#anna pavord

[zmkccommonplace]

Optimism is an essential tool in the gardener's kit. Much more important than a trimmer. And quieter.

Anna Pavord, The Serious Gardener

[fashionbooksmilano]

The Seasonal Gardener

Creative Planting Combinations

Anna Pavord

Phaidon, London 2022, 208 pagine, 21,3 x 27,6 cm, ISBN 9781838663988

euro 35,00

email if you want to buy booksinprogressmilano@yahoo.it

First published in 2001, and now fully revised and updated, in this inspirational book, acclaimed bestselling author Anna Pavord selects 60 ‘star plants’ – from iris to hostas – and pairs each with two perfect partners: shrubs, herbaceous perennials, bulbs, and annuals that no garden should be without. This classic book reveals how best to group plants in a garden to create a year-long display. Ranging from hydrangeas, salvias and ferns to dahlias, tulips and snowdrops, each star plant is paired with two partners, offering gardeners creative planting solutions to achieve stunning results, season by season.

13/06/23

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[ladyofargos]

I suppose there must be one or two people in the world who choose not to like tulips, but such an aberration is scarcely credible. - Anna Pavord

[zenasflower]

Flowers in Liverpool

Joseph Massie’s mesmerizing floral creations challenge perceptions, evoke emotions, and transform spaces. His impact extends beyond his awe-inspiring designs through his commitment to nurturing the next generation of florists worldwide with revolutionary online education and coaching.

Liverpool flowers reflect the city’s diverse culture and rich history. From celebrations to condolences, flower arrangements reflect deep-rooted traditions.

Lilies

Lilies add a touch of elegance to Flowers in Liverpool, especially when combined with other classic flowers such as roses and tulips. They’re also the perfect choice for corporate offices and upscale hospitality spaces, as they create a sense of sophistication and refinement.

When Spring’s gentle warmth coaxes Liverpool out of its icy embrace, a mosaic of floral hues unfurls across the city’s landscape. From delicately scented crocuses () to the iconic Welsh heritage flower, the daffodil (), the delicate blush blooms of cherry blossoms () contribute to this ephemeral display of renewal and rebirth.

Lilies, however, add a touch of sophistication to the season with their long-lasting presence in the garden. Whether you opt for the Asiatic lilies displayed in pots in formal gardens or Martagon lilies grown as part of woodland understory planting in naturalistic gardens, these perennial beauties complement all gardening temperaments and styles. And best of all, they’re easy to grow. Unlike tulips or narcissi, which are often grown from bulbs, lilies are hardy plants that require minimal winter protection.

Tulips

Tulips are the quintessential symbol of spring. They're a big contender against roses in the battle to be the spring’s most popular flower and are the embodiment of fresh starts and new beginnings.

For a show stopping display plant bulbs in drifts at the front of a mixed border or use them to edge paths. They can also be planted in grassy areas to form a naturalised meadow. Species tulips, such as 'Spring Green' and 'Greenland', are particularly good for this. Allow 50-75 tulips per square metre to give a dense and long-lasting display.

Many tulips are perennial, relying on 'offsets' or daughter bulbs to grow and mature into flowers each year. However, to achieve a full bed coverage solely through this method will take several years. Planting a few reliably perennial varieties will speed things up. Some include 'Anna Pavord', 'Mabel' and 'Crispa' (pictured above). These were bred by a Lancashire weaver more than 165 years ago and look beautiful with red, rusty orange or apricot tulips.

Daisies

As a child, you probably made daisy chains in your garden or on the school field and this perennial is still one of the UK’s most popular flowers. Commonly referred to as ‘the gardeners’ friend,’ it is a hardy plant that thrives in many different climates and soil conditions. It is a popular addition to rock gardens, cottage gardens, and wildflower meadows and will often self-seed.

