#andrew nerd project

[seongset]

ㅤㅤㅤㅤㅤㅤ˵ 𖥻 ִandrew icons ۫ ּ ﹗ (like/reblog if use)

[waterrr]

( 🧶 ) i can't move on, baby doll . . .

[druh19]

༝ Luke & Andrew Icons |like and reblog if saved|

༝ Ao anônimo que fez o pedido desse casal: me perdoa, apaguei a mensagem sem querer 😥

[diltonsstrangescience]

I love getting to draw whatever I want. :)

[day-dreamer-2018]

I always go for the seme but dammnnn can't help but fall in love with Luke. Face card will never ever fail. 😍

Nerd Project on Tapas

[zorosola]

୧ ‧ ✿ nerd project matching icons

[pinktrouble]

Andrew Young

[trecemmm]

Aún no estoy lista para el fin de temporada, normalmente no me gusta tanto un bl, pero nerd project tocó mi corachonchito con sus detalles💕💕(leanseloporfiii) (hagan fanfics.)

[sugarverse]

𝐏𝐥𝐞𝐚𝐬𝐞, 𝐰𝐨𝐫𝐤 𝐰𝐢𝐭𝐡 𝐦𝐞 𝐡𝐞𝐫𝐞.

thirdyear!izuku x bitchy!black reader

synopsis: Izuku and you are forced to work together for a midterm project, and you're bent on not helping the nerd finish it.

word count: 3.8k

warnings: words like slut, cumdump are used to be degrading but nothing too far out oc, a petty slap on the cheek and thats about it? could possibly also tag as dubcon just in case, enjoy!

Izuku has known you since a little before joining uni. He was invited to move in early under the honors program along with Katsuki. Other groups who were also invited to join early were fall athletes, greek sororities and fraternities, and people in majors that take longer than 8 years to finish. As if an academic rival, hotheaded, bully from younger years wasn't enough.. you came along.

You had always had a class or two with him. Whether it be preliminary classes or your third year science credit. He doesn’t know why you don't like him, always calling him names just loud enough for him to hear or purposely shutting the door on him in pouring rain.. but the day he saw you at the buffet talking and laughing with Katsuki? His life was over. You made it hell. He thought you were so pretty when he first saw you.. but you were just such. a bitch.

Katsuki didn't have the same timed honors classes but slept in the same building. If he really wanted to avoid him, he could go to the library or study in one of the cafes. Then again there was the rec center.. or he could stay with a friend, even. But you. He couldn’t avoid you. No matter how hard he tried. 

He'd catch himself staring at the door until you came in, seeing your hair done in different styles and colors but still be so gorgeous. you could pull everything off. there was also this shiny pink lip gloss you started wearing.. It frustrated him how much he thought about how soft they’d feel against his skin, He's never pined after a girl this long. Sure he's had girlfriends over the years, but you lingered in the back of his mind. And you thought of him like dirt under your BAPEs.

You were hardly ever late, walking in a few minutes before class starts to set up your computer, drink if you decided you wanted one that morning, and switch your music playlist over. The class itself was pretty easy, not too many essays or homework assignments. It was more projects and group discussions than anything, which was probably the only real frustrating thing about this class. As the last few people struggled through the door, the professor started writing on the board.

MIDTERMS.

fuck.

“This is the last project before midterms. you will be graded on..” You drowned him out, rubbing your temples as the mention of midterms came up. Another fucking project? Are you serious? Honors kids never really learned to.. well. play, very well with others. Mostly stuck up kids were pretty disconnected from real life because their mommies and daddies paid to get them into the dorms and therefore, classes, with average Bs and Cs. The other half of the class had their heads so far up their asses there wasn’t ever a moment they weren’t passive aggressive or came off in an ‘i’m right you’re wrong’ tone. The class let out a groan everytime he announced some dumbass idea like this but he still continues. what the fuck is my life??

You sigh to yourself, rubbing your lips together as you begin to pick at the little jewels on your nails. Was it worth it to just do the entire thing by yourself so you aren't depending on anyone? No reason to get docked another few times because someone can't finish their half. This shit was pointless. The frequent ice breakers were pointless. You knew most of these people already and-

“Mr. Midoriya and Miss L/n, Miss Teller and Miss Barnes, Mr. Andrews and..” Once again you drowned out your professor's words, eyes darting over to Izuku who was staring at your teacher gobsmacked. He could feel his face burn, jaw slightly slack before shutting it nervously. He glanced over at you to see if you had been paying attention, smiling at you and giving a small pathetic wave. 

You squinted daggers at him, biting the corner of your mouth before giving a sympathy smile and turning to the assignment on the laptop. I guess it wasn't too horrible.. realistically I can make him do the work and spend the time doing more important work like studying for my major.. 

the mumbling, the stuttering, always staring, always being the first to leave for a quiz. it wasn't until you saw his name over and over again that it was a real problem. try hards are annoying. lucky for you, this one's a pussy. 

As class ended, you packed your things and headed towards the door to leave. Izuku quickly caught up with you, snaking his way through the crowd of people leaving the lecture hall. “Where'd you want to um.. to meet up? Or when-”

you cut him off before he could go spouting at the mouth. “Not worth the effort, I have more important shit to do over the next few weeks than work on some lame project. Do it for the both of us, We both know you have nothing better to do.” You continue walking away from him and onto your next class.

He stands for a moment, sighing and flatting his lips together. It shouldn't be too hard to do..right?

He debated. this. repeatedly. He really didn't want to bother, but he needed your help. He had shit to do this week! Laundry was piling up, he hasn't been going to the gym as frequent, other classes and midterms on top of the project. But every time he tried to confront you about your attitude, you have some comeback or degrading thing to say.. You bat your dumb long lashes and smack your lip gloss against your lips. He hated how fast he gave up arguing back.. it made his pants a little too tight and his eye twitch from hell. However, he was not doing this by himself. He had a rough week as it was and he's tired of letting you push him around.

He knocked on your door the Sunday before it was due, listening to you shuffle around your room before opening the door in some short shorts and one of those girly tank tops with a small bow in the middle. He couldn’t help but stare at your bare collarbone, used to seeing your name littered across it with gold jewelry before his verdant eyes quickly averted themselves back to your sharp gaze. Before he could stutter out his reasoning for being there first, or even say hello, you spoke.

“What is it?” You scratched the top of your bonnet, yawning quietly. You slip a hand under your shirt to scratch at your stomach, watching the flustered man in front of you watch your every move just to dart his attention somewhere deeper into your apartment. “If it’s about that stupid project, i’d rather rot in hell than work with you.” 

“It’s due tomorrow y/n, can’t we just get it done? I’ve done more than.. I wanna say seventy percent of it? But I have a life too you know-” He’s cut off by your laughter, watching you turn and head back to your couch. You left the door open for him to come in if he was really serious. which was a pretty low chance that he was. you guys have played this game before.

“That’s a really funny joke, izuku. ‘I have a life’, ha!” you tease, plopping onto your cushions and grabbing the remote.

“I know you have nothing better to do than school work, if you’re so close to done, finish it. I already made my own, virgin.” you fibbed, you started your own, but of course this was the one project you needed to genuinely depend on someone else. you unpaused your show, waiting to hear him shut the door in defeat.

Izuku stood in the doorway for a beat, pinching the bridge of his nose before walking in. He respectfully took his shoes off at the before shutting the door roughly behind him. 

“Can you please.” He heard his voice begin to rattle with anger, taking a deep breath in and sighing before speaking once more. 

“Can we just get this project done? Please.” The straps of his bag burned into his hand as he gripped it with vigor. He tried his best to control himself, watching you flinch at the shut of the door but at least he had your legitimate attention. 

“Please stop making this harder than it has to be.” He stared down at you, his tone slowly fixing itself. He didn't want to be an asshole.

But he was serious. You weren't scared, but you did kinda feel bad. Normally picking and poking didn't make him too upset. He was pretty used to it by now. He sounded actually upset for the first time in a long time. You felt something in your brain tell you to finish this stupid thing, motioning to set up at the dining room table. you watched him set his bag down, listening to his anything but quiet muttering. “Thank you for not being a stubborn bitch, y/n..”

oh??

oh???

“What did you say?” you turned your television off, tossing the remote on the couch before storming over to him. 

“Speak up. You got somethin to say in my fucking apartment then say it to my face, Loser ass bitch.” He was sitting down with almost everything out on the table, looking down into his bag to grab a few more things out from the bottom. You slammed your hand on the table as you spoke, the other hand resting on your hip as you tilted your head to the side. You wanted to see who the fuck he was talking to.

 “I said,” He turned his body to face yours, face burning red from irritation with a prominent look of annoyance on his face. “Thank you for not being a stubborn. Bitch. All you have done the past few weeks is make it incredibly difficult to get something done that I know we can do in two days. Stop making this harder than it has to be. I’ve seen you on about every story any. time. Theres some fucking party. You have nothing better to be doing than sitting down and working.” 

“What a fucking weirdo, you stalkin’ me now, Izuku? Nothin better to do than look for me on niggas snapchat?” You swipe the papers he set up off of your dining room table like a cat, not caring how close to being set up he was.

Come to think of it. The only parties you really went to were the ones Katsuki and his friends threw, the last two had been a tailgating party and someone's birthday but.. 

You smile, lowering yourself to be eye to eye with him. Your words came out dripping with honey but still so sour. “Is this because I hang out with ‘suki? You jealous I got my mind on someone other than you and making your life miserable, wimp?”

Your voice died out in your throat as he stood up, snatching your jaw hard enough to establish he meant business. You felt yourself trip forward slightly from a little tug, his blush pink lips twitching as if they wanted to smirk instead of looking so mean. 

“Mention him or say one more thing about how im a ‘loser’ or a ‘virgin’ again, and i'll make you forget how to walk. Keep it up, y/n. I am not in the fuckin’ mood for your bitter. shit.” He watched your facial expression change, praying his hard on wouldn't poke your thigh as you two stood incredibly close to each other.

He was far from wimpy looking.. six foot four, athletic build, and freckles covered his face. He was attractive, smart, just never hung out with the people you hung out with. You knew that. But it didn't stop the names, or the picking. He never really tried to stop you, maybe when you'd take it too far but more often than not he'd just sit and look at you and.. well, listen.

You bit your bottom lip softly, blinking a few times before staring up at him with half lidded eyes. “Take the bitter taste from my mouth then.. Talkin’ a lot of game for someone who looks like he’s gotten pussy maybe, twice in his life?” The confidence in your voice had definitely faltered, It’s not like you haven't imagined riding this dummy until the sun came up. Hes just so fucking annoying. it would be incredibly satisfying to watch his damn near virgin ass cream under you. you just weren't expecting him to be so..

Shoving his lips against yours and mumbling your train of thought, Izuku pulled you close before snaking a hand down to grope your ass. You yelp in response, tangling your hand into his messy green curls. He walked you backwards until your legs nudged against the couch, hands roaming to touch what they could of your skin. He's wanted to for so long. 

You slide next to the arm of the couch, whining softly when he pulls his lips from yours. He motioned down to the floor, watching you grab a pillow from the couch and set it under your knees. Finally speaking again, He starts untying his drawstrings. “I don't wanna hear anything out of you, we clear?” 

“crystal, in fact, anything for-” 

smack!

“What part of  ‘I don’t want to hear anything out of you’ don’t you get? Is it too hard for you to comprehend?”  He mocked your pout, continuing to speak as he tugged his joggers and boxers down to his knees. “Fleshlights don’t talk. Especially after how you treated me for so long.” He mumbled the last part, tugging his clothing down to his mid thigh.

Your eyes teared up from shock, not pain. He didn't hit hard, but it did leave a small sting on your cheek. You felt your back straighten, looking up at him with pleading eyes before muttering out a small apology. 

is that how quick you'd give yourself up? He thought to himself, pink tip now sitting in front of your lips as it glistened with pre-cum. is this how easy it was all along? “Stick your tongue out. Too late to be sorry.” 

