#anyway please talk to me about jon and helen

[landscaping-your-mind]

If you get Jon's self-loathing and curiosity stats high enough, it'll override his cowardice stat.

Yeah so hi time for MAG 143!!! This is... not my favourite episode, but it's alright, I mean Helen's there, and I love Helen.

So, might not have that much to say, but I sure will be speaking. (Update! I do have good words! My brain is so cool you guys)

@a-mag-a-day

BASIRA Eyes peeled. [Pause.] ARCHIVIST Was that a joke?

I'm holding him gently <3

ARCHIVIST They weren’t lying. BASIRA Wait, you did your… ARCHIVIST Oh, yeah, I don’t think they noticed.

Mate, he was purposefully compelling people back in season 3, like, if you have the power to get 100% accurate information then why wouldn't you use it? Monster anyway, you know, might as well use it to your advantage.

BASIRA So what? This was another waste of time? No church. No Dark Sun. I’m going to kill that son of a bitch.

Please.

ARCHIVIST Oh, charming.

He's a fucking dork, you honour <3

ARCHIVIST (Compelling) What happened? MANUELA Don’t … Don’t make me. Please. ARCHIVIST (Compelling) Tell me.

Jon.

And it's like, Basira isn't protesting, but like, I sort of get it? We know about the dreams, we know that his... victims... are suffering, but Scrutiny is like, yeah. They are. Like, I can understand why Basira wouldn't view Jon... yk, compelling people as a bad thing here? It's useful, and she values that, but she doesn't really get the after effects? Maybe? Or maybe it's just because Manuela is "evil" and therefore "deserves it."

Jon does know what happens to them though, and directly...

Oh, right. Not gonna say what I just came to a conclusion on in case it's stupid but I Got Something.

Hither Green was, I believe, where your institute was watching, but Natalie’s efforts were a small and meagre part of the greater effort.

She was literally unscrewing lightbulbs. How was that supposed to end the world???

But we got so close. We touched it. There is another world, a world of still and quiet darkness, where no heat touches and death cannot find you. You might wander beneath that empty sky of void forever and never see a light to guide your way.

But, see, this could be the Lonely, the Extinction, hell even the End, or the Vast. This is not a purely dark world, there is no such thing. Like the colour green. All the green we see, is not true green.

For that night is not empty, far from it. Things move there: the sounds of shuffling, scuttling, crawling. A scream. The fall of gentle stagnant raindrops that chills you as you try desperately to know if that is the sound of the storm or something out there?

The Hunt, The Slaughter, this isn't simply dark.

Natalie and the others followed, but they did not truly understand.

Yeah, duh, she was unscrewing lightbulbs.

Also like, it's actually like... not just spooky cult, but like Natalie joined after her mum died, Manuela left another cult. Feels like a cross between an actual cult, a ✨spooky✨ cult, and the Yiga Clan from Breath of the Wild.

All at once, that loving embrace was stripped from us, and it began to retreat, to recede back into the place that it had come from. We were so close. We were so close.

She sounds so heartbroken.

ARCHIVIST (Compelling) How dangerous is it? MANUELA Only myself, Maxwell and Natalie could even look upon it. It will annihilate you both in an instant. BASIRA Ask her how we can destroy it. ARCHIVIST I know how. I just need to see it. BASIRA See, as in… ARCHIVIST As in, actually see it. MANUELA Go ahead. Just try. BASIRA Look, it’s alright, Jon. No-one else knows it’s here, and if we just leave it, no one will know. ARCHIVIST No, I’m doing this. Get out.

(basira voice) JON! You stupid idiot!

No, but... is this curiosity? Maybe, he's done a similar thing of knowing that he will get hurt and yet doing something anyways for information. Is this because of the self loathing? Maybe, feels pretty similar to "no one can get out of the buried" and then he goes into the buried.

He's not a stupid idiot, he has a reason, but it's a bad reason.

[Static can be heard, growing louder] ARCHIVIST It’s… it's beautiful. MANUELA (Gasps) No! [The static suddenly stops]

I've been thinking about what it would look like, and I think I've come up with a good image of it. You know when you close your eyes - you might have to put your hands over them - and you can see patterns? And you can find that darkness and follow it, and it becomes darker, darker, yet darker (/ref) ad infinitum. You can just stare at the darkness when your eyes are closed, until it's darker than it should even be possible to be dark, and still getting darker.

That's what looking in the dark sun is like, at least I think.

ARCHIVIST Did you catch her? HELEN Yes. (The Archivist gasps.)

Great gasping, Jonny, ten out of ten!

No but... that is great gasping. Jonny's voice acting is just really good.

HELEN How was it, looking upon The Dark? ARCHIVIST I thought I was going to die. HELEN You seem to think that a lot. I remember when you thought you were going to die at my threshold. ARCHIVIST Yeah.

I CARE THEM YOUR HONOUR

Like, hhh just the way they deliver their lines first of all, how can you have so much fucking baggage in a single "Yeah." Like?? The pause, the light tone of Helen vs the "I have just been through another traumatizing event, are you really reminding me of a previous one" tone of Jon.

Drawing the parallels from 101 to this episode? Would you die to save the world? Every time Jon has answered yes. Also the door was locked and this helped end the world? That's fucked? The door was locked? He would have made that choice, save yourself, safe the world, but the door was locked, like??? And here, he made the choice, look at the dark sun, make sure they can never attempt it again, die, and he chose to do that, but all it did was bring Jonah Magnus one step further along his evil plan.

I have like so many feelings about Jon and Helen, so many feelings about this one bit of dialogue. "I thought I was going to die." OH MY GODDD

NO one gets them like I do. They're my blorbos your honour, and they're so fucked up and evil, and they're so fucked up full stop.

Once again tag me in ALL Crew QnA Jon traumatizing people who worked on tma edition I want to see them so much!!!!

HELEN Go find your Basira, then let’s get you both home.

"Home."

:(

[zabala0z]

TMA S4 Finale (and the absolute rollercoaster of thoughts I now have)

Hi! WHAT. WHAT??? WHAT????

I’m not even gonna TALK about Mag 157 besides, I love Adelard Dekker, I’m very thankful Melanie is alive (also her and Georgie are dating??? Wow I’m dense) and I love Helen even more

I’m actually going insane over Daisy. Please. Girl. You still have so much to live for, you deserve to live a good life, everyone does. I’m actually going to rip out my TEETH.

Elias is Jonah. I unfortunately did know this. Can’t dodge spoilers that well but you know what, the build up was fucking awesome and I’m applauding the writers. ALSO NOT SASHA AND THE HUNTERS?? WELCOME BACK???

MAG 159: The Last

Martin getting stuck in The Lonely. I genuinely was distraught guys. Peter Lukas also giving his statement like, low key, I felt bad for him. Anyways then Jon ripped Peter Lukas apart. Can’t say I’m mad. It was rather scary. Like Jon full on was just 🤷🏻‍♀️. LIKE-

I did enjoy the brief moment of domestic life in MAG 160 which was soon interrupted by MOTHERFUCKING Elias Bouchard. Or Jonah Magnus. I DONT CARE.

MAG 160: The Eye Opens

��Hello Jon, apologies for the deception” HE SAID THE THING!!!!!

This episode answered the biggest question I’ve been having lately: hey, if these entities have existed for so long..why haven’t any succeeded??

I kinda want to unknow it now. Just- GOD. IM JUST UGJCLHCVPJH. I HATE THIS PODCAST. Elias is so calculating and articulate, you’d fucking think he’s an avatar of The Web. There’s something funny though that everyone is trying to bring all these rituals and it keeps failing and no one knows the true reason

Bring all the fears to the world. The worst idea ever and it worked. And I hate everything.

I don’t know what’s going to happen now. I don’t know what they’re going to do now. Jon does not sound very stable which is worrying but the world doesn’t sound very…good at the moment. I just feel very. Overwhelmed. Not overwhelmed. What’s a word where everything is crashing down and all you can do is watch??? Whatever.

I need to recover. For a bit before I start season 5. From what I hear, MAG 161 is rough. And I don’t think I can handle another thing that makes my brain fold in on itself.

Just. Jesus. God. Thank you again to everyone who is following me on this journey (???). I am tweaking out at the moment. But thank you. Expect a post on season 5…sometime???

God damn it, I need to recover

[jazzically]

mag 178

AWWWW MANNNNN THAT WAS SO GOOD!!!!!!! AND SAD!!!!!!!!!! DUDE!!!!!!!!!!!!!!!!!!

uhh the endless abattoir the mag called Killing Floor in season 2 i think?? anyway thats one of my favorite statements of all time URGH and this one reminded me of that so yay

but aside from the epic Flesh content BASIRA. IM SO SORRY BASIRA I DONT WANT DAISY TO DIE EITHER....... ... . ...... and jon ily but would u please be better at communicating youre driving me nuts here

sighhg I LOVE THEM ALL this is a really interesting situation jonny has put them in huh

update never mind i forgive you jon you and martin are wonderful

mag 182

the concept of this episode was brilliant. reminded me of the hostile hospital (soue)!!! tickled me right where i love horror

mag 183

MC ESCHER MENTION god i love that guy's artwork

hehehehehe martin is so real for this

i.......HA

that is crazy

..

GUYS THEY SAID IT IM BOUNCING OFF THE FRICKING WALLS AWWWWWWWWWWWW AAAAAHHHHWWWEHSISHEKSJDODHODHDODJD

mag 184:

poor jonny having to come up with so many names /j

..OH MY GOD THAT WAS DEVASTATING THAT WAS SO SAD

poor jordannn og my god wtf i dont even know how to feel about that :(

mag 185:

preceding notes - honorable of rusty quill. respect to jon for owning up to his word and to everyone for being conscious of how their episodes may affect the audience because of the situation at hand

oooo this sounds really well done so far

also it's very cool that, since jon is now canonically in the places he describes, soundscape team can add actual sfx for specific parts of the story in addition to ambience

i like that the statement format has stayed despite even the apocalypse

aw maaan

poor tina ,,,

which power is this? stranger? id love to see more hybrid domains like martin's, i think

mag 186:

HAHAHAHA WAIT THIS IS AMAZING

ALEX IS SO GOOD AT TALKING TO HIMSELF??????

DUUUUDEEEEE THE WRITINGGGGG

this episode is awesome and it also makes me want to shriek

AAAAAUGH NO NOW I'M SAD

this man will do anything for tea i swear

ayyyyy and now martin gets to read a statement what an incredibly elaborate scheme

what.................ohmygoodness.......................this is upsetting methinks

187:

HELEN INTERRUPTING IS THE FUNNIEST THING EVER IVE WAITED 186 EPISODES FOR THIS

i love the distortion so much as a character i really miss michael tho

hey is this the first first-person statement in s5??? i remember jonny saying he was saving the name alex for something??? unless that was a joke??? did jonny name the statement giver's hypothetical son after alexander j newall?????? what does that mean HELP

the door knocking noises and breathing are giving me anxiety /lh

......WHOOOOOAAAAAA. OKAY THAT WAS FREAKING COOL. THE PERSPECTIVE SWITCH HOLY SHIIIIIT????!!!! does that mean his pseudostatements are... live???? what????? mind bLOWN i need to listen to that again hang tf on

[neverwalka1one]

Magnus Protocol 23

Jonny Sims, did you really have to say the title like that? For reals.

Lena wading into the Alice-Sam situationship? Dissing Alice? Lena, we've talked about how you just aren't going to get out of the 'worst boss' category like this.

Is... Sam... being compelled to finish that paperwork? Does he think Lena is lying about nothing happening if it's completed? That was odd. Something's up.

She doesn't mean 'hairpiece', does she? Or like... a gun. That'd be too normal.

Smiley face

Um. All these posts have no comments. But she keeps referring comments her posts are getting. Um. What happened there?

No, please don't say you're going to put that nasty piece of coral inside you.

NO. Oh god, the sepsis, stoppit, DO NOT PUT CORAL UNDER YOUR SKIN.

Augh it's another plant person, this is a theme, plant people are a theme, I canNOT with the plant people augh lady you did not think this through I cannot stress enough that this is wrong

... Isn't this another kill your double? The coral woman has this gal's eyes. She's like her, but better. Oh no they go together.

The last post before she dies/comes to her senses has comments. And the one after when she's panicking is locked down, no comments, no likes. More social media commentary here?

Nooooooo don't go back in the break room aaaaugh fine I'll go find the transcripts.

NO. Sam. TAKE THAT BACK. THEY ARE NOT DEAD. THEY'RE IN SCOTLAND. WITH THE GOOD COWS. SUCKS THAT YOU SUCK BUT THEY'RE FINE. BITE ME.

Basira and Helen? If there's a Basira... is there a Daisy? Can I have both of my favorite murder cops back? C'mooooon let's goooooo.

Gwen's still on high alert, things are going well there, sorry about the demotion hun but did you really want to go talk to externals any more (I know, I know, you think that one external won't eat you for lunch but SHE WOULD, Okay, please.

Alice, don't be mean to Gwen, please don't be mean to Gwen, it's fine when she's in fighting form but...

Oh. See? You're nice. Sometimes, anyway. Good job Alice.

Alice doesn't sound shocked. Concerned, but not shocked. Tell me more about how you're not getting involved, Alice.

WELCOME BACK ARCHIVIST! MONSTER JON MONSTER JON MONSTER JON

Still torn between wanting that to really be monster!Jon and the 'deaths' being a cover for Jon and Martin going full Avatar, and wanting them to be safe in Scotland with the good cows. I contain multitudes (but no coral).

Oop, they're cluing into the tape recorders!

[shoggoth-the-bitch]

The Sick Village

Can't imagine what this episode will be about...

Dogs and ducks?

Jon, are you aware you're talking? Where is your Martin to look after you?

Ew, awful, hate it. Corruption, you are the grossest of the fears, always the grossest.

Who is "they" in this situation? I guess the sentiment is that anyone could be the "they" in this story.

I wish I had more to say but it really is all just gross and terrifying. It's a good story though.

Jon, please don't stay in that village... Jon's seems to Know a lot- ah, Martin seems to agree with me...

Everything?! Really?

Wait? Martin lied about having a middle name? What exactly was the name he claimed was his middle name? ... I feel it should be known that my first thought when hearing that was "Wow, I can't believe Martin's mom loved him so little she didn't even give him a middle name."

Ask about your friends mayhaps? L- oh, good... Daisy, no! And Basira!

Melanie next maybe? OH! Did they both remove their eyes at this point so you can't see them?

"That sounds... gross." Thank you, Martin, you are ever the voice of reason in this absolute nonsense world.

A pilgrim and a moth? An interesting analogy, I guess.

"Who was phone?" I completely agree with the question but all I can think of is the meme... Annabelle Cane? For why would she be trying to contact Martin? Because he's into spiders? Is this a trick to lure Jon in or something?

Oh, there's a question? Oh Jon, you good bud?

Helen? Another good qu- she's just around here, isn't she?

Yep, of course!

Is... is that such a good idea? Eh, you're gonna do it anyways, whether it is or not...

Helen, you knew this was coming, didn't you. You could have stopped this!

Friends?! I don't know if I believe you ever actually were friends!

Martin, that is a terrible idea! Do Not go into those hallways.

Helen, that is such a rude thing to say!

I know I've been shipping these two for a while but I'm a bit uncomfortable listening to Helen talk about them this way. I assume that's the point but I don't know. Feels wrong.

I get where you're coming from bud, I really do, but I don't know if you actually want her friendship at this point. An entity who is innately made up of lies and madness does not make for great company to begin with but more over, she eats people. I don't believe she wouldn't eat you just because you're vaguely on good terms with her.

[thebadchoicemachine]

Yall want some MYCT Magnus Archive Headcanons I may or may not draw? (Pt 1?)

I will try to include individual trigger warnings at the beginning of each explanation as much as I can think of. They may seem a little overboard but better safe than sorry. Remember, TMA is a horror podcast. 

(ALSO, EVERYTHING HERE IS /RP. EVEN WHEN I’M NOT TALKING ABOUT A ROLEPLAY VIDEO PLEASE KNOW I’M MAKING UP A CHARACTER BASED OFF THEIR CHANNEL AND AM NOT ACTUALLY ACCUSING THEM OF BEING A SERVANT TO A MALEVOLENT FEAR ENTITY.)

--------------------------------------------------------------------------------------------------------------------------------------------------------------------

Philza 

1. An End Avatar (TW, Numb/Apathetic Mindset)

He’s a reaper. An immortal. You only live once but life’s become, not meaningless, more like desaturated. He doesn’t care in a cheery “oh well” way. He’s pretty chill about it. He’s extremely chill about it. He is disturbingly chill about it. At first it seems great, he’s just a nice chill guy! No evil schemes or vicious plots. Just spending time with him seems to calm your nerves. And then you spend more time and you begin to understand why, things aren’t as important as you make them seem. You catastrophize a lot. Then a catastrophe happens and you’re not... upset. Why... why would you be? It doesn’t matter. It really doesn’t. It won’t in a hundred years and it doesn’t now. would end the same anyways. And then he starts to be less and less relatable. Why is he so happy? Why does he bother to go meet people and smile and eat or laugh or frown. You can’t belive you ever complained that he was so mild about everything, any amount is more than is worth. Why bother? Why... bother...

2. A Vast Avatar (TW, Heights?)

He just fucking tosses people into the sky instead of being upset with them. Do anything he doesn’t like? SWOOSH. It’s to the point it’s not even a malicious thing, it’s just routine. He gets up, goes to the store, picks up some groceries, sends a person who cut in line to a void of dusk with swirling black clouds where you fall so long you can’t tell if you’re flying up or down or left or right, maybe gets some mints, goes home, puts groceries away, does the dishes, etc. 

