#and yes he's a professor

[ask-directorsada-and-friends]

Professor Lucina Sada was used to giving presentations. She was used to seeing her fellow professors. Sada was even used to being called nuts.

She was not good with surprises. Especially when she was running on 48 hours of coffee and little sleep.

So, as she prepared her notes for her presentation at the conference, walking through the Great Hall of the academy, the last thing she needed was for someone to tap her on the shoulder. So, when someone did, she swatted away their hand, not looking up. Whoever it was didn't seem to get the hint, as they did so again. "Go. away. I'm busy." She growled through gritted teeth. Hopefully this wasn't a poor student she just scared again- Jacq and Salvatore refused to let her live that down.

"You know, it's considered rude to not look up at the person talking to you, mi corazón."

She froze. That voice...

Whipping around, she was face to face with Professor Andres Turo, fellow Pokemon professor, co-creator of the Tera Orb, and... her estranged spouse.

Who was now out cold on the ground following her fist connecting with his face.

Whoops.

Ms. Tyme was NOT happy with her reaction, stating she couldn't have waited until she was in private to punch him?

Hassel, Saguero, Salvatore, and Dendra had to pay Raifort after she won the bet over how long it would take for them to be in the same region before she punched Turo. Miriam is amazed at how fast she moved, while Jacq... he missed the whole thing, having instead chosen to catch up with his brother and cousins over lunch in town.

Kukui, who witnessed the entire thing, was laughing his ass off.

A few hours before the conference began, she went to apologize to Turo. After all, he didn't deserve to be punched (well, he did, just not like that). The moment he opened his door, she ended up punching him again.

Augustine ended up having to sit between the two once the conference began. He'd managed to get them to agree to speak in private later, just for now to please stop punching the man when children are around. Jacq was sat besides Sonia and her assistant Hop- his baby cousin, as it turned out- while Juniper sat with Elm and Birch. Rowan, Oak, and Kukui had found themselves at the other end of the oval conference table, Oak's grandson Blue nearby with Bianca of Unova discussing their friends and their habit of "vanishing without warning anyone". Lucas and Brendan were discussing regional variants and the mysterious 'Hisuian forms' that once called Sinnoh home. She knew Champion Leon of Galar had accompanied his brother here, but he had opted to explore the academy instead, stating he probably wouldn't understand much of what was to be discussed.

Sada figured that as they were all here, she might as well take the chance to explain the strange multiverse she had experienced. Kukui had already been filled in, having dealt with something similar a few years back, so at least he wouldn't think she was crazy... at least regarding this.

"Fellow Professors and researchers, I welcome you to Paldea's esteemed Naranja Academy. As you all know, it is here where Professor Laventon studied and is said to be inspired to create what we now know as the very first Pokedex." The director began, gesturing to a framed photo hanging up on the wall between Rowan and Oak. A man with tan skin, a bowtie, and curly hair smiled back from the image, a plaque beneath it reading Professor Laventon, shortly before his trip to document the Pokemon of the Hisui region. "Since then, advancements in not only what he first documented but beyond in the area of Pokemon research have soared far past what we can expect he ever dreamed of. A computerized Pokedex, studies into baby Pokemon, the rediscovery of the Fairy Type- thought to have been lost since he first documented it- and Mega Evolution, Z-Moves, Dynamax, and Terestalization are only scratching the surface of what we have done here. Why, our academy's own Jacq Sycamore created the very first Pokedex app to document and study the Pokemon of Paldea and the regional forms that live here." She paused to take a breath. Alright. Time to drop the bombshell she knew.

"And during this time, we have witnessed strange disturbances in space-time. Laventon documented what he called 'Space-Time Distortions' in Hisui, rifts in the fabric of time and space that dragged Pokemon from different places and eras to the location they formed in. We have seen in Sinnoh and Alola that such things are possible- that multiple universes can exist. What I have discovered recently is-"

That was when the door to the conference room opened and someone tumbled inside. Wearing a labcoat (a rather outdated one at that) and a purple hat, the person seemed to be confused and surprised, hugging a bundle of papers to his chest as he groaned from where he landed by Sada's feet.