You slide your tongue out slowly, staring up at him as you blinked the tears out of your eyes. he almost felt.. bad. was he being too mean? he tapped his tip against your tongue a few times, watching you move forward on your own to take him in your mouth. 

...maybe not mean enough.

He positioned his hands behind your head, making a makeshift ponytail before pulling you closer to his groin. He stared down at you, letting out a small groan before sighing in relief. He began to guide you along his cock dreadfully slow, watching your eyes fill with tears. He let out a soft chuckle. 

“Ah.. for as much as I hear you run your mouth, your pretty good at shutting the fuck up too. Use that tongue too, slut.” He let out a few moans under shaky breath, smirking and leaning his head back. You let your jaw go slack so he could use your throat how he wanted, trying to focus on the most important thing. breathing. Tears stream down your cheeks, trying your hardest not to gag against his cock.

“Gonna cum on your face..so y-..you’ll remember this and how fucking disgusting you really are.” He rutted into your throat sloppily, pulling away after you tapped his thigh a few times. He watched spit drip down your chin, hand going to rub his thumb over his tip.

You gasp to catch your breath, putting a hand on the ground and the other on your chest. Saliva had dripped down to your shirt, letting out a few coughs. You rub your tears away, wiping your chin. "Who knew someone like y..you could be so big n mean.." You look up at him, feeling the release of your hair. 

“Suck my dick like I showed you and I won’t have to be mean.” His face was red and sweaty, cock twitching in his hand from the coolness of your apartment. You nod, moving your hand to help you keep up with such a messy pace he had. 

You whimpered, hearing him degrade you even further. He called you a free use whore, a cumdump.. noticing the way your thighs clenched together before hovering a hand behind your head. He watched you quicken your pace, a whiny moan leaving his mouth when your tongue swirled over the nerves in his tip. 

He shivered, breath getting shaky before pulling away from you to finish over your lips and watching the mess cover your face. His hard-on twitched as he let out a sighing in somewhat relief. there's no way that he was still going, right?

“Get on the couch,” He said in a calmly, panting and wiping the sweat from his forehead. He watched you scramble to get up, sitting on the couch and attempting to clean your own face before feeling him snatch your jaw up into his hand.

“Ready to finally do our fucking work? or does your slutty cunt want attention now?” He laughed at how disheveled you looked, feeling the wetness under your chin leak onto his hand.

you blink the tears from your eyes, trying to stutter out your response before he spoke for you. “Dumb Whore. Bet you do. You get to cum on my fingers first,” 

You let out a whine whether volintarty or not, seeing his lip twitch into a small smirk. “What? My fingers aren't enough?” He moved ro rub at your clit, classused fingers pressing against you in slow circles.

“Whine all you want, You don't deserve anything more than my fingers.” He growled out, standing between your legs and opening them wider with his own. How embarrassing, to be folded up on the couch by someone you ‘hated’ so bad.

“Be lucky if I let you cum at all.” He tugs your panties to the side, dipping two fingers into you and curling them a few times. “Holy shit.. You’re soaked.” He spoke half in genuine shock and astonishment, half to degrade you. He lifted your leg to rest on his hip, pulling your panties down just enough to where he could rub your clit with his thumb and slid his fingers back in. 

You squeak, knee nudging into his side as you twitch and squirm against his fingers in pleasure. They were thick, curling and poking at that spot deeper than you thought they'd go. He still looked irritated as ever, but there was definitely also a look of admiration in his eyes. He seemed to be focusing, moving his fingers faster before making a scissoring motion with his fingers.

It was a lot, cocoa-colored eyes trying to blink the tears away that wouldn't stop forming in your eyes. “iii...izu!!” you plead, back pressing even harder into your couch as he basically climbed on top of you to finger fuck you. “It’s too muuuch- sensitive!” you tried pushing his hand from your clit only to be met with his other hand pinning it next to you.

“I bet kacchan doesn't do this to you.. Make you feel this good..” And there was that constant muttering under his breath. It wasn't hard to understand it when he was in such close proximity to you, but maybe he assumed you couldn't hear him. was he really boasting to you or himself..?

no. he was jealous. you concluded, deciding to run your mouth a little, a small smirk forming onto your plump lips. you haven't done anything with katsuki and it wasn’t really on your list to fuck community dick. but if that's what izuku thought, so be it.

“M.. makes me feel be..better!” you struggle to say, feeling him pull his fingers from your sopping cunt. you feel the knot that had been building up so quickly start to dissipate, an annoyed huff leaving your lips in response. His smirk turned into a disappointed frown, gritting his teeth before letting your wrist go and pinning your knees to your shoulders with, frankly, big hands.

“I’m gonna hit your cervix till you’re shaking,” He stated, lining his tip up before sliding into you with one big thrust. you felt your thighs ache, the warmth of his cock making you shiver. you felt full, closing your eyes tight and pushing at the arm that pinned your legs down. you wanted to hold onto him, bite, do anything to calm down how good it felt. It was overwhelming in the best way.

He slammed into you, pulling back slowly just to slam even harder into you. His lips curled back into a smirk, watching your body jolt and moving his arms to rest on either side of you. He felt you embrace him, legs trying to wrap themselves around him. He smiled into your shoulder, thrusting faster into you.

“iiizuuu.. nnghh.. h-hah please..” you pleaded, clenching around him. “ ‘m s.. ngh sorry. ‘M sorrryyyy, izu.. I am!! “ your nails raked down his shirt, gripping onto the fabric as your eyes began to roll back in pleasure.

“Now you’re sorry?” He asks into your shoulder, pulling back to move your heels onto his shoulders. He gave slow thrusts, staring down at you and your attempts to catch your breath. you nod as if your life depended on it, feeling your orgasm get closer and closer.

He moves a hand to rub over your clit quickly, watching you writhe in pleasure before continuing to thrust into you. You were seeing stars.. so much so you ended up squirting on his t-shirt. He laughs a bit, breaking into a moan as he pulls out of you. He jerked the tip of his cock for a few seconds, cumming and ruining your shirt in return.

Letting out a worn out but soft sigh, Izuku sat next to you tiredly. you try to blink yourself back into reality, feeling gross with all of the different.. hormones.  That happened to land on you and your clothing. “If you ruined my c..couch you get me a new one, nerd..” you huff out, sitting up and leaning onto his shoulder.

He leaned his head into your touch, hand wrapping around your waist. “Do you want my help to the bathroom so you can clean off?” He also needed to, but knew no way around your apartment and wasn't exactly gonna just leave you like this to search for one.

you nod, leaning into his bicep as he helped you towards your bathroom to strip you both of your soiled clothes. The project could wait another hour or so, right?

©if you like what you see please reblog! It means a lot and helps me out. Want more? Heres my m.list! I write for x black reader so throw me some requests :P my other account are icons and x black reader moodboards if you’re interested!

have a good day/night/whatever!

[snapscube]

So you mentioned the Amazing Spider-man movies, what are your thoughts on them? For me; I was pleasantly surprised by 1 AND 2. Like 2 is bad, real bad, but the jokes were legit, Andrew Garfield and Emma Stone are just...an amazing on screen couple and until the transformation Harry is a really fun villain....just sucks that most of the movie is exposition about peoples relationships to one another or experiments done mostly off screen.

TASM1 is perfectly serviceable as a standalone project and was definitely not the worst jumping off point, but it struggles to really properly understand Spider-Man/Peter as a personality. Peter absolutely doesn't have to be a goody two-shoes loser, all of the best adaptations of Peter imo can have some serious attitude and grit to their persona, but TASM1 kinda over-corrects on the Tobey Maguire "shy nerd" angle by making Spidey a bit too much of a dick. I remember the movie getting a lot of praise for finally making Spider-Man funny and quippy, praise I similarly gave at the time, but it really... doesn't do that nearly as much as ppl gave it credit for??? There's like ONE scene where Spider-Man is kinda jokey with someone he suspects to be Ben's killer, but that scene kinda stinks because he's not quipping as much as he's like actively cruel lmao. Andrew Garfield and Emma Stone had great chemistry though and you can tell Marc Webb knew his stuff when it came to directing that kind of romantic tension, seeing as how his previous project was 500 Days of Summer. All-in-all, it's a Fine movie but it's not a fantastic adaptation of the things I personally like about Spider-Man.

TASM2 is so much more intriguing to me to watch and to talk about. It's genuinely baffling how that movie ended up like it did, but in a way that almost anyone could have predicted. That movie STINKS. It's really really bad. But it also has kind of the opposite problem to TASM1 in that... TASM1 is a good movie that doesn't properly showcase the character of Spider-Man, whereas TASM2 is a garbage movie that features some of the best live action Spider-Man scenes/setpieces we had seen and would ever see to this day. It's sincerely tragic how many great INDIVIDUAL MOMENTS are in that movie, and how loosely connected they are by some monumentally stupid studio meddling. That movie has everything going in its favor with Andrew Garfield in the lead, the best live action Spider-Man suit to this day, the most thrilling and well rendered swinging sequences put to film, and the occasional glimpse of a true Friendly Neighborhood Spider-Man that is down on the ground connecting with and watching over not just the city itself but the people within it. There's a montage in the middle of the movie that features Spider-Man on his daily patrol and he comes across as just so PRESENT and on the same level as the people he protects, meanwhile in the audio track you hear newscasters and interviews fiercely debating whether or not what he does is actually worthwhile. And that shit HITS. But unfortunately that kind of stuff is still too rare and it far overshadowed by Sony desperately trying to make a Spidey Cinematic Universe without earning it. Ultimately they had all of the pieces to make a truly definitive adaptation of Spidey that I feel like almost anyone could get behind, but they just... couldn't. Even Spider-Man PS4, commonly lauded as one of the most definitive Spidey stories of all time, uses SO MUCH of the same DNA of the Amazing Spider-Man films, but the difference is that it had the space to be only exactly what it needed to be. Nothing more, nothing less. Anyway I could talk more about this for sure but I'm looking at the length of this write-up and wincing already LOL.

[pale-opal]

Hear Me Out:

I know that image and what I'm about to say has a chance of being incredibly niche, because I have no idea how much overlap there is between the Homestuck and Mega Man fandoms. But if there's anything I've learned from the internet, it's that no matter what fandom you're in, it's almost guaranteed that someone in said fandom has read Homestuck before. So I think someone out there will understand the rant I'm about to go on. But for everyone who hasn't read Homestuck before, here's a quick explanation: Homestuck is a webcomic that was written and published by a man named Andrew Hussie. It ran from 2009-2016. It follows the misadventures of four kids as they play a game called Sburb with the help of twelve other kids known as "trolls." Together, they go on a quest to complete the game, as the initiation of it has caused the world to end (so even if they wanted to quit, they couldn't. Whoops). It is currently available to read on mspaintadventures.com, however I do NOT recommend reading it if you are a minor, or if you have sensitivity to content that contains violence, strong language, etc. - There were also two (technically one?) epilogues produced afterward, as well as a sequel called "Homestuck^2". - The disclaimer above applies to those works as well.

Okay. Now that I've explained what Homestuck is, let's get into why I put these four Doctors in the squares that I did.

