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dcxdpdabbles · 6 months ago

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omg i love everything you write why you so gooddd

i wanted to know, if requests are open? i dont know how it all works, i rarely use tumblr ^^"

if yes, can we have another part of Why Ten?

Damian does not want to do this, but his father is giving him no choice in the matter. Apparently, the man thought he owed Daniel a proper apology for his behavior while under the effects of a concussion.

Why does that mean Damian was the one suffering? Ugh, he should turn back. Tell his Father he failed in the mission assigned to him and take whatever punishment it would earn him. Surely it would not be as nerve-wracking or as nauseating as standing here would be?

Damian is about to do that, turning towards the run-down porch steps when the front door swings open. Only his training stops him from stumbling in place like a fool.

A man in a purple shirt raises a brow at him. He is shockingly handsome in a near-offputting way. The part that ruins his beauty is his lack of emotional expression. Damian had seen plenty of ninjas who trained years to craft the perfect impassive mask, but even they showed some signs of humanity.

This man does not.

Damian scrambles to straighten his back and raise his chin, cursing his palms for becoming sweaty. It's a nervous tick he's never been able to control, and he really hopes the other can't tell.

After all, he is Daniel's aloof uncle. As much as he questions how involved he is in his friend's life, this man still means a lot to Daniel. Damian wants to make a good impression on him.

"Can I help you?" His voice belies his humble station, reminding Damian of the aristocrats of his upbringing.

"Is Daniel Fenton home?" Damian asks back, fighting to bite his tongue at what could have been disrespectful. He meant to ask if it was alright to see his friend, as he had come calling for him, but somehow, his panicked voice became more biting.

More like the aggressive Robin than the spoiled Wayne.

The man's face doesn't twitch, mouth firmly shut. Damian waits a few seconds before pushing more words out of his mouth. "Does Daniel Fenton live here?"

Nothing. Just a dead-set stare that seems to drag Damian's very soul out of his body. His heart rate picks up as he suddenly wishes he had brought his katana along. This is the worst mission he's ever been on.

Taking a few steps backward- not cowering! Damian Wayne does not cower- Damian stammers. "Does Daniel Fenton even live on this street?"

He is about to run for it when the man finally speaks. "Danny is in his room. You brought flowers. Why?"

Damian risks looking down at the bouquet Alfred recommended, clutched in a death grip. He had nearly forgotten about them.

Damian was unsure of the proper custom for inviting a friend for dinner as a formal apology for past behavior. His father had insisted that he be the one to request Daniel's presence as he was the one the other boy was friends with. Despite not being anywhere near prepared, he had thrown Damian out of the manor with the instructions to extend the invitation.

The young Robin quickly realized that he was severely underprepared and had chosen to seek wisdom from the sanest family member. The old butler assures him that the flowers are a class act, even if few youths participate in the effort.

The dozen red roses would make Daniel feel special and increase his chances of success.

None of which he could tell Mr. Clockwork about. So Damian settles for a helpless shrug which makes the man's other eyebrow raise. It's a bit unsettling how little emotion that action causes.

"Danny! Can you come down here?" The man doesn't raise his voice but somehow sharpens it. Damian finds himself standing at attention upon hearing it without real thought.

Was Mr. Clockwork in the military?

"What's up?" Daniel calls from further in the house. At the sound of his voice, butterflies appear in Damian's stomach. He fights not to fidget, especially with Mr. Clockwork staring him down like the grim reaper valuing a soul.

He used to think Father was intimating. Fool he.

"Dami?" His friend appears over Mr. Clockwork's shoulder. His hair is upkeep, his clothes are old and withered, and he not wearing shoes or socks.

In all cases, he does not look his best, yet still, Damian could find no fault in his appearance. Just like his uncle Daniel was unfairly, inhumanly attractive.

His heart launches in his chest when Daniel's face lights up, recognizing him a second after his confusion. "Dami! Hey, what's up?"

"I have a message for you," he hears himself say from far away, staring helplessly into his blue dazzling eyes. Mr. Clockwork narrows his eyes as Daniel tilts his head.

"Why didn't you text me then?"

"It would not be formal to request in a text. I wish to invite you to dinner." Damian blurts, watching with small horror as an emotion finally starts to build on Mr. Clockwork's face.

It's rage.

"Dinner?" Daniel repeats, his eyes flickering to the flowers in his hands. Damian, with a start, remembers he forgot to give them to him before asking. He thrusts them towards his friend, his heart actually starting to hurt from how fast it's racing. Is it hot all of a sudden?

One of the rouges must have done something to weather again.

Daniel is frozen in the doorway, staring at the outstretched flowers and Damian like he's grown a second head. This is all horrible, and he truly wishes he would die right this very second to spare him.

Father has forsaken me, Damian thinks in near hysteria It's the only explanation for forcing me to do this.

"Oh." Daniel finally breathes, taking the flowers as gently as he can. He presses his nose to them, taking a soft sniff that does not hide the tiny but bright smile growing on his face. "I'd love to have dinner with you, Dami."

Damian is fighting bile as the butterflies decide that right now is the perfect time to revolt in his stomach. He once climbed a mountain with a broken arm and no food or water, and yet, somehow, this was far more difficult. It takes three attempts to get the saliva down his throat before he can speak. "Splendid. This Friday, at seven. I shall have a car arranged to pick you up. Does that work for you?"

"It's a date," Daniel confirms, his eyes soft in a way Damian has never seen. It's a beautiful sight were it not for the utter death stare that Mr.Clockwork settles him with. Damian can't explain it, but he is sure he felt years fall off his lifeline.

"Wonderful. Good day. You too, sir." Damian doesn't fully run, but it feels like he does as Daniel waves him goodbye and Mr.Clockwork yanks him back inside, one last glare thrown his way.

It's not until hours later when he lies in his room after doing an insane amount of training to burn off the sudden energy, that Damian realizes he failed the mission anyway.

He forgot to inform Daniel that it was a family dinner hosted by his father, and the entire Clockwork/Fenton household was invited. He would have to go back tomorrow to correct himself.

He grabs a pillow to smother his scream.

________________________________________________

Bruce jerks in his seat. "Was that Damian screaming?"

"Let the poor lad be, Master Bruce," Aldred tells him without glancing up from his gardening magazine. "He is trying his best.

#dcxdpdabbles #dcxdp crossover #dead serious #Why Ten?#Part 2 #Damian didn't realize it sounded like a date #Clockwork is protective of Danny #Danny thinks it's cute #Allfred is old fashion and thinks no one has class anymore #Bruce just wanted to apologize

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thewriteadviceforwriters · 3 months ago

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Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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astro-rainbow777 · 8 months ago

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🍒⛽️Red Astrology Observations☎️👠

Mars in Astrology

💋 Passion in Astrology can be found in the Mars sign and house placement:

- Aries Mars are more passionate In nature, whatever they want, they go after, fiercely and bravely. The type to love sports, fights and competition of any kind. They thrive in a competitive environment and relationships. It possible their passion is tied to their childhood in some way (same for Mars in 1st)- so if this involves child hood toys they used to collect, eating their favorite foods growing up or playing games that they used to when times were simpler.

- Mars in 1st house can make the native very passionate about their looks, being perceived as dominate/hot/sexy, working out and having physical strength. I’ve noticed that they may like competition but generally they don’t try that hard to compete with others if they are in good health. If these natives are confident in themselves- they try so hard to boost the confidence of everyone around them.

