#anyways. these 2 drive me fucking insane & this WHOLE fight exhibits it so much

[orcelito]

everyone always talks about That One panel of Trigun: Multiple Bullets, but i havent seen anyone talk about how fucking BATSHIT INSANE the surrounding fight is

like

Vash & Wolfwood fighting back-to-back, both using the punisher as a shield

(the rest under a readmore bc this accidentally got LONG...)

Vash seeing the shots coming from behind & purposefully not moving bc he knows if he does, Wolfwood would get hit

Wolfwood getting injured too, but not moving from Vash's back. the way he's stanced, it looks Protective. he's doing what he can to keep Vash out of the direct line of fire.

even when he's getting shot up for it, he Doesn't Move. (this also seems to be the moment he got hurt, which leads into the panel later)

& throughout this whole scene, we are only seeing Wolfwood's reactions.

until the girls give them an opening, and they burst out with THIS:

Wolfwood injured, so he can't properly aim the punisher... and he gets around this by sticking one of the leather straps in his Mouth

and then we FINALLY get to see Vash's face again as he grabs the punisher (with a "GAN" sound effect, so he fuckin SLAPPED that metal hand on the punisher).

Wolfwood trusts him enough to just do what he says in the thick of battle, so we FINALLY get to the iconic panel:

which brings us to the aboslute insanity of what Vash is actually Doing.

"DON DON" -> two shots fired for two missiles launched. he literally manages to TURN THEM AROUND MID-FLIGHT (interesting to note that they seem to have internal propulsion, rather than simply being fired by Wolfwood. how many of these does Wolfwood have? they seem heavy.)

he manages to avert the third missile from hitting the dude directly, and instead makes it land Behind him. then the other two missiles, he rests his arm on Wolfwood's shoulders to hit them and direct them behind the other two enemies

Boom.

killing no-one, but showing an INSANE level of fine control AND teamwork.

and in the end, Wolfwood's arm is in a cast, Vash seems either unhurt or hurt but unbothered by it (typical Vash). And Life Goes On.

(forgot to mention before, but all panels are from @trigun-manga-overhaul! thank u for the beautiful pages)

[rhysismydaddy]

An Artful Revenge Pt. 2

Feyre’s part of The Damnation Series. Part 1 is here.

I am proud of myself for finishing this shit, because it’s long as fuck. Whoops.

~Feyre~

Honestly, I should’ve known.

I should’ve known that somehow, with whatever endless resources he has, he would find me. 

That’s all I can think as I find my way into the Impressionists exhibit and find Rhysand Azara, real estate agent to the stars, leaning against the wall, sipping a cup of coffee and looking at Dancers in Blue with narrowed eyes. 

It’s been five days since our date, and like the cliché I am, I’ve spent the entire time thinking about him. I’ve checked my phone countless times, and I even decided to stalk him and Googled his name. 

When--just like he’d said--nothing came up, I googled Dancers in Pink. He said he had it, but it had been sold a few years ago in an auction to “Amren Valenta.”

Unless Rhysand had a stage name, that was definitely not him. 

I dug some more, but after three hours all I discovered was that he owned Azara Industries, which owned a lot of buildings downtown. Oh, and he never let himself be photographed. 

Which was upsetting, because it means I had nothing to stare at whilst stalking him. 

Pathetic. I am so pathetic.

But anyway, I should’ve known he’d come here. He’d said he’d call, but he didn’t have my number. Plus, I’d told him I come here pretty much every day, so really, what did I expect?

I still laugh as I spot him though, somehow surprised, and ask, “Here to flirt with more art students?”

“Just one,” he answers, running his eyes over me as I draw closer. 

Gods, this man is seductive. He’s just looking at me, but I feel his gaze like a touch, dragging over my entire body with slow, intentional grazes. 

My breath hitches, and his eyes twinkle, like he’s well aware to the dirty place my mind has wondered. I can tell he’s holding in some likely-male comment, but he refrains from embarrassing me and he holds out another cup of coffee. 

I take it, grateful for the caffeine boost, and find it somehow made exactly the way I like it. Maybe I’m not the only one stalking. 

