#anyway. if im cringing while reading my old stuff it's not because it's badly written

[danielnelsen]

im reading all my old hwu fanfics oh god.. like i was a decent writer but some of the stuff i wrote smh......... and like.. the ships. or one in particular. had to write for the most popular ship if i wanted anyone to read anything i wrote but please know that i HATED it

[edengarden]

BNHA CONCERT BAND AU BC IM A NERD

IF YOU HAVE ANY QUESTIONS OR REQUESTS OR HEADCANONS AKSJHD PLS ASK ME I LOVE BAND I LOVE MUSIC AND I LOVE THIS-

Izuku Midoriya:

Boy definitely plays a wind instrument. I’m assigning him clarinet

Wants to be first chair so bad, he practices so freaking much I swear

ALWAYS. IN. A. BAND. ROOM. with Iida and Uraraka. They’re always practicing

He’s so confused with music theory, please help him. He just,, WHY is it minor?? WHY IS THERE A SOLO WITH NOTHING WRITTEN?? WHAT DO YOU MEAN HE HAS TO IMPROVISE WITH THE CHORDS WRITTEN OVER THE BARS-

Ochako Uraraka:

ALTO SAXOPHONE-

She’s also comfortable enough to play 2nd or 3rd clarinet if needed, or even soprano saxophone

Doesn’t have her own instrument, she borrows from the school and she HATES the reeds, they’re crap. When someone gives her a good reed, she CHERISHES it.

In jazz band also! With the same instrument, but she doesn’t feel ready for solos so she’s usually 2nd or 3rd. Bro when she has to switch from swing to straight she ALWAYS forgets and it’s the band’s downfall.

Tenya Iida:

TRUMPET TRUMPET TRUMPET TRU-

And he’s one of THOSE trumpet players, by the way.

“Sir the French horns aren’t tuned” yeah, he has perfect pitch

Literally plays flight of the bumblebee as warm up. Or has his own warm up scales. Never practices right before practice though, he thinks it’s “too late” for that

Has his own trumpet, it’s silver with hints of gold/brass. Takes care of it RELIGIOUSLY.

He HATES having to blow out spit onto the floor, but dude what other choice do you have??

Momo Yaoyorozu:

Sweet angel 🥺🥺 she’s an oboe player

Definitely bought her own instrument

Sight reading MASTER. she instantly gets the key bro, it’s so rare that she forgets an incidental

Definitely leads sectionals all the time. And she does it WELL.

When people (*COUGH* BASSES*cough*) slowdown, she’ll sway to the beat in hopes that they’ll follow her

Kyoka Jirou:

Electric bass or contrabass, give her either and she’s good to go dude.

Also has perfect pitch and knows her music theory WAY more than a high school student should know. She’s a genius.

Her warm ups? Jam sessions with Hanta and Todoroki. She just shouts a key and they go. It’s usually jazz, she plays a pretty constant pattern, Todoroki tries to improvise but hanta takes over pretty quick-

Definitely in jazz band as well. Also in a school competition band (like singer and stuff), also a one-woman-band. She’s in so many bands dude.

Shouto Todoroki:

TENOR SAXOPHONE

Also has a background in flute bc his parents wanted him to have ~versatility~

Knows all the theory in his head, like he knows what’s going on, he just doesn’t know how to explain it

*false note* “sorry my instrument isn’t warmed up, it’s probably my reed”

Has plastic reeds. And reeds ESPECIALLY for jazz.

Oh yeah he’s in jazz band! Loves that he’s like, the only tenor saxophone so he gets all the solos

Rikidou Satou:

TUBA PLAYER IN DA HOUUUSSEEE

Buddy actually brings the tuba home to practice, he drags that thing AROUND.

Always. Slows. Down. But no one knows it’s his fault most of the time, they blame Sero-

Firmly believes in the “basses are the foundation of the orchestra” mindset, he’s so proud to be a bass

Kouji Kouda:

Soprano Saxophone, but can also handle clarinet if the need comes (he just loves the sound of soprano sax you guys)

DEFINITELY in jazz band, but as a Tenor Sax 2 bc he knows if he went as a soprano sax he probably would’ve gotten solos

Is it Momo’s oboe?? Is it Kouda’s soprano sax?? No one knows the different except those two and Jirou

Plays Shostakovich’s jazz suite no. 2 as a warm up

DEFINITELY A SWAYER. He just gets into the mood of the music and SWAYS.

