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rinsuniverse · 1 year ago

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hii how’s your day?🩷🩷 can i request whipped seungkwan habits? it could be bf!seungkwan or just him having a crush on reader i just think it would be adorable

seungkwan's habits as your boyfriend! ✧˖°.

this is my first time writing for seungkwan!

i feel like seungkwan would be a wonderful and loving boyfriend

some of his habits would include:

saying everything you say louder!

if you're sitting with the seventeen members, making plans for later

and whenever you make a suggestion like

"maybe we should all go to a buffet so there's an arrangement of different things-"

"HEY! Y/N SAID WE SHOULD GO TO A BUFFET SO THERE'S LOTS OF DIFFERENT FOOD!"

"oh, that's a good idea."

"yeah, we should do that."

he's literally making sure you're heard by everyone

that's how much he supports you and your decisions

another habit he would have is to cling to your arm and pout for kisses

whenever he's clingy or about to leave for schedules

he clings onto your arm and looks at you

"am i handsome? i'm handsome, right?"

"of course, kwan. you're super handsome."

he would literally love you to DEATH if you stroke his ego like that

when dino is looking at him at schedules later and he says

"what the hell is that outfit?"

seungkwan will put his hands on his hips and say

"yeah, well y/nnie said that i look great."

"they're just saying that because-"

"no. don't talk about my y/n like that."

"fine."

he makes sure you never lose against the members

another habit of seungkwan would be to sing for you

he'd call them your personal concerts

he'd tease you and tell you that you have to pay him

but he'd sing for you anyway

another habit of his would be to call you whenever literally anything happens

he'd call you when something good happens

he'd call you when he's shopping and in the dressing room, and he wants your opinion on an outfit he wants

he'd call you when he's feeling stressed at work

he'd call you when he's out at lunch and simply missing you

and he'd just call you a lot in general

another habit of his is to always carry a bag of belongings for you

the small bag at the bottom of his backpack has lots of things it in

like your preferred pads and tampons, your favorite lip balms, and lip sticks, hair ties, scrunchies, and hair clips, sunscreen, tissues, nice smelling deodorant, and your favorite smelling hand sanitizer

he keeps this pouch for you in his bag whenever you need anything

if you're complaining about your lipstick coming off after eating, here you go, he's got you

if you're sweating a lot from hanging out with him outside, easy fix, he's got you

and one last habit that he would have as your boyfriend is to leave you little notes before he leaves for his busy schedules in the mornings

he has really pretty handwriting, fyi!

so i feel like he'd leave you little sticky notes before he leaves

he'd place it on your bedside table, or your fridge, or your kitchen counter

and it'd say "i'm headed out! i hope you have a super good day! ♡ boo"

or "don't forget to eat something before work ♡ bsk"

or "fighting! ♡ kwannie"

or he'd leave little motivational song lyrics for you on the sticky notes with ~ written next to it!

thank you so much for the request and for reading! feel free to request many, many more. have a super good day!

(p.s. requests are still open! i specialize in woozi stuff, but i don't mind writing about other svt members! i can also do some nsfw if you want! so request whatever and as much as you want! ς(>‿<.))

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barclaysangel · 10 months ago

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Guardian Doll (part 1)

So no one commented on that post I made regarding if I should post this or not...but I did it anyway. I decided to post it just to see if there are people who would be interested on this story and want me to continue. I am already writing a second part, I'm still working on where the plot will go, but y'all are free to join me on this journey.

So please comment if you like this and/or want me to continue writing/posting this story! Comments really do help fuel my motivation so maybe I will write it but if enough want to see it, I will post it as well.

Anyway, thank you and enjoy :)

Word count: 624

Tags: @vi0lentg0d @streets-in-paradise (if you want to be tagged for future chapters, lemme know!)

Cecilia was exhausted.

Physically, emotionally, you name it. Seventh grade was hell and school just drained the life out of her, sucked her soul dry, and she still had to walk home.

Great.

At least she would be alone on her walk. Where she didn’t need to deal with her classmates purposefully bumping into her, laughing at her. It would be a nice break from her parents being up her ass about her homework and being their own and only “perfect” child.

Yeah, a break from all of that would be nice.

Take what you want, take what you can, take what you please, don’t give a damn.

The song played in Cecilia’s headphones, humming the lyrics under her breath as she strolled through the cemetery. It was a shortcut, a bit of a faster yet much more peaceful way to get home. She enjoyed the sense of serenity, the trees looming over her head and gentle breeze of wind surrounding her.

But just then, something odd caught her attention.

Ask for forgiveness, never permission.

There was a doll sitting on the grass, alone. It wasn’t by a particular gravesite, it just sat there in the middle of the small field.

Cecilia moved closer, crouching down in front of the doll and tilted her head to the side. It was a rather tall doll, probably would’ve been up to her knee had it been standing. It had blonde hair with black roots, wearing a white dress and black leather jacket with black heeled boots, painted black lips and dark eyeliner around its piercing green eyes.

Overall, it was a fascinating style for a doll and something that Cecilia herself wouldn’t mind trying out sometime.

Yeah, as if. Her parents would kill her if she walked around dressed like a doll.

“How long have you been here, pretty girl?” Cecilia wondered out loud. It must have been some time, there were leaves on the doll’s dress, which she silently plucked away. After a moment of staring, she picked the doll up, smoothing back the soft blonde hair that almost felt real, and stood up.

Take what you want, take what you can, take what you please, don’t give a damn.

Cecilia walked further into the field near where she found the doll, wondering if this was a child’s toy that had been forgotten or it was placed on the grave of a deceased child and somehow been misplaced or moved. But judging by the names and birth and death date, there were no children tombstones. For some reason, only one tombstone that was closest to where she found the doll caught her attention but it belonged to an adult man.

Charles Lee Ray.

Well, whoever that was, Cecilia was sure that he wouldn’t have a doll by his grave, especially if he had been dead for about thirty years.

To her, it seemed like the doll had no home.

This was a very nice doll. If Cecilia sold her, she could probably get a lot of money for it.

Or…

“How would you feel if I took you home, hm? I’ll make sure you’re nice and comfy.” She spoke to the doll with a little smile.

Then, the sun shone and Cecilia noticed a gold necklace on the doll with a word written on it.

“Tiff…” she read out loud, smiling more, “is that your name? Tiff?”

Of course, the doll didn’t respond but she felt like she knew the answer.

Finally, Cecilia readjusted her grip on the doll, Tiff, and she started walking home. She always liked dolls and it would be nice to finally get a new one after years.

Besides, what could go wrong?

It’s in the blood and this is tradition.

#luna talks #admin #chucky #chucky 2021 #bride of chucky #tiffany valentine #original character #oc #cecilia carter #chucky fic #drabble #guardian doll #chucky drabble #chucky fanfic #tiffany the doll

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daughter-of-melpomene · 1 year ago

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NEW THEME NEW THEME

also new opla oc?? SPILL -🍂

NEW THEME YES!! I've probably been due for one for a while, honestly, but when I saw Rachel Zegler as Lucy Grey Baird I was just like, yes (😅). Anyway, I'm glad you like it!!

And yes, I would be more than happy to tell you about my new babe! Here goes:

So, for starters, her name is Hayashi Lark and she's a Sanji ship, because I do love that gruff kickass cook. A lark, if you didn't know, is a bird that's pretty well-known for its beautiful song, but also for the fact that they don't sing while in captivity. As you may imagine, there is some symbolism going on with the name here.

Lark has been a singer employed by the World Government since she was very young - her parents were both governors of a relatively large village, and when their daughter began to show serious talent with singing from a very young age, they immediately put her in vocal lessons and lessons for various different instruments, and, when they deemed her trained enough, began to trot her out to sing at public events and at get-togethers with other Government officials. When Lark was nine, her parents both died from a bad fever that had ravaged the whole village, and since she had no other family to take her in, she was given over to the care of the World Government, and several officials remembered her performing at Government dinners and were like, "You know what? Let's turn this little nine-year-old girl into a showpony!".

And so it goes - from the age of nine, Lark is shoved into pretty dresses and shipped all across the several oceans, performing at Marine bases to boost morale. Most of the songs she sings are boring and mainly focused on how brave and just all Marines are, propaganda songs written by the Government itself, but she also writes her own songs, though most of them are much too focused on freedom and rebellion for her to be allowed to sing them onstage. She's also fascinated with pirate songs and sea shanties, the kind Marines would never be allowed to sing; whenever she can escape her handlers, she'll go looking for any place in a given village she thinks might have information on them and writes down whatever lyrics and notes she can find, saving them in a beat-up notebook that she takes with her everywhere. She wants nothing more than to escape the life of borderline captivity that she's been living and learn to play and sing as many pirate songs as she can, and maybe even write some of her own, but for a very long time that feels impossible.

And this, as you may have suspected, is where Luffy and company come in. In between Syrup Village and Baratie, they dock at the village Lark is currently performing in to pick up some extra supplies and stop to see her show in the town square. They're all really taken with her voice and presence onstage, but Luffy, being Luffy, can tell that she doesn't actually want to be doing any of this, and approaches her to offer her a place on the crew, or at least to help her get away from the Government and take her someplace else. Lark immediately accepts the place on the Straw Hats - after all, what better way to learn more pirate songs that to be on an actual pirate crew? - and with some moderate difficulty, they manage to collect the few belongings Lark wants to take with her, including her notebook and guitar, and escape on the Straw Hats' ship.

Now, when they get to Baratie and Luffy winds up being taken as a chore boy, Lark offers to pay off their dinner debt by doing a show at the restaurant. Zeff doesn't want a singer in his place, but agrees to let Lark sing one song in exchange for a month off of Luffy's sentence. Lark sings one of the only pirate songs she knows in full, actually managing to quiet the whole restaurant full of rowdy pirates with her voice, and Sanji takes one look at her while she's singing and goes, Oh, I'm in love. And though finding the All Blue is still Sanji's dream and main motivation, he will admit that some part of the reason he left Baratie with the crew was wanting to get to know Lark better.