(the rest of the cast below the cut)

Tubbo

1. A Corruption Avatar (TW, Body Horror Surrounding Lungs, Swarming Insects, Implied Murder.) 

He has bees in his lungs and he loves them very much. If he ever gets something stuck in his throat or has water go down the wrong pipe he will FEAK OUT. He often has to cough up honey (and sometimes bees). It’s... a process. He just sits over a bucket or jar and hacks his little heart out. He sometimes saves the honey and offers it to people. Amazingly, his friends never take him up on the offer. Unsuspecting people who don’t know the.. supernatural origin of the honey find they have some... unpleasant side effects. (Bees. The side effect is bees. Specifically ones trying to fly down their throat.) Oh well, being a part of a hive isn’t for everyone. The really unfortunate ones make good fertilizer for his flowers, though! His lungs are literally a hive. If you tried to listen to his heartbeat you’d hear buzzing. He will sometimes hold flowers over his open mouth to let the bees get some easy pollon. He doesn’t usually actively seek out “prey” but when he is trying to feed on that good old fear he’ll act super sweet, too sweet, and then open his mouth and let the bees fly out. It’s very creepy but to him it’s just funny. (Also, all of the bees have names and he has a funeral for every single one that get’s killed.)

Quackity

1. A Spiral Avatar

I- I mean have you seen a single one of his videos?

2. A Stranger Avatar (TW, Unreality Depersonalization )

He mocks people as their own reflection, hopping from pond to mirror to camera to scream at them (sometimes literally) that they do not know who they are. It starts off subtle (Wasn’t your hair a bit longer? Weren’t your eyes a shade lighter? Did you always have that birthmark?”) but grows and changes until it gets to the point you stand in front of a mirror and every time you blink you look completely different. You feel your face, you look at your hands, but it’s no help. They change too fast. Your pictures change too, every single post on all your social media looks like different people posted it- wait... did you always have this platform? You don’t remember ever using it before. You have so many posts... none of them match up. You throw your phone away, noticing you never had the case on it. You turn to real photos for help but they are none. Of course not. You feel like just giving up as you shuffle through photo after photo, you don’t know what you really look like, so what? But then something catches your eye. A photo of you in the 5th grade concert. You don’t remember going to that school. You’ve never played an instrument, have you? Something screams yes and no at the same time. You throw the box down and grab your phone. You need to call someone. You pace throughout a house you recognize less and less searching for clues, reminders, as the phone rings. Your best friend answers. You throw the phone down again. You don’t have a best friend. You’ve never really been one for friends. No, that’s not true, you had a few really good ones but you’ve grown apart. No, that’s not true, you only have one real friend, your boyfriend. No, you don’t have a boyfriend, just a close friend. No, you have many friends just none that are close enough for this bullshit. You stop. No. No you don’t like swearing, do you? Do you? Who are you? Who are you? Your reflection laughs. It’s eating popcorn and making you do a stupid dance. What a bitch.

3. A Flesh Avatar (TW, Body Horror Surrounding Faces and Skin)

You’re a piece of meat, he’s a piece of meat, everyone’s meat. Like Chicken Nuggets.He’ll steal your face right off it’s skull and dance with one in each hand. He’ll put words in your mouth like you’re a puppet with bones. He’ll make you say the dumbest shit because it’s funny. Even when it’s obviously not YOU talking. 

Technoblade 

1.  A Hunt Avatar (TW, Stalking/Genocide) 

Many people have suggested a slaughter avatar but I don’t see it. Yeah, he kills (blood for the blood god and all that) but I don’t see it. The Slaughter is about the moment. The unplanned snap. The sudden outbursts. I don’t see that in techno. You know what I DO see that also involves quite a bit of bloodlust? The chase. The planning, the target, the unstoppable dread and panic that overtakes his victims once they realize who is after them. The power. Calculated genocide of victim after victim. The HUNT. My two pain points of evidence: His potato war videos, that time he took over the world, and his stalking speech to Quackity. Go watch an animatic of Technoblade chasing down Quackity and tell me he is not a Hunt Avatar. 

Wilbur

1. A Desolation Avatar (TW, Abuse/Torture)

Everything he touches burns and hurts. Sometimes it’s on purpose, sometimes on accident, but either way he’s caught up in enjoying the drama. I’m gonna be honest, my main inspiration was the Villainbur aesthetic but the more I thought about it the more it made sense. Look at nearly any of his 100 player videos; designed to create maximum pain for hs enjoyment. Even the Dream SMP where he was mostly a good guy and more tragic than anything else fits. Maybe that Villain Arc was his first dabble as an avatar of destruction and pain. Even making his own father kill him could have been along the lines of “how can I milk as much despair out of this as possible.”

TommyInnit

1. A Slaughter Avatar (TW, Straight Up Murder)

Now HERE is a character right up that slaughter’s alley. No thoughts, not plans, just unbridled passion and rage and violence. He just stabs people whenever he feels like it (which is often) sometimes just with sticks. Like a rabid raccoon just jumps straight at people’s faces out of nowhere, always starting shit and stoking fires to make people angry at each other. 

2. A Buried Avatar (TW, small tight spaces)

Tunnels and caves and sticks and spots. He’ll burry you under a mountain, he’ll lock you in a tree. Dirt man. His usual MO is trapping people under an avalanche of stones and rocks and rubble. Basically just lava casting your bones. Everything he makes is ugly but not just in a ”that’s literally a pile of rocks in the middle of the road” way in a bit of an indescribable “looking at that makes me feel like I’m breathing in straight gravel.” 

Bonus: Ranboo as a Dark Avatar/Victim. He is not a willing avatar like Jude or Helen, he’s more along the lines of Oliver and Jon.

[cloudwithoutsilverlining]

please tell us more about co-archivists au 👉👈 i am very excited to hear your essay

BLESS UR HEART ANON I was NOT expecting anyone to actually read my tags <3

ANYWAY, thanks so much for asking and here are my vaguely comprehensive ideas for co-archivist AU here we go (it’s gonna get pretty long so I’m putting it under a cut lol)

Seasons 1+2 would probably go pretty much the same - Elias still chooses Jon alone as archivist and canon proceeds as is up until Infestation. Sasha still gets Not-Them’d but she doesn’t cease to exist, instead ending up trapped in some liminal space. She was already strongly tied to Beholding  and so is able to be claimed by the Eye to escape the Stranger (think Mike Crew getting claimed by the Vast to escape the Spiral) which allows her to break out of the clutches of the Not-Them. Meanwhile, in the tunnels, Leitner tries to trap the Not-Them with the Buried book and instead the thing is psychically ripped apart from the inside out, the memories of Real Sasha are instantly airdropped back into everyone’s brains, Sasha wakes up in a pile of broken table fragments, and gets the hell out of there.

From there, the start of s3 is pretty much the same for Jon (he and Leitner decide that the book had some sort of unforeseen adverse affect on the Not-Them that exploded it somehow) - he flees the institute after finding Leitner’s body, hides out with Georgie, and so on. Everyone assumes Sasha’s dead, except for Elias, obviously, who Knows not only is she alive, but she’s well on her way to becoming an Archivist. (He’s not going to do anything about it - sure, it’s more moving parts than he was counting on, but a backup Archivist could prove useful if something were to happen to Jon. Plus he’s already got a bet going with Peter over which of them will make it to the end.)

Sasha, consumed by the beholding-typical hunger for information, seeks out The Distortion - Michael helped her that one time, after all. She gets hints of usefulness from him (though he insists on using 80-word-long names for all the entities) but mostly he speaks in riddles and is generally frustrating. I’m also gonna say they have a Jude Perry handshake moment except instead of boiling wax it’s knife hands because I love parallels.

She leaves the Spiral with a vague understanding that entities are a thing and starts basically throwing herself into situations fitting their various motifs and hoping for an encounter. One of them seems related to heights? Guess she’s going skydiving. (I stand by my headcanon that Sasha is at least as if not more impulsive than Jon. In s1 while he was like “well I guess I’ll keep an eye out for more statements about Prentiss and hopefully get more information” she went straight to “I personally am gonna hunt down this nightmare worm monster! How dangerous can she be she’s only killed like 5 people that we know of + I’m too curious to leave it alone!” I mean seriously.) While this is a great way to accumulate a lot of Marks for herself, it’s not a great way to find out anything useful. Plus she’s nearly gotten herself killed a bunch of times, so clearly she needs a new approach.

She goes to find Michael again but instead finds Helen, who’s much more inclined to be helpful. She fills Sasha in about how Jon’s also going Archivist, and gives her a door to find him. Sasha steps through the door and emerges in a clearing in the woods where Daisy’s just about to slit Jon’s throat.

Suffice it to say, when a yellow door appears from nothing in the middle of the woods and dead-for-a-year Sasha James steps out of it, Daisy is very surprised. The resulting altercation leaves Sasha marked by the Hunt but the situation calms down after the arrival of Basira who points out that, when facing Elias, surely two avatars are better than one.

Events of s3 from there on play out basically like they do in canon except this time the archivist’s not alone, which helps with the whole “turning into an avatar” identity crisis. Don’t get me wrong, they’re both still freaking out, but they’re freaking out TOGETHER so it’s not as bad. It’s nice to have someone to talk to about weird Beholding stuff, especially when they literally share your brainwaves. (I’d imagine there are a lot of moments when everyone’s just sitting around resolutely doing no work when both Sasha and Jon abruptly stand up, point to each other, and yell some random thing that means absolutely nothing to anyone else but them because Beholding just airdropped them some knowledge. Also since the archivist power is split between the two of them, when they go into Statement mode they end up speaking in unison, Sasha’s right eye and Jon’s left both glowing. It’s very creepy for anyone watching.)

Then comes the Unknowing, and Tim blows up, but instead of dying like in canon, he gets pulled back into the realm of the Stranger along with the rest of the Unknowing and trapped there. When Jon and Sasha wake up from their twin comas, Basira tells them he’s dead, but Sasha realizes that somehow she Knows he’s not. With Jon’s help she uses Beholding (all-seeing) to break into the realm of the Stranger (concealment) and pull him out, and later Jon does the same for Martin in the Lonely.

And in the end, yes, they both end up marked by all the entities, and the world still ends, and things are still pretty bad. But at least they have all four of them (the og archive team) to deal with it. And at least, when Jon needs to info dump about cursed beholding information, he can talk to Sasha. And at least, when Martin would really like some company that isn’t someone possessed by an omnipotent eyeball god, he can talk to Tim. Which I think would help with morale if nothing else. 

(Thanks for sticking to the end of all that lol - I meant it when i said i had a lot of thoughts) 

[cirrus-grey]

TMA/The Good Place AU

I've seen other versions of this before and I have so many thoughts (Contains spoilers for all seasons of both shows)

Gertrude is the Architect, who thinks she's working for the good of the universe by punishing bad people but gradually learns compassion, friendship, and the ways in which the system is broken

Gerry is the neighborhood guide like Janet

He's a lot more incorporeal though

Instead of "not a robot, not a girl" he's got "not a boy, not a ghost"

Good Gerrys have poor dye jobs

Bad Gerrys have perfect dye jobs

Neutral Gerrys do not dye their hair

Yes this means disco Gerry exists

Magnus is the Head of the Bad Place who pretends to be the Judge

(The actual Judge is Dekker)

OG Elias is the pothead student who had a bad trip and predicted the whole afterlife system with almost perfect accuracy

Jon, Martin, Tim, and Sasha are the four humans in the first neighborhood

Jon and Tim think they belong in the Good Place

Martin and Sasha know they do not

Jon is told his research into the supernatural saved thousands of lives

Tim was an environmental activist

Sasha was a hacker but Gertrude welcomes her as a tech innovator who changed the world

Martin was just working a minimum wage job trying to get by and Gertrude welcomes him as a professional in the parapsychology field, he's given the same "your research saved lives" spiel as Jon

Jon and Martin are told they're soulmates

Tim and Sasha are told the same

Jon and Martin have the Chidi/Eleanor multi-season-long star-crossed fall-in-love-in-every-reboot plot arc

Tim and Sasha have the we-hooked-up-in-one-reboot-but-we're-better-as-friends Tahani/Jason dynamic

However, Sasha gets Eleanor's "there's someone with my name who's supposed to be here instead of me" plot

This is Not!Sasha

Peter Lukas is the Bad Place representative who brings Not!Sasha to the "Good Place"

Martin gets Jason's "the person with your name was in a near-death coma"

Sasha tells Tim she doesn't belong right out of the gate

Martin overhears them and the three end up working together

Martin does not tell Jon he doesn't belong, leading to Jon becoming paranoid about what he, Tim, and Sasha are always conspiring about together

It comes out in a "why are you lying" argument just like the CV thing in canon and Jon is heartbroken that he doesn't actually have a soulmate

He shuts Martin out for a while but eventually realizes he's fallen in love with him, soulmate or not

The four of them end up working together (somewhat)

When they go to the Medium Place they meet Mikaele Salesa

He was a cut-throat antiques and curiosities dealer who donated his fortune to aid the orphaned children of sailors on his deathbed

Eventually the whole "this is the Bad Place" reveal happens

Not sure who figures it out

They get rebooted

And rebooted again

And again

Gertrude does not know how they keep figuring it out but she's definitely losing control

The other demons in the neighborhood are talking about rebelling

(Jude Perry is that one fire demon who keeps walking around without their skinsuit)

(I'm thinking Jared "canonically hot" Hopworth is the one who keeps going to the gym)

She makes a deal with the four humans to help them get to the real Good Place if they play along with the torture, and finally concedes to letting Annabelle Cane run the next reboot

(Yes, to line up with the original show it would be the Not!Them but I think Annabelle is far more likely to want to pull everyone's strings)

Instead of the Jason/Janet romance there's a Tim&Gerry friendship

Since there's no romance there's no need for a rebound boyfriend, however Gerry ends up feeling really alone in Annabelle's reboot and builds himself a new best friend to cope

It does not go well

Michael/Helen is a glitchy, non-functional almost-human who nearly blows everyone's cover with the chaos they cause

They have two faces, two personalities, two identities that they flip between seemingly at random

They get more stable the more times they're rebooted

They go chill with Salesa in the Medium Place while the main crew makes their bid for the Good Place, fails, begs the Judge (Dekker) for mercy, and ends up back on earth

Instead of a near-death psychological study they're all brought together again with an un-death paranormal study

Run by Jon and his new girlfriend Georgie

Yes, Peter is the demon Magnus sends to interfere

Yes, Gertrude drop-kicks him back off the planet

They form the Soul Squad and go off into the world to save people

Not really sure who

But they end up visiting OG Elias and realizing how deep the problems with the system go

They pass through accounting, which is run by Oliver Banks, and meet the neutral Gerry

I'm thinking Leitner is that one demon who's forced to assign point values to weird sex acts

Not sure who makes up the Good Place council

But they make their way back to the Judge and get the whole "test neighborhood" thing to happen

The new humans are Daisy, Basira, Melanie, and Georgie

I know it would make sense for Jon to end up in charge of the neighborhood as Gertrudes's replacement, but nope, he gets his memory wiped because he's awful at lying and he can't pretend he doesn't know Georgie

Martin ends up in charge after Gertrude freaks out

Jon does not actually end up as a participant in the study, since none of the new humans are demons in disguise, so he's just kind of wandering around like a loose end

Georgie definitely pulls the "this is a near-death hallucination" thing

Martin breaks his own heart telling Jon that Georgie's his soulmate, hoping Jon will be able to convince her it's all real

It backfires

Jon's miserable

He eventually confides in Tim (he and Sasha are pretending to be normal humans) that he thinks there's been a mistake, unless... do you think platonic soulmates are a thing?

He doesn't want to date Georgie

He's in love with Martin

Tim tells Martin and Martin has to handcuff himself to his desk so he doesn't run off and kiss Jon senseless

Yes, they establish that platonic soulmates are a thing

Georgie starts dating Melanie

Jon and Martin pine from a distance

I'm thinking Basira is the problem resident who is not making any progress towards improvement

She's very reluctant to see the complicated morals of a situation and takes a long time to break out of her "us vs them" mindset

When they're approaching the one-year anniversary of the new neighborhood and the end of the experiment Melanie and Georgie gather together Tim, Sasha, Daisy, Basira, and Jon

They pull out a huge red-string theory board and say there's something wrong with the neighborhood

Tim and Sasha exchange nervous glances

Georgie says she thinks it's all orchestrated by Martin

They make a plan to meet up at the party that evening

Tim and Sasha go straight to Martin, Gertrude, and Gerry and tell them what's going down

They decide to run out the clock and hope nothing goes too wrong

When Martin stops by his office Jon is waiting for him

Jon spills Georgie and Melanie's whole theory

"They think you're plotting against us, but I know you wouldn't"

"Whatever this is, you're as much a pawn as we are, I think"

"This is supposed to be the Good Place, right? So no one should be unhappy"

"But I am unhappy, Martin. You are too! I've seen the look you get, when you think no one's looking"

"Martin, I've seen the way you look at me. You must know how I feel about you. What kind of Good Place would not allow us to be together?"