Although his methods have to be better than mine if he already knows about the definitely unhealthy amount of sugar I put in my coffee. 

“How many times have you been here this week?” I ask, curious to see his level of devotion. 

“Three. Not a very convenient way of communicating with someone, I admit. I was about to send a smoke signal.” He watches me sip the coffee, watches my tongue dart over my lip. “Plans tonight?”

I fight a sigh and decide to be a student worthy of my scholarship for once. “I told myself I’d work on my senior project.”

His lips twitch at my dejected tone. “What is it?”

A ginormous pain in my ass. “Bad,” I say simply. 

He shakes his head, sipping his coffee and eyeing me over the rim of the cup. “Details.”

For someone who offers no information, he loves demanding it from me. Instead of fight it, I groan and give in to the patriarchy. “It’s just bad! It’s supposed to be a mix of different styles and mediums, but it’s going so poorly I might just start over. Or drop out and become a starving artist a year ahead of schedule.”

Rhysand smiles at my phrasing. “I would never let you starve. And what do you mean, mixing styles and mediums?”

“For someone who frequents museums and has millions of dollars in art, you don’t know much about it, do you?”

“I have people for that.”

“Amren Valenta?” I ask without thinking, exposing myself as a stalker. 

He pauses, cup halfway to his smirking mouth, and raises a brow. “Clever, creepy little woman,” he teases. “But yes. Amren is my curator, and we use her name because I don’t want media attention. As I’m sure you know.”

Busted and blushing to high hell, I roll my eyes and become a junior detective. “Isn’t it illegal to buy something with someone else’s name? What if the IRS comes after you?”

Rhysand looks at a loss for words at that. If I weren’t serious, it would make me laugh how shocked he looks. “I guess,” he says after a moment, “I’ll cross that bridge when I come to it.”

I roll my eyes again, because we both know he doesn’t give a shit. It’s not like the IRS actually enforces rules for the one percent, anyway.

“Now tell me about your project.”

Rolling my eyes at how bossy he is, I tell him, “I wanted to combine photography and painting. And I wanted it to be kind of abstract, but also realistic enough.”

“Ambitious.”

I sigh, not able to repress it this time. “Stupid, is what it is. I don’t even know where to start. I have no motivation, let alone inspiration, to work on it.”

A contemplative look crosses his face. “I know where you could find inspiration.”

I raise an eyebrow and gesture around us, because in case he’s missed it, we’re in a museum. Inspiration abounds. But he scoffs and whispers, “This is child’s play compared to a certain someone’s private collection.”

“Oh yeah?” I ask, playing along and pretending I don’t know the someone he’s talking about.

He nods, looking around as if making sure there are no spies in the completely empty room listening we’re standing in. “He has Degas, Monet, Dali, you name it. And he’s generous enough to let you come over tonight.”

Pursing my lips, I scan his face, trying to see if he’s serious. I mean... I am dying to see his collection. But, “Is this just a ploy to get me naked?”

He puts a hand on his chest, offense written across his face. “You think I’d try to seduce you while you study?”

“Yes.”

“You’re probably right.” He chuckles, then says, “If you need to get naked to look at art, I certainly won’t complain. But no, Feyre darling, this isn’t a ploy.”

I pause, half stuck on the whole darling thing and half contemplating what to do. 

Ploy or not, I know that if I go to his apartment or house or mansion or castle, I’ll probably sleep with him. He’s too attractive, and my resolve just isn’t that great where’s he’s concerned. 

Plus, I know it’s insane, but art just... Never mind.

I tell myself nothing’s going to happen and that I’m going because of the art--both lies--as I say, “Okay.”

He extends a hand, and I slide mine into it, almost sighing at how perfect we fit together. Would that be the case everywhere? 

Feyre.

I avoid looking at him as he leads me from the room and outside, where a very beefy guy holds open the door to a black sedan. “Seriously?” I ask Rhysand as he ushers me in the back, then climbs in beside me.

“I usually drive myself,” he says in defense, smiling when I roll my eyes.

The city blurs around us as Beefcakes drives, and I’m about to ask where the hell he lives when the car pulls to a stop and the door opens. Climbing out, I look up at the black, shiny penthouse tower, and say, “Of course you live here.”

It’s expensive and in the city and has a million floors, and I bet he lives at the very tippy top.

He gives me a strange look but pulls me in the lobby, then into an elevator. We shoot up flight after flight till we reach the penthouse, confirming my suspicions. 

For what feels like the millionth time, I ask myself why the hell Rhysand’s taken an interest in me. I mean, a year of therapy got me to admit I’m decent looking and all, but I’m... I’m a college student. He’s older and richer and has his life together. Why does he want me?

I don’t have long to contemplate life’s great mysteries because the elevator doors slide open, revealing his apartment, and I become too busy trying to mask my surprise.

I thought the place would be... I don’t know, like him. Sleek. Modern. Luxurious. 

And it is, at least that last part. Everything is obviously expensive. But there’s also a homey quality created by a fireplace, plush couches, decorative rugs, tapestries.

It’s burgundy and black and cream, and so unexpected I smile.

I step in and walk automatically toward the huge windows, taking in the view and realizing we’re at the dead center of the city. In all directions, Chicago’s spread out, lights and traffic and Lake Michigan surrounding us.

Even though the place is beyond wonderful, there’s one thing missing. 

I turn to Rhysand and raise a brow. “No art?”

“One floor down.”

I have to press my lips together to keep the questions in. One floor down, as in it takes up the whole floor. As in he has a private museum. As in I’m so fucking excited I can hardly walk. 

But he seems to be baiting me, seeing how long I’ll last before demanding to be taken down there, so I casually walk around his apartment, taking in all the little details. “It’s more... lived in than I would’ve thought.”

He nods, knowing what I mean even though it was a poor way of explaining it. “I have a few places around the city, but this is the one I prefer.” Nodding to the kitchen, he asks, “Hungry?”

“You cook?” The thought of him covered in flour seems absurd, but we all have our hobbies.

He smiles like I’ve said something funny. “No, but I have takeout menus in there.”

“Hopeless,” I tease, going to the kitchen and opening the fridge like I’m the one who lives here. “I’ll find something.”

I end up finding beer, wine, cheese, and various fruits and vegetables.

Not a lot, but enough to make a charcuterie board, which just so happens to be my specialty. I search for a few minutes before finding a wooden cutting board, then start to assemble whatever snacks I can find.

Cherries and grapes, two types of cheeses, carrots, and crackers fill most of the board, and I fill in gaps with blackberries and chocolate chips I’m surprised he has. 

Once it’s completed and visually appealing enough, I slide it over to where he’s seated on a barstool and bow dramatically. “I’m a master cheese plate maker.”

“I see that. Wine?”

Nodding, I reach in the fridge and grab the first bottle I see. Setting it in front of him, I move to the cabinet and get two glasses and an opener.

Rhysand takes the opener and eyes the bottle, lips twitching as he smoothly uncorks it.

“What?” I ask, unable to figure out what’s funny. Was it weird to make a board or something? Surely even rich guys like cheese and crackers, right?

He pours two glasses, shaking his head and silently refusing to let me in on the joke.

Eyes narrowed, I sit next to him and suspiciously take a small sip from my glass. He watches me, probably expecting me to say something about it, so I offer, “It’s good.”

He bites his lip but can’t keep the laugh in at that, so I finally demand, “What?”

“It’s an $800 bottle of wine, Feyre.”

I almost spit it all over him, which would indeed be a shame, because there’s probably $50 in my mouth. Managing to swallow it down, I sputter, “You... you should’ve said something!”

He’s still laughing, but he stops to take a huge swallow and shrug. “I say we drink the whole bottle.”

I put my head in my hands, blushing. “I’m sorry.”

“Don’t be. I couldn’t care less.” He pries my hands away. “Seriously. I just wanted to tease you.”

Now that, I believe. But I still ask, “You’re sure?”

“I’m sure.” He smiles, taking another sip. “I keep the really expensive stuff at the townhouse, anyway.”

