penelopepine - Tumblr blog

penelopepine · 10 days ago

Text

still wakes the deep au | soap x f!reader

Installment 4/?: Something in the Water

prompt: You're an environmental scientist conducting research on an off-shore oil rig with only a few days left before you're slated to leave. The eldritch creature they accidentally awaken throws a wrench in the works. masterlist

There’s something in the water.

The numbers that stare back at you might as well be flashing red and sounding sirens. Your hands shake—like glass with too many cracks, you feel as if you’re standing on the edge of something but can’t look forward. Not because the abyss is too dark to see, but because someone is deliberately covering your eyes as you teeter along some uneven cliff.

This is the second time you’ve done the analysis. The first time, you were careful, but when you saw the results, you panicked. Maybe you forgot to calibrate the machine. Maybe the glass wasn’t cleaned properly, and all of your samples were therefore contaminated. Maybe you were just negligent, had done this sort of thing too many times, that you must have forgot some crucial step that skewed your numbers so terribly, there was no way to conclude anything but that your analysis was too poor to record.

You did it again this time. You had the manual out, and you crossed off the steps as you did them. Your math is correct. You’ve done it more than once, used a calculator for the basic algebra, in the event that perhaps your brain could not remember how to multiply, but the numbers stay the same. You shakily bring over the report you wrote the night before and compare them. The report looks worse. Something is changing, at a rapid pace, and you feel sick.

The rig groans, and you stand up abruptly from your seat. The chair you were seated in falls onto its side behind you, and you step backwards, until you hit the wall behind you, and you cover your face with your hands.

There’s something in the water.

As a scientist, your thoughts immediately try to come up with practical assumptions. From how you’ve observed the men on this rig, they try their best, but management is poor—perhaps they’ve let something slip through the cracks. Quality control declining, safety checks abandoned, perhaps in an effort to increase production, they’ve forgone proper training, and now there are men unknowingly wreaking havoc.

The thing is—you know what you saw. Oil and water do not mix; they are immiscible liquids that, because of their innate properties, separate and pull away from one another. What you saw was not a separation, and it wasn’t something else bridging the layer between oil and water—what you saw was something you have never seen before.

It glitters, shines. You saw it move, a very mind of its own, something microscopic almost and tentacle-like attaching to the edges of the glass sample. When you shook it, it hadn’t moved, just glittered, just stared.

No eyes, and yet you could feel it looking back at you. Something alive. Something not real and yet, you see it, just there—

As a scientist, you tell yourself that the ocean is vast. The ocean is unpredictable. What you see can be explained, but you just need a few books to look through, and this rig is not a fine collector of those kinds of things.

As someone who wants to get the fuck out of here, you know that something is wrong.

There’s something in the water.

You cannot sleep. You usually don’t anyways, but your work keeps you up now, keeps your eyes glued to the water-stained ceiling. You feel suffocated here. The four walls that surround you are tiny, and the ocean is so loud outside of your window. She never shuts up—she screams, pounding on the thick glass, pulling on the rivets and digging her nails into the metal so that you know of her disdain, her displeasure.

She doesn’t want you here. You are somewhere that you don’t belong. Manmade claws dug into her very skin, and she throws it back at you as a warning because she wants you to leave. You’re not supposed to be here. You didn’t ask her for permission, and now she’s telling you to go, but you know already that no one will listen.

When you send these reports, they won’t believe you. They’ll suspect contaminated samples, and they’ll ask you do it again, and when you come back to them with the same numbers, they’ll say you don’t know how to do your job.

You’ll warn them. You’ll scream. Maybe you’ll cry—maybe you’ll beg. When they realize you’re telling the truth, you know already that it’ll be too late.

It’s in the water. It’s in the water. It’s in the water.

You shake your flashlight, hitting the side of it until the yellow bulb flickers and turns on. You grab the knob of your door, unlocking it and pushing it open, and your feet carry you down the hall. There’s a satellite phone that you can use to call someone. You want to explain yourself, you want to tell them that you tried again, and that you didn’t fail. You know what you’re doing. There is science, there is knowing, but there is also instinct.

You pick up the satellite phone from its box in accommodations. You shake it, watching it come to life, and you take a seat on the floor as you spread your reports out in front of you and dial. It takes a few tries before anyone picks up, and even then, it’s difficult to hear them. The connection is noisy, but it’s enough.

“You cannot be serious.”

That’s what they tell you. Wrong, you’re wrong, it can’t be right, there was no need to waste an expensive phone call on an analysis that was simple and easily performed. Your lip trembles, and you try to find your voice, but it escapes you.

