#and they dont do dialogue marks correctly

[tytonnidaie]

people who are starved of stories that make them feel things to the extent they groan and writhe like a worm HATE being told that they might have to read technically poor writing. like grammar is that important

[bimbo-baggins17]

I'm mad at people who constantly say that Hayden's dialogues and acting in star wars was awful. Like, he didn't write the scenario. It was George Lucas, and Hayden didn't have anything much more to say about it. He just did his job as best as he could but people keep saying as if he was the director of star wars (like you know, as if he was the author of the dialogue). Which makes me mad cause what the hell. George was a very stubborn guy. If I remember correctly Mark (the actor who plays Luke) even begged George to cut one line Luke was supposed to say because it was terrible and George didn't want to do it (but thankfully he did at the end). So it's painful to even hear them say Hayden is a terrible actor (because I've heard it from my friends and when I said no cause I've watched other films of his, they accused me of being a psycho fan ☠️) and, at least from my experience, they don't even want to accept that it was GEORGE who wrote all the dialogue like "i dont like sand" and stuff like that and hayden LITERALLY COULDN'T DO MUCH ABOUT IT

- sorry, I'm listening to asmr and got bored when Im supposed to be learning

Your faithful, 🐇

No I get that 100%, and I know exactly the line you’re referring to with Luke 💀 I do have respect though for George in that sense of sticking to doing exactly what he wanted.

Something I hate about people disliking the ‘I hate sand’ line is because they use it just in that sense, but it’s so much deeper than just a dislike for it, yknow? Idk

[chesthighwater]

Asking you about a character! And it's gonna be... the Outsider!! Yippee!!!

LA CREATURA!!!

First impression: Who's This Douchebag. why are your arms crossed and why do you feel the need to share facts about my life with me i already know all that. oh you're branding me? to give me supernatural powers???? okay. so that has. Undertones.

Impression now: oh, that's tough. i mean he's a very interesting character- i know some people who would have VERY insightful things to say about him- but i feel like i don't rotate him in my head nearly enough to achieve that level of knowledge. i mean i know some people who swirl this man around in their mind at mach speeds. my meagre opinions couldn't begin to compare. i like the potential chaos he can cause- just his existence by itself sometimes puts a spanner in the works. and the void is also a FASCINATING concept to me. i think he's tough to get right in general- there's a reason why i don't write outsider dialogue even when i think having him show up to taunt people would be cool and fun. mayhaps i should rotate him in my head more

Favorite moment: im gonna be real with you chief so many of my most memorable moments with the outsider is me wanting to strangle his smug ass. especially since my first playthroughs of dh were very influenced by like. me feeling like no matter what i do, i can't possibly do anything right. and him showing to be like "MY DEAR CORVO YOU SURE FUCKED UP AGAIN BIG TIME" didn't exactly help. but one thing off the top of my head- his little speech about lady boyle. i found it very intriguing because it was the first time (if i recall correctly) that we were shown him giving a more specific prediction of the future (beyond like, Ah Yes My Dear Corvo You Will Change The World Or Whatever). it made me really curious about the extent of his "clairvoyance".

Idea for a story: i'd love to hear some takes on the Other marked. like not the known marked i want you all to make shit up. give me insight into his psyche via the people he chooses to bind himself to. also, i'm always down for explorations of weird void shit and how any of that works. what does he even do all day? how does the way he "sees" the marked/the world manifest? what are whales? please let me know.

Unpopular opinion: now i know some outsider scholars debate his morality a lot. like, is he "evil"? does he even have anything resembling a moral compass at this point? i don't think this is an unpopular opinion at all, but to me he is just creature. sort of blue and orange morality i think. its not about good or evil or whatever he just does things. i find it quite difficult to imagine that he is trying to provoke a "net positive" change in the world. he is just doing stuff

Favorite relationship: hmmm corvosider? again i don't rotate them in my head nearly as much as i should, but it definitely has the uh. well certain Characteristics and trope potential that i could very much get into LMAO.... those who know me (and probably those who dont i think im very obvious) could easily pick out a few i imagine

Favorite headcanon: this isnt even a headcanon but dont you think it would be fun to see your own reflection in his eyes. theyre like a phone screen when you shut it off accidentally and have to see your own face. like would you not get distracted by that. hed be telling you some important shit about the future and your failures in life and youd be like fighting the urge to wave/pull a face just to see what it looks like

ask me about a character <3

[abyssmalice]

