#and to not only tell people that world will never come

[innocentimouto]

I love how it was incredibly difficult to ever bring up why Israel refused outside investigators for Oct 7th, refused to allow the public to see the footage, immediately wanted to bury all evidence of the burnt cars instead of showing the world the carnage, find it REALLY interesting the man who started the 40 beheded babies admitted on camera to only seeing 1 and it was too unclear to tell what but was pointed out that wasn't small enough to be a baby and then he shrugged and said could be a teenager---

That Israeli police officers on scene said they never saw any pregnant women. That it was proven Hamas did NOT have the military power to do what was done. That an Israeli woman who was taken hostage THAT DAY gave an interview and said that all their people were killed by the IDF, not Hamas.

That there is no proof of mass rapes. Nothing. There is nothing. The best investigators could come up with is

"there is no proof but it could have happened."

And yet there is documented proof of rape used by IDF men AND WOMEN against Palestinians and no one bats an eye

[shanastoryteller]

let the beltane fires burn

The Halliwells are descended from Melinda Warren, are the branch in which the greatest power resides, the line that would birth the most powerful witches to walk the earth.

It's not the only line.

Deanna knows about hunters, knows what they don’t know and don’t understand and that they killed her family. But Samuel didn’t kill her family. Samuel’s a good man who saves innocents, the same way she was raised to, if not how she was raised to do it.

She’s all alone. It’s not safe to be a witch.

The day before her wedding, she binds her powers.

When Mary is a year and a day, she does the same to her. It’s safer this way. Better. The world is so unkind to witches, even ones like them, born into it, with their power baked into their blood. Better to fight evil with bullets and knives than the strange terrible thing she’s destined to give her daughter, that her daughter is destined to pass along to her own daughters.

She never tells Samuel. There’s no reason to.

When Mary is old enough, when she’s talking of running and rebelling and all those things Samuel thinks will never come to pass and Deanna knows almost certainly will – running and rebelling is in her blood as surely as the magic, but there’s no binding potion for that – she tells her daughter what they are. What she’ll have to do to keep her future daughters safe, if she has them. It’s the only potion she ever teaches Mary how to brew, the only one she’ll ever need.

The day after Dean’s first birthday, Marry brews the potion and feeds it to him. He cries more after, doesn’t settle as quickly, and John worries and Mary reassures him and tells herself she’s done the right thing. Whatever it is that Dean feels he’s lost, he’s better off without it. She’s going to be normal. Her children are going to be normal.

She intends to do the same for Sammy, but she burns above his crib when he’s six months old.

~

John sees Sammy levitate a toy towards him when he’s two years old and shouts so loudly that he drops it, tears running down his face and wailing in the face of his father’s anger. Dean comes running from the other room and reaches for Sammy, letting his brother’s chubby fingers tangle in his shirt. “What’s wrong?” he asks, eyes wide.

He doesn’t answer, rubbing his hand over his face and heart pounding in his chest.

What did that demon do to his son?

What did it turn him into?

Is Sammy even human anymore?

He doesn’t react to salt, to holy water, to silver. John loses his temper every time something moves inexplicably and eventually it stops, by the time Sam’s in kindergarten he’s just like all the other kids.

John watches, fear and suspicion and something uglier caught up inside of him.

What is his son?

~

Sam figures out young that he’s a freak.

Dad and Dean just think he’s weak, just think he has nightmares, and he lets them. He only practices the telekinesis when he’s alone and every time he almost gathers the courage to tell his brother or father about it, to finally come clean, he’s viciously reminded how much they hate the things they hunt, how they’d never accept it, accept him, and as soon as he tells them what he is, he’ll lose them.

He doesn’t know what he is, really. Only that he’s not normal.

Eventually he stops seeing things in his sleep, instead getting them when he’s awake, more vivid and real than the monsters that plague his dreams. He sees people being hurt, people who need help, and it goes against everything he’s been taught to leave them to their fate.

But how can he explain it to his family? He can’t.

He’s thirteen the first time he sneaks out and saves a woman from one of his visions, finding her in the dark alley he’d seen her die in. He puts a bullet in the man’s chest, but it barely stops him, and then she and him both are getting a fireball thrown at them.

Sam shoves his hand in front of him, pushing back against the heat, refusing to die the same way his mother died.

The fireball returns to the man, catching him in the chest and he screams, disappearing into the fire until he’s nothing more than a smudge on the ground.

“Wow,” the woman breathes. Sam turns to her, trying to come up with some sort of explanation, when she continues, “I’ve never met a witch with active powers before.”

“I’m not a witch,” he says automatically, thinking of bargains made with demons, of hex bags and rotting meat and blood sacrificed.

She looks between him and the smudge on the ground incredulously. “Are you sure about that?”

Yes. No.

He doesn’t know what he is.

She leads him back to her apartment, stacks books into hix arms, and then makes him a sandwich when his stomach rumbles. His age worries her, his ignorance worries her even more, and everything she’s saying sounds like kooky new age bullshit except for the way that it explains everything he’s never been able to.

There are witches and demons and monsters nothing like anything his father’s ever talked about.

~

It’s easy to research, at least, because his dad thinks there’s a kernel of truth in every piece of supernatural bullshit. Dean makes fun of him for digging into girly, feel-good crap rather than the harder stuff, but his dad just seems relieved he’s taking an interest all. Sam starts taking notes, keeps them all in a folder until Dad buys him a journal, patting his back when he hands it over like it’s a rite of passage.

To Dad, it’s his first hunting journal.

Sam runs his hand down the soft leather spine and knows he’s starting his book of shadows.

The visions don’t stop. He saves more innocents, some witches and some mortal, and keeps the record of all the creatures he’s killed in Latin to discourage Dad and Dean from snooping. He uses his telekinesis on hunts only when there’s no other option, only when there’s someone’s life on the line, and he’s as careful as he can be not to get caught.

It should be a relief, to find out there are other people like him, to know that he’s a force for good in the world.

There’s no way he can explain the existence of a different type of witches to his father without putting a target on their backs.

Some witches have been targeted by hunters, ones who were trying to help but got caught in the crossfire, ones that had turned evil and needed to be stopped, but it’s not often he finds a witch that regards hunters with anything but fear. At least when his family are the ones sniffing around, he can give them a heads up, can tell them how to avoid their attention.

He’s had a lot of practice, after all.

~

Sam is sixteen when he’s a little too slow.

The innocent is safe and the demon is killed, but his chest is torn open and he’s bleeding out on the pavement.

“Oh no, oh no,” the woman he’d saved chants, pressing her hands against him, even though it’s pointless, even though it just sends a bolt of pain through him. Fuck. He doesn’t want to die. Dean is going to devastated. “Paige! Help me! Paige!”

There’s a bright light in the corner of his eyes and an woman around his dad’s age with bright hair red hair is leaning over him.

Then she touches him, but her touch doesn’t hurt.

He looks down and the wound on his chest closes, skin clear and unharmed, pain retreating to only a memory.

“He saved me,” the woman says. “He can move things!”

The redhead’s eyebrows rise. “You have active powers?”

They’re always so surprised by that. Sam’s more impressed with the fact that she just healed him. “I get premonitions too. What are you?”

“You get,” she starts then cuts herself off. “Where’s your whitelighter?”

He stares. “My what?”

She raises a hand to her head and groans. “Oh, someone’s really messed up somewhere. Leo!”

~

Guardian angels are real, called whitelighters, and apparently witches with active powers who go around saving innocents are supposed to have them to help keep them from getting themselves killed in the process.

Leo, who’s something called an elder with a kind face, says an unconventional witch deserves an unconventional whitelighter.

Chris Halliwell is his age, half witch, and also has telekinesis.

Oh, and he’s apparently his cousin. His very, very, very distant cousin.

“Are all witches related?” he asks incredulously.

“No,” Chris says, long dark hair and hazel eyes doing more to aid his claim of family than the spell his mother had cast. He and Chris look more related than him and Dean do. “We’d thought all the other branches of the Warren line had died out. You’re a surprise.”

Great. He’s a freak even among witches.

~

It’s so much easier now that he’s not desperately trying to piece together everything on his own, with only the occasional help from the innocents he saves. Chris is sarcastic and annoying and funny and more than having a guardian angel, Sam’s relieved to just have a friend he doesn’t have to lie to for once.

The Halliwell house, with its potion ingredients and powerful witches and home cooking, is only an orb away. He mostly hangs out with Chris, of course, but Piper always invites him to stay for dinner and Paige checks in on him, feeling somewhat responsible for him since she met him first, and Wyatt’s friendly enough but Chris sends him packing whenever Sam’s there.

He’s pulling doubletime when it comes to saving innocents, doing it as a witch and as a hunter, and he’s still maintaining straight As on top of it all while lying about half his life to his father and brother. It’s a stack of cards that’s bound to fall apart.

Going to Stanford is about more than just escaping his father.

It gets him close enough to San Francisco that he won’t need to be orbed to the Halliwells. It’s supposed to give him some breathing room, to let him focus on being a witch, to let him get his education. He does more good as a witch than as a hunter, but it’s not like that’s something he can explain to his family.

He’d wanted out, needed out, before he gets himself or someone else killed trying to balance it all. But he hadn’t thought his father would kick him out. He hadn’t thought Dean would let him.

He goes to the bus station but doesn’t buy a ticket. He calls Chris and spends the rest of the summer at Halliwell manor, burying all his hurt under training with Chris and saving people and getting ready to start college in September.

~

Jess wears a pentacle around her neck and keeps salt in small bowls in each of the cardinal directions and Sam doesn’t intend to tell her that he’s a witch, but when he ends up saving her from a darklighter attack, that decision is taken out of his hands. Coming clean about the hunter part takes longer, but it’s a bit of an easier sell once the knowledge of the supernatural is already out there. The thing that surprised her most of all is that things like bullets and steel can be used successfully against monsters, rather than the existence of monsters themselves.

Three years later when Dean shows up at their door, Sam can’t bring himself to deny him. It’s one weekend. He’d never wanted to lose his family in the first place.

When he returns home to Jessica pinned to the ceiling, he doesn’t even have to think.

He yanks her down, catching her in his arms just as fire effulges the place she’d been. He pushes the fire away from them, but it fights him harder than demonic fire usually does and leaves his hands burned and blistering. He doesn’t care. Jess is bleeding and in shock but still alive, breath rattling against him. “CHRIS!”

Dean’s yelling for him, but Sam can’t let him in. He throws his hand out, keeping his bedroom door closed even as his brother throws his body against it, still screaming his name.

Chris orbs in, eyes going huge. “Sam, what-”

“Heal her then go,” he snaps, the smoke already hurting his throat. “I’ll explain later.”

He puts his glowing hands over her bleeding stomach and the wound closes, her body going slack and her breathing easing even as her eyes roll back.

Sam tenses. “Is she-”

“Fine, let’s go, your hands,” Chris says, hands already glowing as he reaches for him.

“SAM!” Dean shouts, sounding like he’s about two seconds away from trying to shoot through the door.

“You can heal me later,” he says. “Thank you. Go.”

Chris shoots him a bitchy look that Paige says they share and then he orbs away. The fire’s covered almost the entire room now and Sam finally lets go of the door.

Dean stumbles in, pale, already reaching for him.

Sam stands and finds his knees buckling, gritting his teeth to keep himself upright. “Take her,” he says urgently, pressing Jess into his brother’s arms. “We have to go.”

“You think?” he snaps, but he’s gentle with Jess. Sam shoves him towards the door, slamming it behind him just as it surges after them. Keeping the flames from killing them is one of the hardest things he’s ever done. No wonder he’s exhausted.

They stumble downstairs, away from the fire, and someone’s already called the ambulance.

The story’s an easy sell because it’s not like anyone would believe the truth. They say Jess took sleeping pills and Sam came home to flames. He pulled Jess out and has the burns to prove it. Dean saw the flames in the window and went up, helping to get them both out.

It’s almost true.

“He had yellow eyes,” Jess tells him after. “He was – Sam, I’ve seen demons, I’ve fought demons. He’s something else.”

“Different kind of demons,” Sam says. There’s the underworld, and there’s hell. Underworld demons go after witches mostly. Hell demons go after mortals and are a lot harder to kill, ironically. “It’s the same demon that killed my mother, Jess, and now it’s after you. I have to take care of this.”

