highly informative in developing these concepts—themselves debated in Hinduism—as well as ideas about the dilemma of Arjuna and the imagery associated with Krishna. I had an enlightening conversation with my friend Tana, who convinced me of the need to address the legacy of caste and casteism arising from the text. Ideas of caste carry certain baggage in the western world that I wanted to pare back, hence the differing terminologies of “in-” and “out-caste” used in The Iconoclast.

The philosophies of Hinduism overlap with and develop in slightly different ways in Buddhism, which I explored through Choden. One instance is the Hindu notion of the Chakravarti, an ideal universal emperor (lit. “the one whose wheels are turning” in Sanskrit). A non-secular Chakravarti would in fact be a Buddha, someone who has reached enlightenment. Since Choden is the one who introduces this concept, I used the more literal term “the Turner of the Wheel” to disambiguate from “Buddha” (which immediately draws certain connotations), and also to draw a more direct relationship between the Arjuna imagery associated with Zuko.

This religious worldview stands in contrast to animism of pre-/early Shinto Japanese religion and Inuit spirituality, as reflected by Suki and Sokka. Princess Mononoke was in fact a huge inspiration! I conceived of the kami in the context of Shintoism before the major influence of Buddhism; Suki also worships at a kamidana shelf.

For the Inuit, all things have anirniq, “breath/soul”, which lingers even after death. Therein lies the tension: between the need to hunt for survival and the vengeful soul that the act of killing liberates. The website I used as my source has a great quote on this: “the great peril of our existence lies in the fact that our diet consists entirely of souls.” These souls must be placated through ritual and observance of taboo. 

Importantly, I was interested in how each practitioner of religion approaches that philosophy in their individual ways, so none of the characters are perfect “representatives” of an ideal embodiment of that religion. Zuko is wary of his god status. Choden’s obsession with Zuko as Chakravarti makes her an outlier among the airbenders. Sokka trusts his “material” technologies of survival (i.e. weaponry) over spirituality, even though he practises the rites still, such as the smearing of lampblack and ritual words.

Martial culture

Sokka’s weapons generally mirror the ones he had in the show, with some additional embellishment. The snow knife is used to cut snow, but applied into a martial context by Sokka. The metal is sourced from a meteorite and cold forged; my inspiration was the Cape York meteorite, which Greenlandic Inuit used to fashion tools. Sokka’s club is made of jawbone, the strongest bone and stronger still from a herbivore. I combined the caribou and wombat into the “caribombat” for this, a nod to both an important Arctic animal to Inuit culture and to Sokka’s antipodean roots.

Suki is based on early samurai. She uses the fans from the show, but instead of the katana (which we see her wield in “Appa’s Lost Days”) she uses a tanto, which is a kind of predecessor of the katana and can be used as an offhand blade or a weapon in its own right. Women could also carry a smaller version of this blade for self defence. Her armour is Heian period do-maru armour, which was a lighter development on older styles of armour, made of scales of lacquered leather. I was particularly in love with the idea of her having a helmet and a men-yoroi mask, which was used as facial armour.

Zuko’s fighting style is inspired by bokator, a Khmer boxing style. He uses the short sticks instead of the dual dao, which can become truly dynamic weapons!

Talent show

Suki’s performances are based on the Japanese tea ceremony and bianlian from Sichuanese opera. The preparation method of the Japanese tea ceremony—whisking powdered tea—is in fact borrowed from the Chinese Song dynasty, which fits the time period of the world. Bianlian involves a performer very quickly changing a series of masks to a secret technique. It’s way more fun to watch on video than to read, I admit!

Osha’s dance is… meant to be the royal Cambodian ballet. The dance evokes the apsaras, dancing celestial beings in Hindu culture (incidentally, they are depicted on the walls of the fire temple on Full Moon Island). And just like western ballet, it takes years of training and skill to master!

Miscellaneous

Druk is, in this conception, a naga instead of… whatever unholy mix of cultures’ dragons LoK drew him as. Nagas are found across South and Southeast Asian cultures, and in Khmer culture they are typically represented as serpents—sometimes with multiple heads. They are associated with water, prosperity, and various other positive connotations. There’s a whole rabbit hole I don’t really want to get into about why I’m putting a water-associated creature in the Fire Nation (East Asian dragons are associated with water too!) but I do want to point out that there is a natural phenomenon on the Mekong called “naga fireballs” so… I’m running with that. 

Full Moon Island is Crescent Island… before the eruption that turned it into a caldera.