Daisy plants come in a variety of colours and each flower has its own meaning. For example, white daisies symbolise innocence and purity so they make a great choice for wedding bouquets and spring gifts. Yellow daisies can be used to convey happiness and optimism so they are great for congratulating new parents or friends who’ve just got engaged!

In contrast, pink daisies are a symbol of gentleness and love, making them perfect for romantic gifting. And lastly, blue daises are used to symbolize loyalty so they make the perfect choice for long-term relationships and family members.

Orchids

The UK’s orchids are a Perfection flowers and diverse group, with some 50 species. Some are native to the rainforest and others hail from far-flung climes. But they all share the same flower structure: a spike of flowers with 3 sepals and one lower lip (known as the labellum).

The flowers of the bee orchid have evolved to look just like bees, and even emit a chemical pheromone that tricks male bees into trying to copulate with them, increasing their chances of pollination and seed-set. The bee orchid is a rare plant that you can see on the Wirral peninsula and the dunes at Crosby.

Another rare wild orchid to look out for is the Early Purple Orchid which can be seen amongst Bluebells and in older woodland or grassland in mid-May. It has a fuchsia pink/purple colour with spotted leaves and long racemes. Orchids like indirect sunlight, but not direct sun that can scorch their leaves.

[antronaut]

The Seasonal Gardener : Creative Planting Combinations

[horsesarecreatures]

Book review - The Naming of Names: The Search for Order in the World of Plants by Anna Pavord 
This book is well-researched and examines how the study of plants evolved before, during, and after the renaissance. Each chapter is usually devoted to a person of importance, and its more or less in chronological order. It starts with Theophrastus, who was the first to apply the principles of classification to plants. He didn’t assign any significance to flowers or how the parts of a plant change throughout its life, but he did divide plants into four classes: trees, shrubs, sub-shrubs, and herbs. He also created the first known written body of works on plants, and debated the best way to name them, so he was very important. 
The next chapter described Pliny the Elder/ Pliny the Plagiarist. Theophrastus had been re-discovered 2,000 years later, with nothing particularly important happening in the time gap. Pliny was more of a complier than a thinker, and he described about 800 plants from second-hand sources, but didn’t add much to the debate about how to name or classify them. Then she moves on to the doctor Dioscorides, who produced a field guide about plants that strictly had medicinal importance called De materia medica in AD 77. This was considered to be the best authority on plants in the east and west for the next 1,500 years. It focused more on the way plants could be used than descriptions of them, and again did nothing to classify or name them differently. The Greek physician Galen is briefly mentioned in this chapter, and he was the first to arrange plants by alphabetical order. 
The next chapter is about Juliana’s Book, which is among the earliest and best-illustrated Greek herbals. Then the one after that described how the Arabs of the 12th and 13th centuries corrected and added to Dioscorides’ text, but didn’t develop anything entirely from their own experiences. 
Then there are a few not-as-important chapters before she gets to the topic of illustrations. The Carrara Herbal made by the Paduan monk Jacopo Filippino was the first to purposefully illustrate plants exactly as they would appear. The Arabs had not illustrated in this way due to Aniconism and the ban on life-like images. Many others followed with life-like illustrations, including Leonardo da Vinci. There were problems, though, as illustrations in books were handcopied and new mistakes were made, to the point where each copy was less accurate than the original. Otto Brunfels wrote Herbarum vivae eicones, which was illustrated by the brilliant Hans Weiditz, who solved the problem of one illustration not displaying a plant in its various stages by including miniature illustrations along with the main one. By then there was the printing press, so these improved illustrations became widely circulated and copied. 
After this comes Leonhart Fuchs, who developed some simple latin words to describe plants that are still used today like hortensis, odoratum, rotunda, vulgaris, etc. This was after Brunfels had begun using a two-tag naming system in his book. Later, as new plants and new varieties were being discovered faster than people could keep up with them, the names of plants started becoming very long and impractical. 
Next is a chapter that discuses Italy and the first botanical gardens, as well as the brilliant teacher Luca Ghini, who invented the herbarium by pressing dried plants in books to study. Andrea Cesalpino, who succeeded him as curator of Pisa’s botanical garden, began a new way of organizing plants - by seeds and fruit. It was the best system to date. He also noted that lichens and fungi never set seed at all. He wrote De plantis libri which was published in 1583 and grouped closely related plants together, rather than plants with similar medicinal uses. He arranged plants into 15 different categories, expanding on the previous tree, shrub, sub-shrub, and herb categories. Unfortunately, later writers like Hieronymus Bock reverted back to the previous system. 
Then the book skips ahead to England, which had not produced anything significant until William Turner, who in the 1500s wrote Names and Herbal, which were the first original works written by an Englishman. Sadly he is not well-known and receives little credit, but he synthesized plants names in Greek, Latin, English, French, German, and Italian, eliminating a lot of confusion. 
According to the author, John Ray then created the basis for taxonomy (she’s quite dismissive of Carolus Clasius) by proposing six rules remniscent of many of the things Ghini and Cesalpino came up with. And that’s pretty much it. In the prologue she mentions that the binomial naming system used by Linnaeus was not his invention, which is true, but he certainly popularized it. She more or less ends the book by saying that since 1867, the naming of plants has been regulated by the International Code of Botanical Nomenclature, which she gives no background about. 
Nice things about this book: It contains a lot of very nice illustrations from the various books it talks about. The first few chapters about Theophrastus, Pliny, and Dioscorides were quite good and they’re definitely major players. Criticisms of this book: It’s well-researched but not well written or well organized. There’s definitely an English bias in dedicating chapters to Willaim Turner and John Ray but only mentioning Carolus Clasius in a couple of pages. Calling it The Naming of Names when 98% of the book is the history of the various botanical books that were published is misleading. It really doesn’t go into how the latin binomial naming system became the dominant one. I also thought it was odd how Catherine de Medici wasn’t mentioned at all because she commissioned a lot of botanical art and was largely responsible for the plant knowledge of the renaissance disseminating to France and then the rest of Europe.