Dean’s too relieved about Sam’s determination to rejoin the hunt to question him too closely about all this. He knows better than to think that will last for very long.

Chris agrees to watch over Jess for him even though she’s not technically one of his charges. They layer protection spells on her, including one cast by the power of three, and even this yellow eyed demon will be hard pressed to break through that.

Hell demons are tricky. They’re not as susceptible to witch magic. But Sam’s not just a witch.

He’s a hunter too.

[revvethasmythh]

listen, now that everything is said and done i'm going to say something i've been thinking but not outright saying for the past nearly four years. frankly, imogen and laudna's relationship is a pale shadow of caleb and veth's and if you really sit and think about it, it's outright embarrassing for the former party. it's like if you saw a beautiful piece of art and tried to emulate it and then the only thing you managed to jot down that was the same was the basic shape and you never added any color when the color was the most important part. imogen and laudna's relationship is formed out of almost the exact same origins (troubled mage who needs to keep a distance from regular society joins up with monstrous misfit with a traumatic backstory and become each other's most important person while traveling place-to-place because they keep getting into trouble in cities). the difference is, genuinely, how much more colorful and lived in caleb and veth's story feels. they met in a podunk county jail and worked together to break out of the place, stayed together for practical reasons (straight-up survival) and then out of genuine friendship. they were hobos in the woods together. they cuddled on the side of the roads on cold nights together. they were genuinely each other's sole lifeline because they were the type of people no one in the world cared about in a very real, visceral way. they were also con artists, and sam and liam worked together to come up with an entire booklet of different cons they used to survive, which come into play surprisingly often during the campaign (Modern Literature, famously, but also Mother's Love and Money Pot featured).

comparatively, we know next to nothing about what imogen and laudna's lives looked like after leaving gelvaan, and the Incident™️ that sent them running in the first place remains amorphous and random no matter how many times the story is told or whatever extra details get added. the people of gelvaan found laudna to be a generically threatening presence (because of her fun-scary appearance and/or kooky-fun-scary behavior) and picked up their torches and pitchforks to run her out of town. imogen heard her thoughts and found them so beautiful she nearly killed two of the townspeople she grew up with the defend her and then they fled into the night together. and that's it. what did they do for two entire years after that? i don't know! neither do you. they don't appear to have struggled for money like caleb and veth did, there's no reference to hard-living, no real reference to what jobs they took to stay afloat, no mention of the practical realities of living as homeless nomads, no mention of towns and cities they'd visited and how those places impacted them. nothing. empty. no color. how did their relationship develop? also don't know! they seem to have slotted together perfectly as friends with no conflict for years before slotting together perfectly as lovers while batting aside all attempts at conflict later. done and dusted, that's the relationship, and people have the gall to call caleb and veth's successor relationship 'soulmatism' when it doesn't hold a candle to what the original offered.

which was, to be clear, endless complexity. i can't tell you how to define it, and i don't think the character's themselves could define it if they tried. sam went into the campaign intending to lean into a familial relationship and quickly realized that wasn't the vibe, course-corrected into veth having a crush on caleb--something sam has said developed fairly early in the campaign.* liam went into the relationship not intending to care about her nearly as much as he ended up doing, then spent the early campaign eps grappling with just how suddenly important she was to him, to the point that, in the face of her potentially dying in episode 20, liam says to sam, "do you want to make my character turn evil already?"** both were surprised at how tightly their characters clung to each other, and developed a deeply caring, highly insular dynamic where they were suspicious of outsiders and desperately guarded each other. with full retrospect, both went into the relationship intending to use each other (caleb for general usefulness/protection and veth, obviously, hoping caleb could change her back one day), then found such deep and tender care that they became each other's worlds. for a time. until nott became veth and veth had a husband and it sent their relationship into a tailspin because no matter how you frame the relationship, caleb clearly felt his feelings for her and the way they behaved together stepped over the line of how one should act with a married woman. after that, he is terrified of the idea that he might not have a place in her life and works so hard to create opportunities to insinuate himself into her present and future (teleportation spells so she can travel home quickly and still return to the group, making room for her family in the tower so she can stay with him, offering to tutor luc in magic to stay in her life, etc). veth gets her body and her life back but fears returning home will be lackluster compared to what she's experienced with the group, starts falling out of love with her husband, and has intense extra-martial feelings for caleb that are canonical. their relationship morphs and changes constantly throughout the campaign, and the one thing about their dynamic that never changes is how deeply and truly they love each other. you want to talk about soulmatism? them being the two party members with fake names who's real names share aspects of each other ("Bren" and "Brenatto") both from small-town dwendalian empire who's lives have been deeply impacted by meddling of the cerberus assembly (veth's in adulthood, caleb's in childhood) and who's deepest traumas are respectively fire and water does the trick for me.

so why is one so popular and the other, particularly as a romantic ship, very much is not? it would be obtuse of me not to immediately point to the fact that imogen and laudna are two pretty, skinny white women who claim to have deliciously little agency in their own stories and provide a blank enough canvas that the relationship can be whatever you want it to be. there's a reason there's so many AU fics for them, after all. caleb and veth on the other hand would center first a relationship between the handsome white fandom-popular sadboi and *checks notes* a self-described ugly, unfeminine goblin with deep neuroses and later a short, fat brown woman who also happens to be a young mother from a small country town. popular fandom, tragically, will almost always turn away from dealing with complexity of the latter for the empty calories of the former regardless of the quality gap between the two. if anything, watching the popularity of imogen and laudna's relationship has cemented my opinion that if veth had been different (either a man or a generically attractive white woman or someone more conventionally pretty just in general), widobrave would have been a massively popular ship, and i think it would have been regardless of veth's marriage. people can forgive a lot to write about their two generically attractive favorites getting together. they're a lot less forgiving for an ugly goblin or a fat, brown young mother, though.

tldr: reject modernity, embrace tradition. ship widobrave

*Talks Machina for C2E88, VOD no longer available, but a paraphrase of the quote can be found here **(2:09:30 on the YouTube VOD).

[coral-skeleton]

As someone who's around academics alot, yeah, this, scientists are actually very social, and not at all what you'd expect, I mean, confrence opening and closing events and department year end parties tend to go as hard, if not harder than college frat parties. I have never seen people quite as drunk or having as much fun as a bunch of scientists with access to an open bar.

Also, about half the job of a scientist is telling other people about your work, and you have to keep their attention while talking about often complicated and boring statistical techniques, so you need to be really good at being interesting. Beyond just talking to your peers about your work, scientists also often lecture, and participate in outreach events to schools and the public in general, so you have to know how to keep a diverse range of audiences engaged and intrested.

Studying one aspect of the world also tends to breed interest in the rest of it, so scientists are rarely monotonous people and will often be happy to chat about just about anything

Science also comes with testing theories, so if you're slightly drunk and have a slightly crazy "I wonder if we could do this" moment, the person most likely to say "ok, bet" and get arrested for it, is a scientist, for some of the brightest minds on the planet, scientists are incredibly stupid when it comes to decision making and impulse control

So, yeah, very few scientist are actually the stereotypical nerd in a bow tie and suspenders with large bulky glasses who only listens to classical music and can only talk about their field

i really want people to stop writing scientists as awkward, stilted conversationalists who don't understand idioms or emotions and start writing them as depressed alcoholics who swear like sailors unless they're in a specifically academic situation

[scoupsakakitty]

Beautiful | idol!Hoshi x idolxReader | angst, fluff

Tw: weight loss, not feeling enough

The rain poured relentlessly, blurring the neon lights of Seoul into streaks of color as Hoshi stood outside the apartment building. His fingers clenched around the umbrella handle, though he wasn’t sure why he had bothered bringing it. He was already soaked, and something about the cold seemed fitting.

He hesitated before pressing the buzzer.

Silence.

Then, a static-laced voice: "Who is it?"

Hearing her voice after all this time nearly broke him. "It’s me."

A long pause. Too long.

"Go home, Soonyoung."

He swallowed. "I just want to see you. Please."

"Don’t you have something better to do? Like catching a flight to Japan?" she said bitterly.

"I’ll take the next flight," he replied without hesitation. "You’re more important."

More silence, then a click. The door unlocked. He let out a breath he hadn’t realized he was holding and stepped inside.

Y/N was thinner than he remembered. The weight loss was noticeable even under the oversized hoodie she wore, sleeves pulled over trembling fingers. Her once-bright eyes were dull, lips slightly chapped, the kind of exhaustion that no amount of sleep could fix settled deep in her features.

Seeing her like this made his chest tighten. This wasn’t the Y/N he knew.

"You shouldn’t be here," she said, voice barely above a whisper.

Hoshi ignored the warning, stepping inside fully. "I had to see you. I had to know if you were okay."

She let out a bitter laugh, running a hand through her tangled hair. "Do I look okay to you?"

No. She looked like she had been barely holding on, like she had been drowning in something she couldn’t escape from. And the worst part? He hadn’t been there to pull her out.

"I’ve been watching you… on stage, in interviews, award shows. You’re disappearing, Y/N. You’re hurting," he admitted, voice raw. "Your friend reached out to me. She’s worried. And she thought maybe… maybe I could help."

Her eyes flashed. "And what? You think you can just come back and fix me? That your presence will magically make things better?"

"No," he whispered. "But I can be here. I can hold you up if you let me."

She scoffed. "You left, Soonyoung. And now you want to be my savior?"

"I never stopped caring," he said, his voice shaking. "I never stopped loving you."

That was the breaking point. Her lips trembled, and before she could stop herself, she collapsed into his arms.

"It’s so hard, Soonyoung," she sobbed into his chest. "No matter what I do, there’s always something wrong with me. I’m never pretty enough, never talented enough. Always too much or too little. They find every flaw, every mistake. The pressure is… it’s crushing me."

He held her tightly, rubbing soothing circles on her back. "Y/N, listen to me. You are the most beautiful person in the world. And not because of how you look. You are beautiful for the way you think, for the sparkle in your eyes when you talk about something you love, for your ability to make people smile without trying."

She clung to him, her breathing ragged.

"I am proud of you," he continued. "I am proud of you for trying, even when it hurts. I wish I could tell you when you’ll finally feel okay again, when your head will be above water, but healing isn’t something you can time. It isn’t something you can measure. But things will get lighter, little by little, as you break through the weight on your shoulders. Keep facing what you need to face. You are getting closer every single day, even if it doesn’t feel that way. And I hope you start to believe that you are worthy of everything you want in this life. You deserve to be adored and cared for in every way your mind, body, and heart long for. You are effortlessly beautiful. You are the embodiment of beauty. Don’t let anyone tell you differently."

She sniffled, pulling back slightly to look at him. "Why do you still love me? After everything?"

He smiled sadly, brushing a strand of hair from her face. "The only feeling stronger than my love for you is the ache that comes with missing you. I love everything about you. Maybe too much. But how could I not love that smile, that laughter, those eyes, that passion?"

Her breath hitched, fresh tears pooling in her eyes.

"I hate you," she whispered, voice trembling.

"I know," he said softly, pressing his forehead against hers. "Hate me all you want. Just let me stay."

She let out a shuddering breath and, after what felt like an eternity, nodded against his chest.

Soonyoung held her, his arms tightening around her fragile frame, and for the first time in months, she let herself lean into the warmth she had been missing.

Outside, the rain kept falling, washing away the past, making room for something new.

[obae-me]

The Devil's Desire

Nothing like trying to come back from a long hiatus with more Luci content. It's always him, I can't escape.

Warning: This fic contains a makeout scene but nothing explicit, so 16+.

Disclaimer: I am NOT bashing religion, nor am I calling out any specific faith, denomination, etc. It's written to be mostly generic on purpose, and is simply based on a real life experience I have had before. Don't take this seriously, please.

Word Count: 2.3k

With that out of the way, please enjoy some Luci romance!:

To lie with the devil is to wake up in hell. Tender lips stained with debauchery embrace nothing but lies. Tainted is the temporary vice. Lost is the lamb who leaves the flock. Damned is the devoured; the ones drowned in their own sins, plunged into the fires, entombed in brimstone. The cries of pleasure now ones of wailing. Of gnashing their own teeth. Made to suffer an eternity of eternities for shunning the light.

At least, that’s what they say.

