#anyways that's my rant for now

[weregonnabecoolbeans]

There was a post talking about how disappointing Disney+ Star Wars costumes have been..

and I keep thinking about it because when you look back at older tv shows (not just star wars, but basically anything before streaming really took over) and the effort that used to be put into production

you can really see how worth it that effort was! And I just miss it so much!

Like I literally do not care how bad the cgi looks as long as there was effort and care put into what was made.

This is coming from the fact that I am rewatching Once Upon A Time...

and even though OUAT's digital effects are kinda awful endearingly shitty, anything that was practical or real was GORGEOUS!

I’ve never seen costumes as consistently beautiful and detailed and unique as they were on this show Every! Single! Episode!

The makeup was always amazing. The hair was amazing. And the props were sick! (Even the green screen castles and stuff's designs were beautiful)

I just miss when tv shows put this much effort into their production

When they let artists! be ARTISTS! and actually appreciated them! Instead of just underpaying and overworking them for the bare minimum results

When you can look at stuff like OUAT and the star wars prequels, it just makes the recent stuff so much more disappointing

[mokeonn]

Since I found out steam does a year in review (I had no idea until this year) I have decided that I must play video games more and play every game in my steam library so that my year in review is 100% accurate next year and I don't get told that my top 2 games were Disco Elysium and Baldur's Gate 3 because I would Hyperfixate on one game for a whole month (or three) and play nothing else, and still have my genre graph have nothing to do with those two top games and instead have "cats" as a genre while calling me a fag

[snarkspawn]

I really enjoy playing through tnp again like hi it's been a while

[ovenproofowl]

His Dark Materials is a franchise that tackles so many branches of physics and even creates a universe where the main course of study is experimental theology which is all about identifying and explaining dark matter while also adding dimensions to string theory, the multiverse theory, and the very concept of the human soul. At the same time, it aggressively calls out the problem with the state being controlled by the church, how people are condemned for being different and religious fearmongering stops the chance at growth both on an individual and a societal scale. It’s a franchise where the heroes of the story are two children who aren’t allowed to know the prophecy they’re a part of, who save the world unwittingly simply by doing what they believe to be right. Meanwhile, the person who thought he was the hero all along, the person who rallied an army from multiple universes to FIGHT. GOD. HIMSELF. is ultimately consumed by his own ego and forced to take a back seat when he realises he’s just one tiny piece of a much larger story that’s true heart is his own daugher. The child he abandoned, the child he didn’t know or care to know how to look after. It’s a franchise about finding love even when your biological family abandon you, it’s about looking evil in the eye and seeing your own mother, it’s about good and evil not being black and white but instead a complex and cruel mixture of both. It’s about the two worst people you know banding together at the last second to save their daughter with their final breaths. It’s about exploration and learning how to grow through experience, it’s about kindness being shared across the multiverse, exchanging stories with strangers and saving the whole world by doing something perfectly ordinary and receiving no reward.

Oh, and it’s also a franchise rich with fantasy, with giant talking polar bears, witches and ghosts, angels and daemons, and a mammal-like species from another world that travels exclusively on roller skates. 

And it fucking. rocks.

[amphibianaday]

day 1421

[eldritch-ace]

I need more bestie Will and Bev content so I make it myself. They are the only cool people to ever exist in the FBI.

Also the Fred(dies) whom I despise (I love them with my whole heart). They are my favorite AO3 authors.

[i-am-the-n1-trash]

I'm rereading Tim Drake: Robin and honestly, Tim and Bernard's relationship just makes me so emotional. The fact that they both see each other as the 'bad one' in the relationship, with the other being their 'savior' says so much about their previous relationships.

Tim's biggest canon relationship is obviously Steph and, though I love her to death, their relationship was at points extremely unhealthy, and Tim was often shamed for his actions. He's the bad guy when Bruce won't let him tell her his name. He's the bad guy when Darla kisses him without consent. He's the bad guy for avoiding her when she comes back from faking her own death (against her will, I'm aware, but still), even though their relationship hadn't been in good terms at all when she 'died'.

