#and they will get hurt

[juice-enjoyer]

i really enjoyed chapter 4...kris nation rise up

[cronchy-baguette]

When all this is over, will you stay with me? For good?

[greykolla-art]

Asterix is such a little ragdoll, it’s irresistible to draw him unconscious.

[dozydawn]

micro crimping really changed the ballroom hair landscape. i remember when i first started seeing it, i thought it was nets making that texture. nope, nets are only on the buns. people were just so tired of the wet shellacked look, that this is now all the rage.

[saucefunk]

CONTROL YOURSELF

[last-to-the-rottmnt-party]

Part 1/2 NEXT

Uhhhhh... A comic? Like a big ol' comic??? I don't even know, friends, I don't know how to colour and/or draw comics. I'm just living my best half-assed artist life ✨ Also sorry if my writing is messy ✨

Anyway, this comic is kind of a branch off of the comic I posted a WIP of a bit ago. Long story short, Leo has big insomnia™ and instead of lying awake all night he tends to use the time for more useful things. Like checking on his dearest brothers!

Poor Raph has nightmares, but usually keeps them to himself. However, he's been more comfortable talking/crying about his issues with Leo bc he managed to convince Raph that, as a leader, he needed to be aware of his team's headspaces... Or something idk just go with it.

Anywayyy the next part is where Leo checks on Mikey and Donnie sooooo stay tuned!

[morganbritton132]

Hopper, after ‘arresting’ seven year old Steve Harrington and eight year old Eddie Munson: Now, sit back there and be quiet

*five seconds later*

Eddie: *stabbing Steve with the foam sword that put him on Hopper’s radar in the first place*

Eddie: Ha! I’ve stabbed you. Now you will die by the blade of the Mighty Eddie!

Steve: *frown*

Steve: Mr Hopper, I don’t want to die!

Hopper: Then don’t

Steve: But he stabbed me.

Hopper: Stab him back.

Hopper: Wait, don’t-

Steve: *stabs Eddie with a pencil*

Eddie: Ow! *loud inconsolable crying*

[suntails]

touch the spindle, touch it i say!

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[suntails]

sacrifice

[k3n-dyll]

I know I'm being joke-y about it but I am actually very sad and hurt rn because this ban is just the start of the US government stripping us of our rights! It was never about security risks, it's always been about the rich dickheads in the government not wanting us to be able to speak to one another and spread information about the causes we care about without censorship.

[hairmetal666]

It's Wayne that goes with him when he buys the truck. He offers to go with him. Uses one of his few days off to do it.

On the way there, it strikes Steve that his own father would never do this with him. The man hadn't even bought the Beemer himself, just sent an assistant to take care of it. And here Wayne is, driving them to a used car dealership, humming along to some old country-western song on the radio.

It takes three dealerships for them to find it, but Wayne is patient, stoic, takes careful note of the cars that catch Steve's interest. He asks the salesman if he can pop the hood, peers at the engine, kicks the tires. He asks questions Steve would never think of, about adjustments to the odometer, history of repairs, if it was in any accidents.

Steve never considered wanting a truck, doesn't think it's his style. But he's walking the lot at the third dealership, and he sees it. It's a Chevy, blue and white, a few years old. It's in good condition, but was obviously used for work.

He walks towards it.

"You like this one?" Wayne asks. If he's surprised, he doesn't show it.

"Yeah, it's--yeah," Steve nods.

Wayne does his checks, asks his questions, gives a nod of approval.

It's the first car he takes on a test drive.

He barely has it on the road before he knows it's the one. It surprises him. He always thought he was his true self in the BMW, but now--the engine has a throaty grumble to it, can feel it rumbling through his foot on the pedal, and it's--it's--perfect.

"This it?" Wayne asks as they pull back into the lot.

"Yeah, yes. It's. Yeah."

"Well, let's get to hagglin."

Wayne is, of course, an expert haggler. By the end of it, he's got a couple thousand dollars knocked off the asking price, Steve more than within budget.

They drive back to Wayne's little house on the outskirts of Hawkins, the one the government gave him, the sun just disappearing behind the horizon.

Eddie stands on the small porch, wide smile on his face.

"Wow, Wayne," he says. He wraps an arm around his uncle's shoulders. "You really did a number on him."

"It's a solid vehicle, Ed."

"Never took you for a truck man, Harrington," Eddie teases.

"Can't you see how gorgeous she is?"

Eddie raises an eyebrow, his smile not faltering. "Wow, it's true love then."

"Looks like it. Wanna come for a ride?"