(im done with fontaine aq)

(ok so overall impression: actually really entertaining, i really enjoyed both acts and also the ace attorney vibes are immaculate

my most important takeaways tho from the fontaine story so far tho:

CHILDE LORE CHILDE LORE CHILDE LORE that's still occupying my brain, especially in light of the whole "hydro sensitivity allows you to connect with presumedly the waters of the primordial sea which is connected to the waters of fontaine somewhere" and the oratrice being sentient and sentencing him to a guility verdict + his vision being hydro...... there is SOMETHING about these three bits in particular that i feel are very important and connected now but BITES BITE BITES

the traveler is well in their rights to not trust lyney and co. but i and, most importantly, the tonitoni in my brain are VERY MUCH TRUSTING OF HIM AND HIS FAMILY. excluding arlecchino but I CARE HIM AND HIS SISTER V MUCH.............. the part where they explained their backstory was so so soooo dark, tonitoni in my brain was practically biting the metaphorical cage bars wanting blood. if arl didn't kill someone toni would have gladly offered to do it if she heard such a story ww (TONITONI AND LYNEY AND LYNETTE FRIENDSHIP..... HAND IT OVER!!!!! please i want them to be friends even more now....!!!!! PLEEEAAASE)

SPEAKING OF TONI............ i will still need to see act 3 and in general the inevitable fatui scheme in the works, and especially see if they reveal why the oratrice gave a guilty verdict to childe - because if it's a very childe-specific reason, that may pose problems for toni in her AU as in that case, she might Not have the same verdict in her canon, which could easily snowball into other major major maaaaaajor divergences depending on what act 3 reveals. (tho i can still see her kicking up a VERY LOUD AND CRYING FUSS about a guilty verdict and getting ceremoniously jailed for it. she hates cages of any kind, after all).

also the end of act 2 with vacher basically getting. you know. tonitoni vc: Karma. aka satisfying, and i think narrative-wise very fitting while being chillingly sinister, which fontaine sure has been good at so far.

other important details while i was trekking around fontaine ignoring the aq:

i climbed this STUPID FUCKING TOWER to get a luxurious chest that was up here, but also one of the hydroculus is up here too for everyone's attention. rip. enjoy fucking climbing hell i guess (ty wanderer and zhongli pillar, my saviors.....)

also i checked that easter egg about a "furina's voice under the fountain of lucine at night" and ITS LEGIT!!!! I CHECKED IT!!!!!!!!!! the npc voices kept interrupting so i had to do a couple of listens to really make sure i heard something properly but it's real........

i also want to note that i play with jp voices on, and with my wonderful n5 level of jlpt fluency (please hear the sarcasm), i would roughly translate what i heard as:

「終わりが見えない。。。寂しい。。。痛い。。。いつまで帰られる。。。？」

"I(?) can't see the end*... Lonely... It hurts... When can I(?) return..."

*(literal translation; a more sensible one is, "It never ends.")

the question marks are there bc pronouns weren't in the dialogue itself, so i can only infer who the speaker is or who the speaker is even talking about, so for now im assuming it's themselves. and assuming i heard correctly to begin with, the phrases are VERY interesting - especially the last one. bc i dont think the other languages mention any sort of 'returning', tho i could be wrong.........)

[loopy777]

Would you agree that a huge part of what divides the pre disney and post disney star wars fandom is those who only really care about star wars in the context of the Skywalker family as the protagonists, and those who want to move beyond them?

I've always regarded killing off the skywalker family as a massive narrative mistake, but it's only now these years later that i have come to the realization that even if i thought disney star wars was good or great(which i do not), i flat out am not interested in a Star Wars universe withouth the skywalkers and the themes of family in that they represented being the main focus.

As far as im concerned, any story not featuring them(or their supporting casts) is at best an interesting sidestory. But i dont really come to star wars for side stories.

Anyway, as a disney era star wars fan what do you think?

Well, I don't know about divides amongst the fans. I don't engage with the Star Wars fandom. That said, I understand your perspective and can respect it, but it was going to be trouble for Disney at some point regardless of what they did in the sequels.