Though Tim has his fair share of romantic relationships, only two outside of Steph, to me, are as meaningful or well-known enough to warrant exploring, and those are Ariana and Tam (There was definitely guilt with Lynx, but that was from the "she's possibly a criminal" kind, and his issues with Cassie come from a very different place too.)

In both these relationships, there are many times where Tim sees himself as the bad guy. With Ariana, he struggles with his growing feelings for Steph and the guilt of keeping a secret identity from someone he loves, not to mention the fact this is his first serious relationship and he constantly feels like he's messing up. With Tam, the secret isn't a problem anymore, but he ends up constantly putting her in danger just from knowing him, and that puts him off the idea of pursuing a relationship with her altogether.

With Bernard, though, it's the first time in a long time he has a complete fresh start. He's been stuck in a cycle of breaking up and making up with Steph, because they see each other as safe and familiar, but even that is something Tim feels guilty for.

Bernard is someone he knew, who Tim has enough history with to trust him, but who he is still getting to know now as the adults they've become, with no expectations of each other. He still sees himself as the bad guy, as the liar hiding his identity from him. They have a couple step backs, like when Tim has to ask him about the cult as Robin, but even then Bernard makes it clear that while he's angry, he understands why he's doing it, by doubling down on the fact that, regardless of Tim's current actions, their relationship is still a happy part of Bernard's life. (This comfort doesn't work that well, because Tim is a dumbass who doesn't realize Bernard knows he's Robin, but I digress.)

Essentially, to Tim, Bernard is the first baggage-free relationship he's had for a very long time, and he's somewhat plagues by the secrets he's keeping from him. To Tim, he is lying and putting him in danger, and Bernard, who he sees as a bright light in his life, deserves better.

On the other hand, we don't have that much info on Bernard's past relationships outside of Darla/Laura and Tim, but it's still easy to see that this boy is overflowing with self-deprecation.

In both Batman: Urban Legends and Tim Drake: Robin we see that his parents are, in the first one, very unaware of his life, and, in the second one, incredibly disapproving of his 'lifestyle' and even borderline emotionally abusive. Bernard really never met their expectations since he was young, and while he seems almost dismissive of this, you can tell it strikes him deep.

The one big thing we know about Bernard is the cult, and that already tells us everything we need to know. No one joins a cult if they have lot of self-love and confidence, especially not when the cult's main idea is to let go of all your problems through torture.

So when Tim, a guy he's had a crush on for years, someone he knows (or eventually finds out, the timeline is ambiguous) is not only a superhero, but his favorite superhero, Robin, he sees himself as dirty. As tainting Tim's heroism. Bernard is a likely depressed queer kid who fell victim to a cult, who has a history of self harm, with a bad relationship with his parents. To him, Tim is the one good thing in his life, and he says it outright even when they are having what's possibly their first big fight (unbeknownst to Tim, who, as I mentioned, is a dumbass <3).

He doesn't blame Tim at all for lying or keeping a secret identity, because Bernard sees himself as second to Robin in Tim's eyes and never once tries to fight back on that idea. Bernard considers Robin to be more important than himself, in general, and doesn't see anything wrong with that. To Bernard, Tim is the best thing that has ever happened to him, and the fact that they're dating is a blessing he doesn't believe he deserves.

In conclusion, these should like. Talk to each other. Please. And also both go to therapy. They love each other so much

[fist-of-vengeance]

just saw someone on tiktok discussing whether or not a character "deserved a redemption arc" and i am losing my mind. we as a society have lost sight of what a redemption arc IS. it doesn't mean a character is rewarded by the narrative. it doesn't mean the other characters forgive them. it only refers to a character acknowledging their mistakes and choosing to better themselves, which any person can do, no matter how terrible. of course there's no shortage of badly executed redemption arcs, and a character who willfully committed countless atrocities having a change of heart after a single conversation about the power of friendship is simply poor writing and unrealistic. not every character who CAN change WILL. but there is zero value in debating whether a character "deserved" to be redeemed. no one in fiction or reality needs to be "worthy" of making better choices. there is no fixed point where a person is "too evil" and therefore forbidden from doing anything differently. it's always worth it to change, and implying otherwise is both a genuinely harmful ideology and bad literary analysis

[that1notetaker]

I love prophecies and the battle of Bond of Choice versus Bond of Obligation.