There's only a second where Eddie hesitates, but then he's running inside to grab shoes, tripping on his way to the truck.

---

It happened like this:

Eddie Munson died in the Upside Down in 1986.

He's reanimated by Vecna for the final battle, a puppet to do his master's bidding.

When they win, when Vecna is dead in a pile of dessicated vines, they can't find Eddie. Scour the Upside Down for him and come up empty. They have to assume he's dead, like everything else there, kept alive only by Vecna's power. None of them want to leave without him, but the world is destabilized, they can't stay, El has to close the gates.

That night, Steve pulls the battle vest from under his bed, sobs into the blood-soaked denim, the grief from the loss just as fresh as March of '86.

He and the kids, they go visit Wayne. It becomes a regular thing.

Two weeks after the end of Vecna, Wayne calls him. He's panicked, near hysterical, nothing like the man Steve's come to know.

He goes, fast as he can, to Wayne's house. All the lights are off, the front door ajar, and he runs, clattering into the living room.

Wayne is in the recliner, face pale and strained, and on the couch--on the couch--

Eddie Munson.

His hair's lank, his skin sallow, the light in his eyes dim, but it's him. Unquestionably.

Steve does the only thing he can think of, calls Hopper. He shows up a little while later with El and Will.

"I called Owens," Hopper says.

"Why would you do that?" Steve is angry.

"Look, kid, I get it. But none of us are equipped to deal with this."

He's right, so they wait.

It doesn't take the doctor, El, and Will long to figure that Eddie is Eddie, even though his heart beats a little slow and his skin's always cold and his blood is slightly the wrong color. He's still at least 75% human, and that's enough.

Only those six people know. It's dangerous to tell anyone else when the world still thinks Eddie Munson is a serial murderer. Owens asks for time to clear his name, and they have no choice but to agree.

After two days, Steve thinks he should give Eddie and Wayne space, but as he rises to go, Eddie's hand grips his wrist. "Stay?" He asks. Steve doesn't leave.

It's hard, keeping the secret from the rest of the kids, Robin. He wants to tell her, more than anything. About how they share a bed most nights, how he's memorizing the shape of Eddie's body in a way he shouldn't, how the gentle desire turns to profound longing--but Eddie's safety is the most important thing, so Steve keeps it to himself.

---

They go out in Steve's truck almost every night, always on backroads. It's the only way Eddie can leave the house.

It's Steve's favorite thing, the only time Eddie seems truly happy. They roll the windows down, turn the music up, and whip around deserted farm roads. Sometimes, Eddie will stick his head out the window, shout out into the night.

Steve is in love with him.

He has no idea if Eddie feels the same, figures it doesn't matter. He'll harbor this flame for the rest of his life without complaint because Eddie is alive.

He thinks he's done a good job at hiding his feelings, thinks he's able to avert his gaze, hide his blush, when Eddie comes out of his room in only his boxers, thinks Eddie hasn't noticed how Steve's eyes linger when they share joints lying in the bed of the truck.

Except tonight--tonight--they're driving back home, and Eddie, he's been quiet, distant, fidgety, and now he reaches out to turn down the radio, which has Steve's stomach in a knot.

"You--Steve, you've been so great. To me and Wayne, and--you're family, you know? To us, you're--but--"

And Steve thinks this is it, that Eddie noticed, that he's being let down easy, and he wants to throw up, cry, but Eddie's still talking.

"You have a life to live, right? You're--you're 23 and you're not stuck here like me, and I know Robin is ready to go and the kids are--they're going to college soon, and you shouldn't stay here for me, I'm--"

"What?" Steve says.

"What?" Eddie echoes.

"I don't want to leave," Steve says.

"But--"

"Where you are is where I want to be."

"I'm in love with you," Eddie says. Cover his face with his hands.

Steve pulls the truck to the shoulder. His hands are shaking.

"You love me?"

"I'm sorry." His apology is muffled. "I didn't mean--I know this fucks up--"

"Eddie." He says, soft. "Look at me?"

One deep brown eye peers up at him. "Eddie, I--I'm hopelessly in love with you."

Both eyes now, mouth a bright curve. "You mean it, Harrington?"

"Fuck, can't get enough of you, Munson."

"You know, if I thought for a second anything like was possible, I would've--fuck, I would've made a move ages ago. I would've--"

"Shut-up," he whispers against Eddie's mouth. "Kiss me."

---

And later, Robin will ask if he has someone, and he'll say yes, and she'll ask, soft, "is it him?" and he'll nod, and they'll both cry.