Dr. Cossack: Has read Homestuck, Knows What Homestuck Is - He just seems like the kind of man who casually knows a lot about a lot of things. - A "nerd," if you will. - I can see him reading this in college and subsequently getting totally invested. - He relates to John Egbert (one of the four kids I mentioned earlier) on a personal level. - He did not like the epilogues. - He likes Homestuck^2, though. Dr. Light: Has Read Homestuck, Doesn't Know What Homestuck Is - I imagine that Light was introduced to Homestuck through Cossack while they were in college. - Like, what if Light got sick at some point, and Cossack came over and showed him this random webcomic he found in an attempt to make him feel better, only for Light to wake up the next day, convinced the whole thing was a fever dream? - Cut to many years later, after the birth of Proto Man. - Light and Cossack are having a conversation on the phone: - Cossack: "Hey, Thomas. Do you remember Homestuck?" - Light: "...Homestuck?" - Cossack: "You know, that webcomic I showed you when you got the flu back in college?" - Light: "I'm not sure I-" - Cossack: "The one with the little gray people?" - Light: "Little gray- wait. Wait, that was real?!" - He has not read the epilogues or Homestuck^2. Dr. LaLinde: Has Not Read Homestuck, Knows What Homestuck Is - I think that Dr. Cossack would go on many coffee-fueled 2 a.m. rants to her during last-minute attempts to finish projects on time when the two of them were in college. - LaLinde would always listen respectfully, and as a result knows the entire lore behind Homestuck despite never reading it. - One day, she decided to give it a go. Here's how that went: - LaLinde: "Okay, let's see here- what? Eight thousand (8000) pages? Where am I going to find the time to read all of that?" - And so, she has to this day never read the darn thing. Dr. Wily: Has Not Read Homestuck, Does Not Know What Homestuck Is - The reasoning behind this is simple: he just couldn't get into it. - Dr. Cossack tried several times while they were in college to convince him to read it, but it sounded really convoluted to him. - Dr. Light tried to get him to read it before the whole "Dr. Wily becomes evil and takes over the world" thing after he remembered what it was. - That didn't work either. - Plus, the whole thing just seemed too long. - He eventually just forgot it existed once Light stopped trying to get him to read it. But here's something else about the Doctors: they all had kids. Kids who all grew up with different levels of parental involvement. Kids who would've probably heard their parents talk about this strange little webcomic at one time or another. Which brings me to my next point:

Blues: Has Read Homestuck, Knows What Homestuck Is - I imagine that he heard the aforementioned phone call between Light and Cossack, and asked Dr. Light about what they were talking about. - Light straight up tells him that he's not allowed to read it. - Blues accepts this. - Cut to Blues' life after he runs away from home. He's at the library. - He's also in the midst of his "I hate my dad" arc, and as a result is more than willing to go and read this comic Dr. Light told him was off-limits. - He spends a whole day reading the webcomic, its epilogues, and its sequel. - He is there from the time the library opens to the time it closes. - And once everything is said and done, he is a changed man. - His favorite character is Dave Strider. - He also used to like Dirk Strider and Jane Crocker, but then he read the epilogues. Bass: Has Read Homestuck, Doesn't Know What Homestuck is - Bass was just minding his business, until he finds Proto Man broke into his house... again. - I like to think Blues breaks into Wily Fortress sometimes, just because he can. As a treat. - And to visit any Wilybots he's friends with. - He goes to confront Blues, only to find him in the midst of his third reread of Homestuck. - He asks what he's doing. - Blues tells him to pull up a chair. - He starts the reread over so that Bass can understand what's going on. - Bass, too, ends up a changed man. Even if he has no idea what he just read. - His favorite character is Karkat Vantas. - He made a trollsona (basically a troll OC), but has never told a living soul about it. - Also, he will never admit it, but "[S] Game Over" messed him up on an emotional level (if you don't know what "[S] Game Over" is, don't worry about it. Don't look it up. It's okay. Just forget I said anything). Tempo: Has Not Read Homestuck, Knows What Homestuck Is - Quake Woman has not read Homestuck for the same reason her mother hasn't read it: She's simply too busy. - Blues tries to convince her to read it, though. - But here's the thing: Vesper Woman HAS read it... but she just thought it was just alright. This leads to conversation like this happening: - Vesper: "Don't listen to him, Tempo. It's okay at best." - Blues: "..." - Blues: "...would you like to elaborate on that?" - They get into arguments about different aspects of the plot a LOT. - Tempo just listens quietly while she works. - Out of curiosity, she ended up looking it up one day when she had free time, and ended up stumbling across Hiveswap instead. - Hiveswap is a spin-off game that takes place in Homestuck's universe. The first Act was released in 2017, and the second was released in 2020. - I will admit that I haven't played Hiveswap, so I'm not sure if the disclaimer I provided for Homestuck applies here. Kalinka Cossack: Has Never Read Homestuck, Does Not Know What Homestuck Is - My reasoning behind this is even more simple than Dr. Wily's: - Dr. Cossack does not let her know that Homestuck exists in an effort to keep her innocence in tact. - That's it. That's the reasoning. You can all go home n-. - ...wait. Is that ANOTHER image down there?

You see, there's one more set of characters that I want to discuss in this long, long post. Characters that wouldn't be influenced by their parents, meaning that whether or not they've read Homestuck would be more up to happenstance:

...I can explain.

Zero: Has Read Homestuck, Knows What Homestuck Is - Part of the reason I put him here is because he ended up being the opposite of what Wily wanted him to be. He wanted a ruthless killing machine, and instead he got someone who helps save the world on multiple occasions. So why not have him be the opposite of his creator in Homestuck knowledge as well? - (Although if you think about it, Zero is technically a ruthless killing machine, but that's not what we're here to talk about). - Another other part of the reasoning is that I thought it was funny. - Zero had trouble getting invested until Act 5. - After he reached that point, he was locked in. - He sees a little bit of himself in Rose Lalonde and Dirk Strider. - He has never read the epilogues, or the sequel. Once he saw the Snapchat bonus content, he thought that was it. - Zero successfully got Iris into the comic as well. - Her favorite character was also Rose. - I like to think he and Layer also became friends after realizing they were both Homestuck fans.

Axl: Has Read Homestuck, Doesn't Know What Homestuck Is - He found a dub of the series on YouTube on day while watching random videos. - He was invested almost immediately. - Axl would talk about it with the other Red Alert members a lot - especially to Red and Tornado. - But there was one problem: He didn't know the name of it. It just completely slipped his mind at one point, and he wasn't able to get it back. This led to stuff like this: - Axl: "And THEN John and his friends are losing to the Condescence, but-" - Red: "That's nice and all, but what's this webcomic you read called?" - Axl: "Uh... I dunno. I can't remember." - Red: "Are you sure you didn't just make it up?" - Axl: "Wha- Yes! Yes, I'm sure!" - Red: "...sure thing, little buddy." - After joining the Maverick Hunters, Axl casually brings up the plot of this comic he can't remember the name of. Zero soon says this: - Zero: "...are you talking about Homestuck?" - Axl: "That's what it's called?!" - He made a trollsona like Bass did, but is a lot less shy about sharing it. - His favorite character is Roxy Lalonde. - Axl got Palette into it as well. X: Has Not Read Homestuck, Knows What Homestuck Is - He heard Zero talk about it with Iris a lot, but it sounded a bit too violent for his tastes. - He did play the Pesterquest visual novel, though. - Yes, the disclaimer does apply for this visual novel. - I like to think that at some point in X7, X complains about Zero and Axl's interest in "overly violent media" and asks if Zero has started "corrupting the youth." - He is promptly told to shut up. - X is more open to the idea of reading Homestuck by the time X8 comes around though. But it isn't until Axl is recovering from the game's ending that he actually starts considering it, since he knows it'll make Axl happy. - Speaking of which: will Capcom ever give us X9? - I just want to know if Axl is really okay, or if Lumine messed him up somehow. - It's been almost 20 years since the game released. 20 years is a long time to leave part of a video game franchise on a cliffhanger (but then again, Mega Man Legends fans have been waiting for 24 years...) Sigma: Has Not Read Homestuck, Does Not Know What Homestuck Is - The reason Sigma is in this category is very easy to explain: - He deserves nothing that could give him any semblance of happiness. - Also, I hate him.

Alright, rant over.

The inspiration for this post, as well as the original template, can be found here.

...now you can all go home.

[jtl-fics]

Math nerd please!

11/6/24 WIP Wednesday (CLOSED) | Math Nerd

Time marches on. The banquet is upon them and Renee doesn’t bother asking him, instead going with someone from one of her classes. Nicky had a brand new flavor of boy - Eddie from his marketing group project. Aaron was going with Katelyn. Dan and Matt were together. Allison and Seth were on one of their good streaks. Kevin was swiftly informed that he, in fact, could not bring a bottle of vodka as his date and was therefore going stag despite his insistence that everyone else get dates.

Andrew was also going stag but if his suit and Neil’s suit just so happened to compliment one another then that was merely a coincidence. A coincidence that might result in his cousin getting stabbed if he doesn’t stop trying to point it out to everyone.

Kevin’s a mess of anxiety just like he had been before the Fall Banquet.

[dayurno]

obsessed deeply with aaron minyard in the way of like oh here’s this angry weirdo nerd guy also was on trial for murder also Short also annoying and loserish and here’s his girlfriend most beautiful woman in the world ray of sunshine supermodel cheerleader ohhh and there’s loser boy trailing behind her holding her bags

I LOVE LOVE LOVE AARON I REALLY MEAN IT WHEN I SAY IT......... aaron he's my friend he's my cousin he's my sister he's my niece i'll never leave her..... no but for real. i love that the life aaron wants is small and normal and easy, i love that he has conflicted feelings about tilda, i love that he wants his own life and does everything he can to keep it, i love that katelyn is marked as "aaron's queen" in her character sheet, i love aaron's relationship with andrew and all their issues, i love thinking about him living his life during the events of canon and not giving a fuck about whatever the mafia is up to........ i'm fond ofhim. i'm unbearably fond of him. i dont want to fix aaron because he doesnt need fixing and i think he was right to feel however he felt at any point in the book

also you have to admit the aaron and neil beef is funny. entirely gratuitous as far as anyone's aware. absolutely no reason to be so venomous towards each other. neil was too nosy one too many times and aaron decided he hates this son of a bitch. they're both projecting on each other and its ok

aaron oh aaron... my beautiful straight boy skatercore convicted murderer.... soft and lovely for his girlfriend only....... the worst man of all time. and yet

[codename-adler]

Sunburns! (@stabbyfoxandrew)

thank you @stabbyfoxandrew for allowing me to nerd out <3

Adler’s PiPs ~ Project: Sunburns

if my memory doesn't fail me (which it ALWAYS does), i believe the start of PiP: Sunburns goes back two years, with this little piece i wrote. basically i craved violence and thus the idea of feral Jeremy was born. i know fanon is in love with the Trojans getting their first red card in defense of Jean, and for Jeremy to get it, but i wanted more. as much as Jeremy would allow Jean to find the light, i wanted Jeremy to be allowed to tap into his darkness. NOT THAT JEAN MAKES HIM GO MORALLY GRAY. Jean does not ask for anything. it's more like a mama-bear instinct? at least that's what Jeremy tells himself at first. he'll come to realize, on his own and as Laila and Alvarez point it out to him, that it's definitely more than that.

because the Trojans cannot be as 'damaged' as the Foxes, per their status, the uni they play for, the big team they have, etc., i still couldn't resist giving the characters some touch of angst, because that's what i do, duh. difference is, Trojans have more resources, sympathy and means to deal with their shit. or they're just better at repressing shit, i.e. Jeremy Knox. that's why i say Jean's presence and being allow Jeremy to let go of the obsessive control he has over his person. while Jean never asked for anything from his new captain, and though he isn't impressed by Jeremy jumping to his defense, it sort of... comforts him, to see that Captain Sunshine isn't as peachy and sunny as he would like people to believe. that this little bit of darkness in him means Jean won't be tainting him with his own dark presence. that Jeremy can understand things, Jean's things. Jean is not scared. it is admittedly a tiny bit weird to witness rage not aimed at himself, but for himself. that he is real, and alive, and in fact so real and alive that people, Jeremy, are actively fighting for him to stay and live his life to the fullest.

but what is the fic about, Adler? well: it's a 5 + 1 thing format. of course, 5 times Jeremy went feral for Jean, and 1 time... eh, haven't figured that one out yet.

