#and tries to hint to the protag and sae that he's being manipulated

[carrioncrowes]

shout-out to characters who wear gloves to symbolise that they're trying to cut themselves off from the world and/or other people, gotta be one of my favourite genders

[stuffandsundry]

Lemme preface this with a big hello there! I didn’t actually expect anyone to reply to this post, and so comprehensively either, haha!

dynamojacks replied to your post: Alt. P5 Justice Confidant

Hrrrrrmm. Can’t say I agree with all of this. It’s not like ‘being foil to the protag’ is the flaw with the interaction - or characterisation, of all things - it’s mostly the way said interaction is framed. Also, he’s less of a direct foil to him and more an 'equal and opposite’. Goro isn’t supposed to relate to the protag entirely, that’s kind of the point. He envies him. But he’s on his level, so to speak. It’s that aspect that draws him to him.

I think we’re using foil in a two different ways here. I use it as shorthand for “we, as third parties to this story, are supposed to compare and contrast these characters”. So, yeah, he’s set up as an equal and opposite you are totally correct there, but Goro aint the one relating to the protag, we as the audience are the ones comparing them. And that’s when problems arise, because quite a bit about the protag is so open to interpretation.

He also kind of KNOWS he’s special because he’s.. seen him, and Morgana, in the Metaverse (see: pancakes ‘gaffe’). It’s not just a one-sided perception, he’s absolutely right and this is a big fuck-off hint that he’s a wildcard in hindsight.

yo what seriously? i thought that the pancakes thing happened in the hallway of the TV studio how the hell did i misremember that badly holy shit

I agree that this should have been dealt with better, and that we needed more interaction with the PT to build a collective bond. A WHOLE, WHOLE lot more. I live and breathe any writings that bring them all together, like really. But to narrow the issue down to the protag being foil just seems flimsy. They ARE fated rivals per se and for good reason, it’s just that this aspect was shafted to buggery when it got down to it.

It’s not protag being foil that’s the problem, it’s “protag is the foil, focused on almost exclusively to the detriment of any meaningful interaction with the rest of the cast.” like, yeah, it does work, to a point. but it also could be a lot better, by giving the others a chance to shine.

The ‘god’s game’ apparently meant nothing in the grand scheme of things. That was exceptionally bad writing. To build up shit like that, but for Goro’s role as wild card to mean next to zilch.

Oh yeah, that resolution was very much so missing, which is a massive pity. Like you said, the whole fated rivals chosen to duke it out by god is a pretty interesting concept. I’m interested to know more about why you think that Goro’s role as a Wild Card mean zilch, though. Personally, I’ve been looking at it as: “Goro did had the potential to choose many different paths that could shape the world around him, signified by the Wild Card, but he locked himself very quickly into one path where he was simply being used as a tool by Shido. This, in combination with him holding everyone at arms length, meant that he didn’t form any significant bonds either aside from the real fucked up one with Shido, and so he inadvertently crippled his own Wild Card ability from the beginning” Actually, on that note, maybe he couldn’t have formed confidants. Whenever you initiate a Confidant in-game, it’s Lavenza’s voice that you hear, not Caroline + Justine. Would Lavenza have reached out to Akechi? Hmmm...

Also regarding Goro and fame, he’s not as hung up on it as Ryuji is/was, not NEARLY as much. One, mistranslation (not ‘public image’ or 'celebrity’, but 'reputation with adults’ and 'charisma’), and two, he knows his fame is fickle and dangerous in itself, having lived it for long enough. Ryuji romanticises it, Goro does not. Goro resents that those people do not know him for who he is, Ryuji thinks that fame will make him beloved.

Yeah!!!! This right here!!! This is a great contrast to have, they’d be amazing foils!! Ryuji and Goro are practically complete opposites, but they also share a lot of similarities too despite that. I spent like 5 min on this section the first time, so these are just the things that instantly popped into my head, but you could also draw parallels btwn the fact that Ryuji’s dad being in his life made it worse, while Goro’s being absent made his worse, or they way that Ryuji always had his mother with him vs Goro who’s mother left him alone, or the way that Ryuji is very bluntly honest about everything vs Goro who tries to keep everything hidden behind a veneer of politeness, or public perception of ryuji as a no good thug even if he honestly just wants to do the right thing vs the perception of goro as the person who would uphold justice/stop the breakdowns even if he was the very same person who was causing them, but DESPITE ALL THIS CONTRAST, ryuji is one of the most empathetic members of the team and absolutely would have tried to help Goro if he’d only known sooner what kinda trouble he was in (re: first impressions of makoto as a prick vs jumping in front of a car in order to rescue her)