Aaaand that's about all I have for her so far!! It might be a bit before I have a proper intro post for her, but if anyone wants to ask me more questions in the meantime, feel free!!

(Tagging the other OPLA girlies @starcrossedjedis and @auxiliarydetective!!)

#asks about my ocs #oc: hayashi lark

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dollarbin · 10 months ago

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Shakey Sundays #8:

Ragged Glory

Some things are worth waiting for.

At age 14 I dedicated way too many hours to MTV, hoping to catch Neil Young's Mansion on the Hill. I'd seen the song's video just once; the network had seemingly played it a single time just to tease me.

During my weeks of hapless watching and waiting I tried to remember all the crazy stuff in the video; it entered my dreams and morphed. Had there really been a funeral? Who was dead? Was Young a ghost for all of it? Did a choir really sing the silly lyrics? Was that Neil in the gas station too? Were there dinosaurs at one point? Or was I making that part up? And how did guys my dad's age play such killer guitar?

Well, I never got my answers; instead I saw nothing but Motley Crue's Dr Feelgood. Over and Over Again.

But just now, 34 years later, and thanks to this new technology I'm learning to use called google, I finally got to see the video for Mansion on the Hill a second time.

youtube

You can feel Young's burgeoning joy all over this silly video. He'd probably seen Monty Python and The Holy Grail only while stoned on tour and thought his opening gag was entirely original. He's not dead yet!

In midst of my hopeless adolescent search for the video I read in the LA Times that Young had made two additional videos for Ragged Glory, one of which involved high drama between a sexy couple on a balcony. But, reported the Times, neither video had any chance of ever getting a single second of airtime. The writer (it was probably Robert Hilburn, a total dad rock grump who routinely called Use Your Illusion 2 fantastic) mused in the piece on Young's possible motives: Was he delusional? Deceived? Nuts?

Well, making videos exactly how you wanted, which meant you knew would never be seen, sounded genius to me, and I quit watching MTV cold turkey in response. If they weren't going to play Neil Young they weren't going to have me.

I've been thinking about those mythical videos for 34 years straight now. Seriously, I've wondered about them once a month for 408 months in a row. I'm not proud to report this; I'm just a victim of the Dollar Bin (and Jerry Jeff Walker), living my life easy come, easy go...

And now, low and behold, here they are!

youtube

Sure enough, this first one, for the hook-heavy Over and Over, has the balcony stuff; witness the serious, VH1 level, drama: a sexy lingerie lady (women in this era of music videos only wore lingerie; none of them owned pants) squares off with an Anthony Bandaras type dude; passion ensues while the band unrelatedly rocks. There's nothing silly enough here for Shakey-level greatness, although it does look like Young did indeed summon his Budokan era wind machines from the Shocking Pinks desertscape. Hurricane force winds are needed for most of Neil's videos.

And then there's the video least likely to ever be seen by me / anyone else as a kid. Had I been a MTV VG at the time, even I wouldn't have played this for fear of a FCC shutdown: there's the swearing in it, sure, but there's also the guitar solos at the 2:30, 3:30 and 4 minute marks that are so gnarly they do not seem safe for public consumption.

youtube

Unlike the previous two videos from Ragged Glory, Fubbin' Up contains almost no plot; but half way through Neil does cavort with two different buxom ladies; someone has to stand in for Neil on stage and pretend to shred like him while he stumbles about with them. Neil Young's music videos: they make every Sunday Shakey.

As I've written previously, I do not own Ragged Glory on vinyl. (The lead photo above features my fired up cat and a record store promotion poster I got as a kid and have kept inside my copy of Live Rust ever since.) If you've got the record on vinyl and want to swap I'll gladly send you my copy of Old Ways in return (then I'll go buy another copy of that 80's masterpiece to mediocrity; I saw one yesterday for $8; where the hell were all the copies of Old Ways up until a year ago?).

Anyway, when I was 14 I bought Ragged Glory on tape and, truth be told, it was a little over my head. I loved it, sure, but like another perfect record of that era, The Cure's Disintegration, it was just too damn long for my adolescent attention level. I'd especially get lost during Love and Only Love and Love To Burn. The songs seemed interchangeable to me, and on some level they still do.

While we're at it, I'm gonna argue that those two songs heralded the often regrettable nature of Young's lyrics ever since; for every weird and spectral song like Without Rings or Music Arcade there are four or five that remind me not to forget love.

Memo to Neil: I am not in danger of forgetting about love. I'm happily married, and I am familiar with The Sermon on the Mount. But when I drop the needle, I want visitors from space in my Neil Young songs; I want to picture him walking down main street: not the sidewalk, but MAIN street.

But who am I kidding: I can't complain about Love to Burn or Love and Only Love, or anything else on this vital and classic record. No other 45 year old ever rocked this hard. At 45 Stephen Stills stayed fat and laid an egg. Just get this: Young permanently blew out his hearing not on tour for the record but while mixing the live album that followed. How cool is that? At 45 years old, while the rest of us were acting like grown-ups, he sat in a studio and listened to himself shredding at 11, thereby damaging his ears. When I was 45 the loudest thing I did was shout at the Dodgers. And it worked: they won the World Series.

But Neil kept up his revived crazy brilliance from this era long term. Check him out using Love and Only Love to lay siege to Farm aid with Ralph, Billy and Poncho in tow ten years later:

youtube

But at age 14 I never really understood Ragged Glory. It's not an album for teenagers. Metaphors such as, "like a little girl, who couldn't wait" only made sense when I had a daughter of my own, finally asleep at 2am on Christmas eve. It was in moments like that when I wanted to chug a cold one and high step my way around the kitchen, listening to Ragged Glory on headphones. Over and over again...

But I started unlocking the record years before, late in high school. My buddy Matt, a MIT-bound, state champion wrestler in the 150 pound class when he should have weighed an easy 180, was the only person I knew on earth who was as gnarly as Young's soloing on Truckin' Up. And Matt spoke up at lunch one day, when we were probably late for Physics, and told us the story of his 10 mile run the day before after 3 hours of push-ups and brawling on a mat.

Matt had listened to Ragged Glory on his walkman during that run and wanted to report that Forking Up was the greatest song ever written. It was even better, he claimed, that his other favorite Neil song, Homegrown.

I was really into TS Eliot and The Pixies at that point; so he sounded full of crap. But as I listened to him recite Neil's nonsensical, bone-headed lyrics my future self reached out to me and ordered that I sit up and listen; Matt had a point.

Dogs that lick And dogs that bite Hounds that howl Through the night Broken leashes Are all over the floor Keys left hanging In a swinging door.

Amen, Matt. The world is nonsensical and bone-headed. As the great Bob Pollard once warbled, sometimes you need to slay the beast and win the cup. Sometimes you need to fook things up and then scream about it.

There's a lot more to say about Ragged Glory but I'll pause here: happily, Young put out a new extended version of the record, aptly titled Smell the Horse, recently. Writing about it will make some future Sunday Shakey all over again.

#Youtube #neil young #and crazy horse #shakey sundays #stephen stills sucks

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khaosophist · 2 months ago

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The imbalance is clear. It's okay for me to be up till 2:00 am for my body's health, but not to my [Redacted] health?

If it weren't for my goddamn pain...would things have gone differently? I had fun, despite the pain. I couldn't reach out as much...but I still did all I could.

I listened to the Kaosreins album by dissection. The lyrics are inspiring. But I'm biased. It truly reads like a hymn.

I don't think I've got the know how...to make acoustic covers. But I'm not a preacher. I have nothing to teach. I only have myself to speak with.

Tiamat, Eris, Kali...Still just words...

If I say them as if they were real...what do they see?

A father, a husband, a dreamer.

Seven heads...was it?

Cadmium Red

Prussian Blue

Yellow

Orange

Viridian Green

Dioxine Purple

Black

White

Magenta.

Phtalo Turquoise.

Alizarin Crimson

Gold

Payne's grey

Thirteen colours I remember. My pallet.

I failed to assign them meaning...

Once I have them before me...maybe I'll write it down.

Anyways...I shared my project again. She barely paid attention. Asking for things I had already given her. The embarrassment I felt made me clam up about my real history...maybe she'd feel it was too much to believe...maybe it's just the 'if I tell her everything she'll realise I'm...' Because, I'm what? Maybe I am mentally ill. Maybe all this narrative I've built is too much...Okay I'll write it down. Maybe I just haven't written it. there is no harm in this illness, I know all too well those that are.

I was born before a time and an eternity, a place neither nowhere nor anywhere else. A Demi-Being, I called myself once. Demi-titan was too much. Demi-human, too humanistic...I had no name for a long time. Even then I was called by those I loved through feelings rather than words. Like 'The eye of the storm which gazes upon the darkness like a looking glass.'

I lost everything at some point and fell into a great chasm, or made it, who knows? I awoke and was enslaved by an empire of humans through their propaganda etched into my flesh. I was, and believed myself to be Ludwig. I want to have killed my master, but another wants me to have been saved by them...ugh...anyhow...I forgot who I was because of those magic tattoos. But my time with the guild slowly weakened its power. Without an Imperial to bolster the propaganda, their symbols lost meaning, and my heritage began to manifest. Great mutations...with it the memory of my ancient Nasgaroth...the aeon of the starless empire...Sometimes I am its last emperor...and sometimes I am just the last failure... An abomination of magic, and the occult...a raving cultist driven mad by chaos...thinking his unholy presence is a blessing from gods beyond the horrible and the dark. Beholden to no Fae, devil or Eldritch and ruinous power...An Ancient Crystal Dragon of Chaos whose resonance is that of doom. Whose dark opalescent scales shimmer with the tongues of black fire, diffracted into the canvas of imagination. From my eyes burn the remnants of my thoughts rising into infinity...or perhaps...just that maelstrom I'm so fond of, a great white static pupil, with a sclera that dances with the muses, and a vantablack iris. Oh! Or is it the dynamic? Sometimes a black pupil, a static iris...and so on...maybe all of that, or none...