For how long can they keep telling stories about Skywalkers? The story really ended with RotJ. The prequels were a handy way to squeeze some more money out of things, but how poorly the details line up goes to show that Star Wars was never designed to be a true multi-generational saga. Even 'The Clone Wars' has big details which clash with the prequels! (Obi-Wan canonically fights General Grevious on Utapau a week before 'Revenge of the Sith,' to name one of my favorites to laugh at.) George Lucas couldn't even stick to a plan across 3 movies, never mind an Entertainment Conglomerate with no consistent creative vision. Lucas was good at improvising and didn't have to answer to anyone else about the story (just the budgets). Jumping to Luke Skywalker Jr to tell a new story, and then Luke Skywalker Jr Jr to tell another story, and then Luke Skywalker Jr Jr Jr- for how long would that really work for something like Disney, which canceled New Ducktales to make a Darkwing Duck cartoon they never actually made?

At some point, the audience would catch on that The Adventures of Luke Skywalker the Fifth are indeed just cheap side-stories, but with one character in the cast named after someone George Lucas invented. Having someone who the writers claim is descended from Shmi Skywalker doesn't guarantee that they'll actually get the themes right. Or, in the case of the sequels, even keep the themes consistent.

I mean, 'The Acolyte' could have very easily altered a few lines of dialogue to turn one of the main characters into Shmi Skywalker's mother. Would that have that made it any better? (For my part, I think 'The Acolyte' was overall mediocre with great action scenes, but as usual for Disney was failed by mindbogglingly weak storytelling.)

Some stories just can't go on forever, whether or not you can get Mark Hamill back for 20 movies. Disney didn't realize they bought a franchise that was the equivalent of a car with 200k miles on it, but they did, and now they're stuck with it. They couldn't even keep Marvel consistently knocking out hits past its 'ending' because Corporate Needs demanded more content than its creative team could manage, and Marvel is a franchise designed to expand infinitely.

Personally, I think Star Wars has had a good run for a darker-and-edgier spin-off of a comedy television series starring two celebrity comedians. It's like someone made a massively successful, 50-year-spanning serious horror movie franchise out of original elements from Abbott and Costello Meet Frankenstein. But I get that I probably had a uniquely beneficial introduction to Star Wars which lets me enjoy any of it that uses the setting correctly, achieves the proper vibes, and has a sassy robot character. Everything else is optional.

[somebucky]

Opinion time:

I hate the cinderella musical (2021) with Nicholas Galitzine.

(Saw a post mention it). Dont get me wrong. Nick's parts, while he did act his heart out, are the only decentish parts. Like his scenes are terrible purely because its written so poorly. Like between Camilla's terrible acting, the unfortunate writing, her runs which I know shes famous for, the song choices instead of doing OG songs, and the costumes (why does the cinderella dress not fit her correctly it moves weird with the dancing i have never in my life seen a dress do that). the build up was like a 100 to 0 in a split second. Because to me the mark was missed.

Rogers & Hammersteins Cinderella 1997. Thats the only Cinderella to me. Because the music is all from R&G originally in 1957 with Julie Andrews, later a film in 1965 with Leslie Ann Warren and in 1997 they made it with Brandi. To this day I could watch any but the one with Brandi is my favorite. Every line is delivered eloquently. Each song is unique and delivered gracefully. There isnt a need for runs or riffs because it isnt a concert. Its more of a dialogue. The costumes fit each character perfectly. The colors of costumes flow together on screen to create a focal point on the main characters.

[spector]

im too old for ship wars or whatever but if i wasnt id be making posts like ‘yall got any nice dinl*ke gifsets to reblog ohhhh waittttt i forgot they cant share a shot together because one of them is a cgi monstrosity SORRY 😭’ but im too old for that so i just keep it in and keep smiling ....

tho this is genuinely an interesting thing to consider, this is how i know that luke cannot be a regular because if they put a cgi’d mark hamill next to a normal human being, the uncanny valley is gonna jump OUT ... and its already very prominent, especially every time he talks. so he CANNOT share a scene with another human being next to him and it definitely won’t be a dialogue scene... bc the mouth movement that is the hardest part to nail when animating a face. this is why deepfakes are so much more successful than whatever disney is doing, they seem to be doing a little bit of that, there definitely is a real human face they filmed and then slapped the cgi young mark hamill face onto... but theres still something very uncanny about it, like they havent rigged everything correctly OR the young cgi face itself is just ... OFF . 

so if luke does show up again, hes gonna have the shot all to himself and if he is shown next to another human being, hes gonna be in the distance fghifhg bc from the distance its harder to see all the fine details of a face that together create the uncanny valley effect. 

