#answering this months late :')

[kirigakure-stories]

Can you give me a list of missions to do in Konoha after the Fourth ninja war my oc is strong any Rank D, C, B. A, S,

This blog is for Kiri stories, not a roleplay blog for Konoha missions. Perhaps ask a roleplayer who writes a Hokage! ;)

[crosaidi]

How does Tav react to the PC becoming a mind flayer? Can they offer to become one themselves? Does their reaction change if they’re romanced?

companion questions !

he's already judgy and pissy enough about the tadpoles. he'd absolutely disapprove, and profoundly. honestly, and being blunt, it'd end the romance there — he's had enough of mindflayers and the threat of everything, and he's not confident enough that the person stays themselves.

he'd rather go down bloody than do it himself, and won't. this is the one thing he'll be fiercely selfish on, and he'll be protective over anyone they're close to doing it, either. it won't make him leave, but oh my god he'll be pissy about it.

something something oath of vengeance against the absolute and how accepting becoming a mindflayer would be the ultimate betrayal against his oath, even if one could argue it's the greater good, he certainly doesn't see it that way.

[hinamie]

hina... have you ever drawn nanami & yuji. pls i need to see them. my reluctant mentor and ray of sunshine. maybe eating together after a mission

cleaned up this request doodle from a while ago <3

[ask-queen-arti]

Maybe you aren't queen of the scavengers... But you definitely queen of my heart *wink wink fingerguns*

[yeosin-n]

Yeo, i don't think i mind giving you more power so... Could i please smooch Naut's forehead? I just wanna give him even more love 💖

OF COURSE U CAN SMOOCH HIM

Look how happy he is 🥹💕

[youchangedmedestiel]

😬

Thank you so much! I have the feeling that I never saw that one. So truly, thank you! 💚💙

How's that even possible that I've never seen it? Well I don't know!

Maybe my brain erased it because it was too much! Because this IS too much! What am I supposed to do with that?

[creatures-in-posts]

would you like to see another creature

yeas

[shanastoryteller]

HAPPY BIRTHDAY GRANDMA MY ONE TRUE LOVE!!! CAN I HAVE SOME PERCY AND TONKS CONTENT TO MAKE MY SOUL CONTENT PLEASE ✨✨✨

There are several titles that fall under the auror. When the ministry was first established, it was just inferior and superior, meant in the Latin way, but that fell out of favor rather quickly for obvious reasons. There was some talk of adopting the ranks of a legion used by the Romans, but since such ranks are still in practice in magical Italy, it didn’t the smartest idea. Tonks thinks that it was probably a Zabini who suggested it. Now their ranks are just numbered, from fifth to first, and junior, standard, and senior.

Everyone starts the same – fifth ranked junior auror – and works their way up one by one. Training is a year and if they make it through that, they’re a junior agent who better make it up to the first rank by the end of their third year, otherwise they’re likely getting cut.

There’s a track to speed through the junior phase and get to the land of securely employed standard auror, but that’s for people that have combat or specialized experience, usually for people who aren’t entering auror training straight of school like she is. Or for when they’d needed to replenish their ranks during the war and those applying had been fighting anyway.

Which is why she’s looking in confusion at the thick roll of parchment that Shackbolt has shoved under her nose. She’s only a couple months into training and while she thinks she’s doing pretty good, she’d also tripped over her literal two left feet during the first week of boot camp. Sometimes she changes in her sleep and doesn’t notice for a while, okay? It’s not like she did it on purpose. She’s pretty good at dueling, her mother made sure of that, but they haven’t even gotten to that part yet. “I’m confused.”

“Fill this out and give it back to me by the end of the week,” he says, already turning away from her.

She makes her arm extra long so she can grab his elbow before he gets too far away. “But I don’t have anything that qualifies me! There’s no way Bones will approve this.”

He raises an eyebrow and looks down at her arm. “Are you sure about that, Trainee?”

Oh. But she hasn’t really gotten a chance to show those skills off either, and being a metamorphmagus is impressive, but not that impressive. But she does as she’s told, leaving it on his desk and trying not to think too much about it.

Bones approves it.

Being on the advanced track has it advantages – blessed job security – but it also means she just gets a jump on desk duty, really. Apparently they don’t just send newly minted aurors out to battle dark wizards to the death, for some reason.

She sighs. She’s never been very good at paperwork.

How very not good she is at is proved when during her very first week when Percy Weasley shows up at her desk, looking even more sleep deprived than he had as a runty fourteen year old, which is impressive. He’s a lot taller now. Late growth spurt, perhaps. Or maybe she just wasn’t paying that much attention. He drops a stack of paper on her desk and she recognizes her own messy scrawl. “These are filled out incorrectly. I can’t process them like this.”