I roll my eyes and drink some more, somehow trying to taste it better or something now that I know it’s liquid gold. Shifting to put my foot on the stool, I lean across him to grab the platter.

His gaze glides over me slowly, and there’s surprise in his eyes, like he can’t believe I’m sitting in front of him so casually. 

It’s probably weird to be so... open around a stranger, but he’s not exactly normal, so I don’t feel any pressure to be, either.

Regardless, it’s a little hard to breathe with him looking at me like that, so to break the tension, I grab a cherry, pull the stem off, and hold it an inch in front of his face. 

“Ready?”

His eyes cross and he pushes my hand away so he can actually see what I’m holding. “Ready,” he confirms.”

I stick the stem in my mouth, using a trick I spent three hours teaching myself on a rainy afternoon to tie it in a knot, then pull it out with a victorious grin.

“Very impressive,” he notes, but before I can gloat about my supreme cherry-knotting abilities, he steals the stem and sticks it in his own mouth.

My eyes are wide, but I don’t have time to ask what the hell he’s doing before he pulls it out. 

Unknotted.

“Impressive,” I repeat, actually meaning it. “How’d you do that?”

“I’m good with my tongue,” he says immediately, obviously having been lying in wait for the question, and I huff a laugh.

If I called my sisters and told them what I’m going right now, they’d probably try to have me committed. I’m sitting in a billionaire’s penthouse apartment, drinking expensive wine and watching him untie cherry stems with his tongue. 

“How was your week?” I ask to get us back in semi-normal territory, grabbing a cracker off the plate.

He answers vaguely and asks me about mine, and just like that, we fall into easy conversation.

It’s honestly strange to me that after one date, we can talk like this. With my ex, it took weeks before I was really comfortable around him, and yet I feel completely at home with Rhysand.

He tells he’s from the south side of Chicago and asks about my hometown, and I it feels natural. It’s just... easy.

“By the way, you can just call me Rhys,” he tells me as we finish off the platter. “Using my full name reminds me of when I got in trouble in grade school.”

I drain my wine glass, a slight buzz in my veins, and ask, “So I only call you Rhysand when I’m about to spank you?”

He howls with laughter, then surprises me by asking, “What’s your middle name?”

“Adalene. Why?”

“Just trying to figure out what I’ll call you when we get around to spanking.” I blush as he continues, “Feyre Adalene should do.”

He puts the empty wine bottle in the trash and runs a finger over my red cheek. I bat it away, embarrassed, but he just laughs and asks, “Ready to go downstairs?”

For some reason, I get a little nervous, but I put on my big girl pants and nod, taking his hand when he offers it.

Then we’re back in the elevator, coasting down a floor, and just before the doors open, he says, “Close your eyes.”

Anticipation makes it difficult to follow the request but I manage, and he guides me out of the elevator and turns me slightly. “Open.”

I open my eyes and come face to face with something I never thought I’d see. 

“You... you have a...” I whisper, not quite able to get the word out.  

“Meule.”

One of eight left in private collectors hands, Monet’s Meules--or Grainstacks--are some of the most recognizable, renown works of art in the world. The last was sold four years ago for over $80 million.

Amren Valenta is a very, very rich woman, according to her art collection. 

I’m standing inches from it now, mildly unsure of how that happened, looking at the sunset colors bleed into the shadows of the grain, taking in the easy lines and brushwork.

Turning to look at him, I see he’s leaned against the wall next to the painting, head tilted as if I’m the most interesting thing in the room.

“I can’t believe I’m here right now,” I say honestly, my voice airy and light.

He just smiles and motions to my right. “The collection goes in a loop.”

I nod, and after a few more minutes staring at the Monet, I start to walk.

Or more like mosey. 

If he’s irritated with how long I’m taking, he doesn’t mention it. He follows me as I stare after pieces of art I never dreamed of being close to. Van Gogh, Rembrandt, Klimt, Pollock, Munch.

And then, at the edge of my peripheral, I see it.

