#anwar bakshi

[chaneilkular]

CHANEIL KULAR as Anwar Bakshi Sex Education 2x06

[ericeffiorg]

made myself sad about anwar’s missed potential again

[hopefulkidshark]

Panghat: Meaning

Panghat is a Hindi compound word combining pani (water) and ghat (steps leading to a water body). In poetic lore it refers to a river bank where Lord Krishna used to hang out around Gopis.

Lord Krishna & Gopis on Panghat Painting

Rama Ho Rama Humne Gaon Ke Panghat Pe - by Mukesh in Ek Bechara (1972)

Film cast: Jeetendra, Rekha, Vinod khanna, Pran, Bindu, Kalpana,  Johny Walker, Anwar Hussan, Salome

Singer: Asha Bhosle, Lata Mangeshkar

Lyricist: Anand Bakshi (This Song was Written on Indian context)

Translation of This funny Song

In our country, it was said

That every girl is Hindustani

Either Radha or Sita or Rani of Jhansi.

We had seen woman carrying water at Bank of river or well in the village.

But We became dizzy after seeing these women of the cities.

Here are the roads, there were lanes,

Here are thorns, there were buds,

There was a tanga (two wheel carriage) Here is a vehicle with four wheels

There was fairy, Here is madam

There was anklets, Here is sandal,

There was a chandelier, here is the pandel,

There was a veil, Here is splendor (Charm)

There was peace, Here is rebellion

With small Matter they make preparations for fighting,

Some are nightingals, some are butterflies,

Some are fire, Some electricity,

Some M.A., Some are B.A., Some are P.A.

Just the name is a real one

The rest is all fake,

No  Pallanquin 

No wedding procession 

They Choose life partner themselves

Often virgins makes love before marriage

We became dizzy after seeing these women of the cities

Video on You Tube

[bollywoodirect]

42 Years of Satte Pe Satta (22/01/1982). Satte Pe Satta was directed by Raj N. Sippy and written by Satish Bhatnagar, Kader Khan, and Jyoti Swaroop. It was produced by Romu N. Sippy. The film stars Amitabh Bachchan, Hema Malini, Amjad Khan, Ranjeeta Kaur, Sachin Pilgaonkar, Sudhir, Shakti Kapoor, Kanwarjit Paintal, Kanwaljit Singh, and Vikram Sahu. Kader Khan also served as the narrator. The cinematography was done by Anwar Siraj, and the music was composed by R.D. Burman. The lyrics for the songs were written by Gulshan Bawra, with 'Dilbar Mere' written by Anand Bakshi.

[indiejones]

INDIES TOP 100 BOLLYWOOD LYRICISTS OF ALL TIME !

