#anna falchi
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#anna falchi#barfie#sexy celebrities#celebrities#incensured#mito#minniexxx#celebrincensured#calendario max
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DellaMorte DellAmore (1994)
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Michele Soavi - Cemetery Man (1994)
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Dellamorte Dellamore (1994)
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Dellamorte Dellamore (1994) dir. Michele Soavi
#cemetery man#dellamorte dellamore#michele soavi#rupert everett#anna falchi#90s horror#1990s horror#horror#horror comedy#gothic horror#zombie movies#horror movies#classichorrorblog#horrorstills#italian horror#italian movies#my caps#screencaps#dellamorte dellamore 1994
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Dellamorte dellamore (1994)
AKA Cemeterey Man; Of Death of Love
#dellamorte dellamore#of death of love#cemetery man#rupert everett#françois hadji-lazaro#anna falchi#1994#1990s movies#michele soavi#horror movie poster
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Last night, Joe Bob Briggs showed Cemetery Man, a movie I had seen many times before because it was one of those obscure cult classics here in the states, the kind that a certain type of nerd gravitates to and it means when I worked at a record store a guy there LOVED this movie. Like maybe his favorite movie. I think it's sorta fun but a mess and while it has the same issue as a lot of Italian genre work it somehow works better then a lot of them, so I like it but don't love it. I think I first saw this around 2000 and I had preconceived notions as someone who had seen many an Italian movie from the 70's. Which is they were painfully glamorous and about people who lived lives that felt strikingly sophisticated and cosmopolitan and were full of the most beautiful women in the world. They also didn't make sense, were frustrating in their lack of plot, and the acting wasn't great and the dubbing was ridiculous. All most all of those things are what most people think about these movies and for some people it's why they are great and for others, like me, it's why they are frustrating. A lot of it is the nature of the Italian film industry (RIP, it barely exists now whereas once upon a time it was one of the most important centers of film in the world). It made it's money by mastering dubbing and most Italian movies were shot where actors spoke in their native language because there was never going to be a non dubbed version. That means if you have say, a Finnish actress across from an English actor and an Italian actor playing a side character, in that scene the Finnish actress will speak Finnish, the English Actor will speak English, and the Italian actor will speak Italian, cause it's all going to get dubbed later so who cares. Not shockingly, this doesn't exactly lead to the best acting all the time. Over the top acting, sometimes really fun performances? Sure. Great acting? Not as often.
And why are they beautiful? Because Italian cinema is pretty misogynistic. This isn't a "Felini hates women" thing (but Christ, Felini hated women) it's the more that a woman's value was in her looks and good god did Italy just find the most beautiful women to put in their movies. Such as Anna Falchi, who I think Cemetery Man was her first lead role and you know what, she did a good job, so I am not going to slag on her acting or anything. But she was there because she is so fucking hot and looks even better naked than she does in clothing and that's a rare thing. For her career up until this movie she was largely a model and an actress who played, "The hot girl" in movies. Not as a lead but like if you are going to have a letter delivered to your stalwart police detective in a Giallo, why not have a hot girl in a short skirt and knee high boots deliver it? Those were what she played. This is all a long way of saying I have always been a genius because as a kid I figured out this is what they were doing AND from the first moment I saw Cemetery Man I said, "Jesus, she's hot". Guys, I was right then and I am right now. Today I want to fuck Anna Falchi.
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Anna Falchi @ Anna Molinari Fall/Winter, 1995 Ready-to-Wear
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Anna Falchi
#anna falchi#celebration#celebrity#celebs#hot celebs#vintage#vintage celebrities#vintageceleb#celeb rp#retro
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Anna Falchi - Italian Film Actress and Model
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Photo
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Michele Soavi - Cemetery Man (1994)
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