And by they, right now you meant the very adamant woman standing in front of you, brandishing pamphlets like they were her very own Ten Commandments. If only 'Thou Shall Not Harass Unsuspecting People on the Street' were one of them. If you had your own rules, that would make it into the top five for sure.

Unfortunately, the lady slowly singling you out from the rest of the passers-by did not share your same sentiments. She was on a mission. Her mission? You. The goal? To wear you down and pester you long enough to join whatever group she was promoting. You’d seen these things enough before to see the danger signs in advance. A clipboard so they could take your name and number. A promotion selling tickets that you’d inevitably have to use your email to register for. All in an attempt to get your information so they could track you down in a less stalker-y sort of way.

“Oh, hello, dear. How are you today?” The hunter was closing in, two teens carrying signs at her side working on sequestering you- the weaker link- away from the pack.

“I’m good, how are you?” Damn your polite force of habit! Curse you, customer service default settings!

She grinned, knowing that if she played her cards right, she could probably keep you trapped here for a while longer. She spoke, and due to the survival instinct in your brain, you were capable of tuning her out for the most part. Something something, for the greater good, something something, special soul. They never meant what they said, or even if they believed their own words, it was undermined by their intentions. You’d been in this boat before. You kept waving your hand and nodding your head, explaining to her that you were busy and had someone you were meeting.

As you stepped backwards, she approached again. “Just one minute of your time! One minute could save your soul from Lucifer’s clutches!”

Without entirely meaning to, the drop of that name made you pause. Every once and a while, you forgot that the person you had come to know so well was such a prominent- albeit infamous- figure in the human world. Although, the way he tended to be described made him seem more like a boogeyman rather than a demon capable of Armageddon, scaring children across different nations and cultures into behaving. Perhaps you should be insulted on his behalf. Perhaps you should share some of the stuff you had seen. Tales of ivory wings and the blinding glow of a fallen angel whose twisted voice now told beings to Be Afraid. With a haunting beauty so enveloping, you openly fell further into the nightmare. That being said, you almost laughed in her face, wanting to tell her that the man she was so afraid of had been fretting over what kind of coat to wear this morning. Black was classy. But blue made his eyes pop more. But red was his color. Thirty minutes he pondered over this. “I’m not all that worried about it.”

Maybe you hadn’t contained your amusement as well as you thought you did, because for some reason, a righteous fire had lit under her sandy open-toed wedges. “You should be! Whatever promises the devil gives you, it will only bring you misery in the end! He cares nothing for you! Only HE can give you the joy you seek.” Her pointer finger raised up while she gazed to the clouds like she could peer into Heaven from down here. It was hard to tell if the dramatics were more for you or her. When she glanced at you again, she appeared spooked, clutching pearl hands at the ready.

An arm snaked around your waist, a hand settling on your hip. If the touch wasn’t so familiar, you would’ve jumped. “I don’t know. I think I bring plenty of joy, wouldn’t you say, love?”

Speak of the devil, in a quite literal sense.

Relief flooded your body, the tension you’d unknowingly built in your shoulders loosening. Even posing as a human, Lucifer was intimidating. At the very least, no one bothered to approach him out of the blue. This party buff seemed to extend to you as well. This lady seemed much less interested in trying to convince you of anything now. She cleared her throat and thought about potentially leaving you one last message of warning, but the man in your company wasn’t having it. He scoffed under his breath before he gestured to some of the other sign bearers in the group, tilting his head slightly to the side.

“Strange weather today, isn’t it? You might want to help retrieve your things,” Lucifer announced. Eyebrows raised. The weather was quite nice today, albeit a little cold. Curiosity got the better of her. Just as the woman turned around, a heavy gust of wind blew over you all, making pamphlets and signs fly upwards and into the streets. Subtle. People scrambled. The lady hiked up her skirt and ran to the edge of the sidewalk. Cars screeched to a halt and honked, people stopped to gawk at the calamity, all the while, you felt yourself being tugged away.

Lucifer’s hand remained on your waist for a few minutes until he was certain the annoyance was far behind you. How much of a mess was the scene now? You turned your head to look over your shoulder, but only saw darkness as a gloved hand covered your eyes. A slight huff sounded off to your side.

“Leave it. This hesitancy of yours is what got you caught in the first place.” The hand moved from your eyes to the top of your head, making you look up at him with a twist of his fingers. “I leave you be for a few moments, and you once again find yourself tangled up in nonsense.” His narrowed eyes flitted over your form as if checking for signs of distress or injury, like the woman was a master of combat with pamphlets as her weapon of choice. Always the worrier that one. He’d have still a similar reaction if you found yourself lost in a grocery store…

A frown crossed over your face. “I did try to leave. How many times do I have to say ‘no thank you’ before someone leaves me alone?”

He tisked, his posture straightening as he fixed the scarf around your neck. The plush fabric was rubbed against your jaws. “There’s your first issue. Manners are all well and good until someone takes advantage of it. At some point, you have to drop the politeness and just say ‘no’. With your entire chest.” All of a sudden, he took two pointer fingers and manipulated your cheeks and lips to mouth some words. “N. O. Just like that. Can you say it with me? Nnnn…ooo…”

You narrowed your eyes a bit at his teasing, batting his hands away. “Knock it off, Luce…”

“Hmm. Maybe I should go get one of those eccentrics and tell them we changed our minds and—“

“No!”

“Ah, see, you are capable of it.” Someone was mighty pleased with himself. Anytime he found himself in a place where he was free from his responsibilities, he always got shockingly more playful. It would be cute if it weren’t so frustrating right now. His hand started running over your head. “Good job.”

“That’s not funny. You heard how they were talking about you… I hate listening to it.”

At your words, his teasing smile faded. Rolling his eyes, he lowered his hands. “I would much rather you save that vexation for yourself and how they treated you. All the humans in the world could despise me and I would not bat an eye.” Suddenly, his finger tapped your chin, trying to regain your full attention. “I only care what one of them thinks about me.”

Something about the sudden sappiness in public snapped you out of things. You turned a bit on your feet and started walking. “Did you check us in already?”

“I took care of it. Did you want to head in now or wander around the town a while?” His partial pout at ignoring his romanticism could almost be felt physically as he matched his pace with yours.

“I think I’ve had my fun for now.”

A hum, and his hand found your own. Clasping it, guiding you to the hotel as you both walked. It was astonishing how such a move cast a level of camouflage over you two. Suddenly, it was as if you both were a normal couple following the regular flow of foot-traffic, keeping each other warm in the crisp air with the heat of each others close proximity.

If the devil was so callous, why were his hands so tender?…

The rest of the walk was a bit of a blur. The people, buildings, spoken words, all unimportant compared to the sensation of having him near. The elevator ride jostled, giving you some more awareness to your surroundings. A short walk, a brandished key card, and he opened the door for you, the very picture of a perfect gentleman.

If the devil cared not for you, why would he bother with chivalry?

The “room�� was huge, with an entire kitchen, walled off bathroom, closed off bedroom, and separate living area. This was more an apartment than a simple hotel room. The luggage was already brought inside, Lucifer’s portion already opened and put away. “Leave it to Diavolo to save you the biggest, fanciest suite in the hotel. If the tub has jets, I’m never leaving.”

“Do you expect the Avatar of Pride, the right hand to royalty, to expect anything less?”

“You’re funny if you think Diavolo wouldn’t give you something like this regardless of your gilded titles. Careful, your sin is showing.” You rolled your eyes and gave him a playful nudge.

He swiveled on his feet and poked your ribs. “You dare push me?” His voice rumbled in amusement deep in his chest. “Rather bold to do to such a dangerous demon.”

“Oh? Is that a threat? Going to take my soul? Well, you’re going to have to get through me first.” Fake punches flew through the air, striking at his chest and face with no force. Although you knew real punches would have the same utterly useless, painless outcome for him.

The world tilted, some of the air leaving your lungs in a giggling gasp as he scooped you up over his shoulder. He twisted, spinning around occasionally to leave you somewhat disoriented until you were plopped down on top of the bed, the whole mattress bobbing. Lucifer hovered over you. “You cannot hope to win, human. You’re mine now.”

Something in your chest fluttered at that. “So you win then, is it? How would you like my soul? Grilled? Blended? Braised?”

One of his hands worked on removing the scarf from around your neck, the back of his index finger tracing the outline of your chin. Just a breath away from being in contact. “Let me see…” Adjusting, rubbing his nose against yours, he waited for that tell-tale sign of permission, of you closing some of the distance. Temptation struck you, flooding in your heart. The plunge was too alluring. You bit of the fruit, and the devil wrapped his clutches around you.

Watch out for the schemes of the devil, who prowls like a beast, waiting for the moment to strike and devour- lips whispering inner desires. Raise up your guard to save yourself from being pulled into darkness, into his embrace, limbs aching and craving. For his claws shall tear and shred in eagerness, unable to contain themselves as they remove the body of protective vestments. He will take the very breath from your lungs. Crush the bones with a heaving chest. Partake of your flesh.

Lucifer raised his head for a moment, letting you both catch your breath. Your thumb traced his bottom lip, puffy and scarlet where you’d nipped it. Red was always a good color for him. That’s why you picked the crimson coat for him today. It matched his cheeks, the end of his ears, his longing eyes.

“Authentically,” he said, answering your question you felt you asked two lifetimes ago. His mouth covered yours as his broad hands squeezed your shoulders. “Slowly…” You could almost feel his hum in the back of your throat as he spoke between kisses. “Bit by bit…” His teeth grazed you top lip. “Over the course of a lifetime…” His affection moved on, venturing out and exploring your cheeks and gently over your eyelids. “So you’ll be right here with me… exactly like this… for a very-“ a searing mark was placed right under your earlobe, against a tingling part of your neck, “…very long time.”

To lie with the devil is to wake up wrapped up in braids of limb and cloth. Tender lips stained with last night’s embrace whisper saccharine words. Cherished is the temporary stillness. Beloved is the lamb who measures the meter of the heartbeat of the wolf. Blessed is the enamored; the ones drowned in their own affection, plunged into the fires of passion, entombed in each other’s chests. The cries of pleasure echoed with ones of mirth. Of declarations and vows held tight between their own teeth. Made to persist an eternity of eternities for existing as the other’s light.

For it's his desire.

[rhiannonsknife]

I’ve never seen someone write Jackie and Rhiannon like you do! They’re such complex characters and you do an amazing job capturing that, even in just a one shot. Just wanted to tell you that I love your blog!

If you’re still taking requests, would you mind writing a Jackie one where her and the reader come out as a couple at Doomcoming like Tai and Van did? Maybe they’ve been together for awhile but Jackie wasn’t ready to come out until then? I think a plane crash would really put things into perspective lol!

-🦈

── MEET ME IN THE WOODS TONIGHT

— summary: doomcoming with jackie taylor.

— warnings: fluff. implied internalized homophobia. secret relationship. fem!reader. nsfw content. mdni.

the makeshift decorations sway in the breeze, the clearing glows with warm lantern light and, despite everything, despite the crash, the wilderness, and the gnawing hunger, there’s laughter.

for the first time in weeks, the mood is light, almost joyful in a way that’s more genuine than anything any of you have experienced since the plane went down.

you stand near jackie, your shoulder brushing hers just so as you watch the others dance. she looks beautiful tonight, as she always does: her crown of wildflowers slightly askew, her cheeks flushed from the drinks misty’s been passing around. she’s smiling, but you know her too well to think she’s as carefree as she looks: jackie has always been good at pretending.

you’ve been together for months now, sneaking touches and stealing kisses when no one is looking your way. she had made one thing clear from the start: no one could know. she’d framed it as self-preservation. “it’s not that i don’t care about you,” jackie had said one night, her voice barely audible over the crackle of the fire. “i just…i don’t want to make things harder for us out here”

so, you learned to love the mask she wears just as much as the girl jackie is beneath all her pretense.

you’d understood, or tried to; her fears weren’t all baseless. she was used to control, to the certainty of her old world where she’d been whs’ golden girl, the one everyone admired. out here, though, her carefully constructed image had been crumbling from the start. the others had turned on her in subtle ways; side glances, muttered comments, the slow loss of respect. she couldn’t risk giving them more fuel.

now, as you’re watching taissa and van kiss in front of everyone, something seems to shift.

it’s not a grand declaration; they just kiss, laughing against each other’s lips like they’re the only two people in the world. the group doesn’t stop them. some cheer, but no one judges. it’s all…normal. contrary to the events of the past weeks, but normal.

you glance sideways at jackie, expecting her to look away or maybe make a comment to cover her discomfort. but she’s watching them, just as everyone else is, her eyes wide, her expression both soft and unreadable. there’s no jealousy there, either, no scorn. just a quiet longing that makes your chest ache.