What is most clear...is that my motivations are even beyond me...or simple: love for whatever whispered the coincidences into my life.

Anyways...I am Khaonon Chaosheart, Bard of doom, prince of oblivion, Abomination of the starless empire, Khaosophist, The Pyrkhaos...is that better? It's not isn't it... who would want me to exist?

Gods...I'm so embarrassing...Maybe it's better I don't evolve and just keep pretending...of course not, who in their right mind could believe in such nonsense? Not me! I'm human. In a world of infinite choice and possibility...I. AM. HUMAN. Boring...doesn't it sound boring? But, of course, a human that believes such nonsense is much more interesting...no?

I am embarrassed that I sometimes find myself **interesting**. Horrid thought. That I warrant **Attention** beyond the 'for the sake of' That I'm not myself FOR anything. I'm just myself! Who am I to judge myself before I even express myself?

I think a part of me doesn't want to break other people's beliefs about me. That I feel when I push on their suspension of disbelief...and I never go over. Belief should be shared, not enforced... To push and break their suspension of disbelief is to enforce an idea of myself that is too different for them to rationalize.

I love my kids. That's that. I'm also an asshole. If my kids ever read this, I'm sorry your dad is/was cringe. I'm sorry if it's even more unbearable for you to see myself call myself that. I'm proud of you all for existing. Something I feel my own father never felt.

How can a life be a present? If I was a gift, my father sure showed no interest in helping me. He was more concerned with disciplining me. I discipline when they refuse my help. He would discipline while thinking it was always helping. Didn't bother to check...I think I spoke of how in my most vulnerable situations he'd always tell me not to tell mom...another prejudice that my mom was someone weak...fuckin patriarchal bullshit. My mom gave me more tools to express myself. My father gave me more tools to be ashamed of myself...fuckin ironic...the cliche is usually 'religious person oppresses' and 'atheist/scientist/professor/indifference liberates'...so whenever I believed because of my mom, my dad would berate me for believing. I acted on what I believed, and it always led to something he didn't want me to believe. Which is okay sometimes. But not ALL the time!

He always made me feel ashamed for not believing in what he believed. It's a fuckin miracle I stopped self harming. A lot of basic shit in my life seems like a miracle to me...but most of it is coincidence...

Good night...

#journal #free write #stream of consciousness

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ticketstomydaydreams · 4 years ago

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HOME

(All We Have: Part One)

Part Two

Colson x Female Reader

Summary: You and Colson are close friends and he invites you to move in to his house while you work on his record together

Word count: 1,580

Feels: Friendship Fluff for now

Warnings: Alcohol consumption, cursing, mentions of feeling depressed

Companion playlist:

Machine Gun Kelly - Home

Sia - Dressed in Black

The Beatles - With a Little Help from My Friends

A/N: Throughout the series there will be changes to the timing of real life events like the pandemic, the release of certain songs etc. There's certain things I want to incorporate into the series, like particular events in MGKs life and lyrics from songs, so some stuff will get moved around to fit in to the story ✌️

______

It had been a long evening working in Colson’s home studio, The Boulevard, with him and the gang on the upcoming Tickets to my Downfall album. To say your schedule was busy was an understatement, but Colson had insisted you get involved with the new material after the success of your work together on Hotel Diablo.

Composing music was your main gig, you had an ear for melody and your passion for writing meant you always had lyrics swirling around your head. You had a penchant for dark and melancholy lyrics, finding music to be a source of therapy for you. It was something you and Colson had instantly bonded over. He'd bugged you to list some of the stuff you'd written that he'd know and you had gained his professional respect immediately.

He always kept a close eye on your work, ever the supportive friend and had laid claim to your piece ‘Glass House’ as soon as he'd heard it.

______

2019

You were sitting crossed legged on the sofa in your lounge, gently strumming your guitar and gazing off into space and mumbling to yourself, as you worked out some lyrics in your head. Colson was lying on the floor by your feet, scrolling through his phone with earphones in, a blunt in his hand that he occasionally passed up to you. This was a common set up, you found it easier to write in the peace and quiet and Colson has gradually started hanging out at your place more when he needed to focus on his own writing.

"All alone in the glass house, lie awake til the sun's out, pink sky when you come down…"

"Throw me in the damn flames, Bury me in gold chains, throw me in the damn flames…"

You'd started singing out loud, occasionally stopping to scribble down lyrics and make adjustments, not noticing that Colson had removed his earbuds to listen to you

" Dude, that's hard, like, beautiful… " His comment made you jump slightly, you hadn't seen him propping himself up on his elbows, watching you intently "Sing that last bit again"

You blushed slightly, his opinion was always important to you, and started singing. He muttered to himself as you did, then pointed at you "Again!"

Letting out a little laugh and rolling your eyes, you sang again

"Throw me in the damn flames, bury me in gold chains, throw me in the damn flames"

Colson's voice met yours at the end of the line, rapping softly "I'm waiting on the rain to come and wash it all away"

You locked eyes, smiling and he sat upright. "Dude, Im'a need that hook! That spoke to me right there, I've think got something for it that I've been stuck on"

He looked so excited, your heart did a little flip. You'd seen that writing this album had taken it out of him, he'd been digging deep and really going through it emotionally. You could tell it was going to be raw and special from what you'd heard already.

He sat forward and moved the guitar from your lap so he could lean his arms on your knees and looked up at you shooting you puppy dog eyes with those baby blues "Pretty please Y/N"

You laughed and ruffled his hair, "Anything for you Col" Honestly, it'd be an honour to be part of such a personal project, you thought

He wrapped his arms round you and squeezed,

"You're a legend, kid. Get a sample recorded and send it to me!" He grabbed your guitar off the sofa and whipped back around, strumming a few chords as he carried on talking with his back to you, leaning against the sofa "This is gonna be fire, you always just hit the nail on the head, I swear it's like you're in my head sometimes"

You smiled, seeing the wave of motivation that had struck your friend. You felt so lucky to have a friend who was not only so inspiring, but one who 'got it', who understood that music was a form of release. Someone who recognised that it was important to feel these things, rather than encourage you to push dark thoughts away with toxic positivity.

He’d pushed to use your original samples on his record, but as much as you loved writing and singing, you were a behind the scenes kind of gal which had always suited you just fine. Naomi, a mutual friend of you both, came onboard to record them with him. A decision that turned out to be golden… 'Death in my Pocket' would be born not long after, with Naomi doing your lyrics such beautiful justice yet again, perfectly pairing with Colson's emotional rapping.

______

From then on Colson had kept you close to his recording. You'd been helping here and there with composition and notation, but your production skills were what was taking centre stage during the most recent sessions. You had a long list of projects you were working through, leaving you chained to your equipment most days and nights anyway so throwing more music into your workload didn't seem like much of a big deal. In all honesty, the chaos of Colson’s studio and the revolving door of personalities that were in and out constantly, made it one of the most fun places to be. You loved what you did for a living and it never really felt like work Even though the guys were a real handful at times, you kind of enjoyed being the studio 'Mami' as they often affectionately referred to you

Everything had wrapped up for the evening and the guys had migrated back into the house. You could hear from the raucous that the drinks must have started flowing freely. You were saving your work and packing up your stuff when Colson bursts back into the studio and throws himself in a chair, spinning it around with his arms in the air.

"You staying for drinks Y/N?" he grins at you, clearly hyper and in party mode

You let out a big sigh "Urgh, I'd love to but I have an early start tomorrow. I finally managed to get an apartment viewing. I swear I've looked at a hundred places now, they get snapped up so quickly.. I've only got a few weeks left on my lease as well"

“Ah, that sucks kid” Colson empathises, spinning his chair again before an idea strikes him “Wait! Why don’t you move in here for a bit until you find a place? The guest room is pretty much your room anyway, the amount you crash here”

You laugh “This is true, that mattress is so much better than mine! Aw Col, that would honestly be so helpful, the stress of finding a place when I’m this busy is killing me. I don't know… You sure the guys won’t mind?”

Colson scoffs “Why would they mind? You practically live here anyway” he teases “I’m sure they’ll be just as stoked as I am at the thought of you joining the madhouse for a while”

Before you have a chance to respond, he stands up and throws his arms around you, squashing you into him tightly “That’s it decided Roomie. Another song in the bag and a new housemate, plenty to celebrate tonight!”

Wriggling out of his tight grasp, you laugh and in a deep voice shout “let’s goooooo” mocking his signature catchphrase. He flips you his middle finger and says “Kitchen, now”

Once you’re in the kitchen, Colson heads to get you a drink and grabs one himself. Appearing back at your side, he passes you your beer and then shouts out to the rest of the group,

“YO, meet our latest housemate, Y/N is moving in. LET’S FUCKING GOOOOO”

Everyone in the kitchen lets out a big cheer, clearly pleased as he said they would be. Colson bends down and picks you up, swinging you around in a circle, spilling your drinks all over the both of you as you shout his name in mock annoyance, between giggles.

“I hope you know what you’re letting yourself in for” Rook laughs, clinking his drink against your now empty beer bottle once your feet are back on the floor

“It’ll be good to have another pair of hands around here, looking after you lot” Ashleigh chimes in, laughing and slapping Slim away as he pulls her hood up over her head, covering her eyes

It had been 5 years since you'd made the decision to move to LA, barely knowing a soul. You'd worked several jobs, jumped from place to place, worked your ass off to catch your break in the music business, sometimes feeling like the grind would never get you anywhere.

There had been times where you felt like you couldn't carry on, aching from trying to keep pace. The dream had felt like it was turning into a nightmare, as you tried to make ends meet, feeling so lonely in this enormous city.. but eventually you'd made these amazing friends who made you feel so safe and loved.

Now, there were times you had to pinch yourself just to make sure it was all real.

As you shake off some of the beer that's dripping from your hands, you look around the kitchen. Taking in the crazy, loveable bunch before you, your new housemates, you are filled with gratitude. You finally felt like you were exactly where you were supposed to be…

Home.