Her shoulders slump. She’d tried to pull other reports and fill them out the same way, but it was all so confusing. How she’s supposed to know how to categorize these things? Why are there thirteen different codes for a house robbery, anyway? And there are so many different sections, and she wasn’t even there, she just has other people’s notes to go off of, and they take notes like she did in History of Magic.

She’s going to be here all night redoing them and they’ll probably still be wrong and Kinglsey will regret ever pushing her through the advanced track and her mother will have been right, which is really the worst of all –

“Hey,” Percy says, and she blinks several times before looking up at him so she doesn’t embarrass herself. “I can – if you’re busy, I can just,” he reaches for the papers he’s dropped on her desk.

She slaps her hand over them to stop him, but instead his hand ends up trapped beneath hers. “No! No, it’s okay, I have to learn how to do this. It’s important.”

He stares at her with a look she can’t explain. “It’s just paperwork.”

“It’s my job,” she says stubbornly, “it’s all important. I’m going to be a great auror – the best auror. And that includes my paperwork.”

He smiles at her, which is suitably distracting from her own ruined night. She doesn’t know if he’s ever smiled at her before. He’d always seemed so stoic, nothing like his brothers. “All right. If you’re sure.”

“Yes,” she says, freshly determined, finally lifting her hand off his. Everyone else has figured out how to do this. She can too. She will. “But thanks.”

“No problem,” he says, then, “My dad has a muggle coffee pot in his department lounge. If you want. The password is rubber duck.”

She does prefer coffee made the muggle way. That’s how it’s made in her house, of course, with her muggle father, and there’s something to the taste that she thinks coffee loses after it’s third hour of being charmed hot or squeezed through by magic instead of just hot water and a little patience.

How does Percy know that?

Before she can ask, he’s already turned and walking away from her, and she barely has the chance to shout, “Thanks!” before he turns the corner.

[vladdyissues]

that wet cat of a man needs to be put in more fem clothing

I couldn't agree more

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[heretherebeturtles-comic]

Hi! First off, I just wanted to say that you're incredible for not only answering these asks, but doing it in such detail. I watched the videos you linked in that post late last night, and I feel like an absolute genius and can't wait to get my pencil out today.

I have a small more specific question -- I don't know if I've actually seen you doing it in this comic, but I don't think it's that much of a stretch to assume you have (plus I didn't really look very hard), so I'm asking anyway.

How would you shade/render a blank wall or corner? Is it darker in the middle? Is one wall darker? What if there's lighting right there in the corner?

o7

I'm glad the videos helped out!! I just enjoy talking about comics and art, I thank you all for enabling me haha

For shading a wall or corner it's all in the gradients! How strong the shadows are will depend on what the light source is or where it is in relation to the corner. Here are some references I found for examples.

If you are doing it digitally you can use a gradient tool. It's simple and easy to get those shadows down quickly.

Idk if this was a tutorial? It's also not completely accurate, it was mostly just me going "oh huh... how would I do that?", but I hope this helps!

[gemapples]

you gotta be my favorite egg drawer

THANK YOUUU ❤️

[sassylich]

While I'm excited for the silt verses finale I'm gutted it's going to end, so could you and Maebh just keep on doing the adventures of The Worst Boy In The World and The Crotchety Axe Murderer forever

méabh and i actually discussed this, and we're going to do a spin-off series with them that's all beach episodes, all the time

[feroluce]

how do u imagine natasha + sampo’s relationship?

I. Feel a little bad for leaving this in my inbox as long as I did, especially since I said in this post I could write a whole essay on them. But then when I tried to actually answer this, I realized ah shit, I can't really articulate what I think of them at all OTL

(so have a bajillion words of meta analysis of them instead fklajklasjf)

Just! Sampo is very mysterious figure, and we know so little of his background and his motivations! So it's really difficult to get a solid read on some of his relationships with other characters. Regardless, I do think that Natasha is perhaps the one he's closest with, and that she is the one person who knows him the most intimately in all of Belobog.

And a lot of it IS hard to pin down because of Sampo's slippery nature, but also because it's like. If you look at just Natasha's dialogues about Sampo, it doesn't really look like much. It only becomes more meaningful when compared to how everyone else talks about him.

Most other characters just comment on what Sampo does, as in his observable actions that are easy to see on the surface or from a distance.

Natasha is one of the very, very few that actually speaks to Sampo's personality or philosophy. Like she not only is able to describe a certain behavior of his, but she's able to explain the why behind it.

At least part of this is probably that they spend so much time together- Hook even comments on it during her companion quest.

