#andrea de luna

[zerounotvadri]

Cirko De Mente inicia los festejos por su vigésimo aniversario, con una temporada del espectáculo Luna Eva ** Bajo la dirección de Andrea Peláez, se presentará en la Karpa De Mente del 4 al 24 de noviembre ** Con música original de Juan Pablo Villa, interpretada en vivo por Aldo Max y María Emilia Martínez, integra diseño de vestuarios e instalación escénica circense de Alain Kerriou Cirko De Mente, compañía, escuela y foro de circo contemporáneo, cumple 20 años de trayectoria, y celebrará su aniversario con diversas actividades durante el mes de noviembre en la Karpa de Mente. Del 4 al 24 de noviembre, Luna Eva regresa al escenario de la Karpa De Mente (Av. Hidalgo 195, Col. Fuentes Brotantes, Alc. Tlalpan. Entrada por el estacionamiento del deportivo CEFORMA), con actos de suspensión capilar, equilibrio mano a mano, acrobacia mezclada con danza (acrodanza), malabarismo excéntrico, mástil y rueda Cyr. Luna Eva es un espectáculo que habla de los ciclos, de las transformaciones, busca generar una metáfora, donde el inicio y el fin de la vida están presentes. Conjuga la férrea disciplina circense y la poesía de imágenes poderosas. En palabras de Andrea Peláez, directora del montaje y cofundadora de Cirko De Mente, Luna Eva es “un canto poético colectivo al amor y a la esperanza”. Surgido durante la pandemia, el montaje parte de la experiencia personal de la directora después de haber dado a luz y de la pérdida de seres queridos de los integrantes de la compañía en este lapso. Siete pasajeros de una pequeña embarcación que parece estar en busca de pesca reciben señales de la Luna Eva. Son siete historias que surgen de la melodía de una canción de cuna. En esta embarcación hay que aprender a contener y soltar, a acompañar, a confiar en la luz que refleja la sabia y fiel compañera de viaje Luna Eva, luz primera, la que toca, la que guía en la más profunda oscuridad. Después de su estreno en la 50 emisión del Festival Internacional Cervantino, de su exitosa presentación en el Teatro de la Ciudad “Esperanza Iris” y de resentaciones en diversas geografías, Luna Eva regresa a la Karpa De Mente, con los artistas en escena: Andrea Salas, Emiliano Gallardo, Fernanda Palacios, Leonardo Costantini, Nallely Lima y Óscar Oliveros. La música original es de Juan Pablo Villa, con la interpretación en escena de Maria Emilia Martínez y Aldo Max. La iluminación, escenografía y vestuario son del artista multidisciplinario Alain Kerriou. La puesta en escena es de Andrea Peláez González. Desde su creación a finales del año 2003, la compañía mexicana de circo contemporáneo Cirko De Mente, ha buscado reivindicar su arte elevándolo al estatus de cualquier otra expresión escénica, como ya lo han logrado otras compañías alrededor del mundo. Una parte fundamental de su trayectoria ha sido su labor formativa, a través de la creación de una licenciatura, reconocida oficialmente y de la cual han surgido artistas que actualmente recorren el mundo.

[putas--peruanas]

Fuera mierda, jódete!!

[mtonino]

Art Influences Film - Side by Side

[frasesenespa-ol]

Arriba, en un cielo azul cobalto, no brillan la luna ni las estrellas. Alguien más grande que nosotras se ha encargado de apagar las luces del cielo, cerciorándose de que se camuflen con mi soledad.

Corazón de mariposa -Andrea Tomé

[vintagetvstars]

CLOSED! Preliminary Hot Vintage TV Men List

Alright folks! We have one week left on submissions for the Hot Vintage TV Men's Bracket! As promised here is a list of all the Hot Vintage TV Men who have been submitted and passed our preliminary eligibility checks. There are a handful of guys on this list and one or two not on it that we are currently still debating on so reminder that this list is not final and subject to change.

Currently we have 231 Hot Vintage TV Men!

Also in advance of the competition I'd like to remind anyone submitting propaganda for someone that starred in a show that aired only partially during our timeframe or was under 18 for a part of a shows filming, to please make sure you are only submitting propaganda that is from within our timeframe and when the actor was 18 years or older. This is also just good to keep in mind in general as several people submitted actors for shows that aren't eligible for our tournament either because it was outside our time period or in one case the actor was underaged for the entirety of the show (though many were eligible for other shows they were submitted for). We do our best to screen for these things but sometimes it's hard to tell or it’s a show we don't personally know well enough so we appreciate help from y'all letting us know if you do catch anything.

