#anyway daily reminder to go watch MML

[scphantom]

I’m so happy this song got released on the CATU album. My recent rewatch of MIlo Murphy’s Law also reminded me how cute these two are, so naturally I had to draw it. Without the text 

[sheyffer]

On Bradley (and the rest of this show’s glorified ableism)

Do I have your attention? Good. Because I have things to say.

This is the collective salt built up over the course of most of this entire season, so be warned. This will be long, and most of you aren’t gonna like this - so feel free to skip to the bottom line at the end of the post, I guess.

Without further ado:

So. If you’ve been following me or are a somewhat frequent visitor on the show’s tag(s), you might have noticed I like Bradley. With how much screentime he’s been getting lately, I should be happy, right? Well, I would be, but instead, it just made me feel terrible, week after week. People who’ve talked to me during those times will know. But let me explain.

- Bradley and me

Cheesy title, but what’re you gonna do. See, when MML first came around, I was pretty quick to declare Bradley my favorite character. The first few episodes were great, and I loved what they set Bradley up to be: A kid living in Milo’s shadow, dealing with the rightful bitterness coming out of that. His friendship (or whatever you wanna call it) with Mort and his crush on Melissa had great potential, and knowing these writers, I was expecting some great episodes in these directions. Not that we ever got any, but more on that later.

As the show went on, I noticed something else about Bradley. I know there are a bunch of “(character) is autistic” headcanons out there - and I’m not gonna say anything against those because they’re all valid -, and that Bradley’s also come up in these regards several times. I fully support that headcanon (partly because I’m autistic myself and he’s my favorite character so projection is bound to happen in one way or another), but there’s something specific I’d like to bring up: something I’ll call the switch, for lack of a better word. I will admit that I’m not spending time with other autistic people that often so I can only really speak for myself here... but man. It’s been a while since I’ve seen a (cartoon) character that so obviously has that very same issue (whether the writers intended that or not is another topic; again, see further down). I’m struggling with it a lot myself, as good as on the daily, and seeing actual representation of this in a show makes me feel incredibly validated - because, again, when does any character ever have this?

- A little tangent regarding that “switch”

I should explain what I mean in the first place, of course. Basically, I’ll only care about a topic if it actually affects me in some way, and if it doesn’t, my attention is basically zero. No matter how close we are, I probably won’t even attempt to fake interest when you’re talking about something that has no significance to me, because if I do, people tend to notice quite easily (and I prefer keeping things genuine because me being dishonest would arguably just complicate things further if people realized eventually). Better yet, with the stuff I am interested in, I often end up caring way too much -  so it really is kind of a switch, per se. My emotional investment is either full on or full off, no inbetween. Makes me an awful person to be around when you want to talk about anything beyond the fandoms or characters I’m currently interested in, for the most part, but I’m glad about the people who, for years, have stuck with and supported me anyway :’) Maybe you can see by now how Bradley reminds me of this, but here’s some assorted aspects:

Him failing to somewhat relate to Milo no matter how similar they kind of are in various regards

Him actually being friends with and hanging out with plenty of people he gets along with great (compared to having none whatsoever, as could’ve easily been the case if he really was just a jerk), though he's almost never the one to initiate the conversation unless it's Milo related

Him being straight up rude to those people at times, resulting in everyone getting mad at him (which I can’t really blame them for, but still)

And him in turn being way too emotionally invested in certain topics, see Milo and what Bradley believes to be him stealing the show (and Carla, of course)

Melissa puts it really well in Milo's World when she says Milo is so great because he always cares deeply about other people - Bradley quite literally can't get on that level, so it's no surprise he's this bitter, really. What's he supposed to do? He'll never have it in him to apologize for his salt because there's absolutely no reason to in his eyes. He simply doesn't care if other people are sad or hurt by his words, and not even voluntarily so: He believes he's right and doesn't grasp why people don't get him, which may just be because he's so emotional - and less rational - about it... and when he’s generally the quiet-ish grump who's not too bad but also just never quite the friend that genuinely cares about you as a person because he's just this apathetic, any emotional reaction you get out of him is immediately rendered an uncalled-for outburst. Not saying everyone else is awful to get mad at him, because I can't really blame them at all with how much of a jerk he actually comes off as (and him trying to explain is probably awkward phrasing in the "sorry but I don't actually care about your feelings, no offense" direction that immediately makes people get mad at him again), but don’t paint him as inherently awful. This is likely as hard for him as it is for everyone else, I’ve been there myself... but yeah. So much for that.