And tbh I don't really think it needs more proof or anything with such a flat out statement like that, but this is actually further supported by the fact that Seele is the only other character in Belobog to sorta-kinda comment on Sampo's personality; if Sampo were hanging around the clinic with Natasha all day, Seele would probably be the person he would see second-most there. Of the dialogues posted further up in this post, Hook obviously sees him all the time, but it's not always in the clinic, and besides she's still very young...she wouldn't have the same read on him an adult would. Luka avoids the clinic whenever he can because he's worried about taking up Natasha's valuable time. And the Landau siblings aren't even present in Boulder Town until after the Stellaron is quieted.

Seele, on the other hand, is extremely loyal and devoted to Natasha, and seems to worry about her a lot. She doesn't have the same reservations as Luka, and it would feel right to see her in the clinic frequently, taking orders and missions and trying to make sure Natasha doesn't run herself in the ground. So it would make sense for her to see a lot of Sampo if he's always in there, too, enough that she would have things to say about his personality, whether she likes that or not haha.

Of course we know from Sampo's lines that it's not that he's sick, he's just reporting back to Natasha. Sampo not only smuggles in supplies across the border like what most people know him for, he's also Natasha's source of intel.

Bringing back intel doesn't necessarily have to involve a lot of conversation though, especially because it would make more sense for Sampo to be turning in written reports. It decreases the chance of Natasha mishearing/misunderstanding something or having to rely on memory alone, neither of which are really things you probably want to be doing when bad intel can mean the difference between life and death in her circumstances. So I do really wonder what it is Sampo does in the clinic all day haha. Given that he's a big believer in the power of small talk bringing in big clients, it's entirely possible Sampo is just in there being chatty, happily making conversation and keeping Natasha company most of the time...which is kinda cute. He also really could just be talking shop, too, of course- Sampo does a lot of work for Natasha, and I don't think it'd be a stretch to assume she's his main client. There's probably a lot to discuss about supply quotas, incoming intel, scheduled drops, etc.

My favorite option, though, is actually based on one of Sampo's options from the main quest, where he says:

Because like! The way he says this, the way he specifies that this is his opinion, but no one seems to care what he thinks? And how he calls them stubborn in particular? It really sounds like Sampo has been trying to get Wildfire to operate in a different direction. And if you look up the exact definition of "artless," you get this

which very much fits Sampo, and how he does things. He has guile and deception down to an art form. Sampo goes on to call Wildfire "do-gooders," but then cautions the trailblazer not to underestimate them because of that- indicating that Sampo sees that type of philosophy as something naive, or at least just ineffective. Something that you would underestimate a person for.

And the person Sampo associates with the most in Wildfire, the one he's always seen with, the one who would hold the most sway to change the modus operandi of the organization is...Natasha.

So I wonder if Sampo has been trying, possibly for years now, to get Natasha to see what he thinks of as reason, and start playing dirty to survive. I wonder if that's what he spends so much time in the clinic for, is because he does care, and he wants her and the rest of them to live, and he has been trying to convince her to go with his way of doing things, but Natasha has been refusing him, refusing to compromise her morals.

Because we know from some readables and from the general Vibe, both up on the surface and down below, that things were getting pretty dire. Rivet Town has fallen. The Silvermane Guards are being whittled down and broken. The Fragmentum was right on everyone's doorstep, and I'm sure that if the Astral Express hadn't arrived- and that if Sampo hadn't set the stage so perfectly, if he hadn't played his part just so- then all of Belobog would have eventually been snuffed out. Sampo had to have known it was happening. He must have known the end was upon them.

He doesn't even have a stake in Belobog- he's not from here. He could, assumingly, call it quits and leave when shit got tough by whatever means got him there in the first place.

And I'm sure Sampo wants to save all of Belobog, but I think he's particularly endeared by Natasha. He famously phrases his view of Elation as "true happiness always entails the manifestation of the dignity of mankind." And like. Who else embodies that so much as her?

Maybe it is a little vague and up to interpretation, but I feel like Natasha is FULL of that kind of dignity. She has been doing this since before the blockade. She willingly chose to stay in the Underground where she could do the most good. She has seen so, so much death and you can see how it weighs on her; she's become bitter, and wary, and weary. She has it out for the Guards (understandable), and she openly taunts Gepard and goes right for his throat when he shows up in Boulder Town, ten years too late, trying to help with the Fragmentum.

Natasha even seems to have given up any belief she may have once had. She's completely lost faith in Qlipoth.

All of this, and yet she still chooses to be kind. She still chooses to help people. There is something immensely admirable in all of that.