Tooru Hagakure:

Flautist!! She chose it as an 11 y/o bc it was a girly instrument but she really likes it lol

A mediocre player, she spends most of warm up with Mina tho, she thinks that she’ll get to warm up when she’s playing bc I mean— no one hears the flutes

Wanted to main the picolo for the sole purpose that it���s an Ear Destroyer. Aizawa heard the mischief in her voice and said no.

Sight reading?? What’s that?? She has no idea what’s going on, she just pretends to play and when she’s comfortable with the melody, she’ll just step in. NEVER notices key changes and signatures.

Yuuga Aoyama:

LASKHDSJ FLAUTIST!! Also clarinetist. He loves being able to stay where he is during practice even though he changes instruments it’s sort of funny

His cheeks get SO SORE when he plays clarinet though and he WILL complain.

“My flute is so heavy!” Kind of guy.

Definitely has his own instruments and takes GREAT care of them.

Wetting his reed with his saliva?? No, he plops it in a glass of water instead (the reeds are definitely his own, and expensive)

Tsuyu Asui:

Trombone gang bro.

Positions are burnt into her brain dude she’ll never go out of tune.

SO SMOOTH. SOOOO SMOOO- dude she plays so well?? It’s never spitty, but during jazz (yes she’s in jazz), if it’s a moody piece she KNOWS how to make it juuussssttt airy enough to be beautiful

Not that good with fast songs, but she makes up for her amazing ass vibrato and her range. GOD-LIKE RANGE.

Mashirao Ojirou:

FRENCH HORN!!!

Omg he plays like a king. And he’s so proud of being the ONLY one playing French horn, but there is PRESSURE, because a French horn is rlly tricky to tune dude. Have you SEEN it??

Always keeps his mouthpiece with him, as if he’s afraid someone will play his instrument?? Like no dude it’s good in it’s case but you do you I guess

He doesn’t stand out that much, but in the majestic pieces where he has a 5 measure solo?? He gives it his all and he pulls it OFF. Those moments are always the highlight of the piece

Mezou Shouji:

Bass clarinet!!

Once he managed to growl through bass clarinet and literally ALL the saxophone players were jealous AS FUCK

Buddy goes to a low E♭ like it’s nothing?? And then he goes up to like a high high C and you’re sitting there like THE FUCKING RANGE-

His warmups are like, quick scales and arpeggios. Bro he’s so steady when he plays and he could play for HOURS. Sore cheeks?? Don’t know her.

He so proud of being a bass clarinetist, but when he saw an octobass clarinet?? Aizawa better order one of those for him RIGHT. NOW.

Fumikage Tokoyami:

Baritone saxophone. Also lowkey really wants to learn bassoon because it’s such an old instrument

SKSKS he and Shouji sit next to each other, Tokoyami loves to read off of Shouji’s partition and create the WORST fourths you’ll ever hear. Even Midoriya told them to shut the fuck up once

In jazz band too!! Still plays bari sax

Such,, a good,, sound. So,, meaty,, and full,, and HOT. Bari sax is HOT!!

Plays moanin’s intro as a warm up. Search up the song. It’s bomb.

He loves to figure out new sounds with his bari sax. The Too Many Zooz type of sounds

Hitoshi Shinsou:

PERCUSSIONIST. Especially loves the bells, timpani, vibraphone and marimba.

He’s in the back judging EVERYONE. It’s so great for him, he gets to stand there and cringe and no one will know

Totally able to play 4 mallets like the king he is

Surprisingly enough, he’s rlly good in music theory. Like he could probably compose or transpose something no problem

Aizawa’s favourite, of course. Will ask him to sit in front while they play and circle the parts where he thinks something sounds off

Now that we’ve talked about the NORMAL band kids, I present to you,,, the gremlin band kids

Mina Ashido:

Percussionist as well!! She loves snares but you’ll see her pick up castagnettes even if y’all are playing something like Gymnopédie no. 3 she’s a bit confused but she got the spirit.

CANNOT READ SHEET MUSIC. Like notes?? No. She can do beats, just not notes. Let Shinsou figure out the ancient languages dude

Her and Hagakure don’t warm up, they just gossip together.

Did this to Bakugou more than once

SHE DROPPED SO MUCH EQUIPMENT LIKE HOW DID SHE NOT BREAK ANYTHING YET??

Denki Kaminari:

TRUMPET.