1 time Jean went feral for Jeremy? 1 time Jeremy didn't need to because Jean handled it himself? 1 time Jeremy went soft for Jean? 1 time the Trojans went feral for Jean? or 1 time Jean went feral for the Trojans? 1 time Jean went feral FOR HIMSELF? 1 time Jean realizes he truly is a Trojan? 1 time the Trojans realize Jean really is one of them now? i! don't! know!

i do have the 5 times where feral Jeremy lashed out, and i hope these will allow you to glimpse at just how serious i am about Jeremy going apeshit:

0.5 The OG incident that pushes Jeremy to do a thorough background check of every Raven (this fic is also me pushing my hacker!Jeremy agenda)

1 Jeremy goes after a Raven (classic)

2 Jeremy goes after a Trojan stepping out of line

3 Jeremy goes after a reporter, privately and publicly

4 Jeremy goes after a Fox [redacted]

5 Jeremy goes after Ichirou & the Moriyamas

as for the title, the draft remains titled "Sunburns" because it's the shortest version of all the titles i'm considering, all inspired by the idea that being the sun doesn't mean just 'light'. the sun is a ball of burning fire. it was upon playing around with that that i stumbled upon this PERFECT quote by Ilona Andrews (i have no idea what book this is from tho):

He bared his teeth in a happy feral grin. My own personal psycho.

that's what i got for now! i'll post updates when i start writing from the outline i have.

coming soon in an Ao3 near you!

if there's a project of mine you'd like to know more about, head over to the pinned post on my blog titled "Adler's WiPs" !

<>

special thank you to my dear Ukamushu who was the first to know about this project and who let me share my thoughts and helped me in return with hers. i love you forever 🤍

[the-great-knight-gay]

List of favorite versions of these characters

List of my favorite iterations of different characters:

This is an opinion:

Spider-Man

I just love how nuanced and developed this take on Spidey is. All are great in their own terms but I have personally felt more of a connection to this Spidey more than anyone else, with only Andrew Garfield's coming close because I just love that the whole mannerisms are just so real.

He experiences anger and sadness and so many other negative emotions. He doesn't have to be the happy one all the time because that's unrealistic. It has a more grounded apporach than Tobey Maguire's Spidey but not as much as Andrew Garfield, giving the perfect balance for a quality comic book movie character. It's not too campy but has just the right amount.

The main problem is the fanfiction writers treating him like a five year old when he is not. This is a developed and mature character. How everyone just treats him like a baby is beyond me. His last appearance had him try to murder a man with his bare hands (and a weaponized glider). There was no baby in that scene.

Next up it's Batman.

This one has so much potential. I don't have as much to discuss but I just feel drawn to it for some reason. The incredibly dark, emotional feel seems to just work for Batman and Robert Pattinson just nails it. The only other one that comes close is Christian Bale who unfortunately puts me off with two things. The design and the voice.

You can't tell me Batman sounds like he gargles with battery acid. Also... hockey pads? Really Nolan?

Next up... Percy Jackson. (Reminder that I am only putting in live action ones as I have not seen the Lightning Thief play but I have been told it's great)

This one is no contest.

While Logan Lerman was actually a perfect casting for the 16 year old Son of Poseidon, his performance was slightly bogged down by the movie he was in. Logan and the Lotus scene was probably the only thing I would ever like about the movies. Walker on the other hand, while we have only seen him in trailer as of right now, is the perfect Percy. I don't care about his looks because the entire reason PJO was created was to send the message that anyone, whether they have dyslexia or ADHD, can be a hero. The whole part of Percy's design doesn't matter, just as long as he looks like Poseidon. That's the only part that matters. Just like how Annabeth's design doesn't matter as the whole idea of it was that anyone can be smart, despite being discriminated against for their appearance. THIS LITERALLY MEANS IT MAKES MORE SENSE FOR HER TO BE BLACK RATHER THAN BLONDE. STOP BULLYING LEAH YOU RACIST NERDS ON THE INTERNET. NOT THAT I'M HATING ON NERDS THO I AM ONE AND THIS ARGUMENT IS LITERALLY TO DEFEND THE ULTIMATE NERD.

Anyway back to Percy. Walker is Percy Jackson. Anyone seen Secret Headquarters and The Adam Project? It's like seeing Percy come to life. Anyone who says 'Ever had your ass beat by a twelve year old nerd with an inhaler' in that tone is Percy Jackson. His entire mannerism just is the chaotic energy of Percy. Plus, Rick Riordan has said that he has encouraged Walker to embrace anger in the show rather than just be the stereotypical morally superior protagonist. THIS PERCY WILL SHOW EMOTION AND ANGER AND EVERYTHING. THAT IS PERCY. From the start, he has always had a slightly darker streak, from manipulating Procrustes into lying in his literal death bed to manipulating the tears and poison of the misery goddess (No idea where the fandom got the idea of blood bending that's not part of the scene)

Honestly, all I've heard from this kid is just Percy Jackson. He is Percy.

For the final one we have Superman and Lex Luthor.

This is the best ever Clark Kent I have seen. He shows both the alien side and the human side of Kal-El so well. Henry Cavill was amazing but we never saw really saw Clark enough. More of the Kal-El side. This is probably because of the lack of appearance due to all the weird problems with the DCEU which was disappointing as he was gearing up to take the new favorite spot for me. Welling on the other hand, had so much time, evolving and developing this character that is was just hard not to see Welling when I hear Clark.

Despite the lack of suiting up (Which was fixed by the Season 11 comics and Smallville Tie-ins) he managed to bring the essence of Superman into the show so well. His time as the Red-Blue Blur and The Blur managed to show both his heroic side and his darker side, adding a much more emotionally invested side to the character. Rather than just making him the morally correct character who can do no wrong and assumes the best in everyone like most people think of when they see Superman, Smallville's version shows him as a person making him have flaws, doubts, anger, emotion and so much trails.

His friendship and rivalry with Lex, paired with Tom Welling's amazing chemistry with Michael Rosenbaum, created such amazing on screen banter and added a new layer to his character, giving him a large parallel to one of his greatest enemies.

Both started off wanting to be just good. The main difference was parentage. Clark was lucky to get Jonathan and Martha. He may have had some hiccups with Jor-El but Jor-El at least wanted to give him a good path. Lex had Lionel. Lionel was abusive, via neglect and hate. Lionel was the real reason why Lex had no hope of becoming a hero. This came into play heavily in the earlier seasons of Smallville.

Smallville was always a three act play.

Act 1: Season 1-3

This one focused on fathers and sons

So much of this was about Jonathan and Clark, Lionel and Lex, Henry Small and Lana, Jor-El and Clark, even Gabe and Chloe for a bit.

Act 2: 4-7

This one helped develop the characters through their interactions with each other while building the Krypton sub-plot.

This was how Lana's relationship with Clark and Lex grew and fell.

This was how Chloe grew to be one of Clark's most trusted confidants.

This was about how Clark and Lex's friendship started failing.

All the while, we finally were introduced to actual characters from the comic books other than Lex, Lana, Clark, Pete and Clark's parents.

We saw The Flash, Aquaman, Cyborg, Green Arrow and Black Canary.

We were introduced to Lois Lane of all people which gave everyone my favorite version of the character, rivalled only by My Adventures with Superman and Superman and Lois.

We saw Brainiac, Bizarro and Supergirl.

This truly marked the end of the fathers and sons arc with Jonathan suffering a heart attack and Lex truly becoming the villain after murdering his Father, a fate he had tried so hard to stop in the earlier seasons.

Then we got the final act.

Act 3: Seasons 8-10

This was the act where Clark truly became a hero. He stepped out of the shadows as the Red-Blue Blur. He took on Doomsday. He finally defeated Brainiac. Lois and Clark became a thing. We saw his dark side as he became The Blur, with his trenchcoat and we saw him evolve past his dark side and then finally, he donned the cape.

This was truly the greatest version of Superman.

Now you must be waiting for the Lex one.

Of course it will be Smallville's Lex.

Michael Rosenbaum was PERFECT.

He will be the only Lex I ever see.

His take on the character was just so emotional and perfect.

His relationship with Clark and his slow descent to madness and evil but just perfect.

That day on the bridge changed his life but it also changed all of ours.

Everyone who saw Smallville knew that Clark and Lex would become enemies and yet it still hurt.

Let's be honest, this scene broke everyone.

This was when there truly was no return.

This just cemented what everyone knew would happen.

This was truly the greatest pair in TV history.

They've come a long way from this:

Knight out.

[popculturebuffet]

Into the Spider-Verse Finale: Spider-Man: Into the Spiderverse Review (Comissioned by WeirdKev27)

In Memory of John Romita Senior 1930-2023

Let's do this one last time. I"m Jacob Mattingly, and for the past few months, i've been reviewing the first apperances of spider-men. I've seen them enjoy crackers and milk, knock themselves out on furnaces, drum to deal with their pent up angst, rage, get powers from a spooky god while buck naked, and crumple a pipe like paper in their hand. It's been a long, loving ride into comics that not only got my comics reviewing mojo back but allowed me to share one of my faviorite franchises with you fine folks, many of whom don't usually read comics.

So we've come to the end of this retrospective, a bit later thanks to all the chaos of me using, but appropriatley as the final review i'm doing from the only home i've ever known. After 561 reviews here, it's time to say goodbye and given this is both one of the best projects i've done in my career and one where i've finally started editing better, it feels like the note to go out on.

This review has also been super intemidating to start. I'm an animation and comics nerd.. and Into is easily one of the best animated films AND best superhero films ever. It's also MASSIVELY influental, something I didn't see coming when I walked out of the theater, but really should've and we're now starting to see in earnest now the production cycle has had enough time to catch up to this film being a MONSTER hit. From modern masterworks like Mitchells Vs the Machines and Puss In Boots: The Last Wish to upcoming possible greats like TMNT: Mutant Mayhem, it's very clear studios are now far more likely to break from the standard CG styles and do something fresh, and audiences fucking love it. I hadn't realized till this film how much you could play with animation, from the concept of ones and twos to making a comic book movie look like a comic book. Any time I paused while watching this it felt like looking at a panel. The art here is gorgeous and the script matches it. So the question was both what would I have to say about the film and would I be able to live up to it? The only way to find out. is to take the leap. So join me under the cut as we swing into the spider-verse once again and see what makes this film so great 5 years later. Also as a heads up spoilers for the sequel will be present so if you somehow havne't seen it, you've been warned.

Let's Do This One More Time.... To get into why this film happened we have to get into Sony's treatment of spider-man. Said treatment has been a near neverending cycle of doing something right with it.. only to do something that shoots what they did right several times in the foot, stabs it and lights it on fire. Sam Rami makes two great spider-man films? Let's overly interfere with the last one and weigh it down with a lot of stuff it didn't really need. Amazing Spider-Man was decent with two tremendous leads in Andrew Garfield and Emma Stone but had some places to improve like peter being a skater boy she said see you later boy? Let's get complicated with it, overly focusing on Peter's Parents, including PLANNING TO HAVE PETER'S DAD SHOW UP ALIVE, a mysterious man in a trench coat from a tie in novel, and make harry osborn into this.

It's hard to decide which is worse. I mean their both worse than that time Harry Got a Mustache in College

A very high bar no doubt, but it's hard to decide if modern pale emo kid or GNEEE GNEEE I'M THE GREEN GOBLIN GNEEE GNEE was worse. Though I think we all can agree sony deciding "You know this pathetic weirdo we just had kill one of our most popular characters? LET'S GIVE HIM A MOVIE" is just.. one of the most baffling decisions they've made. Popular Anti-Hero with his own history, rogues and dynamic outside of spider-man Venom makes us an unexpected hit? Let's give him a sequel.. which was actually logical. So naturally they also decide "let's make OTHER spider-man villians and anti heroes into their own movies" I mean who DOSEN'T want a kraven movie?.... me.. me don't want that. I want Kraven IN a movie, but why. And the less said about morbius that dosen't involve Matt Smith giving one hell of a performance or weirdly dancing to show off his impressive abs the better.