List below the cut

Preliminary Hot Vintage TV Men List

Dick Van Dyke

Alan Alda

Hugh Laurie

Peter Falk

Adam West

Donnie Wahlberg

Kevin McDonald

Scott Thompson

David Duchovny

Henry Winkler

Leonard Nimoy

Scott Bakula

James Garner

Tom Selleck

Dave Foley

John Astin

Joe Lando

Patrick Troughton

William Shatner

DeForest Kelley

Michael Ontkean

Russell Johnson

Kyle MacLachlan

Bruce McCulloch

William Hopper

George Clooney

Jeffrey Combs

Michael Horse

Mark McKinney

Jensen Ackles

Alejandro Rey

Mitch Pileggi

David Cassidy

Jeremy Brett

Anthony Head

George Takei

David Selby

Rod Serling

Paul Gross

Desi Arnaz

Tom Baker

Richard Dean Anderson

David Keith McCallum

Richard Chamberlain

Charles Shaughnessy

David James Elliot

Vincent Van Patten

Darren E. Burrows

David Hyde Pierce

Randolph Mantooth

Ricardo Montalban

Gene Anthony Ray

William Hartnell

Patrick McGoohan

René Auberjonois

Alexander Siddig

Reece Shearsmith

Michael T. Weiss

William Shockley

Spencer Rochfort

Danny John-Jules

David Hasselhoff

Conner Trinneer

Patrick Stewart

Jonathan Frakes

Paolo Montalban

Scott Patterson

Armin Shimerman

Anthony Andrews

David Schwimmer

Blair Underwood

Sylvester McCoy

Andrew Robinson

Pierce Brosnan

Thorsten Kaye

Anthony Starke

Darren McGavin

Clint Eastwood

Joseph Marcell

Michael Vartan

Richard Ayoade

George Maharis

Michael J. Fox

Dwayne Hickman

John de Lancie

Andre Braugher

Robert Carlyle

Dean Stockwell

Matthew Perry

Robert Fuller

Michael Hurst

Dana Ashbrook

Jonathan Frid

Dirk Benedict

Martin Milner

Demond Wilson

Robert Conrad

Telly Savalas

Peter Davison

Michael Praed

Jason Bateman

David Tennant

Brian Blessed

Miguel Ferrer

Micky Dolenz

Wayne Rogers

Mike Farrell

Michael Dorn

Cesar Romero

Eddie Albert

Nate Richert

Nicholas Lea

Brent Spiner

Dick Gautier

John Corbett

Jeremy Irons

David Suchet

Raymond Burr

LeVar Burton

David Wenham

Clint Walker

Larry Hagman

John Goodman

Matt LeBlanc

Tom Smothers

Erik Estrada

Jeremy Sisto

Colm Meaney

Stephen Fry

Ted Bessell

Ron Perlman

Luke Halpin

Ted Cassidy

Kevin Sorbo

John Cleese

Colin Firth

Colin Baker

Fred Rogers

Ben Browder

Keir Dullea

Randy Boone

Kent McCord

Jimmy Smits

Mark Lenard

Jon Pertwee

Fred Grandy

Mark Hamill

Ted Danson

Adam Brody

Noah Wiley

Eric Close

Lee Majors

Jamie Farr

Tony Danza

Kabir Bedi

Seth Green

Rik Mayall

Hal Linden

Diego Luna

Peter Tork

Sean Bean

Sam Neill

Eric Idle

Ted Lange

John Shea

Ron Glass

Tony Dow

Mr. T

John Hurt

Avery Brooks 

Billy Dee Williams 

James Marsters 

Robert Vaughn 

Kevin Smith 

Davy Jones 

Luke Perry 

Robert Duncan McNeill 

Simon MacCorkindale 

Keith Hamilton Cobb 

Chad Michael Murray 

James Earl Jones 

Bruce Boxleitner 

Timothy Olyphant 

Andreas Katsulas 

Valentine Pelka 

Peter Wingfield 

Sebastian Cabot 

Michael Nesmith 

Timothy Dalton 

Michael Shanks 

Joshua Jackson 

Michael O���Hare 

Robert Beltran 

Simon Williams 

Paul Johannson 

Daniel Dae Kim 

David Boreanaz 

Boris Karloff 

Robert Wagner 

Brandon Quinn  

Walter Koenig 

Richard Hatch 

Christian Kane  

Francis Capra  

Nathan Fillion 

John Forsythe 

Patrick Duffy 

Tony Shalhoub 

Ioan Gruffudd 

Garrett Wang  

Joe Flanigan  

Rider Strong  

Michael Tylo 

Bruce Willis 

Skeet Ulrich  

Jeff Conaway 

Paul McGann 

Scott Cohen 

Mario Lopez  

Martin Kove 

John Stamos 

Judd Hirsch 

Johnny Depp 

Tom Welling 

Matt Bomer 

Grant show 

David Soul  

Bob Crane  

Tim Russ 

Rob Lowe 

Neil Patrick Harris 

[neozverse]

central de rp indie br!

como eu disse antes, para aqueles que gostam de ter um plot base para jogar, criei algumas histórias simples que podem ser utilizadas por vocês. nesse post fixado, vocês vão encontrar links para os documentos de cada história, com informações importantes, além de um breve resumo sobre o universo. todos os plots aqui podem ser usados não só na tag indie, como em jogos de 1x1!

CONTRA-CORRENTE ○ ○ ○ baseado no universo do autor rick riordan e no rpg @anaklusmoshq, juntando as mitologias greco-romana. os personagens e acontecimentos dos livros são todos canon, porém atualmente uma nova guerra está ameaçando irromper.

CRIMSON REAPERS ○ ○ ○ baseado no universo do mundo das sombras, usando de base o rpg de mesa vampiro: a máscara. uma gangue de motociclistas vampiros em detroit, onde seus maiores inimigos são não apenas a segunda inquisição, como a camarilla e uma gangue de mortais, lutando por territórios e influência.

EXTINÇÃO ○ ○ ○ uma chuva de meteoros trouxe um parasita que transforma humanos em criaturas famintas por carne e extremamente violentas. as maiores cidades foram dizimadas, países como os estados unidos, índia e méxico tiveram seus governos destruídos, e apenas 15% da população mundial ainda luta para sobreviver mais um dia.

VALE DO SOL NASCENTE ○ ○ ○ uma cidade tranquila na região dos lagos, no rio de janeiro. baseada em cidades do the sims 3, oferece um ambiente tranquilo para desenvolver os personagens da forma que você bem entender.

SEOULITE ○ ○ ○ baseado no cenário do rpg @seoulitehq. três grandes empresas e seus artistas, sejam idols de grupos famosos, solistas, atores e modelos lutam para ter a atenção do público para si.

NEVERMORE ○ ○ ○ baseado no rpg @nevermorehqs, a escola da série wandinha entra para o mundo das sombras, aceitando tanto criaturas sobrenaturais como mortais.

SANCTUM ○ ○ ○ baseado no universo de my hero academia, x-men, the boys e gen v. escola preparatória para jovens com superpoderes.

ARCANTHEA ○ ○ ○ baseado no universo de descendentes. academia mágica de merlin para descendentes de contos de fadas e histórias fantásticas.

SAN ANDREAS ○ ○ ○ baseado nos jogos grand theft auto. uma metrópole dominada pelo crime e corrupção.

VERDALEZA ○ ○ ○ baseado em once upon a time. cidade para personagens canon, onde eles levam vidas normais sem lembranças de seus passados.

PINK PONY CLUB COMPETITION ○ ○ ○ baseado em realities como the voice, x factor e, principalmente, estrela da casa. competição de bandas para ganhar um contrato com a sony music.

CIDADE DO CREPÚSCULO ○ ○ ○ baseada no universo do livro radiante e dos dramas hotel del luna e missing. cidade de almas.

IRON WOLVES ○ ○ ○ baseado em sons of anarchy. uma gangue de motociclistas de detroit, inimigos dos crimson reapers.

DAETORTH ○ ○ ○ baseado no rp @daetorthhq. academia para anjos, demônios, elfos e bruxos inspirado em harry potter, o mundo sombrio de sabrina e fate: winx saga.

STARDEW VALLEY ○ ○ ○ baseado no jogo de mesmo nome. vila de pescadores, mineradores e fazendeiros.

MIDNIGHT HOLLOW ○ ○ ○ baseada nas cidades midnight hollow e moonlight falls, do the sims 3. cidade para criaturas sobrenaturais.

mais universos podem ser criados por você mesme, queride player. basta enviar sua história no nosso chat que sua criação será adicionada a esse post.

[eurovision-facts]

Eurovision Fact #791:

85 submissions were received for Albania's Festivali i Këngës, and 30 songs were selected to compete. Unlike previous years, only one vote will take place to determine the winner.

Moreover, the list of participating artists has been released, but as of now, the songs they will be performing has not been confirmed.

The performers are as follows:

Algert Sala, Alis Kallacej, Ardit Çuni, Devis Xherahu, Djemtë e Detit, Elvana Gjata, Endrik Beba, Epos Grup, Erma Mici, Frensi Revania, Gjergj Kaçinari, Gresa Gjocera, Jet, Kejsi Jazxhi, Kleansa Susaj, Laurjan Ejlli feat. Adelina Corraj, Lorenc Hasrama, Luna Çausholli, Mal Retkoceri, Martina Serreqi, Mihallaq Andrea, Nita Latifi Olsi Bylyku, Orgesa Zaimi, Rea Nuhu, Ronaldo Mesuli, Santino De Bartolo, Shkodra Elektronike, Stine, & Vesa Smolica.

[Source]

"Albania 2025: 'Festivali i Këngës' lineup complete," Eurovision.tv.

[agendaculturaldelima]

#ElEscenarioDelMundo

📣 FESTIVAL DANZA NUEVA 💃

💥 En su XXXVI edición se cuenta con la participación de ocho espectáculos seleccionados mediante convocatoria nacional, en los que la danza contemporánea y otros estilos dancísticos, así como diferentes expresiones artísticas se fusionan para dar como resultado creaciones escénicas únicas, diversas y dialogantes con nuestra realidad social. Esta edición dedicada a la más reciente e innovadora producción dancística peruana, con una treintena de artistas nacionales que se unen para ofrecer una experiencia única. La programación incluye clases maestras y conversatorios con los artistas.