(Speaking of Makoto, she’s absolutely the person that has the most parallels to Goro, and she should have been his rival. Both joined the team through some form of blackmail, both have incredible pressure but on them by the adults in their lives, both very similar characters vis-à-vis approaches to life in general, actually wait one second i have a quote from a friend on this.... “But I think Makoto works really well in terms of how they’re narratively set up as opposites? idk, like Makoto’s approach to subterfuge is to orchestrate the people around her while Akechi’s approach to subterfuge is to manipulate the people around him, Makoto’s impulsivity means she can be prone to direct confrontation while Akechi is on guard until he’s literally right at the breaking point, I just think…. it would’ve been so much more interesting to explore more of this than putting the burden on protag to carry Akechi Interest”)

and oh god im babbling sorry I HAVE OPINIONS

As for Yusuke? Madarame’s exploiting of his talent to his own ends (check), Yusuke wanting to please him but also trapped and nigh desperate to leave (check), Madarame being essentially responsible for his mother’s death (check), Yusuke having to rely on him to survive, for roof over head (check), and would be ruined, and even die one way or another if he tried to escape (check, check, and double check).                                                                      A comment Yusuke makes in Okumura’s Palace is extremely telling- about how someone who is oppressed will ‘desire for it’ (paraphrase). What’s even more telling, is when Yusuke said about Goro, quote: 'had I not met you all, I would have turned out like him as well’.   Haru? They’re both puppets to their fathers. Both are manipulated for the sake of political goals. Both are actually sweet by nature- at least, not ruthless, and really have to be pushed to be (SIU Director’s comments about the plot to FRAME the PTs as being ‘too brutal’… imagine how much more actually KILLING would be..). And both started out with a naive(ish), idealistic core, if Robin Hood and his fixation on Featherman R is anything to go by.

Eyyyyyyyyy this is some pretty hella meta, kudos to you. Like yeah!!!! YEAH!!!!!!! GORO AND PHANTOM THIEVES INTERACTIONS.... THERES THE POTENTIAL FOR SOME REAL MEATY, REAL GOOD STUFF IN HERE....GIVE US MORE OF THAT PLEASE...

And part of the reason why opinion changed per se, was realising just how flimsy Goro’s own resolve was, and how vulnerable. He wasn’t hell bent on bringing disaster, he was clinging on to straws in desperation. Ryuji’s comment, urging him to realise that he was his own person, makes this much clear. Their ire was more focused on Shido at this point. Still, they did not really forgive Goro, and made this much VERY clear. In any event, the last point might have been down to cultural differences. I’m.. not sure, but to those who understood this scene, it didn’t come ‘out of nowhere’, so you can’t necessarily say that’s a writing flaw on it’s own.    

Mmmm, sorry if I was unclear, but the two times I used ‘out of nowhere in this post were in regards to how i dislike goro approaching protag with little prior warning? So.... im not quite sure what you’re trying to say here. Out of nowhere is too strong of a term to use for this scenario, so if its a thing I’ve said someplace else in regards to the last scene then sorry, I’ll clarify now. It’s not out of nowhere, however, it stands in stark contrast to the entire team’s opinions of Akechi up until this point. Not necessarily a terrible, awful choice, but it is certainly jarring in a way that is completely avoidable. Which, again, brings me back to “give Goro and the other PT a larger share of attention instead of focusing on Protag”. Sae’s Palace would have been a perfect place for Goro’s facade to slip a little bit, and give the rest of the team a little bit of an idea of how he’s like when he’s not constantly on guard. Instead, Sae’s Palace focuses on setting Goro up as smart which............. he’s a teen detective that works with the police. We know that he’s smart already. We should have gotten more characterization in there instead! Giving us some form of transition, like, “he’s an enemy of the Phantom Thieves” -> “hmm, there seem to be some circumstances that we can relate to that made him the way he is now” -> “we understand why you did the things you did. we still can’t agree with it, but we know now.” ...Granted, the reason that I think of it as an abrupt about face could have been due to the face that they never mention Goro again after his battle. A short scene after Shido’s Palace had been cleared to look back on the impact that Goro had had on the PT would have been a great help.

thank you for your thoughts! c: