#anhrefn

[oopsalltes]

buncha anhys featuring their revamped design, as well as some shitty 3d paint seminars on how their design works

[priestly-prince]

Commission of my brother's latest D&D character, Yr Anhrefn the fairy druid.

Commissions still open, but my working time is a little slow right now.

[aescheretalks]

Nid oes gennym hawl ar ddim byd,

Ond ar yr hen ddaear wyw;

A honno sy'n anhrefn i gyd

Yng nghanol gogoniant Duw

We have no claim on anything save

This old earth's withered façade,

And the things that come apart in chaos

Amid the glory of God.

[dyfynnu-cymru]

Anhrefn Snub TV Interview.avi

[linguario]

🇿🇦🇳🇦 5️⃣1️⃣ 51 Afrιkᥲ́ᥲᥒs - ᥲfrιkᥲᥲᥒs - Afrιkᥲᥲᥒos om voor te gee om uit die #verlede op te staan, kan as 'n #resultaat die beste van #chaos gee 🇰🇷 5️⃣2️⃣ 52 Corᥱᥲᥒo - hᥲᥒgᥙgᥱo - Korᥱᥲᥒ #과거에서 부활하는 척 하는 것은 #결과 #혼돈의 최선을 결과로 줄 수 있습니다 🇦🇱 🇽🇰 5️⃣3️⃣ 53 Aᥣbᥲᥒᥱ́s - Shqιρᥱ̈ - Aᥣbᥲᥒιᥲᥒ pretendimi për t'u ringjallur nga e #kaluara mund të japë si #rezultat më të mirën e #kaosit 🇸🇪 5️⃣4️⃣ 54 Sᥙᥱᥴo - svᥱᥒskᥲ - Sᥕᥱdιsh Att låtsas #återuppstå från det #förflutna kan ge som ett resultat det bästa av #kaos 🇹🇭 5️⃣5️⃣ 55 Tᥲιᥣᥲᥒdᥱ́s - ภาษาไทย - Thᥲι ทำท่าจะฟื้นคืนชีพจาก #อดีต ให้ได้เป็น #ผลลัพธ์ ที่สุดของ #ความโกลาหล 🇹🇷 5️⃣6️⃣ 56 Tᥙrᥴo - tᥙ̈rkᥴ̧ᥱ - Tᥙrkιsh #geçmişten diriltiyormuş gibi yapmak #sonuç olarak #kaosun en iyisini verebilir 🇺🇦 5️⃣7⃣ 57 Uᥴrᥲᥒιᥲᥒo - украї́нська - Uᥴrᥲιᥒιᥲᥒ прикидаючись , що воскресає з #минулого, може дати в результаті #результат найкраще з #хаосу 🇻🇳 5️⃣8️⃣ 58 Vιᥱtᥒᥲmιtᥲ - Vιệt - Vιᥱtᥒᥲmᥱsᥱ #giả vờ hồi sinh từ #quá khứ có thể cho như một #kết quả tốt nhất của #chaos 🇲🇰 5️⃣9️⃣ 59 Cᥲtᥲᥣᥲ́ᥒ - ᥴᥲtᥲᥣᥲ̀ - Cᥲtᥲᥣᥲᥒ Fingir ressuscitar del #passat pot donar com a #resultat el millor del #caos 🏴󠁧󠁢󠁷󠁬󠁳󠁿 6️⃣0️⃣ 60 Gᥲᥣᥱs - Cყmrᥙ - Wᥲᥣᥱs gall #smalio atgyfodi o’r #gorffennol roi’r gorau o #anhrefn o ganlyniad (en Włocławek) https://www.instagram.com/p/CoQ81bDteNf/?igshid=NGJjMDIxMWI=

[emotoothtiger]

ANHREFN - 'Defaid (Sheep)' - John Peel Session 22/7/1986

[urbanenemy]

ANHREFN - Be Nesa '89

[december-rains]

[ID: A pencil drawing of blue aarapod with diamond markings lurking on the end of a tree branch. End ID]

i might need help caring for this little one- all xe seems to want is chaos, which is great, but also i’m not sure what xe eats

@aaravosanswers​ help?