Dancers in Pink hangs besides a smaller Degas, but it’s all I can look at. The dancer’s skirts are so bright in person, the tulle layers seeming to come off the canvas. The gold in the background is vibrant and metallic, in sharp contrast with the dark wall it hangs on.

Gods, it’s beautiful.

I know there are more famous paintings in here, but I’ve spent three years going to look at Dancers in Blue, never imagining I’d see one a similar work. 

Tears slide down my face and a laugh bubbles out of me, the two reactions complete opposites but both somehow feeling right.

Strong arms wrap around my waist, and I feel Rhysand’s chin settle on my shoulder as he hugs me from behind. “You know,” he whispers, seeming to not want to disrupt my moment with loud noises, “I never understood how important this is to people.”

“Oh, Rhysand. It’s... wonderful.”

It’s an inadequate way to say what I want to say, but it’s all I can come up with at the moment. I lean into him, and we stand like that, me staring at the painting, him at me, for a long while. 

When I start to get tired, I turn in his embrace, wrap my arms around his shoulders, and kiss him softly. “Thank you. Thank you so much.”

I somehow finish the loop, and by the time we’re in the elevator again, I’m so emotionally spent I can’t hardly breathe.

“Inspired?” he questions, linking our hands and pulling me closer to his side.

I nod, but inspired doesn’t begin to cover it. I’m grateful and overwhelmed and so happy I could burst.

A professor once told me that art is a gift that lasts forever and never stops giving, and I never really understood what she meant until now. Over a hundred years after Dancers in Pink was completed, it still brings people to tears.

It’s a powerful and beautiful and eternal way to send a message, and it makes me feel like a small piece of the puzzle, but at the same time, so important and alive.

We glide smoothly back up to his apartment, but neither of us move once the doors ding open. 

Because technically, there’s no longer a reason for me to be here. 

I’ve seen the art, drank his expensive wine. I should get my bag and go. 

I should... but I don’t want to. 

Rhysand’s perfectly quiet and still beside me, patiently waiting for me to make up my mind. 

The angel on my shoulder tells me how sweet and considerate he’s being. The devil tells me to reward this behavior with a few sinful ideas. 

Running a hand through my hair, I debate my options. Be smart and leave, or stay and try and fight the urge to throw myself at him. 

“Oh, fuck it,” I mutter, dramatically taking a step forward like I’m going into war.

He laughs as he follows me off the elevator, strolling back to the kitchen. “More wine?”

I nod, because at this point, I’m already a lost cause. He opens a new bottle and pours me some. “How much was this one?”

“Ten dollars,” he lies, fighting a smile. “On sale at Walmart.”

“I’m surprised you even know what Walmart is,” I laugh, taking my seat back at the bar. 

“You forget I’m from the south side. All this,” he motions around us, as he takes the seat next to me. “Used to be nothing more than a dream.”

“How’d you do it?” I ask, genuinely curious. Most people with his kind of wealth were born into it and given every advantage possible. “What’d you do?”

He looks down at the floor, but there’s a sudden set of his jaw, a tightness in his shoulders. “Whatever I had to.”

I don’t point out he’s given me yet another non-answer. Instead I say simply, “I find working for something makes you value it more, anyway.”

His eyes find me again, and there’s something I can’t read in his gaze. “Yes, it does. And it makes you do whatever it takes to keep it.”

I swallow and nod slowly, trying to figure out what exactly he means.

He takes a deep breath, then drinks the wine in his glass in a single swallow. There’s a story there, and it’s easy to see it burdens him, but it’s his to tell in his own time. 

Just to get that strain out of his gaze, I switch topics completely. “Honestly, I’m still trying to figure out how you untied that damn cherry stem.”

Rhysand smiles, a full one that showcases all his pretty little teeth, and leans in, the intent clear in his eyes. 

“Come here and I’ll show you,” he whispers.

I press my lips to his and open them immediately--for the lesson, of course--and his tongue meets mine in a slow glide. 

Where our first kiss was all heat and drifting hands, this one’s slow and sensual and like ice cream melting on a summer day. 

