#anokhi ada

[inmyworldblr]

Naseem Banu in Anokhi Ada (1948)

| dir. Mehboob Khan

[pyotra]

glad to see that even in the 1940s, most leading men in indian films played literal sociopaths posing as romantic heros just as they do today

[hellotherealvishal]

Poetry: Mausam ka ishaara

Poetry: Mausam ka ishaara

Mausam ka rukh badal raha hai,

Kahaani ne naya mod le liya hai,

Woh hawa ka Jhonka,

Baarish ki ek boond,

Garam chai peena ka ada hai,

Thami hui raahein,

Baat mein therav,

Usski kale baal ne hosh udaya hai,

Ek nayi daastan Prem ka,

Dil ki awaaz aur silsila,

Pyar ka ek anokhi katha,

Ek haseen pari,

Usski dhami paon,

Payal ke jhankar,

Dil ki taar jhor raha hai,

Ek ajnabee chehra,

Woh kaun hai?

Koi…

[bollywoodirect]

Remembering Hindi cinema's legendary singing star Surendra on his 109th birth anniversary today.

This generation may not have heard of him, but he was heard with pin-drop silence when he sang his soul-stirring song “Kyon yaad aa rahen hain guzare huye zamzne...” on the stage during Indian Cinema's Golden Jubilee celebrations in the year 1982. The audience that included biggest of the Bollywood names knew him well and had their eyes moistened by the touching melody which looked so true to life. The glorious bygone era of Surendra, the singing star sensation of the 30s and 40s and heartthrob of thousands then, seemed to have suddenly come back before them. Their spontaneous applause and standing ovation made him overwhelmed with emotion, as their so much admiration and regard was, perhaps, his best recognition in many decades since his most melodious early years of Hindi films.

Surendra was born on November 11, 1910 in Batla village of Punjab. He always used B.A., L.L.B. with his name and wanted to establish himself as a successful lawyer, but due to his pleasent voice everyone suggested him to become a singer and try hands at Hindi cinema. Finally, he agreed with them and came to Bombay to join Mehboob Khan's Sagar Movie Tones.

In 1936, he got his first break in Deccan Queen. Deccan Queen established him as a sining star. He released a parody of K. L. Saigal's 'Baalam Aaye..' in his voice as 'Birha Ki Aag Lagi..' which became an instant hit with the film-goers. His next film Aansuon Ki Duniya went un-noticed. He sang 'Tumhi Ne Mujhko Prem Sikhaya..' with Bibbo in his next film Manmohan which became very successful soon after the release of the film, and he got recognition as a singing star of those times. With Jaagirdaar he got his first chance to sing under the baton of great music director Anil Biswaas. Anilda recognised the talent in the young man and was very much impressed by Surendra's voice and ability to sing. Anilda fortified his singing abilities. He gave further chances in Gramophone Singer, Jiwan Saathi, Alibaba, Aurat, Ghareeb, Jawani, etc.

When Anil Biswaas switched over to Bombay Talkies, Surendra sang under Khemchand Prakash and Gyan Dutt for about 2-3 years. Khemchand's Bharthari (1944) was among his best musical creations. Surendra sang 'Bhanwara Madhuban Me Jaa..', 'Bhiksha De De Maa..', 'Allah Naam Ras Pina Praani..' and 'Prem Bina Sab Soona..' in Bharthari. In 1946, Surendra got the opportunity of his life time, when, Mehboob who was making Anmol Ghadi, called him up and gave him the chance to work against the then singing stars Noor Jahan and Suraiyya. For Anmol Ghadi, Naushad gave him a golden chance to sing with Noor Jahan, and Surendra lived up to all expectations. Surendra got songs like 'Aawaz De Kahan Hai..' a duet with Noor Jahan, which was a huge hit, 'Kyun Yaad Aa Rahe Hain Gujre Hue Zamaane..' and 'Ab Kaun Hai Mera..'.

Anmol Ghadi was a huge success and thus Naushad repeated Surendra in Anokhi Ada, Elaan, etc. Surendra sang probably his best song in Gawaiya (1954) under music directly Ram Ganguly, the song was 'Teri Yaad Ka Deepak Jalta Hai Din Raat..' the other version (faster) of the song was sung by the great Talat Mehmood. But, it was the slow version sung by Surendra who took the notice of the film-goers. Ironically, after this he almost stopped singing and confined himself to acting. He acted in many films, like, Dil Deke Dekho, Mughal-e-Aazam, Baaghi, Geet Gaya Pattharon Ne, Waqt, An Evening in Paris, Milan and Sarasatichandra, to name a few.