[twymyn99]

Album version of “Defaid” by Anhrefn, punk band from Bangor. One of their more aggressive tracks, off their 1987 debut Defaid, Skateboards a Wellies

[gwaredwr]

// ooc - tag dump

(╰☆╮)

[oopsalltes]

drawing on paint 3d with only my mouse!

[divine-relics-au]

Bydd y tad bedd a chrewyr Bywyd yn dawnsio law yn llaw â thynged ofnadwy.

Yr Un Sy'n Adnabod Pawb Yn Colli Ei Chalon I'r Ymgnawdoliad O Anhrefn, Dilynwyr Torredig Yn Gorfodi Ei Llaw Yn Y Cyfarfod Diwethaf.

Bydd y bastard anghofiedig yn creu diwedd y Rhosyn, ei frad yn cael ei chofio am byth gan y rhai sy'n malio ei wybod.

Let's see whom predicts the future first.

[romanlightman001]

Anhrefn With Margi Clarke - "Clutter From The Gutter" and "Croeso I Gymru"

[evolstak]

ANHREFN DEFAID, SKATEBOARDS A WELLIES LP WORKERS PLAYTIME PLAY LP 1 #LifeOfVinylEnthusiasm https://www.instagram.com/p/B9aKfmhjCTJ4zhNfDvmoVaRKNWbvmrbQXCSseI0/?igshid=1a6sn7zmb9ka2

[ib2se]

B:sides ~ weLLsh  

The B:sides-Playlist 2017-10-30 @ Radio Vättervåg 98,5 Mhz

This week: weLLsh

1. 'B:zväng' TextMix & reading af MrZ Komposition & Produktion af SkåneJokke Lütz [0:41]