Why wasn't the film just... Matt Smith as a more villianous version of morbius? A riddle for the ages. The point is sony has a GOLDEN franchise.. but often has no idea what to do with it. It's why when this film was pitched they were trying badly to find something to do with it, hence Venom. So since they had an animation division that while not terrible only really had one franchise of note, head of spider-man stuff Amy Pascal went to two of the men who'd made one of the most succesful animated films of the time and who were on a high point in their career and asked what they would do. These men.. were Christopher Lord and Phil Miller. The two had had a rocky start in their careers, show running the cult hit Clone High, which while well loved to the point we finally got a new season this year that was pretty dang good, wasn't exactly a big hit. Eventually though the two broke out with 21 Jump Street, a film no one had a ton of faith in hearing about it, myself included. The film was a comedy reboot of the old series, lampooning the whole premise and lamp shading the hell out of everything from this being a reboot, to our heroes not remotely passing for high schoolers, to high school drama itself, and not only revived Lord, Miller and Stars Channing Tatum and Jonah Hill's careers. This naturally got a sequel, which was not only even better and more meta, cumulating in a hell of an ending lampshading the idea of this being a franchise, we also got one of the funniest scenes in the history of film. And yes that's a hill i'm wiling to die on.

And even THAT woudn't be it as the two would go on to make the Lego Movie, a film that was both stylistically brilliant, hilarious and used the property brilliantly AND followed that up with The Lego Batman Movie. The two had a clear talent for taking a property, doing something fresh with it while honroing what worked so they were a no brainer to ask to do this. As for why would they.... IT'S SPIDER-MAN. If I got offered to make a movie about spider-man i'd do it. Who wouldn't?

Ironically though while Miller and Lord had the creative vision, something even I didn't know till recently is that they didnt' direct the film. In fact out of them only Lord wrote the film, co writing it with Rodney Rothman, who also co-wrote 22 Jump Street which as established above, is quality as hell. Rothman's Resume up to Jumpstreet isn't really anything huge, having done writing stints on underclared, the short lived ups animated sitcom Game Over, and having been a writer on Letterman, the last of which i'm mostly noting because he proudly revealed he was the one Chris Farley threw in a dumpster, but he clearly just needed more of a shot as both films he's co-written prove.

He also wasn't flying solo in direction, with his co directors, while also inexperinced in directing for the most part, having far more animation experince. First up is bob perschetti, who did the story for the original puss in boots and a smaller film called the little prince, and did tons of storyboard work for dreamworks, having worked on Shrek 2, Monsters Vs Aliens, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit, which I previously covered. He was also an inbetweener on a smorgasboard of disney films.

Finally we have Peter Ramsey, the only one to have directed a theatrical film before this with Rise of the Guardians, and was a storyboard artist on a list of flims so massive and prestigous i'm just going to let this wikipedia screencap speak for itself.

Yeahhhh. See I point out the lack of direction credintials not to shame them, sometimes it can take decades before you get your shot, but more because it's so utterly shocking that as experinced as these guys are only one of them had directed before this. The film is gorgeous and groundbreaking.. and makes it that much more baffling it took this long for these three guys to get such a big , well deserved shot and given all have projects going on right now, I couldn't be happier.

So the production itself seemed to go smoothly for the most part. The only exceptions were Sony nixing a cameo from tom holland (as they found it confusing) and something massive: one year out from the film being released Lord and Miller felt the film wasn't working and thus decided to rewrite it. This itself dosen't seem too bad, a year seems like a lot of time... but in animation terms.. that's hardly anything and also heavily involved taking what they already had and figuring out how to recontextualize it. If you couldn't tell from going that far, the duo were fans, having read spider-man comics and done research for it, picking thier spider-men carefully. The results.. well the results are nothing short of amazing, spectacular or peter parker.

Taking the Leap: As I mentioned earlier Spider-verse.. changed film animation. This isn't hyperbole either; if you look at the bulk of this year's animated films their all more stylistic with many, TMNT: Mutant Mayhem and Nimona in paticular, using a combo of 2d and 3d animation and it stretches into last year two with The Bad Guys and Puss in Boots and in 2020 with Sony's own Mitchell's Vs the Machines. More studios are experimenting with their style and trying something diffrent and what's more remarkable is that.. they aren't just 1:1 copying spiderverse. Many have taken it's sketchy style sure , but no one's doing it the exact same way: Spider-Verse often resembles a comic book, TMNT a sketch book and nimona something else entirely. Each is drawn and rendered.. but each in a way all it's own.

It's not to say films before this didn't have their own style: as my friend Kammie pointed out in a long conversation about animation recently, Dreamworks has always had it's distinct character models and before this The Peanut Movie (one of my faviorite cg animated films ever) and Rango both tried to play with it. Peanuts in paticular also took a stab at emulating the comics it's based on. The problem was while both films were gorgeous.. neither really took off. Peantus was a modest success, but the Schultz family had no interest in a sequel, while Rango didn't really land at the box office. And when something fails hollywood tends to blame the work itself and not circumstance or

Spider-Verse broke that by not only being a mainstream hit but one that really worked the animation as hard as it could. It gets .. incredibly technical and even I wasn't aware of how much till going to tv tropes but simply: most animation is done on ones or twos. Ones means a unique image every frame, twos means a unique image every other frame. You usally use one or the other. Spider-Man.. does BOTH, which is as exausting as it sounds, using 2s on the characters and 1's on the character work to give it a more dynamic vision, and shaking it up when needed, such as having miles on ones for most of the film , the rest of the spider people on twos, and then miles on twos after the what's up danger scene. It's a LOT of dedication and that's not even getting to how every spider-person has a slightly diffrent animation style. The results are eye candy in it's purest form: every pause is a panel, every action catches your eye, everything works. And the panel part is paticuarlly notable as the crew did their damndest to make this LOOK like a comic in motion. It's something that , as many great comic book movies and superhero films as we've had.. you simply cannot do in live action. So if it's so obvious why did it take till 2018 to do?

It's likely other suprehero animated films had the idea.. but there was no way in hell they were getting the budget to do it. And if you've seen say the incredibles, mask of the phantasm of megamind, those budgets are already pretty damn vast for their times. Animation is a great medium.. but when it comes to film... the big studios get complacient really fast. Animated Films are EXPENSIVE and a huge swing like this is a radioactive spider-risk. It's why up until spider-verse most studios have stuck to their guns: Disney and Pixar have ocasoinal style shifts but you can genuinely tell when a film's by either stuido, Illumination basks in it's cheap but effective house style, and Warner.. well warner just dosen't give a shit in general why would it here. Dreamworks is the only one that really shook up styles and even then until this year they didn't shake up how they aniamted. After all if it works.. why fix it. And before anyone asks, no i'm not saying "ALL THESE OMVIES ARE TERRIBLE FUCK THEM AMIRITE". I'm saying that the industry got complacent and it's something I, an animation critic, didn't even realize till spider-verse's effects started being felt. Animation really did change because this one film took a leap and it's only for the better: Mutant Mayhem looks to be the best tmnt adaptatoin ever, a VERY high bar from an obessive tmnt fan like me, Nimona looks awesome, i've heard good things abotu Ruby Gilman from Kammie, and Puss In Boots was fucking magic. And while they all likely woud've ben good regardless, this leap has really changed things and hopefully will continue to from here on out as more and more new films catch up lead time wise. To quote Kammie

"The new giants of major western movie animation are Sony and Dreamworks, they're willing to innovate and take risks where most other studios falter and resort to retreading old territory or using stock plots. Do they still innovate technicalogically? Yes. Does that matter when you make movies that only look slightly more realistic than the last one you did? No. We don't go to animation for realism, we go to it for escapism, to see worlds that are utterly impossible and larger-than-life characters, find places that we can only visit in our dreams, to see sheer spectacle that's not possible in live action. Animation more than anything is only limited by technology, and it's a testament to it that most live action films have CGI, a form of animation, involved in making them what they are."

But animation is only half of it. How's the story? Good: But that's pretty obvious so let's go into our characters and what not shall we?

Miles Morales: Anyone Can Wear the Mask

So first up danger is our hero.. well one of many but Miles is our focus and was a perfect choice for it: his arc in the comics is a coming of age story in the vein of the original and ultimate spider-men (the latter being miles predecessor), and really explores what it means to be spider-man: in the comics Miles rejects the idea outright until peter dies.. and he realizes with great power comes great responsiblity and that he can be what peter was.. and then has to settle into the harsh realities of being spidey as well as the good it brings. Bringing a character like that into a story with a bunch of other spider-man all showing what it could mean with diffrent people was genius. The film also nicely tweaks things to make an already good story better. The first is miles age: in the comics he's currently 16-17.. but started out as a 13 year old. The idea worked, both to seperate it from the 16 year old peter he replaced and to make the danger that much more horrifying as it's happening to a much younger person and make some doubts about him doing it more understandable, but it works better to have miles as a teen here, to have him grown up just enough to understand a lot.. but still question who he is. It also allows the nice parallel of getting his powers around the same age as peter.

Another is that in the comics while Miles gets into brooklyn visions by lottery.. what that means for him really isn't focused on. It's hard, but he adjusts to it fairly well and the issue is more having to spider-man from a heavily montired private dormintory. Into instead explores what it would really mean for a kid from a working class family having to leave all the people he knew and grew up with to go to a fancy prep school where most of his classmates ignore him at best. In the comics Miles at least had his best friend going with him: here's he's just alone in an unfamiliar place he badly wants to leave.

I also like that his getting into the school isn't ALL luck. While he literally won the lottery, and yes they really do lottery children's chances for a better future and yes it's fucked up, his mom makes note of him passing the entrance exam and while trying to flunk out delbieratley, his teacher notes he got an exact zero... and then gives him a 100 as to get the answers THAT wrong.. you have to know all of them. Miles is a smart kid.. but he just hates where he is because he's alone. It's not helped by his.. let's say complicated relationship with his dad. Jefferson.. is not the most likeable guy. He's more than the comics where he's an out and out anti-mutant racist douchebag who outright abandons his son when he finds out (he DOES get better, but it's still a dick move), but he's still a domenering presence: when Miles brings up wanting to leave the school Jefferson is admant on him staying. He refuses to really.. empthaize with his son, being mad at his habit of putting up nametags, not really supporting his grafiti art (another deft addition to the character It ruly love), and not really getting him. Jefferson MEANS well: he wants miles to have a life jeff didn't. Like in the comics i'ts heavily implied Jeff didn't really start with anything nor did he or Aaron have the best life, having to steal to survive. He grew past it while Aaron embraced the criminal life style, but it's clear Jefferson WANTS his son to do better.. but is so stubborn and controlling he can't see that miles is miserable and that he needs to stop putting his foot down and start actually listening. The school WILL be good for miles in the long run.. but it's hard for him to see that without anyone helping him. It's easy to see WHY Miles prefers his uncle. Aaron davis isn't the best person, and we'll get to that.. b ut it's clear he loves his nephew and encourages him in school. It's just Aaron also takes the time to LISTEN, to try and gently push miles, asking him what he actually likes about the schol, encouraging him to make a move on his crush. Grnated the shoulder touch is a very awkward move no one should try and I never would, seriously don't touch a woman without their permission folks, but he means well with it. He also wants better for Miles.. he just respects miles more as a person. And with Miles feeling like one person but being shoved in another direction... being spider-man was the last thing he needed. Something I like about Miles as a character both here and in the comics.. is that being spider-man DOSEN'T make his life better at first. See even if most spider-men eventually get the lowered boom of someone they love dying, most get to at least enjoy it first. Looking back at the origins, Peter getting his powers takes a young nerd with no power and gives him all of it, Spider-Ham got a surrogate mom and teh power to crumple other peoples pipes like paper in his hand, while NOir's origin was.. less than ideal

He still got the power to fight back against a corrupt world, and Gwen much like peter got a power high. Miles.. never gets that in either version. In the comics he's utterly terrified and here he not only gets that.. but also gets humilated: trying the touch fails..as it likely woul'dve anyway, and instead messes up gwen's hair in the short run and makes it kick ass in the long run, sends him running in a panic from school security, and gets him stuck to about 80 dozen things. It shows the part most spidey origins and a chunk of superhero origins skip: that while getting powers is fun.. the learning curve usually sucks. Instead of the power high.. miles is just terrified by what he is and what he must do now and has no idea what he's doing. While most spider-man get the good of it first and have to learn the harsh realities of being a superhero later, usually with some horrific death, miles is one who from the get go realized with great powers comes a spinerett load of trauma. It's something the next film will deconstruct, but for now it's simply stripping that back and showing that while anyone can be spider-man.. it's not exactly a fun job as it is on paper.