http://www.imdb.com/list/ls525509934/

1. .Anand Bakshi

2. .Neeraj 3. .Kamal Amrohi 4. .Sahir Ludhianvi 5. .Prem Dhawan 6. .Indeevar 7. .Kavi Pradeep 8. .Majrooh Sultanpuri 9. .Gulzar 10. .Raja Mehdi Ali Khan 11. .Shailendra 12. .Shakeel Badayuni 13. .Maya Govind 14. .Pyarelal Santoshi 15. .Pandit Phani 16. .Sarshar Sailani 17. .Pandit Madhur 18. .Ravi 19. .Kedar Sharma 20. .Qamar Jalalabadi 21. .Kaif Bhopali 22. .Pandit Indra Chandra 23. .Hasrat Jaipuri 24. .Amitabh Bhattacharya 25. .Sudhakar Sharma 26. Kaif Irfani 27. .Dhaniram Prem 28. .D. N. Madhok 29. .Asad Bhopali 30. .Bharat Vyas 31. .Verma Malik 32. .Saraswati Kumar Deepak 33. .Gauhar Kanpuri 34. Amritlal Nagar 35. .Anand Raj Anand 36. .Dev Kohli 37. .Anjaan 38. .C M Hunar 39. Shyam Raj 40. .Khawar Zaman 41. .Amit Khanna 42. .Ravindra Jain 43. .S H Bihari 44. .Ehsan Rizvi 45. G.A. Chishti 46. .Roopbani 47. .Sudarshan Faakir 48. Prashant Ingole 49. .Kulwant Jani 50. .Nawab Arzoo 51. .Tanveer Naqvi 52. .Mahendra Dehlvi 53. .Narottam Vyas 54. .Jan Nisar Akhtar 55. .Kaifi Azmi 56. .Neelkanth Tiwari 57. .Yogesh Gaud 58. .Narendra Sharma 59. .Manohar Khanna 60. .Ibrahim Ashq 61. .A. Karim 62. .Naqsh Lyallpuri 63. Behzad Lakhnavi 64. Saawan Kumar Tak 65. .Hasan Kamal 66. Munna Dhiman 67. .Sandeep Nath 68. .Gulshan Bawra 69. .Wali Sahab 70. .Nida Fazli 71. .Waheed Qureshi 72. .Kumaar 73. Pt Sudarshan 74. .M. G. Hashmat 75. .Farooq Qaiser 76. Madhukar 77. .Irshad Kamil 78. Kabil Amritsari 79. Shevan Rizvi 80. Bekal 81. Rammurti Chaturvedi 82. .Rajinder Krishan 83. Kausar Munir 84. Rahat Indori 85. Shyam Anuragi 86. Santosh Anand 87. .Shewan Rizvi 88. .Shabbir Ahmed 89. Deewan Sharar 90. Pandit Anuj 91. Nakhshab Jarchavi 92. Rashmi Virag 93. .Aziz Kashmiri 94. Payam Sayeedi 95. L Lalchand Falak 96. Subrat Sinha 97. .Gopal Singh Nepali 98. Nusrat Badr 99. B R Sharma 100. Safdar Aah 101. .B.D. Mishra 102. .Sayeed Qadri 103. .Anwar Sagar 104. .Rani Malik

[brunettegf]

[hoziercriespower]

Sex Education x Friendship.

[canonlgbtcharacteroftheday]

The canon LGBT+ character of today is:

Anwar Bakshi from Sex Education who is a gay man

[happy-xy]

SEX EDUCATION Season 3, Episode 3

[mndvx]

no but the fact that the untouchables actually really care for each other is so good 🥺 it would’ve been so easy to make them fake friends who are only together because they’re popular, but no!! they really love each other 🥺

[ncutigatwafans]

@most: Behold, Moordale's mightiest heroes! Our SEX EDUCATION faves get the comic book treatment from @artbycheyne 💥

[chaneilkular]

CHANEIL KULAR as Anwar Bakshi Sex Education 2x06

[ericeffiorg]

Chaneil Kular on Anwar Bakshi's legacy and Sex Education ending

“It feels sad that Sex Education is ending, but all good things come to an end. I feel very grateful and blessed to have been a part of it," he said.

"Sex Education kind of saved me, honestly. When I booked that job, I could act full time."

Continuing, Kular touched on the importance of his character's sexuality, and how that representation matters to viewers.

"A gay South Asian role can still be a taboo topic, and having that in such a mainstream show and him not being closeted and being openly gay, it’s the small details that really help.

"I remember getting messages from the gay South Asian community who said ‘it means a lot being represented on screen.’ There’s roles that can benefit your career, but when they make an impact and affect and change people in a positive way, that's as good as it can get."

"It feels nice that it’s ended because it’s allowed me to show who Chaneil Kular is. It feels like the right time. It’ll definitely be a highlight of my career, it was a game changer for me.”

Source

[sexedtheories]

Practice makes perfect, right? Enjoy this comparison between the final scene and the rehearsal footage (from Director Ben Taylor) of Maeve and Otis' first S2 run-in!