- Taurus Mars can be passionate about their possessions, having their material needs met, connecting to their 5 senses and financial gain. “Anyone can cook” 👨🏻‍🍳 🤌🏻mentality. Passionate about rest! This may sound silly- but it’s actually quite hard to master, especially in hustle culture. As someone with no earth placements in their chart, it’s extremely hard for me to rest, slow down and enjoy my food. Be present, Taurus mars understands and values this. Not the type to gamble their money away. Needs things to make sense materially.

- Mars in 2nd house makes the individual very passionate and their financial security and safety, having their basic needs met, having an abundance of possessions. They can thrive in jobs that are considered a “competitive pay” corporation. They may love shopping, spending and saving money. They value passion and material wealth, so depending on what sign the Mars placement is in can add more context of what it surrounds. Bulk spenders, Costco/Sams Club membership holders lmao.

- Mars in Gemini is very multi faceted in what they are passionate about. They have little niches and hobbies that they love, anything that challenges them mentally while also being hands on! My mom has this and she’s really into gardening and cooking with the food she’s grown. She can get very restless about it but I think that it’s so cute how whatever she is passionate about consumes her mentally.

- Mars in 3rd is passionate about mental pursuits, they could have been picked on as a kid, which made them highly ambitious in their studies. Extremely competitive in the realm of knowledge. Their peers and siblings may see them as a threat or just see them as generally argumentative. Although I think these people just enjoy a good debate and exercising their intellectual capabilities. They could have an abundance of hobbies they indulge in and our passionate about. They may bound with their friends through their hobbies and passions. Could really enjoy competitive video games such as Smash Bros.

- Mars in Cancer natives are passionate about their family and proving themselves to their family. They could have been compared to their family members a lot growing up, or just felt an instability at home. They are passionate about cultivating a home for themselves and starting a family of their own one day. This does not have to be pertinent to kids- chosen family- fur babies 🐾 or significant other also ring true for this sign.

- Mars in 4th are passionate about their loved ones, they are highly protective of themselves and others. These people are quite competitive but in a passive aggressive way. They are usually at war with their own emotions, family and security. I’ve noticed many of these individuals have had violence in childhood home or trauma surrounding family ):

- Mars in Leo they are passionate about their creativity, children and having fun! Would love to have this Mars placement honestly, because these people march to the beat of their own drum. It’s very admirable! They are passionate about their own authenticity, you will never catch them trying to steal someone else’s Swag lmao. I think they invented swag quite honestly 😂

- Mars in 5th are total party animals! They are passionate about life and all that the world has to offer. The world is their Oyster! Every sidewalk is their runway and every song they hear is the backtrack for the movie they star in! Their life is all about being confident in their own skin and romanticizing their selves, relationships and passion projects.

- Mars in Virgo are passionate about helping others and being the best version of themselves. This Mars sign is notoriously known for being able to try something once and being exceptionally good at it the first go. I hate to say it (only because I know it comes from a place of pain) but these natives are passionate about perfection. This can cause them a lot of anxiety if they are careful. Although, they are good at many things, it is advised that they lean into whatever makes them happy, serve their part in making the world a better place!

- Mars in 6th are passionate about their purpose, their health and their pets. They can spend a lot of time researching how to become better versions of themselves. They will have a very active routine and live passionately day to day. The type to wake up at sunrise, take their vitamins tend to their pets needs, cook a whole food breakfast, workout, meditate, journal, than go to work, tend to their pets needs, do their night time self care, hygiene, journal, meditate, pre sleep stretch, sleep exactly 8 hours, repeat. Function well with planners.

- Mars in Libra are passionate about harmony and balance. When I tell you their whole plan of action is strictly devoted to how not to get into conflict… it’s to the tea. They are super passionate about the relationships in their life, and are very generous in nature. They love art, certain aesthetics, good food and beautiful things. They may be called lazy from time to time because they don’t quite function the way other people do. They may make plans for 50 different things one day because they have a difficult time saying no- then end up going to none of them because they didn’t finish getting ready until everything event was finished. These people invented fashionably late.

- Mars in 7th is passionate about their partnerships. These natives are actually quite confrontational in comparison to Libra Mars. This is because they want to squash the beef before it’s even a problem. There may be a tendency to people please- but most of the time these people are just socially extroverted, kind and considerate.

- Mars in Scorpio is another sign that is just passionate in nature. It is so intense for them that it is hard for them to do anything if they not completely engulfed in passion. They psychoanalyze everyone they meet, at natural detectives and are friends with the unknown. They aren’t scared of the dark and often find so much beauty in what others cannot comprehend

- Mars in 8th are passionate about the unknown as well, it is very enticing to them. Anything involving mystery is naturally alluring to them. They love to get lost in rabbit holes of whatever they are interested in. Whatever it is they are the master of- and you question them about it, they’ve already thought of answer. Because they know their hobbies are often taboo, scary, and misunderstood- they have studied every answer to every question that someone had for them. Their passions are all encompassing. They are so much more than deep. Everything they do is intentional.

- Mars in Sagittarius are adventurous, hilarious and curious. I feel like Sagittarius more than Gemini Mars has that “Curiosity killed that cat” vibe. For Gemini mars it’s more like googling disturbing thing’s because they are curious than regretting it. For Sag tho, it’s doing things because YOLO and why tf not? Than breaking their leg or something. Although doesn’t happen often because we know how lucky Sag placements are lmao. But it’s like they jumped off a cliff, didn’t die but they broke their leg. Haha- this was a tangent

- Mars in 9th is going places! Literally they can’t sit still. Most likely passionate about travel, philosophy, and adventure. One of the most fun placements to have. Extreme sports is common here, skydiving, bungee jumping etc. They live to experience all that there is to experience. Very ambitious and passionate about education and teaching as well. They probably have things that they LlVE by

- Mars in Capricorn are passionate about success, achieving their goals which usually require them to work really hard. Where ever the mars is located in the houses can tell you a little bit more about what their goals are. They are passionate about being in control of their own lives, not takin shid from anyone lol

- Mars in 10th are passionate about being successful, being their own boss, their reputation and getting external recognition. They will put a lot of energy into their career and be very passionate about whatever they are doing. They will be a trail blazer and their career because they do it the right way the first time. Extremely hard workers- just be weary of burn out Mars in 10th folks!

- Mars in Aquarius is passionate about humanitarian pursuits, their community and friendships. They move about the world in the most unpredictable and unexpected way. They can be seen as a black sheep of their peers and then BAM they’re the ones turning heads, setting trends and on top. You will never know their next move and honestly neither do they! They get sudden bursts or urges of motivation and ideas- so never underestimate these individuals!

- Mars in 11th are passionate about their dreams, humanity and social causes. They will spend a lot of time surrounded by their friends and in their community. Although, their best friends will be fighting alongside them. They are passionate about the injustices of the world, stick up for the underdog and let their freak flag fly!

- Mars in Pisces are passionate about compassion, sacrifice, and unconditional love. Many of the times Pisces mars has their head in the clouds and put their energy into reading or writing their own book, painting the world they envisioned in their dream the night before, or staring at a the ocean, only to find God. This is if they are in a healthy nature, but many times they could escape through dr*gs, alc*h*l, s*x, or toxic relationships. This placement can get a bad rap for their changeability and confusion energy but they love harder than no other and would do anything for you if committed.

- Mars in 12th is passionate about their dreams, spiritually, many of them are religious or spiritual in nature. I haven’t met many who aren’t. They are natural introverts who need to spend as much time alone as they can to recharge. They may feel outcasted from society. A lot of people talk behind their back because of this which makes them withdraw even deeper. These natives benefit from living a spiritual, service oriented lifestyle, developing boundaries and surround themselves by people who genuinely want the best for them. It is hard but it is doable. Stay strong Mars in 12th!