THE ULTIMATE GUIDE TO WELSH FOLK compiled by Cerys Matthews ~ albumrelease 27th October 2017 [ EUCD2744 ] ~ 2. Nansi Richards: Pwt ar y Bys (A Little Something for the Fingers) (trad., arr. Nansi Richards) From ‘Brenhines y Delyn/Queen of the Welsh Harp’ - Nansi Richards We kick off with a recording of the original Queen of the Harp, Nansi Richards, playing a traditional tune recorded in the twilight of her life. Nansi must have been some character. Like Jimi Hendrix, she played tricks with her instruments, playing harp with her back turned, or 2 at a time. Born in Oswestry in 1888, she went on to study at the Guildhall School of Music, London, and toured America. A huge figure in Welsh folk, she taught triple harp to Llio Rhydderch, as well as Dafydd and Gwyndaf from Ar Log, all of whom feature in this collection. ℗ 1959, Sain (Recordiau) Cyf licensed [2:15] 3. Robin Huw Bowen: Gypsy Waltzes (trad., arr. Robin Huw Bowen) From ‘Y Ffordd i Aberystwyth/The Road to Aberystwyth’ - Robin Huw Bowen Robin Huw Bowen is the world’s leading exponent of our national instrument, the triple harp. Interestingly, the tradition of playing this harp with three rows of strings and no pedals is alive and well today, only thanks to a family of Roma travellers led by Abram Wood, whose descendants would play harp for Queen Victoria. Enjoy the strength and muscularity of Robin on this track. He says, “Two wonderful Victorian swingers from the inimitable playing of Eldra Jarman. I had snatches of the first tune from Eldra while she was still alive, and then the second tune from a recording made of her by Professor Peter Crossley- Holland. Then I had the complete version of the first tune from an old BBC programme about Eldra… in St Ffagan’s Museum.” Robin is the only full-time professional Welsh harpist specializing solely in the Welsh triple harp, and his influence on the world of Welsh folk music and harping has been far-reaching. ℗ 2007, Sain (Recordiau) Cyf licensed [3:36] 4. Crasdant: Pibddawns Trefynwy (Monmouth Hornpipe) (trad., arr. Robin Huw Bowen/Andy McLauchlin/Stephen P. Rees/Huw Williams) From ‘Dwndwr/The Great Noise’ - Crasdant The harp reigns supreme in Welsh folk music, so here’s another, and again with Robin but joined this time by Stephen Rees, Andy McLauchlin, and the whistles and the stepping sound of clog dancer Huw Williams as Crasdant. For me this is the Welsh folk tune where one might regress to being a child, dressed head to toe in scratchy Welsh flannel learning folk dance steps. ℗ 2005, Sain (Recordiau) Cyf licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Sain [3:53] 5. Phil Tanner: The Gower Reel (trad.) From ‘The Gower Nightingale’ – Phil Tanner Phil Tanner is one South Glamorgan’s greatest traditional folk singers. He was originally from Llangenith in the Gower Peninsula, South Wales, where he had sung all his life, however he wasn’t recorded until he was in his seventies. He became renowned locally as “the Gower Nightingale” and recorded for the likes of Columbia and the BBC. He passed away in February 1950 and was remembered in a BBC Radio 4 tribute by Wynford Vaughan-Thomas who referred to him as, “the voice of the sanest, happiest, kindest eccentric I ever knew”. ℗ 2003, Veteran Tapes licensed to ARC Music Productions International Ltd. Published by Veteran Tapes www.veteran.co.uk [3:35] 6. Calan: Rhif Wyth (Rhif 8 - No. 8) (trad., arr. Calan) From ‘Bling’ – Calan Calan bring together the remarkable talents of 5 young musicians giving a fresh and vibrant sound to traditional Welsh music. With a contemporary and lively approach, they breathe new life into the old traditions through their sparkling melodies, foot tapping tunes and spirited and energetic performances of Welsh step dancing. ℗ 2008, Sain (Recordiau) Cyf licens [2:44] 7. Cayo Evans: Men of Harlech (trad., arr. Cayo Evans) From ‘Marching Songs of The Free Wales Army’ – Cayo Evans Cayo was conscripted into the British Army aged 18, and served actively in Malaya. This experience, coupled with his fascination with politics, inspired by a Polish man who taught him at Millfield, embittered him towards the British Government and their manhandling of Wales. He was said to be radicalised after the drowning of a Welsh village to build Tryweryn reservoir (see Meic Stevens’ bio – CD1, track 2) and formed the Free Wales Army, whose dalliances with explosives and other public order offenses ended up with him serving a 13-month prison sentence. This track of the very famous marching song Men of Harlech has Cayo introducing then playing the accordion, and was released in 2008 on Anhrefn Records, Anhrefn being one of the pioneering bands singing Welsh language music across Europe in the punk era. ℗ 2008, Anhrefn Records licensed to [1:36] 8. Cowbois Rhos Botwnnog: Didl-Dei (Aled Wyn Hughes/Iwan Glyn Hughes/Dafydd Rhys Hughes, arr. Cowbois Rhos Botwnnog) ‘Didl-Dei’ appears on Cowbois Rhos Botwnnog’s album ‘Dawn y Trychfilod’ on the Sbrigyn Ymborth label. www.sbrigynymborth.com Cowbois Rhos Botwnnog are a folk band consisting of three brothers, Aled, Dafydd, and Iwan Hughes from Rhos Botwnnog, the Llyn Peninsula, and accompanying musicians and singers. They experiment with country, folk and rock music. Most of their lyrics are in Welsh. This example is a tiny but wonderfully whimsical interlude from this band worth checking out live and on record. ℗ 2007, Cyhoeddiadau Sbrigyn Ymborth licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Sbrigyn Ymborth [0:26] 9. Cass Meurig and Nial Cain: Tair Meillionen (trad., arr. Cass Meurig/Nial Cain) From ‘Deuawd’ – Cass Meurig and Nial Cain Cass plays the fiddle and crwth, that medieval bowed lyre with gut strings and droney sound. She grew up in the north of England playing tunes and singing with her parents and sisters. Over