Later, a news report, Eddie Munson's body was recovered from the bottom of Sattler Quarry, bearing the same wounds as Vecna's other victims.

Later, Chief Powell will hold a press conference, say they're looking for a man named Henry Creel, wanted on suspicion of killing his mother and sister and the aggravated assault of his father with an MO that matches the 1986 killing spree.

Later, Steve will shave Eddie's head, Eddie crying softly as the hair tumbles to the bathroom floor. Steve will kiss the tears away, one by one, say, "I know it's hard to let go. But we'll move away, to a place where people say 'you look like that guy, that Eddie Munson,' and you'll say, 'I get that a lot,' and your hair will grow back, if you want it to."

Later, they'll invite everyone to Wayne's , everyone except Dustin, busy in Boston with an internship, and Eddie will be there to welcome them.

Later, he and Eddie will take the truck, drive up to Boston. And Eddie, he'll spy Dustin first, walks up to him and says, "Pretty metal tattoos, little dude," and they'll all cry until Dustin stops to yell at them for keeping the secret.

Later, Steve and Eddie will leave MIT--Dustin screeching that they have to call him every night promptly at 8pm still ringing in their ears-- in search of their future.

[starry-bi-sky]

im being hit with The Visions again

the Vision this time is a "homeless danny in gotham" au except its pre-robin Batman again because im on a batdad kick. --------------------

Danny finds a car.

Which-- isn't, like, anything super interesting or impressive. It's Gotham, it's a big city. There's cars on every corner, can't throw a stick without hitting one somewhere. And then setting off the alarm.

But-! It's a car, and it's past midnight-- or he thinks it might be past midnight, it's late enough to be. He doesn't have a watch and he left his phone at Vlad's; asshole put a tracker on it after the last time Danny ran off.

It's been over a month since, it's a new record -- last time it took just over two weeks for Vlad to find him and drag him back to the mansion. This time, Danny ran further. Left the state and everything. See how long it takes Vlad to find him now, hah.

People go missing all the time in Gotham.

Anyways-- there's a car, and it's midnight, and it's parked in an alleyway. Danny would've called it invisible with the way he pretty much trips over it, phasing through the wall of the building beside it and not watching where he's going, but it's not. So he doesn't.

Danny runs into the hood and nearly faceplants right into the darn thing with an 'oomph', hands catching himself on the metal as a flash of irritation flashes hot through his gut. It doesn't hurt or anything, but getting the wind knocked out of you sucks always, and he's tired and hungry, and as a result not in the best state of mind.

He's just about to sink his foot into the side of the wheel -- it wouldn't do anything, he's not that big of an asshole, but it's the principle -- when he stops.

Danny pauses.

He takes a step back, holding his hands out 'n' everything, and examines the car. He squints, trying to get his eyes to adjust to the darkness, considering the closest streetlight is twenty feet that way and positioned in a way that none of the light is hitting it.

Danny would not call himself a car guy. He doesn't think he counts, considering his size and lack of everything. But, but, he knows his way around a few cars, and he had an old obsession with older models when he was little that kinda petered out of existence after his accident. Had a bunch of little car models sitting on one of his shelves back in Amity, and Dad offered to get his hands on an old car for the two of them to fix up together so it'd be ready for Danny when he got his license.

...Anyways.

Point is: Danny can appreciate an old car, and this car has an older -- albeit obviously modified, if the matte paneling and plated wheels meant anything -- look to it. That kind of flat top went out of style years ago, and it's got this kinda rectangular look Danny doesn't see often these days on modern cars.

Other than the electrical cars, but he doesn't think those count. That's boxy, not rectangular.

Danny frowns, tilts his hands down, and leans back further as if that will let him get a better look at this thing. "...What model is this?" He mutters, it's hard to tell in this lighting.

Wait, he should see if there's anyone in the car. It's not running or anything, and nobody's come out to yell at him -- or shoot him -- but, still. People are crazy in Gotham, crazier than they've ever been in Amity. The last thing he needs to do is piss off some guy from the mob.

Danny peers into the window and-- there's no window, okay. Well, no window, and no driver. Some idiot left their car unprotected and without windows, in Gotham?

He pulls on the door handle just to be annoying -- it doesn't budge. Okay, maybe not that stupid. Especially since Danny didn't even see it until he was quite literally running into it.

So. Not that stupid.

Danny looks around warily, pulling his hoodie around him tighter, and then starts circling the car slowly. Like a vulture. No license plate; shocker. Hear how shocked he is? Clutching his pearls right now.