[bookloversofbath]

The Tulip :: Anna Pavord

The Tulip :: Anna Pavord

The Tulip :: Anna Pavord soon to be presented for sale on the wonderful BookLovers of Bath web site! London: Bloomsbury, 1999, Hardback in dust wrapper. Includes: Chronological tables (1); Colour plates; Black & white drawings; Illustrated endpapers and blanks; Title page vignette; From the cover: The Tulip is not a gardening book. It is the story of a flower that has made men mad. Greed, desire,…

[jillraggett]

Plant of the Day

Tuesday 29 March 2022

The rich red-purple flowers of Helleborus 'Abcrd02' (hellebore Anna's Red) form some early spring drama surrounded by Acorus gramineus 'Ōgon'. This hellebore was named after plantswoman Anna Pavord and bred by Rodney Davey, it is considered the first red flowering hellebore with marbled foliage.

Jill Raggett




[bybloemencomic]

An apocryphal tale of tulipmania: the sailor who ate a Semper Agustus

This week in Bybloemen, Basil puts his own spin on a story made famous by Charles Mackay’s book  Extraordinary Popular Delusions and the Madness of Crowds (1841), involving an English sailor who mistakenly ate a valuable tulip bulb.

The story goes like this: at the height of tulipmania, an English sailor arrived at the establishment of a wealthy Dutch merchant. Left to his own devices, he spied one of the merchant’s prize bulbs sitting on a table and slipped it into his pocket, thinking that it was an onion (and a suitable accompaniment to herring). Later that day, the merchant realized that his prized bulb (a Semper Augustus worth 3,000 florins, ~7x the annual salary of a master carpenter in 1630) was missing. Panicked, he roused his compatriots and searched the neighborhood. They eventually came upon the sailor, sitting on a coil of rope, polishing off the last of his pilfered “onion”. Subsequently, he was dragged before a magistrate. At the behest of the distressed merchant, who insisted that the man’s meal was in fact his most valuable property, the thoroughly confused sailor was charged with a felony and sent to jail for several months.