🤬💢Pet Peeves🚨🚩

🚗Aries Mars- Going too slow in front of them-especially with no way around (applies to driving as well), lazy people, people who can’t keep up

��Taurus Mars- Smacking, chewing inappropriately, weird textures….like chalk? Unpleasant senses, smells, being rushed, itchy clothes, under/over cooked food

☎️Gemini Mars- over stimulation, close minded attitude, when their friends don’t like each other, one word responses, boring people, when the Wi-Fi connection is slow

💔Cancer Mars- Inconsiderate of other people’s feelings (doesn’t have to be their own, most time it’s not), manipulation, people with anger issues, or people who take out their problems on others

🪭Leo Mars- When people try to compete with them when they are merely existing, copy cats, buzz kills, unwanted attention, seeing people in public that they don’t want to see

🤡 Virgo Mars- Know it alls, people who act like they know everything but don’t, ignorance, STAINS, people who are really loud….people lmaooo

💋Libra Mars- hypocrisy, stubbornness, arguments (especially in public), hypercritical people, slut shamming and bullies

🧲Scorpio Mars- Lack of depth, lying for the sake of lying, slut shaming, shallow people, assuming, saying “I love you” like it’s casual, saying their friends when they know nothing about them, rumors

🚁Sagittarius Mars- People who lack independence, being late to things (not really others…they hate being late), people who try to control them, excess responsibility, and inflexibility

🩸Capricorn Mars- Doing things half-a$$ed, moochers, lack of ambition, unreliable, carelessness, immaturity, unpredictable behavior

🍄Aquarius Mars- Conformist, cry babies, stupidity, agreeing with them when they are playing devils advocate lol, when they like an unpopular artist and than it becomes trendy, attention seekers

🌹Pisces Mars- Telling them they are being unrealistic or their dreams are too big, being called sensitive or told they care too much, lmao reality…being alive hahaha- being judged for their spirituality/religion

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pubbamoon · 5 months ago

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Venus in houses and how you might create your music

Hi again! Do you remember when I said that my previous post could be the last one? This was just a joke. Hahaha! Never mind, welcome to my second astrology observation about Venus! This time I'm going to write about how can you create your own music through Venus in houses from you natal charts. This observation might be great for someone who wants to be musician. This was supposed to be posted yesterday, but I was working on something else and I was too tired later on. This observation can apply for both western and vedic astrology. Again, if you resonate with this observation, take it. If it doesn't, leave it, this might be for someone else then. But nonetheless, enjoy it!

Venus in the 1st house: I think that you guys with this placement can be inspired about your own life while creating music. Of course, it all depends on your Rising sign/Ascendant. The 1st house represents our personality, body, self and our life path, so you might make music that is related to your overall life or that is tied to your persona. You may create all of the music on your own, 'cause 1st house is associated with being independent too, but it doesn't have to be the case for all of you. It seems to me that you can basically live your music or you already live music in general. Your discography could be your autobiography, period.

Venus in the 2nd house: You may value music a lot and you may prefer to make music that is valuable, since the 2nd house does represent values. The 2nd house is also related to the business and money, so you might have this business mindset when it comes to creating music or you can make the type of music that gives you money. I think this is a great placement to monetize your artistic abilities in general. Since the 2nd house also represents the throat, which is related to singing voice, I feel that people with this placement prioritize their vocals over anything. It reminds me of singers who just come to the studio and record already made song/demo, written and produced by someone else and I don't think that's a bad thing at all.

Venus in the 3rd house: This house rules over the communication and self-expression, which means that you can express yourself through the music easily. Your mind is very creative with this placement. You may focus on writing skills while making your own music. Lyrics are first, and then there's ten blank spaces. You might write really beautiful songs about your life circumstances, but it depends in which sign your 3rd house is placed. The 3rd house is also associated with siblings and neighbors, which tells that you can create music with your brother or sister or just with people who are close to you. This placement can also indicate having multiple inspirations or ways to create music or write lyrics, because the 3rd house is being ruled by Gemini which is an air, mutable and dual sign like I just said in my previous post.

Venus in the 4th house: You can create music in your own house, since 4th house is related to home or a place which is familiar to us. When it comes to making you own music, you might work with your family member, especially with your mother who can help you and teach you how to make/write music. You may also have an innate talent from one of your parent or from both parents. Maybe you create music when you feel like it, because the 4th house represents emotions, so you don't force yourself doing anything related to music when you lack motivation or ideas. You may wait for idea to come to you first and then you start making stuff. This placement can indicate practicing traditional/old school ways of making music too.

Venus in the 5th house: My God, this is just a fun and creative placement! Seriously, you should practice any kind of art you want everyday if you have this placement in your natal chart. You might use music as a hobby or have a lot of ideas out of nowhere, because the 5th house is one of the most creative houses in astrology and is related to the entertainment. You can turn your hobbies into a career, especially if your Venus is your 10th house/MC ruler. But when it comes to creating your own music, your way of doing that could be a joyful experience and you can really have a lot of fun while making the music, 'cause you might see the music as a hobby. You can also make music with children, since the 5th house in associated with children if you like children as well.

Venus in the 6th house: This placement might not indicate a great talent of music or anything art related, 'cause the 6th house does represent our daily routines, 9-5 jobs and doing something that we don't like to do. But it doesn't mean there's no good side of this placement. You can be a type of musician who practice writing or production almost every day, which makes sense because this house basically represents something we do everyday. The good part is because you practice creating music/art everyday, you can become a better artist than someone who has a natural ability to create music. You may also make music about working class, 'cause that's what 6th house is all about. If you have this placement in your natal chart, I encourage you to do something creative everyday, 'cause there's a potential for you to become skilled in this field.

Venus in the 7th house: Venus is all about love, while the 7th house is about team work and partnerships, so they work well together. I feel that the best way to create you own music is working with others/collaborating and just being a team worker in general. I'm not saying that you can't do anything on your own, but if you struggle with making your music independently, then you should engage other people. Thank me later. You can make art with you partner or be inspired by your partners, because the 7th house represents our partners and how you interact with other people. It could also mean that your partner is artistic and pushes you to create music with him, her or them. Overall, I think working with others can fulfill you somehow.

Venus in the 8th house: You may create your music when you feel intense emotions, such as grieve, sorrow, sadness etc. The process of making music might be challenging for you and you'll likely have to deal with ups and downs while creating your music, because the 8th house is one of the hardest houses in astrology to deal with and is basically associated with challenges in our life. This placement can also tell me that you're someone who lock the room and make/record the music in silence or in places where there's no many people. The 8th house is a very mysterious house, so it makes sense.

Venus in the 9th house: This house is about religion, luck, happiness etc. You may be inspired by the experience with your religion or with your overall life. Making music could be an adventurous process where you can expand your horizons. The 9th house also represents foreign land and higher education, which may indicate you collaborating with people from abroad or being inspired by international music from foreign culture. It can indicate you studying some form of artistic major too and that's where the association of the 9th house with the higher education comes.

Venus in the 10th house: If you have this placement, I want to tell you that you may be blessed when it comes to your career path (it depends on your Venus sign and its aspects, of course). You can basically make the whole career based on music with this placement. Your co-workers might be artistic and they might push you to navigate your talents and gifts as much as they can. The creating process of yours could be very professional and you may take that seriously. I feel that you might make the certain type of music that the general public expects to hear, because the 10th house is associated with reputation and how people perceive you.