Osha’s name is not a health and safety pun; I’m not American and I call it WH&S, it was a total coincidence. It means “shining” in Sanskrit—apt for a Fire Nation character, I think. 

[purpledemonlilyposting]

Oh look a blatant self asking talking shit.

[Lily's Post]

Lily people tell each other they hope you cover a thing they like as a CURSE. It is a wish of doom upon their fandom. Are you just whining that people tell you to watch FMA: Brotherhood cause it's really good again? You know it's based on award-winning manga drawn and written by a woman right?

And you get your paycheck from tearing down other peoples' creative output, Lily. Can't complain when someone does it to yours. Don't you only review children's fantasy adventure cartoons you hate because you have to "pay your rent"?

The money I get from laughing at you is like 3rd down the list of my income streams.

Way to prove you have never listened to a word I've said about Utena. I'm not the one who focuses on the allusions to Greek myth and esoteric French literature, that's a bit beyond me. Save that for the essayists on Ohtori.nu. I just talk about the plot and the symbolism cause I'm sick and tired of people who have only ever experienced Utena as an aesthetic mood board pretending they know what it's about.

You OUTRIGHT ADMITTED you spoiled the manga out of sheer spite.

You're such a child. You got called out for trashing a show you very evidently didn't even watch and so in retaliation you made a new video in which you spoil the ending of of the manga without any warning. And you had this video labeled as "First Impressions" for a while. Nobody expects ending spoilers of an unfinished anime adaptation in a first impressions video you absolute petty little bitch.

It's not a good anime, Lily. It's a dull moeblob fest the only purpose of which is to get 4 high school girls on a big technical ship. The writing is incredibly lazy, contrived and relies on increasingly improbable coincidences to get the characters from point A to point B.

And it's not like the girls in the show are actually interested in arctic research or science or ship work. Its just let's get 4 ditzy moe joshi kosei on a big ship to appeal to otaku men who like to goon over "pure" teenage girls next to engineering porn. You played yourself.

[atlaculture]

Live-Action Promo Pics - Katara

I’ve been hesitant to comment much on the the live-action series, as most of the discourse has revolved around the casting. I’ve already made my ideal ATLA fancast pretty well-known and I don’t feel comfortable harshly critiquing children/teens for not looking like my favorite cartoon characters. At the end of the day, it’s the casting directors that we should hold responsible, not working actors trying to make a living.

However, I have no problem reviewing the costumes--- which I presume were made by industry professionals of adult age. In fact, I’d say the goals of this blog obligate me to give my two cents. So, enjoy my completely subjective take on the promotional costumes:

Katara

What I Liked

Braided hair loopies! This has been fanon for years now, so it’s nice to finally see it done in an official adaption.

They did a good job of translating the wave pattern on Katara’s coat into something more elaborate.

The fur trim is good, although I wish the fluff around her hood was a bit fuller and thicker.

I like her hair beads.

What I Didn’t Care For

It feels like cosplay. Mind you, I love cosplay, but it’s a very different beast from movie costuming. Cosplay is about imitating the 2D designs as closely as possible; movie costuming is about taking the 2D designs and making them functional.

The blue color-coding in the show works for a cartoon, but less so in real life. A coat for a live-action Katara should look like it was made from real animal furs, and synthetic blue fur is just never going to give that effect.

The coat looks too new. It should look more worn, considering this is everyday wear for her.

In general, the coat looks nice but cheaply made. Like it could be a costume you’d buy for Halloween called “Arctic Water Girl”.

Overall, I give it 5 water whips out of 10.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

Click below for links to how I wish her coat looked.

I had a feeling this would be the direction they would take with the Water Tribe, but I still can’t help but feel disappointed. I’ve been spoiled by the better realized interpretations I’ve seen in fanart, with more realistic fur parkas and blue detailing. This is all personal preference, of course, but just take a look at all of the beautiful interpretations of Water Tribe clothing out there:

https://www.tumblr.com/ash-and-starlight/704817804388548608?source=share

https://www.tumblr.com/ash-and-starlight/693847558563430400?source=share

https://www.tumblr.com/chiptrillino/717611956655325184?source=share

https://www.tumblr.com/chiptrillino/698450671239921664?source=share

https://www.tumblr.com/chiptrillino/692656226353463296?source=share

https://www.tumblr.com/chiptrillino/642057819823243264?source=share

https://www.tumblr.com/atlaculture/719418204708061184?source=share

https://www.tumblr.com/bernard-the-rabbit/705601232213049344?source=share

[domono08]

A redesign of my fox secret agent, Tundra! Now She’s biotechnology born Arctic fox who can contort her spider like body while fighting crime!