#anton bruehl
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Anton Bruehl. “Woman on Stairs,” 1924
#anton bruehl#black and white#photography#vintage#art#history#black and white photography#vintage photography#1920s
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Photo by Anton Bruehl in the 1930s.
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Anton Bruehl - Vogue, Feb. 1, 1939, from The History of Fashion Photography by Nancy Hall-Duncan (1979)
#anton bruehl#vogue#photography#fashion photography#vintage fashion#vintage style#vintage#retro#aesthetic#beauty#30s fashion#1930s#1930s fashion
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By the sea - by Anton Bruehl (1900 - 1982), Australian/American
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Dolores del Rio by Anton Bruehl, US Vogue, May 1938
Dolores del Rio's beautiful brooding face, perfectly photogenique from any angle, is framed with a mysterious veiled head-dress of purple tulle and blue stones
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Peter Lorre by Anton Bruehl, 1935
#30s#peter lorre#anton bruehl#portrait photography#vintage#vanity fair archive#vintage photography#pin
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Anton Bruehl IN THE SPOTLIGHT Photographs 1920s-1950s National Gallery Australia || Swtradepost
#anton bruehl#photography#national gallery of australia#vintage photography#collectable photography#collectable anton bruehl
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Vogue 1936-05-15
Vogue Magazine Cover UNITED STATES - MAY 15: Vogue white logo; Woman in black swimsuit on ladder with pink background (Photo by Anton Bruehl/Conde Nast via Getty Images)
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Peter Lorre Ph: Anton Bruehl
“He was the squat, wild-eyed spirit of ruined Europe, shyly prowling in and out of Warner Brothers shadows, muttering fiercely to himself, his disbelief forever mislaid.” - David Thomson
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Louis Amstrong by Anton Bruehl, 1935.
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Claude Rains for the play "Moon in the Yellow River" photographed by Anton Bruehl for Vogue in 1932
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Peter Lorre Eyebrow Arch Post
"I Was an Adventuress" (1940):
Eyebrows in this pack include: hinted, quirked, crooked, suggestive, and full-on devastating.
"Die verschwundene Frau" (1929):
"M" (1931):
Portrait by Lotte Jacobi (1932):
"Stupéfiants" (1932):
"Du haut en bas" (1933):
"Mad Love" (1935):
Irresistible double eyebrow from the "Mad Love" trailer:
Studio portrait as his hair was growing back:
"Crime and Punishment" (1935):
"Crime and Punishment" publicity still by Irving Lippman:
1930s:
Portrait by Anton Bruehl (mid-1930s):
"Crack-Up" (1936):
"Secret Agent" (1936):
"Nancy Steele is Missing!" (1937):
"I Was an Adventuress" (1940): - my slo-mo gif of the first eyebrowing above. "You know when she was a little child, she was always a [eyebrow arch] first-rate dancer."
"The Maltese Falcon" (1941):
"All Through the Night" (1942):
To be continued! Do share your favorites.
#just wanted to capture some of#THE ARCH#peter lorre#peter lorre eyebrows#peter lorre eyebrow arch#peter lorre movies#peter lorre pictures
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Aimer comme on écrit une icône. On l’écrit avec du temps, du temps infini, avec des couleurs comme du rouge, de l’orange, du brun, avec des traces d’or et infiniment d’amour.
Gaëlle Josse, Nos vies désaccordées
Ph; Anton Bruehl
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Anton Bruehl and Fernand Bourges for American Vogue, 1935
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