“jackie?” you ask gently, leaning closer so only she can hear.

she blinks, pulling herself back to reality, and gives you a shaky smile. “it’s nothing,” she assures quickly.

“are you sure?” you press, keeping your voice soft. “you can talk to me, you know?”

jackie’s smile falters. for a split second, she looks like she might say something. but then she shakes her head, looking away. “come on! let’s dance!”

you follow her to the makeshift dance floor, letting her spin you around with surprising enthusiasm. the two of you laugh, swaying surrounded by the other girls. for this short while, it’s easy to forget everything that comes with the looming uncertainty these days. but then jackie slows, her movements faltering as her gaze locks on yours.

“what?” you ask, unable to brush it off this time.

she hesitates, her hand tightening around yours. “i just…” she glances over her shoulder, her eyes scanning the crowd. no one’s looking at you, their attention scattered all across the clearing. jackie takes a shaky breath. “i don’t want to hide anymore,”

“jackie, you don’t have to-“

she cuts you off by cupping your face and pressing her lips to yours, as easy as it would only ever come to her behind closed doors and the comfort of knowing you’re unseen. the kiss starts tentative, like the very first time jackie had kissed you, with her hands trembling against your cheeks. when you don’t pull away, when you lean into her, your own hands finding her waist, she deepens it. it’s soft and warm and open, jackie’s lips moving with a kind of desperation that you feel all the way to your core.

the entire world around you fades, you don’t hear the murmured conversations and laughter that surround you. all you can feel is jackie, her hands moving to your shoulders, her thumbs brushing your jawline. when she finally pulls back, her cheeks are tinted in the softest shade of pink.

“jackie,” you whisper, breathless, your forehead resting against hers still, hesitant to withdraw.

“i mean it,” she murmurs, the side of her nose nudging yours. “i don’t want to hide anymore. not with you!”

her gaze flickers shyly to the other yellowjackets around you.

there’s a moment of quiet as the others catch on, realizing what they’ve just seen. it’s van’s loud whoop that breaks the silence. when jackie looks back at you, there’s something new in her eyes. relief, maybe, or pride.

you smile at her, your fingers squeezing her waist through the fabric of her dress. “i guess the plane crash really did put things into perspective, huh?”

jackie laughs softly. “yeah. something like that.”

she doesn’t step back. if anything, she moves closer, her hands sliding down to rest on your hips as you rest your chin atop her head and pull her into your embrace.

“come with me,” she murmurs eventually.

your heart skips. “where?”

jackie’s smile turns coy. she doesn’t answer, instead she takes your hand and leads you away from the group. the warmth of the fire gives way to the cool darkness of the woods, and then, once you reach it, the cabin door creaks behind you.

inside, the room is dim, for once completely empty with the team still celebrating outside. jackie turns to face you, her eyes catching yours in the low light. she doesn’t say anything, but the way she steps closer, her free hand reaching for the back of your neck, speaks volumes.

when her mouth finds yours this time, it’s slower, deeper, her movements no longer tentative. it’s not just about showing something to the others now. it’s about you, and her, and everything that had been unspoken until now.

jackie steps closer then, backing you up until you hit the wall. her hands move to your neck, fingers sliding into your hair. the full length of her body presses against yours, caging you in as the kiss deepens.

for months, she had to hide her desire for you. now that it’s all out in the open, it’s like a dam has broken. jackie kisses you desperately, all the pent-up longing of the last poured into the collision of your mouths.

you can’t help but gasp, struggling to keep up with the demanding motion of jackie‘s lips. they trail from your mouth, down the side of your neck, nipping and kissing hungrily as her hands tug impatiently on the fabric of your clothes.

“jackie” you pant with your head tossed back against the wall. “we- we’re still-”

she pins you harder to the door, one of her legs slipping between yours. for a moment you allow yourself to get lost in the friction against your center, your hips rutting back and forth instinctively.

then, finally, you repeat, “jackie!”, breathless when she breaks away from you. her hazel eyes are dark, her chest heaving with the force of breath.

“did i do something wrong?” she asks, her voice quieter now, a hint of insecurity threading through the haze that’s come over you both. “i’m sorry, we don’t have to-“

you cut her off before jackie can overthink it.

your hand finds hers, squeezing just enough to ground her. the others could come in at any second, loud and stumbling, forcing you back to your new ‘normality’. you don’t want to forget this, don’t want to let the moment pass.

“attic. now”

you’re on top of her. chest to chest with a bare body that arches up against yours to meet you halfway.

jackie’s arms are draped over your neck, her ankles locked around your waist, pulling you in close. impossibly close, because you don’t think it’s possible to be any nearer unless you merged into her completely, lost yourself in the press of her skin, the curves of her body against yours. maybe that’s exactly what she wants. maybe that’s what you both need.

to forget where one ends and the other begins.

your clothes are scattered all around the makeshift bed you’re sharing. her dress, neat and beautiful, crumpled up on the dusty attic floor alongside your own.

it’s the most intimate you’ve ever been together: in all the months you’ve spent dating in secrecy, you never got jackie like this. you’ve imagined it, sure, pictured her at the absolute crack of dawn after making sure the other girls were definitely asleep, with a hand shoved down your pants. but even your poor attempts at masturbation in this absolute hellscape could never compare to having her underneath you.

you know, from the occasional stories she’d tell you -secrets, exchanged in hushed whispers- that jeff hasn’t either. that she was never quite ready to go all the way with him, never felt comfortable enough to.

with you, that has changed. jackie seems very comfortable now. she’s reassured you at every shy check-in between layers of clothing slipping away: “are you sure?” you’d asked when your fingers pushed up the hem of her dress. “is this still okay?” as you struggled with the clasps of her bra.

now, with the restrictive clothes gone, her lips are everywhere; against your own, the side of your neck, wandering as low as they’ll go in your current position, never getting past the swell of your breasts. jackie pulls you in absentmindedly and traces soft lines up your naked spine as her lips move down your throat. one of her hands finds yours, threading your fingers together.

this is different from all the stolen moments and careful touches you’ve shared so far. there’s no fear of being heard, no risk of being interrupted. jackie is different, every soft sound raw in a way she’s never been capable of before.

her hands roam with purpose, memorizing every single inch of your skin. her mouth traces a path from your collarbones to your shoulder as she whispers “i need you” with both her eyes closed. you can’t stop your hips from grinding into her all over again, bare skin sliding together.

you break away, blinking down at where jackie is sprawled out. “are you sure?” you manage. she bites her lip, but nods determinedly.

for months, she’s been so focused on what she should need -the validation, the approval, the status- that she’s almost forgotten how the simple act of being wanted feels like.

“okay...okay”

jackie strokes over your bare shoulders, her thumbs digging into the skin there. “can i-“ she begins, blushing under your attentive gaze. “can i touch you?”

when you nod, she brings both of her hands up to your chest. you exhale shakily. this is all so new, so sweet, even in the mess that you’re in. it’s a blur of shy touches and breathy murmurs of approval, and, for the first time in what feels like forever, you’re happy. truly, undeniably happy. happy that it’s jackie. happy that she’s the one you get to share this with.

her thumb brushes over your nipple and you arch your back forward, a quiet moan drawn from your lips. the floorboard creaks under the weight shift and you laugh into each other’s mouths.

“you like that?”

your eyes flutter shut and you manage another nod. as if to test it, jackie repeats the motion, applying just the right amount of pressure.

“oh-“ you gasp, your full body shuddering.

jackie smiles, satisfied. she leans up again, her hips jerking against your leg as she moves to press kisses to the hollow of your throat while simultaneously playing with your nipples. only when she lets out a soft noise of her own, do you realize that your thigh is pressing right between hers with the way your bodies have moved together.

momentarily caught off guard, you breathe out and jackie opens her eyes to look up at you. eager to get a similar reaction out of her, you experimentally flex the muscles against jackie’s cunt, grinding carefully. her hands grasp the thin sheets beneath her body instantly, her fingers curling up in the fabric tightly. her head falls back as she gasps: “oh my god”

“does that feel good?” you drop one hand to hold her hip.

jackie nods, her jaw slack when she gives her hips a couple of gentle rolls, dragging her wetness over the length of your leg. you watch in awe when the first actual moans spill from her lips, her voice unusually high-pitched.

you press your forehead against jackie's again, anchoring yourself to her like you're afraid of losing this moment the second there's space between you. her breath is warm but uneven, ghosting over your lips as she tilts her head, her fingers threading through your hair to pull you closer.

her open mouth brushes yours, barely, just enough to make you dizzy and press your lips to hers.

the temperature around you is rising steadily as jackie moves against your body, your breathing tangling together.

this is better than anything you’ve ever imagined already, but it is not enough.

“jackie,” you whisper. immediately, she stops the movements altogether, her brows raising in concern.

“are you okay?”

her attentiveness makes you smile. “more than okay, i just-“ you bite your lip. “i want more,”

“oh”

“is that okay?”

jackie smiles in response, shifting backwards and maneuvering you both into a new position. after some more rustling movement on the blankets, you find yourself kneeling face to face with her. the way jackie’s eyes fall to your bare chest doesn’t go unnoticed: they widen as if she’s still struggling to believe that any of this is really happening.

she takes your hand in hers, gently pressing it against the valley between l own breasts so you feel the racing of her heart against your palm.

“touch me,” jackie instructs. “and let me touch you too?”

suddenly, your position makes a lot more sense. you don’t have to be told twice. instead, you bite your lip and nod. “please”

both of you reposition your knees so your legs are spread wider, and jackie’s delicate fingers trace down your front. when they reach the hemline of your underwear, you watch her, catch the way her mouth falls open as her fingers brush over the wet patch on the fabric.

“you’re so wet” jackie murmurs in awe.

hearing those words from her is enough to set you into motion too. first, your jaw drops and you feel yourself clenching around nothing, painfully aware of the emptiness where you want to feel jackie the most. then, after a soft cry of “touch me,” you drop a hand between her thighs. jackie’s arousal is damp, soaking through the lace of her panties as you cup her carefully.

she moans your name, and her head falls against your shoulder while she simultaneously fumbles with your underwear and pushes it aside. you copy jackie’s motions, panting as you look down the little space that’s left between your bodies.

you don’t even have it in you to feel embarrassed about the moan that falls from your lips when she finds your clit and starts circling it with her index finger.

“god, jackie-“

“it’s okay,” jackie promises, her free hand cradling the back of your head. “you- oh!”

whatever she was going to say is cut short when you press your fingertips against her clit, rubbing it the same way you know you like. judging by the sharp intake of breath through her nose, it seems to be working for jackie too.

she’s the one to pick up the pace first, rubbing quicker circles. you can feel your thighs trembling already, struggling to support the weight of your body as you try to focus on touching jackie too. her wetness glides against your fingertips, practically dripping from her. occasionally, you dip lower, where her arousal pools, so you can gather it and bring it up to jackie’s stiff clit.

when she feels you there, she leans back, her pupils dilated as she looks at you in the dim light of the attic. her fingers press against your entrance. “can i?” she breathes, sounding surprisingly pleading for someone who’s just asking to touch rather than be touched. in response, you do the same for her: a singular finger toying at her throbbing hole.

when jackie pushes two of her own into you, you immediately follow suit, shuddering as she slides in with ease. your moans mingle together in the thick air, only half aware that, if any of the others come back inside now, they will definitely hear you through the floorboards.

“more,” you whine.

jackie pulls her fingers out slowly at your request, until only their tips are still inside, then pushes them back as far as they’ll go, tearing a soft cry from the back of your throat. “oh, jackie!”

her own walls throb around your still finger -which you have almost forgotten about until you feel her squeeze it. weakly, you curl it forward against jackie’s g-spot, trying to make up for your lack of movement. her eyes roll back in her head instantly.