So Miles goes to try find his uncle and when that fails, goes to the place he got bit by the spider..

Because he gets thrown into a supervillian battle, meets the real spider-man, and gets a hard truth from Peter Peter: You're like me. Miles: I don't want to be. Peter: I don't think you have a choice, kiddo.

It's not Blonde Peter being harsh or cruel.. he's just honest. You can try running away from powers, trying to live a normal life.. but eventually it catches up with you. Peter's tried to quit multiple times.. but it dosen't stick because great power, great responsibility. He can try and give up, leave it to other guys.. but at the end of the day having this gift means using it wisely.. and in miles case having it also makes him a target. And Miles ALMOST gets a mentor.. but then peter dies and gruffly tells Miles "You gotta save the world now slugger". Oh and not two seconds later he nearly dies getting chased by a superman. And he wasn't even supposed to be here today. Honestly I didn't even realize till I sat down to write this but the first half hour or so of the film.. is pretty bleak for miles. He gets power he dosen't want, has to watch the world's greatest hero die, and is left in charge of a major task that someone with a decades more experince died trying to do. Oh and he was told to keep it secret and can't tell those he loves. His life is just one hard long cruel cosmic joke.. and the sequel makes it even worse given we now know the spider wasn't even supposed to bite him and he gets BLAMED for watching someone die. Also just to get this out of the way now, while I was calling bullshit on Miguels claims Miles was responsible for Peter's death in the theater, I did watch the scene carefully just to throughly debunk this. And shockity shock... Peter would've died whether miles was there or not. The goblin suckers him slightly due to miles.. but it's nothing that really slows him down or injures him. What ultimately leaves peter at deaths door and weak enough for the kingpin to do his finisher on the poor guy is getting ganged up on by Prowler and Goblin, and then slammed into the collider. Aaron would've been there, Norman would've been there.. this all was supposed to happen, as tragic as it was. Fate changed by Miles getting bit.. but it changed this world at least for the better as it'd probably be gone along with 5 more spiderpeople and incalculable innocents. So in conclusion: eat a dick miguel, let's move on.

So with that Miles is left shattered and wonders home.. and Jefferson is warm and supportive and just kidding: he tells miles he made a commitment, rio has to give him a look like "come on" and when asked if he hates spider-man, while his child is clearly shaken by SOMETHING, his reponse is "well yeah".

And with the power of hindsight this .. really underlines why Miles has confidence issues the rest of the film. Why he struggles with his powers: he was already feeling out of place in his new school and having most of what makes him who he is questioned by his dad, and then he goes through spider-puberty and watches the world's greatest hero get body slammed into a science machine, gets yelled at by said hero that

Watches said hero get mob executioned by a villian he now has to stop, and then gets chased by his top enforcer while spooky but dope as fuck music played. It's a miracle Miles hasn't had a full on nervous breakdown after all this, let alone gets up, and decides he HAS to press on, visiting the memorial and realizing that no one else is going to come do this.. I mean they will but what makes it work is he dosen't know that yet. All miles knows is the one thing keeping the city from falling apart is gone, and he's the only one who can do this and as rightfully scared and afraid and alone the poor boy is... he has to try. He may not be quite ready to take the leap.. but he's ready to put a foot off the roof.

While miles has plenty of deadly and superior foes to fight.. his ultimate enemy is himself...

.... metaphorically this movie. Miles has the heart of a hero.. but is so scared by being one and so sure he CAN'T do it that it's a self fufilling prophecy. It's something expertly shown in how his powers work: he can't get his hands to stick or unstick on queue or his camo to work unless he needs it to flee. His powers are acting on his panic and anxiety. As peter points out with the sticking, it only lets go when you relax and Miles can't relax, he can't relax cuz he's a boinger.. and because you know, he's in a VERY stressful situation. Most spider-men at least get a few simple crooks before they get to the supervillians. Miles has to fight the sinister six on his first day. I'ts easy to see why he can't trust himself: if a peter ten years deep in can't do it, how can he? It's telling the one time pre-what's up danger miles really masters his abilities fully is with web swinging, when he just has a chance to relax and learn.

It's not helped by Miles essentially seeing the ghosts of his future right in front of him: Through Peter Prime, he's seen he can die easily. Through peter b. he sees even if he dosen't being spider-man might destroy his personal life. and through gwen he's seen how he could grow isolated and alone through tragedy. He sees his possible future in two people he grows to love, one platonically one nto so much both who we'll get to, and it scares him. It doesn't help Peter. B is the ONLY spider person willing to give him a chance: while Gwen likes him, she thinks he's not ready and the others all expect him to be spider-man NOW dammit, when all of them had a much less steep learning curve. Except Peni, her learning curve was basically "Suprise we released the spider your dad made into this room! Enjoy being radioactive!"

Into The Spider-Verse is ultimately a film about how others expectations of you can eat you alive.. and the only way to really escape that.. is to be yourself. Not to IGNORE that other people exist or be a callous jackass, but to trust in yourself you'll make the right call. To trust you to do the right thing when things are their darkest.

And it's ironic that what finally gets him to have faith in himself.. is the person who seemed to have the least faith in him. In the end the person who enrcourages miles is Jefferson. While miles has been having his arc.. Jeff has had his own, as miles has been mia since meeting peter. b, and then found his brother dead.. and blamed miles as spider-man for it. Thankfully this gets cleared up enough, but it clearly rattled Jeff enough to realize that holding fast and trying to be constantly authortive and unbending.. isn't working and never has. It's only by opening up does he not only finally close the gap with his son, even if that comes AFTER all this because you know, webbed up mouth and all, but makes miles finally have some confidence in himself. And the speeech itself is just.. beautiful.

Jefferson Davis : Look, sometimes... people drift apart, Miles. And I don't want that to happen to us, okay? Look, I know I don't always do what you need me to do or say what you need me to say, but I... I see this... this spark in you, it's amazing, it's why I push you. But it's yours, and whatever you choose to do with it, you'll be great.

I'll also give Brian Tyree Henry credit as he's just perfect in the role, being a hardass.. but in a way that makes it clear he's not 100% dick and here him opening up.. is beautiful. And it's really what miles needed: While Peter. B wasn't a TERRIBLE mentor, trying his best to encourage miles, what miles ultimately needed was the simplest message: be yourself. Which yes is INCREDIBLY common in animated media. But it's done well here. It also makes me wish the cut line with peter used in the trailers was used here as it really gets to the heart of the film: Don't do it like me, do it like you. Miles problem was that he tried too hard to be what others wanted and that people pushed him to hard to be somethign else, wether that meant instantlly accepting a hard situation in his new school from his dad or instantly fitting the role as spider-man from the other spider-people. it's only when he's told just.. do it his way that he finally can accept it.. and can finally CONTROL it. What I like is that while in a lot of other superhero films, miles suddenly being able to control his powers would be an asspull .. here it's CAREFULLY set up: Miles coudlnt' really control them because he was scared. It's once he lets go of his fear of death, fear of failure, and fear of himself.. that he can take a leap of faith. His ascendency to spider-man is also one of the best sequences in any animated movie. Not taking notes on that. It just is.

Every fucking second of this is perfect. "What's Up Danger" itself is dope as fuck, and perfectly fits the song. Black Caviar's beat is pure magic and Blackways lyrics perfectly fit the confidence Miles finally has. Their a bit rougher than him but fit who he is NOW: he is the amazing, spectacular, the ULTIMATE spider-man. After a whole film of doubting himself, not knowing where to go or what to do or if he can do this... HE CAN. And he WILL. There's so many great moments: him spraypainting the costume, taking one of peter's looks and making it is his own with his own talent and passion, the now iconic upside down falling shot that graced every trailer, and him swinging and wall jumping through new york, finally embracing his power... all capped with him lifting the mask, panting in exaustion... and then smiling. He's got this.

The insuing big damn heroes during the brawl with the sinister six is great. He shows up invisible, easily turns the table on liv and shows up, and it's also heartwarming how rather than tell him to go home or any other such nonsense.. everyone is HAPPY he's here. They didn't put him back because they didn't like him.. they kept him back because they didn't want him to die stupidly. NOw he CAN fight and has the confidence and skill to.. their happy to have him.

I also like how while all the spider-people ge ttheir moments and we get one hell of a three on one battle between doc ock , miles, peter and gwen, the final fight, the true final test.. is miles alone. Everyone gets to shine as the villians get whittled down to one.. but ultimately the final battle only works if it's miles alone: one final test as spider-man: Miles vs Fisk. The All-New All-Diffrent Spider-Man vs the man who murdered the original. The Kingpin of Crime Vs your Friendly Neighborhood Spider-man. It's a truly harrowing fight, one where Miles is often overwhelmed, but does what all spider-men do: get back, keep fighting. Do everything he can. With jeffersons support one last time miles goes from a scared child.. to catching this thief just like a fly.. complete with bug zapper. The touch of using the.. well shoulder touch is fucking amazing, hilaroius, heartwrenching.. and awesome. The man who killed his uncle, who nearly destroyed new york is down. The universe is saved... all thanks to brooklyn's own friendly neighborhood spider-man. Miles ends the film sure of himself, happy and with his father accepting him. He misses everyone.. but he'll see them again. He just might come to regret it but hey.. that's for next time.

As a quick epilogue, I ALMOST forgot to mention but Shamiek Moore is fucking perfect in the role. While Donald Glover would've been a great fit, Moore brings a youthful energy that perfectly fits the character. Moore handles the characters journey, the humor, and the heartbreak all beautifully.

Peter B. Parker, the Spectacular Spider-Mess

While this film is focused on the new kid on the webs, Lord and Miller still decided to include the Spider-Man everyone was familiar with. In fact.. they lean INTO how familiar we are to play with peter as a character. When they give their stories for the comics brilliant origin sequences, they both know to just.. gloss over most of the stuff we're familiar with.. and to basically apologize for the emo peter dance. Lord and MIller clevelry use the rami films as a refrence point. Then they do something ENTIRELY new in terms of adapting peter at this point: this peter.. has been at this for a while. It's something Insomniac would also use for their universe and honestly.. is quitely brilliant. In the comics.. peter HAS been at this for about a decade.. exactly how long has been kept vauge, but he's always pushing 30. Most adaptations though want to start with peter fairly early in his career: while some cartoons like Ultimate, Spectacular or Animated Series start with peter mid career, it's still fairly early and before he faces most of his arch enemies. It also makes sense: after all if your making a spider-man universe from scratch, why would you start with him already knowing how to fight these guys? The comics have the advantage of years of continuity, so writers can do what they want with the bad guys basically. But since a new continuintiy means you can do the latter from the top, why would you start in the middle of your story? It CAN work as shown here and with , while I sadly can't play them because no ps4 or 5, the insomniac games, but with the latter it works to the games advantage to have you play a peter whose already a kicker of ass first class.