📜 PROGRAMA

🗯 Se inicia el 02 y 03 de julio con PosTacto, obra creada y dirigida por Ana Brito, Cory Cruz y Pachi Valle Riestra,con la participación de Andrea Pereda, Joselyn Ortiz, Lui Vizcarra.Continúa el 05 y 06 de julio con Albagané, propuesta de La Trenza Colectivo y Tumbes_204, bajo la dirección e interpretación de Luz Gutiérrez Privat y Joelle Gruenberg, creación escénica contemporánea, inspirada en la ritualidad festiva del Señor de la Soledad en Huaraz de la Región Ancash.

👁 Desde Cusco, llega la compañía Transdisciplinar Escénicas con Amazonasdelcuerpo, amazonasdelalma, obra de danza teatro y video programada para el 09 y 10 de julio, dirigida e interpretada por Marisol Zumaeta, acompañada por la cantante Gladys Conde. Luego de la función del 10 de julio se propone un conversatorio con las artistas. El 13 y 14 de julio se presenta el Ballet de San Marcos con Ello sensible,  coreografía de Arturo Vela, Luis Valdivia, Marlon Cabellos y la participación de Leila León, Karol Martínez, Naysha Meneses, María Elena Riera, Vanessa Rivera, Ana María Tarazona, Rudy Quispe, Juan Salas Ariza, Raúl Trujillo y Luis Valdivia.

🤩 El 16 y 17 de julio se aprecia AYACÁN, dirigida porPável Paniagua, interpretada por Pável Paniagua y Alonso Núñez. Inspirado en el contacto con la noche, propone irrumpir la lógica racional del día presentando la oscuridad como un espacio-tiempo para el redescubrimiento de la existencia personal a partir de la magia, la ternura, el juego, el placer, la violencia y el riesgo. El 17 de julio se realiza un conversatorio con los artistas, inmediatamente después de la presentación

👸 Ojalá que al ocaso tengas compañía, se presenta el 19 y 20 de julio, obra de la Compañía Médula Danza, con coreografía y dirección de Carla Picón, está interpretada por Andrea Zamora, Andreína Dueñas, Fabián Henostroza, Héctor Quispe, Melisa Luna, Pierina Bullón, Sebastián Cornejo y Taty Correa. La pieza explora la paleta de colores de la vida, desde el amor hasta el dolor, y cómo estas experiencias nos enriquecen.

🎯 El humor y el sarcasmo están presentes en El presidente más feliz, que va el 23 y 24 de julio, bajo el concepto y la dirección de Cristina Velarde. Participan, Cristina Velarde, Mariel Tamayo, Fer Escudero, Miguel Campana, Lui Vizcarra, Paul Lazo. La obra plantea una nueva lectura del ejercicio de autoridad y de la percepción de desamparo que sentimos como ciudadanos.

👀 La función de cierre, el 26 y 27 de julio con la presentación de Dejar ir / Orquídea azul de Hevia Dance Company, con la dirección y coreografía de Pepe Hevia. Participan: Ariam León, Valentina Hidalgo, Jesús Paiva, Alejandro Cabel, Diago Borda, Naidubys Ferrer, Sofía Murrugarra y André Tempo.La obra cuestiona la belleza y la pureza en toda regla, toma como metáfora a la orquídea azul y su extrema plasticidad y perfección, haciéndonos valorar lo hermoso que vive en el paisaje que habitamos y diseñamos, asumiendo el dolor del destierro, el olvido y la ofrenda que generamos al dejar ir, intuyendo a lo lejos una nueva vida.

▶️ Video Promocional: https://bit.ly/45Do6Hp

📌 TEMPORADA:  

📆 Del 02 al 27 de Julio

🕗 8:00pm.

🏪 Auditorio del ICPNA (av. Angamos Oeste 160 – Miraflores).

🏷️ Entradas:

🎫 Adultos: S/.40

🎟️Jubilados: S/.35

🎟 Estudiantes S/.30

🖱 Reservas en Joinnus: https://bit.ly/3crtXYZ

[fetichesonoro]

Fetiche Sonoro: The 40 Best Songs of 2023

These are the 40 best songs of the year:

1. Los mejores - Alizzz 2. Lejos - Andrea Cruz 3. De Quererte Tanto (Guajira y Cabal) - Anna Colom & Exequiel Coria 4. Los Perros - Arde Bogotá 5. Patio - Asia Menor 6. Olas y Arenas - Balún & La Brega 7. Nadie Me Ha Preguntado - Belén Aguilera 8. Au Revoir à la Merchandant - Bronquio & 41V1L 9. Duérmete Clavel - Budaya 10. Ardió Tu Pelo - Crudo Pimento 11. Baño De Luna - Debi Nova 12. Daniboy - Diamante Eléctrico 13. Para Vivir - El Kanka & Silvana Estrada 14. Sin Voz - Florencia Lira 15. Daydreaming - Foudeqush 16. Nada Para Ti - Francisca Valenzuela & Ximena Sariñana 17. Mentingitis - FraXu 18. El Final - Hello Seahorse! 19. Penetración - Isabel Do Diego 20. Ke Será De Mí - Jaze 21. Último Round - La Vida Bohème 22. Ein Sof, Infinito - Lido Pimienta 23. Si Tú Me Quieres - Maika Makovski (featuring Ovidi Tormo) 24. Rueda, Rueda - María José Llergo 25. Bang - Melenas 26. Casta Diva - Mon Laferte 27. Se Dio Así - Muyaio & Tronco 28. Pequeñas Esperanzas - Niña Tormenta 29. Porque Yo - Pahua (featuring Eva de Marce) 30. Patio de Adelante - Playa Gótica 31. Máquina Culona - Ralphie Choo & Mura Masa 32. No Me Digas Qué Hacer - Renee 33. Cómplices - Reno Rojas 34. Problema Cabrón - Residente & Wos 35. Tú y Yo - Reyko 36. LLYLM - Rosalía 37. Tu Olor - Rubio 38. Madres - Sofia Kourtesis 39. La Raíz - Valeria Castro 40. Dibujos De Mi Alma - Y La Bamba

[godsaveforum]

TUMBLR | AMBIENTACIÓN | GRUPOS

Abrimos la lista de reservas de faceclaim. La misma será actualizada  constantemente hasta la apertura del foro.

Recordamos que la reserva será por llegada de mensaje así que les pedimos que controlen bien cuales son los PB que ya han sido reservados.

Aaron Taylor-Johnson — High

Abigail Cowen — missmyowndream

Adelaide Kane — leire

Andrea Damante — Mr T.