If you want to read the (much funnier, much more colorful) story in full, here’s the relevant excerpt from Mackay’s book.

Whenever a speculative bubble gets media attention, tulipmania is inevitably invoked, and with it, this particular anecdote. The thing is, it’s probably a complete fabrication. Mackay’s source for this story is a book from 1757, De Blainville’s Travels through Holland, Germany, Switzerland but especially Italy: by the late Monsieur de Blainville in three volumes. As Anna Pavord suggests in her book The Tulip, this story is likely a byproduct of religious propaganda that painted merchants who dabbled in floristry as sinful, and the collapse of the tulip market their just punishment. By the mid-18th century, popular accounts of tulipmania tended to focus on the apparently delusional behavior of the merchants, painting them as more foolish than sinful. Mackay’s book, an early effort to document and analyze the psychology of crowds, leaned into this interpretation.

But could you eat a tulip bulb? Sure, if you’re willing to accept the consequences. Onions and tulips are both members of the lily family, and the petals and bulbs of tulips are technically edible. Tulip petals even have an onion-like flavor. As for the bulbs...During the Nazi occupation of the Netherlands during WWII, tulip bulbs were consumed during the winter of 1944-1945 after German blockades produced a horrific famine. People living in the cities of the Western provinces were most severely impacted, as they were cut off from farms in the region, and their caloric intake dropped to as low as 400kcal a day. However, tulip bulbs can cause an array of serious GI symptoms in adults even if consumed in small amounts, and were only eaten as a last resort.

So, accident or not, did a sailor really eat a tulip bulb?

Maybe. But it seems much more likely that this anecdote emerged as a cautionary tale, highlighting the greed of merchants and the ridiculous nature of tulipmania (which was less a mania, and more a high stakes gamble). The general Dutch public thought tulipmania, a bizarre outgrowth of a fad for everything Ottoman, was pretty silly at the time. Look, I’ll go even further: this story has all the hallmarks of a 17th Century joke. A dumb English sailor steals the property of a self-important merchant, foolish enough to sink his profits into a 3,000 florin bulb, only for it to be converted into a humble (but no less costly) meal. If there is a grain of truth there, it’s been greatly exaggerated.

Basil, being old and a demon, has converted the story into a morality tale disguised as a joke. Or maybe the other way around. That’s up for you to decide!

[mollat-bordeaux]

💙♥️💚 Un livre lumineux et pratique pour éveiller le jardiner qui est en vous ! Jardiner au rythme des saisons. Conseils pour associer les plantes, Anna Pavord éd, Phaidon @phaidonsnaps #jardin #jardiner #saisons #nature #librairie #mollat #bordeaux (à librairie mollat) https://www.instagram.com/p/CdFqswQOSrf/?igshid=NGJjMDIxMWI=

[johnmyersart]

Great Gardens: “Anna Pavord” by Howard Sooley

[fashionbooksmilano]

Flower

Exploring the World in Bloom

by Phaidon Editors, Anna Pavord & Shane Connolly

Phaidon Press, London 2020, 352 pages,  316 illustrations, Hardback,  290 x 250 mm, ISBN  9781838660857

euro 49,95

email if you want to buy :booksinprogressmilano@yahoo.it

A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture. Take a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. With 316 color illustrations showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them. Featuring large-scale images and accessible texts, Flower offers a comprehensive introduction to the subject alongside surprising examples for specialists. Works by a diverse range of both lesser-known and iconic artists and image-makers are presented, including: Nobuyoshi Araki, Cecil Beaton, Georg Ehret, David Hockney, Horst P. Horst, Nick Knight, Yayoi Kusama, Leonardo da Vinci, Robert Mapplethorpe, Henri Matisse, Claude Monet, Cedric Morris, William Morris, Georgia O'Keeffe, Irving Penn, Pierre-Joseph Redouté, Rachel Ruysch, Constance Spry, and Flora Starkey. The entries were selected by an international panel of art historians, museum curators, botanists, florists, horticulturalists, and more.

