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38mitsubachi · 4 years ago

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またまた38mitsubachi のパンケーキ🥞 @noripiyo0902 🐥 緊急事態宣言は解除されましたが新型コロナウイルス感染拡大防止の為、不要不急のお出かけはもう少しの間お控えください。ご自身の活動エリアでしたら感染防止策を講じた上でお出かけ��ださい。活動エリア外の方は、お出かけが出来る日常が戻った際の参考に。また見て読んで心和むコンテンツとしてお楽しみくださいます様、よろしくお願い申し上げます。 ♡-----♡------♡-----♡-----♡-----♡-----♡-----♡ 🐥仙台発 #お取り寄せ #38mitsubachi / ミツバチ @38mitsubachi 宮城県は杜の都仙台🌳東北初のパンケーキ専門店🥞のりぴょのrecommenぴょ🐥🥞（勝手にアンバサダー名乗り中ぴょ🐥🐝←🤣）・ 🐥#代々木上原テイクアウト #andpiece / #アンドピース @and.piece グルメ激戦区代々木上原の珍しいフィンガーフードフレンチ🍴（Instagram美味しい物徘徊の旅で発見ぴょ🐥📱👀）・ 📺IGTVでのりぴょが食べている様子が視聴出来ます👀🐥 ♡-----♡------♡-----♡-----♡-----♡-----♡-----♡ 楽天で販売中の38mitsubachiパンケーキセットの優しいふわふわ #バターミルクパンケーキを軸に＆ pieceの絶品前菜10種を堪能🍴そしてデザートは #バスクチーズケーキ 🍰という、何とも豪華なランチぴょ🐥♪ ＆ pieceの山岸シェフは、恵比寿のジョエル・ロブションや銀座ロオジエで腕を振るった方✨👨‍🍳✨気軽に超高級TOPフレンチの味が堪能出来るなんて感激ぴょ🐥❤️10種の前菜は全てに細かい手仕事と工夫を感じました。例えば紫キャベツのラペはゴルゴンゾーラが効いていてお隣のキャロットラペ🥕との対比が👍とかね🐥1品1品のこだわりと10品の調和が素晴らしかったですぴょ🐥これは買い‼️‼️‼️ この子達を38mitsubachiのバターミルクパンケーキ🥞に乗せたり包んだりしてのりぴょ流パンケーキフレンチ🥞🍴🐥最高ぴょ❤️ デザートの＆ pieceのバスクチーズケーキは濃厚だけどさっぱりめ。クリームチーズがベースでサワークリームの爽やかな酸味で軽めに感じるんだと思います🍰のりぴょは冷蔵庫で冷やしてどっしりしっかりめで食べました🐥お好みで常温や温めても美味しいかと思われますぴょ🐥🍰 ※オムレツ🥚チコリ🌱ミニトマト🍅マンゴー🥭は別途追加 ♡-----♡------♡-----♡-----♡-----♡-----♡-----♡ 🐝38mitsubachiのパンケーキセット 4.800円（税込）✳️送料無料✨（離島･沖縄は追加送料1.000円） ✳️冷凍��❄️🥞❄️ ◉ふわふわレモンパンケーキ ◉ふわふわブルーベリーレアチーズパンケーキ ◉ふわふわ小倉パンケーキ ◉バターミルクパンケーキ 2枚×5袋楽天にて購入出来まぴょ🐥おすすめぴょです🐝 ・ ❤︎＆ pieceのテイクアウト🛍 ◉#前菜BOX（10種 2人前）2.000円（税込） ◉バスクチーズケーキ小 600円（税込） 💟東京都要請受けテイクアウトのみで営業 ✳️事前予約制 📞050-3503-2141 ✉️[email protected] ・予約は2時間前まで・メニューInstagramにあり ※6月よりメニューが変わる様です。 ✳️受け取り時間指定 12時〜18時 💟定員さんマスク着用😷 💟消毒の設置あり ♡-----♡------♡-----♡-----♡-----♡-----♡-----♡ スイーツ店さまを応援する為、取材依頼もお受けしております。遠方で県を越える事は出来ませんのでご了承ください。郵送他で対応致しますのでお気軽にご相談くださいませ。出来る範囲でお役に立てますと幸いです。 ⁑ 【取材依頼・お問い合わせ】メディア出演依頼・スイーツ開発・監修・各種セミナー・イベント・新作スイーツのプレスリリース掲載などのお仕事の依頼はDM・メールにてお問い合わせくださいませ。 ⁑ オフィシャルメディアでは、スイーツショップさまのプレス（ニュース）リリース掲載は無料。Instagramストーリー・Twitterにてメニュー提供中はランダムに拡散させて頂きます。 ♡-----♡------♡-----♡-----♡-----♡-----♡-----♡ #仙台グルメ #仙台パンケーキ #代々木上原グルメ #パンケーキ #パンケーキ部 #パンケーキ大好き #パンケーキ🥞 #お食事パンケーキ #pancake #pancakes #チーズケーキ #スイーツ #スイーツ巡り#スイーツ部 #スイーツ好きな人と繋 (38mitsubachi) https://www.instagram.com/p/CA4-xdAj7jY/?igshid=6l7s7khxzlli

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kaedeichinose · 2 years ago

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i wanna watch gundam with maddy so bad. this'll be my first real gundam also

#the only other gundam ive watched are bits andpieces of seed dubbed on late night ytv

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queencryo · 4 years ago

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worst part of long visits is always leaving. packed up and left my mom's today, finally going back tp my apartment. sad ::c didnt get to spekd much time w my mom, cuz she gets home from work at like six thirty, and my sleep schedule and stuff is super bad as its always been.

gonna miss her, and my sister too. not as sad about my sister, cuz we actually hung out some.

had the thought earlier that maybe why i was so... longing for when i was real young, when i was in midfle school, is cuz i wasdepressedashell in middle schoolwithout realizing it. probabky some other stufftoo, but it does definitely check out that i woulda longed for when things were simpler and rhe pain of existencedidnt weigh on me so bad. (middle school was not a good time for me, i think). worstpart is i can barely remember before that time, justbits andpieces.

fuck, dude, i love my mom so much. im so thankgul to her for putting up with my bullshitwhile i was a sad moody *weird* preteen/teen.

i cantremember if ive basically made this post already. dont care, fight me. i fuckin loge my mom shes so great.