Agustín Bernasconi — Shishoska

Alan Ritchson — Almaespada

Alina Olesheva — Xenia

Allissa Salls — Cyro

Alycia Debnam-Carey — Galadriel

Amelie Zilber — Khaleeliz

Ana de Armas — Beth

Anabelle Wallis — acinderellastory

Andy Blossom — Perséfone

Angelina Michelle — Miel

Anna Zak — Hécate

Arthur Benedetti — shiker

Bar Zomer — Lost

Ben Barnes — Khaleeliz

Ben Dahlhaus — Shishoska

Brock O’Hurn — Thor

Carolina Moura — Elena

Charleen Weiss — Magdalena

Chris Evans — Mr.Sin

Chris Pratt — ScarletGuy

Chris Hemsworth — Lawson

Cindy Kimberly — Luna

Cole Sprouse — kattokoshmar-blog

Constance Dominik — Perséfone

Davey Fisher — Dr. C

Do KyungSoo — Carpincho

Dua Lipa — Khaleeliz

Eden Fines — Gotita

Elizabeth Olsen — Galadriel

Elliot Page — kattokoshmar-blog

Emilia Mernes — Shishoska

Emily Blunt — Moony

Emily Carey — Carpincho

Emily Ratajkowski — Ritsu

Emma Watson — El Sensei

Federico Cola — Beth

Gal Gadot — butterfly

Grey Damon — OnAir

Han So-hee — Athena

Hande Ercel — Coonie

Hanna Edwinson — Rose

Henry Cavill — Galadriel

Herman Tømmeraas — K.

Jacob Elordi — Laurificacion

Jake Gyllenhaal — Toffee

Jean Carlo León (jashlem) — Hana

Jensen Ackles — Perséfone

Jessy Hartel — Harrington

John Krasinski — Lighting

Jonathan Bailey — El Sensei

Josie Lane — withmew

Kailee Morgue — Tested

Ken Bek — Red Ranger

Kennedy Walsh — Carpincho

Kerem Bursin — Mr.Sin

Kwon Ji Yong — Piruleta

Lily Collins — Kaz

Lily Easton — Pinky

Lily James — gilmoregirl

Liza Weidmann — Elena

Lucas Jade Zumann — Hacker

Lucy Boynton — Bo Peep

Lusya Abramovskaya — Hana

Madelaine Petsch — Xenia

Maia Reficco — Clover

Maks Behr — poseidón

Margot Robbie — Laurificacion

Marissa Long — Harrington

Mathew Daddario — Blossom

Michael Yerger — Pikachu

Nicki Nicole — Beth

Nicola Porcella — Darkish

Noah Centineo — Astro

Oliver Stark — kattokoshmar-blog

Pedro Pascal — Karmela

Phoeve Dnyevor — OnAir

Richard Madden — Theo

Romaneinnc — lunita

Ryan Gosling — Dopesmoker

Ryan Guzman — Blossom

Sadie Sink — Obsidian

Scarlett Leithold — Blossom

Sebastian Stan — Themuffinman

Sergio Carvajal — Xenia

Sienna Raine Schmid — Fallen

Stefania Spampinato — OnAir

Stephen James — Conejito

Sophie Thatcher — safismística

Sydney Sweeney — muñeca vudú

Thomas Doherty — Coryo

Tobias Reuter — poseidón

Tom Hardy — Dr. C

Tyler Hoechlin — El Sensei

Vanessa Kirby — leire

Victoria Bronova — Laurificacion

Victor Pérez — PikachuPaldeano

Vinnie Hacker — Soul

Vladislav Gerasimov — Dimitri

Willy Whey — Hana

Yael Shelbia — elizabeth

Zoe Kravitz — Karmela

[putas--peruanas]

CSM, esa perra pare hijos como ....una perra

De quien chucha será ahora!

[joker1315]

All the actors you can find on this blog

Use the following link and insert the tag you want to see:

a: adam croasdell - aiden turner - aimee garcia - alan rickman - alan tudyk - alex kingston - alison sudol - allen leech - amanda abbington - amir wilson - amita suman - anatol yusef - andreas pietschmann - andrew garfield - andrew scott - aneurin barnard - annette badland  - anthony hopkins - anthony mackie - antony starr - anya chalotra - august wittgenstein

b: barry bostwick - bellamy young - ben barnes - ben mckenzie - benedict cumberbatch - benicio del toro - bernard cribbins - bill nighy - billie piper - billy boyd - brendan gleeson - brent spiner - brianna hildebrand

c: calahan skogman - cameron monaghan - candice bergen - carla gugino - caroline dhavernas - cate blanchett - catherine e coulson - catherine tate - catinca untaru - chadwick boseman - charlie chaplin - chris addison - chris cooper - chris evans - chris hemsworth - chris malcom - chris pine - christian bale - christian clemenson - christian tramitz - christiane paul - christina ricci - christopher eccleston - christopher lee - christopher lloyd - cillian murphy - colin firth - colin odonoghue - colin woodell - corey johnson - cory michael smith - craig parker

d: dakota fanning - daniel brühl - daniel craig - daniel radcliffe - daniel sträβer - danielle galligan- david bowie - david dastmalchian - david duchovny - david morrissey - david tennant - david thewlis - david wenham - deforest kelley - diego luna - dietrich hollinderbäumer - dominic cooper - dominic monaghan - dominic west

e: eddie karanja - elijah wood - elizabeth olsen - elton john - emilie de ravin - emily beecham - emma thompson - emma watson - ethan hawke - eve myles - ewan mcgregor

f: ferdinand kingsley - frankie adams - freddy carter - freema agyeman

g: gareth david lloyd - gary oldman - geoffrey rush - george eads - george takei - georgia tennant - georgina haig - gillian anderson - ginnifer goodwin - gwendoline christie - gwyneth paltrow

h: hadley fraser - harrison ford - harvey keitel - hayley atwell - heath ledger - helen mccrory - helena bonham carter - henry cavill - hugh dancy - hugh jackman - hugh laurie - hugh skinner - hugo weaving

i: ian mckellen - imelda staunton - inbar lavi

j: jack davenport - jack wolfe - jackie earle haley - jake gyllenhaal - james mcavoy - james spader - jamie lee curtis - jared padalecki - jason isaacs - javier bardem - jayne brook - jeff goldblum - jenna coleman - jennifer connelly - jennifer lawrence - jennifer morrison - jensen ackles - jeremy renner - jim beaver - jodie foster - joel rush - joey batey - john barrowman - john boyega - john hurt - john larroquette - john rhys davies - john simm - johnny depp - jonathan frakes - jose pimentao - joseph gilgun - josh dallas - jude law - julia stiles - julianne moore - julie covington - juliette binoche

k: kacey rohl - karen fukuhara - karen gillan - karl urban - kat dennings - kate capshaw - kathryn hahn - keira knightley - kevin alejandro - kit young - krysten ritter - kyle maclachlan - kyra sedgwick

l: lana parrilla - lara pulver - lars mikkelsen - laura allen - laura dern - laura fraser - lauren german - laurence fishburne - laurie kynaston - laz alonso - lee arenberg - lee pace - leonard nimoy - lesley ann brandt - lesley sharp - lindsay duncan - lisa vicari - liv tyler - lizzy caplan - louise hofmann - lucas till - luke evans

m: mads mikkelsen - maggie gyllenhaal - majel barrett - margo martindale - marion cotillard - mark gatiss - mark pellegrino - mark ruffalo - mark sheppard - mark strong - mark waschke - martin freeman - matt smith - max schimmelpfenning - may calamawy - meat loaf - megan boone - mel gibson - melinda clarke - melissanthi mahut - meret becker - mia wasikowska - michael benyaer - michael bully herbig - michael cumpsty - michael des barres - michael fassbender - michael gambon - michael raymond james - michael sheen - michelle gomez - mikael persbrandt - miranda otto - misha collins

n: natalie portman - ncuti gatwa - neil patrick harris - nell campbell - nichelle nichols - nicolas cage - nicole kidman

o: olivia colman - orlando bloom - oscar isaac - owen wilson

p: paddy ohagan - patricia quinn - patrick stewart - paul bettany - paul chahidi - paul lux - paul mescal - pedro pascal - penelope wilton - peter capaldi - peter falk - peter hinwood - philip glenister - phoebe waller bridge - pierce brosnan - pip torrens

q: qorianka kilcher - quentin tarantino

r: rachael harris - rachel weisz - rafi gavron - ralph fiennes - rayner bourton - reece shearsmith - rene russo - rhona mitra - richard armitage - richard obrien - rob benedict - robbie kay - robert carlyle - robert downey jr - robin lord taylor - robin williams - ronald guttman - rose mciver - rupert graves - rupert grint - russell crowe - ruth negga - ryan gosling - ryan reynolds

s: sam neill - samantha smith - samuel l jackson - scarlett estevez - scarlett johansson - sean astin - sean bean - sebastian stan - sherilyn fenn - shohreh aghdashloo - sky du mont - sophia di martino - stanley tucci - stellan skarsgard - steven strait - susan sarandon

t: tan caglar - taron egerton - tilda swinton - tim curry - tim roth - toby maguire - tom conti - tom ellis - tom felton - tom hiddleston - tom holland - tom payne - tom sturridge - tomer capone - tony curran - tony curtis - tricia helfer - troy garity

u: una stubbs

v: val kilmer - vanesu samunyai - viggo mortensen - vivienne acheampong - vladimir burlakov

w: walter koenig - william shatner

y: yasmin finney

z: zachary quinto

[aroacemisha]

I thought I’d give a bit of into about some of my original characters so y’all have at least a vague idea of who they are.

Lev (he/him) is a middle aged Russian trans man, who is also asexual and achillean/mlm. He has natural magic and is quite powerful. He was born in the USSR and originally served in the Soviet military and was a valuable asset to them, but he defected and ran away. During his escape, he got caught in a storm and went missing. He was believed to be dead for a few decades, until the 2010s, when he was discovered in a sort of frozen state and then unfrozen by other magic users. He was found in the magical dimension/realm rather than the regular one.

In present day, he lives in the magical dimension. He strongly opposes the current Russian government, who are unhappy about it, especially considering that they want him back to serve in their military as a weapon.

Sasha (he/him; possibly other pronouns) is a Russian in his early 20s, who also has ADHD. His bigoted family kicked him out of home after finding out he was queer, but luckily, he received help and was given a place to stay in the magical dimension, where he still lives to this day. At one point he lost his entire left arm, with it now being replaced by an advanced prosthetic.

Marco Gromov (he/him) is a Russian Argentinian in his late 20s, who is both autistic and has ADHD. His name is technically Marcos, but he has largely dropped the S at the end. His main special interests are technology and clean/renewable energy, and he’s strongly committed to fighting climate change. He’s also bi and dating Luz.

Luz “Lulu” de Luna (they/she) is a transfem non-binary Afro-Dominican in their late 20s, who is also autistic. They have natural magic powers, and they are a sorcerer*, which are a powerful type of magic user. They’re also a pretty good artist, drawing both traditionally and digitally. They’re pan and, as mentioned earlier, dating Marco.

(*Sorcerer is the current name for this type of magic users, but I’m considering changing it)

Melissa “Missy” Ito (they/them) is a Japanese American in their late 20s. They are Afro-Asian/Blasian, and they are also intersex. They’re a journalist working for a reputable small to mid size left-leaning outlet, and they are also a good photographer. They have interviewed both Lev and Marco before.

Ariel Fisher (he/they; may change later) is a genderfluid Jewish Canadian in their early 20s. They’re also aromantic. They’re a small to mid size streamer, mainly streaming video games.

Andreas Marinos (he/him) is a gay Greek man in his early 30s. He can transform into a mermaid, and he has water powers (hydrokinesis), as well as magical singing. He has a passion for theater and is himself an actor/performer.

[tiramegtoons]

Top 10 favorite italian songs

Oooooh, this is a tough one, but here's a list:

Jazz:

Natalino Otto- Tornera' (Will Come Back) (he's like the Frank Sinatra of his time) https://youtu.be/PYPTLLJUMqY

Natalino Otto (feat. Trio Joyce) - Deciditi(Decide) https://youtu.be/Z89U-57O93E

Ceglie e la sua Orchestra- La Sedia a Dondolo(The rocking chair) https://youtu.be/LyoziaWKpwI

Quartetto Cetra- I Ricordi della sera(Memories of the Evening) (nothing like dreamy ballroom jazz) https://youtu.be/90_Go41IFrw

Quartetto Cetra - Baciami Piccina(Kiss Me Baby) https://youtu.be/oh0muFIoI5M

Pop/Dance:

Mon Amour- Annalisa (trust me its not french bfhdd also big hit rn) https://youtu.be/RzyD08-w-tk

sangiovanni- Farfalle(butterflies) https://youtu.be/75fwUd-lX_o

(883)- La Regina de la Celebrita(Queen of Celebrity) https://youtu.be/4fBo2NooAqk

Boomdabash- Tropicana (tropical vibes are strong with this one) https://youtu.be/qo9UmHJH0Mo

Rock:

Laura Pausini- La mia Banda suona Rock(My Band plays Rock) https://youtu.be/5sf3wsQD7ms

Måneskin - ZITTI E BUONI(Quiet and good) (this goes Hard also the lyrics speak)

Classics:

Lou Monte - Che La Luna Mezzo Mare (forget about the "pizza time" song, THIS is where its at) https://youtu.be/n9FMvfvkBro

Il Volo - 'O Sole Mio https://youtu.be/lw3c5d3aBSE

Domenico Modugno - Volare( THE ITALIAN ANTHEM) https://youtu.be/7wWiC0e3b2I

Bella Ciao https://youtu.be/4CI3lhyNKfo

Caterina Valente- Bongo Cha Cha(ᕕ( ᐛ )ᕗ♪) https://youtu.be/yQqR9jEacCY

Other:

Eros Ramazzotti- Terra Promessa(Promised Land) https://youtu.be/IKtEwPcImVc

Eros Ramazotti- Piu Bella Cosa(The most beautiful thing) (this one is dear to me) https://youtu.be/rc0JQsHIxJU

Massimo Ranieri- Rose Rosse(Red Roses) (If this doesn't make you want to serenade to your lover i dont know what will/j) https://youtu.be/sccEw_5P_1E

Biagio Antonacci - Non vivo più senza te(I won't live anymore without you) https://youtu.be/XxCso8WgvGg

Andrea Bocelli & Laura Pausini- Vivo per Lei(I Live for her) https://youtu.be/CNHL66K8S2I

oh um... i think i got carried away. huh.

Well, do what you will with this!

[hufflepuffhabs]

Barça Players as Harry Potter Characters

Sooo I seem to have too much time on my hands (or rather o much proficiency in procrastination) and simultanly too much opinions on this. Do let me know any other opinions, some are literally not based on anything. And obvs no hate to any!

Xavi - Remus Lupin

Was already here in his youth and was very popular then. Now he is back to teach the next generation of wizards.

Marc-André ter Stegen - Minerva McGonagall

A true hero! Also he is kinda cate-like. This is one of my favorites, so congrats!

Iñaki Peña - Neville Longbottom

Loveable guy, but does not get the chance to prove himself until later on.

Héctor Bellerín - Luna Lovegood

They are kinda there for the magic, but they also care about other stuff. People may find them a bit strange, but in truth they have their priorities set. Very magical vibe in general.