Sycamore was already helping the man up, but upon seeing his face he scrambled back, letting go and accidentally dropping him. The room was in a stunned silence before Rowan, the most senior professor (or second most senior professor now) spoke.

"If I am not mistaken... Is that Professor Laventon?"

(Hehehehehehe Sada sees Turo- OHKO.

Sees him again- OHKO

so @askprofessorlaventon and I have been planning this for a bit now. If you follow my other Pokemon ask blog, @silentzoroark, you no doubt saw the beginning of this.

[english-history-trip]

Some of the beautiful illustrations by S.D. Schindler from Brother Hugo and the Bear by Katy Beebe.

The book is based on two real medieval figures: Hugo, a scribe who added a self-portrait (pictured above) to the end of his copy of Jerome's Commentaries on Isaiah, and a bear who appears in a letter from the abbot of Cluny Abbey to a neighboring abbot asking to borrow a copy of The Letters of St. Augustine, "for a large part of ours has been accidentally eaten by a bear."

[local-falsettos-obsession]

There’s definitely been times where Charles just disappears and all the X-men get extremely concerned, because y’know, everyone wants Charles for his telepathy. They all like go on search mission and can’t find him but when they return Charles is just waiting for them in his office and when they ask where he’s been he’s just like

“Erik took me to the Ritz :D”

[xxplastic-cubexx]

i would like to draw him more i think..

[mehh141]

Professor Price | 1/10

Just my vision on how prof!Price from @guyfieriii’s series would have looked like

[emo-batboy]

Things Battinson Totally Did During His First Year of University

Using Unhinged or Odd Things I Also Did as a College Freshman :D

Note: for this list, let’s believe Bruce was living in an (admittedly expensive and swanky) dorm because it is required for first-years, especially those entering at a young age, and Alfred told him he needed to make friends. Also yes I did every single thing on this list. I never claimed to be a role model

Bruce, to his TA: I’m so sorry I’m late to class. I gave blood a few hours ago and almost fainted on the way here, but it won’t happen again.

Signs up for a class called “Age of Dinosaurs” despite it not being required whatsoever and proceeds to work his entire schedule around it

Bruce: Your mental health is super important. If you think you should see the on-campus therapist, go see them. Friend: Fine. I’ll sign up for therapy if you sign up for therapy too. Bruce: Hold on-

Finds a loophole in his housing contract that allows him to get a pet frog, calls him kermit :)

Gets a second frog because Kermit was lonely, names it Constantine after Muppets Most Wanted, then realizes that they’re gay for each other. Wonders if the rainbow-colored rocks he got them triggered anything

Swings dramatically between calling Alfred every single day and ghosting him for weeks, cries when he realizes what he did

“Accidentally” joins the student body council, doesn’t know what he’s doing, gets re-elected anyway

Molds a dragon out of Laffy Taffy instead of doing his work

Bruce: *joins Honors, gets all A’s, takes the max amount of classes, has several minors, overachieves* Also Bruce: I’m a failure.

Breaks into a building after hours to study because NO ONE KNOWS HOW TO SHUT THE FUCK UP AT THE LIBRARY

Bruce: I will not get seasonal depression this year. Bruce: *gets real and seasonal depression that year*

Meticulously schedules his day with a color-coded planner because if he sits down for too long, the thoughts will consume him

Gives a presentation to his rhetoric class on how much he likes Spider-Man: Into the Spiderverse (it is 20 minutes long)

Successfully allocates funding from the student body council to pay for free feminine products in the dorms OUT OF SPITE because someone said it couldn't be done. fuck you, Andrew

Bruce: It is not an all-nighter if I go to sleep before my first class. Friend: It is 7:30am, the sun is in the sky, and your first class is at 12:30. Bruce: But I am getting sleep.

Refuses to go anywhere without his backpack because what if he needs three notebooks at once

Loses over 20 pounds because ✨stress✨ and scares the shit out of Alfred when he comes home for Thanksgiving

Argues with his TA over the one (1) question he got wrong on his Dinosaur exam

Bruce, calling Alfred: Hello father figure. How do I do taxes? Do I have to do them myself? Also, I think I’m having a panic attack.