- The crossover and its aftermath

Needless to say, I was pretty disappointed by most of the second half of season one when it came to Bradley’s screentime, especially since he’d been such a prominent character early on. So when the crossover came around and he got that plant arm, I was like - great! A physical difference to go along with his mental issues and to give him even more reasons to get a little character arc and a push towards morally darker gray areas! This isn’t something they can ignore anymore, right?

Ha. Sure.

It was bad enough that in those first few episodes after the crossover, he had that arm and it was never brought up by either him or anyone else. And then we did get people acknowledging it exists - but it was either treated as a joke or, worse, something to “get over”.

Where do I even begin.

- Yeah, how about no

It’s bad enough that the writers confirmed they only added the plant arm because “it’s funny” - not because “hey, let’s give our main antagonist kid a visible reason to have an arc” or anything in a remotely decent direction. It’s worse that most of the viewers apparently agree, because I’ve hardly heard a negative comment on the matter over the course of these last few episodes. But seriously - how am I supposed to enjoy this (honestly great amount of) screentime Bradley’s been getting lately when all he’s reduced to is the comedic relief? Make Chad and his supernatural antics the hilarious one for all I care, but don’t use the kid who very clearly has physical (and mental) issues whether you actually headcanon him as having anything specific or not. All I got to see in these last episodes is Bradley rightfully pointing out his arm (Milo’s World, Ride Along Little Doggie), him being legitimately upset (The Mid-Afternoon Snack Club), or him honestly just being in the episode altogether (First Impressions), only to have other - main - characters make fun of, or belittle, or get mad at him and have them be portrayed as “in the right” with not a single ounce of sympathy for Bradley whatsoever. As for First Impressions: I’ve been that (autistic) kid excited for the first day of school but not getting in in time. It’s horrible. (Though I’m willing to let this one slide because it reasonably builds up his strong dislike for Milo)

- On an episode in particular

For what it’s worth, The Mid-Afternoon Snack Club isn’t all bad. Hardly an episode is. But it’s easily the most painful to watch for me, for numerous reasons. And that includes certain fandom reactions I’ve witnessed.

Carla. However hilarious or weird (or both) you or the characters may find this, he clearly doesn’t. Even if the writers only added it as a joke to begin with - I’ve had similar experiences myself. I’ve been in Bradley’s position, and sure, I can’t blame the characters for, initially, belittling him for this stuff. But for the love of all the gods I believe in, don’t just completely ignore the distress he’s going through and change the topic like that (while he’s still in the middle of the breakdown, no less). I expected better at least from Milo or Mort.

Zack’s “character development”. In any other situation, I might have appreciated Zack’s talk about feeling like being in Milo’s shadow. But not only is this literally what Bradley was supposed to be about this whole time - Zack immediately gets reassurance and comfort by the other characters. The best Bradley ever got was rude comments on being uncalled for. Goes right along with:

Only the good guys deserve happiness, apparently. Whenever Murphy’s Law does its thing and someone has an issue with it, Melissa and the others are quick to comment on how it isn’t Milo’s fault and whoever has the issue is clearly just being rude and uncalled for. Whenever Bradley does something mildly unpleasant, the very same characters get mad at him and are portrayed as being in the right. As people have pointed out before, Milo and Bradley aren’t all that fundamentally different - but because Milo is the protagonist (tm) and, in-universe, nice to people and (as I’ve heard) adorable, people treat him well enough, while it’s apparently the right thing to be awful to Bradley, because he’s the antagonist(/comedic relief) and not the nicest person around. (For the record, I like Milo and appreciate how supportive people are of his issues. It’s just the jarring contrast with Bradley’s treatment that bothers me.)