[bollywoodirect]

Tribute to #Roshan, one of the greatest music composers in the history of Hindi cinema, on his 57th death anniversary. Roshanlal Nagrath (14 July 1917 – 16 November 1967), better known simply as Roshan, was a celebrated Hindi film music composer. He was the father of actor and director Rakesh Roshan and music director Rajesh Roshan, as well as the paternal grandfather of Hrithik Roshan. In 1948, Roshan moved to Mumbai to pursue a career as a Hindi film music director. Initially, he worked as an assistant to Khawaja Khurshid Anwar for the film Singaar. After facing significant struggles, he finally received his break when Kidar Sharma gave him the opportunity to compose music for Neki Aur Badi (1949). While the film did not achieve success, Roshan established himself on the Hindi film music scene with the release of Baawre Nain in 1950. During the early 1950s, Roshan worked with legendary singers like Mohammed Rafi, Mukesh, and Talat Mahmood. Films such as Malhar, Shisham, and Anhonee featured his compositions, showcasing his talent. One of his iconic creations from this time was Aeeri Main To Prem Diwani Mera Dard Na Jaane Koi, sung by Lata Mangeshkar in the film Naubahaar. Although he was not consistently commercially successful, Roshan’s work was widely respected. He played a pivotal role in introducing lyricists Indeewar and Anand Bakshi to the industry. Both would later rise to prominence as sought-after songwriters in Mumbai. Anand Bakshi’s first break came in 1956 with Bhala Aadmi, although it was Nissar Bazmi who gave him the opportunity. Roshan later collaborated with Bakshi on CID Girl (1959) and delivered a significant success with Devar (1966). The 1960s marked the golden era of Roshan’s career, where his unique ability to blend folk music with Hindustani classical influences became his trademark. His compositions during this time included memorable songs from films such as Barsaat Ki Raat (Na To Caravan Ki Talaash Hai and Zindagi Bhar Nahi Bhoolegi Woh Barsaat Ki Raat), Aarti (Ab Kya Misaal Doon and Kabhi To Milegi), Taj Mahal (Jo Vaada Kiya Woh Nibhana Padega, Pao Chhoon Lene Do, and Jurm-e-Ulfat Pe), Dil Hi To Hai (Nigahen Milane Ko Jee Chahta Hai and Laga Chunari Mein Daag), Chitralekha (Sansaar Se Bhaage Phirte Ho and Man Re Tu Kaahe), and Anokhi Raat (Oh Re Taal Mile and Khushi Khushi Kar Do Vida). His work in the film Mamta (1966) with lyricist Majrooh Sultanpuri resulted in timeless melodies like Rehte The Kabhi Jinke Dil Mein, Rahen Na Rahen Hum, and the duet Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar. The film Devar also featured iconic songs such as Aaya Hai Mujhe Phir Yaad Woh Zalim, Baharon Ne Mera Chaman Loot Kar, and Duniya Mein Aisa Kahan Sab Ka Naseeb Hai. Roshan’s unique contribution to Hindi cinema was his mastery of the qawwali, which was evident in creations like Nigahen Milane Ko Jee Chahta Hai and Na Khanjar Uthega, Na Talwar Tumse. His ability to craft soulful and memorable music, blending genres with finesse, cemented his legacy as one of the most gifted composers in the history of Indian cinema.

[cononeillbreastingboobily]

Ola suggesting to Adam that they clean up the old bus at the scrapyard

Him agreeing and then looping Ruby into it

Who in turn convinced Anwar and Olivia that doing that with everyone is going to be chic in an ironic way

Steve and Jackson hearing from Adam about it and throwing themselves into the task, springing into action whenever something heavy has to be lifted up

Rahim coming along because he's curious, but ultimately staying because he loves the vibes

The entire group having fun while they're cleaning up the old bus, throwing out what can't be used anymore, hanging fairy lights in the windows, hanging up little potted plants, making the space pretty

Everyone being meticulous in the cleaning, making sure there's no dust or dirt anywhere

Adam, Jackson and Steve lifting others up when they have to reach a spot up high

And eventually, everyone sitting inside the old bus after dark, laughing and talking in the soft glow of fairy lights ✨✨✨