"Reinforced bumper. Cool." he says, er- whispers, really, quiet enough that it doesn't even echo. Danny squats in front of the car and runs his hands over the -- what, should he even call this a bumper? It's bigger than his head, and it's covering the grille. He picks at these... things on the side that remind him of leather straps. Probably to keep this bumper up? Like a ratchet strap?

Danny leans back until his butt hits the ground and he can sit back properly, propping himself up on his hands -- maybe not a good idea. There's probably broken glass somewhere here and he doesn't wanna pick shards out of his palms, again. It's like popping the world's most annoying zit depending on if it gets under the skin.

(He could always just phase them out, but the picking gives him something to do. It doesn't hurt that much.)

Eh. It'll be fine.

With one knee propped up, Danny looks the front up and down, and furrows his brows. The style kinda reminds him of a dodger, especially with the placement and style of the headlights. He plants his hands on the concrete -- hissing when he feels something cut into his palms, ow, there's that glass he was talking about -- and leans down to look under the car.

Hm, nothing jutting out that much. Looks pretty normal. Good space between the bottom and the ground.

He gets up and circles the side again, brushing whatever pebbles or glass that could've stuck into his skin off. He's really curious about where the owner got matte plating for it, or if it's just a wrap. The silhouette's definitely sixties or seventies; too angular for the eighties and fifties.

...There's no one here, Danny looks around again just to make sure, cranes his ears to catch anything. Nope, just the typical quiet rumbling of Gotham's underbelly. It kinda reminds him of Amity, or-- no. No, it reminds him of the quiet groan of the Zone.

That's far more comforting, he thinks. Danny's never really liked Amity all that much.

Back to the car: there's no one around, so Danny folds his arms against the side of the door and sticks his head inside the window. No keys in the ignition, should've figured.

Not like Danny was planning on stealing the car anyways -- anyone capable of modifying a car into this kinda beast -- or paying someone to modify -- was not someone he wanted to piss off. Danny's an orphan, not stupid.

Ignore the fact that he's got his head stuck through the window. The interior isn't anything interesting, but the seats are made of leather, which is nice. Must be a pain in the summer or winter, but leather is cool, and gets stains out better than cloth.

No stick shift though, he's a little disappointed.

Danny presses his mouth into a line and then slants it, humming in the back of his throat. Honestly, he's kinda tempted to crawl in and go to sleep. The leather seats look really inviting, and he's been sleeping on the ground or on park benches for weeks, and the car is really well hidden. No need to worry about being kidnapped.

But, it still belongs to someone. And they're probably using it for something shady. They'll come back for it eventually, so he should get this gawking over with anyways.

And, and-- and. He wants to get a look at that fucking engine. 'Cause holy shit!

Danny pulls his head out of the window and half-dances over to the back, his hand curling around one of the bars as a grin spreads across his face. Now, Danny hates Christmas, but this, this is like it came early and good for once.

"You could smuggle moonshine with this thing," Danny says to himself, grinning ear to ear and running his hands over the edge of the metal. The car is too conspicuous for backroads driving, but the engine, wow. What a thing of beauty.

One of Auntie's friends would probably know what engine it is -- or what type of engine it's based off of, it could very well be a bunch of different engines frankenstein'd together. Danny doesn't recognize it.

Which means it could be illegal. Again, what a shocker. In Gotham? He's clutching his pearls.

Fully satisfied with himself, Danny dances around to the front again and holds his hands out. He makes an 'L' with both hands and shuts one eye, getting the car within the frame of his fingers like he's about to take a picture.

"I rate you," Danny makes a camera shutter sound and mimics taking a photo, "one cool fuckin' car."

"Thank you."

Danny doesn't scream. He does not. He's taught himself better since ghosts started popping up in Amity, and honestly he deserves some credit for that considering they only started popping up over half a year ago.

He does, however, gasp. And he gasps hard, the type that has a high chance of giving you the hiccups afterwards; the painful, chest-thumping kind. Danny slams both hands over his mouth and stumbles backwards, eyes wide and his heart kicking into the fifth gear in his ears.

Bleeding out from the shadows is a man entirely drenched in black, Danny can hardly make out his silhouette and barely catches the white glints of his eyes. Fear like a prey animal burns in his lungs, wild and rabid, Danny has half a mind to bolt.

His ghost sense didn't go off, which might just be the most terrifying thing.

The man doesn't move any more than a step, just enough that Danny can barely see him, but he can feel him watching him. Shit. Shit. He should've never stuck around.

His hands are still over his mouth, Danny, shaking, flutters them open, "How-- h-- how--" he wheezes, "how long have you been standing there?"