07/11/20

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[that-bookworm-guy]

Harry Potter: A History Of Magic Harry Potter: A Journey Through A History of Magic ★★★★★

I Never review 2 books at once, even series I review a book at a time. However these 2 work best as a pair and are very very similar.

Harry Potter: A History Of Magic

Harry Potter: A History of Magic is the official book of the exhibition, a once-in-a-lifetime collaboration between Bloomsbury, J.K. Rowling and the brilliant curators of the British Library. It promises to take readers on a fascinating journey through the subjects studied at Hogwarts School of Witchcraft and Wizardry - from Alchemy and Potions classes through to Herbology and Care of Magical Creatures. Each chapter showcases a treasure trove of artefacts from the British Library and other collections around the world, beside exclusive manuscripts, sketches and illustrations from the Harry Potter archive. There's also a specially commissioned essay for each subject area by an expert, writer or cultural commentator, inspired by the contents of the exhibition - absorbing, insightful and unexpected contributions from Steve Backshall, the Reverend Richard Coles, Owen Davies, Julia Eccleshare, Roger Highfield, Steve Kloves, Lucy Mangan, Anna Pavord and Tim Peake, who offer a personal perspective on their magical theme. Readers will be able to pore over ancient spell books, amazing illuminated scrolls that reveal the secret of the Elixir of Life, vials of dragon's blood, mandrake roots, painted centaurs and a genuine witch's broomstick, in a book that shows J.K. Rowling's magical inventions alongside their cultural and historical forebears.

Harry Potter: A Journey Through A History of Magic

An irresistible romp through the history of magic, from alchemy to unicorns, ancient witchcraft to Harry's Hogwarts - packed with unseen sketches and manuscript pages from J.K. Rowling, magical illustrations from Jim Kay and weird, wonderful and inspiring artefacts that have been magically released from the archives at the British Library. This spellbinding book takes readers on a journey through the Hogwarts curriculum, including Herbology, Defence Against the Dark Arts, Astronomy, Divination and more. Discover the truth behind making the Philosopher's Stone, create your very own potion and uncover the secret of invisible ink. Learn all about the history of mandrake roots and dragons, discover what witches really used their brooms for, pore over incredible images of actual mermaids and read about real-life potions, astronomers and alchemists. 

These books share a lot of the same content, which makes sense because they’re both about the same thing, the exhibition.

However I found A History Of Magic was a lot more detailed and A Journey Through had a few different things in it and was less detailed, but was more or less only slightly different.

Now enough about the difference, I’m going to review these as if they were 1 book....

The amount of amazing items they showed in the books were incredible, it was brilliant to see where magic stemmed from and what actual witches used to do. Reading about the artefacts was extremely interesting and I really would have loved to actually see them. I also loved seeing some of the illustrations from the illustrated books as the artists progressed, showing us their ideas and thought process. It brings them into a completely new light. 

I loved reading some of the unpublished chapters and seeing all the editing notes on them, I feel like that is really going to help me edit my own work.

I don’t want to give too much information away about these because they really are something that you need to experience for yourself, but these are honestly 100x better than I thought they would be. 

| A History Of Magic | A Journey Through A History of Magic |

You can follow and support me on: | Goodreads | Ko-fi | Bookstagram |

[roxiefreemanmontmorenci]

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This & That: October 16, 2020

This & That: October 16, 2020

Books about local food, gardening, James Beard, voting and British decor just to share a glimpse. A classic tote, Tan France’s new collaboration, Inslee’s new collaboration, a cooking course to eat well and savor every bite throughout the seasons and much, much more.

Books

—The Curious Gardener by Anna Pavord

Written ten years ago, I began reading Anna Pavord’s year of seasonal columns…