[egberts]

ALSO if prisoners could get educated then prisons could run themselves more reliably and function like communities which is conducive to a growing/healing/learning/absolving mindset

[kitamars]

i have nothing for halloween so take some yokai ginhiji doodles so you know im not dead ndnjvjd

[ricky-mortis]

Have some Ted doodles- as a treat.

[a-loose-collection-of-ants]

I love your depiction of Hamilton and Lafayette, it’s so funny! Lafayette is so sweet and happy and Hamilton just has beef w/ the entire world. I can’t wait to see more of their brotherly relations in ur AMAZING art style

God, they're so narrative foil coded

Seriously though, there's some fantastic contrast between them. They're just similar enough (both roughly the same age, both insecure and glory hungry, + their "shared father" or whatever Lafayette said) - and yet they manage to be exact opposites at the same time.

I could say more but I think this bit from Mike Duncan's biography about Lafayette basically gets at what I'm trying to say:

"Like Lafayette, Hamilton grew up without a father. He also lost his mother to a fatal illness at almost the same age Lafayette lost his. But where the tragedies of Lafayette’s childhood made him the heir of a fabulous fortune, the tragedies of Hamilton’s illegitimate childhood left him systematically cut out of his family’s inheritance. So where the dark clouds of Lafayette’s life were lined with silver, the dark clouds of Hamilton’s life were simply dark. Lafayette emerged from childhood buoyant and effusive, Hamilton cynical and reticent. But even though Hamilton started life a penniless bastard on the periphery of European civilization, and Lafayette started life an insanely wealthy heir in the heart of a great kingdom, they fell into an easy friendship. French was not the only language the two young men shared. The also shared a code of personal honor and a desire to prove themselves to the world." -Mike Duncan, Hero of Two Worlds, The Marquis de Lafayette in the Age of Revolution

Now, I am not qualified to speak on the real figures, but I do like to write. So, there is a narrative opportunity here that drives me insane.

Like, cast Hamilton as brilliant, but overly cynical with a habit of assuming the worst in people, and give him a negative character arc where he comes close to recognizing the potential good of humanity but ultimately falls into his more authoritarian tendencies. Then contrast him with Lafayette who's more naive. He's not quite sheltered but unfamiliar with the sort of selfishness and greed he'd have encountered if he grew up in a more vulnerable financial position. In coming to America he, like Hamilton, is forced to reckon with contempt, greed, and the failings of democratic government. But, unlike Hamilton, still manages to come out of it with a generally positive opinion of humanity.

I'm just saying, if I were writing history to contain ✨themes ✨ they are a perfect opportunity.

[joshuamj]

Some Madam Odiles

+ the sprites i references and alt colors

[divinebunnii]

I’ll still never understand these “sex is great but” posts. all you’re doing is trying to compare totally incomparable things, and then make a completely generalized and opinionated comment about how the second thing is always better than sex. you’re doing sex wrong if you can’t have it be gentle and intimate, if it can’t also mean you’re talking and giggling and learning about each other, as if it can’t mean taking hours for foreplay and touching and truly getting to know every crevice and curve and line of the others body, AS IF there aren’t people who use sex as their one thing that keeps them sane/their emotions at bay/gives them the release they need. sex is great, and so it learning every little detail, and so is cooking together and feeding them, and so is holding hands under a warm blanket, and so is cuddling in the moonlight. There is no but, there is only additionally ~

[what-am-i-doing-in-this-fandom]

Listen, I love OC x Canon as much as the next guy, maybe even MORE than the next guy ever could, but Stanley Pines would NOT date a person that looks like they're in their first year of College.

I'm sorry, but he wouldn't. MAKE YOUR OC MORE AGE APPROPRIATE RIGHT. NOW. 👇😠