Venus in the 11th house: This is another placement that can indicate you making music with the bunch of other people, especially with your friends, 'cause this house is about friendships, connections and networking. If you want to be a musician while having this placement in your natal chart, please find someone who can work with and share your artistic vision, because I don't think you can do everything on your own. I'll also encourage you to post your songs on any internet platforms if you can, because the 11th house represents internet and social media too. It seems to me that you may follow the music trends or even start the new one while creating your music. The 11th house is also associated with your finances and how can you make money, so you can make money with you music as well. Lucky you!

Venus in the 12th house: You're likely someone who is naturally talented in music or in any kind of art, but you mostly hide this side of you or you just make music in private and do everything by yourself. It's so sad if you hide your talents and gifts from anyone else, because I feel that you're so creative musically and you could make a good piece of art if you acknowledged your talents. I can also sense that you might create your music when you're emotionally in tune with yourself or when you have an adequate vision about how should the particular song sound. Hope that makes sense, lol.

Well, that's it! I really hope that you all can resonate with this observation. This is basically the second part of my astrology observation about Venus and to be honest, I got a little bit tired of Venus planet. So, if this astrology observation flop, I will not be surprised, haha lol. Overall, I hope you enjoyed it.

Best regards,

Paky McGee

#venus #venusinhouses #astroblr #astro community #astro notes #astrology #astro observations #astrology observations #western astrology #vedic astrology #astrology tumblr #astrology community

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starcurtain · 6 months ago

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Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

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lgbtlunaverse · 4 months ago

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I've been wrestling with two beliefs I hold simultaneously but that I previously (incorrectly) thought were contradictory: that sexuality is inherently harmless, but also that specific kinds of sexual desire have been used to enact and justify grievous harm. The notion that men's sexuality is more important than women's consent, that white men's sexual access to white women must be protected from the "threat" of men of color, the idea that this specific kind of desire is so inherent to a proper society that if you have the wrong kind of sexuality you deserve to be shunned and harmed.

How can sexuality both be inherently harmless and measurably harmful?

Anyway, the answer is very easy, and part of why I feel like we should stop treating sex as something completely unlike other things and horniness as unlike all other emotions. Because I realized that, oh, right, this happens to other feelings too.

You know another feeling that is not inherently dangerous but is frequently used to enact and justify violence? Fear.

Fear is not inherently evil. Not even if it's irrational and your level of fear does not correspond to the level of danger you're actually in. In fact, irrational fears are such a common phenomenon we literally have a word for them: phobias. Which you are not evil for having. (Am I calling phobias the fear equivalnet of kinks? Kind of... I guess)

But fear and discomfort are used all the time to harm people. Let's say some random white woman is walking home late at night, and she notices a man is following her. This man might just be walking in the same direction by coincidence, but there's a small chance he's following her on purpose. It is quite natural for the mind to wander, and we frequently fear what we do not know. Discomfort or fear, in this situation, is neither inherently harmful nor unusual. However, if this white woman has been inundated her whole life with 'stranger danger' narratives and stories of women being brutally kidnapped, assaulted, and murdered by strangers. (Even though the vast majority of female victims are killed by someone they know, most often a romantic partner or family member) and she then, by the flash of a streetlight, spots that the man following her is black, and she has also been fed a narrative that black men are inherently violent and dangerous, that feeling of discomfort is enhanced and distorted until she believes she is in genuine danger and calls the police.

Statistically speaking, that guy really was just walking in the same direction, and is unlikely to be a threat. However she has now seriously endangered him, and justified it by the fact that she was scared.

A man justifying sexual assault because he couldn't help it, he was just so attracted to her. (And she led him on! She was barely dressed!) Is weaponizing his horniness in exactly the same way as people who call the authoroties on a disabled homeless person because they were "acting weird" are weaponizing their fear.

And all emotions can be weaponized this way. Anger is used to justify domestic violence ("you shouldn't have provoked me") Happiness and fun is used to jeoparidize safety (the last 30 years of olympic games have had a death toll among construction workers of over 116. The 2022 world cup alone has an officially admitted death count of 40, but the real cost is likely in the hundreds) disgust is used so often it's hard to restrict it to a single example (queerphobia, ableism, fatphobia, racism, misogyny, it's everywhere)

Sexual desire is just one way among many where the comfort of the powerful is valued above the safety of the opressed. It's not unique, but instead painfully common. And it's useful to keep this in mind not to devalue it or deny it's happening, but because we can borrow tactics and learn from similar situations rather than getting stuck on endless debates on whether porn is intrinsically evil or not, which will get us nowhere.

#feminism #misogyny #racism #classism #i've edited this post 4 timss and the edits keep not showing up its very frusrating #i fixed that 'coshet' and 'pritoected' typo So many times TUMBLR WHY #sexuality #sex positivity #sex negativity #tagging both because i think they both get at *part* of this but fail to grasp the full picture #... fuck it. sex neutrality. it's just another thing

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celestialtarot11 · 4 months ago

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Astro observations 💐🌸

Hi friends 👀✨ guess who is back with another astro observation! Enjoy! Feel free to like comment and reblog ☀️

🕊️ Why so sag men try to brag about their physique? Is this something only I noticed? They will try to bring up their body in any conversation!

🤍 Taurus rising men tend to have a stocky physique and usually there is a feature on them that is “smaller,” than the rest proportionally.

🕊️ Taurus men also have pronounced voices, or there is something different regarding their speech. Accent, speaking a different language, or their choice of vocabulary can make them seem luxurious ✨

🤍 Gemini women are so multifaceted and see a lot of perspectives, it may be why they get anxious. They see lots of different perspectives, and it can get hard to manage and process. It feels like their brain is always working like a piston.

🕊️ Virgo mercury in the 8h will not play around when it comes to receipts! Your honor I have screenshots type of energy 😭

🤍 Those with saturn or chiron afflicting their mercury, I’ve noticed have a speaking issue. Stuttering, speech delay, or issues with conveying their thoughts. Its possible they overcame a strong language barrier 🫂

🕊️ Lilith aspecting Venus and the natives mom often using the child against family members 👀 anybody experience this? The mother could’ve been cunning with her words and manipulative to get what she wanted, or feel power.

🤍 Cancer women also have a lot of opposition with family and friends, just like Leos. Both are luminaries and shine brightly in their own ways. And both are powerful! The moon is our instinct, intuition, primal responses, and its likely cancer women can draw out what needs healing in relationships. People may not respond well to their own healing work which results in competition and jealousy.

🕊️ Sag venus women have high standards because they learn their value! If they know something is not for them they will leave, no questions asked.

🤍 Best friends with venus on the opposite ends (example: sag venus, gemini venus) tend to have amazing compatibility! My best friend and I have this, and we get along amazingly. Our humor is top notch, we also are very intuitive with one another and give each other what we need (hence, the venus signs) I feel like its a balancing factor!

🕊️ Pisces men can be very confused with their life, yet project an entirely different image of “having it together.” They may talk a lot more than they can handle.

🤍 Venus 1h synastry, if it includes Aquarius, usually the other person’s beauty is considered unconventional or different than their usual. The house person can see the Venus person as different, or not their type at first. And its possible at first, the house person had a completely different impression of the venus person, which changed tremendously over time.

🕊️ Two air Venusians together love to yap 😭 I dont make the rules.