Martin is imploding

He really really really wants to kiss Jon

But instead he takes him by the shoulders and tells him "I know what's going on. You're right, there's something more here than you've been told, but trust me when I tell you it's nothing bad. I won't let anything bad happen to you, Jon. I've got you"

"Please just play along with whatever happens tonight, I promise I'll explain everything soon"

And Jon does. Even when the sinkhole happens, even when Martin laughs in his face and tells him he's in the Bad Place

"I really got you, Jon," he says. "I got you good"

"I've got you," Jon remembers, and trusts him

Anyway there's a lot of drama but the neighborhood was a success

Jon gets his memories back and there's a tearful reunion

They start implementing test neighborhoods for everyone so everyone has a chance of reaching the Good Place

And Jon, Martin, Tim, Sasha, Gertrude, and Gerry finally get to go as well

Of course they still need to fix the Good Place itself but that goes fine

And then everyone gets a happy ending, with as much time as they want to spend with the people they love

[bluejayblueskies]

Your HK au post is so well thought out and I love it but as someone who has seen many hours of HK clips on Youtube, I am curious which cast members you can see making the most iconic mistakes. Who overcooks like a dozen wellingtons in one service? Who overcooks and throws away about 5lbs of pasta? Whose signature dish makes Elias physically sick even though they insist customers always love it? Etc.

oh i'm glad you like it!!! in no particular order:

- any time jude is put on the meat station, she burns the lamb. it's like a curse. she tries to make lamb for a challenge once before she gets sent home in an effort to redeem herself but she burns that one too. the night she gets sent home she burns three lambs in a row and elias sits her down and forces her to eat her burnt lamb at the chef's table.

- on the flip side, jane gets put on meat her first service and only puts out raw meat. she's like 'it's not raw it's rare!' and elias is like 'the fat isn't rendered and it's cold what do you mean it's not raw???' (she puts out raw chicken two times in a row and elias almost loses his mind)

- martin. i love martin. but his signature dish does not go over well at all. elias takes one look and is like 'this looks like you upended a trash can on this plate and sprinkled some chives on top of it. what is it supposed to be?' and then he eats it and spits it out almost instantaneously. martin's so nervous, all he can think to say is, 'it's something i serve all the time, people love it!' and elias is like 'remind me never to come to your general area of the country. zero points. next'

- poor gerry. the man just cannot cook scallops to save his life. elias is like 'they're rubber do them again!' and then gerry tries again and this time they're stone cold. the next time they stick to the pan. gerry gets kicked out of the kitchen, goes back to the dorms, and sits on the couch with his head in his hands like fuck.

- jon has mostly good services. but. his big mistake comes somewhere near black jackets when he gets up in his head about things. he slices a wellington, is like 'shit this is over' and is so afraid to bring up overcooked wellington or admit to it that he just... throws it away. he does this for two more before elias gets impatient and goes over and is like 'what are you doing??' and pulls perfectly cooked wellingtons out of the trash and is like 'these are perfectly cooked!! why are we throwing away perfectly cooked food!! you're better than this jon' and jon is convinced he's going to get kicked out even though it's his first real mistake in service.

- jared is the person who doesn't communicate at all. he either says absolutely nothing or gives conflicting answers ('two minutes on the fish' [one minute later] 'three minutes on the fish chef!') and likes to blame his communication mistakes on other people, saying that they didn't talk to him.

- mike puts up a lot of undercooked risotto (like... consistently) and eventually it gets to the point where he's put on apps and his teammate is like 'dude just- just let me do the risotto please' and in the cut-away interview portion, mike is like 'what the fuck dude, i know how to cook a goddamned risotto, get off my back' when clearly he doesn't lol

- tim has no palate. he does very poorly at all the 'taste it now make it' or palate challenges. elias gives him banana to taste and he guesses carrots. he gives him chicken and tim guesses egg whites. it's awful.

- manuela does the classic 'i didn't realize the stove/oven wasn't on!' not once, but twice in her time in hell's kitchen. she sits there stirring risotto over a cold burner for ten minutes before elias finally goes over and is like 'it... it's not even hot manuela!'

- agnes almost burns down hell's kitchen. twice.

- helen/michael (i think they would use both names, but i haven't decided yet) just can't remember the orders that elias calls out. he'll call 'two wellingtons one halibut one new york strip' and he'll ask helen/michael to repeat it back and they'll be like *dial up noises* 'two wellingtons, one- one tuna, um...' and elias is standing there like 😐

- in all of oliver's time in hell's kitchen, elias doesn't like a single original dish he does for any of the challenges. oliver, in his cut-away interviews, is like 'well, clearly he just doesn't recognize talent' when quote-unquote 'talent' is like... two weirdly butchered overcooked fillets and pomegranate mint pink peppercorn sauce.

- daisy sends up so much raw fish. the kind that elias slams down on the table and smushes beneath his hand because he's so frustrated. she has basira check it, basira says it's not ready, and for some reason she walks it up anyway. once (and only once) she sends up overcooked fish and elias is like 'finally, some fucking variety in your mistakes'

- julia talks back to elias, and when she gets cut, she says right to his face, 'you're making a huge mistake and you'll regret it' and then stomps away just to stomp right back when he says, a bit snidely, 'get out of my fucking kitchen.' she is escorted away by security. everyone else is like 😳🤐 it is silent in that room.

- basira is extremely meticulous in her cooking. this also makes her a very slow chef who tends to get in her head as a way to cope with the insanity of the kitchen around her. she'll often be like a brick wall when people try to talk to her and then pick up a pan and say 'walking scallops to the pass!' when the risotto still has three minutes to go.

- naomi is the unfortunate pasta-waster. she also basically falls apart on garnish, sends up raw eggplant three times in a row, can never remember what garnish goes with which thing. when they're prepping the kitchen she's standing with a little list trying to remember what goes in each dish.

- sasha is... not very good in the beginning, but around episode three there's such a sudden shift in her cooking that people swear she's not the same person anymore. the main way sasha avoids elimination in the beginning is her team not losing dinner services, despite the fact that she sends up near-consistent rubber scallops and salty risotto. the audience is surprised when she's in the final four, but she says in the cut-away interview, 'i just realized what i needed to do and i did it. i'm a different chef right now than i was when i came here, that's for sure'

- georgie once butchers thirty racks of lamb incorrectly during prep and they have to throw all of them away. she also has a tendency to struggle with cutting lamb and is often like 'melanie, just. can you do this for me' because melanie is frighteningly good at cutting meat in one slice.

- melanie is the contestant who gets in arguments with nearly everybody all the time but then next episode is friends with them again. this happens sometimes in the span of five minutes with jon, and people just cannot decide if they're friends or not. (they are.) she also makes a signature dish that elias refuses to eat because her steak is so raw it's 'still mooing' and she's like 'well if he'd just tasted it he'd know that my flavors were good.'

- jordan drops an entire pan of wellingtons. ten wellingtons just. rolling all over the floor. elias is furious and he has to go over to the other kitchen, borrow some wellingtons, and apologize to the other diners for the now-thirty minute wait time. then, he has jordan go out and apologize directly. jordan's cut-away interview is just him hanging his head and whispering, 'fuck me'

[fakecrfan]

Fuck it. Martin/Eye obviously, they are the true power-couple. Desolation/Gertrude <3. Joshua/The buried. The coffin calls for Joshua, much like it entrances to all its victims. But it's laced with happy sighs and fond yearning. He goes out on walks and the dirt sings to him. Weighted blankets feel like he is being crushed alive, and sweaters press into him like a hug. Sasha goes on a date with a clown who was intending to steal her skin but enjoyed the company. And of course, Jonathan/The Web.

Okay I have a bunch of earlier asks that I am working on but FUCK IT. YOU SPEAK MY LANGUAGE ANON. Time to reveal all my entities/humans OTPs.

Martin/the Eye, obvs. Definitely a strong fave. I mean, I wrote a whole fic about it. Basira/Eye if I had to pick a second place torture victim object of affection for the Eye.

Desolation/Gertrude. Desolation is like what’s sexier than bitter people blowing shit up NOTHING.

The Web/Jon. OF COURSE. It’s always loved him best. Always kept him alive. Always... guided him. :)

The Hunt/Basira. Please imagine the Dasira fics you could do with this. Also I feel like the Hunt would be one of the most interesting Entities to write in “love” because it would be allllll about the pursuit.

Stranger/Tim. As @pensivetense told me--there is a reason it takes everyone he loves!

The Spiral/Sasha. Look. Look. Michael Distortion reacted to the Archivist by stabbing him. Michael Distortion reacted to Martin in Tim by throwing them into Weird Hallway Hell. But Sasha? Gave her a coffee and helped her survive worms. CLEARLY preferential treatment.

(Alt!pick for the Spiral. Spiral/Melanie. Because who is the most defensive about being potentially gaslit? Melanie. And Who did Helen form the closest bond with? Melanie :) )

Buried/Joshua Gilespie for SURE. Absolutely. He is, unfortunately, very resistant to its charms :(. It may have more success with Karolina.

The Vast/Simon Fairchild. Rare example of a time when the human is the one doing the pursing, and the Entity is the one pursued.

The End/Georgie. But like--with the angle of her not being an avatar for it, unlike in my one fic. Imagine it being fascinated with her defiance, with her experiencing all of the terror of the end and going “No, I will live anyway.”

The Dark/Manuela Dominguez. Look. She loves the dark so much. I think it should love her back.

The Corruption/Everyone. Look. Look. All it wants to do is love you. Why won’t you let it love you? :’(

The Lonely/Elias. Specifically the original Elias Bouchard. Sitting in his own body as it’s puppeted around. Listening as people talk at him but not too him. Knowing that no one will ever know him outside of Jonah. The Lonely finds this Very attractive.

The Flesh/Mary Keay. Or so my friend just told me when I couldn’t figure out a love interest for the Flesh. “Look,” my friend says. “She has a book of human skin.” I cannot think of a better love interest, except for maybe Jared Hopworth who would be more of a vessel than an object of affection. I’m open to further ideas on this matter.

Slaughter/Jonah or Slaughter/Melanie. I can’t decide which one I like better. Both of them have bursts of unexpected violence. Difficult to choose :(

AND OF COURSE.

The Extinction/Adelard Dekker. Look. No one else thinks about the Extinction as much as Adelard. No one else fears the Extinction as much as Adelard. What they have is special.

[ollieofthebeholder]

leaves too high to touch (roots too strong to fall): a TMA fanfic

Read from the beginning on Tumblr | Also on AO3

Chapter 59: Statement of what comes now.

[CLICK]

[PANTING BREATHS, ECHOING SLIGHTLY, THAT SLOWLY EVEN OUT]

JON

Wh-what…what…?

Martin! Martin, where—where are you? I can’t—oh, God, I can’t see anything, I can’t—did that—

(in a different tone of voice) Martin? Are you here?

[ECHOING SILENCE]

JON

…Okay. Okay, this—this isn’t reality. This isn’t—he’d be here if I was—

Right. Okay.

(more loudly) Hello? Hello, is anyone out there?

[MORE SILENCE]

JON

W-wait…wait, is that—there’s something—okay, okay, I’m not blind, it’s just…dark. I can cope with that.

Right, okay. Think, Jon. After what you just did…if you’re not in the Institute, if you’re not in the world you’re used to, then you’re probably…somewhere else. So things are going to follow dream logic, right?

Right. Dream logic. (sigh) So I suppose I go looking for a switch.

[ODD CHITTERING, BUZZING NOISE THAT SUDDENLY STOPS]

JON

Oh, for—there has got to be away around this. No light switch, no walls, and I don’t trust the floors, so…

What am I supposed to do, say “Let there be light”?

[LOUD THUNKING NOISE, LIKE SOMEONE SWITCHING ON STAGE LIGHTS, OR AT LEAST A SPOTLIGHT]

JON

Seriously?

(frustrated sigh) Well, at least I can see now. I—wait. What in the—who’s there?

[A VOICE BEGINS SINGING SLOWLY, FAINTLY AT FIRST BUT SLOWLY GETTING LOUDER]

ANNABELLE

One elephant went out to play Upon a spider’s web one day She had such enormous fun She called for another elephant to come…

JON

You have got to be kidding me.

(resigned sigh) Right, here we go…

[ODD NOISE STARTS UP AGAIN, PUNCTUATED BY STICKY RIPPING SOUNDS, FADING IN AND OUT AS IF RESPONDING TO PRESSURE…OR FOOTSTEPS]

ANNABELLE

Hello, Jon.

JON

Annabelle Cane. Why am I not surprised?

ANNABELLE

You don’t sound pleased to see me.

JON

Let’s just say yours is not the first face I wanted to see when I woke up.

ANNABELLE

I have good news for you, then. It isn’t. You’re not awake.

JON

Oh, you can invade dreams now too, can you?

ANNABELLE

You aren’t asleep, either. And I think you already knew that.

JON

Oh, goddammit.

[A MOMENT OF SILENCE, SAVE THE FAINT ODD CHITTERING NOISE]

JON

…Wait. That noise, that’s—

And it gets louder every time we—

[CHITTERING SUDDENLY GETS LOUDER, WITH A FEW CLEAR WORDS HERE AND THERE, THEN FADES AGAIN]

JON

Are these tapes?

ANNABELLE

A fine material to spin a web with, don’t you think?

JON

It’s you.

A-all this time, all these—the recorders, the, the tapes…it’s all been you?

ANNABELLE

Well, not all me. Not all of it, anyway.

The Mother of Puppets has always collected stories. There are more reasons than one it’s called spinning a tale, you know. And spiders…it’s so hard to keep them out of places. People don’t generally call exterminators for them. Not for only one or two, and not if they don’t seem dangerous.

So yes. The Web has been lurking about the Magnus Institute, and the Archives, nearly as long as there has been an Institute. Listening. Drawing from the stories. Weaving a tapestry that tells the history of the world…and its future.

But this web? This one is mine.

JON

The tapes I recorded…

ANNABELLE

Oh, yes. All the tapes since you became the Archivist are here. Listen to this!

[A SQUEAL, THEN A CLEAR PLAY OF THE TAPE FROM MAG 000.2 - PRE-LAUNCH TRAILER]

ARCHIVIST ON TAPE

It’ll get you too. You can stare all you want, make your notes and your inquiries, but all your beholding will come to nothing. When the time arrives, and all is darkness and butchery, you’ll wish you had stopped listening and run.

[ANOTHER STICKY SOUND, LIKE SOMEONE PULLING OFF AN ADHESIVE BANDAGE]

JON

(shocked) That—that was—I only did that one as a test, to—to see if the recorders would work…

ANNABELLE

And they did. Admirably.

Go on. Try one.

JON

Look, I don’t—

ANNABELLE

You’re curious, aren’t you? You want to know.

There is no time here. Not really. No hurry. No pain. Nothing can hurt you if you indulge your curiosity a little bit. And it might not be so easy to believe once you leave.

Pick a strand. All you have to do is touch it, like so—

[ANOTHER SQUEAL, AND THEN ANOTHER RECORDING BEGINS TO PLAY FROM MAG 22 - COLONY]

MARTIN ON TAPE

—wasn’t anything to do with spiders that ended up after me. Almost wish it had been. (nervous laugh) I like spiders. Big ones, at least—

[RECORDING CUTS OFF WITH STICKY SOUND AGAIN]

ANNABELLE

—and you can hear them.

JON

He doesn’t anymore, you know.

ANNABELLE

Like spiders? Oh, believe me, I know.

I don’t think he’s liked them since he found out what happened to you. Not that I can blame him, of course. How do you feel about clowns these days? Or being alone?

JON

I—

ANNABELLE

Go on, Jon. Touch one. It doesn’t have to be…fresh.

JON

Why are some of these—

Is that…ash?

ANNABELLE

Dust, mostly.

(considers) Well, some of it might be ash. It depends on why that section of web isn’t used anymore.

JON

(tartly) I didn’t know being obscure and mysterious was in the Web’s domain.

ANNABELLE

It is if you want to manipulate somebody who’s addicted to knowledge.

Oh, don’t look at me like that. I’m not trying to manipulate you. It’s just a habit at this point, really.

JON

…Fine.

[A COUPLE OF CAREFUL STICKY, CHITTERING FOOTSTEPS, THEN A SOFT SQUEAL BEFORE A RECORDING SHARPENS IN, FROM MAG 134 - TIME OF REVELATION]

PETER ON TAPE

What does—puzzle me though, and I mean that genuinely, is—why you were piling tape recorders onto the coffin while Jon was in there.  (brief pause) It’s a question, Martin, it’s—it’s not an accusation.

MARTIN ON TAPE

I don’t know. And I just – felt like it might help. He’s always recording, and I thought it—it might help him…find his way out.

PETER ON TAPE

Interesting. Were you compelled?

MARTIN ON TAPE

I don’t know. Maybe? I-I, I definitely wanted to do it.

[RECORDING FADES OUT ON THE LAST WORD]

JON

(shocked) Th-that, that was—that hasn’t happened, that didn’t happen…

ANNABELLE

This time.

JON

You knew? When, when I met you at Hill Top Road, when you…you knew I’d come back from the future.

ANNABELLE

Of course.

You and Martin, your Martin, you came back after Jonah Magnus made you end the world. The Keeper of the Light led you to a door, that led you through some halls, that led you to another door, that led you…back. To get—

JON

—a second chance.

ANNABELLE

A second chance? Hardly.

JON

And just what is that supposed to mean, exactly?

ANNABELLE

Only that.

JON

…Fine. F-fine. Be mysterious and vague. See if I care.

[ANNABELLE LAUGHS KNOWINGLY]

JON

How do you know…the tapes. You just told me you’ve been listening to the tapes. Martin made his statement about those halls—

ANNABELLE

But you didn’t.

You haven’t talked about what your journey was like to anyone, have you? Not even Martin. He knows you came through the same halls, but not what you saw. He doesn’t know that for you, there were no colors and no changes, that every hallway was the same and there was no way to tell when you were getting closer, until you reached that long tunnel.