Ronald Araujo - Ginny Weasley

This is one is ambitious in every aspect of life. Talented, but also a bit weird.

Andreas Christensen - Viktor Krum

Both come from the north. And they have a very ambivalent vibe, like probably a good guy, but the facade is kind harsh.

Marcos Alonso - Bill Weasley

One of the older Weasley siblings. Not such a trouble maker as some of the others, but still part of the gang.

Jordi Alba - Rubeus Hagrid

Just a cuddly guy with a sweet personality, but can get fiesty if need be.

Jules Kounde - Lee Jordan

They have the same hair. Plus he seems like someone who would be a Gryffindor.

Eric García - Hermione Granger

Smartest person in the group, does not care about others opinion and is willing to risk it all for their closed-ones (including cursing and threatening). Also nearly died once. We love this one!

Sergio Busquets - Sirius Black

Part of the old popular group. Leader for the young ones, but in difference to Remus, he is more the cool uncle than the responsible one. Also can be kind annoying in a good way.

Pedri - Harry Potter

Do I have to say more? He is the magician, people put all pressure on him. And the hair is kinda similar sometimes. Also grew up differently than most (one being from the Canary islands, the other, well being from under the stairs). Both very family-oriented.

Franck Kessie - Garrick Ollivander

This has absolutely no logical, only vibes.

Sergi Roberto - Charlie Weasley

The Weasley family is just everywhere. So this one had to be included. Is not talked about much, but still liked by most.

Frenkie de Jong - Fleur Delacour

The have so much in common: Very blond hair, very cute accent, same initials. Good at what they do, but kinda slept-on.

Gavi - Hedwig

Ok, I know this is very random. But hear me out: Hedwig is cute, Gavi is cute; Hedwig is protective of her people, Gavi is protective of his people; Hedwig is small, Gavi is small; enough said.

Ousmané Dembélé - Ron Weasley

Sorta part of the main cast, but not the superstar. Also sometimes a bit problematic.

Robert Lewandowski - James Potter

An older, very good guy. He seems cool, but we do not know as much about him. Superstar, but not future.

Ansu Fati - George Weasley

The first of the Weasley twins. Very funny, very loveable. Loves the others and is happy to be a part of this.

Ferran Torres - Fred Weasley

The other Weasley twin. Also funny, and sorta more the centre of attention, whether on purpose or not. I love this one, but he faces more adversity than necessary.

Raphinha - Oliver Wood

Good at sports. Looks good. But not really that memorable.

[opera-ghosts]

Ernestina Poli was born in Ferrara, Italy on 3 April 1879, and she studied for only a few years before making her debut at Bergamo in 1902 as Amelia in Un Ballo in Maschera. She had a huge success and was retained for another dozen performances in Il Trovatore and the then very popular Salvator Rosa. She ended the year at Massa. At this point, despite her success, she retreated from the stage for another year of training, after which she debuted at Messina in Andrea Chenier with the tenor Ruggero Randaccio. On 17 Jan, 1904 she sang Micaela for the only time in her career, again with Randaccio as her stage partner. It was not long before the couple announced that they were to be joined in life, and in the summer of 1904, shortly before a tour to South America, they were married. She immediately changed her stage name to Tina Poli Randaccio, and there are interesting and amusing confusions in some South American reviews during the tour of 1904, in which she is listed as the tenor, he the soprano. Poli was assumed to be his first name and Ruggera, hers. 

The tour took the couple to Sao Paolo and Rio de Janeiro where Tina appeared as Mimi, the Trovatore Leonora, Desdemona, Aida, Maddalena di Coigny, Gioconda and Santuzza. He sang in Boheme, Andrea Chenier and Cavalleria Rusticana. The year ended at Sao Paolo with an opera called Cristo alla Festa di Purim, after which she added La Forza del Destino, Ballo in Maschera and Ernani to her assignments in Brazil. The couple traveled with the company to Manaus and Pernambuco, then returned to Europe where Ruggero announced his retirement from the stage. They decided that he would be her manager and coach, and from about this point his name was never seen on a billboard again. 

On 2 December 1904 Tina debuted at Milan's Teatro Dal Verme in an opera called Jana with Bergamasco and Schiavazzi conducted by Serafin and from there she went to Oporto where she sang in Aida, Il Trovatore, Don Carlo, Pagliacci, Un Ballo in Maschera and Cavalleria Rusticana. After a short respite, the couple sailed for Mexico, and in September 1905 Tina appeared at the capitol in Les Huguenots (in Italian), Aida, Germania, Un Ballo in Maschera and Giordano's recently produced opera Siberia. The company included Virginia Guerrini, Alice Zeppilli, De Marchi and Magini Coletti, and it is not surprising, given those names, that the tour extended for four months and included visits to Guadalajara. 

Turin welcomed her back to Italy when she appeared at the Teatro Vittorio Emanuele as Gioconda in January of 1907. A tour to Bucharest was arranged by Randaccio and on 11 November Tina debuted as Aida in a cast that included De Angelo, Angioletti and Bellat. On the 18th, she sang in Ernani with Angioletti, Titta Ruffo and Torres de Luna. Her season continued into the middle of December with Un Ballo in Maschera and Il Trovatore, both with Ruffo, Les Huguenots, and La Gioconda. A visit was made to Kiev and Odessa, but I have no record of her roles. 

Tina debuted at Parma's Teatro Regio on 6 January 1908 in Mascagni's brand new opera, Amica and after singing in Red Roses and Damnation of Faust, she undertook a four month tour of Italy with the new work, under Mascagni's direction. The cities visited included, Firenze, Bologna, Modena, Verona, Treviso, Trieste, Ravenna, Ancona, Cesena and Forli, where she received a thunderous welcome and was hailed as the greatest soprano seen there in a generation. At Livorno she sang in the composer's Le Maschere and Iris and the tour ended at Rome's Teatro Adriano, where Tina sang eleven performances of Amica and several of Le Maschere, the latter with Juanita Caracciolo and Carlo Galeffi. 

On 26 December, Tina made a much heralded debut at Venice's Teatro la Fenice as Aida with Ladislava Hotkowska and Henderson. The revival was so well received that a scheduled three performances became six. At Fiume, in April, she sang in Ernani and La Gioconda and in October she returned to the Adriano for Tosca, Aida and the world premiere of Raffaelo,by De Lunghi. 

In February 1910 Tina debuted at Madrid's Teatro Real as Gioconda in a cast that included Flora Perini, Giuseppe Taccani and Ruffo, after which she sang ten performances of Aida and six of Loreley at Catania's Masimo Bellini. The spring found the Randaccios back in Brazil, where, at Rio de Janeiro, on 27 May, Tina sang Isolde for the only time in her career, though it was a moderate, if not overwhelming success. At Rio, she also sang in Il Trovatore, La Gioconda, Loreley, Tosca, Aida, and Germania, and at Sao Paolo, she added another new work, Boscaiuola. Tina's tour partners included Anna Gramegna, Krismer, Giraldoni and Viglione-Borghese, and, as had been the case in Mexico, this starry roster resulted in an extended season both in Rio and in Sao Paolo. 

The most important moment of her career had arrived. On 17 December 1910 Tina debuted at La Scala as the Siegfried Brunnhilde, with the inimitable Giuseppe Borgatti in the title role. There were a dozen performances, and the production was a complete success. Fanny Anitua was an unforgettable Erda according to contemporary reviews, and the hero and heroine received memorable ovations every evening. Though hers would not be a major career in the most important of all Italian theaters, it continued at intervals for a good number of years, and included several world premiers. 