Thanks ya’ll! Loved making this post 🥰 it was a lot of fun! I hope ya’ll really enjoyed this. Feel free to like, comment and reblog! Its always appreciated.

Paid readings 🤍🕊️

#astrology community #devi post #astrology #tarotcommunity #divination #tarot deck #tarot #witchcraft #tarot reading #astro posts #astrology notes #astro notes #pick a pile #pick a picture #pick one #pick a card romance

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licensedproldier · 5 months ago

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highlights from the brennan hank interview (aka taking notes on things that i liked or didn't know)

HE STARTED ATTENDING COLLEGE WHEN HE WAS 14?????

immediate jump off topic from hank to ask him about d20 (this happened while fhjy was airing)

"and the greatest project of all, my wonderful family with my wife isabella roland"

bonding over their children

brennan and hank's son both corrected their father's bedtime stories 💀

many elaine lee shoutouts

"his dad met my mom and fell in love" "you did that" "we did that, parent-trapped them"

was pulled out of school in 4th grade for homeschooling because the bullying was so bad....

started a company when they (he and his brother) were fifteen?? called Bootleg Adventures

hank's little awed hiss of "what" to the above piece of information

GOT PART OWNERSHIP OF THE WAYFINDER COMPANY AT 15

"knowledge is something that, when you share it, there's just more. there's no scarcity"

hank staring off into space slightly looking like brennan just blew his mind (we're 11 minutes in)

"we were 14 year old philosophy majors, if you can imagine anything more normal than that"

brennan unable to resist doing fun voices for the people he talks about

he wouldve loved to work at wayfinder full time and said back then hey maybe ill become a famous internet comedian or something and that's how i can help camp. now he's got texts from the staff saying how a bunch of dimension 20 fans have joined and its been a huge boon for them that way 🥺

"it's funny when a really bad plan works. dont make that plan."

"every new community-- is this too sad? no its true" THOSE THINGS ARE NOT MUTUALLY EXCLUSIVE

anyway "for every new community i start with the presupposition that someone is going to pick me up and put me in the trash can" 😭

hank sniping him through the duplex door with "[when you do that] you kind of imagine yourself to be the value you're delivering rather than yourself, or that your value is in what you deliver and not who you are" and brennan going 😐 "that's a great point man"

both of them turning to do pained smiles at the camera 😭

"i think the value is in who you are" "that's really sweet i appreciate that" "but i also love that you deliver"

brennan quoting mary oliver

im starting to feel a little called out guys

robert mckee "stories are not about their premises they're about their conclusions"

brennan also staring off into space slightly thinking about what hank said

the REAL college advice brennan is giving is reportedly "put an egg in your ramen" because thats how you stop your eyes from going "matte finish"

shoutout to vanessa's dumplings for keeping this man alive

"i am ozymandias nerd of nerds, gaze upon my banner and despair"

the moment he felt like something changed was walking into C2E2 and seeing that the biggest hanging banner in the convention hall was of fantasy high. or, as brennan put it, "my dumb face"

"my friends moved in with their partners, the apartment i had with them scattered to the wind, the woman i was dating dumped me after three weeks, and i won a bunch of money on Who Wants to Be a Millionare" "wh- what???"

he taught emily, murph, siobhan, and zac how to play dnd 🥺 and was running a home game for lou at the same time

got hired at um, actually because his name was getting around for being a big dork

zac stepped down from troopers and sam liked brennan's character from a previous casting call (tim curry eating pizza) so he brought him in

its very charming the detail with which brennan remembers these important moments in his life

became a full time cast member in the same week he started dating izzy! "hard to beat week gang!"

"they told us they were launching dropout and everyone had to make a show, which, if you're been trying to make a show your whole life, that's like saying 'bad news guys, there's 24 birthday cakes in the break room and everyone has to eat a whole birthday cake'."

brennan was making a document for a market pitch on an actual-play show when he was called into office and THEY pitched HIM the idea of an actual-play show

"i guess i have tumbled through life to end up here ready to do this"

truly like. one of the guys of all time.

"some of the things that didn't make sense about you make more sense now" hank talking indirectly about how amazing he found all the moving parts of mentopolis and now getting to hear about how long and how many time he's done storytelling it makes sense

"yeah its the one skill"

"i wanted to tell stories before i was anything else"

🎉anti-capitalist rant🎉

"people used to say 'is ucb a cult' and i'd say 'in a cult, somebody is making money'"

HIGH FIVE!!!

#brennan lee mulligan #hank green #dropout #dimension 20 #d20 #txt #dropout.tv #i had fun!!!!! yall should watch this

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hallowpen · 3 months ago

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I figured I might as well make this a little blog series, since there will be more to address in upcoming episodes.

Before we dive into the nitty gritty... I really want to acknowledge the production value of The Loyal Pin and all the hard work that went into making it. The characters, the sets, the wardrobe, the dialect... everything was an honest representation of a historically accurate period drama. The first episode was perfectly curated to establish the series' universe. I was really impressed with Becky in particular because I've been following her since GAP, and I know how much she struggled with reacquainting herself to the language when she moved back home to Thailand from New Zealand. To have the added pressure of maintaining a period accurate dialect was not easy for her. Freen has proudly commented on how hard Becky worked to really learn the script... and it shows. Well done, Bec Bec!!!

Let's Talk Thai Culture...

We'll start off by breaking down Thai Royal Language Terminology (คำราชาศัพ��์)

The Savettavarit Royal House Consists of 1) His Royal Highness, The Prince Thai Royal Title: พระองค์ชาย (pronounced phra-ong chai) reserved for direct male descendants of the king

2) Her Serene Highness, Princess Alisa Thai Royal Title: หม่อมเจ้าหญิง (pronounced mom-jao ying) a non-inherited title for being the wife of a prince (abbr. M.C.)

3) His Serene Highness, Prince Anantavut Thai Royal Title: หม่อมเจ้าชาย (pronounced mom-jao chai) a title for male children of a prince, meaning secondary prince (abbr. M.C.)

4) His Serene Highness, Prince Anon Thai Royal Title: หม่อมเจ้าชาย (pronounced mom-jao chai) a title for male children of a prince, meaning secondary prince (abbr. M.C.)

5) Her Serene Highness, Princess Anilaphat Thai Royal Title: หม่อมเจ้าหญิง (pronounced mom-jao ying) a title for female children of a prince, meaning secondary princess (abbr. M.C.)

The Kasidit Noble Family Consists of 1) Her Serene Highness, Princess Pattamika Thai Royal Title: หม่อมเจ้าหญิง (pronounced mom-jao ying) a non-inherited title for being the 'adopted' sister of the prince (abbr. M.C.)

2) Lady Pilanthita Thai Noble Title: หม่อมราชวงศ์ (pronounced mom rat-cha-wong) a title assumed by 'commoner' children of หม่อมเจ้า (M.C.), meaning their ancestry can be traced back to a king (abbr. M.R.) The Common Address: You'll hear certain characters use the term ท่าน (pronounced than). It is the formal address between members of royalty/nobility to acknowledge certain members of higher rank. It essentially means "Your Highness". For example, regarding Princess Pattamika, Pin addresses her 'adoptive' mother (f.) as ท่านหญิง (than ying) and Anil refers to her 'aunt' as ท่านอา (than ah*). *อา (ah) is how one would refer to their father's younger sibling

Another term you might have heard was เพคะ (pronounced phe-kha). It is less formal and used to express familiarity. Both Prik and Lady Pin use this response to address Princess Anil as "Your Highness". Princess Alisa can also be heard using this phrase in conversation with, and to respond to, her husband.