The one with the glass walls and ceiling, like an underwater aquarium. With dark shapes you couldn’t make out pressing against the outside, trying to get your attention. With thousands of whispering voices, over one another, so hard to make out, pleading, promising, coaxing. Offering you anything you desired if you would only make it stop, blaming you for their suffering, demanding how you could just walk on by as if—

JON

Stop.

ANNABELLE

You didn’t know you were recording, either. You’ve grown so used to those recorders that you didn’t even notice them anymore. And yet, I was listening.

JON

You were—what?

Y-you—you’re from the future, too!

ANNABELLE

Mm. That’s more complicated than you think it is.

JON

How did you know what we were doing?

ANNABELLE

Because I set it in motion.

JON

…You…you what? Those halls, that—that portrait gallery, that—

ANNABELLE

Which one?

JON

Which—both of them. The ones that—that Martin had to face.

You said you listened to the tapes, you—

ANNABELLE

I did. And I was…shadowing you both, I suppose.

You never wondered how I was at Salesa’s, did you? Not why I was there, how I was there.

JON

I…to be honest, I don’t remember much about those days.

ANNABELLE

I don’t mean while you were there. I mean after. You never thought about how I could have ended up outside my own domain, let alone outside the Apocalypse altogether.

JON

I tried to think about you as little as possible.

ANNABELLE

(heh) I’d be hurt if I didn’t understand completely. I suppose if I’d been lucky enough to escape the Spinner of Webs, I’d want nothing to do with any of her children either.

But you know the rules of the Apocalypse, Jon. It never occurred to you to wonder how a Watcher could stray from their domain?

JON

Martin did. And Helen. They both—

[STATIC CRACKLES; IT’S THE ARCHIVIST’S STATIC, BUT IT SOUNDS UNUSUAL IN A WAY THAT’S DIFFICULT TO PINPOINT]

JON

The Distortion never truly left its domain. Never went far from its doors. And while the domains we saw Helen in were seemingly those of other fears, they all had at least an element of the Spiral in them.

Martin was in the unique position of being both Watcher and Watched. He had the domain he oversaw, small though it was, but he was also, perhaps, the only sufferer in a domain that belonged to me as me and not me as the Eye itself. He could walk the world unharmed because what hurt him was watching my pain and power grow in equal measure, the suffering of not knowing what I would choose in the end.

And you…

Your domain was like Daisy’s. It was the other domains, woven through them like a silken thread, a subtle tug of manipulation. It was the tapes that kept recording our journey and the tugs that led us to people we tried to help or conquer and a thousand tiny maneuverings to keep us moving ahead.

[STATIC FADES; JON GASPS SLIGHTLY]

JON

That…that shouldn’t have felt like that.

ANNABELLE

You’re a bit far from the Eye here. But to be fair, so am I.

JON

We’re in the middle of your fucking web!

ANNABELLE

But my web. Not the Web.

Any power the Mother of Puppets has here is residual, and comes through me. Any power the Ceaseless Watcher has here is residual, and comes through you. I brought the web to show you, to help you understand, but it doesn’t belong here any more than we do.

JON

You were—you were manipulating those tunnels. To…what? Slow us down?

ANNABELLE

To help. Well, you didn’t need it, but Martin…

JON

Martin is stronger than you think.

ANNABELLE

Do you know whose domain that was?

JON

The Spiral’s. Of course.

ANNABELLE

And the Eye. Together.

Together they hung that gallery of accusation, the paintings that all seemed to hold Martin responsible for their deaths. His friends, his family…strangers he never met but felt responsible for. Its purpose was to keep Martin lost—disorientated and in crippling pain and anguish. Forever.

If he had kept going down that corridor, he would never have found the door to the past. And the Keeper would never have been able to find him. Both of them had too much of the Lonely in them—just enough to keep them both isolated and searching. If they didn’t know where to meet.

JON

(whispers) My God.

They—they knew what we were trying to do. Of course they did. And they didn’t—

ANNABELLE

It’s not about foresight. Neither of them really have that. That domain was a mix of the Spiral and the Eye. It’s just what it was designed for, that’s all.

JON

That’s all? It was more than enough.

So which did you—

(with horrified realization) The paintings of me. You did that.

ANNABELLE

To remind him.

JON

Of what, for God’s sake?

ANNABELLE

In part, of what he had to prevent—what he had to stop from happening. What you’d been through and he had to make sure didn’t happen. In part, it was letting him experience your pain. He’d heard what you went through, of course, but to actually see it…in so many ways, that would make it worse, and make his determination stronger.

And, of course, part of it was just putting you back in his mind over everyone else. It was the last little…anchor tethering the two of you together, to the past. Something to keep him present so the Keeper could find him.

JON

And show him that last painting. Thankfully.

Did you know about that one?

ANNABELLE

I put that one there, too.

Surely you didn’t think the Keeper knew enough to have done it.

JON

I—n-no, no, but—

Why?

ANNABELLE

Why show it to him?

JON

Why that moment?

ANNABELLE

Because it wasn’t on tape.

I left you alone while you were in Scotland, up until the end. You two deserved a few weeks…unobserved. Alone together. To figure out what you are to one another.

Actually, I had quite a job keeping the Distortion distracted so it wouldn’t pop in and interrupt. It was something of a challenge.

The first time, anyway.

JON

The first time?

ANNABELLE

Oh, we’ve done this dance before. In its fashion.

JON

What dance?

ANNABELLE

The Apocalyptic Tango, I think Martin called it once.

[JON SIGHS IN EXASPERATION]

JON

Do you ever give a straight answer? Or tell the truth?

ANNABELLE

I’m hurt! I’ve been nothing but honest with you this whole time.

JON

(dry as the Sahara) And the other times?

ANNABELLE

Mostly you wouldn’t have believed me.

I did try a time or two. You always insisted it wasn’t possible, or that there must be some sort of catch. You only believed me once, and even then, I don’t think you believed. You simply wanted it to be true.

JON

Are you trying to get me to compel the truth out of you?

ANNABELLE

The way you did Peter Lukas? Or…which one was it? Breekon?

You don’t need to force it, you know. All you have to do is…ask nicely, and I will spin you the tale.

JON

…

Statement of Annabelle Cane, regarding the Web’s plan. Recorded direct from subject…ah…

ANNABELLE

At the end.

JON

…Statement begins.

ANNABELLE

This is the house at Hill Top Road.

This is the crack beneath the house at Hill Top Road.

This is the hole that lay in the crack beneath the house at Hill Top Road.

This is the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

These are the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the Mistress that bore the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the web that cradled the Mistress that bore the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the blade that cut the web that cradled the Mistress that bore the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the hero that wielded the blade that cut the web that cradled the Mistress that bore the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

This is the story that begged to be told of the hero that wielded the blade that cut the web that cradled the Mistress that bore the hand that pulled the strings that moved the spider that peered at the truth that lurked in the hole that lay in the crack beneath the house at Hill Top Road.

Again, and again, and again, and again.

So few of the things that are Fear are gifted with foresight. The End, of course, knows what will come, because the End is inevitable. All things end, sooner or later. The Web cannot see the future but it can see…patterns. The threads of a story, and what they will be when they weave together.

When the Mother of Puppets first saw the crack beneath Hill Top Road, she thought she understood what it was. A hole in reality, a portal between universes. Places where fear had not touched, where it was not known. But then she saw it for what it was. A crack, not in space, but in time. A way to move between moments. And she began to plan For she saw the threads, and she knew that someday, someone would end the world. And when that happened…eventually, all would end. Even fear cannot last forever, in a world where nothing new is born. Eventually, all must end.

Her plan has been the same, for years. Generations. Choose a champion, mark them young. Put them in the path of a fear, and wait. Then, should the world end at the hands of that fear, tug that champion to cut the strings of fate and send all bound up in it through the crack…and back in time. Back in time enough that they could stop it.

And really, it should have worked.

To a point, it did work. Again, and again, and again, and again. Jonah Magnus sent you his ritual, you read it, the world came to an end. You tried to repair it. You walked to London…and there it got complicated.

The trouble is the Spinner’s plan depended, in the end, on your choice. We told you that you would have had to simultaneously blow up the Archives and stab Jonah Magnus, and then all would have been thrown back in time. In truth, that would not have worked—not if Jonah was still the Eye’s Pupil. It had to be you. You had to choose to take his place…and then have the tethers cut. Then, and only then, would you be sent back with the knowledge to alter things.

Sometimes I told you the original story, that it was a crack in reality and would send all the fears somewhere else, or scatter them across worlds. Once or twice I told you the truth. As I said, it was so hard for you to believe me, regardless of what I spun. Mostly you thought I was manipulating you, lying to you, trying to get you to doom a thousand other worlds. Occasionally you thought it would end the world faster. Only once did you believe me—in a time when I came to you in a cabin in what was once Scotland, a time when I knew you would not act if you did not know you could turn back time, a time when the man you loved turned back for his umbrella and understood what he was hearing and tried to save you and the world.

JON

No…

ANNABELLE

It never quite worked, in the end. Time and again, the strings would be cut, the world would snap back…and time and again, we would retread the same paths. Over and over. So little I could change, so little I could do differently before the Apocalypse and I tried to find a new way to get you to be in position to be dragged back.

Finally, finally, it happened. You tried to take Jonah Magnus’ place, to hasten the end and starve the fears…it would never have worked, of course, but you tried. Martin anticipated it, though, he tried to stop you before you killed Jonah, to delay you while the others lit the fuse. You were faster than he thought, though, and had already become the Pupil of the Eye. You told him to go. To save himself. But Martin would not leave you, despite the danger. Rather than watch him die for nothing, you told him to cut the tether. And he did.

It worked the way the Web intended, of course it did. But for you to remember and be able to fix it, you would have both had to be alive when you came through at the other side. Even one of you would have been enough. But when I woke again and plucked the strand of the Web, I could hear that neither of you remembered.

Neither of you had survived.

[JON MAKES A PAINED NOISE OF DISTRESS]

ANNABELLE

It was then that I realized that Mother’s plan depended too heavily on precise timing. She wanted me to try again, of course. Strangely enough, the Fears never knew it had happened, not even the Web. But she reminded me, again and again, about her plan, told me what strings to pull.

This time, though…this time I thought I’d try something a bit different.

I did what I have done every other time. I stayed with Salesa, I spoke to you both. I followed your progress through the tapes, and when you disappeared beneath the tunnels…I acted. As I promised him, I killed him, and I took his camera. I brought it to London, to the Institute…to the Panopticon. But this time, I brought it up to the belly of the beast. I took it to the office of Jonah Magnus.

The camera wasn’t strong enough to dispel the entire Apocalypse there, of course. But it created enough of a hole to break Jonah free of the Eye’s hold.

He was as pleased to see me as you might expect. Demanded to know what I was doing there. And I told him. I told him I had come to warn him.

JON

What?!

ANNABELLE

I told him that his precious Archivist was far from resigned to this new world he had brought about, that he was coming to stop it. To stop him. I said that you were bringing Martin with you and that you had a plan, and if he wanted to continue his reign, he’d best do something to stop it.

JON

Did you have any idea what that something would be?

ANNABELLE

Patterns. Of course I knew.

Jonah would never have harmed you, even if he could have; he still hoped to get you on his side. As you learned tonight. On the other hand, he would have known, or at least guessed, that the only thing stopping you from joining him was Martin. And even if he couldn’t hope to win you over by separating you…he would at least have found a way to use that bond against you.

JON

(shouting) Martin could have died because of you!

ANNABELLE

Perish the thought! My dear Jon, do you know know how many times I’ve been through this loop?

Even when I filled him with spiders, there has never been a time you could bring yourself to harm him in the slightest, let alone kill him. Faced with a choice between letting him die or getting revenge, I knew you would save him. Of course he wouldn’t have died.

[JON SPUTTERS INDIGNANTLY]

ANNABELLE

And I made sure you had somewhere to recover. I had already nudged the Keeper towards that door.

He couldn’t have done it, of course; he was too tightly bound to the Light—not the Lonely, not the fear he watched over, but the Light itself. If it fell, so would he, and he cannot leave it for long. Even if he had come back, he would have been unable to make a difference in anyone’s past. But of course he thought of the Archivist. His godson. And when you thought Martin might be taken from you, you experienced the precise fear that summoned one of his doors—the fear of being forever separated from the one you love.

Perhaps the original plan would have worked eventually. Perhaps someday you, or Martin, or both of you, would have survived long enough to awaken in the past and remember. But I think it’s better this way, don’t you? Much more…direct.

And look how much you’ve spared the others from.

JON

The others—G-Georgie, Melanie, Basira—in, in that timeline, the one Martin and I left. Did they…what happened to them?

ANNABELLE

The Keeper and I took care of that. Don’t worry.

After he saw you safely through, I introduced myself to him and told him what needed to happen. He fetched Basira and took her to the tunnels beneath the Institute, and then I came myself. I told them what Jonah had done, what you had done, and what they needed to do.

I gave them the choice. The same one I often gave you. I told them they could either…let things stay as they were, allow things to die out in time, and keep apart from it, or end it. Take out Jonah Magnus and blow up the Institute simultaneously, and send all the Fears back in time as well—the Fears, and any of us too tightly bound up in them to survive without them.

I know you won’t believe me, Jon, but I never influenced them to make the choice they did. Basira did ask me what they usually chose, and I did tell her that I had never known them to choose anything other than one option, but I didn’t tell her what it was. I knew it would be important for you to know that, whatever they chose, it was their decision and their decision alone.

JON

(heh) I can’t imagine Melanie not choosing the option that allows her to kill Elias.

[ANNABELLE LAUGHS]

ANNABELLE

Neither can I. And she didn’t choose differently.

As I understand it, Melanie made her way up alone—being blind, of course, the fearful things on those stairs could not affect her—while Basira provided a distraction and Georgie lit the gas aflame. Melanie took the camera and aimed it at Jonah Magnus to bring him down, and then while he tried to belittle her, she stabbed him, just as the building blew.

JON

And then what happened? Did they survive?

ANNABELLE

I don’t know. But they succeeded, or I wouldn’t be here.

JON

…

How many others has the Web done this to? Tried to—manipulate into a savior?

ANNABELLE

Oh, I don’t know. Hundreds?

Most of them would have failed. Many never made it beyond her. I was one of them, actually, a child tested out but ultimately found lacking, although I was the only one I think she would have trusted with this. But you…the Mother of Puppets saw the threads of your life. So many Fears noticed you as a child that you were bound to fall afoul of one of them eventually. And as soon as she realized where Jonah Magnus’ thoughts were trending, and where they would eventually lead, she knew that you would be a perfect candidate to complete the ritual in the end.

So she chose you. She lured you in. And you resisted her pull. She knew then that you would be the only one strong enough to succeed.

JON

I only survived because someone else took my place! I would have died if he hadn’t—

ANNABELLE

My dear Jon. Has anyone meant to be claimed by a power ever actually handed away a book or an artifact willingly?

Had you been meant to be the Spinner’s in the end, Mitchell Hopkins would never have been able to take that book from you, let alone read it. Mister Spider was a test, a test that you passed.

A test I never would have.

JON

…

…Was that his name? Mitchell?

ANNABELLE

It was.

It is.

And now you know everything.

[A FEW MOMENTS OF SILENCE, SAVE THE TAPES CHITTERING IN THE BACKGROUND]

JON

I—I suppose I should be grateful that we don’t remember all of…these. All these…cobwebs.

I’m damned grateful I don’t remember—

ANNABELLE

I must admit, that was a bad one.

JON

Getting through that…it was hard enough with Martin. I don’t—I don’t see how I did it alone.

Especially after—especially knowing I—

Did I know?

ANNABELLE

…

You spent far longer at Salesa’s that time than you did any other time. In the end, I had to go with you almost all the way to London.

…Yes. You knew.

Not at the time. Not when it happened. But the Eye made sure you Knew the details in the end. You ran into Basira and she asked where Martin was—

JON

—and the Beholder forced me to describe it.

ANNABELLE

You said yourself, more than once. None of this has ever been to the benefit of humanity. Or any individual human.

JON

Or whatever I—whatever we are.

ANNABELLE

What defines a human, anyway? The limitations, or the abilities?

We can do more than what an ordinary human can. But we can still do all the things that an ordinary human can, too. We think. We feel. We love, Jon.

As far as I’m concerned, that makes us human.

JON

…Who do you love, Annabelle?

ANNABELLE

I was the first to hold him. Did you know that? I was staying with Harry and his wife while I was at university, just before I took part in that study. They wanted someone to read to him before he was born, so he would learn the stories. Harry worked late, trying to make a better life for them all, and Elizabeth…well, she was blind, so she could tell stories fine, but she wanted him to hear books too. Every night, after dinner, I’d sit and read to her belly. He came early and Harry didn’t get to the hospital in time, so after Elizabeth, I was the first one to hold him.

Harry picked out his first name because he knew I hated that book. Elizabeth softened it by picking a middle name after me, but…she always called him Charlie. I think she knew, even then.

A couple years after I became part of the Web, the Desolation took Harry, probably to spite me, but…Harry was never the one I cared about. Elizabeth, at least, died as peacefully as anybody can. It may not have been pleasant, or timely, but at least it wasn’t to serve a power. Just bad luck.

…

Get him away from that grandmother of his if you can, will you?

JON

One of us will.

ANNABELLE

That’s all I ask.

JON

Well, I—I suppose, in light of all that’s happened…it’s the least I can do.

ANNABELLE

You believe me, then?

JON

It happened. It’s over.

Whether once or a hundred times…it happened the way you said at least once. And we won. That’s enough for me.