In February 1911 Tina returned to Parma for La Gioconda and then took a well needed break from performing. During the summer, she learned the role of Minnie in La Fanciulla del West, and on 10 September, at Puccini's invitation, she sang the first of thirteen performances at Lucca's Teatro del Giglio with Taccani as Dick Johnson. Her success was enormous, in fact, greater than her predecessor, Eugenia Burzio, who had sung in the Italian premiere earlier in the season. Poli was immediately engaged to repeat the opera at Naples' San Carlo with Martinelli and Viglione-Borghese and at Bari's Teatro Petruzzelli with Corti and Mariano Stabile. After a debut at Palermo's Massimo as Gioconda in March 1912, she sang Minnie at Monte Carlo, again with Martinelli and Viglione-Borghese, and in late May she debuted at the Paris Opera as Minnie in a gala performance with Enrico Caruso.

In November, Tina sang in La Gioconda at Genoa and then prepared for the Scala premiere of Fanciulla. There were many sopranos who had vied for the honor, whose partisans had lobbied intensely for them, and the uncertainty had been a major story in Italian newspapers. Burzio reigned at Scala, but it was not to be. Tina's reputation as Minnie was by now so secure that both Scala's management and the composer agreed that she deserved the honor. On 29 December, before a star studded audience, the Milan theater presented La Fanciulla del West for the first time with Poli Randaccio, Martinelli and Galeffi. Tullio Serafin was on the podium, and the clamor was so enormous that the opera was repeated fourteen times.

Tina repeated Minnie at Monte Carlo in February 1913 with Martinelli and George Baklanov, after which she sang the role at the site of its Italian premiere, the Costanzi of Rome. In the spring there were concerts at Modena in honor of the centenary of Verdi's birth and on 15 December, Tina sang in the world premiere of Mascagni's Parisina at La Scala under the composer's baton. The cast included Luisa Garibaldi, Hipolito Lazaro and Galeffi, and there were twelve performances. 

On 10 February 1914 Poli sang in the world premiere of Smareglia's Abisso and on 2 April in the world premiere of Alfano's Ombra di Don Giovanni, both at La Scala. In May she sang in Tosca at Milan's Teatro Carcano with Garbin and Viglione-Borghese and in October Tina participated in one of this century's most important stage debuts, that of Beniamino Gigli as Enzo, at Rovigo, on 15 October. It was the scene of veritable riots; a star had truly been born, and there were thirteen performances. Tina's year ended with Un Ballo in Maschera at Piacenza, a revival shared with the equally celebrated Celestina Boninsegna. 

Rome's Costanzi welcomed Tina back as Gioconda, Tosca and Minnie in the winter of 1915, and after Gioconda at Naples and Aida at Firenze, she sailed for South America and her debut at the Teatro Colon of Buenos Aires. On 25 May, Poli debuted as Gioconda in a cast that included Perini, Lazaro, and Riccardo Stracciari. La Prensa referred to her as "a major talent whose voice can send shivers down one's spine, so present and immediate is the reaction". On 6 June she sang Santuzza and on the 17th, she sang in a concert with Caruso, Bernardo de Muro, Mario Sammarco and Lazaro. The season ended with Tosca and had included performances with the company at Cordoba and Rosario, where she sang Tosca and Santuzza, and at Tucuman, where she sang Santuzza.

Tina traveled from Argentina to Santiago, Chile, and on 27 August, she opened the season at the Teatro Municipal in La Fanciulla del West. The work was so well received that an additional performance was added; it was the only opera to be seen as many as four times. She stayed at Santiago for two months, singing Tosca, Aida, Gioconda, Santuzza, the Trovatore Leonora and Maddalena di Coigny and appeared as Aida, Tosca, Gioconda and the Trovatore Leonora at Valparaiso. Tina returned to Buenos Aires in late October where, at the Teatro Coliseo, she sang all of her Chilean roles except for Maddalena, and after a brief rest, she undertook a long tour of the Caribbean Basin. World War I was in its most intense period and the safety of the Western Hemisphere certainly seemed more attractive than the dangers of Europe.

On 29 January 1916 Tina debuted at Havana as Aida, and later sang in Tosca, Il Trovatore, Cavalleria Rusticana, Iris, La Gioconda, Les Huguenots, and La Fanciulla del West. Her tenor partners were Lazaro and Zinoviev; Enrico Roggio carried most of the baritone weight and Amelita Galli-Curci appeared with Poli in Les Huguenots (in Italian). The company stayed at the Cuban capitol for nearly two months, then toured to Cienfuegos, Camaguey, Santiago de Cuba, Mananzas and in the late spring, to Costa Rica.

In November Tina returned to Italy for Tosca at Bologna with Aureliano Pertile and Jose Segura-Tallien and in January 1917 she sang at Milan's Dal Verme in a gala concert, including act 3 of Aida and act 4 of La Gioconda. At La Spezia she sang Aida, and in June Tina debuted at Zurich as Tosca with Gubellini and Sammarco. After singing Santuzza at the Swiss theater, she returned to the Dal Verme for Aida and at Genoa, she sang in La Gioconda with Vita Ferluga, Folco-Bottaro and Galeffi. 

Tina decided that the climate in Europe was not what the doctor ordered, and in fact, work was difficult to find for nearly everyone in 1917. Many of Italy's most important theaters were closed, and those that remained open presented very shortened seasons. Havana again beckoned and Tina returned in December for Aida, La Fanciulla del West, Les Huguenots, Tosca, La Gioconda, L'Africaine, La Boheme and a new opera, Doreya. Her colleagues included the tenor, Jose Palet, Edith Mason, Maria Barrientos and the basses, Nicoletti-Korman and Virgilio Lazzari. The tour again included Camaguey, Cienfuegos and Santiago. In mid March 1918, the company moved to San Juan and Ponce for a two month season in Puerto Rico. Poli sang the same roles and added Amelia in Un Ballo in Maschera. In June, at Caracas, Venezuela she sang in Aida, Tosca, Les Huguenots, La Gioconda and Cavalleria Rusticana. 

The Great War was over and Tina returned to the safety of a victorious Italy for La Gioconda at Bologna, Milan's Teatro Lirico and Firenze's La Pergola. On 18 December she reappeared in glory for the first of eleven performances of Aida at La Scala. The next few months were spent at Turin with Cavalleria Rusticana and Aida. It was during the revival of Aida that Tancredi Pasero made his absolute opera debut as Il Re, substituting for an indisposed colleague. It is with some pride that the author acknowledges this event, since Pasero's debut has always been listed as at Vicenza in La Sonnambula much later in the year. And with pleasure, I also acknowledge that this information was kindly provided by Robert Tuggle of the Metropolitan Opera Archives. 

After La Fanciulla del West at Trieste's Teatro Rossetti, in late November, Tina debuted as Aida at Barcelona's Liceo and in December she completed her engagement as Gioconda. In January 1920 Tina sang thirteen performances of Aida at Trieste's Teatro Verdi with the stellar cast of Giuseppina Zinetti, Miguel Fleta and Carmelo Maugeri. Rome's Costanzi welcomed Poli back with seven performances of La Gioconda and Genoa saw her as Santuzza in March. May was spent at the Fenice of Venice, where Tina sang in Suor Angelica with Elvira Casazza and in Aida. In June, she traveled to London for a debut at Covent Garden in Tosca with Fernand Ansseau and Dinh Ghilly and was very poorly received by both public and press who recoiled from her strong vibrato and melodramatic impersonations. Tina left London after one performance, never to return.

