#and this one doyle story that you absolutely cannot watsonion-analysis your way out of. it just sucks
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july-19th-club · 1 year ago
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it's all fun and games getting letters from watson until you make it to the three gables . what's interesting to me though is not the question of 'did doyle write this one' - i think it's sort of a fan's cop-out to suggest that because this story is so casually racist, it *can't* have been written by doyle. i think it's more worthwhile to look at the number of years between 'the yellow face' (the titular face refers to a blank mask worn by a little girl) - a very sympathetic and respectful, for its day, story, and 'gables' - 'face' was published in 1893 and 'gables' was published 33 years later, in 1926. and this is well into doyle's weirder years, after he's been into spiritualism and wwi has happened and he's old and strange. some of his stories from these years are very fun, and others are...less so. even saying 'sometimes people change and get worse as they age' isn't really it, because there's ugly things in the earlier stories too, just to a lesser degree and without such an obvious degree of humor taken in them. those you might be able to describe as 'a product of their time', an unconscious bias that is not appropriate but also not meant with a serious degree of ill will beyond cultural bigotry. gables is so racist it almost feels out of character, but saying that also feels like an excuse in a way that doesn't sit right with me. so there is no excuse for gables. no grander conspiracy. no justifiable explanation. it's not just unfortunate and distasteful. it's a shame.
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faithful-grigori · 11 months ago
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”#and at the same time these stories can be full of compassion for the disenfranchised (usually women or victims of domestic abuse), #and it's also not really worth it i don't think to say 'oh it's only racist because it's a product of its day so we can overlook it', #racist people are writing in the modern times also, #like im not saying 'he was old and stupid so i'm excusing his racism in this story', #the reader has evidence that the author can and has chosen to do better. he just this time chose to do worse#and the worst part to me is how obviously he seems to think this is a funny scene. like we should all be having a giggle, #gotta be real with u acd i am not having a giggle mate, #this is the series that gave rise to the terms 'watsonian/doylist' as a means of discussing in-text versus authorial motivations, #and this one doyle story that you absolutely cannot watsonion-analysis your way out of. it just sucks”
it's all fun and games getting letters from watson until you make it to the three gables . what's interesting to me though is not the question of 'did doyle write this one' - i think it's sort of a fan's cop-out to suggest that because this story is so casually racist, it *can't* have been written by doyle. i think it's more worthwhile to look at the number of years between 'the yellow face' (the titular face refers to a blank mask worn by a little girl) - a very sympathetic and respectful, for its day, story, and 'gables' - 'face' was published in 1893 and 'gables' was published 33 years later, in 1926. and this is well into doyle's weirder years, after he's been into spiritualism and wwi has happened and he's old and strange. some of his stories from these years are very fun, and others are...less so. even saying 'sometimes people change and get worse as they age' isn't really it, because there's ugly things in the earlier stories too, just to a lesser degree and without such an obvious degree of humor taken in them. those you might be able to describe as 'a product of their time', an unconscious bias that is not appropriate but also not meant with a serious degree of ill will beyond cultural bigotry. gables is so racist it almost feels out of character, but saying that also feels like an excuse in a way that doesn't sit right with me. so there is no excuse for gables. no grander conspiracy. no justifiable explanation. it's not just unfortunate and distasteful. it's a shame.
26 notes · View notes