His mouth fits mine perfectly, and his hands seem to be made to hold me, sliding up my thighs to settle on my hips. The hair at his nape is soft against my fingers, and I lean on the stool to get closer and wrap my arms around his neck.

I suck on his tongue, and he makes a low sound, then his hands are tightening and lifting, and I’m being settled on his lap.

Both of us on one stool isn’t ideal, but I wrap my legs around his waist and hope we don’t go crashing over. 

Gravity comes into play and I start sliding, so he turns the stool and traps between him and the counter. The granite digs into my spin, but I can’t be bothered to care, because the new position gives his hands freedom to roam again, and he slides them over my thighs, across my ass, up my sides. 

His thumbs brush the sides of my breasts, and they become heavy and aching against his chest.

His mouth slowly drags down to my neck, and I sigh as he finds that one spot that drives me crazy. His nips the skin, tongue smoothing the small hurt, and his name slips out of me in a quiet moan. 

Everything seems to change at once.

Cursing creatively, he sweeps me into his arms and stands, then walks us into his living room and plops onto a plush couch. 

My ADHD kicks in and I’m momentarily distracted by how soft the leather is, but then his tongue runs across the seam of my lip and I snap back into focus.

My hips are churning against him, desperate for some friction, and I kiss him without restraint, abandoning our slow, peaceful rhythm from earlier. I hadn’t realized I’d been working on the buttons of his shirt, but then a band of tan skin is exposed, and I dip my head to press my lips against it. 

He tugs my hair to bring my mouth back to his, and I practically attack him, biting his lip and pulling his hair and generally acting like a depraved cavewoman.

He doesn’t complain, though. His hands drag my hips closer, then slip under the hem of my sweater. 

The scrape of his callouses on my sides snaps me back to the shocking reality where I’m--yet again--making out with a man I hardly know, and I gasp, then curse, then practically jump backwards off his lap. 

Standing in front of him, I put a hand over my mouth like that’ll stop me from using it and look him over. 

He’s all sprawling legs and swollen lips and beautiful eyes, and I force my eyes to the ceiling. “You look like a hot, virginal dork I just deflowered in the back of my minivan,” I tell him. 

“I feel a bit like that,” he laughs, running a thumb over his bruised lips almost in shock. “Although it’s always nice to be desired.”

I’d be embarrassed if I wasn’t so distracted by him looking so thoroughly messy. 

But I know that despite what just happened, I can’t do this with him yet. 

I mean, I definitely could, and it definitely would be enjoyed by all parties involved, but I would regret it. 

Rhysand isn’t someone I can just sleep with and forget. I’ve known him a week, and I already feel a strange sort of bond with him. 

If we slept together, then never spoke again, it would hurt me more than I’d care to admit. 

“I think I should leave.”

He nods like he was expecting this, but asks, “Why?”

Putting my hands on my hips, I repeat what I said earlier. “Working for something makes you value it more, remember?”

He smiles and stands, taking a minute to straighten the clothes I’d pawed out of place.

“It also makes you do whatever it takes to keep it,” he reminds me, a shiver sweeping over me at the words. “Come on; I’ll walk you out.”

We go to the elevator and stay on opposite ends the entire ride down. I’m a little proud, because I most certainly thought about crossing over to his half. 

Stepping outside, Rhysand motions for Beefcakes to open the door. “He’ll drive you home.”

“Thank you,” I say, starting towards the car. 

I take two whole steps before he’s somehow in front of me, blocking the path. “Two more things.”

He kisses me, gently but firmly, then pulls back and slips a piece of paper in my hand. “It’s your turn to send smoke signals.”

I look down at the paper and see a number written in a slashing scrawl, intelligently putting together that it’s his phone number. I look back up to respond, but he’s already back at the entrance to the building. 

Rhysand looks over his shoulder, winks, and disappears inside. 

I get in the SUV and tell Beefcakes my address, and off we go. I study the piece of paper the entire way there, mind reeling with everything that happened today. 

The easy conversation, the art, the kiss. 

Is this how it feels to be swept off your feet?

And how long, exactly, do I have to wait before calling him?

________________________________________________

This took me so long to edit holy FUCK. Part 3

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