Joins in on a charity arts-and-crafts project that gives kids books with matching activities made by volunteers, proceeds to commandeer the project because “it’s not color-blind friendly” and rewrites the instructions for everyone

Makes a murder wall

Goes to one (1) sports game and proceeds to leave in the first ten minutes because it’s way too loud wtf is wrong with people

Professor, addressing the lecture hall: I dare you to write an essay about these two sentences. Bruce: *writes an essay about six words, gets a 100, never even read the book*

Crawls into the ceiling for some alone time

Ghosts someone after a date because he’s too scared to tell them he didn’t know it was a date in the first place and now he feels bad

Classmate: How tf does he walk across campus that fast? I go in the same direction he does on my bike, and he’s always ahead of me. Bruce: *is gay sprinting to Dinosaur class*

Refuses to let others use his Favorite Pen TM

Constantly gets mistaken for a Grad Student because he is “so wise and mature” (bestie, that’s the autism)

Alfred: *casually mentions he got into a car accident through text* Bruce: *replies with a meme while hyperventilating because he doesn’t know what to do with that information??!*

Wears a suit to one of his finals

Regularly eats non-organic food for the first time in his life, proceeds to learn about several allergies Alfred forgot to mention he has

Writes “What is a Hot Pocket?” in calligraphy and proceeds to laugh his ass off alone in his dorm because he is so exhausted he’s reached the point of delusion

Locks himself out of his dorm right before class, frantically asks the floor group chat if someone can help, proceeds to tell the nice gay man on the floor who saved him “I love you” because his social skills have hit rock bottom

Makes a little music album display next to his desk for his favorite band (Nirvana) His friends call it a shrine, and they are technically correct

Has a blacklist of people he refuses to interact with because Reasons

Counselor: What do you want to do when you graduate? Bruce: *gestures vaguely*

Refuses to take the bus because there are people in there and he doesn’t like those

Loses one of his frogs, how tf did he do that, they’re fully aquatic, oh fuck, this is probably why they got rid of that loophole a year later because unbeknownst to Bruce, he accidentally started a frog revolution in the dorms, btw he SWEARS he did not mean to do that

Has two trash cans in his room: one for the Good Garbage, and one for the Bad Garbage. Only Bruce knows which is which

Bruce: *writes a creative piece about a ship’s final thoughts as it sinks, bringing its passengers down with it* TA: Absolutely lovely, Bruce, but are you okay?

Goes on Night Walks, keeps himself safe by maintaining a level 12 resting bitch face at all times

Earns the nickname “8th floor cryptid” after pacing the halls at 3am when it’s too cold for Night Walks (honestly tho how tf didn’t he get the nickname earlier?)

Bruce: Do you think a depressed person could do this? Bruce: *has a manic episode*

Okay that's all love you BYE

[siderains]

jubilee saying “that’s magneto! the professor’s ex-bestie” 😭😭😭😭😭 STOOOOOOOP

[cheetocrumbscoveredghost]

i love my husband (a fictional dude who would either despise or not give a flying fuck about me if he actually existed)

[timid-owl]

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[lilithofpenandbook]

Sometimes Severus comes up to Minerva. Right up behind her when she's busy. He'll stand there for a good minute as she works on marking assignments and cursing the boy's youthful energy and brilliant eyes- both of which directly responsible for his finishing his work in half the time it takes her.

"What is it, Severus?" Minerva sighs. Might as well get the obligatory nonsense over and done with, she was due a dose of Severus's antics by now (Merlin forbid he go more than three days without bothering her with nonsensical questions or infuriating wit).

"Am I ugly, Minerva?" he asked. Never there was a being with such innocence in their voice.

Minerva took a moment to take in a breath and silently call on all her patience and all her strength. "Yes, very." Her tone was blunter than the knives used to decorate at Halloween- an incident with some particularly idiotic third years had them ban anything sharper than the corners of a book during the Halloween celebrations.

Severus gasped as if stabbed. "What? Minerva, I thought we were friends!"