“No,” you whisper. “I swear. I swear. Something’s not right—we need to—”

One more time. You have to do it one more time. You toss the phone, clutching your head. Your hands tangle into your hair, and you pull, just to feel something. You need to make sure this is real. Your toes curl in your shoes, and when you feel the floor of the rig resist you, you know you’re not dreaming. You’re in the middle of the fucking ocean, and there’s—

The satellite phone crackles. The speaker enables, loud, and you flinch when the screen flashes, on and off, crackling with static. You hear distant laughter through the speaker, and you crawl to the phone to pick it up.

“Hello? Hello, who’s there?”

There’s a low chuckle on the other end. You recognize it. You can practically see his smile, pearly whites all too happy, innocent, masking the nasty thing it hides under the surface. You’d liken him to the ocean, but she doesn’t keep secrets the way he does. He hides everything he really is under a pretty face. He lures you in, takes a bite, and he swallows before anyone sees the chunk he takes out of you.

“S-Soap?”

The phone crackles, and when the screen fades out, and the speaker still sounds, your body goes cold.

“You didnae hear? ‘s in the water, bonnie.”

You’ve never been to his room. You know where it is; every time you walk past him here, he reminds you. He points at the door, his name scribbled on the plaque to the side, and he tells you this is where he is, if ye ever need me ta lend ye some soap. You usually tiptoe past it; even though there’s carpet throughout the accommodations section, you fear he has memorized how your footsteps sound, and you never have wanted to give him a reason to seek you out again, but now you’re standing here, in the middle of the night, frantically knocking.

The door swings open. The look on his face, though only there for a second, is nothing but pure disgust, anger, a dullness and a depth to those baby blues that you’ve never seen when you’ve ever looked into them. At the sight of you, his entire body relaxes.

He’s shirtless. Thick, pronounced pecs that your eyes fail to look away from that follow a solid middle. He’s hairy, a nice trail that lines his chest and falls under the band of his boxers, and they hug his thighs much too well, so much so that you can see him chub up just at the sight of you at his door. He smiles.

In just a moment, the depth of his ire disappears, like he flipped a switch as soon as he noticed it was you.

“Och…’n ta what do ah owe the pleasure? Had a nightmare, luvvie? ‘s nice ‘n warm ‘n my bed.”

“Why were you on the sat phone?” You snap. It’s the angriest you’ve ever been, you think. Your eyes are watery. Your anger is a defense for all the fear that lays just under the surface. “I heard your voice. What the hell did you mean? What did—”

“As much as ah’wud like ta spend all night listenin’ ta yer pretty voice, bonnie, ah’ve no idea what yer on about.” Soap leans against the doorway, raising a brow, and while he’s trying to be coy, you’re not having it.

“Why did you say that?” Your voice shakes this time. “W-What did you mean?”

“Bonnie—”

“It’s n-not right,” you spill. You hold up the papers in your hand, and Soap stands up straight when he notices the way your hands are trembling. He steps closer, into your space, and you stay there, rooted to your spot. You look up at him, pointing to the bottom of your reports where your math and algebra sit, and you shake your head. “Something’s wrong. I know it. I know this doesn’t mean a-anything to you, but no one is listening to me, there’s something wrong, there’s something—”

His kiss is wet. He swallows your words, tongue in your mouth, and you whine instinctively when he pinches your chin between two big fingers and tilts your head to the side so he can devour. His mouth is filled with saliva, as if he was drooling for you, and you open your mouth to taste him, leaning just that much closer so that the only air you breathe is each other’s. You open your mouth again to protest, getting just a whiff of clarity, but then those hands are on your ass, and he’s squeezing the fat of it in two hands and dragging you closer to him. Your palms move to brace yourself against his chest, and you note how warm he is. He radiates heat, and the muscle does not give, and if you were somewhere else, you would lower yourself and get your lips on the skin, suckle and bite and mark him. He’d look so pretty. He is so pretty. He’s fogging your head—his kiss distracts you. You wish you had more bite, but you do not. When he spits into your mouth, you swallow it, and that simple fact makes your eyes water with shame at how easy you let him have you.

“Shhh—shh…” Rough palms spread along your cheeks, thumbs fitting just under the curve and teasing the seam of your cunt, and you let out a strangled cry when you shake your head again and try to pull away.

“Please listen to me—!”

“Ah’m listening—”

“No, you’re not! There’s something in the water!”