#she cares about me so much and it is scary i didnt realize it for so wrong #blog

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peaceisadirtyword · 6 years ago

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Apologies (Alex Høgh/Reader)

A/N: FINALLY I'm posting something 😂 this fic is the one I’ve written for @tephi101‘s writing challenge! I really hope you like it💜 it’s not my best work, but I've been working on it for a week and I wanted to post it as soon as possible. I’m sorry if it’s too bad. I wrote a couple of things in danish (translated), so if you’re danish I'm so sorry because I probably made some mistake. I’ve been studying it for two years but I'm really bad, sorry.

Next is Secrets and Crush (this weekend hopefully). I hope y’all like it! ♥️ thanks for reading!

Oh, and I'm going to create an AO3 account to post my work in there just in case Tumblr deletes my blog! I’ll post the link when they send the invitation to me☺️ (I'll keep posting everything here too, I just want to have a safe place for my work).

Warnings: Smut! don’t read if you’re under 18, Alex is a bit of a dickhead, I'm so bad at danish, sorry if Alex is too out of character or if my writing is too bad.

Words: 4496 (I know it’s too long I'm sorry)

Prompts: 4. Why do you always insist that I’m the bad guy? You infuriate me so much that I don’t know if I want to slap you or kiss you.

7. If you keep looking at me like that I’m going to slap that smirk right off of your smug face.

gif belongs to @mybits-andpieces (his SMILE)

To be honest, you weren't really sure if you should go to that party.

It was a bit late to think that, as you were already in a cab on your way to the house. You had been invited, of course, but you didn't know if you should go.

You started working in Vikings a few months ago, playing Hvitserk's new love interest. At first, you were nervous as fuck. You obviously were a fan of the show, and had watched all the seasons more than once, you followed the cast on instagram and knew how close they were... You were the newbie and honestly thought you wouldn't fit in their group.

Besides, even if it was your dream job and you were excited as fuck to be in the show, the fact that you had to make out with Marco Ilsø in front of a camera on your first day made things a lot more awkward.

Marco had been really nice to you, always trying to make you feel part of the group and inviting you to all their gatherings and parties. You always tried to avoid it, as you weren't as sociable as you'd like and it made you too nervous to be with all of them, even though you loved to hang out with Marco.

But this time you didn't really have a choice. He had asked you a few days before, after filming a pretty intense scene. You had complained that you didn't have any plans for the weekend and would probably do a Netflix and chill by yourself. He quickly mentioned this party Georgia was throwing in her house, and told you you should go with them.

"Come on, Y/N, it will be fun, how much time has passed since you went out for the last time?" He had said, looking at you with puppy eyes.

You bit your lip. As you already told him that you didn't have any plans, which excuse did you have?

Marco had even asked Georgia when you said she probably wouldn't want you there. But she had smiled brightly and invited you again. Then you didn't have any excuse.

That morning, you had tried to pretend to be sick, but Marco had texted you saying how excited he was for you to join them that night and you felt bad.

So there you were, just a few hours later, dressed on a new black dress that you had bought the first week you arrived to Dublin and which maybe was too tight and too short. You combined it with black high heel boots and a red leather jacket. Maybe it was too much, but you didn't have anything else.

Your nervousness didn't have anything to do with the attitude of the rest of the cast to you. Marco was practically the only friend you had there, and Georgia was always nice to you, as well as Jordan. They weren't the problem.

The problem had beautiful blue eyes and an amazingly soft brown hair, a playful smile and an accent that would make every single woman in the world press her thighs together.

The problem was Alex Høgh Andersen.

At first, you were really excited to meet him. Ivar was one of your favorite characters and he did an amazing job. You wanted to congratulate him in person and also praise his photography, which was the main reason you followed him on his social media.

But your admiration for him died the moment you actually got to meet him.

The situation wasn't the best one. You just finished a scene in a bathtub with Marco, and you were all wet, shaking in cold as some of the assistants placed some blankets on your shoulders and gave you a towel to dry your hair. Someone brought you a hot coffee and you moved to sit next to the nearest heater. As the towel got soaked soon, you got up to go and ask for another one. And then it happened.

Alex was in a hurry, he was needed in set for a pretty important scene that should have been shot the day before but they had to delay the shooting because they ran out of time. He honestly didn't notice you standing up and moving in front of him. And of course it happened.

Your coffee was all over him in seconds. You gasped and apologized immediately and he cursed in danish, getting away from you.

He got angry. Well he had his reasons, but he yelled at you when you both were guilty. That angered you too. Who the fuck did he think he was?

When you yelled back at him, he looked at you for the first time, well he stared at you. He only looked away when Marco came, startled by all the yelling and asked what had happened.

Alex told him something in danish and Marco frowned and looked at you, who were glaring at Alex.

Since then, you both hated each other.

It was childish, immature, it was just a bit of coffee... Well, it's true that he had to change his costume and you almost ruined the entire day of filming but... You had apologized! He was the one who exaggerated everything and... Well, it was an accident!

The thing was; Alex seemed to hate you since then. He was super nice to everyone else, even people he didn't even know. But he couldn't stand you. It was the main reason why you didn't want to hang out with the group, Marco, Georgia and Jordan could be the nicest persons in the world, but Alex... You always ended up fighting and you preferred to avoid that.

He was at the party, you had seen him in one of Georgia's instagram stories. That was almost enough to make you turn around and go back home, to snuggle between your blankets and watch some series while eating pizza, popcorn and chocolate. But you had promised Marco, and you were not going to disappoint the only friend you had in there.

It wasn't difficult to locate Georgia's apartment, as it was probably the one which had the loud music on.

The door was half opened, and you only had to push it a bit to enter. Your jaw dropped in awe; the house was big, full of people and all of them looked like Calvin Klein models. Suddenly you felt self-conscious, clearing your throat and crossing your arms.

"Y/N!" You heard Georgia screaming your name and saw her trying to get to you, a cup on her hands and a big smile on her pretty face "I'm glad you came! Wow, look at you" she made you turn around to see your outfit "You look hot" she giggled, obviously tipsy with the alcohol.

"Thanks" you blushed, smiling at her "You look good too"

Well she always looked good.

She winked at you, taking your arm.

"Come on, I'll introduce you to some people"

"Fuck, who invited her?" Alex rolled his eyes, making Marco laugh and the girl who was next to him and whom Alex had been flirting with for almost one hour frowned.

"I did, and Georgia did too, why?"

"I can't stand her" he sighed, looking away from you. Marco could swear he saw him looking at you up and down, though.

"Who is she?" The girl leaned into Alex.

"She works at the set" he shrugged.

"Y/N is an actress too" said Marco, glaring at his friend "A very good one, and she's really nice too"

Alex scoffed, taking a sip of his beer as he looked at you. God, why did you have to appear? He was having a good time that night, and you had to come and ruin everything.