Here though instead it's used for something even the comics often have their hands tied from doing: to show just how TIRED spider-man would be after a decade of this. While Blonde Peter is great at the job, has a loving aunt, and an adoring wife... he's still so very tired. He says so when fighting Prowler. It's clear the heir of "I can always do this, i'm spider-man" is as much a coping mechanism as it is determination. It explores the idea that peter's drive to keep going, to do the imposisble would wear him down eventually.. and given the crap he has to go through in the comics because writers think there needs to be added DRAMA, you can't blame him. Peter. B shows where this leads.. a peter who has 80 tons of broken bones, stopped taking care of himself, and is slowly falling apart after Aunt May's death, cumilating in pushing MJ away after she wanted kids.. and he was scared of it. Which given what his life is like is actually understandable. It's also a type of fear the comics have only been able to explore in AU's: editors have been dicks about the idea of peter having kids, and the one time he seriously was about ot have one before it was kidnapped, he was retired.. then it got kidnapped and disappeared because clone saga. Here we see the fear he'd have.. and peter sabotaging his own life as MJ seems relcutant as he is to divorce and the peter left in the aftermath is crying in a bathtub in his full costume

This is a peter who ONLY has being spider-man and we see how deeply unhealthy that is. Part of what makes Peter Parker so great, what's kept spider-man enduring.. is relatablity. Peter struggles with the same stuff most of us do: holding down a job, crappy bosses, relationship issues, juggling family with your life, friendships getting complicated... it's the ballancing act of having a regular life and also punching the kangaroo in the face while he's at it that makes spider-man compelling and it's finding new ways to do that, from having peter teach at his old high school to having him actually get a science job, that makes this character endure. Here though.. it's just Spider-Man and we see how unhealthy that is: May is dead, he pushed MJ and likely anyone else in his life away... peter only has being spider-man left, and action can be a reward but it can't give you a fulfilling life. This is a peter whose just going through the motions and badly broken. It's very telling that when Miles tries to use "With Great Power Comes Great Responsiblity" , the HEART of what spider-man, any spider-man, woman or ham, is, Peter responds with a very harsh "DON'T finish that sentence. I'm so tired of people using that". He's a peter whose so far to the edge he's willing to leave miles world to die just to get back to a life that's deeply miserable. In most cases spider-man would swing at the right thing but Peter B is just so very tired he just wants to go home.

But he's still spider-man.. and eventually realizes as much as he wants to.. he can't leave miles there and he can't leave this world to die. The movie is also good in not letting peter dangle off the edge of being absolutely awful too long. He refuses to save the world at first.. but it's clear Miles gets to him right away. He's still a mess.. but he's also Spider-Man. He's also peter parker. And May raised him better. The relationship between Peter B and Miles.. is fantastically done, with Miles slowly opening up his new mentor and Peter B slowly rediscovering what he actually liked about the job... and that maybe he CAN be a dad and spider-man. We see his humor slowly come back, him swatting the cape away from miles, gleefully pointing out what to do. He's still not the BEST teacher, wanting miles to just wait.. but when miles has to come along, he's grumpy for a few seconds then roles with it. We start with Peter. B seeing how worn down he is...but here we see all the experince and skill of his blonde counterpart. He's still the science nerd who can memorize a complicated password and can't grasp that miles can't. He's still a mess, trying to flirt with what turns otu to be his aunt's ex.. and also doc ock, but we see a subtle change, cumilating in the heartwarming scene of him and miles swinging together. peter may be a mild dick and a human disaster.. but he's a good man. By the time all the spider-people are together and doubting miles.. peter. b is the only one who sees how much this quest means to hte boy and is advocating for him. To them Miles is in over his head.. but Peter sees the spark in miles Jefferson does. He sees a kid who was thrown in the deep of this and the last thing MIles need is 80 people telling him he can't do it. It's likely that, just like Blonde Peter, Peter. B sees the pain and confusion that comes from starting as spider-man clear as day and if he can help miles avoid that, he will. Jake Johnson is phenominal in this role, helping show the depth behind this kind of peter. It best shows after the house fight: While Peter is trying to get Miles to stay behind and is willing to die to save his world... he's doing it for MOSTLY noble reasons. Miles really WASN'T ready and as Peter pointed out, he needed to be ready to just take a leap of faith. He's gone from wanting to abandon miles because he dosen't care.. to leaving him behind because he dosen't want his surrogate son to die horribly trying to fufill a promise he's not ready for. Granted like I said it's mostly noble: its very clear Peter. B is also doing this.. because he feels himself expendible. He has nothing to go back to, the others do. Miles has more to live for. If he dies staying here... what's he leaving behind? It's what makes his ending so rewarding: He sees miles finally take that leap and as I mentioned before he's nothing but happy Miles finally has got it and fights alongside his new son, realizing maybe he does want kids. He still plans to stay behind.. and the student becomes the teacher, with Miles pointing out he can't.. things with MJ aren't broken.. he still has time to make it right. He still has something to live for. It's hard.. but so was becoming spider-man for miles. If Peter. B is ready to die for this dimension.. he can live for MJ and for his protege. So he ends the film making up with her with Mj's smile showing she welcomes him back.. and as we'll see he really gets his happily ever after. But we'll get more on that next time.

Vault of Spiders

So now we've come to the other spider-people. First up our most prominent, Gwen, whose mostly taken 1:1 from the comics: She became Spider-Woman, then learned the great power great responsiblity lesson the hard way when she fought the lizard.. and he died revealing peter parker, her best friend who just wanted to be like her, leaving her alone. There's more to it, but that's best left for the next film when we get her origin in full. Gwen is done well here: the punk haircut fits her perfectly and Hailee Steinfeld is unsurprisingly awesome as her and gets Gwen's loneliness, standoffishness, and badassery perfectly, and we see her slowly open up to miles, with her doubts coming off less as bein ga jerk and more as being worried for him. We also get some nice subtle bits: while she mentions her best friends.. only WE know her best friend was a peter, and that being surrounded by about 4 of him and having to talk to aunt may, who she's also close to in her dimension, is likely a LOT for the poor kid. She also gets some genuinely cute moments with miles, from their first meeting in class, to the disastrous touch (and the later great brick joke of "you don't get to like it"), to the bus scene). Orignally the two WERE suppposed to be a couple.. but i'm glad they left the more overt romance for the sequels, as the films packed enough as is and it gives it more build. It's clear there's an attraction there.. there just isn't time for it given the possible dimensional apocalypse. That's what sequels are for.

That said I do think had they focused on just three spider-persons we might of had more of an arc for Gwen... instead we get a lot of personality but not who she is. I'd be harder on this.. but to the crews and the next batch of directors credit, they realized this and in the next film, and likely extending into Beyond, she's the deutragonist. So it's hard to be on this when they realized what they had next go round. The other spider-people on the other hand.. feel like a massive wasted opportunity. Casting wise it's all pitch perfect: Nicholas Cage is perfet for a noir parody and is utterly hilarious, John Mulaney's everyman voice is perfect for spider-ham, helping emphasise how weird this is, and Peni's serious nature and anime stylings are something the beloved Kimiko Glenn gets down perfectly. I was so happy to see her in a movie this size. And adaptation wise.. 2/3 ain't bad. Spider-Ham is pitch perfect from the source and Peni, while having her anime stylings here focused on a bit more, still has her science background and driven nature. Noir Peter though.. yeah while he's not TERRIBLE on his own in terms of actually adapting the character... it's wince inducing. I don't mind not going 1:1 and given the limited screen time I don't mind playing into the noir nature for laughs. My issue is more that Noir's world is so insanely dark, THAT could've been played for laughs instead. I mean again THIS is how peter gets his powers there.

Just have Nicholas cage casually rattle that off. I get not bringing up the rampant death but it just feels like a missed opprotunity to not really use anything from the actual comics other than the costume. The rubix cube joke is great. So you have three all time great performers.. but they don't get much to do. I was among the fans disapointed they weren't in the sequel, and only not as much as some others because I figured they were saving them for the sequel.. and after seeing the film and it's cliffhanger, that turned out to be EXACTLY it. It's a bummer they aren't in across but given how much it crammed into it's long runtime and how much it has left to go, and how the mystery of why noir and ham weren't with the society's whole creepy philosphy when their friends drank the kool aid is a neat hook.

They get great bits, Noir saying he has to burn his hand to feel something, Ham getting side eyed by the other two when he mentions he was a pig bitten by a spider.. which for those who didn't read the rest of the restrospective if your wondering ..

We also get a great drmatic bit. Originally in the scene where everyone sympathizes with Miles, Spider-ham made a stupid joke about his uncle frankfurter. it was funny.. but kinda wrecked the scene. So they instead switched it with one of the most heartbreaking lines in all of animation, which Mulaney NAILS.

Just the devistaition on that pig's face. And i'm hoping we find out what the fuck the story was there in Beyond.. but i'm perfectly happy with not knowing. Because it makes it that much more devistating. We don't know what he lost. We just know he hurts and that the hardest thing about being a spider-man.. is you just can't save them all. So naturally ham got a spinoff, Caught in a Ham. Caught in a Ham.. is decent a theatrical style short that explains what ham was doing. It's.. fine.. the various villian puns are fun and it clearly takes a lot from warner, but the animation is ENTIRELY cheap, and the villian, dr crawdaddy is just... what. Seriously you have so many fun animal versions of spideys rogues and better new foes.. and this is what you go with. And no making fun of how lame he is dosen't work. That jokes been done a lot. You have to do it well and they really didn't. Dr Crawdaddy is bad but it's not hialriously bad. Caught in a hami s okay but it was a massive disapointment and Mulaney deserved better.

So now we have those who can spin a web any size and catch a theif just like flies covered, we have to talk about one of spider-man's most important aspects The Superior Foes of Spider-Man

Look spider-man is popular for a lot of reasons: a deep facinating character no matter whose wearing the mask, a varied, visually intresting and cool power set, the idea that anyone can be spider-man. All this is true. But one of the biggest.. is his Rogues gallery. Spider-Man easily has one of the best rogues galleries in all of superhero fiction, with only batman providing competition. Just off the top of my head you have Green Goblin, Hobgoblin, Doc Ock, Electro, Beetle, Boomerang, Scorpion, The Kingpin, Rhino, Hammerhead, Tombstone, Shocker, Vulture, Kraven, Mysterio, The Lizard, Stegron the Dinosaur Man, The Spot, The Gibbon, Mr Negative, The Enforcers, Mountain Man Marko, Chance, Venom, Carnage, Hypno Hustler, Rocket Racer, Sandman, The Tinkerer, The Prowler, Lady Electro, White Rabbit, Overdrive, Hydro Man, Chameleon, The Iguana, and of course his greatest enemy PAUL.

Or Maybe it's Zeb wells. Who knows? The larger point is spider-man has a LARGE pool of villians to tap, so Lord and MIller's Solution: GRAB AS MANY AS POSSIBLE AND DO WHATEVER. Yeah while like i've said The Kingpin has a full sinister six going, even if sadly never 6 at once as one dies and he kills another, it still counts as their still all under him and just let me have this for once dammit. Seriously if it's not an ongoing cartoon, they will NOT give us the sinister six. Even far from home came as close as we've got and still didn't think maybe one more? LET ME HAVE A PROPER SINISTER SIX IN MY SPIDER-MAN MOVIE DAMMIT.

That said they really only focus on three of the six: the other villians in Fisk's posse are more there just to hit things and give us enough villians so every spider-man can have a turn. And given Spider-man has guys like the rhino that would fit the mold better I question why they went with Green Goblin and Tombstone. With the former i'll admit to being biased: Norman Osborn is one of my faviorite super villians and Harry is certainly somewhere on the list. One of the first spidey comics I read was Amazing Spider-Man #39, and it's followup #40, one of the best spidey comics of all time and with one of the best covers too

This was boosted both by the first Rami film, where Dafoe does a truly amazing job, and the ultimate comics where Norman , while bulking up a bunch is a serious horrifying threat. Here.. h'es just a dummy dum dumb and I get it to a point, part of it is to emphasise the alternate nature of miles universe: in most the green goblin is spider-man's greatest threat, here he's just one of many and while a challenge, not his arch enemy or even in the running it seems. It just dosen't work for me. I'm fine with making some changes, but this one just didn't qutie work. He does look really impressive though and I do get this is likely a me thing and it dosen't really HURT the film, so while I may not like it a bunch I can't say it's as bad as some adaptation changes. I'ts no "Peter dosen't have change for choclate milk and gets thrown it by the robber who kills uncle ben" or making harry osborn into some sort of gneeing snot monster.. and that's bEFORE he takes the goblin drugs.