"oh-“ she whines softly. “oh my god-“

you manage some gentle thrusts into her before you slide in a second one. jackie easily takes it.

regardless of your efforts, she doesn’t stop moving and her thrusts don’t falter. jackie, unlike you, keeps up with ease, her fingers reaching deeper than your own ever did. when she curls them in a come hither motion, you reach for her and jackie pulls you in closer, pressing her lips against yours to stifle your sounds.

it doesn’t take long at all until you feel a knot forming in your abdomen, tightening with every press and thrust.

when you part from her to catch her eyes, there's a string of spit connecting your mouths. the sight, the sensations, the knowledge that you’re hers in a way not even the wilderness can undo is all so much, and enough to have you on the edge of the first orgasm in months.

you know exactly what it’ll take for her to finally make you cum. and, even though her touch feels too good for you to string together coherent sentences, you manage a quiet: “jackie, god, i’m close!”

jackie, bless her, seems to understand: she finds your clit with her thumb while still pumping her other two fingers into you, and rubs it just like she did before, studying your face for a reaction.

"right there!“ your head lulls back, each breath coming high-pitched and every muscle tense. your hips rock against her hand and she starts circling your clit faster, adding just the right amount of pressure.

that, and her other hand sneaking up your body to roll your nipple between two of her fingers, is all it takes.

“jackie-“ you never get to finish what you were going to say. instead, you feel your orgasm washing over you in pulsing waves. a breathless moan dies in your throat when the world around you shifts out of focus and your thighs shake violently around her wrist.

just like that, you come, coating her fingers in your release as your legs give out beneath you. somewhere through the sensations, you hear jackie’s whine when your fingers slip from her, but you’re still too caught in the pleasure to really care.

finally, when it fades, you open your eyes to look up at her. jackie is panting and removes her hand from between your legs. she’s still kneeling over you but is quick to settle down in your lap now that you’re no longer holding your weight on your knees.

“here,” she pants, wrapping one arm around your shoulders as the other guides you back between her thighs. you know what to do without any more instructions: you give yourself to her, letting her use your fingers to get herself off too.

jackie slides down onto you, jaw going slack as you slip into her with ease. you hold her by the waist to support the gentle rocking motions that make the floorboards creak.

her nails dig into your skin, leaving half-moon shapes on your shoulder blades, and she cries out quietly. you watch the scene through heavy-lidded eyes while jackie rides your fingers, getting closer and closer to the sounds of skin slapping against skin. she picks up her pace until she’s practically bouncing on top of you, her chest heaving erratically.

jackie is beautiful, you knew this about her already, but -as you watch her cum- you doubt anything else could ever compare to this sight: she pulls you closer so that her mouth is right by your ear and her face is buried in the crook of your neck, repeating your name like a prayer, not stopping even as her body tenses.

her fingers clutch at you desperately, as if you're the only thing that's keeping her grounded, but she doesn't stop. doesn't let up until she's all spent and collapses into your arms. you hold jackie through it, pressing your lips to her temple, your hands steady where she needs them most.

it takes long until you’ve both fully recovered. neither of you recalls how you ended up lying in the messy sheets, with jackie’s head resting on your chest and your fingers combing through her hair. she has her arm draped over your waist, gently stroking across your side. you don’t speak.

eventually, she shifts, pressing her face further into your chest. “we should probably go back down,” jackie murmurs, though she makes no effort to move.

you hum. “do you want to?”

she’s quiet for a moment before shaking her head. “not yet,”

you smile, letting your hand settle on her back. “then we won’t,”

[neon-zipperooni]

in light of the new costume implying some things.. boy howdy, here comes a hot take, the crk fandom needs to understand the prospect of shadow milk being redeemed is not the end of the world

cookie run rarely even does redemption stories, the only big example of villainous characters being redeemed is in ovenbreak with lotus dragon cookie's growth and lychee dragon cookie building up to a redemption, which while i think on lotus's end it was kinda rushed they've been handling lychee very well, so its not like redemption stories in cookie run are "overdone" (also im sick of the "nooo im tired of redemptions" argument when 1. not everyone is, i personally love a good redemption story and 2. there are plenty of villains out there who are plain evil with no redemption, it's not a dying genre)

also it would be way more interesting than the more obvious resolution to the beast storyline of just sealing them away again, i think finding a way to appeal to the shreds of.. humanity? cookiemanity? still within them is a much more interesting narrative and lends itself to more stories to potentially tell with these five very interesting characters. and there are implications that the cookies they used to be are still in there somewhere, especially with burning spice, given how he full on bluescreens for a moment when reminiscing on the first kingdom he [....] (my money's on watched over, but we dont know what he was gonna say) when talking w/ nutmeg tiger in the kingdom

i've seen a lot of people say they'll lose interest in shadow milk if he gets redeemed which baffles me because for me at least, while a decent chunk of the appeal of the beasts is how interesting and entertaining they are as villains, one of my favorite parts of them is the heroes they once were, what they could've been like during those days, and the tragedies that led to them falling so deep into villainy: witnessing the worst in cookiekind and becoming disillusioned and deciding nothing should exist, witnessing their denizens live grow and die over and over and to the point they get sick of it and end up embracing destruction to take control of the cycle, and.. whatever we end up learning about the other three and what corrupted them.

for me, i see it like this lmao

and like, don't get me wrong, i know all the beasts really aren't good people but a redemption story doesn't necessarily mean a slap on the wrist, a redemption story can be about atonement just as much as it is about changing for the better, it can be messy, a sobering moment realizing everything you've done and everything you need to do to make up for it, there is sooo much story potential in delving into their pasts and delving into a redemption story of the beasts atoning for their deeds and growing as people it's crazy.. and besides, they were heroes once before, who's to say the potential to be that again isn't still within them?

i personally really wanna see a beast redemption and i'll never fathom why so many people are so against it when it's so much better of a way to conclude their story as the current main threat than just sealing them away again, i just hope that if this really is the route the devs go they'll handle it well because it can just as easily be done wrong, i have faith though

also i've seen a lot of people say the shadow milk costume looks ugly and they're WRONG it looks amazing i love blue and gold as a color combo

[jewish-vents]

Being Hmong American and Jewish is exhausting. My family had to flee to the US because of what the US did to Vietnam, my parents witnessed atrocities committed by US soldiers, and the only people who showed them any kindness here? The local Jewish community. That's why they converted. They wanted to join these people whose ethos was love and kindness, who saw them as illiterate immigrants and whose first instinct was to help. Now people try to tell me I'm a colonizer and genocidal and I stand there thinking, "Your parents' generation bombed, raped, and murdered my extended family. I don't blame the whole generation for it and definitely not the whole US. Why is it acceptable to blame my family for things we never did?"

I don't trust goyim who say that they only hate zionist Jews. Not just because they don't know what that word means, but also because I see how they treat my parents. I see them act like two people who lived below the poverty line for 90% of their lives, who learned to read in their 20's, who barely survived in this world, are colonizers and racist and bigots. I see people who say they don't hate all Jews hurl profanity at them when they wear their Magen Davids. I see the way people radically alter their treatment of them once they know my parents are Jewish, the fixed, too-steady smiles and tensed shoulders, the side-eyeing, the questions about income. And a part of me wants to tell them this is what they get for being xenophobic and hateful - if these same white goyim had accepted my parents, my parents wouldn't have found a home in Judaism. If they didn't want there to be Hmong Jews, they should have made Christianity look appealing instead of hypocritical.

It's not the hate that bothers me, deep down. It's the hypocrisy. It's the way people don't even flinch when they blame me for things Israel did when their country razed my parents' village to the ground. Hmong and Jews have a very major thing in common, which is long memory. We remember the Vietnam War. We remember the Holocaust. We're both still waiting for an apology we know isn't coming, and we've both given up on the thought of the rest of the world learning from what happened.

.

[myerssimp21]

Iceberg's Jewel pt. 1

This is just another idea rattling around in my head! While this is still yandere Batfam, the premise is slightly different—here, they haven’t quite met you yet. The focus starts with Oswald Cobblepot and the Iceberg Lounge, but trust me, the Batfamily won’t be far behind. Timeline-wise, this would technically come first, even though in my other yandere Batfam fics, Tim and Jason have already had their moments with you. So yes, there will be a plot hole later where they’ve somehow already hooked up with you—just roll with it. Consider it canon-ish, but mostly just me playing around with ideas. tl;dr: This is a prequel of sorts to my other yandere Batfam fics, but I’m mostly here to have fun with the concept. Hope you enjoy! 💙 word count: 3201

Oswald Cobblepot prided himself on running a tight ship. The Iceberg Lounge was a beacon of opulence in Gotham, catering to a clientele that wanted their danger with a side of champagne. When he put out that little “Help Wanted” sign as a joke—an amusing way to signal to the people he was looking for that he was ready to onboard—he hadn’t expected someone like you to waltz in.

You were nervous but bright-eyed, clutching a copy of your résumé (how quaint) in one hand, wearing a Gotham University sweater that screamed student loans and part-time hustle. The smile you gave him when he walked into the lounge floor was disarming—too genuine for this city. You asked to speak to someone about the janitorial position, and Os had to bite back a laugh.

“A janitor? Here? Sweetheart, you might be too good for this place,” he muttered under his breath, too quietly for you to hear, before waving a hand dismissively at one of his goons. “Send her to my office.”

His office wasn’t where interviews were usually held—far too personal, far too… revealing. But for some reason, he wanted to gauge you himself. Maybe it was your naivete; maybe it was the way your gaze lingered on the crystal chandeliers and plush carpets like you’d never seen luxury this close before. You were looking at him as a normal boss, not a criminal mastermind, and he realized he might like that.

By the time you’d been seated in the chair across from his polished mahogany desk for only 15 minutes, he was already hooked. He asked simple questions at first—your availability, your experience—but quickly veered into territory that let him know more about you. Your classes at Gotham U were interesting, but you worked too much to fully appreciate them. You loved your psychology major but struggled with scheduling, hoping that the pay here was more than the measly pay you scrounged from your other two jobs. He listened with great interest as you spoke of your genuine excitement to be working in a "classy place like this."

He didn’t have the heart to tell you this place wasn’t really classy—just good at pretending.

Cobblepot tilted his head, the curiosity in his expression sharpening as he tapped a finger against the arm of his chair. “You’re not from here, are you?” he asked, a sly grin forming. “So, what do you think of our little city?”

“Oh, uh…” You laughed nervously, shifting in your seat. “It’s… something, that’s for sure. Gotham’s kinda like… I don’t know, a scrappy mutt? It bites, like, a lot, but you can’t help but wanna pet it anyway. It’s scrappy and loveable.”

Oswald chuckled, the sound low and genuine. “Lovable?” he repeated, shaking his head. “You’re a strange one. Most people run for the hills when it comes to Gotham.”

“Yeah, well…” You shrugged, the faintest smile tugging at your lips. “I’m already here, so I might as well figure it out, y’know? Plus, it’s not all bad. I mean, the people are tough, and the city’s got… personality. A weird, messed-up personality, but still.”

He found himself appreciating your honesty. It was a rare thing in his world—people who weren’t either trying to butter him up or wring him dry. And that smile… Hm. Something about it didn’t belong here.

Then, the door to his office slammed open. A goon stumbled in without so much as a knock, huffing like a dog chasing its own tail as he fumbled a thick stack of papers in his hands.

Oswald snapped to attention so fast it was animalistic. One second, he was relaxed, bemused by you—the next, his face contorted with fury, his lips curling back in a snarl that made the dim office feel suddenly suffocating.

“What?” Cobblepot snarled, his tone cutting like ice. The very air in the room seemed to turn electric, humming with the promise of violence.

The goon froze mid-step, eyes darting between you and his boss. He looked like he’d just walked into an execution chamber by mistake.

Oswald’s teeth clenched so tight a vein throbbed visibly in his temple. “You knock before coming into my office,” he seethed, voice dropping to something far more dangerous than the initial explosion. Cold. Calculating. A blade slipping between ribs. “You wait. You don’t—”

Then, out of the corner of his eye, he saw you.

Frozen.

Wide-eyed.

And just like that, the change was immediate.

His snarl vanished. The storm passed in an instant, like flicking off a switch. The barely-contained rabid rage that had been twisting his face smoothed into something almost… embarrassed. Guiltily casual.

Cobblepot glanced back at you, then at the goon, then back at you. For a brief, telling second, he looked—not regretful, but calculating. Then he sighed through his nose, rolling his shoulders like he was shaking off an unpleasant thought.

