Wars and Wild as knights in Lu
They have issues.
I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.
No saluting!!
So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'
It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.
In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward
It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language
Side note but I literally love how Jojo draws the champions tunic so much-
We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(
I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity
.
So like. All of them have different perspectives
Wars
I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.
And the scarf man cmon it's so pretty they are so cute-
Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.
To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'
At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?
Who wouldn't want to keep Wild from getting more scars?
I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.
Wild
I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)
Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.
The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical
The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)
And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-
Wild's identity and memory issues exacerbate all of this
In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments
Wild has tried to be formal several times- he is not very good at it
Four's face I can't didnwidkekfjej
Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't
Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.
Anyways. Fire.
Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this
I mean like. We need these two to be friends
Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.
All this Art is by Jojo @linkeduniverse au!
:)
619 notes
·
View notes
I really liked “I Saw The TV Glow” for a lot of reasons like the lighting and sound design and stuff
But I also really liked it because how similar I felt to it. Like you watch a show you love so much you want to Be In It and all you do is interact with That Show to the point where you start talking like it and you make everything you see like it because you don’t Know anything else
I really liked owens character because of how Stuck he is in his life. He says he doesn’t think about “that stuff” because it makes him feel gross so he doesnt. He takes a job at a place he doesn’t like and when it gets shut down he goes with the manager to the next place also doing a job he hates. When his parents die he lives in the same house he grew up in because he doesn’t want to leave. He had one friend and when she disappeared presumed dead he didn’t do anything but reminiscenced on his time with her and watching the show she helped him watch. You can also see how he starts taking care of himself less after his father died, in the last scenes of the movie he looks like he barely eats or drinks water, he doesn’t do anything but his job. “Years feel like seconds” because he isn’t doing anything of importance he lost everything that he looked forward too
He doesn’t talk above a normal speaking volume until he’s literally DYING and even after he apologizes still out of breath. He’s still dying then. No one responds to his apologies or responded to him when he was screaming
He gets a chance to leave and go with Maddie to The Pink Opaque and he gets scared, he gets a chance to leave with her when he was younger and he gets scared. He’s so unhappy with his life but he doesn’t want to change it because he doesn’t know what else to do
111 notes
·
View notes
ok listen. listen. hear me out. what if Angel was the one to propose the contract
like.... the intensification of heartbreak and guilt when Val tells him 'I own you, or have you forgotten that?' as Angel looks at his signature, the heart he drew next to it. the extra layer in 'what's the worst part of this hell? I can only blame myself'. and above all it plays well with my observation that their contract had to have been composed with some level of input from Angel, because... why on earth/in hell would Val have given him control of his life outside of the studio; and while Val invokes the contract to put Angel back in 'his place', Angel invokes it to remind Valentino that he can defy him. It's actually similar in composition to a kink contract/agreement--if I'm in this specific place, you hold all the power and call the shots; but outside of it, I don't give you that level of control. Angel can straight up tell Val to fuck off in front of a crowd and all Val can do is say he'll make Angel regret it next time he's in the studio (and isn't that an extremely dark variation of the classic kinky romance beat of 'sub misbehaves when they're in public and can get away with it, dom promises they'll pay for it later'?)
so like. all of that about the contract also works if Val proposed it, but I love headcanoning that their relationship was on the rocks around the time it was signed, and one of the factors was Vox coming onto the scene... and so now i'm just thinking about Angel in his peak era of both-sides-ing their relationship problems, knowing his 'commitment issues' (partly real, partly consisting of val's 'you know other men??' issues) are a major cause, furious and disconcerted at someone else drawing so much of Val's attention, wanting to make a stupid desperate Hail Mary pass to save their relationship but devoid of the usual options of 'have kid' or 'impulsively propose marriage' or 'move to a new house that's inevitably haunted' i watch too much horror, going for the option of '...hey do you want to make the kind of binding contract that is accessible to us?'
and surely it's not that stupid! he's only really giving Val a formal version of the power he gives him already, right? Val's his dom and his director and manager, and maybe there's... problems but it's mostly been great for Angel so far, so if having it on (magic eternally binding) paper would make Val happy and make him understand that Angel really wants him, wants them, the risk is toooootally worth it. just, best not to tell Cherri about it she'd definitely think it was insane.
(and when, much later, she learns about the contract and berates him for being an idiot and not telling her when Val brought it up, maybe don't correct her assumption. just keep it to yourself and feel even worse.)
109 notes
·
View notes