And I feel like you can see how much Sampo admires her in just how often he thinks of her, especially when someone needs help. Sampo smokebombs everyone and needs to get them somewhere safe in the Underground? He takes them to Natasha. Svarog is about to fucking kill everyone? Go get Natasha. He finds the trailblazer passed out in an alleyway? He carries them to Natasha. The trailblazer is seeing weird shit out in the Fragmentum? Recommend they go get a check up. Specifically from Natasha.

It's a little silly, but I think you can also see some of this when Sampo is being melodramatic about being caught red-handed in the museum event. He echoes a very important sentiment to Natasha and Wildfire;

And the mission where this ideology was displayed strongest was titled, "To Rot or To Burn."

(Hell, in the dream sequence of Penacony- regardless of whether that dream bubble came from Sampo or Sparkle, it had to be informed by Sampo's tales of Belobog. Sparkle has never been there herself. And the kind trashcan that immediately helps you and sets you on the right path, that tries to rally everyone together, the only one with a name so clearly and obviously taken from someone Sampo knew in Belobog? Is Shatana- an anagram of Natasha. Even from a meta perspective, they have the same VA. No other trashcan there gets that treatment. None.)

I think they have the same goals, and even hold some of the same views. Natasha's are much more obvious, but still. Sampo says this about Belobog's circumstances:

And he says this as though it should be obvious common sense. That when things are rough, you share and make sure everyone has enough. I think they both share this belief, it's just that they disagree on how to go about making things even. Natasha believes in rallying people for the cause and giving as much of herself as she can to make up for whatever people lack. Sampo believes that if some dipshit with more money than what they need falls for his bullshit and he gets to spread it around? Well hey, that sounds like a whole lot of their own fault.

Natasha is definitely aware of this, and she has no problem threatening Sampo whenever she thinks he's stepping out of line.

She keeps him on a very short leash, which like. Yeah no that's valid fjkdlsajfdklj

Even so, the way she talks about him, like... Maybe it's just me, and my rose-colored glasses, but she doesn't seem to dislike him nearly as much as she could? She kind of just. Says these things as statements about him, without any real vitriol behind them. This is just kind of how he is. She even seems to have a sense of humor about it.

And again! She has so much more to say about him than almost any other character.

I'd like to think part of her...affection? of sorts? for him is simple camaraderie. Circumstances are dire. Past, present, and future are all bleak. Things like that deepen bonds with your foxhole buddies. Sampo is dependent on Natasha for work and pay and a place to get away from the Guards. Natasha is dependent on Sampo for food and medicine and life-saving supplies. They both heavily rely on each other in this harsh environment, and they have a really nice back-and-forth that I appreciate with how they help each other out by owing favors as payment.

And the other part, I'd like to think actually IS because she knows him very well- maybe not things like his past, but she knows some of his personality and beliefs, and finds them agreeable enough. She even has the audacity to call him a poor liar at one point- Sampo! Of all people! Known by someone well enough to be caught out as a poor liar! He's either intentionally leading her on and letting her think she's caught him, or Natasha just really is that good. Neither would surprise me tbh

I think Natasha is also just uniquely prepared to understand Sampo, and is able to see his better sides without letting her judgement be clouded by his slimy manner. She's able to appreciate that his actions ARE extremely helpful, regardless of how he does them.

Even as she acknowledges that he isn't always trustworthy, she does still choose to rely on him and give him chances. She was pleasantly surprised by him here, but she still chose to trust him with this in the first place. She never treats him harshly, and she never seems to bear any kind of grudge with him.

But my favorite example of Natasha being able to understand Sampo? My favorite is this. This one little throwaway line, that didn't even involve him, wasn't even about him. I feel like Natasha is capable of knowing and understanding Sampo on a deeper level than most people can, solely because of this.

She gets it.

(As a fun bonus: In the current trashcan event, there's a simple mechanic where you get one trial character for the initial battle. Then, for the harder stage, you get that same trial character, plus a couple of extras. This is true for every Proof- except for Sampo's. In his harder stage, you use Asta, Black Swan, and Luocha. But in his initial stage, in an event all about friendship and relationships...)

[canisalbus]

it's been a while since vasco and machete stargazing was brought up, but I distinctly remember you wondered if machete would be able to see the stars at all. i asked my old teacher who's albinistic and proudly calls herself "the mole" due to her being almost legally blind. and she can see really bright stars on clear nights when she's not in an overly light polluted area. so good news! machete can stargaze

.

[hinata-boke]

OMGGG i luv the lil iwachancitos on your commission info post sm :’) were they ever posted separately or just as examples? would you release them for a fee? 🤑

no fee required, here they are!! (he has been released.)