She is considered a Noble 'Commoner', so Lady Pin would be formally addressed as คุณหญิง (khun ying) given her title. However, Pin is depicted as being more reserved and adherent to social structure. This is very telling of her social class amongst the higher ranking royal family who took her in. Pin has a lot more to lose than Anil should she stray from class expectations, and they did a wonderful job establishing that in the first episode. (I'm sure this will come into play even more as the characters age up... and I'm very much looking forward to it.)

Lower ranked servants/attendants (บ่าว - bao) can be heard using the term เจ้า (jao) to indicate their showing of respect when addressing someone of superior status.

Pronunciation and Formality: Without even knowing the Thai language, you might have noticed that the characters heavily enunciate their dialect when speaking. It's an accurate depiction of a "prim" and "proper" royal family. Even how Anil addresses her two brothers is very formal: พี่ชายรอง (meaning second eldest brother) and พี่ชายใหญ่ (meaning eldest brother). If you're going to do a period drama... this is how it's done!!!

Should we discuss the Thai dishes highlighted in this episode? ...Why not?

สองมาลีลอยแก้ว (pronounced song mali loy kaew) is a Thai dessert comprised of watermelon and mamuang dong (มะม่วงดอง - pickled mangoes). The fruit is carved into floral shapes and arranged to "float" in sugar syrup with ice, hence its name... which literally translates to 'Two Flowers Floating in Glass'.

นำ้ปลาหวาน (pronounced nam pla whan) is a Thai dipping sauce comprised of palm sugar, fermented fish sauce, shallots and chili. It's usually paired with firm and tart fruits... like green mangoes. (It's an acquired taste hehe)

The last thing I wanted to mention are Thai night markets and fairs (ตลาดกลางคืน). They are still hugely popular for social outings and, like the series has shown, are comprised of various stalls offering street food, clothes, accessories, attractions, etc. They're very popular amongst tourists, as well.

I hope this wasn't too overwhelming with information... but I just wanted to be as thorough as possible because this series is shaping up to be, what is essentially, a love letter to Thai tradition.

#the loyal pin #thai culture #thai language #thai food #this👏🏾show👏🏾#my friends and i were BIG fans of the seamless childhood to teenage transitions!!!#i could go on and on...#but i'll save that for my final review #koda watches gl #talk thai to me #long post #blog thread tag:#koda's royal records

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deaddovedecadence · 2 months ago

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if requests are open, i'd like to ask for a fic of yandere batfam caring for a sick reader (i've got 1 foot in the grave rn 🤒) with forced infantilization (if that doesn't squick you out, hopefully) gn reader would be preferred. thank youuu 🙏

They are in fact open and fun fact, ive never done infantilization before so im super excited. I think what I'm doing to do is like a mini fic of each batfam member and how they're deal with you being sick. I'll totally do a gn! reader but they might come across as non binary.

Alfred: not the worst but not the best. Fussing over you all the damn time whenever you have even the faintest bit of even a cold because he’s lost enough people, you will not be one of them. He tucks you in bed. and will read to the books he read when he was young, smiling to himself with you fall asleep from the drugged milk. Over all a 5/10

Bruce: Doesn’t really believe in it. Thinks that forcing you to be strong will make you, an oldest daughter even stronger. Still when you get sick he’s so gentle with you, cooing that he loves you and that soon you’ll be all better, that your dad is here now. It hurts so badly because you know who he is and yet he’s so fucking gentle with you. 5/10

Dick: Honestly he’s like this all the damn time. Says that because you were an oldest you ought to relive your childhood. Holds basic respect over you to make sure that you do what he wants when he wants because you know that he’ll go back to that coddling cooing cruelty if you don’t. When you’re sick it’s turned up to the max because he likes taking care of people who can’t fight back. Likes being able to hug you and hold you and love on you all he wants. 8/10

Jason: He’s definitely more gentle with you than he is with his siblings but definitely has rough edges. He sees you as someone that needs to be protected but in the manor you are more equal. He fusses when you’re sick for sure because even though he knows that you have the best medical care, he still remembers all the people he lost in crime ally. He’s not obvious about it because he doesn’t know how to be but yikes does this man watch over you like a hawk. 4/10

Cassandra: Thinks that you’re weak and needs her care in a way that her siblings and steph do not. Cass respects strength and the ability of people to take care of themselves ,and you in her eyes can not do that. So when you fight, she forces you down, humming sweet lullabies from cultures all over the world. When you’re sick it proves her point because the rest of them would have been over this by now. You need her. 7/10.

Tim: uses it to manipulate the fuck outta you. Tells you that you are weak, that your sickness is proof you need their love and attention. Will drug you to be dependent on them will you’re ill and probably made you sick in the first place so you’d learn that you belonged in the family, that there is no going back for you. Calls you a child even though you’re older than him. 8/10

Duke: They almost coordinate with Tim, making sure that you never suspect any of them. Duke’s power is words, they know how to spin them and manipulate them and make it so that you aren’t really sure of what’s real and what you dreamed up. A gaslighter to the max. Loves and respects you but thinks that you need to stay here, you aren’t strong enough to be a bat’s lieutenant. 7/10

Damian: While Dami does think that you are weak, he also thinks that. there is a value to you that the others do not quite understand. You soothe the family and act asa merger so that even when they anger each other, they come back for you. Damian is very intuitive and this allows him to understand you better even if he lacks empathy to those outside of his family. Even when you are ill he worries over you but demands you heal because you are strong. 0/10

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allmonstersxarehuman · 2 months ago

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Gonna Take Care Of You

Bang Chan x Fem!Reader

Warnings: Very suggestive and sexual wording.

A/N: This has been sitting in my documents for a couple years. Oops. Also not revised or edited.

Not my gif credit to owner.

You let a small whimper leave your lips as Chan gave your neck a soft bite, his warm hands sneak underneath your t-shirt. “Chan we don’t have enough time for this, you guys start the show in 15 minutes. We can continue this later, I should’ve been seated with yours and Felix’s family already.” You said softly. “Mm. They can wait just need to feel you, need to touch my good luck charm before the show for extra luck.” He hummed pulling away from your neck to brush his nose against yours before pressing his pink plump lips to yours. You had to admit it was incredibly sexy when he was needy for you, but in this situation you worried about the start of the show and the fact you were supposed to be in your seat by now. “Baby, as much as I’d like you to fuck me until I can’t walk, you’ll have to wait.” You said softly ghosting your lips over his. “But trust me it’ll be worth the wait. Now get you sexy ass on that stage.” You giggle before giving a teasing tap onto his butt. The action causing him to let out a soft chuckle before grabbing your chin between his thumb and index finger. “Fine, but when we get back to the hotel you better be ready for a long night.” He smirked. His expression softened leaning in to kiss you one more time before giving you a soft smile. “You really are my good luck charm. I love you little mouse.” You smiled at the silly nickname he had given not to long after you started working with him. “I love you too. I’ll see you after the show.”

As usual you loved watching the concerts the boys put on, but being able to watch it with some of their family in Sydney made it even better. Chris’ family embraced you soon after you were introduced to them. Same went for Felix’s family becoming close to both of their sisters. Though because of the flight restrictions and not enough free time it had been years since you’ve seen them, except for Hannah, so when Chris had some rare time off he had invited you to go with him to spend time with his family. Unfortunately you didn’t have any free time when it came to your own work schedule to go with him, plus you both couldn’t risk seen together in public especially without the other members. Even though you had been in a relationship with him for almost 5 years, JYP wanted to keep it secret and so did you and Chris; not wanting to make the relationship public because the both of you valued privacy.