Bradley’s “character development”. It’s been a thing I’ve read about regarding this episode and that’s apparently been getting quite a bit of acknowledgement. And sorry, but what? Randomly making Bradley a nice guy who doesn’t mind being around Milo & Co isn’t “character development”. More likely than anything, it’s “oh no, we have three episodes left and can’t have any relevant-ish character not like Milo before this is over, but we don’t have enough time to even half-ass Bradley’s “arc” so let’s just make him be nice for the sake of this montage”. It’s more of a disservice to the kid than anything, especially when in this season in particular, pretty much nobody was nice to him, ever.

- What I’m getting at (took a while, I know)

I’m basically Bradley, for what it’s worth. Whether he intentionally has to deal with the switch or not, his portrayal is incredibly similar to what I’m like, socially and otherwise. Seeing him treated like this for episodes on end is absolutely horrible for me. And I’m an adult who dares believe they figured out their mind for the most part - what about kids? Actual kids (like me ages ago, who only learned about autism to begin with because of really liking Ferb and finding an autism-related post about him) who can relate to Bradley as much as I do because they’ve been there themselves, only for the Good Guys to treat him like this? Even if you ignore all this semi-projection-based talk about mental disorders, his plant arm is still very real and as much of a handicap as anything. It doesn’t matter that the creators added it (and Carla, and probably Bradley’s other antics) as a joke, there are people out there for whom this is anything but that. They deserve happiness as much as anyone, no matter if they’re not the nicest people around (unless, of course, they have really problematic views, but Bradley is far from entering that territory). If anything, they deserve people at least attempting to understand where they’re coming from - and writers who treat even the protagonist’s foil as more than just a joke.

(Disclaimer: No, I’m not saying nobody should call Bradley out when he’s being rude. Even things like the switch only explain his behavior and don’t completely excuse it - he should have to feel the consequences of his actions as much as anyone. But right now, nobody is making any attempt to help him change for the better; they’re making everything far worse, if anything. An episode of Milo, or Mort, or anyone really, actually being willing to so much as listen to his side of the story... that’s all it takes. And can’t be that hard to pull off, can it?) 

But since I’m already talking about this kind of stuff:

- And Elliot, too

If only Bradley was the only one. I’m not gonna say anything against Elliot being a jerk (World Without Milo did a good job portraying him in that regard), but even he deserves better than this. I’m talking, of course, about Safety First, in which Elliot has something I can only describe as PTSD, complete with a trigger word and everything. I will admit I haven’t seen the episode since it aired (and am not planning on doing so again), but man. It’s obvious enough how much the trigger word aspect was used as a joke, but then apparently we learn that you can just randomly be cured of your trauma in a few effortless minutes. How nice to know for a few people I know.

- The bottom line

I have plenty of issues with MML when it comes to plot, or pacing, or humor (which, maybe, deserve their own posts eventually). But this right here is by far my biggest problem of them all. Sure, it’s a show for kids, and sure, you aren’t supposed to take something with this kinda premise super seriously - but that doesn’t mean there aren’t aspects that should be. Whether the creators are aware of how their characters come across or not, there are parts even they should know not to be this disrespectful about. And maybe I could get over things like Carla on their own, but when so many little aspects are condensed into a single character, it really stops being something I can ignore. Especially when the characters interacting with him display such infuriating Protagonist-Centered Morality, and even more especially when it’s related to issues that could really use some proper representation in the media anyway, particularly in shows for this kind of audience.

I’m not saying this because I don’t care about the show (and could’ve stopped watching it easily if I have so many problems with it), it’s because I do. I know these people can produce fantastic content, P&F is a prime example. The first few episodes of MML are, too. But after that, it all kind of falls apart for me, with some gems here and there. And yet I still care about these characters (certain ones, anyway), and carry the hope that they will at some point get the treatment they deserve. Until then, I’ll be here writing fics to take care of that when the show fails to - you’re free to ask me about them if you’re interested, for that matter. 

Thanks for reading, if you made it this far. Complain about my opinion all you want, I know it’s such a jarring wave of negativity in a fandom that’s hardly used to that - but hey. Someone’s gotta be the Bradley here. In more ways than most people with any relation to MML are comfortable with.

Take it or leave it.