#any incarnation really

[thatfantasylovingdork]

YOU CAN’T TELL ME STARSCREAM WOULDN’T WEAR THE HECK OUT OF THIS

[thedemolitionderby]

RULES OF BEING OTHERKIN #1

Being authentic and true to yourself is the only way you are 'supposed to be/act like' (insert entity). If anyone else disagrees it only tells you about them.

[unicornblossom13]

Megatron [trying to devise a plan against the Autobots] This might be more complicated than I thought.

Starscream [laying on the ground, beaten after their last battle] I think I broke something…

Megatron: WALK IT OFF!!!!

[lesbian-mimic]

they are robot ponies your honor!! (fnaf x mlp)

[nyormilt]

proper death

(has anyone noticed i barely draw the batter’s uniform the same way twice…? there’s no pattern, but sometimes i can’t be bothered to draw stripes, or add them cause they make the drawing cooler. truly, i am a deity of inconsistency…)

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[ireallyneedaintrestinglife]

Ok I know this would never happen in canon but like I cannot get the idea out of my mind.

We know that Ealdor is a small village on the edge of Cenreds kingdom, near Camelot. Imagine Cenred traveling through Ealdor to get to Camelot so they can make some kind of deal or whatnot and they stop at Ealdor for the night.

When they arrive everyone is all 'yes sire' 'of course sire' bowing and polite and 'my king this' or 'my king that'. Except, that is, for Merlin. He gets scolded by Hunith multiple times to not stare directly at royalty and to bow and do this or that but he flat out refuses to speak to them at all.

This eventually leads to Hunith coming up with the lie that Merlin can't speak so he, hopefully, won't get in trouble for not treating them with the respect they think they deserve.

When Hunith finally manages to drag Merlin into their little cottage to ask him why he's acting this way Merlin mentions that Cenred feels icky and wrong. When she tries to get him to elaborate Merlin can only respond with a few short words.

"He is NOT My King"

[shih-coulda-had-it]

😎 well, you know what they say. my eyes are up here.

[konmics-n-stuff]

I really resent the Young Justice tv show for … a lot of things. TBH.

[tofufei]

.

[herrkalt-m]

hypothetical scenario but relating to the cartoon , this variant of arktos would simply be the older , scarier , shadow side that lurks in the forbidden chamber & judges his counterpart's every move .

[in-tua-deep]

asleep me has just decided to start world building i guess

Imagine: you are a misfit teenage boy, a con artist. You have a best friend - or maybe a brother? You two are as close as family regardless. You're in a refugee camp when you pull a con - you pass your best friend off as the newly orphaned son of a noble or something. It's just a ploy - to give him an in with the other wealthy kids so you can steal.

Except… he doesn't really give it up? You ask a couple of times when you're leaving, but Will, your best friend, keeps putting it off. He's fallen in with a new crowd. One that respects him, elevates him. And those new friends? Well, they don't exactly like you.

Will starts sending you off on errands when he's with his friends. You go easily, because you want to be helpful, and you ignore the hushed laughter of his shiny new friends. You go on your fake little missions designed to get rid of you.

That's how you meet the Goddess.

Imagine a clearing, golden light, and a beautiful woman who calls you a trickster and says you are destined to be enemies. Imagine freeing the three chained sun gods by accident. (By fate?) Except you tell the goddess that you don’t believe in fate, and what if you become friends instead?

(You offer to steal her, and she agrees - a fine trick indeed, wouldn't you say?)

After this instance you find something out. You can use magic now? But also it seems like you have been cursed as well - you can’t die. Fate rearranges itself every time. A shield moves to a position it wasn’t in before. A sword misses its mark. You are Loved By Fate and it is an Issue.

Time passes and your best friend grows - and you have to use magic to grow with him. He’s a king now. You love him - he’s still your brother - but his smile is more and more strained every time he sees you.

Your goddess takes many forms travelling with you. Sometimes she is a woman, sometimes she is golden magic inside of a pouch. Sometimes she is a child and travels with you, and somehow you get separated with her like that. The king finds her, and immediately is taken with her. He decides to try and find a family for this child who is shy of everyone, and offers for any individual to come and try their luck to see if the child will take to them

You are the last person to try, not because you don't think your goddess will choose you, but because you are worried even if she does the king will not let her go

The king's friends stop you. You know their faces - they are the same bullies they have always been. They accuse you of being cursed because you never die no matter how many dangerous missions the king sends you on. The suicide missions.

They attack you, and they might be cruel but they aren’t stupid. Their ringleader realizes that it must be magic shifting his shield to protect you from the lethal blows.

(You can see every lethal blow that doesn’t land play through your head. The worlds that did not come to pass. You don’t tell them the number of times they murdered you in this fight. It wouldn’t change anything.)