______

❌❌ Lace up!

#mgk fluff #colson baker x reader #mgk imagine #mgk x reader #machine gun kelly imagine #colson baker imagine #machine gun kelly x reader #colson x reader #mgk fic #machine gun kelly #fandom #fanfic #fanfiction #mgk fanfiction #colson baker

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sugadaily · 4 years ago

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SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music. How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible. How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities. How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery. You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days. Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all. What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe. Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me. As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords. It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend. When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap. In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles. In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write. Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects. What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things. In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky. ‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different. I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?” Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited. In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished. Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs) That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come. The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

#yoongi #suga #bangtan #bts #interview #210104

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ruby-whistler · 4 years ago

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hi, here's a short (long) analysis of this song which you should at least give a watch in my opinion! you might not like it, but you also might, so i say give it a shot.

anyways, here's my personal interpretation of the lyrics i (co)wrote. ani might have a completely different one, but you know.

beforehand, i need to point out that the first half of this was written before c!wilbur's revival and the second one was written after.

so, starting with the title

my motivation for it was c!wilbur's general role in shaping the narrative of the server, as well as cc!wilbur often joking around about scripts and other plot elements.

another thing was a clip of him talking with philza about how he thought the server's storyline was becoming very scattered, and i got the idea that maybe when c!wilbur comes back, he might try to rewrite the plot to his benefit as he has done time and time again.

hence, the idea for the song was born in my mind as i was falling asleep one night, because that is the only time i get good ideas.

the first half

"history, history, s'told by the winners, made by the sinners"

this was a reference to wilbur quoting the famous line "history is told by the victors". the reason i chose to use this set of words is because although the winners (wilbur) are the ones telling the story, the people who actually make the impact are often flawed, and genuinely invested in the cause (rest of l'manberg).

while c!wilbur knew the cause of l'manberg was false, he let the "sinners", or people he considered lower than him, since he was the one "telling" the story, win the war for him and make history as he altered the finished "story" in his own favor.

"so lie that you'll free them, s'long as you lead 'em"

this one is pretty self-explanatory. wilbur promised the revolution freedom in return for total loyalty to him, his power, and his country.

i'd also like to point out the use of "you" in this song - this was written, once again, before the revival; it was however expected that dream was going to bring wilbur back at some point. and i'm pretty sure ani doesn't know this, but writing this, i intentionally made the "you" wilbur is singing to be dream.

in essence, wil's telling his newfound ally about how powerful he is due to his abilities to "rewrite the script" - picture this being your usual villain monologue song after a dramatic return, since wil's always had a knack for the theatrics. keep this in mind for the rest of the explanation of these lyrics.

"the ink doesn't dry 'till time blows by spin a silver web and they're comply"

i absolutely loved this lyric, i couldn't stop gushing about it. ani came up with this one completely, so i don't know whether or not it has any deeper meaning, but i wanted to point it out because it sounds hella cool. the second part is about c!wilbur spinning lies until people would listen to him and do what he wants.

"smiles in the mirrors, reality's a game"

this line was meant to give an idea of just how screwed wilbur's perception of the world and people around him is, in that he treats everyone's lives as a narrative, as a symphony, as something that belongs to him and is free for him to play with.

smiles in the mirrors can be taken in a lot of ways, but one interpretation i like is that wilbur and dream as characters are parallels in their actions, but no one realizes it because the narrative paints them in different lights and the tragic hero and puppeteer respectively, when it's moreso the other way around.

"with help from the spinners we can shift all the blame"

spinners are the people wilbur uses to "spin" the tales for him. and, well, he's always been very good at shifting the blame and making himself out to be a victim.

seeing as he's talking to dream, in this line he is also reassuring him that he has people on the outside that can help them "rewrite" the current narrative and shift the blame away from dream and wilbur, in order to change the public's perception of them, which is at the time overwhelmingly negative.

"and if the world hunts you down out your mind and around we'll set their precious world adrift, adrift"

this is the most obvious pointer that wilbur is singing to dream. he is directly telling him that since the people of the smp have "hunted" him (or would, if he were to escape), and have hurt him mentally and physically in the prison, wilbur would work with him to destroy their lives and their world as they know it for their mutual gain.

it also brings forth his views of possession and power; in essence, he sees himself as in charge of the lives of everyone in his story, hence finding their realities fragile and fully his own to mess with. he finds it amusing that he has full control over something so "precious" to them, and mocks this sentiment in the last line.

"and if you don't like what's shown and you feel like no one's grown just, rewrite the script!"

this was the first lyrics for the song, which ani wrote, after i proposed the idea. this begins a trend in the song where wilbur will alternate between talking to dream and the viewers themselves.

here he is directly addressing those who don't like the way the smp has been since wilbur has stopped writing, and who call out the lack of character development in certain people's stories. he is reassuring them that now that he's back, he will rewrite it to be more entertaining - for him, that is.

the second half

alright, now we're going over what i myself wrote the day wilbur was revived after getting a surge of inspiration.

"screams, broken voices poor writing choices"

this starts off with revived wilbur's opinions on the new storyline he has come into. the first line refers to the torture dream is going through in prison, and the second is him simply commenting on how he finds the plotline inadequate after his return.

"dreams of redemption caught my attention"

the interesting thing about this is that wilbur, as has been shown before with eret, doesn't believe in people's redemption.

this line insinuates that even if there was any chance of the circumstances changing and dream getting better, now that wilbur was back, he wan't planning to let that happen, as he finds it one of the aforementioned "poor writing choices".

it caught his attention as something he finds interesting - since he's always had a twisted fascination with people's hopes and goals, finding ways to use them to his advantage - but in the end, naive, since his outlook on the world has always been quite cynical.

"train wheels screech on the rails in the end, my world prevails"

this was an attempt to shove a reference to the stream i had just watched into the song. the train stopped in limbo, and it came to get him back out to the world of the living.

the second line is him boasting that he knew all along that his efforts to gain people's loyalty would would pay off in the end, and hence his "word" prevailed even over death.

"i've got tales in store, of loss and of war it's a shattered world for me to restore"

see, this entire sequence is quite the oxymoron, and it's meant to be confusing, showcasing once again just how twisted wilbur's outlook on the world is.

he finds the story "shattered", which is a reference to cc!wilbur saying he prefers more centred stories than what the dsmp is right now. he is promising to fix this, finding it another game for him to play, another puzzle for him to solve, however, his definition of "restore" is proven by the previous line to be a contradiction at its core.

he has plans from his time in limbo, and just like all of his stories so far, they're tragic and traumatizing to the people playing in them. he plans to perpetuate war and conflict in order to make the story more lively and dynamic, while using loss as a tragic element to push the "characters" in their lives further towards development.

in the end, the way he's planning to "restore" the world is by rewriting the narrative in such a way that it wouldn't stagnate, or work itself out naturally, but continue endlessly for him to write and control.

"villains and heroes, traitors and moles when push comes to shove they'll burn the world for their goals"

the second part of the first line was meant to be "interchangeable roles" instead, but we switched it out so it would be easier to sing.

it's talking about how after all, it doesn't really matter to wilbur who the villain or hero is, as long as they are part of the narrative that he has power over.

"and if i harness the flame their hope will blaze all the same no time for interests to conflict"

this is confirmation of the previous point that he can use people's feelings against them and in order to perpetuate his own "interests". as long as he can make people think he's helping them, even if their goals are different, there won't be room for them to truly conflict.

the people on the dream smp all burn with hope and passion and human emotions he can exploit and use in favour of himself and his story, and even then they won't get any weaker. he sees them as an endless fuel source he can take from, essentially.

"so when you're blue and betrayed by all the choices you've made just, rewrite the script."

the last lines of the song, and here he is speaking specifically to the characters in the story. all of them have made mistakes and been "betrayed" by their choices to trust others, which left them or others grieving or hurt.

wilbur is in essence mocking this, by pointing out, once again, how simple it is for him to "just rewrite the script", and take all of their "blue" away - while also making it clear that he only plans to use this power to take further control by driving those he sees fit further down their path of revenge and villainy.

epilogue

thank you all for reading, whoever did! this song was truly a passion project for me to work on, and i loved coming up with deeper meanings to the lyrics, by using my own personal interpretation of the character. i get that this is not everyone's interpretation, but i like it. i also really can't wait for what wilbur's up to now that he's back. either way, have a nice day!

#dream smp #rewrite the script #fansong #fansong analysis #c!wilbur #long post

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fyeah-bangtan7 · 4 years ago

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SUGA “I'm grateful that there are still unvisited areas in the world of music”

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

#bangtan #suga #m:weverse magazine #o:interview #210104

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sunfoxfic · 3 years ago

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13? and please do reveal how it’s totally about ml

Road to Joy by Bright Eyes.

Oh I am DELIGHTED to tell you about how this is secretly about ML.

This song -- like the rest of the album -- is touching over themes of survival in a world that wants you to be miserable. (Honestly, given that these songs are 20 years old, they've aged beautifully; which is to say, we live in a hellscape.)

And so you have the second verse and immediately it conjures up images of the common trope of Chat sleeping out in the cold when he's angry with his father.

I read the body count out of the paper And now it's written all over my face No one ever plans to sleep out in the gutter Sometimes that's just the most comfortable place

I especially think this is effective after the two lines directly before it:

My parents, they have their religion But sleep in separate houses

(Thinking about Midnight Mass now and how those lines very clearly connect to the theme of how religion won't save you from despair when despair is already upon you... Hmmm.)

And so I almost like the idea of this song being about Gabriel getting his wish and Adrien saying, "No, screw that, you're a terrible person." Maybe not the most realistic interpretation given what we learned in Ephemeral and Dearest Family, but.