Suraiya and Surendra in a still from the movie Anmol Ghadi (1946)

[keyscity]

Anokhi Ada [1973 – FLAC]

——————————————————————— VA – Anokhi Ada ———————————————————————

Artist……………: Various Artists Album…………….: Anokhi Ada Genre…………….: Soundtrack Source……………: CD Year……………..: 1973 Ripper……………: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec…………….: Free Lossless Audio Codec (FLAC) Version…………..: reference libFLAC 1.2.1 20070917 Quality…………..: Lossless, (avg. compression: 52 %) Channels………….: Stereo…

[odedmusic]

Haal Kya Hai dilo ka na pucho Sanam

Good rendition of a very famous song by Kishore Kumar, from the 1973 film Anokhi Ada!

#OdedFriedGaon #OdedMusic

[lyricsocean]

<p></p>

Album name:-Anokhi Ada (1973) Singer :Kishore Kumar Actor:-Vinod Khanna, Jeetendra Lyricist:-Majrooh Sultanpuri Music By:-Laxmikant Pyarelal

hal kya hai dilo ka na pucho sanam hal kya hai dilo ka na pucho sanam aap ka muskurana gazab dha gaya hal kya hai dilo ka na pucho sanam aap ka muskurana gazab dha gaya ik to mahafil tumhari hasi kam na thi ik to mahafil tumhari hasi kam na thi us pe mera tarana gazab dha gaya ik to mahafil tumhari hasi kam na thi us pe mera tarana gazab dha gaya hal kya hai dilo ka na pucho sanam

ab to lahraya masti bhari chhaw me ab to lahraya masti bhari chhaw me bandh do chahe ghunghru mere paw me bandh do chahe ghunghru mere paw me mai bhakta nahi tha magar kya karu mai bhakta nahi tha magar kya karu aaj mausam suhana gazab dha gaya main bhakta nahi tha magar kya karu aaj mausam suhana gazab dha gaya hal kya hai dilo ka na pucho sanam

har nazar uth rahi hai tumhari taraf har nazar uth rahi hai nazar uth rahi hai har nazar uth rahi hai tumhari taraf aur tumhari nazar hai hamari taraf aur tumhari nazar hai hamari taraf aankh uthana tumhara to phir thik tha aankh uthana tumhara to phir thik tha aankh uthakar, jhukana gazab dha gaya aankh uthana tumhara to phir thik tha aankh uthakar, jhukana gazab dha gaya hal kya hai dilo ka na pucho sanam

mast aankho ka jadu jo shamil hua mast aankho ka jadu mast aankho ka jadu mast aankho ka mast aankho ka jadu jo shamil hua mera gana bhi sunne ke qabil hua mera gana bhi sunne ke qabil hua jisko dekho wahi aaj behosh hai jisko dekho wahi aaj behosh hai aaj to mai diwana gazab dha gaya jisko dekho wahi aaj behosh hai aaj to mai diwana gazab dha gaya ik to mahfil tumhari hasi kam na thi us pe mera tarana gazab dha gaya hal kya hai dilo ka na pucho sanam

lyrics typed by : hanshu malik

<p></p>

The post Haal Kya Hai Dilon Ka Na Puchho Sanam Lyrics appeared first on Lyrics Ocean.

[lyricspapa]

Haal Kya Hai Dilon Ka Na Poochho Lyrics – Anokhi Ada

Haal Kya Hai Dilon Ka Na Poochho Lyrics – Anokhi Ada

Haal Kya Hai Dilon Ka Na Poochho Sanam Lyrics: The lovely romantic, heart toiching and expressing the feelings song lyrics from the movie Anokhi Ada (1973) which is sung by Super Star Kishore Kumar and its awesome music composed by Laxmikant and Pyarelal. This song’s lyrics are written by Majrooh Sultanpuri.