After the concert, you were escorted to the hotel in a separate car arriving 10 minutes before the boys even left the venue. You knew that once Chan came back to the hotel he’d want to wash up, so you leaned down grabbing him some clean comfy clothes before doing the same thing for yourself and setting them on the bed. This was one of the things you liked to do when you both are home and especially when you came to stay with him on tour, you liked making sure he was properly taken care of. After setting out the clean clothes you then proceeded to the bathroom to take off your makeup and put your hair up before changing into some sleep shorts and a big t-shirt. Grabbing your laptop you walked over to the bed and climbed up so your back was against the headboard, you had left for the venue before you could finish up the bit of work you had left to do.

You had been so focused that you didn’t hear Chan walk into the room until you felt a hand on your ankle causing you to jump. “Sorry baby, didn’t mean to scare you.” He said as he laid on his side facing you, as his hand that was still on your ankle rubbed up and down your leg. You hummed closing your laptop setting it on the night stand, leaning forward to run your fingers through his hair. “I got your clothes and toiletries set up for you on the bathroom counter, I’ll order us some food as well. I’m sure you’re hungry.” You said softly giving him a small smile. He smiled at you lovingly softly grabbing your hand and placed a soft kiss to the back of it. “God how did I get so lucky.” He said softly. Chris’ lips soon turned into a seductive smile. “You know, I am hungry but I think I’m hungry for something a bit sweeter; definitely my favorite meal and the best part is only I get to enjoy this delicacy.” His soft plump lips start to slowly kiss up your leg closest to him brown eyes glued to your face, he loved pulling reactions from you especially when he would touch and kiss anywhere that wasn’t your lips. “You take such good care of me, now it’s my turn.” You blushed looking away from his heated gaze, your could feel your panties dampen and your vaginal walls flutter around nothing just aching to be filled. “Baby girl look at me.” Chris said voice deep with lust. You bit your lip looking at him but you continued to struggle to keep your eyes on him.

God he loved that after 5 years he could still make you flustered with just one look, touch or word. “Is my princess being shy?” He smirked already knowing the answer he stood up before taking off his shirt and gripped your ankles pulling you to the end off the bed kneeling between your legs and nuzzled his nose against your clothed core, the action causing you to let out a tiny whimper as you sat up on your forearms to watch him. “Damn you smell heavenly. Gonna take such good care of you baby, just like you take good care of me.” He placed kisses on each of your thighs before looking up at you for permission, his beautiful brown eyes were now darkened with lust and a hint of pure love. You bit your lip before giving a small nod, before you knew it he pressed a kiss to your center that was still covered before sliding your shorts and panties down in one swift yet gentle tug. “You ready baby girl? Because this is just the beginning of a long night.” You let a whimper in excitement and anticipation, the sound caused the already sexually charged man to smirk. This man was going to be the death of you.

#stray kids smut #stray kids x reader #bang chan smut #bang chan x reader #skz smut #bang chan imagines #skz x reader #bang chan

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alessiamalfoyzabini · 10 months ago

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𝐇𝐚𝐩𝐩𝐲 𝐄𝐧𝐝𝐢𝐧𝐠 | 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝐎𝐧𝐞

Pairing | Yandere Jungkook x Reader

Word Count | 2,382

Warnings | +18, bullying, for the moment only this

This does not reflect my way of thinking or living at all, it is just a work of fiction, it is like watching a horror movie, many of us love horror movies, but we would never dream of what we see in those movies happening in reality as well.

Simply put, this story was written for entertainment purposes, it should not be seen as a reflection of my values, opinions or morals. I absolutely do not condone such acts.

⤷ Summary | If she had paid attention earlier to the sin that dwelt behind those obsidian irises, she would never have trusted it.

If she had noticed earlier the devouring love that dwelled in his corrupt heart, she probably would have fled.

She had done none of that, and now she had to come to terms with her new reality.

➢ Author's Note | This work originated in Italian, so i apologize for any errors you will find, i am not a native english speaker, so go ahead and write in the comments where and what i can improve! 🥺❤

Chapter List - I - II - III - IV - V - VI - VII - VIII / The End

There was something in the air that day, something that weighed down her chest and left a bitter aftertaste in her mouth.

She looked outside her room and saw large gray clouds looming ominously, it was probably an approaching storm, and even so, she would still have to go to school, she could not escape her school obligations.

She had done so much to escape the harsh judgment of her family members, she knew that attending college was a huge expense for her parents, especially for being an out-of-towner with so much rent and bills to pay, so the only thing she could do to repay them was to get good grades and come out with a more than excellent GPA, without mentioning her problems.

So the girl prepared herself for yet another stressful and gloomy day, surrounded by prof's coaches and daddy's boys who wouldn't stop bragging about their possessions for a moment.

She adjusted her jacket and grabbed the bag containing all the necessary books, grabbed the house keys on the fly and locked the door behind her, not before nodding in the direction of the elderly neighbor who came out with her adorable little wagging dog every morning at that hour.The little Maltese barked in her direction and with a smile walked over to the couple, stroking the soft coat of the dog who, excited, hoisted himself up on two paws, accompanying her caresses with his head. Y/N burst out laughing at that warm expression of appreciation, could it be that only a dog was able to accept it without judgment?

"Do you go to school, Y/N?" asked the lady with a smile.

The girl nodded, "That's right, Mrs. Choi...I have a test today, I hope everything goes well."

"Oh, take it easy, my dear. I really feel that something new will happen for you today," the elderly woman's smile widened and Y/N was interjected.

She was no stranger to the strange outings of the woman, who very often seemed absent-minded and pensive, but a strange chill caught her. She tried to dilute the air with a giggle, "I hope it's also something good," she joked lightly, the woman rippled her lips.

"It depends on your point of view," she shrugged.

Y/N's smile faded away, not wanting to inquire further she decided it was getting quite late and waved a little awkwardly to her wacky neighbor, giving one last caress to the little dog, who continued to bark in her direction, trying to call her back.

"Come on, Y/N...you can get through this day too without too many hiccups," she said to herself, trying to mentally build up her courage. She arrived at the university with a lump in her throat, aware that once she entered the classroom she would see the haughty faces of her classmates again.

She was an outcast and the only classmate with whom she had come to form a decent bond of friendship had to change her address because that faculty was not suitable for her. But to say that she had simply grown tired of being bullied was perhaps easier.

She took a deep breath and entered the classroom, as she presaged, smiles filled with mockery accompanied her all the way to her seat, she took out the appropriate book for that hour of class and ignored everyone, no one however lent her a further glance, the arrival of the teacher had nipped in the bud any attempt at mockery.

Taking a test at the first hour was never easy for anyone, but the girl more than gladly accepted that chance to escape her foolish classmates.

She carried out the task in complete silence, interrupted only briefly by a few balls of paper and notes, some asking her to have her copied, others admonishing her not to sully their own air with her presence. Y/N swallowed, such doggedness seen from an outside eye might have seemed surreal, but to her it was normalcy.

They bothered her just for the sake of it, because she was the one without money, she was the unfashionable girl, she lived in a miserable apartment in a miserable neighborhood, she was everything they were not.

"Psst... Psst, little one!"

Y/N initially ignored that low whisper, but at yet another ball thrown at her head, she turned away in annoyance.

This was Kang Yoozu, one of the boys who worked hardest to make her school life a living hell; he seemed to take pleasure in constant torture and Y/N was often one of his favorite victims.