…Yes, Annabelle Cane, I believe you.

ANNABELLE

For what it’s worth, Jon, you did all the hard work on your own. You and Martin, and…the others. In your time and this. All I did was get you here.

JON

The others…

(sharp intake of breath) Oh, God. The Unknowing. Has it—have they—I-I can’t, even if we were in the Panopticon, I couldn’t See it. But you—there, there were tapes.

Are they…?

ANNABELLE

That one. I think.

JON

You think?

ANNABELLE

It added itself to the web just before you got here. It’s either theirs or yours.

[BRIEF PAUSE, THEN THE SQUEAL OF TAPE BEFORE A RECORDING PICKS UP - FAINT CIRCUS MUSIC, THUMPS AND TAPS THAT MIGHT BE SOME KIND OF FOOTSTEP, FLOORBOARDS CREAKING, SHALLOW BREATHING, FABRIC RUSTLES]

PRESENT ARCHIVIST ON TAPE

I love you.

PRESENT MARTIN ON TAPE

I love you.

TIM ON TAPE

I love you.

Tell me when.

[DEEP BREATH]

PRESENT ARCHIVIST ON TAPE

Three…two…one…

[MORE FABRIC RUSTLES, DETONATOR CLICKS, EXPLOSION BEGINS BEFORE ABRUPTLY CUTTING OFF]

JON

Oh, God.

ANNABELLE

And to think I thought you had a terrible sense of timing.

JON

At least they said something before—

O-oh, God, Tim. Tim—you know as well as I do that in my time, he—and I—were they all in the middle of that?

ANNABELLE

More or less.

They didn’t walk into the Unknowing, at least. Martin listened to what you told him and wouldn’t let them open any doors. But it had to be blown up from the inside to be sure of getting all the charges. Your counterpart and Martin’s wouldn’t leave Tim behind, however much he tried to make them.

JON

What happened after that?

ANNABELLE

I don’t know if there is an after that yet.

JON

And we’re back to the cryptic bullshit.

ANNABELLE

On the contrary. I said exactly what I meant.

We aren’t exactly anywhere right now, or any when. This…place…I wouldn’t call it a domain, but it exists outside of both time and space. The rules are different here. Time, if it passes at all, passes differently.

They might have just pressed the detonator. They might have pressed it hours ago, or days ago.

JON

(dismayed) Days?

ANNABELLE

All I can say is that wherever, whenever they are, they are out of reach of my tapes. And your sight.

Fortunately…I know someone who can give us those answers, even from here. Maybe especially from here.

JON

Who else is here, for God’s sake?

[ANNABELLE SINGS THE NEXT LINE IN THE SAME SLOW, MEASURED VOICE AS BEFORE]

ANNABELLE

Two elephants went out to play Upon a spider’s web one day They had such enormous fun They called for another elephant to come…

[STICKY FOOTSTEPS APPROACH OVER THE TAPE WEB]

OLIVER

Hello, Jon. It is all right if I call you Jon?

JON

…Oliver? Oliver Banks?

OLIVER

In the…well. In the manifestation, I suppose. I don’t know if any of us is here in the flesh.

JON

(disbelieving laugh) You’re…not quite what I expected.

OLIVER

Is that an invitation for me to comment about how Death so rarely is what we expect, or a manifestation of you wondering why Martin would possibly be jealous of someone like me?

ANNABELLE

If you knew either of them a little better, you’d know Martin’s reasons for being jealous are almost entirely in his head.

Also, he’s never met you.

OLIVER

Mm, true. We always seemed to miss one another.

JON

You—hold on. You’re from the future as well?

OLIVER

Like you and Annabelle. Well, more like Annabelle, I suppose. You had to be the Pupil of the Eye before you were tangled enough to get dragged back with the Fears. Me? Without Terminus, I’m just…dead. And we’ve already established that that’s not where I want to be.

JON

…Did you know? When you came to the hospital?

OLIVER

That we’d done this before? Of course. I long ago stopped being surprised at what you would choose.

JON

Then for God’s sake, why—

OLIVER

Because you had to choose, Jon. It was always your choice.

Think of it as a crossroads. You stood at a fork in the road, where one path would take you back to life and the other would take you on to, well, whatever came next. The trouble was that the signposts were covered.

You could have chosen without knowing which path was which, but that’s not your way. Not when you know enough to know that one was…mm, wrong, shall we say? One would have led you where you wanted to be, one where you didn’t.

JON

I didn’t want to die.

OLIVER

There’s a difference between not wanting to die and having something to live for.

JON

(deep breath) Right, well, I definitely have something to live for, so I’ll be going now.

Uh, how do I get out of here?

OLIVER

Ordinarily? You don’t.

JON

What?!

OLIVER

This is Terminus’s realm. Well, sort of. A little pocket on the outside edge of it.

JON

Another crossroads.

OLIVER

Mm, not so much. More that you’re standing in the middle of the path.

JON

So which way is back?

OLIVER

Life is a journey traveled in one direction only.

JON

(tartly) Yes, well, so is time, but here we all are.

I’ve already chosen to live, Oliver. (with slight malice) Can I call you Oliver?

OLIVER

(not rising to the bait) This isn’t a place where you get to choose.

JON

…So you’re saying that’s it.

After all that, after everything I—everything we did…this is the end. There’s nowhere else for me to go.

ANNABELLE

How many times have you walked out of another entity’s domain? Not counting the Apocalypse. We’ve already talked about how that doesn’t count.

JON

I…twice. The Buried and the Lonely.

Three, I suppose, if that crossroads counts.

OLIVER

That was a metaphor. You were close to Death, but not its realm. If that makes sense.

JON

Not really.

ANNABELLE

The Buried and the Lonely, then.

What brought you out?

JON

From the Buried, it was the—the tapes…it was Martin putting those tapes on top of the coffin. W-weaving me a rope…or a ladder.

The Lonely was simple enough to leave. The way out was together.

ANNABELLE

With Martin.

JON

…Yes.

ANNABELLE

Exactly.

Not all strands of a spider’s web are to capture or to control, you know. Sometimes, they are simply…to anchor.

JON

…

…That’s why you offered to bind me to Martin. It wasn’t about—it wasn’t for strength or power at all.

ANNABELLE

Not to defeat Jonah Magnus, no. There’s more than one kind of strength, more than one kind of power. I did tell you that you would need it to survive what was coming.

JON

It brought Martin back when Peter Lukas visited the Archives and he almost got swallowed by the Lonely again. It—it grounded me, kept me from losing control while I was taking down Jonah.

And now…

ANNABELLE

It can guide you home.

[OLIVER LAUGHS]

OLIVER

You know, people always talk about some legendary “red string of fate”, but I’ve never actually seen a real one before.

Let alone one woven from cassette tape.

JON

You knew I had that tether from the beginning.

OLIVER

Truthfully, I didn’t think it would work. Plenty of people have things they think are tying them to life, but they aren’t strong enough to resist the pull. Most threads snap.

JON

Not this one.

I made Martin a promise. And I never break my word.

OLIVER

A good thing, when your tether is almost literally made out of your words.

JON

Ha, ha.

…Wait. B-before I go…the Unknowing. Are they—she said you would know.

OLIVER

It’s over. It worked. They brought the house down.

A lot of tormented souls set free, all at once. Quite the rush, really.

JON

The three of them—my counterpart and Martin’s and Tim. What happened to them?

[OLIVER SIGHS]

OLIVER

Two of them will be fine. Some cuts and bruises, but they’ll be up and about sooner rather than later. They might already be up and about. Time’s difficult to discern here.

The other…I suspect I’m going to need to pay a visit at some point. Clean off those signposts.

JON

Don’t wait six months.

OLIVER

I shouldn’t be more than a couple weeks behind you.

JON

…That’s less comforting than you think it is.

OLIVER

Then it must be terrifying, because I was definitely going for ominous.

[JON SIGHS…AND LAUGHS RELUCTANTLY; ANNABELLE AND OLIVER LAUGH TOO]

JON

I suppose we’ll meet again, Annabelle.

ANNABELLE

…No. No, I don’t think we will.

JON

Tired of me already?

ANNABELLE

I was watching them for you. Not just through the tapes. I was lurking in a corner of that room.

I don’t know that I made it out.

OLIVER

(gently) You didn’t, I’m afraid.

Your choices are more limited. Stay here with your web…or see what comes next.

[A SHORT PAUSE]

JON

We’ll keep the recorders going.

In case you’re still listening.

ANNABELLE

…Tell Charlie his aunt loves him very much.

JON

I will.

Oliver…don’t take this the wrong way, but if I ever see you again, it will be too soon.

OLIVER

Death always comes too soon.

JON

That was definitely not meant for that aspect of you.

OLIVER

Fair.

ANNABELLE

Have a good life, Jon.

You and Martin deserve it.

JON

If I may borrow from another…may you find your rest where no shadows are cast, and no eyes may see you slumber.

ANNABELLE

(audibly smiling) From you, Jon, that is a true blessing.

[DEEP BREATH]

JON

Right. Hold on, Martin.

I’m coming home.

[CLICK]

[landscaping-your-mind]

anyway now im thinking about episode 101 and like

i know i’ve written like three separate 101 fics but i need to write more bc like holy shit holy shit how do you go from being tied up in a fucking??? abandoned wax museum???? and being fucking???? lotioned??? for a month????? and be a normal functioning human being after it while also keeping to your policy of Never Talking About Your Feelings With Anyone like is jon okay? (no)

thinking about michael who was killed by gertrude wanting to kill the archivist and then jon tried to help helen and helen trusted jon and she saved jon and im thinking about them so much btw im fine 👍

i dont care about michael. i dont understand why people care about michael. if you care about michael convince me to please

[zabala0z]

I am nearing the end of TMA S4 and I am terrified. Hello there! Welcome back to “rando screams over TMA S4” I’m your host and we have uh 7 episodes to talk about!

MAG 150: Cul-de-sac

Nothing I hate more than the suburbs. I remember I theorized before listening that this was The Lonely but throughout it, I was thinking The Spiral was also involved. Then that gave me a thought I should’ve had way earlier: can statements have multiple entities involved?? Like would there really be a downside (for the entities)? I mean you get your fear. It’s just a team effort y’know?

Also yay Melanie! Fight against the power (please don’t die I’m begging you). Although I am still suspicious about her therapist

MAG 151: Big Picture

OH MY GOD OH MY GOD ITS SIMON FAIRCHILD. I was reeling during this guys. I don’t know why all The Vast avatars are so…nice??? Well that’s not the right word. Carefree I suppose? (Also what bet was Simon talking about. Dude.) Im also still very curious about the dynamics between the patrons/avatars. The way they all sabotage each others rituals. The different rivalries. It’s so fun.

MAG 152: A Gravediggers Envy

Man this dude loves dirt. Interesting how he refers to the entity by the actual title without ever being told. Intuition I guess. It was interesting to hear Helen again whose laugh is sounding more and more like Michael’s. Anyways the tunnels are going to be very important later on, aren’t they?

MAG 153: Love Bombing

God I hate cults. Also that clear residue has appeared many other times in The Corruption related statements (MAG 36, MAG 55). Potential connection.

TREVOR AND JULIA 🫶🫶🫶 you guys eat but also like stfu. The way they bounce off each other reminds of Breekon and Hope. Love Daisy but I am worried now. She also growled like an animal. Not figuratively like it actually sounded like a wolf or something

MAG 154: Bloody Mary

God damn it Eric. God. First, no one can ever have a nice life here hug? Second, little Michael mention by Eric (and Emma. Who is Emma? Will she be important?) third, you have to GOUGE out your eyes to quit? What the hell?

Martin and Jon’s talk. God that was basically a declaration of love. I’m going insane. Martin low key psychoanalyzed Jon and it was heart wrenching

MAG 155: Cost of Living

Basira, like I disagree with her on a lot, but man she is so interesting. Also screaming about how she won’t leave because of Daisy oh my god please. Onto the statement; yeah this was a pretty cool avatar. Like, the absolute delusion was the funniest thing ever like god damn.

But MELANIE. Oh my god. I’m like hella impressed by her will power, I guess I wasn’t the one who is trapped in a job and traumatized, but still. I’m worried. Please don’t die girlie, I’ve already lost multiple of my favorite characters

MAG 156: Reflection

I need to know more on Adelard Dekker like I need to know his full backstory. I love how Martin talks to the tape recorders like they’re a pet or something? Does The Eye notice? Or care? Anyways, with every statement, The Extinction rises on my ranking on “how scared would I be if I encountered this TMA entity”

I’m scared for Martin. I don’t know what device it is, maybe a book? I don’t know but

“How does that make you feel?”

“Nothing. Nothing at all”

What if I just *rips out hair and rolls around on the ground* I CANT. MARTIN PLEASE. YOURE MY FAVORITE GUY :(

Okay. Okay. That’s all the episodes.

I have 4 episodes left in season four. I am very worried. I’m going to pray for Martins safety. My next post will be the season four finale so watch out for that!! I really hope everyone will be okay but I know deep down that they won’t. That’s not how this works

[that-one-girl-behind-you]

Illicio 15/?

Part 14

I suppose it was clever of you, to send this one specifically. I have never been too fond of his kind. Too... volatile, if you'll excuse the little joke.

But I'll move on. I'm a grown woman, and I know perfectly well when I've lost a battle. It isn't even that big of a tangle in the grand scheme of things, now that I think about it.

And see, that's exactly what I wanted to talk about, Jon. How would you say it?

Statement of Anabelle Cane, regarding inevitability.

XV

"So... where did you find her?" Tim asks, as he walks around a corner. It opens to a long corridor, with tasteful hardwood floors and sensible faded ochre walls. There's a little table by the wall anywhere between five and a hundred steps in, right below a mirror that's usually round, but sometimes is triangular or square. Right now it's eight-sided, and Tim looks into it to fix his hair- and his face. The latter melts a little if he's not paying attention, but is easy enough to mold back into shape.

"Roaming the tunnels. She was a bit lost. Everyone is, down there." Helen's voice echoes all around him, and his headache gets the slightest bit worse. There's no telling how long he's been here for, but at least in her corridors he can pretend the confusion is only a side effect of Helen around him.

"So you thought it would be a good idea to make her into dinner." There's a single cobweb stretched between the little table's legs, and Tim presses a finger to it like he's done to the others, watching it curl and shrivel as it chars to nothing. "Or were you actually trying to get her out and throw her at us?"

"Burn a couple more of those, and I might be able to tell you." Helen's voice is clearer now. Bitter. Tim nods grimly.

"I'm going to need you to let me out somewhere else."

"Better if you don't say the name, I think." Helen sighs. "Keep walking."

So Tim does. There's still plenty to be confused about. The Desolation rages inside him, feeding from the raw loss burning a hole through his chest

Sasha's dead.

No, he corrects himself. She's been dead for a while now, years. The thing Jon killed was just that; a monster, no matter how many times Tim called it Sasha's name. No matter how many times Tim found himself loving it.

The fire at his core burns a bit hotter.

He keeps trying to tell himself he was loving the memory of Sasha and not the beast, but is there really any memory left of her? Logically speaking -ugh, he sounds like Jon-, he knows there have to be. He knew Sasha -loved Sasha- long before the table came, but when he tries to conjure them, all he sees is the long-limbed thing, the ghost of its touch on Tim's skin sending shocks of nausea through his stomach.

"If you're going to puke, please wait until I let you out."

"Feeling vindictive, aren't we?" Tim composes a smirk even as he takes a deep breath to fend the nausea off, leaning heavily against the little table. His reflection on the half moon-shaped mirror looks decrepit with exhaustion.

"Aren't you?" Helen asks, and Tim's knuckles whiten around the table's edges.

There was a spiderweb on that table, and there's another on Jon's lighter.

"You have no idea."

-------------------------------------------------------------------------------

Calling the fog is easier now.

Tim hasn't been home in a while, and Gerry hasn't sought him out either after he lashed out at him. Which is... what he wanted, he supposes.

It's much better to work like this, now that even Peter has opted for leaving him alone. Without interruptions, without the uncomfortable feeling of being watched. Lately, he has started to suspect even the Eye's gaze slips off of him at times.

It makes him wonder if Jon can still See him. If he even tries anymore.

There's probably no answer to that question that could make him feel... something, not anymore. Martin shakes his head, hoping to dislodge the thought and go back to his work. There's things to do, including a new statement to record that Peter must've slipped in before he arrived. He's getting close to being done with this, at least.

Will there be anything left of him once he doesn't need to be lonely?

Will there be anyone left who cares?

All he can see when he tries to look into his future is the comforting, cool embrace of the fog. It's not a surprise, not really. Fear has ever been a constant in Martin's life.

A tape recorder clicks to life by his elbow, and Martin sighs. "Yes, alright. I'll just... Martin Blackwood, assistant to Peter Lukas, Head of the Magnus Institute. Recording statement... what is it? 0131305..."

The feeling is... odd, he decides after he goes through Judith O'Neill's statement barely giving the words a thought, as fast as he can without mangling it, because the sound of his own voice is grating to his ears.

"It's... I know I should feel guilty, you know?" he asks the tape recorder, resting his chin on his hand. "I mean, this is this person's worst moment, that she trusted us with, to preserve and protect. And- and I'm just trying to get it over with."

Click. Martin feels his lips curl into a small smile. Who knew he could still do that?

"Yes, I guess so. But it still doesn't feel like I'm doing enough. Not that it ever has, but still..." He sighs.

It doesn't really matter, does it? All Jon and Gerry need is the information, not his thoughts on it, not his- just the facts. That's what they want, and- and since he finished this quickly enough, he should be able to sneak down into the Archives and drop the tape at his old desk before Gerry can try to come get it.