Next up:

So I'm drinking breathing, writing singing Every day I'm on the clock My mind races with all my longings But can't keep up with what I've got

This verse definitely speaks to Marinette's character more, how she's constantly keeping busy -- I also definitely think that she's much more accurately described as unable to "keep up with what [she's] got" -- Adrien only doesn't spend time with Marinette because Marinette doesn't spend time with him, and because he isn't allowed to spend time with her. Meanwhile Ladybug overlooks everything she gets from Chat Noir, as evidenced by Ephemeral -- she only sees what she wants to see out of him in either personality, which isn't to say she appreciates it any less, just to say that she's not exactly there for everything life throws at her.

But in the context of Emilie coming back and Adrien leaving because of that, I also think this very well could be about him overlooking what he has in Marinette because he's so upset.

Skipping over the next few lines, you get what finally drives the point home:

So when you're asked to fight a war that's over nothing It's best to join the side that's gonna win And no one's sure how all of this got started But we're gonna make 'em goddamn certain how it's gonna end

Oh, those are lyrics that you just need to absolutely SCREAM. Those don't come from the voice, they come deep within the chest.

Now, the lyrics themselves don't necessarily speak to ML very much, because eventually you have to boil down the conflict to a man who wants to bring back his wife vs. a boy who has to choose to let his mother die. The real-life political commentary is likely more geared to the military industrial complex in the US and how wars are manufactured because they keep the rich rich.

But I do feel as though, if this song is about Chat's headspace at the beginning -- let's say it's about him choosing to leave after Gabriel brings back Emilie -- then there's almost a certain amount of motivation gained in the lyrics -- rather than choosing to sleep out in the gutter, he's choosing to get up and fight. It's over nothing, because Gabriel has won, because he's losing anyway, but he's going to choose the side that's gonna win.

And then finally, the lyrics go back to the beginning, ending the album with its own name:

The sun came up with no conclusions Flowers sleeping in their beds The city's cemetery's humming I'm wide awake, it's morning

Rather than the slow, almost melancholy vibes from the beginning, the beat is fast and hard, the words are angry and pumped. Where at the beginning Adrien was resigned to the life he was living -- getting no conclusions, the cemetery humming with death, flowers sleeping, being wide awake -- he's now seeing this all as an opportunity. The sun has no conclusions; he has all the time. The flowers will always be there. The cemetery will never be at peace, which means humanity will keep going. He is wide awake. It's morning.

He has another day.

#FUCK i have feelings about this song #asks answered #anonymous #ask game #spotify wrapped #bright eyes

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swaps55 · 4 years ago

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I'm an anon from earlier-I didn't expect your answer so quickly, thank you :D I don't want to spam on your tumblr blog so I logged on my old account and omg! There is a chat now? Last time I was here we didn't have such luxuries! I feel old. Anyway, for now I just want to ask two questions: 1. Why fics in your Opus series are titled after musical forms(I suck at music so probably I miss something obvious)? 2. Do you write smth original with OC? Your charachters seems alive, I bet it'd be awesome

These are such fun questions, thank you for asking!!!

1. Why fics in your Opus series are titled after musical forms?

Don’t worry – you are not missing anything. I do not come from a musical background either, and this has an answer I find very amusing.

The short version: It’s all songfic! Every chapter of every story in Opus has a song that is tied to it, hence the soundtracks. This is something only I really care about, but I care about it a lot. Therefore every story has a music-themed title, and each chapter title is derived from a lyric of the song it’s tied to.

The long version: Sam and Kaidan’s adventures started because I went to visit @makoparkingonly in the Before Covid Times, and as we do, we hung out at Starbucks and doodled fic. She had put together an OTP playlist and had the lovely idea to write a quick one shot for each story on the playlist.

HOW FUN, I thought. I SHOULD DO THAT, I thought. It’ll be quick and simple and fun, I THOUGHT. (Ok, it’s fun, but definitely not the other two things). Next thing you know this playlist had a chronology to it. And narrative arcs! “I will tell Sam and Kaidan’s entire story, from when they met before the Normandy to their happily ever after! And since each story will be based on a song, I’ll give the series a cute music-themed name.” I went with Concerto, because, and I am not kidding, there was a racehorse I really liked in late 90s who was named Concerto.

So, while working on this now-spiraling out of control series of stories, I got stuck. And joked about writing a fake dating story. The fake dating story went from a one-shot distraction to a 77k fic before I could blink, and then I had a problem, because what was supposed to be an AU of my mildly-AU series was now suddenly full of the best character development I’d ever written, and I couldn’t just…leave it out of Concerto. And it didn’t fit in Concerto. It was very much its own story.

SO, to make a long story even longer, I named the fake dating fic Sonata, because it was still songfic, and decided to break Concerto up into multiple stories so I could wedge Sonata in where it belonged.

In some cases, there is a vague attempt to make the music term somehow match the subject matter. In the case of Sonata, it just sounded cool. In the case of Fugue…well, how do you resist that.

2. Do you write smth original with OC? Your characters seems alive, I bet it'd be awesome

Thank you!!! I have written original fic before, but I am a terrible world builder. I love being handed a world and being creative within it vs being in God Mode and making up all the rules myself. But I do spend a lot of time developing the OC characters in my fic, and often they take on traits or aspects of people I know in real life. Lora Alenko, for example, is a very odd blend of several people I know plus shit I just made up.

I think the secret to making them feel alive is to really think about how who they are and the perspectives they bring can change and impact a story. How can their character arc both support the plot while also recognizing that character is on their own journey independent of the main protagonist? I’ll stick with Lora because she’s such a good example. Tali, though not an OC, is another one.

The trick to bringing Lora to life (and it took me several tries) was really thinking about how this story looked through her eyes. Is she invested in the main fake dating plot? Well, yes, but not in the same way Sam or Kaidan or the Normandy crew are. So why would she be invested in Kaidan being with Sam? This is the conclusion I came to:

Kaidan is her only child, and she’s missed a lot of his adult life. I thought a lot about what it would feel like if your kid walked out the door at 17, and is now 32, and in that intervening time, she’s seen him twice. She would barely know him. After knowing every little thing there was to know about him growing up, now she has to not only learn who he is now, but reconcile that with the person she used to know. That would be hard. Especially for someone like her, who is intent on fixing all the world’s problems.

So why is Sam important? He’s Lora’s missing link! Sam has a ton of Kaidan’s history she’s missing. She’s invested in them being together because Sam can help her rediscover her own son. In some ways, it’s a selfish act. When this all starts, she doesn’t really care about Sam so much as she cares about what Sam can give her, and the happiness he can give to Kaidan. That’s what she cares about, and so when we’re in her POV, that’s the story she’s telling.

What this means for the fic is that I have a fully realized character who puts a new perspective on the plot because she has her own motivations.

I cannot wait until y’all get to see more of her in Fugue. She is, quite simply, a motherfucking hero.

I am so sorry I wrote this much. These were great questions and I really love to talk about this stuff.

#fassbenderbender #swaps replies #how writing is written #THANK YOU for these awesome questions

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funknrolll · 6 years ago

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Michael Jackson and the use of classical music in his art

Hi music lovers, today I want to tell you how the King of Pop, Michael Jackson has been capable of creating some pieces of fine art by integrating pop music with classical music and visual arts. I will discuss deeply this topic and the meaning he gave to the outcome of this magistral work and the craftsmanship behind these works of art!! Let us start with this analysis!!

It was between the end of the 80s and the beginning of the 90s when Michael Jackson began to create his third studio album, Dangerous and among all the songs we can find in this work Will You be there is characterized by a very peculiar incipit/introduction. Honestly thinking about the Dangerous album as whole, we could have expected to listen to something more oriented to pop and RnB but Michael Jackson loved to surprise the public and his fans, so he decided to add “Will You be there” to the album as the 11th track. As we all know Michael Jackson was an eager lover classical music. Not only did Michael appreciate this music genre but he also had a deep knowledge of it and was a keen connoisseur of classical music and all its artists. Additionally Michael Jackson was blessed with such a brilliant mind, and his creative genius took him to use such a monumental incipit in the song I mentioned. Regarding the introduction to this masterpiece, Michael used the last part of Beethoven’s Symphony 9 in D Minor (op. 125), most commonly known as Ode to Joy. As I said Michael had an extremely precise knowledge of classical music, for this reason I can affirm that he had a precise motivation to use that precise segment of the Symphony. Therefore the most accurate question should be: Why would Michael use that segment of the 9the Symphony? Why did he choose Beethoven’s 9th Symphony? In my opinion the King of Pop was extremely aware of the deep meaning contained in the Symphony which gets along extremely well with the lyrics of Will You Be there. To understand better this topic and to have a better view of the reason why Michael used Beethoven’s 9th Symphony Ode to Joy for the introduction to his song, we need to discuss about the story of the Symphony, and its meaning!! Friedrich Schiller wrote the Ode to Joy in 1772 and in 1808 this poem was released. Beethoven composed the Symphony 9 in D Minor between 1822 and 1824. Regarding Schiller’s Ode to Joy, as we can see from its words, it is a hymn to peace, love for one another, joy and freedom. On the other hand, Beethoven for the last movements of the Symphony chose to take Schiller’s poem and transform it into music, for the fact that it was putting into words the composer ideals values, such as freedom, love, brotherhood and friendship. The outcome of the Symphony 9 in D Minor is therefore a monumental hymn to peace, love for one another, friendship and brotherhood. We also need to take into consideration the historic time the Symphony and the poem were composed and written: it was the 19th century which corresponded to the Romantic age, so we can’t be surprised about all the values and ideals these two works are expressing!! Going back to Will you be there by Michael Jackson, after this brief analysis of Ode to joy, we can affirm that Michael Jackson was aware of what the Symphony stood for, so he decided to use it to introduce Will you be there. In addition as a big fan of Michael’s, I can say as i mentioned, that all the values and ideals he stood for such as peace, love, brotherhood and freedom especially, are extremely evident and clear in this song and since Michael shared the same values and ideals expressed in the Symphony, here it is the reason why he elected the Ode to Joy to craft the introduction to his song, for example in Michael’s words “But they told me/A man should be faithful/And walk when not able/And fight till the end/But I'm only human” in these few lines it is clear that the artist was asking for freedom, another example of how this song is expressing a message of love and friendship “Carry me/Like you are my brother/Love me like a mother/Will you be there?/When weary/Tell me will you hold me/When wrong, will you scold me/When lost will you find me?”. As we can see the lyrics of this masterpiece are extremely eloquent, and clear.