the last few years she has played internationally and recorded with Welsh bands Pigyn Clust and Fernhill. Here she plays alongside Nial Cain, on guitar, who grew up in Deiniolen, in the slate quarrying heartland of North Wales. With a rich history of playing with folk and ceilidh bands, he played in many of Tyneside’s barn dance bands including the Borderers where he was taught fiddle by leader Forster Charlton, a living link to the pre-folk revival tradition. Ten years ago he moved back to North Wales and found his interest in the Welsh folk music tradition rekindled. ℗ 2008, Fflach Cyfyngedig licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Mwldan Publications [2:43] 10. Llio Rhydderch: Dafydd y Garreg Wen (David of the White Rock) (trad., arr. Llio Rhydderch) From ‘Melangell’ – Llio Rhydderch Another intuitive musician who can make me burst into tears, such is the poignancy of her playing. Here Llio plays Dafyd y Garreg Wen, first published in 1784 by Edward Jones, the king’s harpist. Edward was the first to claim that the Dafydd in the title was a Caernarvonshire harpist who wrote the tune on his death bed (although there are some whispers that allude to a Scottish or even Russian origin. We’ll never know!). Llio Rhydderch is a traditional Welsh harper, a creative artist who is recognised as a most innovative and influential exponent of the Welsh triple garp. Llio is descended from the ancient Welsh harpers in an unbroken direct line which extends back many centuries. Through her, this unique line lives on and she is pivotal in its preservation as she passes on this ancient art to the next generation, teaching them to play traditional airs by ear, to be able to write variations before returning to the original melody. ℗ 2001, Fflach Cyfyngedig licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Mwldan Publications [2:20] 11. Catrin Finch and Seckou Keita: Ceffylau (Horses) (Catrin Finch/Seckou Keita) From ‘Clychau Dibon’ – Catrin Finch and Seckou Keita (A Theatr Mwldan/Astar Artes co-production) Catrin is a fearless and natural performer and rare in that she is totally at home across genres: classical, jazz, folk and world music. Catrin has won accolades the world over for her virtuosic performances with some of the world’s finest orchestras. She has also worked with Malian kora player Toumani Diabaté, and Colombian band Cimarrón, and switches from Bach’s Goldberg Variations to traditional folk or Colombian joropo music with ease and aplomb. Seckou Keita, from the Casamance area of Senegal, was born into the world-famous royal Keita and griot Cissokho families, and has played with his uncle Solo Cissokho and Guinean master djembe player Mamady Keita, in addition to appearing with both Salif Keita and Youssou N’Dour, and more recently alongside Paul Weller, Damon Albarn and Julia Holter on the Africa Express presents The Orchestra of Syrian Musicians tour. I love how these two great players share with us their joy in bringing their far-off traditions together in such a beautiful collision. ℗ 2013, Catrin Finch/Seckou Keita/Theatr Mwldan/Astar Artes licensed to ARC Music Productions International Ltd. Published by Catrin Finch & Seckou Keita [5:17] 12. Elinor Bennett: Pant Corlan yr Ŵyn (trad., arr. Elinor Bennett) From ‘Y Delyn Gymreig/The Welsh Harp’ – Elinor Bennett Elinor Bennett is one of Wales’ most distinguished musicians, and has travelled extensively giving concerts, recitals and masterclasses. She is regarded as one of Britain’s most influential harp teachers, who, by the by, also taught Catrin the harp. Eagle eared listeners might also recognise her playing, as she was the harpist who played with us on Bulimic Beats on Catatonia’s Equally Cursed and Blessed. This is another firm favourite on the Welsh folk dance floor, a useful tune to wave those handkerchiefs to thank your adoring audience as you make the final circle and leave the stage. ℗ 1985, Sain (Recordiau) Cyf licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Sain [2:33] 13. DnA (Delyth and Angharad Jenkins): Glyn Tawe (trad., arr. Delyth and Angharad Jenkins) From ‘Adnabod’ – DnA - Delyth and Angharad Jenkins Traditional and new Welsh music on the harp and fiddle. DnA by name, DnA by nature: music is in the very DNA of this hugely talented mother-and-daughter duo from Wales, both of whom enjoy international reputations not only as soloists but as members of such bands as Calan, Adran D, Aberjaber and Cromlech. Whether they’re vamping up a traditional oldie or minting something entirely new, there’s a timeless beauty to these intimate and irresistible conversations between harp and fiddle. ℗ 2013, Fflach Cyfyngedig licensed to ARC Music Productions International Ltd. Published by Cyhoeddiadau Mwldan Publications [4:22] 14. Jamie Smith’s MABON: Croeso Ioan (Jamie Smith, arr. Jamie Smith’s MABON) From ‘The Space Between’ – Jamie Smith’s MABON Jamie Smith’s MABON is an InterCeltic band; composer-accordionist Jamie was taken every year by his folk-dancing parents to the mighty Festival Interceltique in Brittany, surrounding him from an early age with music from the Celtic regions and beyond. He accompanied Welsh dancers at just five years old. Joining him here are Oli, a Welsh fiddler with Balkan flair; Paul, a guitarist from Wales who’s more Manx than plenty of people born on the Isle of Man; Matt, a bluegrassloving bass player from Carmarthen; and Iolo, a drummer from the Welsh woods with a passion for world music and jazz. They’ve played WOMAD, WOMEX, Shetland, Rainforest World Music Festival (Borneo), Fairport’s Cropredy Convention, Hebcelt, Celtic Connections, and the massive Festival Interceltique de Lorient. ℗ 2015, Easy on the Records licensed to ARC Music Productions International Ltd. Published by James Joughin AKA Jamie Smith [3:14]