OR. or disney is gonna pour all of their kenobi money or whatever into their CGI FACES department and they’ll work on improving the animation. or they wont and they wont care that it looks like shit , they definitely didnt seem to care about tarkin or carrie fisher in rogue one. 

but there is a reason why theres not a single shot with din and luke sharing the frame and the reason is that luke is pixels. hes pixels bro. like yes, a dramatic conversation usually is conveyed thru individual close up shots but at some point you’d expect a shared shot from the distance to remind the viewer where the two characters are and how close they are standing in regard to one another. but you cant put pixels next to a real human being bc then you see the difference very easily. luke can share the scene only with 2 other non human beings, grogurt and r2d2 bc they dont call attention to his Fakeness

[velvetsehun]

What are your pet peeves as a writer and a reader? Also I am in love with BTD like it is one of the things making me go insane while still safeguarding my sanity💗💗

a lot of things lmao.. I don’t overstep my place as a reader but sometimes from a writes POV, stories can be very difficult to read for me! 

my pet peeves:

 i’m very much someone who needs to be gripped in the first chapter, i cant be reading through multiple chapters just to get to the good parts of your writing 

inconsistencies in writing, i can tell where you’ve REALLY tried in parts of your story and let the others fall off - it makes me feel like you’ve only planned scenarios and bridged them together rather than planned a cohesive plot

Grammar doesn’t bother me, but misusing or not understanding/not bothering to look up words does; do not use big words for the sake of making your writing sound more ‘educated’, it just looks flowery and out of place if you don’t know how to use the word your using, id rather a very well thought out and “basic” sentence than misusing something. It can also be very unhelpful to ESL people if you’re not using words correctly - don’t just use a thesaurus and hope for the best!

Characters doing things that are out of character just for the sake of a shallow “plot progression”, don’t misuse your characters because you didn’t plan - its infuriating to readers to see a character they’ve read for so many chapters just do something not like them without a VALID reason. 

I don’t like mary sues and thats that on it tbh, no one is unrealistically free of weaknesses. Stories are an escape, but idealised self-insertion doesn’t make an interesting story, believe it or not you’re human and you are not without faults. 

people that use ‘special fonts’ from fancy text generator in stories, its ignorant of people that use screen-readers, make your story accessible to everyone 

this may be extreme but nothing sets a fire under my ass and gets me heated like people who don’t use speech marks (””) for dialogue, don’t give my of this (,,”) or use (- [text] ) or even (‘’), please JUST USE SPEECH MARKS FOR DIALOGUE IT MAKES YOUR WRITING UNREADABLE

Trigger Warning....Using things like rape/non-con/sexual assault for a quick plot device, its distasteful to actual victims to reduce their problems as a quick plot trope that you quickly get over, this goes hand in hand with the mishandling/misunderstand of abuse/PTSD 

Romanticisation of toxic/abusive relationships, i’m not your mother but i will sit you down and explain why that isnt okay.

I honestly have so many more... but ill keep it short and sweet 

im glad you’re enjoying BTD, dont worry it has the same effect on me ;) 

[tinkerer-of-terror]

Heres me talking about nearly shitting myself playing a horror game + spoilers (Call Of Cthulhu 2018) 

STAY TUNED!

UPDATED: 1.12.19 @ 4:44pm  PST

FINAL UPDATE + LAST WORDS 1.13.19 @ 6:54pm PST

and yes that is a picture of Jacksepticeye. He’s my bae.

1.12.19

I don’t do well with horror games, so I am in the mansion, an very old half burned down mansion. The mother, father and son dies. I investigate the little boys room using a special power in the game and he drew monsters and hanged them on his wall, after the special power drains out the drawings are gone. 

I go to walk down a very dark corridor (mind to the fact I HATE CORRIDORS) and I couldn’t get 2 doors open so I was walking up and down the stairs in the corridor and noticed the markings all of the walls are actually 3 scratch marks which if you dont know means its the most evilest form of daemonic creatures in lore. 

I go into the mothers study and shut the door, first thing I noticed was there is blood in a weird cult circle made of green glowing stuff, second thing I noticed is that there is scratch marks all along the walls, third thing I noticed is an very daemonic drawing on the ground, you leave the room and then there is a bang. You call out to the police officer who came with you and no answer.