Moreover, we can listen to how Michael used classical music in some other works of his, and another relevant example is Little Susie/Pie Jesu. This is another brilliant example of how classical music not only is used for the introduction of the song but also as an integration of this work, which has contributed to impart the song a more impactful meaning. The Symphony Michael used for the incipit to this song is the Requiem (Op. 9) : V Pie Jesu by Maurice Duruflé. As we can listen, Michael has used his own variation of the 9th movement of this Requiem. In his version, the Michael Jackson used a children choir instead of a single voice to execute this movement of the Requiem, but he kept the main melodies anyway, which is extremely important because in my opinion great melodies should never be changed!! Furthermore as we can see Michael used a Requiem for the incipit and it makes clear for the listener what kind of topic we should expect in this song. Indeed for those who do not know much about classical music, a Requiem is a musical composition or solemn chant in honor of the deceased. The song infact deals with the story of a little girl who was abandoned by her whole family, in Michael’s words “Her father left home, poor mother died/ Leaving Susie alone/ Grandfather’s soul too had flown../ No one to care/ Just to love her/ How much can one bear/ Rejecting the needs in her prayers”, and eventually the little girl after struggling to stay alive, committed suicide by throwing herself down the stairs. I do not believe this song was based on a true story, I would rather believe that little Susie is the personification of all those children who are left alone without anyone to love them. Another significant particular to support my thesis is the last part of this song “Neglect can kill/ Like a knife in your so/ Oh it will/ Little Susie fought so hard to live”, from these words we can see why this little girl died. Going back to speak about how the Requiem and Little Susie/Pie Jesu could match, as I mentioned Requiems were used to honor the dead and in my opinion the accuracy of the use of this type of composition to introduce a song that deals with the death of a little girl is extremely brilliant.

Another song in which Michael used classical music for the incipit, is HIStory. The composition the artist used is the piano concerto Pictures at an Exhibition by the russian composer Modest Mussorgsky. Like in Will you be there, there is the need to know about the story of Mussorgsky’s composition, to understand better the reason why Michael used this particular piano concerto to introduce his song. Modest Mussorgsky composed Pictures at an Exhibition as a memorial to his friend, the painter and architect Viktor Hartmann, who died in 1873. After Hartmann’s death, Mussorgsky visited an exhibition of Hartmann’s paintings and architectural studies, and he felt the need to capture that experience in music. The logic of how Mussorgsky piano concerto and Michael Jackson’s HIStory are connected could possibly seem pretty odd and intricate. In my opinion HIStory by Michael Jackson is an extremely, i would say, visual song for the fact that it is very easy to picture all the lyrics and words Michael is singing, in our minds. Therefore I can affirm that as much as Mussorgsky felt the need to capture and recreate the experience in his music, so did Michael Jackson: he was extremely aware of what was happening around the world and he felt the need to capture all these images in his music as well. This is in my opinion what connects Mussorgsky Pictures at an Exhibition and Michael Jackson’s HIstory. Moreover we can listen to how Michael Jackson had varied Mussorgsky’s Pictures, and made it more monumental by adding more wind istruments and more drums, anyway he kept each and every melody and harmony. It is pretty mesmerizing to see how well Michael knew classical music and its history, he was such a man of many surpres!!

Moreover not only did Michael Jackson use classical music in his songs, but he also used it within the songs he was performing during his concerts. Indeed in his Dangerous World Tour he used for example some pieces from Carl Orff’s “Carmina Burana” which were used just in some dates of the tour. During his HIStory World Tour Michael used the Piano concerto Pictures at an Exhibition by the Modest Mussorgsky. Moreover during the 30th Anniversary Celebration in 2001 at the opening of the concert it was played the composition Fanfare for the common Man by Aaron Copland. Finally during his concert Michael Jackson and Friends in 1999, before his Earth Song the full Symphony Ode to Joy was played. Furthermore as we have seen in many clips taken at Neverland valley ranch, there was always classical music playing through the speaker sistem and one of the main pieces played was Bach’s Sonata for Flute in A minor. In addition in several interviews Michael Jackson said to be a great fan and connoisseur of classical music and among his favorite composers there were Claude Debussy, Mozart, Tchaikovsky, Rachmaninov.

To sum up, with this article we have seen how it was possible to inegrate pop music with classical music and craft some creative, original and unique works of art. With this article we have seen Michael’s deep research and knowledge of the music genre. Moreover The meaning and the message Michael gave to his music is also something extremely relevant!! As Michael Jackson once said “Great music is immortal, we still listen to Mozart today, Tchaikovsky, Rachmaninov, any of them, any of the greats. Great music is like a great piece of sculpture or a great painting, it’s forever”, and today we can say that Michael Jackson has gained a place among all the great artists he kept talking about!!

Here’s the link to get your copy of Dangerous, a real masterpiece of music!!

https://amzn.to/2CqFNgZ

Here’s the link to get your copy of HIStory

https://amzn.to/2Y7X5sy

I recommend you music lovers these two masterpieces of music!! You needto have these albums in your collection!!

Thank you for your attention!! G❤️

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ppcantu · 4 years ago

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The Life Of A Simple Man...

I'm a pretty simple guy who grew up in a small town in the north border of Mexico. Quickly I noticed that I didn’t like school, I was raise in a time when phones had cords and spanking was in daily basis; social media was in street gathering with friends, telling scary stories, playing soccer and riding bikes... Then, female neighbours went out and you discovered hide-and-seek was interesting too...

Back then if you liked a girl you called to her home and passed through her mom pretending to ask for homework; even if you were in another school.

If you were lucky enough, you managed to get a girlfriend and I bet you can figure out the rest…  I thank God I was raised during that time ‘cause true values were imprinted in our hearts; a man love his family, stand by his word, have respect for women and his elders.

Of course Dad was a super hero and all I wanted was to be like him, which I guess I managed pretty well...

As my Dad always have been an entrepreneur my parents used to have a Record Store, I remember picking up the cassettes by the cover art, so at pretty young age I discover that music was amazing. I realized that guitars had some sort of magic mysticism; every time I saw one played live I just wanted to be that guy.. I guess that led me to learn some chords during my school-time…

Then high-school came by... booze, friends and girls took my mind away from everything else...  I lived the “Party Lifestyle” until my parents realised I was barely going to school and my grades weren’t something to be proud of; so they drag me back to my small town and put me to work and study at the same time...

The most important thing I learned during that time was that making money is a bad ass thing and school is easier providing the teacher’s needs...; )’

Oh and also that being a successful salesman and a party animal don’t mix so well… at least you end up trashing your investments. Soon You’ll have to choose which one’s for you.   So in order to improve my vehicle and go out with girls more comfortably, I stated buying and selling them, raising money from everywhere I could. That lead me to an entrepreneur lifestyle that I’ve been living ever since and I’ll die performing it.  I’ve sold almost all sorts of things you can imagine; from diapers to trucks, I’ve been the fumigation guy from my own company, to the contract closer, from the hair salon owner to the janitor provider. The furniture builder, the wall painter, the security camera guy, the electrician, the carpenter, the employee motivator, the house investor constructor and salesman, the restaurant owner... the tech salesman and adviser guitarist... the designer.... you name it.    Entrepreneurship has put me through some really good times and to some real dark nightmares… Not everyone has been born for this.

I guess I’m the kamikaze kind; the one that bets everything, every time...

But how to die with the desire of doing something that you know you do not want to die without even trying??

May God be by your side this time and you ended up knocking it out of the park.

I’ve encountered amazing people during this ride…

True friends have passed by and some others remain... Some girls have been amazingly kind to give me awesome times, even tho some has had misled me from my path.. And some others has strength me in ways I would not choose.. But I guess it was necessary in order to some purpose I ignore. You never know, as they say, Chances are you’re best kiss, your hardest laugh and your greatest day are still yet to come... Lighting could strike, and all that shit… And kissing is a delicious meal.   I’ve also had done many mistakes along the way, things that would embarrass you just to read. I guess I’m not done with mistakes just yet, maybe none of us are, not until we part from this world... but they leave us with lessons that in other way we wouldn’t get.  Oh,, One more thing : There’s nothing fancy or appealing on being all hangover. I learned this one the hard way. As if it is another way for me to learn a thing. ...I don’t know why I wrote that, but it’s already written anyway haha.

It’s been a Rough, Bittersweet and Worthy Journey,!... 

  These days can say I’m old enough to be married, yet I don’t wear a ring on my finger.. Don’t get me wrong, I like girls so much that my eyes betray me really often, I guess I just haven’t met mine.

I don’t do well with fashion, I rather wear Levi's, T-shirt and Boots, even in summer time; in shades I’ll go with Ray Ban Aviators, I don’t have winter clothes, I can do it with a Jacket, I hate grilling on day light.. But damn I love it at night, I don’t have TV and I hate video games, I try to exercise daily and have healthy meals. Damn I love hearing music in a good format though a bad ass system with cranked up speakers. I love meaningful lyrics with a guitar solo climax that gives chills away...

Damn I love when the local radio station tune your favorite song.. Is almost as nice as eating a meal you didn’t cook haha.. I enjoy late night walks and highway drives.. bad ass concerts... playing Guitar over the rooftop while watching the dark starry sky.., pretty basic, right?... I like driving fast Chevy pick-up trucks with rolled down windows, dining in a good restaurant, talking with strangers, tasteful ice-cold beers...

Don’t drink and drive but, I like to do that...responsibly haha... small town remember?...; )’

Lately I’ve been enjoying singing while playing guitar and I might try writing some songs to bring back a few scenes of this road to life...   The list of things I’d wish to do is long, I can say lots of plans and wishes but why boring with unaccomplished dreams when God can wipe us away in a blink of an eye...   All we can do is rely on God, try our best and never, never give up.   