Buddy AIMS to have his spit land on someone sitting in front of him (rip Todoroki and Uraraka)

Thinks he’s cool because he plays trumpet, but he always loses count. God forbid Iida cant show up to practice because Kaminari will die

“Where are we? What are we doing? Which piece are we doing? Where are we starting?” Oh my god he’s so lost can SOMEONE please help him

Always gets in trouble during band camps dude. He and Sero are the Bad Brass duo

Eijirou Kirishima:

EUPHONIUM BABEY!! He thinks it’s so cool and he’ll get so insulted if someone calls it a “mini tuba”

DONT GIVE HIM SHEET MUSIC IN BASS CLEF HE HATES IT PLS JUST TREBLE CLEF

So!! Protective of his euphonium. His name is Johnny, by the way. He named his instrument.

When they finish practicing a piece, he’s the first to give feedback. Usually it’s good, like praises for classmates he heard and thought were really good!!

He’s so sweet. Willing to help others during practice and sectionals too!! It’s so sad that he’s literally on the other side of the room bc KAMINARI NEEDS HIS HELP-

Katsuki Bakugou:

Hehehe he’s a flautist. I’ve stood by this headcanon for like two years.

And he wants to be THE BEST. You never knew growling could be done through a flute until you met Bakugou.

CANNOT STAND slow pieces. He wants to go all out all the time, he always speeds up when the tempo’s slow.

Also in jazz band with what? Flute. Yeah, this is George Benson Time.

Will hit you with his flute if you ever think badly of him for playing flute. He’ll defend flute ‘till he dies.

Hanta Sero:

TROMBONIST!!! TROMBONE BABEY.

Will be so happy if he’s in charge of bass trombone?? Like yay??

Always wants to hit Bakugou’s head while playing.

Bro his playing style?? You know the like, lazy-ish trombone playing? But it’s just so full and smooth and heavy anyways? That type of shit.

In jazz band, he’s actually a natural at jazz, doesn’t practice that much so he’s like not even in a good position, buddy just slouches and sight reads.

I love Hanta sm guys I could talk abt trombonist!Hanta forever

[moviestorian]

Im glad the asks helped! I have anxiety and depression and can understand what youre going through. My ask today is what are your thoughts on Bo Rhap as a movie?

Thanks! :) I’m above all extremely happy to see people on this site being so kind and supportive in time of need, it’s a human quality that will never get enough praise! I’m also really sorry to hear about your problems. :( I send you lots of love, I can imagine how difficult it must be for you, but I’m sure you're strong and coping❤️

As for your actual question - that’s some truly excellent and interesting timing, considering that I rewatched BoRhap (with @incblackbird) literally three days ago. :P It was already my third rewatch, and while I enjoyed the movie overall, I liked it quite significantly less than upon the last time I saw it. Of course, there’s been gazillion discourses about BoRhap, whether it’s genius, extremely evil, etc., but since it’s such a broad topic (and I think some of my opinions could potentially outrage certain parts of the fandom), this time I’m going to stick to purely cinematic terms.

Needless to say, the soundtrack is excellent - with music such as Queen’s you don’t really have to do much, but they made a good choice of songs, alternating between their best known hits (We Will Rock You, Somebody to Love, Bohemian Rhapsody) and songs to fit the narrative (Doing All Right, Now I’m Here, Who Wants to Live Forever, Love of my Life). It’s practically impossible to leave the screening of BoRhap without at least one Queen song stuck in your head.

The cast was overall very good, too. My personal favourites in terms of acting were Gwilym Lee (who I liked even more than Rami), Rami Malek, Lucy Boynton and Allen Leech - I think they did a great job with their roles as they were written (whether their characters were well written or not is a subject for a whole another discussion). All the side characters were well acted, too (Mike Myers, Meneka Das and Aaron McCusker, for instance, I found particularly memorable), but I must admit I wasn’t a big fan of Joe Mazzello and Ben Hardy, but even they weren’t bad. So, acting is definitely one of the strongest points of the film.

Moving on, I also think they did a great job when it comes to costumes (Brian lending some of his old clothing definitely helped) and make-up (except for Roger’s wigs, perhaps); the choreography and stage movement for the characters were super well done, too - and it definitely wasn’t an easy task!

Now, let’s discuss cinematography. I will talk about editing in a separate paragraph, so for now I’m gonna stick to other aspects. The composition of shots struck me as rather mediocre, nothing particularly exceptional in either good or bad way, it was pretty basic but rather correct. Of course, there were some shots I really liked, but if I were to start adding screenshots the post would become way too long. XD The colours I really liked, especially in the musical scenes - they were vivid and lovely, and they used a combination of colours that I tend to appreciate in cinema, like various shades of blue and red. Finally, the camerawork - for dialogue scenes it was correct; again, rather average with some use of handheld camera which served no particular dramatic purpose, but it wasn’t nowhere near very bad, also it’s quite a common thing in modern biopics I would say. Handheld camerawork isn’t bad in default, but my comment largely comes from my personal preferences: in most cases I don’t really like it, especially when it’s particularly shaky. Then, there are scenes in BoRhap which display excellent camerawork, namely Live Aid and We Will Rock You scenes. If most scenes were filmed like that, I would give the movie a higher rating.