15. 'Rome' from In The Midst Of Chaos There Is Stillness-CDn af Fleur de Lis [5:08] 16. 'In The Well' from Conquer Me-CDn af Namur [2:46] 17. 'In The Street' from Night Drops af Indian Wells [3:36] 18. 'All Was Well' from Live at Victoriateatern af Wintergatan [4:27] 1 jingle incl tune from Kmag #107 af Loopmasters Samples & 2 jingles from B:sides on Spotify DAGENS SYNAXARIUM This weeks BibleVers: "For your ways are in full view of the Lord, and he examines all your paths. The evil deeds of the wicked ensnare them; the cords of their sins hold them fast. For lack of discipline they will die, led astray by their own great folly." ~ Proverbs 5:21-23 Drink Espresso - God bless U! /MrZ :)

www.ib2.se Soli Deo Gloria

  All Pix: MrZ ~ Wättern.se

Join Generation XYZ @ gen.xyz 

Z

[musicblogwales]

Newyddion/News: Sengl Newydd Breichiau Hir - ‘Preseb o Ias’

Bydd 'Preseb o Ias', y sengl newydd gan Breichiau Hir allan Gorffennaf 24 ar Libertino. 

Dyma Steff Dafydd, prif leisydd y band, yn egluro ychydig am y trac:"Ers diwedd 2019, ni wedi bod yn brysur uffernol yn 'sgwennu a recordio ein album cyntaf. Fe orffennom ni’r broses rhyw noswaith yng nghanol yr wythnos gyntaf o Fawrth, just cyn i’r byd gloi eu drysau. Y cynllun oedd i rhyddhau llond llaw o senglau cyn rhyddhau’r Album cyfan yn yr haf.Ar ôl trafod popeth, ni wedi penderfynnu gohurio rhyddhau’r album. Ni’n gutted, ond roedd y syniad o rhyddhau’r album heb allu chwarae’r caneuon yn fyw, i rhoi bywyd i nhw ddim yn apelio. Am nawr, ni wedi dadorchuddio cân natho ni recordio nol yn 2018 o’r enw Preseb o Ias. Gafodd y gân ddim y cyfle i gael ei rhyddhau fel sengl, ond ni’n proud iawn ohono fe a ni’n falch bod e’n gweld golau dydd. Mae'r gân am wasgu'r bywyd a chariad allan o bopeth tan iddo gael ei ddifetha a'r unig beth sydd ar ôl yw cragen. Y thema mwya hyfryd ni erioed 'di dewis, dwi'n siŵr. 