"Handle it later," he ordered, voice abruptly warm. Silk-soft. As if he hadn’t just been inches from taking a man’s head off. His hand flicked lazily toward the door, a dismissive gesture. “Can’t you see I’m with someone?”

The goon scuttled out of the room like a kicked dog, the papers in his hands rustling violently as he clutched them to his chest.

The moment the door shut, Oswald let out a measured breath, as if centering himself. Then, in a whiplash-inducing shift, he turned back to you with an awkward, almost sheepish smile.

"Sorry about that,” he said, voice dripping with artificial sweetness, as if his outburst had never happened. He waved a hand, dismissing it entirely, his gaze keenly watching your expression for any lasting tension. “Some of my employees just don’t have any manners.”

You offered a polite, thin smile, still shaken, but brushed it off with a shrug. You had already figured this place wasn’t exactly warm and welcoming, but the speed at which his fury had vanished was... unsettling.

Oswald noticed.

He noticed everything.

And for the first time in a long, long while… he wasn’t sure if he liked the way your smile still had a hint of nerves clinging to it.

The Batcave was unusually quiet, save for the faint tapping of Tim’s keyboard and the low hum of the monitors. Bruce sat at the console, watching the live feed from Oswald Cobblepot’s office. You were seated across from the Penguin, a mixture of nerves and polite excitement etched on your face. The Iceberg Lounge’s chandelier lights reflected in your wide eyes as you gestured animatedly, your Gotham University sweater and résumé betraying your earnestness in a city that thrived on deception.

“Can’t decide if she’s brave or just clueless,” Tim remarked, leaning back slightly as he toggled between camera feeds. “She walked into Cobblepot’s lair with a résumé. A résumé, Bruce.”

“She’s a student trying to make ends meet. That’s not bravery—it’s necessity.”

Damian’s voice crackled through the comms. “She really responded to a ‘help wanted’ ad? Tt. Typical. Of course that bloated bird would choose a naive one. She’ll probably end up scrubbing vomit out of his VIP lounge carpets.”

Tim tutted thoughtfully at Damian’s comment. “I mean…..he’s probably aiming higher than janitorial work for her. Did you hear the way he sweetened his voice?”

Damian scoffed but didn't reply. 

A new voice broke in over the comms—Dick, speaking from his position on patrol. “You think she knows what she’s getting into? Working there isn’t exactly safe.”

“She doesn’t,” Bruce answered simply, “But that doesn’t make her unique. Plenty of people stumble into Gotham’s underworld without realizing it. We can’t save everyone.”

Tim muttered, “Still doesn’t mean we should ignore it. If Penguin’s targeting her for something, we’ll want to know why.”

Damian chimed in again, his tone slightly mocking. “We already know why, Drake. He likes his toys naïve, optimistic, and disposable. She won’t last a week before she gets a reality check—or worse.”

Bruce’s eyes flicked toward the feed as Cobblepot stood, offering you a hand and gesturing toward the door. “They’re moving,” Bruce said. “Tim, keep the office feed rolling, and find another camera angle.” 

“We won’t have audio and depending on where he’s taking her, I’m not sure we’ll have visuals either.”

There was a moment of silence, the kind that spoke volumes in the Batcave.

Dick broke it. “She’s smart enough to know what Cobblepot is, right? I mean, who walks into the Iceberg Lounge thinking it’s just a nightclub?”

“People who don’t know Gotham,” Tim replied, scrolling through files, soaking in what he can on you. “..She’s a psych major at Gotham U, full-time. She’s been juggling two jobs already, so she’s probably just desperate for the paycheck.”

Damian’s tone turned sharper. “Desperation or not, she’s still a fool. You don’t wear a sweater with your university’s name on it when you waltz into the lion’s den.”

Tim smirked. “Guess she didn’t take Gotham’s prerequisite: Street Smarts 101.”

The screen now displayed the empty office, Cobblepot’s desk abandoned. You were out of their sight, and for the moment, out of their reach. But the Batfamily wasn’t about to let you disappear into the darkness of Gotham without a trace. Tim was scrambling to find a feed that would give them info as to where Cobblepot’s taking you, but at the very least, they have relevant info on you.

Dick’s voice again. “Did you hear her in that interview? ‘Lovable but scrappy.’” He smiled faintly at the words. “She actually likes Gotham. We should keep it that way.”

Tim again, confirming some details. “Transferred to Gotham U from out of state. No criminal record, no red flags.”

Damian’s voice cut in, sharp and dry. “Other than walking into the Iceberg Lounge with a résumé. That’s a red flag for stupidity.”

Dick countered, his tone softer now. “She doesn’t know any better. Give her a break.”

Jason laughed, his voice snarky over the comms line from his own patrol. “Oh, sure, Grayson. Let’s all gather around and shield her from the big bad city. What’s next, care packages?”

Dick sighed audibly, “Don’t you have a crime boss to scare right now?”

Jason chuckled, the sound low and warm. “Already done. You should’ve seen the look on his face. Priceless.” Another faint noise came through, likely the reloading of a gun.

Bruce’s voice cut through before Dick could respond. “Enough. Focus, Jason.”

“Whatever you say, B,” Jason replied breezily, though the teasing lilt was still in his voice. “I’ll keep an eye out, too, just in case our scrappy little friend stirs up any trouble at the Iceberg.”

Damian snorted. “I’ll enjoy seeing Cobblepot’s face when she quits.”

Bruce didn’t respond right away. His eyes lingered on your face, captured mid-smile on the monitor. Quietly, he murmured, “She’ll need another job. A safe one. I’m sure Wayne Enterprises will have something available for her.”

“Keep me updated,” Batman ordered as he stood, his cape swishing as he headed toward the Batmobile. “If she gets in over her head, we’re pulling her out. No debates.”

Damian’s voice came back, quieter this time, reluctant. “She’s already in over her head.”

Little did they know, Oswald Cobblepot’s schemes for you were the furthest thing from exploitative labor. In his mind, the idea of you actually toiling away with a mop and bucket was quickly becoming unthinkable—borderline offensive, even.

The moment he saw the way your eyes sparkled with hope and determination, and saw the way you'd listed your good grades on your resume in a hopeful attempt at impressing him and proving your aptitudes, he’d decided he’d let you sleep on the job if you wanted to. Hell, he’d set up a whole suite in the back of the Lounge if it kept you close and content. You could waste time dusting the empty liquor shelves or filing nonexistent paperwork all day if it made you feel productive. What mattered to him wasn’t what you did—it was that you were here, where he could keep an eye on you.

But of course, Cobblepot wouldn't admit that to himself. Not yet, at least. No, this was just “good business,” he rationalized. You were a valuable asset—your charm and friendliness were enough to lighten up even the Iceberg’s darkest corners. You had a way of making the whole place feel... welcoming and warm, like you were untouched by Gotham’s grime and crime. Plus you wanted to be productive. He scoffed under his breath, amused. Of course one of the first fresh faces ready to work at the Lounge was also someone who he didn’t dream of involving in his actual operations. Just his luck.

So, if you decided you needed an afternoon nap in the dusty janitorial closet? He’d send a goon to bring you a pillow. If you scoured the cleaning supply catalog for hours without actually ordering anything? He’d find it endearing. As long as you were happy and oblivious to the underworld swirling just beneath the Lounge’s polished surface, you could do whatever you wanted.

Unbeknownst to them all, while they debated your safety, Oswald was sitting back in his office, already plotting ways to make your life easier. Sure, he’d keep up the charade of being your boss for now—keep you busy with harmless tasks so you didn’t get suspicious. But he wasn’t about to let you work too hard. Not his sweet, naive new hire.

You didn’t belong in Gotham’s shadows. And as far as Oswald Cobblepot was concerned, he’d make sure you never had to find out just how dark they could get. Or at least, he’d try. 

By the time Oswald walked you to the janitorial closet—a tiny, forgotten room in the back of the lounge—he was already plotting how to keep you close. The closet was practically empty, a detail that normally wouldn’t bother him, but the way your face fell at the sight made him want to slap whoever was supposed to manage the damn place.

"Um… is this where I’m supposed to… work?" you asked softly, your voice unsure as you peeked into the empty closet. Your eyes darted around, taking in the barren shelves and dusty floor, as though you’d missed some hidden stash of supplies. "It just… doesn’t look ready yet?"

"Ah… this won’t do," he said quickly, covering his irritation with a smooth smile. "Looks like someone’s dropped the ball here. Don’t you worry about this, darlin’. I’ll get one of my guys on it—someone reliable. You’ll have everything you need to get started." 

His tone was honeyed, and though he aimed for casual reassurance, his sharp eyes flickered to the shelves like he wanted to set the whole closet ablaze for offending you. For fuck’s sake.

“No, no, this won’t do at all,” Oswald said again, shaking his head and clucking his tongue like he was personally offended by the state of the janitorial closet. “You deserve better than this mess, darlin’. I’ll have it sorted by tomorrow, you have my word.”

You blinked at him, “If you want me on the job today, I can make something work,” you offered tentatively, gesturing toward the dusty shelves. “I’ve been in worse spots before.” You gave him a sheepish smile, trying to seem accommodating.

Cobblepot scoffed softly, waving a dismissive hand. “No, no, absolutely not. I won’t have my new employee starting off in such... subpar conditions. It’s a poor reflection on me, and I can’t have that, now can I?” He straightened his tie with an air of exaggerated importance before leaning on his cane. “Here’s what we’ll do instead. You take the night to get familiar with the Lounge—on the house, of course. Have some drinks, relax, mingle a bit. Consider it my way of welcoming you to the team.”

You blinked again, even more confused. “Oh, um, that’s really generous, but shouldn’t I, like… fill out some paperwork first? Or sign something?”

Oswald chuckled, a warm, low sound that almost made you feel silly for asking. “Paperwork? We’ll handle all that boring nonsense tomorrow. No need to rush into the dull parts of the job, eh?” He gestured toward the door, ushering you back into the main lounge. “For tonight, enjoy yourself. Swing by the bar, meet some of the staff, maybe say hello to the security team. It’s important to me that you feel comfortable at the Iceberg.”

You hesitated for a moment, unsure if this was some sort of test, but his expression was disarmingly sincere. “Well… if you’re sure…”

“Positive,” he interrupted, clapping a hand on your shoulder with surprising gentleness. “Now, off you go. The night’s young, and the Lounge is at your disposal.”

As you stepped out of the closet and back into the opulent main floor, you glanced over your shoulder to see him watching you with a smile that seemed too genuine for someone of his reputation. You didn’t know him, but you’d heard some things. 

Unbeknownst to you, Cobblepot wasn’t just offering you free alcohol or a night to relax—he was staking his claim. He wanted you to feel at home, to see the Lounge as a safe haven, a place you’d always want to return to. Sure, there’d be paperwork eventually, but for now, the only thing that mattered was keeping you here, comfortable and unaware of the darker dealings hidden beneath the glamour.

Tim leaned back in his chair, toggling between the camera feeds inside the Iceberg Lounge. He was alone in the Batcave now, the others out on patrol in the city. “Well, there she is,” he muttered, zeroing in on his view of you at the bar. You were perched on a sleek barstool, your Gotham University sweater a stark contrast to the high-end fashion of the Lounge’s usual clientele. “She’s… drinking. A lot.”

Jason, freshly back from patrol—or what little of it he actually bothered to finish—sauntered into the Batcave, pulling off his helmet and setting it down with a thud. “That’s her?” he asked, nodding toward the screen.

“Yeah,” Tim replied without looking away. “You decided to show up?” His eyes flickered to the time down at the bottom of his monitor. "Thirty minutes early? B's not gonna be thrilled."

Jason ignored the jab, stepping closer to get a better look. “Huh,” he muttered, crossing his arms as his sharp eyes drank you in. You were laughing at something the bartender said, your cheeks flushed. You gestured animatedly with your glass while saying something they couldn't hear. “She doesn’t look like much.”

Tim raised an eyebrow, glancing up at Jason. “That’s what you cut patrol short for? To see her in person?”

Jason shrugged, his gaze fixed on you. “I was curious. Heard you and Damian going back and forth about her. Figured I’d check it out for myself.” His lips quirked into a faint smirk. “Didn’t expect her to be… this.”

Tim tilted his head. “This what?”

Jason gestured vaguely at the screen. “This… normal. Sweater, messy hair, drinking like she’s celebrating her midterms being over. Doesn’t scream ‘Iceberg Lounge material,’ y’know?”