"What the hell do you want?!" she growled, impatient. He shrugged, "I just wanted to ask you if you were free later."

Y/N frowned, what was that jerk saying?

"Why would you care, Yoozu?" she asked, strangled.

A wicked smile spread across the classmate's face, "Your parents are street food vendors, right? How much can they possibly make per month?"

Y/N found herself gritting her teeth, ignoring the amused exclamations of the others; the professor seemed to have disappeared into thin air, which frustrated the girl even more.

"I don't know what you're getting at, but I suggest you shut your mouth," she said harshly and Yoozu's eyes narrowed.

"I'm just wondering how they were keep you, don't you think it's incumbent on them to lighten their load and earn money in other ways?"

The young woman blanched at the outrageous statement-what the fuck was she implying?! "And let's hear it-what would those ways be?" she rose from her chair under everyone's gaze.

Yoozu looked around with feigned interest, then elbowed his seatmate, chuckling.

"Well, I have a lot of money, a fuck or two wouldn't hurt, don't you think? You would earn honestly on your own strength," the whole class erupted in convulsive laughter, Y/N felt humiliated. She had endured much from them, had swallowed a myriad of bitter morsels, but no, that one would not let her get away with it.

In a very brief instant she found herself facing the smug boy who stared at her with satisfaction, and soon the scarlet shape of five perfectly outlined fingers was stamped on the candid face of that being, a being who for two years had made it unbearable for her to study for a better future. The noise was a dull pop and everyone fell silent.

Yoozu's eyes turned icy, and soon he jerked up from his chair, flipping it behind him.

"You dared too much, beggar" he made to approach threateningly, no one would intervene, she knew, but fortunately the professor's voice stopped whatever was about to happen.

"What the heck is going on in this class? Y/N! Yoozu! Go back to your seats immediately before I suspend your test."

The man's threatening voice made the boy take a step back, Y/N went back to her seat, but she felt the threatening gaze of her companion behind her the rest of the time, until the end of the hour sounded and everyone got up to leave their verifications on the professor's desk, who collected all the papers and added something to the register, which Y/N guessed was about her and Yoozu. A sick feeling invaded her stomach, she did not want her average to drop because of a bastard like Kang Yoozu, he had practically invited her to prostitute herself. With him.

Disgusted she took the art sketchbook from her bag, a small smile was born on her lips.

Classes with Professor Jeon always gave her a chance to get through the day in a slightly more uplifted mood.

He was a young boy ready to put himself on the front lines to help his students, older than her by five years, he had found a place in the university where he had studied because all the school staff thought he was deserving of getting a professorship there. And, Y/N admitted at least to herself, he was handsome as well as kind and helpful. She felt her heartbeat increase when her favorite professor made his entrance into the classroom, greeting all his pupils with a bright smile, exchanged a few words with the older professor who gave way to him, and during that conversation the girl clearly heard the excited murmurs of her classmates. They did not think much about it, giving vent to their shamelessly enamored sighs.

Y/N merely shrugged her shoulders as the young professor took a seat behind the desk and gave everyone a jovial look.

"Good morning, guys" he said quietly, a chorus of "good morning" and "hello" rose from the desks.

Y/N watched spellbound as the corner of his lips slightly lifted in a satisfied smile of the man, her professor's long hair that day was tied in a ponytail that the girl found damn adorable, which contrasted with the tattoos that decorated the entire arm left uncovered by the pulled-up shirt sleeve, the man crossed his arms and his biceps swelled in a hypnotic movement that caught the girl unprepared, she felt her body set on fire and with shame removed her gaze.

What she did not know was that Jungkook was also watching her. He never let her out of his sight, in truth.

From the first time he had caught her rushing into the classroom, wet as a tender chick, Jungkook could not help but feel a strange flutter every time he laid eyes on his pupil. Their eyes had met for the first time that day, a rush had gone through him from side to side, thunderstruck by that little figure who had bowed in apology over and over again.

And it was wrong, he should never have taken an interest in one of his students like that, but he was a man, a man with secret feelings and appetites, and everything about Y/N screamed timidity and fragility.

He wanted to protect her, wanted to take her away, wanted to make her his.

He knew about the way her classmates treated her, his colleagues sometimes talked about it during lunch breaks, this was terrible for him, it hurt him to even imagine the way the girl felt, he would have protected her if it was possible, but each time the bullying happened in his absence, and as a professor he could do nothing if Y/N herself did not ask for help. He could not punish the perpetrators without catching them in the act. The young man sighed, before lowering his eyes to the register, frowning at what he found written there.

"Park Y/N and Kang Yoozu were found standing during testing time, they looked like they were about to start a fight, I intervened in time to put them in their place."

Jungkook gritted his teeth as he read his student's name next to Y/N's.

The girl was too quiet a person to provoke a quarrel, his dark irises stopped on Yoozu, who was giggling along with his partner as his scribbled something in sketchbook.

Y/N, on the other hand, waited quietly and composedly for her class to begin, and that told Jungkook a lot about the dynamics of the strange event described by his colleague.

He rose from his chair clearing his throat, all eyes were soon on him.

He sensed the mischievous glances of the girls in his direction, he knew he was very much desired, after all he was the only young professor in the institution, but he did not let those attentions buy him, the only gaze he wanted on himself was that of the same girl who was anxiously crushing her fingers.

He leaned back against the desk, crossing his arms again, and in Y/N's gaze he read something very much like... desire? He looked at her, biting his lips for a thousandth of a second, clenching the tender flesh between his teeth, but that minimal amount of time was enough for the girl to widen her eyes and lower them immediately afterward, her cheeks flushed. Jungkook felt himself tightening in his pants, thinking that he was so adorable that he wanted to fuck her right then, in front of everyone.

He would have gladly made her cry as his cock penetrated her deeply.

"Guys, today I'm not going to talk to you about history and artists," he began, his voice crystal clear and smooth, "But about a subject that, unfortunately, will never stop being talked about," he paused behind Yoozu's desk.

He observed the lines drawn by the boy on the once-clean page, Yoozu made to cover his scrawl, but Jungkook was quick to catch him, "Let me see a bit, Kang," he said, before taking a better look at that jumble of shapeless lines, which took on the appearance of a naked girl with a tear-streaked face, there was a uniform at the corner of the paper and a bag, which Jungkook immediately recognized, raised an eyebrow in the boy's direction and returned the object to him, not without first tearing up the page, "Drawing your companions without clothes is not what I asked you to do, Yoozu.

Employ my hour to draw something in good taste, instead of indulging in such disgusting antics," the man scolded him harshly. The student bowed his head, humiliated, apologetically, and his deskmate turned away, as if to put some distance between himself and his friend, which the teacher laughed at internally. It was precisely people like Yoozu who had no friends.

Jungkook finally turned around and walked in Y/N's direction, stopped just behind her and lowered himself until he reached her ear, "Today's lesson is about bullying," he murmured, the girl felt her legs trembling under his low and sweet tone, she meekly nodded, writing on a vacant page the theme, then Jungkook raised his voice slightly, "I would like you all to draw a representation of bullying, also writing a small dedication to the kids who experience it firsthand."

When the young teacher turned away from her, Y/N resumed breathing normally.

Everyone caught the stinging reference, the girl gazed admiringly at Jungkook's strong shoulders, perfectly aligned in a proud posture that Y/N had no trouble finding attractive, clutched the pencil grip and set to work, unaware of the forbidden desire she aroused moment by moment in her teacher.

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