Me...; ),

Fall 2018.

#man #life #my writing #writers on tumblr #words #simple #inspiration #writers #my life #lol #writeblr #written #free write #handmade #men #open road #guitar

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bartsugsy · 7 years ago

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I hope the use of Seal lyrics was intentional Lo (I mean I'm pretty sure it was lol) cos "my power my pleasure my pain" distracted me from the great meta (to be?) post you were making! But back on topic I feel you on all the unresolved shiz, I just don't think the show think anywhere near as deeply into it as us! I do think more effort is put into Robron (and Coira) then other couples which translates into longer story arcs, so there's still hope.. pleasure and pain... lol!

oh, yk i just can’t resist throwing nonsensical song lyrics into things

the show definitely doesn’t think about this shit as deeply as we do because… well, they’ve got other characters to worry about and we’re all out here like HERE’S 200 WORDS OF META ON THE SIGN IN THE BACKGROUND OF A SCENE WHERE ROBERT AND AARON ARE MAKING OUT

(i say we but that was me. i did that. I DID IT AND I STAND BY IT)

sometimes i do think though that… even if yes, ok, OK FINE, none of these scenes were made to withstand the level of in-depth scrutiny we put them under and no, i never needed to write a 3000 word essay on the confusing characterisation of rebecca white when she’s clearly, in the crudest terms, more plot device than representative of an understandable human and as such it’s all just sort of futile, but… sometimes, just sometimes, i think the bigger picture ideas aren’t actually necessarily off base

ok and i just got this ask from another anon, so hopefully neither of you mind, but i’m going to put this in here, because this ties in to the point i’m going to attempt to make (that’s really just me validating my inability to be succinct and my love of meta) lmao:

anonymous asked:

but i think - because its a soap - robert and aaron are never going to resolve any of their issues in a satisfying way. because if they were resolved and dealt with then the show wouldn’t be able to use those issues for drama. so i can’t really see their reunion addressing any of the january stuff tbh

on some level, i agree with you. i totally do. on another, broader-picture level, i think that… i think i’ve been surprised by the level of cohesiveness in the storytelling for aaron and robert - like, it’s not the most tightly constucted thing in the world by any means, and this is obviously coming out of me coming from the glee fandom, where we had literally no cohesiveness ever and so i’m probably just over-impressed by even the most marginal attempts to write a meaningfully constructed longer form story, but… but i think, given that it’s a soap and given how much content they need to produce and given the inconsistent treatment of a lot of the characters on the show, aaron and robert’s relationship does get a decent amount of care put into it, on the whole, and sometimes that’s visible in the storytelling - like sometimes, a scene will happen that just sort of… slots a lot of things into place and calls back to meta we’ve been writing the whole time and… idk. like, you really do just need to look at rebecca as a character and compare the writing for her over the past year with the writing for aaron and robert, who have much more consistent traits and motivations.

i think this is why i like writing meta for this show. because sometimes there’s a pay off, where the show will specifically highlight things we’ve been talking about and examining and make them explicitly canon. it’s super satisfying. the heavy handedness works (for me) for this purpose. it’s like taking our meta and saying to everyone ‘oh hey, that thing you were reading into is exactly what we were going for’. and the general audience will do this as well - everyone will have an opinion on what’s happening beneath the surface of some stuff, it’s just that they might mention it off-hand to someone they’re watching the show with whereas we sit down and spend three hours typing up an argument to support it based entirely on how we’ve interpreted that last three years of canon and then use it to try and convince people to feel the same way lmaoooo. it’s awesome. but those bigger picture ideas that maybe aren’t called out specifically

like… don’t get me wrong, i don’t believe in the idea that they’re going to call back specifically to the january argument and take a big, in-depth delve into why that specifically happened and why it was some sort of turning point that they ignored in favour of being together and how that ultimately went wrong… i can’t imagine that’s happening lmao, that’s absolutely what our meta is for (which is fine). like… i don’t see them calling back to the specifics in any meaningful way (at most we might get some dialogue parallels bc the show loves those, as we know lmao)

but like… ok, some of this is going to come back to how early on did the show know they were going to break aaron and robert up, in all honesty. we know that iain has been intending to get rid of the whites… probably since the time he started? going by the interviews he was giving at that time? we know rebecca was brought on with some sort of plan in place for her character (to get in between robron lmao). obviously we can sort of… like, chicken or the egg, what came first - lucy announcing she was pregnant and them realising that rob and aaron would have to get married quickly, or iain deciding to go max feeling exploitation and get two weddings out of robron? this is all random extrapolation on events we know, because we can’t pinpoint when it became clear to them that they were going to do a wedding, followed by a big break up, followed by a big reunion and culminating in another, ~~~~real (so to speak)~~ wedding. but at some point, that would have been firmly in their plans.

the january argument -

ok. ok fuck it let’s meta the january argument even though i literally said i wasn’t going to and that i wanted to wait until they got back together idc i don’t listen to me she doesn’t know what’s up

the reason i love the january argument so much as a turning point within the larger overarching story they’ve been telling is because it works so well as this big flashing harbinger of doom that the boys both ignore - it’s built up specifically from problems they have been having since right before they got engaged

and look, i wanna write meta about all the arguments they have firstly from the reunion until ssw and then from in between ssw to the january argument, because i think the stuff that takes place when rebecca is in the village is very pointedly building towards what ultimately happens in january

and i think it’s clever because when you watch it for the first time, the fact that aaron is ultimately driven to violence and puts kasim in hospital and then ultimately gets arrested is what you’re left thinking about - it totally draws attention away from the things aaron and robert are saying to one another and the way that their argument(s) echo previous fights they have had around rebecca and aaron not understanding rob’s bisexuality and rob’s tendency to lie and scheme and rob’s defensiveness around his schemes and how much he has changed and is trying to change vs how much aaron needs from him and just… the ways in which they’ve been slowly falling apart.

(and ok at some point i will write my actual meta where i actually quote the dialogue instead of making vague references to it, although i usually feel like it’s a safe assumption to think that you guys know where i’m sort of pulling these ideas from when i talk about this shit - specifically, stuff i want to talk about includes the things aaron has said about rebecca and robert’s interactions with her, the moment robert talks about his scheme as something that is no longer about andy and absolutely about the money, aaron’s understanding of the robecca kiss, rob talking about how aaron can’t be happy and that he screws things up (which is horrible foreshadowing for kasim), rob yelling about aaron walking away from arguments and not recognising the change rob has made and the way that rob literally brushes his kiss with rebecca under the table, aaron literally saying that he doesn’t like the person he is around robert because of how things have played out with rebecca ec. etc.)

anyway, they just… i’ve fully written about this before, but the kasim stuff acts as a distraction both for robert and aaron - who, before aaron’s arrest, are having a tentative conversation where rob is gently pushing for them to still go to vegas to try and work things out and aaron is absolutely not convinced. after aaron gets arrested and then gets released, the next scene they have is aaron trying to give robert an easy out and robert point blank refusing - over the course of the three episodes, from aaron getting arrested to aaron giving the police a new statement, rob makes multiple references to fighting for their relationship even if aaron doesn’t think it’s a good idea - literally says that he’s not going to stop fighting for them, which is important but also sort of conveniently skims past the point that this argument didn’t occur in a vacuum and at no point have they faced up to what happened to bring them there between the two of them.

when, during the reveal, aaron says that rob was the one who pushed for this, you can sort of see where he’s coming from in a sense. i think aaron’s impending sentencing also made it harder for them to focus on what the real issue was (or rather, made it way easier to ignore, because they were too busy being terrified of losing one another) - but even then, rob decides to throw a surprise wedding because in canon we know that aaron is panicking about leaving robert and losing him completely - which is ultimately what happens, both exactly in the way aaron feared, but also not at all because rob’s motivation to cheat is, as we all know, entirely about aaron (or rather, about both rob’s feelings for aaron and rob’s horrible decision making/tendency towards lashing out impulsively when confronted with things he doesn’t know how to deal with like a normal human and fucking up his and other people’s lives in the process). aaron’s fears that rob would want someone else were unfounded but those fears also sort of led him to underestimate how much of a toll his getting sent to prison would have on robert and so, in the most perverse and unexpected way, his fears about what robert would do given rob’s behaviour up until that point, ended up being spot on.

all this is to make a point that the january argument played a massive role in robert and aaron getting married the first time round and also led them both down a road where they were distracted from what should have been the ultimate sign that things weren’t working and thus didn’t take the opportunity to fix it, rather let things get dangerously and disastrously out of control. i remember a lot of the meta around the time of the jan argument pointing out that things hadn’t been resolved and that they would be resolved at some point - i saw a lot of people talk about an immediate resolution. i think my instinct was that it would take them a little longer - maybe a month max, but that things would be worked out before the wedding. the fact that the wedding wasn’t legal was like this big red herring - it made us all believe that the only reason they’d have a second wedding would be to legalise things. but oh, oh no, no - little did we realise at that point that the whole first wedding was just another distraction (a very beautiful and romantic distraction, but a distraction nonetheless). the first wedding wasn’t a random break from the misery they’d had between that point and ssw, it was a symptom. once again, robert finding a way to push through their issues, to make it more about their love and the fact that they want to be together, and aaron following because that’s what he wanted too - neither of them wanted to deal head on with any of their shit.

uh, taking things right back to my original point of ‘how much of this will we actually see resolved when they get back together’ - i mean, it’s difficult to say? because on the one hand, it depends on what story the show wants to tell with them next and on the other, it depends whether they want to sort of just brush their issues under the carpet and pretend they never happened (worst case lmao). i think, though… i mean, i don’t know, i actually genuinely don’t want to speculate at all on what we’ll ultimately see because down that road leads madness and also an inevitability that we’ll all get it wrong, as we did before with both the jan argument and the purpose of the first wedding, for instance. i think, particularly because it is something i’m looking forward to, i also don’t want to put any expectations on it, really? i’d rather just watch it as open-mindedly as possible. which is also why i want to wait until after i watch it until i really write my meta around this break up, because then i can sort of shape my opinions about what we’ve been shown and where they’ve taken things. i don’t want to try and assume they’ll deal with x or they won’t deal with y or they’ll have them do this or whatever.