Minerva snorted. "Any time we interact, it's completely against my will."

"Minerva! you lie so shamelessly it shocks me." Severus made as if to swoon, a hand clutching the right of his chest.

"You must be shocked; your heart isn't where it should be."

Honestly, Minerva had to admire the fact that the insolent little kitten did not falter in his dramatics with her pointing out the key flaw in his act. If anything, he seemed to be encouraged.

"Ay! The pain of the shock, it has spread throughout my chest! Ah, I cannot breathe!" Severus swayed on his feet, leaning against the chair that Minerva was sitting in. "Oh, how your lie shocks me!"

"Well, then, you had better tell me what exactly I lied about," Minerva said briskly, "before you gasp all the air out of your skinny little lungs, laddie."

"You said," the boy said, a sudden glint in his eye and none of the apparent weakness, standing to face her and one of those long, delicate fingers pointed straight at her, "you said, that our interactions are without your will."

"That is no lie, what part of this looks like it's my will?" Minerva replied, knowing full well she wasn't going to appreciate the cheeky answer Severus had prepared for her.

"Why, the part where you remain for my company, mother," Severus replied, his voice light. "Surely, if you didn't want this, you would have, in your infinite wisdom, simply have employed your great power and assumed your famous feline form and just walked away from me."

Minerva fought her smile. His cheek was infuriating while his logic impeccable. "Perhaps I am simply conversing my energy, you arrogant wee rascal."

"You? Too lazy to avoid a nuisance?" Severus scoffed. "Minerva, you wound me. Don't you know how I know you? You've done much more to avoid the mildest of annoyances, do you truly think I believe that you are here against your will merely to converse your energy?"

Minerva let him see the flicker of a smile disgusted as a smirk, letting the bothersome raven have a little treat for his cleverness, hinting to him that he had essentially won this particular argument. "At my age you no longer have the patience to waste on annoyances. You learn to value your peace. You will understand that some day, I hope, little one."

"And if I die, my hair still black and my skin still smooth?"

Merlin, did the child have a turn towards the morbid. Minerva ignored the voice in her that told her that this would have been a retort of her own had she been in a similar conversation.

"Then you'll die a fool."

"A fool, perhaps, but my funeral will be the biggest," he replied, moving to sit on her desk and grabbing the biscuit jar. Minerva intercepted, lifting it from his grip and replacing it with a towel. His protests died in his confusion at the towel, and Minerva huffed and began to wipe his hands as if he was a child. She did not trust him to correctly clean his hands after handling goodness knows what when experimenting with his potions and she didn't care if he knew it.

"Aye, and how did you figure that?" she asked.

"Surely if I die young, I shall be the first. Therefore you all will be part of the funeral-"

"What makes you think I would want to attend your funeral, you little rascal?" She let go of his hands, almost satisfied that they weren't contaminated.

Severus ignored her and instead took a biscuit from the jar. "You will all be there, therefore I will have the biggest funeral. If I die old, you all shall be gone, so my funeral will be the smallest."

Minerva tried not to think of how depressing that sounded, how lonely it seemed. For a brief moment she felt guilty for being so old and he so young. She involuntarily could see him in her mind's eye, going through their funerals until he stood alone. She and the others- Rolanda, Pomona, Poppy, even Fillus and Hagrid- they were all of an age, weren't they? They could expect their lives to reach the end around the same time, surely? Severus was but a child next to them, he'd stand alone one day.

Minerva tried to ignore the ache in her chest at the thought of him standing alone. Merlin, no. He was far too young. No.

"You truly are besotted with the morbid and the miserable, you melanchonic masochist," she said, her tone just a trifle too sharp to be a simple retort.

Severus paused, swallowing the biscuit. Then he answered. "Ah, but the morbid is much more fascinating, the forbidden has a certain thrill, dear mother." His voice was a little softer, and his fingers, slightly coated in crumbs, were gentle when he tapped her forehead. He was sorry he upset her.

"You and your thrills," Minerva scolded, "yet you cannot even eat a biscuit without making a mess of yourself." Yet even as she spoke, the hand that she used to swipe the crumbs away, was gentle, almost tender, in its movement. She had quite forgiven him.