  Haal Kya Hai Dilon Ka Na Poochho Sanam

Haal Kya Hai Dilon Ka Na Poochho Sanam

Aapka…

[masudrana2]

Anokhi Ada (1973): Mp3 Songs Download

Anokhi Ada (1973): Mp3 Songs Download

Anokhi Ada 1973 Bollywood Movie Mp3 Songs Free Download Songspk

Anokhi Ada 1973 Film Information: Actors: Jeetendra, Rekha, Vinod Khanna Director: Kundan Kumar Producer: Kundan Kumar Music Director: Laxmikant-Pyarelal Release: 03 April 1973 Country: India Language: Hindi

Anokhi Ada Movie All Audio Hindi Songs Download Below:

Haal Kya Hai Dilon Ka Song | Download – 128kbps | 320kbps Kishore Kumar

[inmyworldblr]

Anokhi Ada (1948) | dir. Mehboob Khan

[ Prem Adib, Naseem Banu, Surendra ]

[dhrupad]

Surendra & Shamshad Begum -- “Kyun Unhe Dil Diya” (Anokhi Ada, 1948)

[bollywoodirect]

Remembering Tun Tun on her 95th birth anniversary. Tun Tun (11 July 1923 – 24 November 2003) was the screen name of playback singer and actress-comedian, Uma Devi Khatri, who was called "Hindi cinema's first-ever comedienne". She arrived in Bombay (Mumbai) at the age of 23, having run away from home, and knocked on composer Naushad Ali's door. She told him that she could sing and that she would throw herself in the ocean if he didn't give her a chance. He auditioned her, and hired her on the spot. She made her debut as a solo playback singer, in Nazir's Wamiq Azra (1946). Soon she signed a contract with the producer-director A.R. Kardar, who used Naushad as music director, and went on make a place for herself amidst music stalwarts like Noor Jehan, Rajkumari, Khursheed and Zohrabai Ambalewali. In 1947, she had huge hits with "Afsana Likh Rahi Hoon Dil-e-beqarar ka", "Yeh Kaun Chala Meri Aankhon Mein Sama Kar", and "Aaj Machi Hai Dhoom Jhoom Khushi Se Jhoom", which she sang for actress Munawar Sultana in A.R. Kardar's Dard (1947), again under the music direction of Naushad; she also sang a duet, "Betaab Hai Dil Dard-e-Mohabat Ke Asar Se", with Suraiya In fact, a gentleman from Delhi was so enamoured by her song, "Afsana Likh Rahi Hoon", that he stayed with her in Bombay. They got married, and the couple had two daughters and two sons; her husband, whom she called Mohan, died in 1992. Success of Dard meant that she next received Mehboob Khan's Anokhi Ada (1948), which again had two hit numbers, "Kahe jiya dole" and "Dil ko lagake humne kuch bhi na paya". This brought her into the league of highly rated playback singers. She reached her peak as a vocalist in director S.S. Vasan's "Chandralekha" (1948) made by Gemini Studios, Chennai. Her seven songs, which include hits like, "Saanjh ki bela", remain her most accomplished work in her singing career; though signing the film also meant a breach of contract with producer-director Kardar, which led to her dwindling fortunes in the industry. Moreover, in following years, owing to her older style of singing and limited vocal range, she found it difficult to compete with the rising singing stars, Lata Mangeshkar and Asha Bhosle. Eventually Naushad suggested that she take up acting, because she had a very bubbly personality and wonderful comic timing. He asked his friend Dilip Kumar to cast her in one of his films, and she appeared in Babul (1950) with him, which had Nargis as the lead actress; it is he who renamed her as 'Tun Tun' to suit her comic persona, the name stayed with her, and a comedic legend was born. She went on to act in Guru Dutt's classics like Aar Paar (1954), Mr. & Mrs. '55 (1955) and Pyaasa (1957). In the 1960s and 1970s, she was a permanent comic relief in numerous Bollywood films, a few years down the line, she most notably starred in Amitabh Bachchan starrer, Namak Halaal (1982), a Prakash Mehra's blockbuster. In her career spanning five decades, she acted in around 198 films in Hindi/Urdu and other languages like Punjabi etc, pairing with top comedy actors of her times like Bhagwan Dada, Agha, Sunder, Mukri, Dhumal, Johnny Walker and Keshto Mukherjee. She was last seen in Hindi film in 'Kasam Dhande Ki' (1990).

[keyscity]

Anokhi Ada [1973 – FLAC]

Anokhi Ada [1973 – FLAC]

——————————————————————— VA – Anokhi Ada ———————————————————————

Artist……………: Various Artists Album…………….: Anokhi Ada Genre…………….: Soundtrack Source……………: CD Year……………..: 1973 Ripper……………: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec…………….: Free Lossless Audio Codec (FLAC) Version…………..: reference libFLAC 1.2.1 20070917 Quality…………..: Lossless, (avg. compression: 53 %) Channels………….: Stereo…

[inmyworldblr]

Anokhi Ada (1948)  //  dir. Mehboob Khan  //  film poster

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