When you are back in your bed, Soap is the one to tuck you in. He brushes the hair off of your face, cooing as he kneels beside the bed, and you’re staring at him through wet eyes. You are so sleep-deprived—you haven’t slept a full night in days, and you must look it. You feel it, because you’re letting Soap this close to you. You’re letting him drag his lips across your skin, letting his hands under your blanket, ignoring the way he thumbs just over your breast, your nipples pebbling at the slight tease of attention.

“Ye need some rest,” Soap murmurs. You sniffle, clutching the edge of the blanket, and when his hand draws back, you reach for it, holding it tight. He scrunches his nose just a little when your nails dig into his skin.

“You believe me, right?” You whisper. “P-Please say you believe me.”

“Ah believe ye,” Soap nods, “sure. Ah ken.”

You sit up a little, getting closer, and you squeeze his hand.

“Then why…you’re not scared.”

“Ah’m no’afraid of what isnae there,” he soothes you. Soap sits up on his knees, and you try not to think too hard about how large he looks leaning over you. He presses on your shoulders, until you lay back again, and he smiles down at you. It’s softer this time. He’s trying to relax you, and it’s working, just a little. “Ah’ve been out there, bonnie. Been workin’. She moans and groans real scary like, but dinnae worry—” He touches your cheek again, and you give him those eyes. Fuck, those eyes. “Ah’ll find ye if somethin’ ‘s off, bonnie. Yer safe.”

Safe.

When you’re alone again, another wet kiss drying against your lips, you feel anything but safe.

You would be more upset if you felt like he didn’t mean what he said—but he does, you know he does. Soap is like you in a way—practical. If while he was working, he noticed something off, he would know. He’s worked rigs like this before, he’d told you so, and you’ve worked with him long enough to know that Soap isn’t stupid. In fact, he’s the most competent person on the rig, maybe, and you’ve stared at his arms long enough to know that there is nothing half-assed or improper about the way he works. He is methodical, careful, and he knows the job well. Sometimes you see him press a big hand against one of the walls of the rig and close his eyes to listen. Like the ocean speaks to you, the rivets speak to Soap.

So why are they telling us different stories?

Opposites, just like yourself. You try to put distance between you and him, and you try to hate him. You tell yourself he’s been borderline harassing you, but then why is it that your feet gravitate towards him? Even when you don’t mean to, you’re in his proximity. You never go looking for him, and yet he is there. Your thoughts are filled with it, filled with him, and even when he goes, you can’t stop thinking about him.

Those eyes. Those hands. So much of him, that you want him between your teeth, and you know if you bit down, you’d meet delicious resistance, and in the face of panic and fear, his voice—like some lilt you must know, your heartbeat slows. What he says must be truth, even if it isn’t one you want to hear. Even if it’s something disgusting and terrible and obnoxious, Soap would never lie to you.

You’re so tender. When your fingers slip under the band of your sleep shorts, you find yourself so willing. You part your thighs a little, and you clamp a hand over your mouth to keep quiet when you feel how soaked you are. Your panties are ruined—so slick, sticking to your skin, and you peek it back to run two fingers between your folds and shake from how nice it feels.

When you close your eyes, you think of him.

You think about the oil under his fingernails. You think about what it might taste like if he stuck those big fingers into your mouth and pet your tongue with them—how bitter and foul the oil would be. You wonder if the salt of his skin would cancel it out or if he’d pity you and feed you his cock instead. When your fingertips slide and circle your clit, your back arches, and you think about what he would’ve done if instead of berate him, you simply had pushed him into his room a few hours ago and tested how quiet his mattress springs could be.

You’re ashamed, you think. Ashamed that someone like him could have you so out of sorts. So many different jobs, so many different men, but this one has you breathless. When you wet your fingers with your own cum, you remember the only thing in your head is him telling you that everything is okay. His unforgiving chest muscle under the palm of your hand, leaning over you to whisper in your ear, to kiss just where your jaw meets your throat.

Nothing amiss, bonnie. Ah’ave ye.

It isn’t the morning sun that wakes you.

Bleary, you sit up onto your elbows. You hear voices outside your room. Lots of footsteps. You get yourself out of bed, haphazardly slipping into clothes before opening the door and stepping out.

It’s eerily quiet in the hallway. You hear a heavy door shut in the distance, but then there is nothing. You flinch when something cold and wet hits your forehead, and when you look up, the ceiling is leaking. Water damage bleeds throughout the material there, more pronounced than before. You wipe the glob off your forehead, looking down at your hand, and your stomach drops when you see something sparkle. You cringe, shaking your hand, wiping it against your pants to dry them before moving again.