How could she remain angry? At this boy who looked at her with a scowl of indignation yet whose deep, dark eyes twinkled with mischief and cleverness and brilliance, who stood taller than her, yes, yet was far more delicate in his build than she had ever been, whose hair was as dark as hers had been in her youth, carelessly falling across his forehead. No, she could not remain angry.

If only he had been in Gryffindor, perhaps then she would have noticed him sooner. Or rather, if only her eyes didn't only open for her Gryffindors. How this boy could ever look at her without resentment and anger, she didn't know. Then again, he had been so incredibly isolated and lonely, was it any wonder he let go of his rightful grudges and instead accepted her friendship?

Minerva blinked as if soot from the fireplace got in her eyes. She didn't want him to notice the tears that almost inevitably formed whenever she thought about him. Who would have thought that she'd cry so much for the little devil?

"I'll leave you to your work, dear mother," Severus said cheerfully, hopping off her desk.

"Aye, after you've cleared out my biscuit jar, you villain" Minerva grumbled, looking into the empty jar. Severus shrugged.

"You ought to see it as a compliment towards your taste, really," Severus said. "But I see I have taken the last of your patience"- for indeed, Minerva looked ready to strangle him- "so I shall take my leave. Good night, my good Headmistress, and may you have peace in the silver embrace of the moon!"

And with a laughing twinkle in his eye and a boyish bow, Severus Snape left the room.

Minerva sighed. She wasn't sure if it was out of relief, or because she may have felt some sorrow at his departure.

The door opened again, and a rather meek Severus poked his head in.

"Er, Minerva?" he asked.

"Yes, Severus?"

"Er." Severus stepped in, looking away from her, walking with the awkward gait of a newborn foal, and the nervousness of a deer. "Er, Minerva?"

"Yes, Severus?"

"Am I really ugly, mother?" His voice was a whisper. His raven hair curtained his face, hiding his shame at asking such a pathetic question, and his fingers picked at one of the cuticles of a nail.

Minerva smiled, and walked to him. Softly she brushed the boy's hair out of his face and gently tucked it behind his ear.

"Only as long as you let yourself believe it, dear heart."

[bender-at-i-love-bender]

It's mean, old what's-his-name!

[re-colligere]

does professor terror ever get jealous of roz for getting to be with verte?

Oh believe me, Professor Terror is the least jealous person in this au, especially when it comes to Verte and Roz (he finds them both REALLY attractive). Unfortunately his advances are just not appreciated by Verte, smh. Roz kinda takes pity on him though...they're not really Together, romantically. But I think if roz knew Someone thought him and Verte looked like a couple, it would probably make him explode.

[buttery-chaos]

t-pose on em

[superfallingstars]

Writing your name in the fog on my bedroom window Speaking to voices of her in the dark I know that there is nobody here So why am I crawling on the floor Its a lonely life One that warps me with each minute that passes One that I really shouldn't share It's better if I'm not aware That I won't succeed That my dreams will be Buried with me

Snapetober Day 11: Buried

[rexscanonwife]

Thank you so much @lipsticklens !! 🥺🫶

Honestly I hadn't given it all that much thought?? Sometimes when I gain an f/o I'm really crazy about I just jump right into like...an established relationship, but it's so much fun to think about those early awkward days!!

Utonium being the hopeless and awkward romantic that he is, I think he'd want to do something very traditional. A nice dinner at a fairly fancy restaurant and a walk in the park under the stars, but given the nature of the show I'm sure things would go pretty wrong pretty fast! It'd be cute if the sort of 'plot' of the episode was the girls doing everything in their power to make sure NOTHING goes wrong by following them around and beating up villains or monsters who might try to interrupt the lovebirds! 😂 but despite ups and downs the date ends up being successful and they share their first kiss, initiated by Jane because Utonium is a little too shy for it 👉👈💖💖

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg @miutonium @cherry-bomb-ships @rosieaurora @rejaytionships @sunflawyer @in-true-blue-love @tropicalgothships (and as always if anyone wants to be added OR subtracted lemme know 🫶)