He doesn't have to see the hurt on his face when he sends him away again.

The door to the office closes silently behind him as he steps into the corridor to start the way down to the Archives, and he's immediately assaulted with the pressing sensation of other people's existence. Martin doesn't quite Know about every person in the Institute, but he can feel their presence like one would feel the heat from standing too close to a fire; a warning to get away, before you end up burned. Luckily for everyone, life in the Institute seems to be contained at the upper levels, the building completely silent once he reaches the bottom floor.

The old break room calls to him like a siren at sea, but Martin ignores it. There's nothing for him there anymore, other than a brightly painted mug pushed to the back of the cupboard to be forgotten, like the painful memory of the times when there were no fears of monsters, and the biggest worry in Martin's mind was a fake resume.

This is why he hates coming down here, he thinks with a sigh. It's just... logically, he knows they were never going to stay that way, planning birthday parties and getting to know each other, the little Archive team. He knows they were doomed the moment they signed their transfer to their new department. But still... Better times, less complicated, and- there's a woman there.

More importantly, a woman he doesn't recognize. She's tall and dark skinned, with tightly curled hair pulled into a bun at the top of her head, her sharp, deep brown eyes examining what Martin recognizes with a muted sense of alarm as a scorch mark shaped like footsteps on the polished hardwood floor.

"Excuse me? You can't be here." Martin says after a deep breath. The tape recorder in his hand clicks on again; great, now Jon is going to hear him chasing away his meal. "Did you come to give a statement? I'm afraid we're not taking new ones at the moment."

There's a pang of nausea at the lie, but Martin ignores it. If he can keep one more person from tangling in with this-

"I gave it a while ago. Haven't been too afraid ever since." The woman shrugs after turning to face him. She's wearing a black tank top with a stylized ghost on it, that Martin would once have smiled at. "I'm only waiting for Melanie. You're Martin?"

He blinks. "You... know me?"

The woman's lips twitch. "Jon talked a lot about you while he was staying at my house."

Martin frowns in confusion, until it all clicks in his mind. The ghost, the statement, Melanie, Jon. The fact that he couldn't feel her at all before practically running into her.

"Huh. I- I didn't know Melanie-Georgie and Jon-Georgie were the same person." Martin feels the air around him cool a little more when he gives her a second, evaluating look. She's beautiful, and she looks confident and calm even in this place of terror. Jon... Jon really has a type, Martin thinks as his mind conjures the image of a pair of blue-green eyes glaring up at Peter in defiance.

"Small world and all that." Georgie shrugs. She frowns then, after she gives him a once-over of her own and apparently finds him lacking. Which is... not ideal, probably, but Martin can't bring himself to care. "Are you alright?"

"I am. Thank you." Martin looks away, because her eyes are nothing like Jon's asides from being a similar dark brown in color, but Martin finds himself thinking of them anyways. "Could I ask you to let Jon know I left this here? Or- or Gerry. He'll do too."

He can feel Georgie's eyes on him for another, unbearably long minute, before she speaks again. "Why don't you tell them yourself?"

"I'm- we're not really... talking. Not anymore." He's aware he doesn't owe her an explanation, but it's... why lie to a stranger, specially one that doesn't care?

"Ah." Georgie's gaze falls for a moment, before she lifts it back to Martin's face. "Could I ask why? Jon speaks very well of you. And from what Melanie tells me-"

"Actually, I'd rather you didn't." Martin cuts in. There's a pang of irritation at his stomach, and he feels the Lonely receding just the slightest bit. Not good, not- "With all due respect, it's none of your business, or Melanie's. Or anyone's, really."

Georgie's eyebrows climb up her forehead. "Wow. Okay. I'm sorry, I suppose. I just thought-"

"You don't know me." Martin says it more for himself than for her. She doesn't know him, and she'll forget him the moment he walks away. The so-called "concern" in her voice is just that, a misguided attempt motivated by-

"Well no, but Jon cares for you." She shrugs.

"Jon cares too much, that's the problem." Didn't he hear Tim complain about that years ago, angry and drunk against Jon's desk with Melanie slumped on his side in a similar state? Jon doesn't care until he does, and then you can't tell which one is worse.

Georgie's eyes are still digging into him, so intense Martin has to remind himself she has nothing to do with the Watcher.

"I think it usually ends worse for the ones that care for Jon, actually." And she arches an eyebrow in a gesture Martin has seen Jon made countless times. It's funny, how people pick up traits from the ones they love. He wonders which one of them had the gesture originally, and which one took it in and made it their own.

Has he picked up anything from Jon? The way he pushes his glasses up his nose, or holds his cup of tea? It's... that would be nice, he thinks. That even when he goes into the Lonely, when he's no longer capable of loving Jon -if he still is-, there will be a part of him that remains.

He also wonders if Jon has picked up anything from him, but the thought is cold and faded. Martin has always been on the sidelines, easy enough to forget once you get him out of your way. What would Jon even take?

"-tin?" Georgie's voice reaches him faintly, distorted.

"Maybe." There's a strange echo to his own words, and he can see the wisps of fog curling around him. "But it's good that people care for him anyways."

"What-"

"It's nice to know he won't be alone."

Georgie takes a step towards him, but stops short a second after, as her eyes glaze over for a beat. Her brow furrows in confusion, and she looks around the bullpen, her gaze sliding off of Martin.

"Okay, I'm ready, sorry I- Georgie?" Melanie asks as she comes into the room, frowning when Georgie continues to look around the office. "What's wrong?"

"I... nothing, I guess." Georgie's eyes are still confused. "I just- I could swear I was talking to someone."

Melanie gives the room a once-over of her own and Martin holds his breath, but she doesn't notice him either. Good.

"Huh." Melanie hums in thought for a moment, before her eyes turn mischievous and her lips curl into a grin. "Maybe it was a g-g-g-ghost? I know a pretty girl that does a podcast about that, you should tell her the story."

Georgie huffs a chuckle then, her encounter with Martin already forgotten. "I think I know the one. With the cute girlfriend, right?"

"That's her. Bad taste in food and men, amazing taste in women." Melanie hooks her arm through Georgie's, a pleased, slightly flushed smile on her face as she pulls Georgie towards the door. "Let's go?"

"I- hm. I think I was supposed to tell Jon something." Georgie hesitates a little at the threshold, and Martin's heart skips a bit.

"Ugh, just text him. You'll make his day."

"Don't be mean." Georgie smiles.

"I can live with you on his side or with Gerry on his side, please don't ask me to do both, I'm not strong enough."

Georgie laughs, the sound growing fainter as the door closes and they walk away, leaving Martin behind.

-------------------------------------------------------------------------------

Tim stumbles out the door, his head protesting as his body tries to adjust to the change in perspective, which is most definitely not aided by him immediately rolling down half a flight of stairs.

"Would it have killed you to find a something at floor level instead?" Tim grumbles, rubbing at his bruised shin.

"If you find one that's not sealed, feel free to let me know." Helen says dryly, pulling her door closed as Tim glares up at her. "Good luck, dear!"

Tim rolls his eyes, and when he's focused them on the door again it's back to being an old, dusty window through which he can just barely see the street below.

Fine. This is amazing.

A single thread of spider silk pulls at his elbow, and Tim huffs a dry, humorless cackle.

"Done with subtlety, aren't you?" The thread is trying to tug him upstairs, so Tim burns it off before starting in the opposite way.

He can feel the Web trying to wrap itself around him, to obscure his mind and concern him with matters that will take him out of here. Where is Martin? Is he alright? What if he was in Helen's corridors for so long that everyone's gone?

Tim chuckles at the thought as he comes to a stop before a door sealed shut with cobwebs.

Who else could he lose? Sasha's dead, and so is the thing that tricked him into loving it. Danny's gone, his death successfully -but so unsatisfactorily- avenged. Martin continues to slip through his fingers no matter how much he tries, and-

"Just spit it out." Tim freezes when he recognizes his voice, static-y and grainy with the whirr of a tape recorder as background.

"You're not planning on coming back." Jon's voice has the finality of a goodbye, and Tim realizes abruptly that he remembers this conversation. He didn't realize it was being recorded at the time, or he wouldn't sound nearly as put together.

Tim-on-tape laughs, so ugly, so angry that Tim-in-the-flesh flinches.

"That's rich. Do you care now? That's called guilt, Boss"

"Tim-"

"Don't. Stew on it, for all I care. You deserve it."

A sigh, long and tired, before a weak, broken voice.

"I'm so sorry, Tim..."

Tim lets out a sigh of his own, mouthing his next word.

"Good."

Steps crunching on gravel, as Tim walks back into the cheap motel and leaves Jon alone with his thoughts.

It's no wonder the Desolation chose him, all that burning anger boiling just under his skin, the taste of ash on his tongue, the finger pressed down on the trigger to call on destruction like a well-trained dog. So convinced that Jon, who he'd loved so much and who cast him aside without so much as an explanation, was the cause of all his anger. So eager to make him suffer just the same.

"Is that really all you got?!" he shouts out, and his breath comes out in puffs of steam that leave Tim's nostrils burning with the scent of guilt. "Mistress of manipulation, and all you have for me is 'you were angry and a douche'? Because guess what? I still am!"

His hand burns its imprint all the way down to the wood, as the cobwebs shrivel away.

-------------------------------------------------------------------------------

I suppose it was clever of you, to send this one specifically. I have never been too fond of his kind. Too... volatile, if you'll excuse the little joke.

But I'll move on. I'm a grown woman, and I know perfectly well when I've lost a battle. It isn't even that big of a tangle in the grand scheme of things, now that I think about it.

And see, that's exactly what I wanted to talk about, Jon. How would you say it?

Statement of Anabelle Cane, regarding inevitability.

Was that good? Did it do something for you?

See, I'm ever so good to you, dear. I know you're on a little 'diet', but one fresh statement can't be too much, can it? Just a single taste, you've been behaving so properly for your team...

But I've strayed from my point again. I do that sometimes, you know? It's a bit hard to focus on a single thing, when everything is so intricately connected! Try following a thread in the weave of a tapestry, see how long it takes you to lose track of it in the big, beautiful picture.

No, what I wanted to talk about, how did I put it? Inevitability?

You're familiar with that, aren't you, Jon? How running and running away only ever brings you back to where you're supposed to be.

I learned of it the first time I ran away from my family home. I had all these grandiose dreams, coming back artfully smeared in dirt, perhaps with a nasty-looking, but perfectly applied gash to my arm or leg, and I would never have to ask for anything again. I would be Anabelle, lost and returned, the greatest treasure my family could ask for.

The house already danced to the beat I drummed, but I wanted more. I wanted things to go my way before I even had to orchestrate them. I wanted things to land on my web, and strangle themselves to death trying to pull themselves out.

It was a good plan, for a nine years old.

I could tell you about the woman, I suppose. Young, and emaciated and lost, weaving herself into a tapestry she could not see, so desperate to feel something that she didn't notice when the syringes began overflowing with many-legged things that scurried and ran through her veins much more effective in soothing her pain and fear than the heroin ever was.

I could tell you how I ran. How I climbed back up my window before my older sister even noticed I was ever missing. How I shook that sleepless night, seeing crawling shadows everywhere, feeling the pinprick of their legs on my skin. I thought the woman was a demon that was sent to scare me into being a nice little girl, to correct me from the nasty schemes I orchestrated to get others in trouble.

You would know, wouldn't you, Jon? The incredible lengths to which a child's mind can go to try and rationalize an encounter like ours.

And it worked, I suppose. For years, I stopped manipulating, I stopped weaving. The urge was still there, and the ability of course. It was almost as though I could see the threads connecting every occurrence with the outcome I wanted, just waiting for me to pull on it the right way. But I didn't. I had seen my punishment, and I would be good, I told myself.

Didn't you do something similar, when you found my little book? You were adorable.

But you see, even though we both tried to run, to break free of the path we were meant to take, we both ended up exactly where we were needed. Don't hate me too much for pulling your strings, dear, just remember there's a bigger puppeteer out there.

And please, don't take this as some sort of grim reminder -everything is always grim with you, isn't it Jon?- that free will is a lie, and we are all just chess pieces moving across a board. That is not what I mean at all!

Free will is a beautiful thing, and so satisfying to have. You specifically have a will of iron, Jon, and that is a high compliment, coming from me. The twists and turns I've had to send you in just make sure you had what you needed to survive! And all just because you were too stubborn to take the path the Eye set for you.

But that is exactly what the beauty of an ineluctable plan is, just to come back to the original subject of my statement. Knowing that your every movement, your every choice is already factored in the grand scheme of things. I find it soothing, don't you? Knowing that no matter how far you stray from the path, you cannot truly ruin anything.

Look at your dear friend. An unwanted variable in my plan for sure, but apparently not to the Mother's one, since I ended up talking to you after all. Perhaps a little earlier or later than I originally should have, but things worked out in the end. They always do.

Perhaps all the players must, at some point, take a look around, and see if they're not standing on a checkered board themselves. I can think of some people specifically, but it wouldn't do to ruin the surprise.

Now, how do you close these things? Your charming little catchphrase… ah, of course.

Statement ends.

"I- you found this?" Jon's voice is a bit shaky as he finally looks up from the paper, and the tape recorder clicks to a stop on its own. "Were you looking for it?"

Tim shrugs. "Not really."

"But then- Tim, why were you at Hill-"

"It's none of your business, alright?" Tim rolls his eyes. "Maybe I just decided I really fucking hate spiders."

After listening to that, he definitely does.

Jon's arachnophobia has never been a secret, but he guesses it makes a lot more sense now. A lot of things do.

He doesn't like any of them.

"Tim-"

"I'm going to leave now."

-------------------------------------------------------------------------------

"Tim said you were full of spiderwebs." Jon's voice is calm, quiet.

Helen tilts her head. "Aren't we all?" She asks. It's not in her nature to give straight answers.

"I'm starting to think so." Jon gives a sigh.

It's a fun little tableau they make, each on one side of the desk, between them a tape recorder with a bit of tape still left, a sheet of paper next to it.

"This is how we met," Helen hums thoughtfully. There is no map on the paper, and the statement in the recorder is not hers -about her-, but it still feels painfully, exquisitely familiar. "Back when we were both human."

Jon lets out a little huff of air, like her words are somehow a surprise for him, who could Know it all. "Do you remember how that felt like?"

Helen smiles, feeling her lips curl in on themselves dozens of times. "Do you?"

"A little, at times." Jon lays a hand on the desk, and Helen sees the recorder practically click on and vibrate with the need to go to him. Funny little things. "More, lately. I... having everyone helps."

"That doesn't bode too well for Martin."

"I- it doesn't. But I'm- I wonder if you'd be this far gone, if I hadn't turned you away when you first came to me."

Helen tilts her head, when Jon's eyes fix on her. They don't have the lovely green glow they take when he uses his powers, and they look... sad.

It's not an emotion the Distortion knows how to deal with, because the Distortion shouldn't be dealing with feelings anyways. It's even more puzzling to have it aimed at her.

The part of her that is still Helen -is that all of her? Is that any of her?- feels a pang of grim satisfaction. "Is that what this is, then? Making amends?"

Jon shakes his head slowly, sadly. How can a man exude so much melancholy? Is that what happens, when you care so much?

"Not really. I- we were always going to change, I think. Our only choice is how we do it." He pushes the tape recorder towards her, with a tired smile. "I hear you collect them?"

"Only until it's time." Still, Helen cradles the recorder in her hands. Such a curious thing.

"Time for what?"

"I don't know." Helen shrugs at an angle that should not be quite possible for shoulder joints to give. "Doesn't it frustrate you, Jon?"

He gives a little, choked up laugh. "You'll have to be a bit more specific."

"All these rules about what should and shouldn't be done. We are power. Why should we be contained?"

Why should they?

Why should they strive to stay human, when that's the very thing that was ripped from them? Why-

"I think... Because I want to be contained." Jon gives his desk a little thoughtful frown, before looking up at her again. "If I'm going to be a monster, I'm going to be one in my own terms."

"How noble of you." Helen arches an eyebrow, and Jon's lips twitch into the ghost of a smile.

"Selfish, really. It's the only thing I have left."

"Didn't she say it wouldn't matter, in the end?" Helen lifts the tape recorder to tuck it in the pocket of her blazer. "The grand scheme of things, and all that?"

"It matters to me."

"So you'll spend the entire journey there being miserable, just for the sake of some moral high ground?"

Jon shakes his head, his lips moving around words he can't quite put together. It's almost a bad joke, the Archivist, tongue-tied.

"If I weren't miserable in this situation, I wouldn't be Jon." He says in the end. "I- maybe the Spider dropped me gift-wrapped at the Eye's front door, yes. But it can't take that from me. It can't take who I am."

"Bit boring, isn't it? Not changing at all, ever?"

"...Yes, I suppose you of all people might find it so."

"Can I still keep the tape?" she asks, clicking the stop button to make the funny little thing sleep again.

Jon sighs. "It's yours."

Helen smiles. "Just until it's time. Cheers, Jon, good luck on your moral crusade."

-------------------------------------------------------------------------------

Corruption statements always leave behind a stale, sickly aftertaste. It's not too surprising really, but lately Jon has started to dislike them even more.

It's the way this entity tries to disguise itself as love, as the natural progression of devotion into indiscriminate consumption, parasitism, destruction.

Everything that love isn't supposed to be, everything that-

The Eye pulls urgently at his mind, and Jon is dragged out of his reverie by the sudden Knowledge of sharp blades and singing blood.