When Georgia finally let you go, you walked to Marco. It was nice to see a known face after twenty minutes talking to people you didn't even remember the name.

"Hi" you said nervously, ignoring Alex.

"Hey!" Marco hugged you, smiling "I thought you wouldn't come, you look nice"

"Thanks, you do too" you shrugged.

"Marco, du vil have et skud?" (Marco, do you want a shot?) Alex interrupted you, as always, speaking danish. When he spoke to Marco with you in the same room, he'd do it in danish, to annoy you.

"No, Alex" Marco sighed "Y/N, do you want a shot?"

"I'm fine" you smiled to him, still ignoring Alex. He scoffed and walked to the kitchen with the girl after him, giggling.

You rolled your eyes, making Marco laugh.

"What's so funny?"

"Nothing, just that you rolled your eyes the same way he did when he saw you"

You hit his arm, playfully. Marco seemed to be totally sure that you'd end up together, and that gave you shivers. You? With him? Not in a million years. No matter he was the most handsome and talented man you had ever met.

The party wasn't as bad as you thought. Alex was busy flirting with that girl, so you could enjoy some moments talking with Marco, Georgia and Jordan, who introduced you to his girlfriend (seriously, why were all of them so amazingly beautiful? It was weird) . You were having a good time, drinking, laughing and even dancing with Georgia.

But, of course, someone had to ruin it.

It happened in seconds, you didn't even see him approaching you. But suddenly you turned around to go to the kitchen and take another drink, your shoulder hit Alex's drink, who was standing behind you, trying to pass and talk to Marco about who knows what. And his drink was all over you in a moment.

You gasped, widening your eyes as you saw all your dress, even your boots, ruined and completely soaked.

You looked at him. Alex was surprised, but had a smirk on his lips and he even laughed while looking at you.

"Well" he cleared his throat, amused "I think we're in peace now, aren't we?"

You clenched your jaw in rage.

"You..." You glare at him, feeling Georgia take your arm softly to prevent you from hitting him "You are a fucking asshole, Alex, and I fucking hate you, you don't deserve anything you have! Fuck you!"

He frowned at you. Some people at the party were looking at you, confused and amused at the scene, just when you were going to slap him, Georgia gently guided away from him and to the door that lead to the main hall. She opened one of the doors at the end of the hall and invited you in.

It looked like her bedroom, with a big queen sized bed and the largest wardrobe you had ever seen.

"I'm so sorry, Y/N" she bit her lip, looking at you. Some tears had already fallen from your eyes and rolled down your cheeks "I'm sure it was an accident..."

"It wasn't, you saw him laughing" you dried your tears, feeling stupid for crying over that.

"I don't know what's gotten into him, I had never seen Alex behave like that with anyone, he's always really nice to everyone..."

"He's an asshole" you scoffed "I'm sorry I ruined your party, I should have never came... I knew something like this would happen"

"You didn't ruin anything, love!" She smiled to you "Come, I have some clothes that will suit you perfectly! Two outfits in the same night, like Madonna" she winked at you, making you laugh.

Georgia gave you a blouse and a skirt for you to change.

"Go into the bathroom there's some clean towels in the wardrobe next to the sink, you can clean yourself a bit and change your clothes... Oh, and wash your dress a bit! If you don't, the stain will stay there"

"Okay, thank you so much, Gee... You're saving my life" you smiled at her.

"It's nothing! Come on, I'll be waiting for you with some drink! And I will talk to that guy who couldn't stop looking at you"

You blushed and rolled your eyes, walking to the bathroom.

"I'm sorry, okay? It was an accident"

"Look, Alex, I know you didn't mean to do that" Marco sighed "But you should apologize to her, not only for tonight but for a lot more things"

He sighed. Maybe he had been too harsh with you. He honestly felt bad when he saw you almost crying, and he definitely didn't mean to ruin your dress, not when you looked so good in it.

"She's in the bathroom" Georgia hit his shoulder "So you better go and apologize now"

He rolled his eyes, but turned around to go to the bathroom. Georgia and Marco looked at each other smiling.

"They are totally making out"

You took off your ruined dress, thinking about some discrete ways to kill a famous actor without his fans discovering. As Georgia had said, you left it next to the shower to wash it up a bit later, and took the clothes she had lended to you to get dressed again.

You had only put on the skirt when the door opened.

Alex entered the bathroom, a bored expression on his face that quickly changed to one of surprise when he saw you in there. Half naked.

"What are you doing?" You yelled, instinctively throwing the blouse at him "Close the fucking door you pervert!"

Alex laughed while closing the door... And stayed inside.

"I meant close the door after you!"

"Hey, hey, stop the yelling, okay? I'm here to apologize" he put his hands up in a sign of surrender.

"For what? For being an asshole, for purposely spilling your drink all over me or for not respecting my fucking privacy?"

"Uh... For all of them, I suppose?" Alex bit his lip. What was so funny for him? You were fuming. Oh how you'd love to hit that pretty face and erase that stupid smirk...

"Sorry" he sighed, bending down to pick the blouse from the floor and give it to you "I'll turn around so you can get dressed and then we can talk" he did as he said, turning around to look at the door.

You angrily put the blouse on, checking on the mirror that you looked decent before clearing your throat and crossing your arms.

Alex turned around again, facing you. He looked embarrassed and he was actually blushing. You had to remind yourself not to smile at how cute he looked.

"Em... Well, I... " he sighed "I'm sorry I spilled my drink over you, it was an accident, I swear I didn't want to" he smiled at you "I'll wash your dress if you want me to"

"I don't want you to wash my dress, I don't care about the dress" you rolled your eyes "I want you to stop acting like I'm the worst person in the world. I spilled a coffee over you once, yeah, and I apologized immediately, you made me feel bad when it was just an accident, and then started to hate me, and I don't understand why" you were at the verge of tears, too frustrated and angry.

"Well, you kind of fucked up the filming and I had to stay there for three more hours, in the cold and repeating lines in Old Norse when I had had a really bad day and I just wanted to go home and maybe talk to my mom in the phone before going to sleep, so I'm sorry for snapping at you, Y/N, but I was a bit in a bad mood, I'm sure you can understand that" his smile was gone, replaced by a deep frown that made you hesitate.

"Okay, I understand, but when I apologized the next day you ignored me! And then I just couldn't hang out with Marco whenever you were present because you would start making fun of me or speaking danish on purpose and I might have ruined one of your days, but you ruined most of mine!"

