#anyways. I need to break something

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[twisting-in-wonderland]

Ace has a front row seat to the soon-to-be greatest event in NRC history-

based on this pic--

the energy this exudes will always crack me up-

heres a wip btw >_>

fun fact! originally grim was gonna be O_O at Jamil too, but then i remembered that grim doesnt have an ounce of awareness in him rip

[theloveinc]

Togame Jo’s greeting kisses to you are always way too long.

The kind of affection that’s usually savored in private, instead displayed wherever, whenever, and every single time you see each other—he always takes two to three minutes just to kiss you hello, abandoning the task at hand (dozing off, attending to Choji, managing the Shishitoren) to mosey your way and pull your lips to his in something just a little too sloppy to be sweet, but a little too sweet to be… too distasteful.

Everyone’s used to it by now, even Sakura, knowing that when you arrive, there’s always a going to be a pause in action just for the sappy display of Togame drooping over you and announcing you to the crowd physically.

(What’s not readily exposed, however, and especially not in a room full of men, is that it’s not just a kiss Togame’s giving you, not just a hello that he hides behind his long bangs and your cheeks between his warm hands, but the kindest stare and sweetest little whisper, “missed you, baby,” as he wraps you up in his arms.)

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[iizuumi]

Hsnr day!!!

[fun-esta]

[junotter]

All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.

Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.

In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[heybiji]

"Do me a favor and put your arms around me."

[themisterhip]

Happy genos (/:''>)/

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[toxintouch]

Started out as an elaborate “draw me like one of your French girls” joke and spiraled outta control from there... @lu-dao-writes posted the same scenario in their Kinktober 2024 and they were kind enough to give me their blessing to post my take! Please check out their fics as well!  If this scenario in particular interests you, I rec you this post! :3

Further details below the cut so that the above the cut stays safe for anyone who is just scrolling through!

18+ Content MDNI || VERE x AIS x Reader

PROMPT/KINK(S): Dom!Vere, Dacryphilia (Tears)* + Cockwarming + Size Difference + Consensual Voyeurism. Power Play. (Some feral monsterfucking spice sprinkled v lightly on top.) [*original challenge prompt, randomizer used.]

OTHER INFO: “You” pronouns used for MC/Reader. Unspecified genitalia for both POV Character and Vere but Ais has a dick. Reader is the receiving partner in penetrative sex.

“Hmm, hold that pose,” Vere purrs.

Ais huffs a hot breath into your face as he freezes above you.  His brows furrow, mouth twisting into a determined grimace as he grits his teeth.  His forearms tense hard where they are resting on either side of you, fingers flexing against the silken sheets.

You can feel him pulsing inside of you.  A hot, insistent ache.

You try to relax, try to breathe through it but the lack of movement makes you hyper aware of every inch, the raw feeling of him stretching you open, the way your body twitches so sickly-sweet with the effort.  You inhale a slow, shaking breath, chest trembling, and shut your eyes in an attempt to block out some of the sensations—the clawing need gnawing at your core.

“Eyes open, darling,” Vere corrects you, tone somewhere firmly between scolding and teasing.  “And turn your face back towards Ais.  I’m trying to capture the moment .”  Your heart is pounding in your ears but you can hear Vere’s smooth, sly voice with perfect clarity.  Ais is an overwhelming force but Vere is a magnetic presence; no matter how caught up in each other you and Ais can get, Vere will always command attention without effort.

You turn your chin as requested, only to be caught in Ais’ gaze

(Caught and breathless–the same way you were when he was bullying his thick length into your hole, thrusting sharply and sighing in satisfaction, his fingers still at work massaging and pressing and stroking as he sunk into you inch by inch; he'd prepared you until your entrance was puffy and swollen, sopping with thick, medicinal smelling lube and he still had to take his time.  Fucking you slowly until you could take all of him.  And then, the moment you finally could...)

“Hmm, that's better.  Stay just like that.  Let me see those pretty expressions.”  You hear Vere adjusting his heavy vellum paper.  The glide of quick, clever lines being drawn.

You maintain eye contact with Ais, drunk off his breath, his body, the very essence of him, hovering so close above you, and are utterly unprepared to meet his intensity.  The way he looks at you like he’s seconds from devouring you, barely held in check by the challenge that Vere has laid before him.  Before both of you.

You bite into your lower lip as you shift involuntarily, oversensitive nerves still riding the throbbing of Ais’ dick.  He’s so fucking thick and girthy that he presses at the soft spot inside you without even trying. The angry pulse of him is a gratifying thrum, stoking your aching heat by way of mere burgeoning contact.

His cock gives another strong twitch and your insides clench around him.  He feels so fucking good–you almost think you might be able to come like this, if you can get your body to keep on clenching like that. 

