#another example i had in mind here is the drama with ww when in case i make it came out

[daz4i]

i do think the whole "ganging up on one person for a week then moving on" culture of the internet is egregious enough and it's the worst when it happens to ppl who haven't done anything wrong but "body language experts" on tiktok decided are evil or w/e. but it's also still bad when the person's worst crime is just kind of being a dick. this includes creators and somewhat public figures like youtubers or artists etc like i truly think the best thing to do is ignore them. they either made a mistake and are gonna learn from it, or they're just gonna keep being a dick to get more attention. and it's ESPECIALLY bad when the "kind of being a dick" event took place months or even years ago and you're bringing it up publicly to cancel someone (even more so when they clearly changed since then). like why does everyone on twitter think it's their job to school a whole adult man for posting something mean. to call out a small artist for being kinda rude to her fan once. can't we just all collectively find a new hobby

[seenashwrite]

Hey! So I'm finally writing a fic, and it's gonna be pretty long (from how it's been going XD). SO I was wondering when it's time to make it a 2 part series, and when I should stop part one. Because I honestly do not know what's a really good cliffhanger and what's just bad. Thanks for reading!!!!!!!

I have no idea when you wrote this, sweets, and Imma answer even though I caution I’m still stumbling into recovery from that case of the zombies I contracted. 

So. Ooof. Cliffhangers. Well.  I mean, they don’t…… the whole….. y’know, the BOOOOOM!! and/or GAAAASP!! type of thing….. I just..... yeah, I can’t be completely diplomatic about this topic. For ol’ Nash, here, I gotta say:

99% of cliffhangers suck it big time.

So, okay, PICTURE IT: we’re winding down to the end of a given chunk of the story [or the TV show’s season finale, or the movie, whatevs] and I’ve successfully imagined myself in the scenario, that protagonist O.C. character or reader insert is speaking to me, I’m tracking with the plot, I’m sold baby, I AM ALL THE WAY FREAKIN’ IN, ergo in that scene…..

….I’m on the second floor of an abandoned house, I’m a little impatient, maybe a touch nervous or annoyed, and every time I fidget, rock back on my heels, the weathered floorboards under the threadbare carpet creak, and now on top of everything I’d swear I just heard the click of the doorknob echo down the hallway, only I know Sam’s way out in the backyard and Dean should still be out front grabbing more shells from the car, so I gasp and shudder and my eyes go wide as I’m frozen to the spot, watching that knob on the door not but a hop-skip away from me turn, aaaaaaand CUT TO BLACK.

Hmmmm.

See, the problem cutting off with something like that - y'know, inferring there’s gonna be some legit cliff plummeting jazz - is I’m not gonna buy it. I’m just not. Because (a) you ain’t gonna kill me/my character, and (b) you ain’t killing Sam and/or Dean.

Unless you ARE, in which case? Don’t even go within the realm of cliffhanger, stick with pure drama genre, and keep it to a one-and-done vs. series, otherwise it comes off as…. I don’t even know the word…. Flippant? Gimmicky?  

Specifically what I mean, and I’ll use the visual medium as example: the garbage of ending a given season - or “series”, depending on your locale - of a show [that we’re all well aware is renewed] or a movie [that we’re all well aware is part of a triology/“universe”, and/or is based off of a book series/comics] with a faux death, it’s just—–

Pardon me for a sec.

[Reaches into the always-stocked water balloon basket that lives in a corner of the front porch of The NashHole©℗™, just behind the swing; picks up a real nice fatty; launches in direction of window; lands with a beautiful splat]

Apologies, I’m having a helluva time waving down the interns to refill my iced tea, and Cas, my non-dead angel buddy who’s sitting beside me, wants another unicorn frappucino, because he’s not dead, no one ever believed he was dead, of course he wasn’t dead, and we’ve been out here swaying in the breeze, adding to the ever-growing list of ways that S12 could’ve ended without cheap deaths [cough Crowley], without poorly implied deaths [cough Mary], and without completely transparently faux deaths [cough Cas], and just have been, y'know, *better*.

Cliffhangers-that-ain’t are frustrating, and it immediately cuts me down to 50/50 in terms of if I’ll continue on watching, or - for the present topic - reading. This is a MAJOR reason why - in fanfic land - I don’t care for most episode/season re-writes [I’ve perused lots of them; only 2 or 3 have made The Nail].  Why? Most rehash what I/we already know, just painting over it with the brush of the author’s watercolor personal desires, no spin or creative angle taken. It’s that whole thing of them trying to craft suspense where there is none. I know where this road leads. I walked that road with the author when I saw the ep, and not just me, about 2+ million of us. Or more, I don’t keep up with ratings.