He scoffed, not believing what he was hearing.

"Stop playing the victim, Y/N! Is it you who judges me constantly for the things I do or say without knowing me, it is you who doesn't want to come with us and it is you who isolates yourself from the rest of the people because you're too afraid of what would they think"

"That is not true!" You clenched your fists "If I don't want to go out with all of you is because you always find a reason to tease me and make me look like a fool in front of everyone!"

"Why do you always insist that I'm the bad guy?" He clenched his jaw, narrowing his beautiful eyes at you "You infuriate me so much that I don't know if I want to slap you or kiss you"

You were about to answer him, maybe slap him -yes, you would slap him- when you processed his words.

"What?" You blinked at him, confused "What did you just say?"

Alex shook his head, passing a hand through his hair.

"Sorry" he muttered "I didn't mean to tell you that, I... I wouldn't slap you, you know that... Sorry"

"No I don't mean that" you rolled your eyes "You could not slap me even if you tried, I meant the kiss part"

His eyes widened and he blushed. Again.

"I..." He looked away "Look, when I first saw you I thought you were the most beautiful girl I had ever seen, but I didn't have the guts to talk to you, you know, because I'm a fucking coward, and then the coffee accident happened and I didn't know how to react because I snapped at you and you probably thought I was an asshole, so I kind of kept acting like an asshole... I really enjoy it when you hang out with us, you're funny, I just pick up on you because I had never ever liked anyone this way, and I know you don't like me... I'm scared as fuck, to be honest"

You were left speechless, looking at him with wide eyes. You expected him to start laughing and tell you it was all a joke and that he was recording it to post it to his social media. But the way he bit his lip nervously and how he avoided your eyes told you otherwise.

"Alex" you finally recomposed yourself, sighing "Are you seriously telling me you've been a prick all these months because you liked me?"

He blushed again.

"Yeah, well" he shrugged "Sometimes you'd get on my nerves, too..."

"You are an asshole, I can't believe I was excited to meet you, I mean, you might be an amazing actor, handsome and all of that but you're stupid, and I would never kiss you" you frowned.

You thought he would get angry at that. But instead he smiled and bit his lip.

"You think I'm handsome?"

This time it was your turn to blush, looking away.

"Yes, you are, and I wanted to meet you because you're a really good actor and your photos are amazing, but your attitude outweighs all of that"

"Yeah, I understand you think that" he approached you, his deep blue eyes fixed on yours "Thank you, anyway"

You smiled softly for the first time.

"Do you want to, like... Start again?" he shrugged .

"Yes, that would be nice" you nodded.

"Alright, I'm Alex" he smiled, tending his hand to you "Nice to meet you"

"I'm Y/N" you chuckled taking his hand "Nice to meet you too"

He smirked and pulled you closer to him, leaning in to put his hand on your cheek and capture your lips with his.

You froze, but kissed him back immediately. You might think he's an insufferable asshole but it was a bit hard to resist him.

"Sorry" he was smirking when he got away from you, biting his plump lips softly "I had to do that at least once... It looks like you did want to kiss me after all"

You blushed, frowning and pretending to be mad at him.

"You're a dick, Alex Høgh" you scoffed, he just kept smirking, winking at you "If you keep looking at me like that I'm going to slap that smirk right off of your smug face"

He chuckled, gripping your waist to pull you close to him again.

"I'd love to see you try" he whispered, his intense eyes made you shiver, and this time it was you who kissed him, feeling his smile widening against your lips when your hands tangled on his hair.

Your back touched the bathroom's wall in seconds, and Alex's hands went down your ass, gripping it and groaning when you moaned against his lips.

"To be honest, I'm mad at myself for ruining that dress, you looked like a fucking goddess in it, Y/N" he muttered, making you raise your brow "Well, to be honest you always look like a fucking goddess, you are a fucking goddess"

How can someone go from hating you to calling you a goddess in minutes?

You blushed, honestly, you wouldn't have ever describe yourself as a goddess, but you weren't going to start complaining now.

Suddenly, Alex got away from you, walking to the door.

"Where are you going?" You whined, clearing your throat.

He locked the door, smiling at you while coming back to stand before you.

"I told you I've came here to apologize, and I don't want anyone interrupting me in the middle of the apology" he winked at you before attaching his lips to your neck, grunting when you gripped his shirt and moaned.

One of his arms was wrapped around your waist, and his other hand was now under your (well, Georgia's) skirt, caressing your thighs softly, making your legs grow weak.

"What are you doing?" You said, breathless, when he unbuttoned your blouse, his lips tracing a path of wet kisses down your chest and belly until he was on his knees.

"Apologizing" he shrugged, a playful smirk on his lips "We can stop whenever you want though, just say it"

You gasped when both his hands went under the skirt, closing your eyes.

"Y/N" he called you, concerned, he wanted to hear more of those little sounds you were making, but only if you wanted too, of course "Do you want me to stop?"

"No" you gasped, biting your lip "Keep going, I want my apology"

Alex smiled and nodded.

"Just tell me if it's too much, or if I hurt you or if you want to stop" he said, but you weren't capable of answer him as he had started to remove your underwear.

His fingers caressed your sex softly, licking his lips when he noticed how wet you already were. He took your leg, putting it over his shoulder to have a better access to your dripping sex.

His eyes locked into yours and you had to support yourself on the wardrobe next to you to prevent from falling when his tongue licked your clit.

You moaned loud, not caring if someone heard you. Honestly, you could not stay quiet when he flicked his tongue in that way, almost making you see stars.

One of your hands tangled in his hair, making him moan against your sex, you felt him smiling when you cursed out loud. He pressed two of his fingers into you, clenching your walls slowly. His eyes didn't left your face, wanting to witness every single reaction you had to his tongue and fingers.

"Fuck, Alex" you moaned again, bucking your hips against him. You were going to cum, and it was the first time someone made you cum with his fingers and mouth.

He curled his fingers, flicked his tongue and had you moaning his name and shaking in seconds.

You came almost screaming, leaning almost all your weight on him as your legs couldn't support you anymore.

He chuckled when you collapsed on his arms kissing your thighs softly before standing up again, licking his fingers clean.

You, incapable of speaking, took him by his shirt and crashed your lips against his.

Alex put his hands on your legs, and you jumped to wrap your legs around his waist. He pressed you against the wall and started kissing your collarbone, his eyes closed.

"Du er så smuk (you are so beautiful)" he whispered on your ear. You shivered, of course you'd never admit it in front of him, but there was something about him speaking danish that made you buck your hips against his.