having said that!!! that doesn’t stop us from looking at what’s been done so far - the wedding, prison and the ons happened over six months ago now, so we’ve got enough distance from it to say that… look, rob and aaron had so much misery and so many problems from ssw onwards and they ended up going through a massive break up. so big-picture wise, it’s logical that all that misery was intentional. it wasn’t just fuelling the andy plot or whatever, it was there as a build up to ultimately splitting aaron and rob up and making it last a while (even if they hadn’t decided at that point to actually break them up - it’s chicken and egg, they would have known what they’d put them through up until that point and understood that this could realistically ultimately lead to a break up). the january argument wasn’t resolved because it couldn’t be, because that would be counter-productive to the eventual plan of separating them. the first wedding was rushed and not legal and the reason for it being held was literally LITERALLY bc aaron was afraid rob would cheat - because again, that wedding wasn’t going to be the one that lasted. there had to be problems there.

basically - yes we absolutely put more thought into this shit than the show does but that doesn’t necessarily mean that the thought we put into it is… wrong? or will lead to us not feeling satisfied? because the way that things have gone wrong with robron so far have led to a break up. it feels like a safe assumption that they’re not going to go through a massive break up again after they get back together at the beginning of 2018, so on some level somewhere, it seems like a safe assumption that we’re not going to have rob kissing his ex to get money, or aaron doing a miserable 6 week prison stint, or robert knocking someone up etc. basically, i guess what i’m saying is… the pain wasn’t for nothing? it was there to play a function in the story and while i doubt that aaron and rob are gonna get back together and the show is gonna be like ‘ok well their problems are fixed now so that’s nice’, they’re going to be writing with a different eventual goal to the one they’ve had this year?

this wasn’t even ur original question i just took this to an entirely different place lmao. sorry. i guess what i’m trying to say is i’m not particularly concerned about getting a final resolution on rob and aaron’s issues, but the writing for them will change as the direction of their story changes, so. the reason i’m waiting is more because i’m waiting for that direction to stop being “keep them apart” and start being “get them back on track and prove they can be together”. which is sort of… the next step? i guess? regardless of whether or not they have problems (and it’s a soap so u know they will), the story needs to shift from a break up to a big second wedding - the one that you assume will last more than a month (because they’re not stupid - they know there’s only so much you can wring out of a thing and they’re already pushing it). so… yeah. that’s what i mean when i talk about this particular storyline wrapping up.

i could just keep that last paragraph and delete the rest and you would still have your answer but im obviously not going to do that.

#answering anons #....im on my mobile so this isn’t going under a cut im so sorry #i’ll fix it later #long post #meta #god damn @ myself pls shut up for once

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taesthetes · 7 years ago

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Hi cat, what advice do you have to keep a writer's inspiration/motivation up and going? Your masterlist has me in awe of how many fics you've written (they're all written very well btw 👌🏽) I've barely written anything all this year, I've finally started something, and it's really messy but I'm excited and yet kinda scared because I've never written something this long 😅😭 Thank youuuuuuu *hugs and kisses* 💓💓

Hello there, sweetpea! 🌸 First of all, thank you for reading my fics!! The thought of people actually wanting to read my writing still seems surreal to me even now haha 😅 And secondly and more importantly, congratulations on starting your first writing piece of the year! 🎉🎉 I’m so proud of you! that’s a huge accomplishment in itself already because the first step (in this case: starting to write) is always the hardest to take, in my opinion.

Pertaining to having constant writing inspiration and motivation, I’ll divide my advice up for the two separate topics. Personally, I constantly have ideas roaming my mind, but I simply lack motivation to write them all. But here are some things I learned about inspiration and motivation.

My advice for inspiration:

Use your personal experiences. I frequently formulate storylines about the things that have happened to me, and in my point in life right now, I’m in college where I have gotten a bunch of crazy experiences. That’s why my recent fics are mostly college au. Sobriquet was written almost identically to my own experience, whereas Caprice stemmed from me seeing a guy in my chem class regularly playing pokemon go instead of paying attention to class and grew in my mind into a fic idea. You can embellish and fluff up your life experience if you don’t think it’s interesting enough, thus whipping it up into great fic inspiration.

Use your dreams. Not everyone remembers their dreams when they wake up, but I remember a lot of the ones I have, and I use them as inspiration for writing. The majority of the dreams I wrote about in The Universe of Us are ones I actually had and then altered them slightly to fit into the storyline. I also have a lot of bizarre dreams that can actually turn into some very interesting fics lmao

Embrace the fangirl life and use it in your stories. Do you like Disney stories? Harry Potter? Anime? Find inspiration within other fandoms you enjoy. Write a hogwarts au, write a hunger games au, write a fic based on The Little Mermaid, etc.

Listen to music. Music is a huge source of inspiration, and you can think up fic ideas based on lyrics for example. Taylor Swift songs always help me when I’m trying to write a angsty scene, like a break up.

Check out prompt blogs. There are many blogs (ex: @/dailyau or this post that compiled a lot of au’s) out there that have writing prompts, which is super handy, if you lack inspiration. You can read through some of the prompts and see if any of them catch your attention.

Read. A lot. Writers get inspired by other writers. A wonderful way to fuel your imagination and inspiration and make them widen their horizons is by learning from other writers.

Be observant. Observe your surroundings, and you might just spot some inspiration. See the two baristas at your local coffee shop always bickering? Or perhaps, notice the boy who made a very creative promposal? Pass by someone and overhear them say something very interesting? You can turn those observations into fic ideas.

Be open to requests or suggestions. Your readers may have interesting ideas, and if you lack inspiration, you can open requests. You are by no means obligated to write them all, but they can spark up some inspiration. You can hold a drabble game, such as having them send in a song to write a song-inspired fic or picking a one-liner prompt. There are a lot of prompt lists out there that you can use for drabble games (ex: here, here, and here)

Daydream. Honestly, just relax somewhere with no distractions that makes you feel calm and stress-free. And let your mind wander. I get inspired as I daydream during car rides or whenever I’m simply sprawled out on my bed, doing nothing except making up ridiculous scenarios in my head.

My advice for motivation:

Be excited about writing. You certainly aren’t going to get any motivation if you’re not excited at all about writing. And, you said you’re excited and a little scared about your writing? That’s great! You should definitely feel excited about what you’re writing. You’re eager and happy to write then. And feeling a little nervous and scared is also good because that adrenaline rush and the feeling of butterflies in your stomach also adds a bit to the excitement, right?

You have to love the idea you’re writing. If you don’t like the prompt you’re writing, you aren’t going to feel very satisfied with your writing. You might even start to dread writing it and lose motivation. So, make sure that you actually genuinely enjoy the idea you’re writing.

Set the mood for writing. Is there a certain time you write best? Is there a certain place that you enjoy writing in? Do you write better when you listen to music? You will feel more motivated to write if the setting is ideal for you.

Write your short fics all in one sitting. This is just something that works for me personally. I have a super short attention span, which leads me to losing motivation quickly. This is why the majority of my fics are 1k to 4k oneshots because I write the entire fic at once. If I get an idea for a short fic, I write it immediately whether it be on my phone or my laptop because I know I won’t be motivated to write it in the future.

When you think of an idea for a long fic or series, wait a day before you write it. This is another thing that personally works well for me, but might not work for others. With long fic or series ideas, I want to know that I will finish it. I know I won’t be writing it all in one sitting since it’s going to be a long af fic, but I don’t want to write like 10k and then suddenly be like “I’m throwing this out. I don’t like this idea anymore.” I’m a very lazy person, and I don’t want to trash 10k of writing that I had spent hours on. So when I want to make a series or simply a long fic, I think of the idea and mull over it for a bit for a day or even weeks. And then, the next day or week, I ask myself, “Am I still interested in this idea?” If it’s a yes, then I begin to write it.

Make an outline of your fic before writing it. I only use this for long fic ideas that I have, but it works with any fic idea. Having an outline is sort of like seeing a schedule or a to-do list, which is quite motivating because of the sense of accomplishment and pride in yourself that comes when you check off something on the list (or checking off a scene you just completed writing from your outline). And studies show that people are more motivated to do something if they have it written down somewhere and see it daily.

Share and talk about your fic ideas with a friend. I never realized this until now, but having a friend hype up your ideas really boosts up your motivation to write them out. I tell all my fic ideas to fae and she’s always super supportive of them. I sometimes ask if I should do this or that, and she gives suggestions (oh, look at that, more inspiration courtesy of friends!!). I also give her various excerpts of the fic I’m working on, and she yells at me about them, so it’s like constant motivation throughout the writing period. So thanks, pablo, even though you show your support by screeching at me in all caps @zephyoongist

It’s okay to take a break from writing. If you are feeling unmotivated for a certain idea, don’t force yourself to write. Take a break. Go write a different scenario or make a snack or hang out with friends. When you come back, you will feel refreshed and ready to write. You can reread your writing with fresh eyes and may have new ideas or inspiration on how to continue the fic.

Just write. Let out all your emotions and everything you want to say or convey. Don’t be afraid that it won’t make sense. It’s okay for your fic to be messy during the writing process. You can always go back, cross things out, move sentences around, revise it, and fix it up until you think it’s perfect.

I hope these tips are helpful to you! It’s like 3 am for me now, so I should go to bed, but this is also my prime time for writing, so I’m a little conflicted lmao but anyway, once again, CONGRATULATIONS ON STARTING YOUR FIRST WRITING MASTERPIECE!!! ☺️❣️Best wishes for your writing journey, and I know your story will turn out amazing! And I hope you send me a link to your writing if you do publish it because I’d love to read it 💞💞 And, here are lots of hugs and kisses being sent your way from me to you as well 💌

#replies #anonymous #advice

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