Before I move to the worst (imo) cinematic aspects of the movie, let’s have a look at writing. It is probably the most divisive thing in the fandom - people seem to either adore or absolutely loathe it; my stance lies somewhere inbetween. The first time I saw the film (I’m gonna remind you that I’ve seen it four times), I had certain objections, but the script didn’t bother me all that much; I was mostly simply having fun in the cinema. With every next watching, the experience was getting gradually worse, but even now I don’t hate the movie. Yes, some of the dialogue is cheesy, trite and makes me cringe a bit - certain parts of the script definitely end on an “overly sentimental” territory, I can’t deny that. Knowing quite a lot about Freddie, Queen and their stories, I generally think they deserve a better script; some characterisation was a bit offputting and chronology was all over the place. Having said that, I understand where some of those narrative choices come from, as scripts for mainstream movies require oversimplification of events, archetypes, and patterns. And quite frankly, I don’t think BoRhap differs any drastically from most modern biopics; it’s not a masterpiece, but - in my opinion - it’s also not bad overall. Regardless the flaws of the script, the movie still managed to emotionally affect a huge, if not major, portion of viewers, entertain and move them, and honestly? I think that was pretty much the point. Btw, there were some lines that I really loved, like “Puritans in public, perverts in private”, and I still think that their decision to cut from Live Aid performance to Ray Foster’s grim face during We Are the Champions was the funniest shit ever. XD Would BoRhap’s script benefit from sticking to historical accuracy? I’m gonna say yes, I think so - the scenes that were the closest to actual events are definitely the strongest - but this approach would require tons of changes, including narrowing down the narrative scope and probably the characters, too. Also, a lot of people keep forgetting that this is not an arthouse, niche film and therefore resorts to narrative and cinematic choice that compromise between satisfying the fans and the newbies; it’s meant to tell a (simple) story and entertain, not educate and provoke existential and philosophical debates. Still, I think the script could have been done a bit better, because some scenes  (the tour “Now I’m Here” montage) feel a bit...random?

Finally, the infamous editing. I totally agree that it was one of the most undeserving Academy Awards that year, because some scenes were simply atrocious, with their unmotivated and overly fast cuts and unreasonably ridiculous face that doesn’t fit the dialogue scenes, and those are honestly the worst when it comes to pacing and editing. I think the editing is the worst aspect of BoRhap; but even here, I could point at some examples of pretty amazing editing (Oscar-worthy? Not necessarily, but definitely very good); again, I’m gonna bring up Live Aid and “We Will Rock You” scenes, especially the latter, because less people talk about it. I already mentioned that it has some really nice camerawork AND colours, but also the editing is actually really cool, because it’s cut to the music! Which makes me think: “what a shame!”, because if they went with different editing choices, the movie would be affected in a positive way. The way we have it, it’s either a hit or miss (sadly, mostly miss), and the badly edited scenes are pretty striking, so the ones that are done nicely are unfortunately a wasted potential.

Okay, this is already waaay too long, so I’m just gonna finish with a few general remarks. Well, despite BoRhap’s flaws, I still like and enjoy it. With every screening slightly less, but enjoy it anyway. I don’t think any amount of discourse will ever take away my positive experiences and memories from seeing it twice in cinema. It sparked my previously dormant love for Queen and united me with some people in the fandom and in real life; making this movie made Brian and Roger happy; as a result, I like this movie. It brings back a lot of positive recollections, which sometimes is more important than critical discussions. And boy, do I adore those - I’m often critical and I adore analysing stuff academically; but I think that not all daily interactions require those and depending on who’s asking and what about, I’m capable of switching between the two options. If somebody asks me in 25 years whether I remember the times of BoRhap’s release, I’ll be far less likely to say “yeah, the editing sucked and writing was cringy, I remember the discourse on tumblr and instagram” than “Yes, I remember that chilly evening in December when I had a really fun time and ended up with 10 Queen songs stuck in my head”, because the latter is the experience I want to remember.

Thank you for this ask! Hope it wasn’t overly exhausting to read, I didn’t proofread this, sorry! xx