#anti-entropy

[civettictis]

gn

[kitsune-kira]

the fact einstein just straight up said this to welt actually drives me Insane

did she talk to a young 8 year old newly joachim-turned-welt like this

im just saying that welt's insane problems probably did not get bad as they are in a vacuum-

[fezharez]

heyy peepaw welt yang

[catalinemorosetheblog]

I look at Coralie 6626 Planck and think fondly, "this girl was absolutely raised by Einstein".

And then I also look at Coralie 6626 Planck and think, with both amusement and occasional abject terror, "this girl was absolutely raised by Tesla".

Or, in which a sketch to celebrate Part 2 coming out soon.

[robertogreco]

I saw William Kentridge’s The Refusal of Time (2012) at SFMoMA in 2016 and went back several times to take friends there to see it too. Here’s an interview with him on the Louisiana Channel about the installation:

How can we get a hold of time with our body and mind? This question is the crux of South African artist William Kentridge’s immersive installation ’The Refusal of Time.’ Join the artist for a detailed tour of his pulsing, breathtaking work. ‘The Refusal of Time,’ 2012, is an immersive installation and a meditation on time, space and the complex legacies of colonialism and industry. A multi layered work packed to the brim with references - to early cinematic history, and the science and philosophy of time and images - the work combines visually seductive imagery, sculptural objects, megaphones and sound. ”It’s not a scientific lesson in time,” explains the artist. “But it uses the metaphors scientists use when they’re doing their deepest thinking about time.” Therefore references to Einstein’s theory of relativity and figures like black holes - “a space in which everything disappears, a way of talking about death” - feature throughout the work. Kentridge uses cinema as ”an artistic, mechanical and optical means of playing with time,” to show time materialized. Cinema can slow time down, replay it, hold it, run it backwards, and by employing these techniques of making time visible, the work shows time, and essentially the trudge of a human life, as “a series of predictable, unremarkable actions that continue until we are worn out.” But within that frame there are also refusals says Kentridge. “Those moments of coherence, of understanding and changing the world, which is the most we can hope for.” Fragmented and futile in its story telling, ‘The Refusal of Time’ also references the painful histories of colonial wars and anti-colonial revolts in the context of time. In the colonial era the imposition of European time in the colonies was a means of control, Kentridge explains. “The resistance towards time became a metaphor for other kinds of resistance towards other forms of political control.” “In the end” – the artist says polemically – ”the project isn’t really about time. It’s much more about to what extent do we escape our fate? To what extent are we heading towards our fate whether we like it or not? Can we change the world on our way or is this all illusory?” William Kentridge (b. 1955) is a South African filmmaker, draughtsman, and sculptor. He has produced both animation, set design and sculpture as directing operas at the Metropolitan Opera in New York, USA, and the Royal Opera House in London, UK. His work has been shown around the world, e.g. at dOKUMENTA 10, 11 and 13 Kassel, Germany, the 1999 Venice Biennial, Italy, the Metropolitan Museum and the Museum of Modern Art, New York, USA, the Louvre, Paris, France, and Louisiana Museum of Modern Art, Denmark. Kentridge’s work is held in numerous private collections worldwide and he is the recipient of many prestigious awards such as the 1999 Carnegie Medal, the 2010 Kyoto Prize and the 2013 Commandeur des Arts et des Lettres. William Kentridge's installation 'The Refusal of Time' is a collaboration with composer Philip Miller, filmmaker Catherine Meyburgh & Peter Galison, professor of the history of science and of physics at Harvard University. The work is part of the exhibition ’Thick Time’, at the Louisiana Museum of Modern Art, 16 February – 18 June, 2017. William Kentridge’s installation is also part of the Louisiana Collection. This video also features extracts from 'Making Time', 2011, a film about the making of 'The Refusal of Time', filmed and edited by Catherine Meyburgh. William Kentridge was interviewed Christian Lund in the installation of ‘The Refusal of Time’, at the Louisiana Museum of Modern Art, in February 2017.

See also the page for the installation on Kentrige’s website and the page on the Louisiana Museum website.

[o-hora-o]

I wanted to do braids for her but ig not this time

[lun0vanyx]

The Anti Entropy bear stack

[aroacenezhaanddainsleif]

how the hi3 lore reveal goes actually

[civettictis]

It's 3:45am and I'm laughing at the image of Tesla and Einstein trying to show Schrodinger how to use a computer after she leaves the SoQ and her just squinting at it in confusion like an old lady asking what a google is.

[brainrotisseriechicken]

scientist yuri anyone..

consuming einsla content as an enby einstein truther is a STRUGGLE so i took matters into my own hands.

old married couple core i hate them

+bonus joachim

[mini-ism]

how willing joachim was to give away the core of reason just kinda speaks volumes as to how he wishes to “honor” joyces legacy but like, he was a child… despite the responsibility thrown onto him before he was ten, he finds a way to uphold the legacy of joyce and operate anti entropy but at the cost of his free will and perhaps even his individuality……. he continues to avoid the mistakes of the past (and therefore let it all happen again) by refusing to alter the future…………. he doesnt tell the truth because he is afraid of what will come of it…. welt exemplifying himself as “humanity” sort of proves how stupid people can be by being so adverse to the pain they had once experienced and yet putting themselves through it again unintentionally because they never changed anything about it. and he will never outrun joyce so long as he has the core or the star of eden…. joachim cannot be free until he dies in his own eyes because he is not joachim, he is welt yang…. and he is so suicidal and self sacrificial because when he dies he will no longer have to be the living representation of humanity or the continuation of joyce….

or maybe hoyo just wanted the silly haha to happen

[civettictis]

The Dinger

I LOVE DRRAWING SCHRO I FEEL LIKE I CAN NEVER GET HER RIGHT BUT SHES ON MY MIND ALWAYS AND 4EVR

[buqbite]

joachim and tesla's friendship is so very dear to my heart. she should also Not be around kids

[melospizacinerea]

bug eyed creature /aff

[legendaryevokercupcake]

Black hole? No. G U N (Wow. I might be simping.)

heyy peepaw welt yang

[ewtu]

QUICK HONKAI IMPACT NATION LOOK AT MY OC RONYA