#anyways this isn't targeted

[cringefailantagonist]

it's always funny when in fanfics people are like "c!Dream hurt so many people, most of the server was affected by his actions" when in reality it was mostly like. a select group he had a beef with. and that somehow turned into "everyone". i don't think he has even properly interacted with all of them

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[chocokano]

it is officially the one year anniversary of hz episode 16, aka THE spinel pokemon episode, therefore!

a redraw of my very first (08/01/23) digital drawing of spinel (*'▽'*)

plus cool overlay hehe

i can't believe it's been a whole year since he got his big episode ∑(ﾟДﾟ) i don't think i'll ever be as excited for any episode as i was for 16

here's to another year of this freak !! maybe he'll actually show up soon outside of a 5 second appearance that sets up him being suspicious just for it to be forgotten for months

og under cut! (old art alert)

[blueskittlesart]

do u have any navi thoughts from your oot replay

i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.

all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.

Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.

[chasmbreach]

hayyyyyyy reminder i don't give a fuck about what you ship just be a nice person please and thank you <33333

i love my friends dreemurr-skelememer and digglesgiggles and megaloserrr and bonejello and hazerun3 and you can't stop me

[mountainloversclub]

I see the students associated with Mostro Lounge and with Octavinelle are becoming unruly. Allow me make it clear that while sometimes I let your behaviors slip through the cracks because I find them amusing, they are never missed. So this is your warning to get your act together, or I will be cracking down on your abysmal behaviors, with the help of Housewarden Ashengrotto and @floydleechrp

[deadbeandrop]

neither lumpus nor jane want to die alone and that's both such a massive part of the inner workings of their minds to me and yet what it spawns out of them is also exactly the reason why they shouldn't ever be together ❤️ amen

[youssefguedira]

if i really wanted to i could contrast the old guard 2020 and diabolik 2021 as comic book adaptations and the different ways they approach both adapting their source material i.e. diabolik as an adaptation is both paying homage to its source material constantly and regularly reminding you that it is a comic book adaptation whereas the old guard is more trying to make a regular action movie based on a comic book, drawing occasional visual parallels that won't be recognisable unless the viewer is familiar with the source material. both are also adapting the story in some way for film, but diabolik stays much more strictly to the book it's adapting while the old guard makes a lot of changes (afaik there's almost nothing from the comics verbatim) but keeps the core of the story and essential scenes in. something interesting there about diabolik reminding us of the series' origin as comics probably due to a) its long-running history and b) cultural icon status (source: me and my powerpoint) vs the old guard falling into what i might call the current style of comic book adaptation where the focus is on appealing to a wide audience, comics fans or not, to the point where you might not even know it's based on a comic outside of marketing. but also essentially i think a comic book adaptation should match the tone of its original, which they both do: the old guard is a darker, more serious, more "adult" comic, and so it follows that the adaptation largely follows that tone (save for one or two parts that to me feel very recognisably comic book style), whereas diabolik is, albeit technically also for adults, a different genre / tone. and then there's something else to be said there in the evolution of comics considered adult, e.g. diabolik considered adult in the context of its first publishing because it contained crime and killing but generally becoming considered one of the more tame examples of the subgenre it spawned, vs the old guard being adult in terms of current standards via depicting sex / nudity / swearing / violence far beyond the scope of diabolik, which is pretty much unchanged. anyway these two things are not really connected beyond "both being comic book movie adaptations released in the 2020s featuring notable italian luca marinelli in a somewhat major role as a character who says vaguely ominous things and largely emotes through microexpressions" but it's fun to think about sometimes

[katsigian]

Part of me wanted to leave the cp/77 fandom permanently for Obvious Reasons but then I realized something 🌚

If some of the most toxic, manipulative people can still be active in the fandom (i mean as a whole, not just tumblr) then so can I <3 and everyone else who feels like they've been left out or feel like they don't belong, you've been tricked. You do belong. Anyone who's here to create because they love their OCs and the game, belong here far more than anyone else who's hurt others or created division

So I'll still be here. I'm returning with all of my silly little pretty boys hope you missed them because I'm about to be so unhinged about them stay safe out there

Peace and love on planet earth <3

[wof-reworked]

I've said this before but genuinely working with kids who love WOF for a solid 80% of my week for the past year/year and a half is what's actually killed my interest in WOF (tho I'm still here, obviously, and the ttrpg isn't going anywhere). Like,,,, idk man they have stickers on their water bottles of their fave guys and I think it's just made me detach a lot more from the rewriting I do bc as long as kids are having fun with it I kind of settle into a neutral tolerance instead of the like writing mania that this blog has operated on for the past,,,,,, jesus, it's been 8 years.

[bisupergirl]

did you like melissa benoist's interpretation of supergirl?

unfortunately i did not. i answered an ask a while ago where i talk a little bit about why i'm not a fan, but essentially, i think they borrowed far too much from clark's character (christopher reeve's clark specifically) when writing her and that's like, one of the most annoying things you can do to her in my eyes.

it's been a while since i've seen any of it, but i think they did a good job with her whenever they let her feel upset about krypton's destruction or being one of the last of her people, it's just how she was written as "kara danvers" that really irks me.

[savterifuckedup]

"...so basically, capitalism kills creative freedom", i say explaining why show!dexter is so humanised and sterilised compared to his book counterpart

[jasontoddenthusiastt]

Why are people who look at comic books from a “critical real-world lens” so obsessed with identifying the one person who is “100% right”. That doesn’t even exist in the real world.

Lost Days wasn’t made to protest global issues. It is a comic book exploring fictional character Jason’s mental journey after being resurrected and regaining consciousness against his will and/or power. Now how dare this character, in his own story where he has his own personal objective, not go out of his way to make sure each individual child from the collective hundreds he saved from traffickers and the likes gets adopted into nice homes. Obviously we have to disregard any good he did or that he cares at all because all he did was kill the fucker at the top who was responsible. Winick also never fleshed out all 42 of the trafficked children into nuanced characters with their own thoughts and feelings which was apparently neglectful lol.

In regards to utrh, Idk what this person read but there were more drug dealers Jason didn’t kill than those he did. Not once did he ever say he wanted to eliminate the flow of drugs in the community. He took over the trade. Not to mention he explicitly stated control vs elimination is where his goals differed from Bruce’s pipe dream hence why he’s successful and Bruce is still failing. Obviously if you completely misunderstand the character’s motivations you’ll find issues that don’t exist.

People just don’t want stories to be about what they are about, huh.

[sherlock-is-ace]

.

[exiitiosus]

thinking about pre-fog Danny, and the amount of people he has tricked with his well crafted person; how many people he managed to charm under the guise of Jed; and how many of them thought they were taking home the quite and yet charming journalist just to end up stepping into Danny's claws, the plan like always a success, and the poor souls ending up gruesomely gutted in the ending of a perfectly crafted story mmh