You manage to escape and run up to the king’s room. Using fate’s magic so much has stripped you away of other magics - you look young again. Awkward and gangly with no facial hair (the way you always have since meeting a goddess and becoming something more than human)

He’s in there with an elven woman, a noble of some kind who is wise and anyone with eyes can see the king is in love with her. (You can see in her eyes that she does not love him back, not in that way.)

The king, after some debate, decides to let you try

(He doesn’t comment on your appearance - maybe he just thinks you have a baby face without your beard. Maybe the way he avoids looking you in the eyes means he doesn’t even notice.)

You reunite, and it is beautiful - your goddess surges forward into your arms and kisses you, and you feel fates magic coursing through you and soothing over the exhaustion from the fight.

But the king doesn’t see a goddess and he doesn’t see the magic - he sees a child and he draws his sword. He says many things - that he didn’t expect you to stoop this low. That he once called you his friend.

(How long has it been since that felt genuine?)

Something goes cold in you and enough is enough. Your goddess’s magic courses through you, and you will not be separated again. You use magic to blast them back, use magic to stun them, and use magic to make you and your goddess into a rat that scurries away into the walls

The magic is powerful enough that a cascade of golden chains has manifested down the wall of the room, branching downward like a geometric tree and each one tipped with an amulet with a large inset ruby

The king and the noble awaken, and the king is furious. But the elven woman looks like all her questions have been answered

She talks about how there haven’t been terrible fires throughout the lands, despite all signs pointing to the fact that the sun gods have been unchained

She names you - trickster, calamity

In mythology apparently you are symbolized by a massive golden peacock, each "feather" in your tail with ruby-gem eyes like the chains on the wall

You are named such because you are the only creature capable of going against fate and changing it

(your train of feathers is instead a train of chains - all the fates that you have broken)

(It should make you enemies with your goddess, but you decided in that clearing twenty years ago that you were friends instead)

Apparently on your suicide missions, you have been helping. Wherever you could, you changed the fate of entire cities and towns and prevented the wildfires of the Sun gods from ravaging the kingdom

The elven woman opens a portrait that has a nook behind it. You are sitting there - well, not you exactly. But a copy of you. You are a trickster and love mischief, and you love secret spaces and those who choose to look in them. That’s enough for a part of you to be present, looking sixteen and glowing with golden light

She speaks in the ancient language to you - and you speak it back without thinking. You tell her she’s just as hot as Will with a wink and it makes her laugh. Will cannot understand what you are saying, but you don’t care right now. He’s your best friend, but you aren’t his, and it hurts

He calls you immature, and the elven woman says you’re only sixteen. He snaps back that you are a thirty-six year old man. She shakes her head, and says that you haven’t been since you Awakened. Gods are different, after all

(Maybe it was the differences that drove you apart? Maybe it’s your fault? But if that is the truth then why was there already so much distance between you? You do not ask your goddess if there was a path where you still would have been close.)

You don’t feel like a god, you feel like a person who is just trying their best. You feel tired. You feel sad. Maybe that’s why you are the one who bends fate - you’re the only one that cares enough to try.

Anyway that’s when I woke up but I like my trickster - important to note that he is a redhead with a bit of a baby face

[corallapis]

turning it over in my mind.

[mewkwota]

Opinions on Secret Level Mega Man?

If I have to be completely honest, I cannot say I have any real excitement for this iteration. Most of my past experiences with any film-based, streaming-service-based adaptation for any video games have not been good ones. And while creative freedom to make changes to a new adaptation is one thing, what I've come across so far feel like they miss the "core" of the source material, so it's as though I am not watching something from said series but something completely different with the same name.

Could I be too hard on a simple teaser? Maybe. But the last time I had huge hopes for something I liked, the people behind it seemed to think their changes were fixing problems that didn't exist.

Also I think that kid that may be the Mega Man in question looks like Lionsgate Pinocchio. It's giving too much "corporate-realistic" cartoon style that I'm not fond of.

[musical-chick-13]

So the problem is. That I don't want to call Ten-cubed "fourteen." I think Ncuti should be. Fourteen. He IS fourteen.

But if I want to talk about Ncuti's specific incarnation of this character. And make it clear that I am talking about him. I will have to call him "Fifteen." But doing that means that everyone involved in this ridiculous naming decision wins.

[bluewithpurplepolkadots]

Honestly I’m fine with the idea of Leonardo having a crush on April in mutant mayhem.

I am however deeply concerned from clips that we’ll have something like 2012 Donatello.

I mean not only was that aspect very badly handled in that show anyway: but even if it had been well handled it’s simply boring to do the same old thing. Having it be a different turtle should at least mean a different take on it.