The air is too humid. The salt of the ocean tastes rancid. There is some meter somewhere, you think, that has hit its limit. What it measures, you’re not sure, but something is standing too close to an edge. It will either fall over or right itself, but there is no predictability and no balance in the middle of the ocean.

She will turn it which way she wants it to go, and today, you fear it won’t be in your favor.

You see it before you feel it. You make your way to a window on the far side of accommodations, one that looks out towards the rest of the rig. You can see sparks where men are working, large towers with cranes that are swinging. The fog is dense—you can’t see anything past the rig, just clouds that make the world around the rig seem small and void. You narrow your eyes when you see something shaking. You’re convinced that you’re off balance, that maybe it’s your knees shaking and not the metal cage you currently reside on.

It takes your breath away, the first blast. Something in the distance erupts just after a bright flashing light, and you feel it in your toes. You cry out when the force of it reaches where you are and throws you backwards, enough that you hit the wall behind you and crumple into a heap onto the floor. Something incredible must have broken apart—you can feel how heavy of a break just gave out underneath you, somewhere deep within the rig, suspiciously close to where the drill rests at the deep center of it all.

Your vision spots. Metal creaks and bends, giving out under some other kind of force, and you cower and cover your head with your arms when you hear a plethora of terrible, carrying screeches. Something surrounds you now. There’s air coming out of the ducts that smells off, and at the distance of it all, you hear the ocean.

She’s not sorry. She told you to leave. No one believed her, no one believed you.

When you finally uncover your face, you look around. Everything looks somewhat normal, but off kilter. You stand on shaky legs, continuing towards the kitchen, but just as you make it to the staircase, something blocks your way.

The walls have been broken through. Metal is shredded and bent backwards, giving way to something you can only describe as bizarre. Inhuman. Not of any kind.

Thick strands of pulsating flesh take up the stairway. In brilliant, large swirls, they come from somewhere outside, twisting and moving until they break through another wall and continue where you can’t follow. The sound of it—something sticky, wet, gooey with a pearl-like substance that drips. It shines, and you blink when you realize that you recognize the way it glitters, the way it catches the light.

There is something in the water.

It draws you closer. You can hear something from inside of it. The soft flesh of it, pink and fat with something you can’t decipher, beats to a rhythm that squeezes the organs inside of you. Your feet move without you telling them to, but just as you are about to get near it, a stringy arm of flesh breaks off from the pillar of it towards you.

You scream as you fly back from it, falling onto your back as you crawl away. The sticky end of it misses you just by an inch, landing and suctioning to the floor just beside your foot. You kick your feet, crawling away from it on your elbows, and you do the only thing you’ve thought about doing since you arrived—you run.

You see spots. Something glittery protrudes what you see, but you wipe the water out of your eyes and keep running. You’re losing it—this isn’t real. You’re in a dream, and all you have to do is wake up. You’re having a nightmare. When you wake up, you’ll run your analysis again with new samples, and the numbers will read normal, and you’ll pack your bags in preparation to leave, and you’ll do just that in such little time.

You won’t have to worry about the open waters, or the ocean that won’t forgive you. You’ll realize she can’t speak to you, and that it is all in your head. There is no angry woman under the surface. There is nothing throwing off the samples. There is no flesh breaking through the rig and trying to devour you. There is only you and the terrible things the mind can do.

You scream again when something grabs you. Flesh, warm, wrapping around you and holding you solid, breaking your run and forcing you against them. You scream and thrash, trying to break free, but then flesh speaks.

“‘s me! Christ, ‘s me, bonnie!”

A hand clamps over your mouth, and you stop. You blink through wet eyes, and when you can finally focus, you see him. When he knows you won’t scream, he lowers his hand.

“S-Soap?”

“Aye. Now quiet.”

“Soap…Soap, I saw—”

He puts a finger up to his lips, and your lips close. Your eyes widen when the rig groans, something breaking under your feet, glass and metal and the crack of destruction echoing against the fog.

In the distance, you hear a cry. It isn’t a cry you recognize. It gurgles, and it echoes, and something about it is just off enough that you know it can’t be explained. When you meet Soap’s eyes, you see the same conclusion in them. Finally, you see in them what you saw in yourself, what you could read on paper and see in the water and feel just under your ribs, making your heart beat against its cage like a frantic drum.

There was something in the water—and now it has come out.

717 notes · View notes