Jon sighs, before diving into his desk drawer to pull out his mobile.

"Yeah, I think, um-" the door to his office opens and closes behind him, and Jon's heart races as he tries to force the next words out. "I think you should probably get down h-"

The phone is yanked from his hand, and Jon vaguely registers the sound of the call clicking to an end, far more focused on the edge of the knife that comes to rest against his throat. Right over Daisy's scar, like it's one of those 'cut here' lines, and the thought is much funnier than it should be.

"Hello, lad." Trevor Herbert's breath is musty and bitter, and Jon sighs. This is fine, this is- all he needs is for one of them to get distracted. He broke Breekon before, and Not Sasha too. This is his home terrain, he can-

"Miss us?" Julia's long-nailed, almost clawed hand grips his shoulder tightly and forces him back on his chair. "We have some things to discuss, it looks like," she says, and though her voice is pleasant enough, Jon can hear the underlying growl under it.

"If you give us the right answers, maybe we won't have to check if you're still human enough to bleed." Trevor smirks. Jon looks up at the old man, but everything in him is telling him to keep quiet, to wait for an opening. Hunters are not to be taken lightly, much less as a pack.

"You've got something of ours." Julia stabs a knife of her own right through Barbara Mullen-Jones' statement. "Took it right from under our noses."

"After we saved you from that Stranger puppet and gave you all the information you needed. Very rude to steal our biggest resource." Trevor presses the blade a bit tighter to his neck, but Jon couldn't care less about it anymore.

How could he have been so stupid? He'd thought they were here for him, why come to the Archives if not to kill the Archivist? Something hot and dark and angry starts brewing in his stomach.

"Gerry wasn't yours," he snarls. "You had no right to-" the knife presses deeper, and Jon's mouth snaps shut more out of the Eye's self preservation sense than his own, his mind still reeling with the memory of the pained ghost that asked him for a smoke, just a shadow of the man he-

"You heard that, Julia?" Trevor cackles." 'Gerry'!"

"Seems like you've gotten pretty chummy." Julia leans over, her mouth curled in a sardonic smile. "Pull dear Gerry out every now and then for a tasty statement, don't you?"

Jon's eyes narrow as he tries to ignore the pang of guilt in his stomach. Of course he feeds from Gerry, but it's- he's not like them.

"Where is it?" Trevor snaps at his silence, giving him a shake. The knife breaks skin, not enough to bleed but enough so that Jon feels the sting.

"I set him free." And Gerry came back to him, he's Jon's now, and they are not taking him again.

"You what?" Julia grabs him by the shirt, pulling him up to his feet. Jon comes gladly, his chin held high and holding Julia's gaze. He can see the Hunt in her eyes, but Jon finds that he's not too intimidated, not after Daisy, and definitely not when Gerry's life is on the line.

"You wasted your time coming here." Jon says simply.

"Aren't you feeling ballsy today?" Julia gives him a hard shove, and Jon topples back on his chair. "But we didn't. We can at least get rid of another mouthy monster before we go. You want the honors, old man?"

Trevor shifts his grip on the handle of the knife, a wide, lupine grin spreading over his face. "Don't mind if I do." Jon's lips twitch into a smile, and the two hunters scowl.

"Get away from him." Daisy snarls from the open door to Jon's office, and Trevor and Julia snap around to face her.

"Who- ah. Got yourself a guard dog, didn't you?" Trevor laughs. "Smart bastard."

"More of a lapdog. She's scrawny, isn't she?" Julia goes for a mocking, dismissive tone, but Jon sees the stiffness in her limbs, and the nervous twitch of a muscle on her jaw.

Jon looks at Daisy, and he realizes for the first time just how sickly she looks. The lean frame that wrapped around him in the Buried now appears emaciated, and though Jon can See the boiling presence with too many teeth trying to burst out of her skin, there's no denying what abstaining from the Hunt has done to her.

"Malnourished, more like. Haven't tasted blood in a while, have you?" Trevor asks. "This one will die nicely; you could come with your kind instead."

"Or I could hunt you instead." Daisy takes a step forward, and Jon Sees the hunter boiling even closer to the surface.

"Don't." Julia say simply, when Daisy makes to take another step. Her hand digs into Jon's hair, pulling back to expose his neck. "Or I'll kill your library rat."

"You can try. You better hope you're faster than me, though." Daisy's voice devolves into a low growl, and Julia responds in kind. Trevor says nothing, merely watching the two women face off.

"Do you really think you can take us both?" She asks, tightening her grip in Jon's hair. "You're weak."

"Are you willing to bet your daddy's life on it?" Daisy bares her teeth.

"I'm not her father," Trevor says sullenly, and Jon snorts.

"Are you sure?" Jon asks, and Julia yanks roughly on his head.

"Shut up, I'll-"

"Let's go." Trevor interrupts. Jon gives him a quick glance, an old wolf that has learned to pick his battles.

"Old man-"

"There's no rush. Plenty of monsters to go around, too." Trevor gives Daisy a grin that she responds to with another growl. "Good luck guarding them all."

Julia gives another snarl, letting go of Jon's hair with a harsh shove that has Daisy flinching forward, before she and Trevor make for the door. Daisy stands there like a statue, and Jon feels the tension in the air rising with every passing second, until Trevor and Julia seem to decide to just go around her.

Their stomping footsteps grow fainter and fainter in the distance, Daisy crouches to the floor, her entire frame shaking.

Jon shoots from his chair. "Daisy? Are you-"

"Don't touch me," Daisy snarls, startling Jon. He pulls back the hand he was about to lay on her shoulder.

"Daisy. Listen to me." Jon kneels before her. "Just-"

"They're not gone yet. They're- I could find them. I could take them down." Daisy's shoulders shake even harder, and Jon forces himself to not flinch back.

"The- remember what you said, Daisy. Don't listen to the blood..."

"...Listen to the quiet," Daisy responds after what feels like an eternity. Jon carefully lays his hand on her arm, right above the spot where her nails are digging into her skin. She leans into it, and Jon wraps his other arm around her.

"It's- you're wasting away." Jon squeezes her shoulders, muttering into her hair. "You need to-"

"I'm not going back to that." Very slowly, one of Daisy's arms comes to return the hug.

"Daisy-"

"I hurt people, Jon. You know I did. I almost killed you-"

Jon squeezes harder, as the Eye drops flash after flash into his mind. The last moment of all the people -all beings- whose last view was the Hunt-distorted face of Daisy Tonner. "That was not you. That was the Hunt."

"We're the same."

"No, you're not!" Jon snaps. "You're- it's different, Daisy. You are different. What you were before-"

"I was a monster." Daisy's voice holds a special sort of fragility, and Jon tightens his grip as much as he can.

"There are worse things to be."

They stay there for what feels like hours, until both their breathings slow down, until Daisy's shoulders stop shaking with the urge to chase, and her nails are no longer digging into Jon's shoulder.

"So... did something happen here, or is this just something you two do for fun?" Tim's voice comes from the still open door, and Daisy whips up so abruptly that Jon is just thrown back in a tangle of limbs. "Whoa, tense."

"Tim-" Jon clears his throat as he climbs to his feet. "This is not a good time."

"When is it anymore?" Tim arches an eyebrow. "So?"

"It's noth-" Jon stops himself, sighing at Tim's unimpressed, guarded look. He chooses to trust. It doesn't matter that Tim doesn't trust him back, he- there's a reason for that, and Jon has to live with it. Maybe forever, now. "The hunters came by. Daisy scared them off."

"Top dog, I like it." Tim smirks at Daisy's answering scoff, before turning to face Jon again. "Did they come for you?"

"No, they-" Jon freezes, Trevor's last sardonic remark ringing in his head like a bell.

They're gone. They're gone, and they- Daisy was able to track him down to Michael Crew's house before she even knew the Hunt was in her. Trevor and Julia are both experienced hunters, and they came here for-

Jon shoots out the door, shoving his way past Tim and ignoring Daisy's concerned call, and hers and Tim's footsteps behind him as he rushes up the stairs and out of the institute.

He knows the way to follow like a bird flying South for Winter, a thread of steel pulling at his very core as buildings and street signs rush past the edge of his vision. He doesn't know how long he's ran for, his lungs burn and his legs are tired, -Jon has never been an athlete- but he's getting closer and-

Jon turns a corner and slams against something solid and soft and warm, bouncing back with a huff before his mind registers the concerned blue-green eyes looking down at him, and the shouting in his head comes to a halt.

"You're alright," are the first words Jon can form coherently.

"I- am?" Gerry arches an eyebrow, and Jon laughs with relief before throwing his arms around him. "Jon?" Gerry asks, an arm coming to rest over his shoulders, a hand behind his head.

"Huh, you were right. I owe you a drink I guess." Melanie says, her voice both dry and unimpressed, and Jon flinches back from Gerry's embrace like he's been burned. She rolls her eyes. "What are you doing here?"

Of course they were together, they're hunting, how could he have forgotten?

"I- the- at the Institute-" Jon sputters. Melanie's not with the Slaughter anymore, but she wouldn't have let Gerry face the hunters alone. His face starts heating up as the uselessness of his mad dash through the city rains down on him.

"Jon, what happened?" Gerry asks, laying a hand on his shoulder. "Is anyone- shit!" Gerry yanks him and Melanie out of the way, throwing the three of them against the wall just as Tim and Daisy turn the corner at full speed.

"We're here!" Melanie calls out calmly, and the two of them skid a few feet before turning back to face them.

"What the fuck, Jon?!" Tim exclaims, steam shooting from his lips as he pants. Daisy eyes him in a way that makes it fairly clear she's thinking something along the same lines, and Jon wishes for nothing more than the earth to open up and swallow him whole. Again.

"Uh- yes, I can-"

"Explain why you made us run all the way to Chelsea?!" Tim shouts again.

"Stop yelling at him!" Daisy snarls. She looks considerably better than she did at the Institute, and Jon wonders if chasing after him did something for her. "Jon?"

Jon darts a look around, trying to gauge the general mood. Tim is, of course, furious. Both Gerry and Daisy are giving him mixed looks of worry and confusion, and Melanie seems to be enjoying his predicament.

"I- they were looking for him," Jon mutters, growing more and more embarrassed as Daisy and Tim start to connect the dots.

Daisy sighs. "You though of calling me on the phone, but not him?"

Oh. That's- Gerry does have a phone that he usually has with him.

"I... wasn't really thinking."

"You're kidding me." Tim groans, and immediately turns to the street to start hailing a cab down. "You're paying for my ride back, you asshole."

"Uh... can I ask what this is about?" Gerry leans down to whisper in his ear. Jon exhales, the relief at finding Gerry alive and well still swelling in his chest.

"At home. Please?"

Gerry's brow furrows, but he eventually nods. "At home, then." And he presses a kiss to Jon's temple.

Jon, who is most definitely not used to public displays of affection, freezes on his spot. His face burns even more when he hears Melanie groan as well, before she begins to walk away.

"Tim, can I ride with you? I don't want to stay any more."

"Be my guest. Maybe we can convince the driver to charge him by the passenger. Daisy, you coming?"

Jon sighs and steps away from Gerry, pulling his wallet out when a cab rolls to a stop before Melanie and Tim. -------------------------------------------------------------------------------

The idea of four walls and a door as a sanctuary is laughable in the world they move in, but home is home, and it's more about a feeling than it is about a space.

"Please don't go after them." Jon's voice is almost too quiet in the thick darkness of the room, but Gerry can taste the desperate intensity in the words just as clearly as if they'd been pressed to his lips.

"Why would I?" he asks, like the thought wasn't the first thing on his mind as soon as Jon ended his tale. It's not like he can pay them back for what they did to him, keeping him from his rest just to use him, but fuck it would be satisfying.

"Gerry."

It's the emotions poured in it rather than the name, what makes Gerry feel like the breath has been punched out of him.

It's heavy with a sort of devotion Gerry's never been on the receiving end of, but that he's tasted in Jon's words before, sweetening Martin's name like a breathless prayer.

It's new.

It's terrifying.

It's intoxicating.

"Say my name again."

-------------------------------------------------------------------------------

"Won't you look at that." The voice that reaches Gerry's ears when he climbs the last step out of the Archives makes Gerry freeze on his spot.

He's heard it a thousand times before, reading his last, most intimate moments like they were a particularly boring instruction manual, tearing him from the painful, burning dormancy of the book for another round of questioning.

"That sneaky bastard." Julia shakes her head with a disbelieving cackle. "Dear Gerard, long time no see. Sorry, it's 'Gerry' now, isn't it?" She was always the one asking the questions, impatient and snappy whenever Gerry took too long to answer.

Gerry snorts, his mouth twitching into a smile. These two are opportunistic hunters if he's ever seen any, a pair of hyenas looking for lonely prey.

"This is very convenient, you know?" Gerry cracks his neck. He's never killed hunters before; Gertrude always thought they were better left alone, since they usually went after other avatars. It's just fitting that Gerry's always been good at learning on the fly. "I promised Jon I wouldn't go looking for you. Didn't say anything about what would happen if you found me."

"Oh, you promised him? How sweet." Julia smirks as she moves, her eyes glued to him as she flanks him. "How did he get you like this, huh? You were much more useful when you were pocket-sized, let's go back to that."

"I hate to disappoint." Gerry focuses on her. She's younger, faster than Trevor. Her neck is also very thin, and he Knows she favors her right side, and forgets to watch her legs. It's just a matter of getting a good kick in-

"Let's just kill him. He's no good to us like this, and who knows what he is now." Trevor is at his other side, no doubt giving him the same evaluation he just gave Julia. "One less monster."

"Oh yes, that's your whole thing, isn't it?" Gerry arches an eyebrow. "Pretending you're doing this to save people, and not because you're just another pair of hungry dogs."

"Better than just playing house with the monsters, if you ask me. How's dear sweet Jon?"

"Doesn't it worry you?" Gerry ignores Julia's taunts, looking at Trevor instead. That always did irk her when she interrogated him. "She doesn't have the best track record with parents, if I were you, I'd be concerned about ending like Robert Montauk."

That does it.

Julia launches at him with a roar, and Gerry has barely enough time to plant his feet to catch her- before a burst of fog shoots out of nowhere between them and Julia skids to a stop inches from touching it.

"I'm going to have to ask you two to leave the premises, please." The three of them freeze as the fog dissipates, leaving behind only Martin's grey, cold-eyed form. Gerry feels his mind kicking into overdrive because this is bad in so many levels. First and foremost, Martin and the hunters are in the same place at the same time, and that's less than ideal. Then there is the fact that Martin just came out of the Lonely, and-

"Who the hell are you?" Julia goes to push Martin aside, pulling her hand back as if burned when it goes right through him. "What-"

"Out." Martin says, his eyes hard behind his glasses. "Unless you want to wait for the others, in which case feel free to stay, they should be here soon."

Gerry smirks at the nervous look that passes between the two. Of course they wouldn't like to be the outnumbered ones.

"Remember how you used to ask me about the monsters? I'll give you a freebie, for old time's sake," he says, stepping forward to stand next to Martin. "You don't want to wait."

"Real cute." Julia bares her teeth at him, and Trevor narrows his eyes. She then whips around on her heel and walks towards the door, only stopping for long enough for Trevor to reach her, and Gerry watches them go with a bitter smile.

The doors closing after them is almost deafening in the silence left behind. Out the corner of his eye Gerry can see Martin start fidgeting, and he takes a deep, calming breath before turning to face him. It's alright. Martin is- he's here, he just has to pull him back.

"Did you really call anyone else?" Gerry asks.

Martin rolls his eyes, and Gerry notices with a pang of guilt that they're a cool, muted gray, despite the interaction. "Of course not. But I had to get them out, and I heard Tim say that Daisy alone was enough to send them running. Figured the idea of more people would only be more effective."

"I could've taken them," Gerry shrugs. Then, and his voice has grown a bit weaker, "I didn't know you could go into the Lonely now."

Martin looks down at the fog rolling around him like he's seeing it for the first time. "Hm. I didn't notice I was in, actually."

"That's- Martin, that's worse." Gerry grimaces. Martin is still human -as far as he can See- but only barely so.

"Is it?" Martin asks, and his contour is starting to blur and fade again, like a mirror fogging up. "Stay here today, will you? I'm sure Jon will be happy to have you."

"Martin, please-"

But he's gone.

Gerry stares for a moment at the spot he disappeared on, but eventually he gives a long, defeated sigh as he starts the way back down the stairs to the Archives.

Sending the hunters running no longer feels like a victory.

[abduct-me-helen]

Class 108's Apocalypse Field Trip | Chapter 4.

“So, are we going to talk about it? Or….” Martin asked, looking at Jon with an expression he found he couldn’t decipher. The chatter of class 108 filled the comfortable silence that would usually occupy them on their journey.

“About what?” Jon avoided the question, turning his head back to check on the rest of the class. They’d originally formed two lines, headed by Jon at the front of both and Martin at the back. That had quickly fallen apart, and now they were more of a…blob, if anything.

Martin gave him a look. “I still don’t know how you’re smiting things here! I was about to ask you before we came across the school, but I decided it was best to wait until we calmed down a bit.”

“I-I killed it. I have the power, so I…so I killed it.” Jon turned his head away, facing decidedly frontwards.

“Yeah, but like, how? I’m-I’m sorry, I just don’t understand what actually happened.” Martin gestured, confused and frustrated.

“I-It’s hard to explain. We’re coming upon a domain of the,” he grimaced, memories of dirt and choking and pressure momentarily overtaking him, “buried. I would really rather-”

The sound of knocking cut him off, and the squeak of hinges made everyone silent. Static crackled, and Katie, ever alert, got out her knife just before Rosie silently directed everyone to draw their “weapons.”