"Come on, Alex" you whined, making him chuckle.

"Someone's eager" he moved his head to look a you in the eyes and smirked when you looked at his swollen lips, licking your lips while your hand travelled down to unbuckle his pants.

You kissed him again while he pushed his trousers down, freeing his hard cock.

"Tell me if I hurt you" he muttered against your lips. You nodded frantically, moving your hips eagerly.

He thrusted into you and you both moaned at unison, breaking the kiss. You leaned your head on the wall, your eyes closed and your lips parted, gasping and moaning softly. Your hands gripped his shoulders and your legs clenched around his waist. Alex moaned into your neck, moving his hips faster and faster. One of his hands on your leg, supporting you, and the other one roaming over your body. He leaned in to kiss your breasts as his hand found your clit, pressing it softly.

Your moans grew louder and his thrust faster as you both approached to the orgasm. You came for the second time screaming a mix of his name and some curses and digging your nails into his shoulders.

"Fuck" he cursed, feeling your walls clench around him "Y/N" he moaned, leaning in to kiss your lips again, even biting your lower lip as he came, grunting.

You stayed like that for a while; foreheads pressed together and your eyes fixed on the other's, panting and smiling.

"I accept the apology" you smirked.

He chuckled.

"I'm glad then" he sighed "But I'd like to invite you to dinner someday, you know, like a date"

"I'll think about that" you answered, biting your lip playfully.

"And I'd love to be able to see you properly and worship you as you deserve, in a bed, undressing you softly and then making love to you" he closed his eyes and you shivered "Fuck, I'm hard again"

Just when you were going to answer him, someone knocked at the door.

"Guys, if you're finished I'd like to go in, I've been waiting for an hour" Marco's voice made you blush and laugh, embarrassed "Get a fucking room"

"Sorry, Marco" Alex bit his lip to stop himself from laughing "We'll be out in five minutes"

Tags: @mblaqgi @alicedopey @lol-haha-joke @hallowed-heathen @ivarslittlebadgirl @naaladareia @tephi101 @captstefanbrandt @love-hate-love @titty-teetee @thisisparadisemylove @readsalot73 @moondustmemories @thevikingsheaux @therealcalicali @chimera4plums @blushingskywalker @awkwardfangirl02

I hope you liked it! Thanks for reading💜

#tephi's500followerswritingchallenge #alex høgh andersen #alex høgh imagine #vikings #vikings imagine #vikings cast #ivar the boneless #smut

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submissivefeminist · 5 years ago

Note

Leave your window cracked so a tiny girl with a paddle and strap can sneak in😇

Ngl when I was dating my roommate and used to sleep in what is now his room (on the ground floor) I used to leave the window wide open while I slept because the danger factor turned me on.

Also this is transparently @littlebits-andpieces lmao

#Anonymous #anon #ask

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lady-phasma · 2 years ago

Photo

It fills my heart with joy that this community has such like minded people with so much talent 🥰 As soon as I saw this scene I had to make a gif slowed to 40% because the clip is like .5 seconds 😂 lovely!

I need to learn how to make better gifs but I love that we all need these crumbs 🙃 bless you @mybits-andpieces for your amazing quality!! 🙏🏻🙏🏻🙏🏻

House of the Dragon

#all the aemond gifs #ewan mitchell #aemond targaryen #house of the dragon #the lip bite........... yeah thats the post #hotd #aemond's lips

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beautifulbluee · 3 years ago

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@fundmyobsession @mybestfriendis-amazing @giannakiah @alyssawhatsherface @awakening-temptation @ocean-desire-blog @picsoritdidnthappenn @holaatyagirlnoraa-blog @brittanysaidwhaaat @itsmyfashionstyle-blog @infinitybefore @cedriclong-blog @shining-in-the-rain-blog @in-his-youth @wet-sand-blue-skies-blog @m-angodaisy-blog-blog @thebeauty-of-it-all @b-i-t-s-andpieces @callthewholethingoff @36n63 @flooooower @mslindsay23 @p-e-r-f-e-c-t-summer-blog @lewand0wski-blog @thehappinessofme @itslois @shiny-hard-plastic-xoxo @kayliekanee-blog @volleyballlchick-blog-blog @colour-monster-blog @inkhale-me-blog1 @xokourtney @delaneylulu