However, on 31 July she was welcomed with an enormous ovation at the Verona Arena when she sang in Aida with Zinetti and Pertile. After La Gioconda at Turin's Teatro Chiarella, Tina returned for a very long season at Barcelona, appearing in Aida, La Gioconda, Un Ballo in Maschera, Lucrezia Borgia, Cavalleria Rusticana and Ernani, as well as in act two of Tosca during a gala benefit. Her reviews were nothing short of magnificent and in Gioconda, she was heralded by several critics as the greatest that the city had ever seen or heard. The Liceo and Tina Poli Randaccio would continue their love affair over several more seasons. 

In 1921, Tina appeared at Brescia and Trieste for La Gioconda, Palermo for La Gioconda and La Fanciulla del West, Rome for Aida, the Milan Arena for La Gioconda, Vicenza for La Fanciulla del West with Ismaele Voltolini and Stabile, Venice for La Gioconda and at Parma on 29 December in a stellar revival of the Ponchielli work with Giannina Arangi Lombardi as Laura, Irene Minghini Cattaneo as La Cieca, Voltolini as Enzo, Noto as Barnaba and Bruno Carmassi as Alvise. 

The new year found her in revivals of La Fanciulla del West at Naples, Milan's Carcano and at Turin where she was joined by Voltolini and Apollo Granforte. The Dal Verme hosted Tina in Il Trovatore with Zinetti, John O'Sullivan and Benvenuto Franci in October, and after eleven performances of Les Huguenots at Bologna with O'Sullivan, Poli returned to Barcelona for Aida with Aurora Buades and Lazaro, Tosca with Lazaro and Les Huguenots with Cassini and Lazaro.

Tina debuted at Cairo on 27 January 1923 as Gioconda and continued her season as Minnie and Santuzza, after which she repeated all three roles at Alexandria. Santuzza was the role of her return to Milan's Teatro Lirico in May and on 11 August she appeared at Venice's Lido di San Nicola in Aida with the riveting Gabriella Besanzoni. In November, Trieste saw Poli as Gioconda and on the 22nd, she sang in a gala performance of Aida at Rome's Costanzi in honor of the King and Queen of Spain. Zinetti, De Muro and Enrico Molinari completed the stellar cast and the conductor was Mascagni. Tina's year ended at Mantua with four performances of Tosca, after which she appeared at Brescia's Teatro Grande in Loreley. Neapolitan audiences appreciated her Trovatore Leonora and Romans admired her in L'Africaine with Pasini, Giulio Crimi, Molinari and Pasero and in Tosca with Crimi and Stracciari.

In the summer Tina debuted at Vienna as Aida with Maria Gay, Giovanni Zenatello and Viglione-Borghese, a revival that had to be repeated sixteeen times before moving to Kaiserdam, Germany in September. Berlin saw her Santuzza before she returned to Barcelona in November for another daunting season. This time Tina sang in Aida, Les Huguenots, L'Africaine and a new work, Suor Beatrice. Though Tina Poli Randaccio is primarily remembered in Italy as the quintessential Italian dramatic soprano, she had by now appeared in twenty countries, and with the singular exception of England, had been rapturously received in all. There would be a twenty first. 

1925 began at Naples with L'Africaine and on 30 January, Tina returned to the Costanzi for La Fanciulla del West with Crimi and Parvis. After further performances of Tosca and Aida at the San Carlo in February, she returned to Rome for Il Trovatore and Aida. The Lido di San Nicola at Venice feted Tina to a serata di gala on 1 August as the prelude to an engagement as Aida at the Fenice, after which she sang in Tosca at Rimini with Pertile and Viglione-Borghese. In October, she returned to Genoa for La Gioconda, and on Christmas Night 1925, at Bari's Teatro Piccinni, she sang Norma for the first time. Though she sang six performances, it was not a great critical success, and she decided to drop plans for several other planned engagements in the role.

Trieste's Teatro Verdi hosted Tina in Abisso and Il Trovatore at the outset of 1926, after which she sang in La Fanciulla del West at Genoa's Carlo Felice, in Aida and a Benefit Concert at Rome's Costanzi, and in Il Trovatore at Naples' San Carlo, the last with Ebe Stignani. Poli had been singing for a quarter century and it had been an enormously intense and successful twenty five years, but Father Time, as he will, began to play his inevitable role. After Naples, it was not until September that Tina again appeared on a stage, when she debuted at the Athens Arena in Aida with Franco Battaglia. And so, her year ended.

La Scala beckoned one more time, and, on 9 March 1927, Tina sang in the world premiere of Guarino's Madame de Challant with Francesco Merli and Carlo Morelli, and with these three performances she said farewell to the theater that had presented her as its first Minnie, and in four world premieres. 

Naples again welcomed Tina for Il Trovatore and Aida, and she debuted at Modena's Teatro Comunale in April as Gioconda, and, a week later she unveiled the role of Turandot at the Comunale. At Milan's Carcano she sang in Isabeau and at year's end she returned to Barcelona for the last time, appearing in Aida and La Gioconda, with identical casts, Zinetti, Aroldo Lindi, Granforte and Vela. 

In February of 1928 Tina sang in Turandot at the San Carlo and in February, she bade farewell to Naples as Gioconda. In April she returned to Rome, where, at the newly named Teatro Reale, she sang for the last time, when she appeared in Il Trovatore. Her last engagement of 1928 was as Isabeau at Livorno in a revival conducted by Mascagni. 

In 1929, Tina sang Gioconda and Santuzza at Milan's Lirico, Turandot at Nice, which is listed in the program as the French premiere of the Puccini opera, Aida at La Spezia and Tosca at Firenze's Teatro Verdi. In 1930, her only Italian engagements were at Genoa where she sang Isabeau, Aida, and Santuzza, after which she sailed to Caracas for a season as Gioconda, Tosca, Maddalena di Coigny, Santuzza and Elena in Mefistofele. There would be no further engagements outside of Italy, and few enough in her homeland though she continued to appear for another six years. 

In 1931, she sang Santuzza at Bergamo, Gioconda for Italian Radio both at Rome and Turin, Gioconda in Palermo's Teatro Garibaldi, Nedda at Isola, and Aida at Biela and at Rome's Teatro Adriano. In 1932 she sang in Gioconda at Crema and in Tosca at Milan's Teatro Puccini and at Brescia. 1933 found her again at the Puccini for Isabeau, at the Adriano for Minnie and Aida, and at Milan's Politeama for Santuzza.

In 1934 she returned to Norma, which had played so minor a role in her career, and she sang it at both Monza and the Lido of Pesaro. At Pesaro she also sang Santuzza, a role repeated at Milan's Arena. At year's end she sang Aida at Milan's Nazionale and at the Puccini she sang in La Forza del Destino, a role repeated at Foggia in early 1935. At Foggia she also sang Santuzza. The end came in early 1936, where at Asti and finally at Modena Tina Poli Randaccio sang her opera farwell as Santuzza. The career had encompassed nearly fifty roles, and had presented her on the stages of the World over fifteen hundred times, a monumental parade of memories for nearly two generations of opera goers.

After retiring from the stage, Tina abandoned musical life almost entirely, and died at Milan on 10 February 1956.