Jon didn’t know what a pencil sharpener would do to the distortion, but he didn’t want to find out.

Martin turned, confused at why the quiet had set in. “What-”

“Look down, Martin.”

“Oh.” He paused, startled. “Wait, what?”

“No one get to close!” He called, running his hands through his hair and sighing. “Hello, Helen.”

“Oh, Hello! In a better mood now, are we? Feeling safer now that you know how to kill? And you’ve got a whole gang with you! How exiting.” Her eyes seemed to light up, literally.

“YEET.” Tabitha threw a pencil sharpener at Helen, but her body seemed to twist and absorb it in impossible ways, making Tabitha’s head hurt. She shook it off. “Stay away from us! Begone thot!”

The rest of the class began to recite various vines in agreement.

“GET REKT!” “YOUR MOM’S A HOE!” “WALK AWAYAHAYAHAYHAY”

Martin facepalmed. Jon exhaled, forcing down the urge to scream.

Helen blinked, then her mouth pulled into an impossible grin. “You’ve got quite a crowd here, don’t you Archivist?”

Jon narrowed his eyes. “Touch them, and I will end you.”

Helen laughed and echoing laugh that hurt his ears. “Oh, Archivist. You really have grown! But no, I’m here for a chat. We are friends, aren’t we archivist? Allies?”

He gritted his teeth. “Sure.”

Martin butted in. “Will you tell me how he did it?”

“Martin-” Jon protested.

“He just keeps on being all vague about it.” Martin complained. Helen seemed to light up.

“Oh goodness. You see what you’ve done to the poor boy, Jon? He’s coming to me for answers.” She cackled, and Jon glowered.

“Shut up.” He said.

She giggled. “It is very satisfying though, isn’t it? Teasing the vague information? You can see why Elias got a kick out of it.”

“Elias?” Rosie questioned. “Isn’t that your boss?”

“That’s Eyeball Daddy’s sugar baby.” Tabitha told her. Rosie made an ‘ah’ noise of recognition.

Helen cackled in delight. “That’s what you’re calling him? Oh, I like you.” She grinned, and Tabitha made an awkward face. What was she supposed to do, when she’d somehow won the favor of an eldritch door person?

Take it like a champ, I guess, she thought.

“Don’t.” Martin said protectively.

“Don’t what, love?” Helen asked, batting her eyelashes. (Literally, bats flew out of them).

“Whatever you’re thinking of doing, stay away from them.” Helen pouted as Martin finished.

“But you aren’t any fun.” She said, her mouth curled downward in mock sadness.

“Look-just, just explain. Please.” Martin changed the subject, imploring her to alleviate his confusion. Jon glowered, but stayed decidedly still.

“Well,” she began, sporting a sharp grin, “We’re all here, Martin. The Stranger, the Buried, the Desolation, all of us. But the Eye still rules. All this fear is being performed for its benefit. And so, there are now exactly two roles available in this new world of ours: The Watcher, and the Watched. Subject, and object. Those who are feared, and those who are afraid. And John, well-he is part of the Eye. A very important part. And he’s able to, shall we say, shift its focus. Turn the one into the other. And for those of us whose very existence relies on being feared, well: to be turned into a victim destroys us utterly. And very, very painfully.”

A silence fell over everyone, before Cypress broke it.

“So, what you’re saying is, the clap of his ass cheeks alerted the Eye?” He questioned, ginger curls bobbing as he tilted his head.

“Eyeball Daddy.” Raphi muttered.

Helen sported a look of delight, before cackling once again. She wiped a tear from her eye, and Rosie noted that it was the color of a highlighter. As it fell to the ground, the grass it came in contact with seemed to glow.

“You really are fun!” She declared gleefully. “Archivist, for someone so dour you certainly have lively company. Who are all of you then?” Her head twisted unnaturally in interest.

Elliot instinctively looked to Rosie, and shrugged when he met her eyes. Her own were narrowed in thought, before she shook her head. Helen grinned.

“Oh! A smart one. But no, I’m not a fae and you are, regrettably, protected by our Archivist.” She sighed dramatically.

Jon ran a hand through his hair. “She’s right.” Helen lit up. Really. She glowed.

Tabitha, ever curious, tilted her head. “I’m Tabitha. Are you with the smexy weed?”

“The smexy weed?” Helen asked, unapologetically amused, “whatever do you mean?”

Cal let out a short laugh and Katie rolled her eyes.

“The one that makes you high.” Elliot intoned (un)helpfully.

Martin groaned. “Wh-you know what. I’m just going to leave it.”

Helen was grinning now. “Yes! I’m with the Spiral, or the smexy weed, if you prefer!”

“Dope.” Elliot said, and Rosie raised an eyebrow.

“Wait a second,” Martin spoke, putting his hands up and turning to Jon, “why were you being so cryptid about it anyway? It doesn’t seem very complicated so I don’t know why you were being so coy about-”

“Because I’m ashamed, Martin.” Jon cut him off, sighing and clenching his jaw.

“Ashamed?!”

“Yes! Ashamed of the fact that I just-destroyed the world and have been rewarded for it, the fact that-I can walk safe through all this horror I’ve created like a…fucking tourist, destroying whoever I please. The fact that I…enjoyed it, and…the fact that there are so many others that I want to revenge myself on!”

A pall of silence fell over them.

“Mr. Sims?” Cypress spoke.

Jon sighed. “Yes?”

“You said the fuck word.” Cypress informed him solemnly. The rest of the class nodded.

“That’s what you take from that?!” Jon said exasperatedly.

“Well, I mean, about what you said, I actually think you’re good on that front.” Cypress said hesitantly.

“What?”

“Yeah, I, I, I think we should go for it, get our murder on!” Cal exclaimed. They’d been silent nearly the entire time, naturally a shy person and even quieter when scared. Rosie raised an eyebrow, and Tabitha cheered, slinging an arm over their shoulders.

“Yes Cal! You go!” Tabitha high fived them.

“I agree with that.” Martin spoke, surprising Jon.

“How-what?” Jon said incredulously.

“Yes Martin!” Helen cheered, delighted by this new development.

“Th-this isn’t like it was before! We’re not talking about innocent bystanders in cafes here, John; these things are-th-they’re just evil, plain and simple, and right now they’re torturing and tormenting everyone!  If you want to stop them and have the power to, then-then, then yeah, let’s do it, let’s go full Kill Bill!”

“I-I haven’t seen it.” Jon breathed in surprised.

“Oh, Martin, I am so proud of you. Can I come too?” Helen asked ecstatically.

“No.” All of class 108 intoned.

Helen pouted. “So mean! I take it back, you’re no fun at all.”

“Coming from you, I would think that a good thing.” Rosie pointed out as Sydney nodded her agreement.

Helen sighed dramatically. “Fair, fair. I think I’ll take my leave, now. Don’t be a stranger!”

The creaking of the impossible, yellow door signals her exit, and Tabitha’s eyes widen.

“Guys!” she exclaims, face bright with a new, disastrous idea. Katie groans preemptively. “We should do a Tiktok with her!”

-

Regrettably, Tabitha’s idea was immediately shut down, and they soon continued on their path until Jon came to a stop, gritting his teeth.

“We’re here.”

He’d explained that they’d have to cross through multiple nightmares in order to reach the Panopticon, along with the statements he’d have to give. Though Sydney had wondered, she hadn’t asked if he knew the whereabouts of any of her classmates.

She wasn’t sure if she wanted to know.

No, that was a lie. Above anything else, Tabitha needed knowledge like water. She felt incomplete without it, whatever the cost of that knowledge would be. She would rather mourn a death then be ignorant and happy.

“Are you going to…?” Martin prompted, and Jon nodded, sighing.

“You should all leave while I-”

“No.” Rosie and Tabitha intoned at once, looking at each other surprised.

“Why not?” Martin questioned, wondering why anyone would want to have to listen to that.

“I…,” Rosie breathed, “you said this was about the Buried, right?”

“Y-yes.” Jon stammered, taken aback.

She sighed, tightening her side ponytail as a distraction. She often found playing with her hair gave her comfort.

“I-I can’t explain it. It’s not like I’ll sleep any easier without,” she gestured, “this.” She finished lamely.

Jon and Martin had a silent conversation, and though Jon was apprehensive, he sighed and gestured for her to sit down. He then turned to Tabitha, raising his eyebrow.

“What about you?”

“I need to know.” She said. “I-I can’t be in the dark in a world like this. I just-I need to know.”

Martin nodded, still doubtful. He gestured for the rest of the class, who were staring at the two girls like they were insane, to follow him over to (what appeared to be) a tree.

-

“-Better to keep him buried, neatly away.” Jon finished, and Rosie breathed out shakily. Jon looked at her, really looked, and was confused to find that she looked almost sated.

He turned to Tabitha, and she seemed the same, though in a far more familiar way. He couldn’t quite place it, but something was…off.

“Are you both okay?” They nodded at his question, and Rosie helped Tabitha up.

“Yeah, I don’t know, I just…” Tabitha hesitated, “I feel…weird.”

“Weird?” He intoned, raising an eyebrow in concern. “Not scared?”

“No-I mean, yeah, I’m scared, but…” she shook her head. “Never mind, it’s not important. Hey, why is Katie stabbing a tree?”

-

As it turned out, the tree wasn’t as inanimate as they’d thought, and after being chased around for a bit, Martin got separated from the rest of the class. Not too far; he could still see them in the distance, and they appeared to have killed(?) the tree.

Where did Katie get an axe?

He shook his head, trying to clear his mind, when a phone rang out of nowhere. He jumped, surprised.

It was coming from the ground.

He scowled, running his hand through his hair in annoyance, before a clanking noise got his attention from the right. A metal spade just seemed to…appear. Out of nowhere.

“A spade? Really? I mean, isn’t that a little insensitive?” He questioned irritably, sighing to himself.

“Right, so we’re doing this then.”

He began to dig until he reached the phone, yanking it up. He wasn’t surprised to find that there was no landline attaching it to the other caller.

“Hello?” He asked.

“Hello. Is that Martin?”

He cursed inwardly.

“Don’t do that.” He warned.

“Not in the mood for games?” Her voice was decidedly amused.

“You know I’m not.” He told her.

“No fun.”

“Yes, well-look, I’m talking to Annabelle Cane, right?” He said, already knowing the answer to that question.

“You never gave me yours, why should I give you mine?” Martin wondered if she was being this difficult on purpose. Knowing the Web, she probably was.

“Just-what do you want?” He asked tiredly, sighing.

“To help, of course!”

“No. Thank you.” He declined sharply.

“Oh, I think you’ll want to hear this. Marcy Schroeder isn’t dead.”

“W-what?!” He exclaimed.

He didn’t know much about the girl, hadn’t even known her last name before he’d heard Annabelle say it, but he knew enough about what had happened when one of class 108’s first expeditions had wandered into the Web.

“That’s what I said! She’s been kept alive for a reason, though I don’t know what. I suspect it has something to do with the end.”

“Where is she?”

“Now, now, that’s information you’ll have to pay for.”

“With what?”

“Good question. I’ll need to let the situation play out a bit first, and then I’ll know what you can pay me. I’ll keep in touch!”

The line went dead.

“Well, shit.”

-

Rosie was quiet, Tabitha noticed, as she played with her hair languidly, posture tired and face blank with a subtle confusion and scowl. She walked over casually, trying to surprising her from behind, then frowned when Rosie didn’t react.

Tabitha tilted her head, then sat on the log beside her.

“You okay?” She asked, concern blindingly evident in her voice. Rosie didn’t respond.

They sat in a comfortable silence, looking out at the green tinted world in front of them. The watchful eye of the Panopticon looked back, and Tabitha gave it a challenging glare.

“Did I ever tell you about the sinkhole?” Rosie broke the quiet, not even glancing beside her.

“No, I don’t think you did.” Tabitha replied, and was silently disgusted with her own burning hunger for the information Rosie must have been referencing.

Rosie finally turned to Tabitha, chocolatey eyes dull. “When I was in middle school-it must have been fifth or sixth grade-I was caught in a sinkhole. I was buried for two days, under the earth. The Doctor’s didn’t know how I survived, but I did.”

Tabitha’s eyes were wide as Rosie continued her tale.

“The earth…moved. And not in the normal ways. It was unnatural. It tried to choke me, but I didn’t fight back. I just, let it. And I wasn’t afraid. I was,” she spoke sourly, “comforted, by the pressure. It felt like a hug, except, an important one. The earth was hugging me, Tabitha.”

Rosie’s gaze sharpened, and Tabitha’s hunger seemed to increase.

“And I let it. My parents are-were,” she grits, remembering the loss and silently wondering which nightmare they were trapped in, “amazing to me. But they weren’t tactile people by any stretch. And the earth…it was everywhere. And I think I fell asleep. When I woke up, I was in the hospital. A ‘medical marvel,’ that’s what the doctors said at least.

“I’ve never told anyone before, but you of all people I feel like I can tell things. You just,” she gestured absently, “have that feel about you.”

“Are you vibe checking me?” Tabitha joked, trying to ease the tension. Rosie smiled gratefully.

“I suppose I am.” Rosie responded, before growing solemn again. “I think…well, you can figure that out.” She looked to Tabitha, willing her to fill in the blanks.

“You think it was the Buried.” Tabitha reasoned, thinking to herself.

Rosie didn’t need to say anything; they both knew that what happened wasn’t possible by any other explanation.

“…we need to come up with a name for it.” Tabitha spoke to herself, and Rosie raised an eyebrow.

“I may not have been scared of being buried alive, but hearing those words terrifies me.” Rosie deadpanned.

“Aw, Ro, I’m flattered. You say the nicest things.” Tabitha cooed, and they both laughed quietly.

-

“…I have an idea.”

“Oh no.”

“The Great Bondage, the Choking Kink-”

“Okay, I’ve heard enough.”

“Hey! Don’t leave me here! What about the buddy system-”

-

[lookingseeing]

okay! finally tma 174- The Great Beast

alright. i thought this was about the spiral maybe? idk i saw someone mention helen, thats the only spoiler i have. um... the episode description looks like the vast, so do the content warnings, though "distortion" is definitely a key word of the spiral so.

Marie. okay hello, whats up with her. there was an eclipse this weekend irl but it wasnt really visible unfortunately, but maybe thats good bc this unending eclipse? sucks.

yo thats the ritual of the vast that the spaceship crew was working on right? the uhhhhh Daedalus? i went to look it up but i remembered, and the statement giver's name was..... ah. Jan Kilbride, did have to look that up. wait was that the tirual for the dark? the dark sun? the Daedalus trip had the Lonely, the Vast, and the Dark all fucking around on it

is it marie or marine???

memory stuff, but this time connected to the vast. thats interesting. i have absolutely no idea what this means

this is kinda Dark oriented what with the giant shadow, but its definitely the Vast, clearly. the Vast was historically centered around space, the ocean, and the sky, so new angles are great

so is simon fairchild gonna make an appearance? where is jon? where is martin? clearly the most important things to be asking right now

Edward whats good my dude. oh that sucks im sorry. oh god. oh no. "the impossible colossus" thats a dope line. ....could be a band name. this guy losing limbs now? i think i missed something

claustrophobia? another element of a different entity? would the rock climbing also be the buried? i suppose its true that the Vast is uhhh unknowable and all encompassing so if it has other fears folded into it thats some interesting and spicy worldbuilding

ahhahah edward how are we. feeling mortal fear yet? i am! im writing this from an airplane thousands of feet in the sky! why'd i do that to myself! fuck! EDWARD NO he will be missed

the beast!!!!! its a fuckin mishmash of people okay. and when edward is cast out he is no longer part of the whole and is painfully an individual, tiny, insignificant.... oh hey he's fine actually! great. he's part of the giant beast again. "the great, suffering colossus" FUCK YEAH OKAY IM DOWN WITH THIS giant man made of smaller men

martiiiiiiiiiin

so those booms in the background are the footsteps of the colossus beast?

"okay so what counts as a day" "excellent question" *indignant martin noises* good

SIMON.??? HELLO! missed this shitty old man! i mean only like a little. oh hey has he never met jon? that's fantastic. also i like that he clearly just fell out of the sky next to them. hope he's okay physically? hopefully he's not a talking smear of blood? that would suck and also hey please leave martin alone- fuckin get his ass martin!!

martin being annoyed with jon for being a little too casual and almost borderline friendly to other avatars is great. i am obsessed with the conflict there, bc jon is like oh these people are like me, whereas martin sees them as Monsters and wants them all fuckin Eradicated, which uhhhhh is definitely a problem for these two's relationship. martin keeps trying to get jon to distance himself from his avatar-ness too

this scene is hilarious alfjjdjsls Kill Him. ...c-can he do that?? Yeah And He's Going To.

and jon let him go!!!!!!!! bc he seemed like a chill dude! martin you have to understand that maybe jon doesn HELEN

anyways. love avatars either struggling with being a monster and trying to stay human, or, more commonly, saying fuck it and going all in. hey martin? maybe committing murders makes jon feel like a Bad Person, a Monster if you will. but martin sees it as heroic bc he doesn't see them as people like jon does

aaaaand now we're talking about it! helen it is not boring!!!!!!!!! Let Jon Speak...... though...... i do have to agree with helen a bit. if jon goes full feral he'd be having a much better time

aw martin..... no jon you deserve the apology "he threatened to throw me off a rollercoaster" excellent. yeah it is scary if you think about it but yeah. that is funny as hell

glad we're still on board with killing elias. melanie and i have only been waiting for it since season TWO