Ray-Ban Sunglasses

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howardlyontx · 6 years ago

Text

Koenigsegg: Sweden’s Hypercar – /DRIVEN

youtube

J. F. MUSIAL: Welcome to Angelholm, Sweden, about anhour north of Copenhagen, and like most European cities,it’s beautiful, both the scenery and the people. Sweden has had a great legacy of innovation design andengineering, especially in aerospace and automotive. Think of Volvo. Think of Saab. But what if you mixed the two, aerospace and automotive?CHRISTIAN VON KOENIGSEGG: I had a lifelong dream to startmy car company and build cars. It started when I was five years old. I mean, I got the question, always, why doyou have this dream?And I couldn’t really answer. I didn’t really know. And then I started thinking. I said, when I was five years, I saw this Norwegian animatedstop motion movie about a bicycle repairman who built afantastic racing car up on a mountaintop in Norway, andtook it to LeMans and won over the establishment. And I was so fascinated by this movie, I remember, when Iwalked out of the movies, that I said to myself, that’s whatI want to do when I grow up. And when you’re like five years old, you don’t reallythink about–fiction or reality. It’s kind of intertwined. And you’re really impressionable. So I think that was what was the triggering me to do thisand it’s just stuck with me. I was kind of pre-programmed to do this from that day on. When I started the company, I was only 22. J. F. MUSIAL: Is that so?CHRISTIAN VON KOENIGSEGG: So I’ve always had a keeninterest for engineering, technical things and workedwith cars and mopeds and boats and electronical things. But I never really started it officially. So we have, of course, a bunch of engineers here that aretrained engineers, but I’m kind of more like an inventoror something like that. So this is our development room for all the carbon fiberparts that we use in our cars, so we have all the technology,all the carbon fiber technologyproprietary to our company. We started developing carbon fiber parts back in 1996 forthe first time. So we have quite a vast experience of specialmanufacturing carbon fiber parts for cars. What you can see here is the material that is the visiblepart of the carbon. It’s kind of a twill weave. And there are different types of carbon fiber. There are uni-directional, different weaves, differentdirections depending on the need, thestiffness, the strength. We always want to optimize to keep the weight down and thecosts down of the carbon fiber and to make the car as lightas possible. So the tools, I would say are either made out of–the tools are large. They’re made out of carbon fiber to make them not toocumbersome and heavy to deal with. And they have exactly the same heat expansion as the partitself, so there needs to be nocompensation for thermal expansion. But smaller parts we machine most of the time straight outof a billet aluminum. So here, for example, we have a lamp clusters. We have turbo tubing. Here we have a tool for intake plenum. So, then we have a lot of turbo tubes made up here. So what you’re seeing here is a vacuum baggingprocess, where we–we only use the most extreme type of carbon fiber materialwhich is called the pre-preg from Advanced Composite Groupin England. And it’s the same material you make–well again, fighter jets or Indy cars, or F1 cars out of. In our carbon fiber monocoque, we actually have aluminumhoneycomb inside. And this is very unusual for a road car. I think, well, let’s say most Formula One carbon tops, theyuse aluminum honeycomb. The advantage of aluminum honeycomb, compared to othertypes of core structures or other types of honeycombmaterials, is that it’s very crash absorbent and it holdsthe pieces together very well in an accident situation. But the negative side is it’s very expensive to work withand takes a long time to implement. And as far as I’m aware, we’re the only road car manufacturerwith a carbon fiber monocoque that actually use aluminumhoneycomb in the monocoque. So it makes it basically safer, extremely strong. But it takes more time and more cost. But I think, in a car like this, that’s acceptable. If you look at these two pieces, they almost have thesame stiffness, but this has the core inside. And this is just solid carbon. So it saves a lot of weight. You maintain the stiffness, but of course, you reduce someof this strength due to that it’s less carbon. But still, it’s massively stronger than anything else ofthe same size, shape and weight. So what we’re seeing here is what we call Station 2. By this time, we’ve made all the carbon fiber bits andpieces and received them from our suppliers. And then we put them on this fixture and pre-fit everythingprior to paint, and make sure everything aligns perfectly. And if there are any specific customer demands to the bodywork, we adjust it here and custom fabricate parts, ifthere’s a need for that. And then we take it all apart and send it to the paint shop. J. F. MUSIAL: Is everything painted here?CHRISTIAN VON KOENIGSEGG: Everything is painted here. I jokingly say that when people ask how much can youcustomize, and I say, well, if you pay us enough, we canbuild you a helicopter. J. F. MUSIAL: So I must ask. How old are you?ROBERT BERWANSKI: I’m 24. J. F. MUSIAL: 24 years old and you’re the test driver forKoenigsegg. You must love it. ROBERT BERWANSKI: I love it. I seriously do. J. F. MUSIAL: So this is my first time in a Koenigsegg. Let’s see how it does. ROBERT BERWANSKI: Yeah, I can show you how it runs. That’s the interesting bit. J. F. MUSIAL: Let’s see how it goes. And I love the fact that you have your own private runwayto do whatever you want. ROBERT BERWANSKI: We need that. J. F. MUSIAL: So what do we [INAUDIBLE]?That’s 100 kilometers an hour, right there. In seventh gear, so it’s a seven-speed gear box. ROBERT BERWANSKI: And now we’re on 1,600 revs. J. F. MUSIAL: Got it. ROBERT BERWANSKI: So actually, on the highway, it’s quiteeconomic for the car it is. But you don’t usually do that. Here you have 1,200 horsepower. CHRISTIAN VON KOENIGSEGG: So then we take the parts intoour paint department. You can actually see them spraying it. J. F. MUSIAL: And is any color possible?CHRISTIAN VON KOENIGSEGG: Any color is prettymuch possible, yes. We have our own mixing room. We, actually, even come up with our own paint mixtures. We’re very proud of our paint result because we put a lot ofeffort into it. Let’s say that the thickness of the clear coat is aboutthree, four times that of a normal production car. That adds a little bit of weight, but it also means youget a fantastic gloss and the ability to polish for a longtime and polish out scratches and stuff like that. And you get this very deep sensation whenyou look at the car. And there’s a lot of specialist polishing companiesaround the world that work with all these hypercars andmany of them tell us that they really like to work on ourcars because they’re really the top. What I noted was that people close the door like this andthen they want to walk away. They didn’t want to push it down and then push it in. Because a 2-step motion is not natural. J. F. MUSIAL: Especially for a door. CHRISTIAN VON KOENIGSEGG: You’re not used to that. People are used to slamming the door and going. And here you have to push it down and then push it in. So I said, there must be a way that canbe done in one motion. And that’s when I came up with this idea that it’s actuallynot a 2-step process. And most people, at the time, thought that’s impossiblebecause how can you slide in and down at the same timewithout hitting and getting the rubber sealsto seal and so on. And that’s where we have to really engineer the wholeentry of the car to the movement of the hinge, and themovement of the hinge to the entry of the car. A properly engineered part, when you lookat it, looks natural. But to get the complex function looking simple andnatural, that’s really difficult. So we spent thousands of hours developing this hinge. And it’s not only the hinge, it’s how it’s combined withthe whole car. It’s the shape of the door. It’s the angle of the door seals. It’s how the door seals look. It’s how it interacts with the roof, how the door interactswith the roof, how it interacts with thebody, when it’s open. So it’s kind of a parallelogram here, and thenyou have the helical cut