—Almost.

Your next breath comes out as a sob.  There’s a high pitched whine building at the base of your throat and your lashes are wet when you blink.

A monstrous snarl escapes Ais’ lips, one that you can feel even more than you can hear, the vibration of it echoing through your body everywhere you're pressed against him.  The pinnacle between your thighs pulses with it, and your toes curl involuntarily as an errant tear runs down your cheek.  Ais is shaking, sweat dampening his face, his pupils expanding and contracting rapidly, his eyes locked on you as he barely holds himself back.  “Sparrow,” he says, gravel in his tone. 

You say his name in return, your head tipping involuntarily, bearing the softness of your throat, faded marks from both your lovers decorating your skin.  You hear the sheets rip below you, torn into shreds where Ais’ nails have dug into them.

Vere sighs pointedly.  You hear him stop his work, tap his charcoal against the paper as if he’s not entirely satisfied with the scene in front of him.  He pauses for a long time, leaving you both in limbo.

When he moves, it’s to stand.  To saunter over to you both.  You’re pinned beneath Ais, unable to look away, but you can feel Vere’s shadow fall over you just before his hand touches your face, forcing your eyes to his as he catches a crystalline tear with his index finger.

“Shame,” he says, dipping his fingers into his mouth, his tongue lapping up the taste of your tears, lavishing the digits with his tongue.  You whine out a desperate, quiet note just from watching his tongue at work and he basks knowingly in the attention.  “I really thought I could get you both crying.”  He smiles dangerously once his fingers have left his mouth. 

He uses them to drag a wet path down Ais' spine.  “Oh, but the night is still young.  Perhaps I may still think of something that will do the trick...”

18+ Master List | SFW Master List ✦"Kinktober Speedrun & Other Gratuitous (TOUCHSTARVED) Smut" on Ao3

[flowerakatsuka]

pov : you're the rest of the sextuplets meeting kuroba for the first time.

[ardentplea]

while i'm thinking about haibane renmei i should put it out there that something specific i really love about it is the juxtaposition between reki's aesthetic - chain-smoking, scooter-riding, perennially-aloof Cool Girl - and her role as caretaker for old home's children (as well as her unofficial role as mentor and caretaker for all the old home haibane). she's so specifically presented as, on the surface, the sort of person who should absolutely not be in that position; her personality and demeanor are totally at odds with working as what is effectively a preschool teacher. she's a caretaker who disregards her own health and neglects her own safety; a mentor who can't communicate her own needs. she is not a natural fit for her job. but, y'know - she does it anyway. because it's what she has to do, because she can only prove (to the world; to herself) that she's worth anything if she does a good enough job at living for others. she doesn't naturally assume the motherly role of caregiver; she has to contort herself to fit into it, and even then she still doesn't quite mesh. but she still gives it everything she has, and does the best job she possibly can. that's the basic juxtaposition of her character - someone giving everything for others even though she's not naturally good at it, and even though she can barely take care of herself

and with that initially i think ABe is trying to signal to the viewer the thing that reki believes about herself - that she's not actually good at this, and that she fails at it over and over, and that she's a selfish broken person trying to use that role for her own salvation. that she isn't really meant for or good at the job that she has. but as the series ends, the two sides of the juxtaposition flip. both the viewer and reki herself realize that the role she's been performing is her "true" self. that she really is a caregiver, a healer, somebody who cares so deeply for others - that the image of a broken, jaded person is a veneer that she's been pushed to adopt. that the supposed contradiction doesn't really exist, because she is in fact wonderful at taking care of others, and does in fact genuinely care about their wellbeing

there's a sort of beautiful, restorative irony inherent to reki's character arc, which is that the actions necessary for her salvation were already being performed the whole time. she was already doing everything she needed to do in order to be a good person who makes the world around her a better place. she never needed redemption. the only problem was that she couldn't see it; that she couldn't recognize the authenticity of her own actions. she was already whole - she just had to stop thinking she was broken. and i think all of that is so neatly communicated in her character design and core personality. she's a complete person who's managed to convince herself (and the world around her) that she's damaged; she's a teacher and a healer who's managed to tell herself that she doesn't care enough and won't ever care enough. a caregiver who chain-smokes and drives too fast. her only necessary salvation is in understanding that those two sides of her are not mutually exclusive; that she is both, and that she is already enough

[buttercupshands]

Happy (almost belated) Birthday, Tenko Shimura!

wanted to draw something light after... you know 419...

[age-of-moonknight]

A Mighty Marvel Team-Up — Spider-Man: Quantum Quest! Graphic Novel. Amulet Books, 2024.

Writer and illustrator: Mike Maihack