Mae'r gân yn rhoi darlun o rhywun yn mynd trwy bywyd mewn turmoil, yn achosi anhrefn a choas llwyr. Teimlodd y gân yn gryf, yn manic ac ysgytwol o'r eiliad dechreuon ni weithio arno - felly dyma o le daeth y themâu. Ry'n ni'n dwlu ar deimlad trydanol y gân a'i angerdd a'i chynddaredd erchyll.Mae'n dechrau gyda outburst o gitars creulon a threisgar a chanu-gweiddi a rhywle yn y canol, mae'n cymryd gafael ac yn tynnu dy anadl cyn iddo adeiladu'r egni crac nôl fyny tuag at y diwedd. Mae'r gwaith celf wedi cael ei wneud gan yr artist o Gaerdydd, John Rowley. Mae John yn postio portreadau o'i hun yn gwisgio masgs amrywiol ar ei gyfrif instagram. (@john.rowley.17). Mae'n creu masg yn ddyddiol o'r pethau mae'n ffeindio o gwmpas y lle yn ei dŷ neu yn ei ardd, yna'n cymryd hunlun bron bob dydd yn union yr un lle bob tro. Mae e ar hyn o bryd ar masg rhif 322. Ry'n ni'n caru'r prosiect a pan welon ni'r hoelion wedi'u tapio i'w wyneb roedd rhaid i ni ddenfyddio'r llun fel gwaith celf y sengl. Mae e mor disturbing a dwi'n meddwl bod e'n gweddu themâu'r gân i'r dim. Ry'n ni'n argymell yn gryf bo chi'n cymryd golwg ar y cyfrif yma."  

+++++++++++++++++++++++++++++++++++++ 'Preseb o Ias', the new single by Breichiau Hir is out July 24th on Libertino Records. 

Here's Steff Dafydd, the band's lead vocalist, to explain more about the track:"Since the end of 2019, we’ve been incredibly busy writing and recording our debut album. We finished the process on the first week of March, just before the world went into lockdown. We planned to release a few singles from April until the album’s release in the summer. After a few lengthy discussions, we’ve decided to postpone releasing the album. We’re gutted, but we didn’t want to release it without being able to play it live. For now, we’ve dug up an unreleased song we recorded in 2018 called Preseb O Ias. This song was written and recorded quite some time before we started work on the album and it never got the opportunity to be released as a single, but we’re very proud of it and glad that it’s seeing the light of day.

Preseb o Ias kind of translates to A Crib Of Shivers. The song is about squeezing everything out of love and life with such force that it destroys it and you end up with a hollow shell. One of our most uplifting themes to date, I’m sure.The song projects imagery of someone scrambling through life in turmoil, causing distraught and terror, chaos rushing through every aspect of their life.The song felt fierce, manic and immediate from the moment we started working on it - this informed the themes of the song. We love the electricity of the song and the horrible rage It begins with a brutal outburst, violent guitars and demonic shout-singing and somewhere in the middle, it grips control and takes a breath, before building up this fiery rage back up and ending with frantic energy again. The cover art is a photo from Cardiff-based artist John Rowley. He posts masked self-portraits regularly on his instagram account (@john.rowley.17 / https://www.instagram.com/john.rowley.17/). He makes a mask from things he finds around the place and takes a selfie in the same exact spot everytime. He’s currently on mask 322. We love the project and when we saw the one with big nails taped to his face, we had to use it. It’s so disturbing and I think it fits the sound and themes of the song perfectly. We highly recommend checking out the account for his other masks."

Links: https://twitter.com/BreichiauHir https://www.facebook.com/BreichiauHir/ https://www.instagram.com/breichiauhir https://www.libertinorecords.com https://soundcloud.com/breichiauhir https://breichiauhir.bandcamp.com