gears here, hydraulic damper. The door mounts to this portion here, so when I pushthis in, you can see what it does. ROBERT BERWANSKI: I’ll give it a slow start because the gearbox isn’t finished. Are you ready?J. F. MUSIAL: Let’s go. Oh God. That was incredible. Oh, my God. That was incredible. ROBERT BERWANSKI: So that was 300, and this engine nor gearbox isn’t fine tuned yet. So it will go better and it will shiftfaster when it’s done. J. F. MUSIAL: That’s the fastest I’ve ever been[INAUDIBLE]. Right there. CHRISTIAN VON KOENIGSEGG: So this is, basically, a normalchassis dyno, but what’s pretty cool about it is thatwe have the engine management hooked upto this whole system. So with remote keyboard, when you sit in the car, you canactually program the engine and see what it’s doing. And on these screens, we can get the power and torque andeverything. We can take up to about 1,500 horsepower onthese hydraulic brakes. And we use it for tuning cars, for different types of fuelfor different markets. For example, we had a customer in Brazil who wanted to run onE100 instead of E85. So we made a flex fuel for E100. And then, in certain areas, they havebetter or worse fuels. We kind of buy in the local fuel, make sure the car runsgood on it. J. F. MUSIAL: Do you actually bring the fuel in?CHRISTIAN VON KOENIGSEGG: We do, yes. And then, of course, we have our own airfield which isvery, very convenient. J. F. MUSIAL: For any super car manufacturer, youjust need that air. CHRISTIAN VON KOENIGSEGG: Yeah, I think, without that wecould not do what we’re doing. Because we can any–24/7, we can go out high speed testing and really push thingsto the limit, so it’s really, really convenient. In the engine system, we actually have a fewinteresting patents. We’re working very much with the new type of valvetechnology. It’s not implemented in production, butit’s for the future. So we have like 12 patents within the company, within theKoenigsegg group. And then we have turbo patents, a new type ofvariable turbo that very much reduced back pressure whenconnected to catalytic converters, and let’s say,well, puts the spool up point at lower RPM, andgives better response. So if we go around to the other side here, you can seethis little R thing here. That’s actually a flex fuel sensor. So depending on what fuel the driver puts in the tank, itcomes in here and it’s sensed and then the whole enginemanagement is reprogrammed, depending on what’s enteringinto the engine. So the whole fuel management system is geared to handlemassive amounts of fuel. Alcohol has less energy density, so let’s say that ifyou only would run on petrol, the pumps, injectors,everything, is sized for over 2,000 horsepower. But when you run on an alcohol, it’s a good safetymargin, but we can get around 1,200. We didn’t realize it until recently, but this is actuallythe most downsized engine in the world of any productioncar engine. When you think of it, it’s a five liter engine and we havealmost 1,200 horsepower. So you have like 228 horsepower perliter engine volume. That’s 33% percent higher than any otherproduction car in the world. There are 214 Newton meters of torque per liter, which Idon’t know exactly what it equates to in foot-pounds. We have six horsepower per kilo engine weight, which is100% more horsepower per kilo than the nearest otherproduction car engine. J. F. MUSIAL: That’s incredible how it’s sosteady at that speed. Oh, my God. CHRISTIAN VON KOENIGSEGG: That was 315. And you don’t need to hold the steering wheel when you brakeeither because it’s so stable and it’s so high. This is station four, here. SPEAKER 1: Four, okay. CHRISTIAN VON KOENIGSEGG: Yes. So here the monocoque comes clear coated in the areasneeded from the paint job. And we fit a lot of wiring harnesses, electrical systems,dry sump tank, oil cooler, air conditioning condenser. This is kind of interesting. We have a lithium iron, not ion, iron battery because it’ssafer, instead of normal lead based batteries. So it basically has half the size and athird of the weight. And we put it very centrally in the car, even though itdoesn’t weigh that much anymore. It’s the center part of the car, to try to keep the massin the center as much as possible. This is also why the fuel tanks are actually inside thecarbon monocoque. So the fuel tanks are in here, the back, and there. And it’s only one piece, like a big horseshoe tank. J. F. MUSIAL: Oh, so they’re all–That’s good to know. They’re all physically connected. CHRISTIAN VON KOENIGSEGG: No, you only fillit up from one point. It’s one huge tank, like that. And this is, as far as we can see, the absolutely bestposition for a fuel tank because it’s, again, central. Most of it is extremely low down and it’s definitely themost safe area of the car. It’s protected by the monocoquebeing inside the monocoque. And that makes it very complex. It’s like, almost, a airplane fuel tank, if you considerthem being in the wings. Even though we don’t have a roof helping out as astiffening structure, as far as we are aware, we have thestiffest carbon monocoque, whether it has a roof or not. Because it actually has 65,000 Newton meters per degree’sdifference. And if you look at how massive these sections are, it becomesunderstandable. Of course, if you would put a fixed roof in it, it would beeven better, but it’s still extremely high. Inside there, we have the honeycomb. And then you have this massive section of 21 layers of carbonfiber, uni-directional in the correct direction. So it just becomes extremely stiff and strong. And the weight of the chassis is under 70 kilos, includingfuel tanks. And this is also pretty extreme. The windshield area and the roll bar,it’s all carbon fiber. There aren’t really any metal parts. Of course, power means heat. And a large portion of our market is in the hot climatelike the Middle East, and so on. And we heard many horror stories about even famousbrands, big car manufacturers havingissues in those regions. Our first customers came from that region and they said,whatever you do, put as big of a water radiator that you can. And we told them, well, OK, we would calculate it. We need a certain size and we’ll test it. And they said, forget about that. Put the biggest you can. Everyone can [INAUDIBLE]. That doesn’t mean anything. Just put a huge one in. So we managed to extend it this much from ourcalculations. We never ever had any issues. Even parts like this that look standard are actuallyspecially manufactured to controlairflow out of the car. This is just a water bottle, but it’s our own. J. F. MUSIAL: Very cool, thank you, Robert. ROBERT BERWANSKI: You’re welcome. I could show you some [INAUDIBLE] as well. J. F. MUSIAL: Sure, why not?ROBERT BERWANSKI: That was 220. J. F. MUSIAL: 220 sideways. You are insane. You have the best job in the entire g-d world. Robert, you really are–at 24 years old, you are one of the luckiest people to everface this earth. ROBERT BERWANSKI: I know. J. F. MUSIAL: You’re very lucky. Thank you so much, Robert. ROBERT BERWANSKI: You’re welcome. J. F. MUSIAL: That was such a pleasure. I’ve never been a car that is that fast atspin and in the turns. It’s incredible. CHRISTIAN VON KOENIGSEGG: The gear box is partiallydeveloped by ourselves. It’s manufactured by a company in Italy, called Sima, andwe’ve developed our own electronic differential. On the side, you can see this black cover. So we can actually adapt the differential lockingdepending, from our own issues, depending on settingof the driver and driver behavior and track and so on. And then, we have here, it’s not mounted right now, but inhere and it sits hydraulic clutch. We call this the first single input shaftdual clutch gear box. When we shift, at the same time as we open the clutchhere, we have this hydraulic clutch sitting on the sameshaft, which works in the opposite direction. It actually cloaks us against the casing to slow down theinput shaft so that we can push the synchros much harderbecause it’s already pre-synchronized. So it basically takes out 2/3 of the synchronization time. So it’s not that it’s zero shifting time,but it’s close to. And it’s so close that you hardly can notice it anymore. J. F. MUSIAL: I always thought it was very cool, this littlegauge on the side. CHRISTIAN VON KOENIGSEGG: Right, yes, yes. This is, of course, also completely