Tombstone also isn't handled the best, as he's fairly smart and chilling in the comics. I don't take it as personally but it's still iffy to take a black man and make him subservient to a white man. That never plays well. Hammerhead would've been a better choice and still been visually distinct. I

Finally we have Scorpion who I DO like, nicely meshing maximus gargan, the ultimate scorpion who simply had super strength and a scorpion tail styled chain, with the regular one, so now the tail is attached to hima nd baadss, but he's still mexican and still awesome and he gets a great fight with Peni and Porker.

That said while I have my quibbles.. the main three villians.. are fantastic and give me plenty to gush about. We'll start with the big guy. Like with the Green Goblin (and the Hobgoblin, who sadly still hasn't gotten a big movie role as of this review. Someday...), i'm a HUGE fan of the kingpin and he's one of my faviorite super villians. No question. Wilson Fisk is a truly amazing character with tons of layers, intimdating style and intresting dynamics with both spider-man and dardevil. From his first apperance under john romita to his latest crashing on Krakoa , he's a devious mastermind whose trained his body to perfection. Granted I grew up with Spider-Man TAS, where they cleverly made him big bad, so I had a good first intro, but most adaptations handle him well and what little iv'e seen of the mcu version in hawkeye (I still need to watch netflix daredevil) is fucknig magical. Denofrio is great.

Liev Schriber though.. might be the best. He gets Wilson perfect: He has his cocky attitude.. but also his cold detachment. He can brag about starting the collider one minute.. and casually tell his right hand man to "go kill that guy". He can joke.. but ther'es never a moment on screen when your not deeply worried about him being there. There's not a moment you don't get WHY this guy was strong enough, smart enough and nightmarish enough to finish spider-man. I also love the design taking from a comic by the legendary bill sienkiewicz of x-men fame

It perfectly fits and while his proprotions are off.. it helps sell how diffrent he is from everything else. This man commands every room he's in and is a true giant, a looming reminder of blonde peter's death and the ultimate obstacle in our heroes way.

What I like though as while they easily could've just made Fisk evil and called it a day.. it's VERY clear how well the crew understood him.. as they also humanize him. Fisk isn't igniting the collider to make money selling multiversal hot dogs or something. This version lost his wife vanessa and son richard during a fight with spider-man: she saw what he really was and left... and they sadly died in a car crash. It's a great twist too: the comics have always had Vanessa, when she was alive, be the one thing that could pull fisk back from his crime... if only for so long. She never liked it , never accepted it and never wanted it. Richard was a grown man hwo hated it but then joined it then betrayed his dad and got killed.. it's a whole thing. Richard Fisk is a mess.

Fisk is at his core a man who just wants what he lost back but is so blinded by a combination of Trauma Goggles (a term kammie came up with) and his own ego. He can't accept that it was his fault a tragedy happened, that his wife had every right to run and that it was simply horrible, cruel timing that killed his wife. It's the horrible irony in all this: Wilson Fisk is a man who needs to control everything so badly he will rip time and space apart to get back what he lost.. but can't accept that there's NOTHING he can do to fix this, and that it was always his fault. It's who Wilson Fisk is and who he'll always be. It's most heartbreakingly shown when the same events play out again, just with a new vanessa and richard.. but he just can't accept HE'S the bad guy in all this and he drove his family away. In the end he's left with nothing, his empire crumbling, his family gone.. simply because he coudln't let go.

Now onto his right hand man, Aaron Davis, The Prowler. Like Kingpin... hang on.. something seems mi

[THREATNING DUBSTEB BLARES]

Better. Anyways, I was a huge fan of the Prowler. See back when I was in I think middle school, possibly earlier I had this book.

I wouldnt' mind getting another copy or the updated edition at some point. I also had these for X-Men and Fantastic Four. It's part of what really got me into these characters, but the spidey one was near and dear to my heart even as it sadly eventually fell apart. It was a lovely big ole book with profiles for all of spidey's villains, some of his side cast, and what have you up to the early 2000's. It was great.

So it's there I met the Prowler... Good Ol Hobie Brown

Yeah before another hobie became your friendly neighborhood anarchist, the original was a window washer who really wanted to invent, but this being the 60's and many a man being a classist or racist, Hobie instead came up with a pretty brilliant scheme: rob a building using his various inventions and a badass looking disguise, and then return the money for a reward as Hobie Brown.

Unfortunately the building he picked was naturally the Bugle, his old workplace (Though to JJJ's credit, when Hobie had an altercation with his boss, Jonah took hobie's side. Jonah may be many things but Racist isn't one of them)... and he was VERY lucky that it was peter parker, having to pull his punches for obvious reasons , he encountered. Hobie thought he'd killed the poor guy, naturally he hadn't and when encountering peter as spider-man later, not knowing the connection, he confessed and explained things. Peter being peter, and once unmasked seeing Hobie really wasn't that much older than him and had been through the shit, let the guy go and Hobie eventually had a happy ending. So how does aaron fit into this? Well like i've said in this review and covered previously, Miles comes from the Ultimate Universe, so given the prowler had a dope as hell costume, name but not a lot of use, he was perfect to refit as Mile's first archenmey and most personal nemisis.

Uncle Aaron in the comics.. is a bit of a dick. While I plan to cover this arc at some point, as it's REALLY good, Aaron after some time in mexican prison, finds out there's a new spider-man and having stolen the spider in the first place and actually seen it bite miles in this timeline, puts two and two together... and then tries to blackmail his nephew into working for him to make himself the new kingpin, the old one having been blown up with a rocket launcher by Mysterio.

He also died but rather than go out heroically , as we'll get to.. he went out because his suit backfired because he was stupid enough to kill the man who made it while trying to murder his 13 year old nephew.

Yeah it's a lot, and again i'll get into it some other time, but the film made the understandable decision to take about 5 to ten percent of there, and used that percentage to make him infinitely more badass.

This Aaron is an experinced supervillian, one who gives Peter trouble and has awesome theme music. The Prowler in the film is animalistic, moving at less frames than the other characters and being purely terrifying. It sells what Miles is facing: an unstoppable killing machine who just wants him dead. Which completely contrasts who Aaron is off duty. To him.. this is just a job and killing people is just what he does. Kingpin says jump, he says "what spider-man?". When not he's the cool uncle who gets introduced to fucking hypnotize. He's a smooth guy who while having terrible advice about ladies, also has good takes like "Smart girls are where it's at". The reason Miles confides in him more than his dad.. is easy to see. Aaron actually takes the time to reach miles on his level and try to gently coax miles into not totally hating his new school instead of saying WELL YOU'D BETTER LIKE IT. I mean Jeff is the better person, no question, he's killed exactly no one and for a cop that's impressive, but Aaron genuinely loves and supports his nephew even more than originally. It makes the contrast that much more horrific, that this perfectly kind, cool as hell guy.. can also casually hunt what he can CLEARLY tell is a child like a monster across a subway. It's no wonder finding out who Aaron is really rattles the poor kid.

It also makes his face turn that much more effective: it'd be easy to assume given how UTTERLY terrifying the film made him that like the comics, once Aaron finds out he wouldn't give one iota of a shit that this is his nephew. Instead Movie!Aaron.. is utterly horrified. Mahershla Ali does a hell of a job conveying the man's horror when Miles takes off his mask in a last ditch effort not to get choked to death, with Moore likewise conveying miles pain and desperation incredibly. The animation is also flawless here as you can just see Aaron realizing what he almost did.. and what he's likely done to counltess others like miles. How many kids did he kill simply because they saw something they shouldn't have? The horror is clear... adn the tragedy all the more painful when Kingpin coldly snipes him. All his power.. and aaron dies, encouraging his nephew to keep going and to be better. Aaron is an incredible character here, suprassing the already great original and I look forward to seeing more of ali in Beyond.

Finally we have Doc Ock aka...

The casting was genius idea.. that i'm baffled WASN'T always the plan. Originally Ock was supposed to still be a man and a bit more big lebowski'ish. And while it means we missed out on Steve Buschemi as the green goblin, one of the directors suggested Kathryn Hahn, all around queen of awesome and perfect fit. It also fits the story better: Dock Ock being "Gasp" a pudgy guy who looks a lot like me? Not a huge suprise. But a scientest we simply see in the background and assume is someone shady, but turns out to be dock ock complete with soft robotics tentacles? Fucking brilliant. It plays genre expectations against us: normally the messy haired science lady is on our side, as peter assumed.. instead Ock is fully on board with this scheme and even actively decives kingpin to get it thorugh. Oliva is ock in every sense of the word and is easily our heroes most dangerous opponent that isn't king sized. It takes THREE spider-men to wear her down and a fucking truck ex machina to finish her. Hahn, as usual has a lot of fun with the roll and it's no shock disney wanted to get in on this, and I can't wait for Agatha coven of chaos after her amazing work on Wandavision. Hahn is just neat and Olivia is great. Also nice subtly saying gay rights with Liv being implied to be Aunt May's ex in this reality too. Did it also involve a nuclear explosion on an island off of canada? One can only hope.

Odds, Ends and Sick Beats

So character wise we only have a few left to go over. First up is Rio, Miles supportive kind mom. She dosen't get a ton to do here but what we see is great and like Gwen, it's clear the writers realized they didn't use her as much and the sequel dives into her more and makes her just as important as her husband.

Then we have Ganke. In the comics, Ganke is miles lego loving best friend, his closest confidant and he helps ease the tension of being spider-man.. but given said tension drives the whole plot here, I get why they eased back. The other reason.. is understandable if disapointing. See the MCU Version of Ned Leeds, Ned Lee.. is basically Ganke. Close friends with our spider-man? Likes lego? bit of a nerd? Serves as his "guy in the chair". All check. And ned is great, he's fantastic and if I ever get to the mcu trilogy, i'll defintely have plenty good to say. It just meant Ganke had nothing to really do and is thus off to the side for these films. It's disapointing but I can understand it.. and he still gets a great scene in the spider-people trying to avoid him.. also Peni was blushing like mad. I need followup on this ship next film crew.

We also have Stan's cameo.. which is heartbreaking, but man was it good and it served as a great tribute to the man without being meant as one. It also gently jabs at his huckster nature with the no refunds sign. Oh stan... I miss you man.

Finally we have the films soundtrack. It's so damn good and it uses music beautifully: It has standouts like What's Up Danger, which i've talked about. Sunflower which thematically fits the film and the miles gwen romance, and Hypnotize, which perfectly sums up who aaron is when he' s not stalking children like some sort of feral cat man. I was going to talk about it more in depth, but it's just fanatastic.. and frankly this review is both horribly behind as is. It's a great sountrack and an all timer, both in the music made for it, the ones chosen for it and the backing tracks. Stupendous

So that brings us to the end of this long look.. and it should go without saying by this far in.. this film is a masterpiece. It's great as an adaptation, phenominal on it's own, groundbreaking, and I'll be revisiting it again and I feel terrible I didn't because I noticed so much more the second time around. This project has been a lot.. but it's also been some of the most fun i've had ont his blog. As i've already announced... we will be doing this one more time for beyond, and possibly again for across' theatrical release as that seems like it's not going to be as soon as Sony hopes. Either way i'm still shooting for the films current release date in march, so we'll be back with this in november or december with some other spidey plans in the mix as well. So thanks for taking the leap with me.. and hopefully you'll stick around. Until then... thanks for reading... and remember.. anyone can wear the mask... especailly you.