Tim chuckled, toggling to another camera feed for a better angle. “That’s kind of the point. She thought she was interviewing for a janitorial position, Jason. Janitorial.”

Jason blinked, then snorted. “You’re kidding.”

“Wish I was,” Tim said, leaning back in his chair. “She walked in there with a résumé—an actual paper résumé—and asked about cleaning floors or whatever. Cobblepot probably laughed his ass off before offering her a drink.”

“He’s footing the bill by the way,” Tim added, toggling to a feed that showed the Penguin subtly watching you from across the room as he conversed with some guests. “She hasn’t reached for her wallet once. He’s just… letting her.”

Jason’s eyes narrowed as he studied the Penguin’s expression. There was no malice there yet, no obvious scheme in motion. Instead, Cobblepot looked almost… satisfied, like he was pleased with what he was seeing. “The hell’s his angle?” Jason muttered, his top lip curling in disgust at the possibilities.

“No idea,” Tim replied. “But if I had to guess? He’s trying to butter her up. Make her think the Lounge is a safe place, keep her happy and oblivious while he decides what to do with her.”

Jason scoffed, leaning back against the console.”She won’t last a week.”

Tim smirked. “You’re awfully invested for someone who just met her. Maybe you should prep a care package.”

“I didn’t meet her,” Jason shot back, though his eyes flicked back to the screen almost involuntarily. “I’m just saying, someone needs to give her a reality check before she gets eaten alive.”

“Maybe,” Tim said, watching as you swayed slightly to the music, chatting with another patron who’d joined you at the bar. “But she doesn’t look like she’s in danger. Yet.”

Jason grunted, pushing off the console and grabbing his helmet. “Yeah, well, I’m keeping an eye on this one. If Penguin tries anything, I’m ending it.”

Tim raised an eyebrow. “Oh, so now you’re helping? Didn’t you just skip the last half of your patrol?”

Jason smirked as he turned toward the exit. “Hey, monitoring Gotham’s underworld is part of the job, isn’t it? I’m just doing my part.”

Tim shook his head with a laugh as Jason disappeared up the stairs. “Sure you are.”

Back on the screen, you were oblivious to the scrutiny, to the way the curiosities of Gotham's vigilantes were beginning to blossom into something more.

[overdressedcarp]

I've been thinking for a while about the optional Magatama dialogue in The Cosmic Turnabout where you can prompt Fulbright about what's bothering him, and for both of the wrong answers, he acts like you got it right, and actively leans into the bit. For example, if you suggest that he's exhausted by life, he agrees and claims he's thinking about quitting his job and going to space. (Honestly, mood.)

(AA 5-4 and 5-5 spoilers below the cut)

It's a good line on its own: funny, and definitely relatable. With 5-5's context, though, it brushes up against a deep-seated desire to disappear, to run away and start over, something the Phantom hasn't been at liberty to do in years. He's shackled to a seven-year-old assignment, strangled by loose ends that he can't tie off. For maybe the first time in his life, he has to wake up every day and live with the effects of his actions, made blisteringly real in the form of the people he hurt.

(Do I think he's walking around harboring deep, profound remorse for UR-1? Not really, no. But the self-protective lie of "my choices don't matter because I'm not really a person" only goes so far when you're clocking into work every day to hang out with the guy who's on death row because of you, who's grieving because of you, and suddenly you're the only person he trusts to hear about the monster that ruined his life, and you planned for this but you didn't plan for this and honestly at that point I'd want to quit my job and throw myself into the vast expanse of space, too.)

Also worth noting, during this entire scene, any time Fulbright goes to answer a question or make an assertion about himself, the tinted glasses go up like a shield. Eyes hidden, hand obscuring the lower half of his face. It's something he does pretty regularly throughout the game, but it's egregious here. My man is on the defensive and he's giving absolutely zero ground.

But the big thing for me is the other "wrong" option, where if you claim that Fulbright is troubled by love, the Phantom's knee-jerk "yes, and," response is to tell a story about a carp named Love who ate a bunch of goldfish because he put them all in the same tank.

In the moment it's supposed to be absurd and comical and one more example of how hapless this guy is, but in retrospect, it's kind of telling that when the Phantom tries to conceptualize love in relation to himself, the first piece of Fulbright-flavored bullshit that comes to mind is about a creature that brings pain and death through mere proximity, not out of malice, but out of nature. As though, subconsciously, he's fixated on the notion of a foreign element that's been dropped into an otherwise peaceful space. A fish that seems like it belongs there until it devours the others.

He really could have said anything—he could have made up a story about a bad breakup, or a really sad movie, or a family member who died. He could have jumped to talking about Blackquill, and how he's concerned for his emotional state given the nature of the current case. But instead, his mind instinctively gravitates to a Love that consumes everything around it: a Love defined by its capacity for violence. There was never a world where the carp could exist alongside the goldfish without hurting them.

And idk. I feel like if he wasn't feeling some kind of way about that, then it wouldn't be bleeding into his Olympic-level improv gymnastics routine to convince Phoenix that he doesn't have any secrets and you can put the supernatural lie detector away now, thanks.

[shadamyheadcanons]

@shadowsfascination showed me this post from the Writing-prompt-s blog:

“Some say that an invisible red string is tied around the fingers of soulmates meant to be together forever. As it turns out, you can see these red strings, and have therefore created a highly successful matchmaking business.”

It gave me two brief ideas. The first one is a little more angsty and strictly involves Amy, while the second is fluffy and Shadamy-centric. They both have happy endings, though.

Angsty version:

Amy learns very early on about her gift, as it’s rare but not unheard of. She’s precocious about it; when she’s five, she’s prone to doing things like seeing happy couples with unconnected strings and bluntly saying, “You’re bad for each other.” Naturally, Amy’s mother is mortified by this behavior and urges her to stop doing it.

At first, this seems like a normal reaction...until one night at dinner when Amy asks, “Mom, Dad, why aren’t your strings attached? Mom is attached to the mailman instead.”

That’s how the truth comes out that her mom is cheating on her dad, which leads to their divorce. Amy blames herself, and her parents don’t do a very good job of convincing her otherwise. The resentment’s there, and she can tell. From then on, she resolves never to share her gift–her curse–with anyone for fear of ruining something else.

This continues until she hears two good friends of hers talking. One is trying to defend her clearly abusive partner, saying he’s “not always like that,” he’s “usually very sweet,” etc. And Amy just can’t hold it in any longer. She blurts out that they’re not meant to be together. The one she belongs with is the best friend who brought her in, the man who’s holding her as she’s speaking. Everyone’s silent for a moment, and Amy immediately regrets it...until six months later, when the two are dating and thank her for stepping in.

Amy embraces her gift at last and uses it to help others, becoming a matchmaker and relationship therapist. However, she spends just as much time “matchbreaking,” carefully working to break up couples who are bad for each other. She learns that sometimes, the best way to spread love is by ending ties that pull in the wrong direction, like pruning a plant of old leaves to allow new ones to thrive. It’s hard sometimes, but there’s no one who’s better at it.

Her mother never makes amends, but her father apologizes profusely for how he treated her when she was younger and introduces her to her new stepmom, thanking her for giving him the opportunity to meet her.

--

Now, the happier option:

Amy can see the strings tying people to their soulmates. Aside from aromantics like Sonic, who have little knots/bows on their fingers to show they’re complete on their own, everyone has a string...except for Amy herself. Hurt but determined, she decides to start a matchmaking business to spread love around the world in her own way, even if she can’t be a part of it.

Then, she meets Shadow, the only other person she’s met without a string. He brushes off her concern, as he doesn’t put stock in the concept and has reluctantly resigned himself to being a “dead end,” but Amy insists on trying to match him up with his soulmate all the same, as she feels everyone who wants a soulmate must have one. She finds it’s not so easy without the cheat sheet she’s had all her life. While getting to know Shadow and considering all the wonderful things he could offer as a partner, she can’t help but fall for him herself. Likewise, Shadow sees all the care and effort she’s put into bringing him happiness and fulfillment, the passion and devotion no one else could ever match. He doesn’t stand a chance, either. Amy takes the plunge and gets together with him even without that divine confirmation.

The truth of the matter, one that Shadow suspects, is that someone with the gift simply can’t see their own string, but Amy doesn’t need that validation to know she belongs with him.

[bwat5-blog]

Saying Goodbye: Arcane's Songs Of Grief

**Spoilers For Arcane**

Working on a Jinx post the other day it occurred to me I'd never really delved too much into the music even though it is SO IMPORTANT to the story. This is less critical analysis and more just something that interested me so if you don't care I don't blame you! But I get something out of it every time I get to spend time thinking on and digging into this show, so maybe you will to. This won't be too long as quite honestly I feel that-

A: These are fairly self-explanatory

B: I don't have the mind for lyric/poetry analysis and never have

1. Vi's world falling apart

Goodbye: song by Arcane, Ramsey, and Riot Games Music Team ‧ 2021

So this is the song that plays at the end of season 1 act 1 when we were all collectively saying something to the tune of "OH MY GOD WHAT THE FUCK JUST HAPPENED?!?"

It was a beautiful and tragic moment in the show and seriously set the tone for the rest of the story. I see this song as Vi's perspective as her world is completely falling apart around her.

Vander is dead

Mylo & Claggor are dead

Her possible last interaction ever with her little sister was deeply traumatic for the both of them, leaving her with crushing guilt over her loss of control and hurting Powder

She has literally been kidnapped and imprisoned in an adult prison without cause or trial (there is no pit of hell deep enough for you Marcus)

"I can hear the sound of a heartbeat before it goes out Won't ever leave my memory of bloodshed all around, And I can see a tear on my father's face before it falls out" :

Vi is hearing Vander die and telling us she won't ever be able to shake the memory of all this death and pain. And that comes back around unfortunately...

"Oh, my enemy, how could I have ever let you down?

Oh When all these trees saw us grow Cut our teeth and make our bones right here We'd play with shields made of stone Share our dreams and sit our thrones":

I see this as all about Powder/Jinx and Vi's crushing guilt over how they were parted. The trees watching them grow and the place where they played and dreamed of better days clearly being Zaun. But the line that is so indicative of Vi's trauma here is "how could I have ever let you down". As her guilt over how things happened will go to impact the course of her entire life.

"Be still, 'cause I see smoke up ahead and I got steel in my hands We will return like warriors, I swear, that we'll find glory up ahead Tell me

Where is my home? I don't recognize the faces anymore, no Where is my friend? The one I've known since I was only just a kid

I think it's time to say goodbye Goodbye, goodbye Goodbye, goodbye, woah":

This entire last section speaks to Vi's future when she returns to Zaun. Her entire world has changed. Powder has become Jinx. Ekko is a rebel leader and a warrior. The demon (don't yell at me Silco people I'm talking Vi's POV) who took her entire world away from her sits in her father's house. And when Vi returns she returns with fury and steel aiming to reclaim what she lost. Until she has no choice but to admit the world she knew is gone. Which takes us into our next song.

2. Jinx loses everyone

What Could Have Been: Song by Ray Chen and Sting ‧ 2021

I'd call this the song that captured the world's attention from Arcane. I mean having Sting alone was huge but this whole sequence was once again so beautiful and horrifying at the same time. Vi spends the whole show trying to get through to Jinx up until this point and you want to believe she is going to pull it off. Jinx is recognizing what Silco took from them, and the Council is starting the vote for Zaunite independence.

But it all falls apart. Silco is dead, and Jinx feels like Vi cannot love her anymore and feels rejected by her after everything that has happened. And this song begins, taking us into Jinx's POV as she lashes out in this moment of terrible grief and loss and angry. I'm not going to do the lyrics for this one like I did above because they are all pretty clear and direct. As Jinx makes the long walk to her destiny and fires the weapon that will destroy her people's chance at independence, she is telling Vi, Silco and the world how they have wronged her.

But the trick with Jinx is to remember she is an unreliable narrator. So when we are with her in this moment seeing it through her eyes we have to remember we cannot take everything at face value. So even though throughout the show we have seen Vi's guilt over what Jinx has become driving her, and after Silco's death Jinx essentially seems to blame Vi for what follows because she cannot "love her like she used to" because they are different. Where does that missile actually go?