custom. J. F. MUSIAL: So whose idea was this?CHRISTIAN VON KOENIGSEGG: That was my idea because we neededa custom expansion bottle and it’s pretty much hidden. And normally these are made in plastic, but it didn’t reallymake sense. We used to have one in plastic earlier on, but you would haveto look from the back and you couldn’t see it. And we wanted to fabricate the one that was really moreoptimized to the shape of the carAnd then I came up with–you can actually see the level through a tubewith a glass on it. And here, you can see also a triplex suspension which isone of my ideas I had. And the reason for it, basically, is that the morepower we got–Well, OK, in the engine room you saw the wishbones. And we decided early on not to have anti-squat geometrybecause we have very stiff springs. The car was light and it didn’t squat very much and wewant a little bit of squat for traction. But as the power increased over the years, the carstarted squatting a bit more and more, and to a degree, wefelt it was a little bit too much with thelatest power level. So instead of building in an anti-squat geometry into thesuspension, which has downsides, it actually upsetsother parts of the suspension. I came up with this idea that we put in an anti-squat damperinstead, which we call the triplex suspension. So when it squat, it actually pushes from both sides, and itmeans double the speed compared to thenormal shock absorber. So it calms down the squat, but it doesn’t, in cornering,do anything. You just go sideways. Unless you hit something with one wheel, it starts doing ita little bit. So it’s about fine tune. It’s kind of a new dimension, another dimension of shockabsorbing compared to just having two separate ones. It adds a little bit of weight but it controls the squat andit maintains a very clean, true suspension geometry. You can only drive really fast if you feel safe and it’s easyto control. So you can see how very calm it is withthis enormous power. It’s totally controlled. When we did this world record in braking and acceleration,you can do that record, basically, with a finger onthe steering wheel, full break from 300. It doesn’t do anything like this. It’s just track solid, yeah. ROBERT BERWANSKI: I got it. CHRISTIAN VON KOENIGSEGG: This is also our own product. We even go in and engineer all the switch gears andeverything inside these paddles because it needs tohave the right feel. I want kind of a trigger feel. You can’t go halfway. It’s either you’ve pushed it or you haven’t, so it’s a veryclear, distinctive feel to it. And then, underneath this leather, it’s actually a foamcore to make a soft grip. And underneath that, it’s a hollow carbon structure madein one piece. This is what we call alignment PDI test driving. Actually this station goes all the way over there becausethat’s the washing area. We have wheel alignment, corner waiting and then a testtrack outdoors. Here we take care of our test cars, our prototypes. We have four service mechanics in here and they also servicecustomer cars, for example, where we have customers wherewe have no dealers, we either fly these guys out there toservice the car or they fly their car here toservice their car. But usually when they take the car here, theyalso upgrade them. We have upgrade programs for the CCA test, the CCR, theCCX, the CCXR. Basically, you can upgrade a CCX to a CCXR. And a gear 2 and a gear R, a CCA test to CCRengine, if you like. And there is some cross, even though there’s big differencesbetween a CCR and a CCX, it’s actually a completely newchassis and completely new body, and a completely newelectronic system. They look similar but are different. But some systems can be adopted backwards, so we keepthe earlier cars really fresh and alive and modern byimplementing the latest technology we have for them. And as it’s being done here at the factory, it’s notbastardizing them. It’s actually original equipment, but it’s makingthem stay alive and fresh. We started producing cars in 2002 and now, it’s 2012, whenwe’ll build over 100 cars this year. But in 2002, we built three cars. In 2003, we built five cars. In 2004, it was seven, eight. So it’s, of course, grown over the years, but on anaverage, around 12. J. F. MUSIAL: So in this year, how many do youthink you will produce?CHRISTIAN VON KOENIGSEGG: Hopefully, a little bit more. Yeah. You saw the steering wheel down there and we firstdesigned it to print out, feel it. And then I had some ideas about this shape, so Ireshaped this by hand. And then we have a laser scanner, so we scan that backin, get into the computer, and then print out another one andtest it again until we’re satisfied. So we can go from 3D CAD to physical model, modify it byhand, putting it back in 3D CAD with a hand modifications,re-engineering it, and then out again. And then OK, a couple of iterationsand then we’re done. So it’s really nice to touch and feel and see in reality. It really changes everything. If you only do it on the screen you will never end upexactly how you want it in the end. You have to have this fast, simple process of going fromvirtual reality into reality and then back again. I found a fantastic factory, 10 minutes away from here,which was kind of a rebuilt old farmhouse with the marblefloors and thatched roof and it was like20,000 square feet. It was perfect, and we started there. However, in 2003, we had a fire, so the building gotpretty much destroyed. We managed to save most of the equipment and the parts whileit was in the fire. We just got everything out. And then this was still a military area, so the mayorcame to the site. It was a Saturday, and we were all suited up and said, well,we managed to get most of it out, but now we don’t have abuilding anymore. And he said, I’ll talk to some people at the military base. So we actually got into one of the buildings, next door here,that was already cleared out because theywere shutting down. And that, ironically, was the fire station, used to be thefire station. And we first planned to rebuild our first factorybecause we really liked it. But when we got all the plans for it and how long it wouldtake, it would take one to one half year to get it done. We would have to set up temporarily here. And we did that at the first site. And we realized, if we’re going to make this work, andstart producing cars and then move again, we’re never goingto get it going. And then we had a look here. There were still airplanes in here, and he said, maybe thiscould be something for you. It’s not a quaint and elegant place we used to have, whichwe really liked, but it’s practical. And of course, people think, well, then you got access tothe test track, which is not true, because we already hadaccess to the test track. Actually the gate to the test track is closer to where ourold factory was than where this is. So that had nothing to do with it because it was just nextdoor anyway. But it’s practical. It’s nice. It has the heritage of the airplanes. So we’ve got the ghost. When we moved in here, we got the ghost. J. F. MUSIAL: That was going to be my final question. What is the ghost?CHRISTIAN VON KOENIGSEGG: Yeah, that ghost was on thatwall when we came in here, and you see these lines, here onthe floor, it’s where they taxied in the airplanes. And that’s actually the symbol for this squadron that used tobe here, which was the oldest airplane squadron or fightersquadron in Sweden, from the ’30s or something. And they were called the ghost because before, they had akind of modern aviation electronics and so on. They just flew on their senses and they took off before dawn. And people could only hear them and not see them. And then they came back after dusk, so they heard theseairplanes but didn’t see them. And of course, airplane was quite a new thing then. So they were called the Ghost. So they have adopted this symbol. And for some reason, very early on, they adopted theslogan, the show must go on. And they wrote that on their airplane, in English even. Then the show stopped. And we came here and some of the people working there withairplanes said, please can’t you continue our tradition?Put our ghost on your card. Then the show will go on. And we said OK, yes. So we said, every car we will build here we will put theghost on to honor the squadron. So that’s the story.

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