[Psssst….. anyone curious as to how to do this “right”, RE: being inventive & not simply re-hashing — please do see the offerings at “How It Should’ve Ended”; more recent ones that tickled me have been WW and Jurassic World and Rogue One and X-Men: Apocalypse]

So, that’s Nash Cliffhanger Advisement #1: I’ve no doubt it can be done well, even though I can’t think of an occasion where I’ve seen it & not been at least partially eye-rolly about it. I’m also having no doubt that:

(A) If you do wanna give it a whirl, probs shouldn’t be done on every part because that’ll get old; and

(B) A sure thing would be to keep it to a single story if you’re looking to shock, don’t drag it out - I’d rather have a 10K one-shot that delivers on drama than a bunch of filler added to it for the sake of trying [and potentially failing] to make it suspenseful by expanding it into a series.  #Fic Wreck 

Speaking of those, mild confession time. There exists a folder, filled with tales that wrecked me, ones I caught on my dash or were sent to me or I was tagged in, that have >100 notes, some in the near-thousands count, which were so bad I hurt myself laughing. I proceeded to cut-and-paste the most heinous parts into a document, all so that when I have those times when I’m beating myself up over nit-picky sh*t in my stories & need a break, I go to Fic Wrecks©℗™, and I laugh, and I remind myself Hey, Nash, pump the brakes, people are pretty f*cking forgiving, apparently. 

This might make me a bitch. I also have a doc full of reader feedback on my stuff, both good and bad, which I read when I need a reminder of what works, what hasn’t, and that more often than not, a tidy chunk of people dig what I write. This might make me a mechabitch. I’m sleeping alright.

I bring this up to lead into Nash Cliffhanger Advisement #2 : Check out other stuff.

I know, this is in direct contrast to my writer’s block advice, part of which was to *not* read.  In this case, there’s not block; for me,this is more to the editing end of things. I’m not concerned with an accidental “lift” or “light bulb” that piggybacks off of someone else’s plot/spin/thing because at this point, I’m assuming it’s all fleshed out, you know where the story’s going, any twists/mysteries have been accounted for, etc.

Revisit fanfic that you’ve read that had more than one part, preferably ones whose plots you still remember fairly well so that you can scroll right to the bottom of part 1, read the last couple paragraphs, then hit the first bit of part 2, scroll to bottom, and so on.  

Do you tag your own stuff, like with #fic rec, perhaps?  If not, lots of peeps do - this seems to be a suuuuuper common tag, at least, that I’ve seen.  Go cruise some blogs you like, see if that pops any small multi-parters for you to check out.  

Or, think on book series. Looking back, having read the whole shebang, do you ever think “Jeez, why did the author cut it off there, then pick it up here?” And then another view to take, how’s that have been made into movies? Then ask yourself “Why did the movie-makers choose to cut it there and have the next movie pick up here?” 

I have no idea what you’ve read and then if you’ve gone on to watch their visual counterparts, but here’s a handful off the top of my head....

Narnia

Hunger Games

Lord of the Rings/Hobbit

50 Shades

Harry Potter

Twilight

Divergent

Maze Runner

Basically, in your mind, could they have done it better or did they nail it?

And speaking of nailing it, going back to the written word, thumb through the series/multi-parters on The Nail - remember, 99% of the time I’m not reading series on there in their entirety due to time restraints, so I can’t attest to them having pitch-perfect cap-offs to each of their chapters, but if they made the list?  Well, y'all know how anal-retentive I am - the author’s doing more than a few things above-average, so I’d hedge my bets that they’ve got a good grasp on ending chapters with engagement & enticement.    

And that’s where I personally aim when it comes to my chapters, whether it’s the novel-like Top of the World or my mini-series that have made the rounds here. I want the audience to (1) be engaged to the point that the end of that part kinda snuck up on ‘em, and (2) be enticed to carry on reading when the next part is posted. 

I looked back at the aforementioned works, at how I was capping off, and seems I tend to end in the midst of someone/a group pondering over something, or planning something, then I tend to [not always! but tend to] kick off the next part NOT in the midst of that exact same something. As in - different characters, or it’s the next day, or a new setting. I’d give examples but…. spoilers & such, y’know. [wink]  

Hope that helps. My iced tea has arrived. Til we meet again….