I am the monster you created You ripped out all my parts And worst of all, for me to live, I gotta kill the part of me that saw That I needed you more

I hope you know we had everything And you broke me and left these pieces I want you to hurt like you hurt me today and I want you to lose like I lose when I play what could have been Oh, what could have been

Why don't you love who I am? What we could have been

I am your ghost, a fallen angel You ripped out all my parts I couldn't care what invention you made me 'Cause I, I was meant to be yours

I hope you know we had everything And you broke me and left these pieces I want you to hurt like you hurt me today and I want you to lose like I lose when I play

I want you to hurt like you hurt me today and I want you to lose like I lose when I play What could have been

3. Death touches Caitlyn Kiramman

I Can't Hear It Now: Song by Arcane, Freya Ridings, and League of Legends ‧ 2024

This song takes us into Caitlyn Kiramman's POV as she is plunged into the darkness of her mothers death at the hands of Jinx. Once again visually and musically it is a stunning moment. There is a notable difference to this one compared to the other two that I wanted to mention.

Vi's song-"Be still, cause I see smoke up ahead and I got steel in my hands, We will return like warriors, I swear, that we'll find glory up ahead Tell me"

Even with all of the loss and grief and pain in the rest of the lyrics there is a moment of hope. A promise of justice and righteous return

Jinx's song- "I want you to hurt like you hurt me today and I want you to lose like I lose when I play What could have been"

Full of anger and blame and hurt . Nothing positive but A LOT of emotion.

Now let's look at Caitlyn's lyrics:

There is an ocean so dark down below the waves Where you watch while these dreams gently float away And there is a silence so soft it's only memory Like the way your voice always sounds when you sing to me

But I can't hear it now Just tell me how to keep breathing while pretending I'm not drowning I don't know if I could I watched the door close for good 'Cause I couldn't keep it open

I just watched as the door closed for good 'Cause I couldn't keep it open

Just tell me how to keep breathing while pretending I'm not drowning I don't know if I could I watched the door close for good 'Cause I couldn't keep it open

Vi and Jinx are full of emotion and pain and loss but they are expressing it, even if it is misguided or negative. Caitlyn is drowning in her grief but trying to force herself to keep going and failing, and blames herself.

"But I can't hear it now ,Just tell me how to keep breathing while pretending I'm not drowning"-

Caitlyn so badly wants to hear her mother's voice again but she cannot. And she is trying to go on, be the new head of her house, testify before the council and everything else while maintaining her composure when inside she is completely and utterly destroyed. I mean for gods sake, revisit the moment she finally is alone with the person she can show vulnerability with:

it's like she barely makes it to Vi before her legs give out...

"I watched the door close for good 'Cause I couldn't keep it open"-

These are the last words of her goodbye to her mother. Not a lament of how the world is changed and she has to say goodbye. Not an angry accusation at those who wronged her. But blaming herself...

Conclusion:

Anyway! I hope you get something out of this. I did by writing it. I love the music of this show, and as a life-long band nerd and music lover seeing a show weave it's music into the storytelling in such an original way was truly special to me. Thank you for reading and take care!

[zyoumeval]

“Caleb is for the girls who are reluctant to show their true selves because they are afraid of losing their loved one after they show it.”

Caleb has known you for years to date, going through thick and thin, Caleb sees you as someone strong and unbreakable. He believes, whatever life throws you, you will still persevere fiercely on the path you choose. You will achieve greater things, you are going to reach the stars like what you’ve always told him.

Until one day, he couldn’t reach you through any form of communication. It’s like… you just vanished into a thin air after a certain situation that he knew it put you in a distress. He already consoled you, gave you company, and be by your side for days. But why were you not answering all of his messages and calls?

He knocks once, “Open the door, pip-squeak. It’s me.”

He knocks twice with more alert, “Pip-squeak, open the goddamn door. I need to see you right now.”

He groans in worry and knocks again, “Open the door or I’ll find a way to break this.”

After a while, he finally hears footsteps approaching the door of your apartment and a click echoed in his ears. With no time wasted, he turns the knob and enters your apartment hurriedly, closing the door behind him.

What Caleb doesn’t expecting to see is your disheveled state; bloodshot and swollen eyes, messy hair, and nose colored in red.

“Wha-” He shuts his mouth and pulls you gently by the wrist to your couch. He sits you down and kneels in front of you, his hands cradling yours carefully as if he’s afraid you’ll break the second he touches you.

Your eyes meet his, “Why are you here? Aren’t you already in Skyhaven?”

“You didn’t answer my calls or reply to my messages for the whole day. You expected me to not worry about a single thing?” He states. “Tell me. What happened?”

You shake your head and lean your head back to the headrest. You stare into the ceiling emptily, “There’s nothing to worry about.”

“You want me to believe that?” He says in a quiet voice. “Do better than that, I’m not taking any bullshit you say at this moment.”

You sigh softly and lift your head to look at him. Emotions still swirling hard inside you, honestly, you are unable to meet his sharp and demanding eyes. But this is Caleb that we are talking about, he will never stop and leave until he gets the answer he wanted.

“I think…” You pause, “What they said is true, me being irresponsible for my actions. If from the start I knew I couldn’t do it, I should’ve avoid taking the position. I should’ve just… chosen the usual position that I’m familiar with, not taking the risk like this. It supposed to go well, I supposed to be a person they always see, not like this.”

He scoffs softly and shakes his head, “Are you trying to impress them or what? Do they deserve your immense attention like this?” He replies firmly, “C’mon, college is a time to explore things that you haven’t done before and it’s a good thing. People made mistakes and you can’t always please them.”

He squeezes your hands and leans closer, “You’ve tried your best, you did your part well. There’s no expectation you need to fulfill at that part, so don’t lose yourself to matters like this.”

“How can I?! They talked about me and even spreading it to uninvolved people in this project! I was afraid, Caleb. I was afraid coming to college because of it!” You snap and tears run down freely over your cheeks.

“It’s them who can’t appreciate you, pip-squeak,” He refutes lowly. “You’ve reflected enough these past few days and you already knew the answer. They weren’t worth of your attention and care. There are many people who deserve it, find them. Don’t focus on them only, this world… doesn’t revolve around them. Take a step out of the bubble and you’ll see people who are worth it.”

Caleb lifts his body up and embraces you in his warmth, his hand rubs your back soothingly. Caleb shuts his eyes as he nuzzles the skin of your neck, you’re too good for this world, too naïve sometimes — and he wants to be the one who holds your hands to protect you from this cruel world.

“Don’t worry about a thing now, pip-squeak. I’m always here for you.”

[auraee]

This maybe potentially controversial, but I’m choosing not to take part in the Lnd boycott. My reason behind this is as a poc fan of the game with criticisms towards the very same game, whenever someone like me speaks out on this various issues regarding the fandom (the racism and colourism) and the company itself, we get ignored, blown over, pushed aside, told that it’s not that serious, and told that we’re lucky that we even get to PLAY the game.

Lnd is a game that’s accessible to EVERYONE. The very least they could is people of colour to be able to self-insert and immerse themselves fully. And Infold hasn’t even done that fully. It’s not right that you lot tell us that we should consider ourselves “lucky.”

Not only that, but I’ve also noticed the obvious difference in engagement between black/brown content and white content. For a fandom that claims to be lovely and peaceful you can tell there’s distain. We get a fraction of the engagement that white fans get and that much is obvious. With that being said you want us to support you with this boycott? Nope, count me out.

We’ve been pleading to have our, frankly , more serious issues acknowledged for aeons only to receive crumbs and you expect us to bend over backwards and help out? No.

Is the fact that it’s increasingly harder to be f2p? Sure. Is Sylus being tried unfairly? Potentially yes. Is the fact that there’s no option for curly coily hairstyles for poc to use horrible? Obviously. Does it suck that there’s only one body type? Also yes. Is it weird that there’s no diversity amongst the npcs in Lnd’s world? Definitely.

I’ll only consider it fair when ALL issues and acknowledged and acted upon. Not just some, just because it doesn’t affect YOU personally.

Edit- I’d also like to add that the guys who also play the game had a right to want a male MC. Again, they should be able to express themselves and their frustrations, without being told to “stop complaining” or to “not play the game.” The same issue occurs when some problems are acknowledged because it is convenient for a prominent group in the fandom and not everyone else when it should be everyone.

Edit 2 - I've also had another thought. I think the reason why people have been saying Westerners are entitled is because it comes from a mindset of having everything catered to them from baseline. Do you have white skin and straight hair? Well, you can find that in customisations in every game. You've never had to reach out or felt uncomfortable about being unable to express yourself in customisable games. However, if someone with coily hair comes along and asks for options to include them as well, it's now viewed as an entitlement. That we're suddenly demanding too much. I don't think asking a company that makes an obscene amount of money off of their audience and who's catering to the same audience, for additional hairstyles and body sizes. I think it's because those who are in the default category (except for a few) simply can't fathom not being included in things. They literally can't or refuse to even attempt to see things from another's perspective and likely don't care for those who are constantly excluded. Which is why they create excuses for these companies.

[coraniaid]

I know I keep going on about this, but I really do think that the majority of the Buffy fandom downplays the importance of Buffy's relationship with her mother to, at times, an almost ludicrous extent. Obviously it's not a perfect relationship (if you think Buffy has a perfect relationship with anyone on the show you've really not been paying attention) and indeed at times it's a very strained one, but it's a central part of understanding who Buffy is and why she says and does things that a lot of writing about Buffy on this site just ... pretends isn't there.

There are more or less extreme examples of this -- I saw a "Giles should have adopted Buffy!" post a couple of years ago that didn't even acknowledge that Buffy had a mother who might have objected -- but so much analysis of the show seems not to engage seriously with the thought that Buffy might care about her mother as a person or worry about her mother's opinion of her. And really, the show is very, very clear about this. There are multiple episodes in the high school seasons where the emotional stakes only make sense if you accept that 'demons from hell might end the world' and 'Joyce might think her daughter is getting into trouble at school' are two roughly equivalent problems for Buffy to navigate.

I recently saw a post about Season 5 that listed Joyce's death as just one of several different reasons for Buffy's burgeoning depression that season -- along with Riley leaving and her having to drop out of college -- but .... that's not right, is it? Those aren't three isolated and independent issues at all. All of those factors go back to Buffy's mom. Riley leaves her in Into The Woods because he decided the fact she's too worried about her mom getting sick to spend time humoring his fragile ego means she doesn't really love him. Buffy drops out of college in Tough Love because her mother died and she has to take care of her sister ... which, when you remember that Dawn is explicitly presented as a stand-in for Buffy ("she's more than [my sister]," Buffy tells us in The Gift, "she's me"), can only be read as Buffy dropping out because she has to take care of herself. "Who's going to take care of us?" as she asked Dawn in Forever.

Buffy's depressive spiral in Season 5 happens because her mother dies. There are aggravating factors, sure, but this is surely the heart of it. It's not because her crappy boyfriend left or she suddenly remembered she was a Slayer. It's because her mom gets sick and dies, and Buffy Summers -- who is afraid of hospitals, who blames herself for every death in Sunnydale, who has been trying to protect her mother from the supernatural for years, who hates the very thought of there being problems in the world she can't solve, who loves her mother more than she can say -- doesn't know what to do about it.

"I don't know how to live in the world [...] if everything just gets stripped away. I don't see the point. I just wish my mom was here," she tells Giles in The Gift. It's Buffy who turns to the door to let the shadow of her mother back inside in Forever, and Dawn who has to break the spell that brought her back. In Season 6, Buffy is trapped by a demon in a fantasy world where she was never the Slayer and her mother is still alive, and it's that image of her mother, telling her that she's strong and urging her not to give up which allows her to break free. When Giles comes back to England that season, and offers Buffy a temporary reprieve from all her new financial worries, the highest praise Buffy has for him is that this uncharacteristic generosity on his part is "a little like having Mom back".

There are people in the world Buffy cares about as much as her mother (but not as many as some of you think), and there are perhaps a dozen characters who appear in the show more or get more speaking time than Joyce Summers, and there are certainly lots of characters the writers obviously care much more about as people in their own right. (Like many of you, the writers seem pretty dubious about the idea that middle-aged women could ever be interesting.)

But there is nobody in the world who means more to Buffy than her mother, and I think trying to analyze the show as if there were is going to give you a very strange impression of what's actually going on. Ideas like, well, maybe Giles should have adopted Buffy.