I AM SHITTING MYSELF YALL

1.12.19 again but later.

The door I so desperately wanted to open finally opened ... by itself. I no longer want it open. 

1.12.19 again but later.

For years I have waited for this game, its made on a fantastic engine. The same one that made Far Cry 5 but a lot of the character motions of the NPCs are very unrealistic. It’s sort of bothersome. But the story its so rich, I love this game despite the jagged movements. I have yet to encounter my first real monster, 0% of me is looking forward to it. I love how it has an Amnesia feel to it. There is way too many horror games that shrug off the trauma like its normal for the character you are playing as, I love that there is a sanity meter and based off of it you can actually imagine the creatures there when they really arent. Plus the fact that the lantern runs out of oil is cool.

Oh and one other thing, the paintings are cursed.

1.12.19 again but later.

The Shambler is being a lil bitch. I literally can’t get past it no matter how hard I try. I ain’t even scared of the lil bastard anymore. I just want to get the dagger and stab the painting. 

Heres a little funny thing my best friend said to me and that picture is for privacy. (dont mind the texts that start with “I hate it” and “that sounds great” unrelated to the game)

1.12.19 again but final log of the day.

The game is starting to really get to me after hours of gameplay, the light is leaving and it’ll be dark out soon. I have a major migraine and stomach ache. I just got to the part where the Shambler randomly appeared and now you are running around with your lantern light trying to escape the teleporter. 

1.13.19

I really don’t know what to say. I played the rest of the game at once and I started picking up items, not paying attention to the dialogue cause there was too much going on. I am very confused on the end that I got. So I preformed the counter spell correctly and ended up in the insane asylum not being able to sleep. How do you keep your sanity well? What the hell was up with Sarah? I had such high exceptions of this game cause I waited so long and I am so disappointed. I didn’t understand half of the game and I really do not want to redo it 3 more times. The game puts a lot of pressure on you too quickly, the Shambler I expected to be in it a lot more so I was disappointed but relieved at the same time. During the lantern puzzle I was so annoyed but as soon as the wall faded and I saw the outline of the Shambler I got scared, I turned the corner and expected a jumpscare and I got it. 

That weird battle between Sarah and the Shambler was very plastered. It was probably one of the worst battles I’ve ever played. 

In the end, I must say I am very disappointed in the ending and how everything turns out. I waited years for this game, I became very annoyed and confused by everything up until the point where you had to go to the book store. This game is not worth the 60 dollars. I would say 30 at best.

[hyliagirl42]

Bro they literally do have Interactions though!!

[Fore warning because twilight princess is an obsession of mine so this might be really long]

Lets talk about the game's canon for a second!!

The first time youre supposed to meet shad (you can meet him sooner but we'll get to that) is when Telma first tells you about the resistance group and asks you to come check it out. Admittedly, when you meet the members of the group, that interaction with Shad isnt really anything special. Im pretty sure he just introduces himself like everyone else does. (Thats still an interaction though...)

But!! If you're like me and like going places you're not supposed to go to yet to see if you get any extra dialogue, you can actually meet him sooner, still in Telma's bar. Basically you two end up talking about the chosen hero and if I remember correctly Shad says something about how theres no way you could be the chosen hero, which is of course not true and therefore hilarious to me

Thats beside the point though

The first time you have a meaningful interaction with him is when you talk to him about the sky literature he's been studying, as well as the dormant statues all over Hyrule, particularly the one underneath Kakariko village

And this is where it could debatably start getting really romantic 👀

Shad decides to share with you his life's work (i cant remember if it was the manga or the game where he said that he hadnt shared his studies with hardly anyone because everyone thinks he's crazy. It might have been both). Him sharing all he has put hours upon hours of research into, his passion and his life's goal, is literally a very personal thing, regardless of who is sharing that with you or why, but especially if the only reason he's telling you is because you're the only one who believes him and doesnt think he's crazy. If that doesnt count as an interaction (and a valid reason for everyone to begin shipping them), i dont know what youre looking for.

And as part of sharing his research, he attempts to chant the ancient sky verse, in front of you, to see if the ancient statue in front of him reacts to it, and I think thats really cool that Shad trusts Link enough to do that in front of you, even though it doesnt affect the statue at all and instead only affects the dominion rod.

And at this point you could argue that Shad is doing all this for Link, but Link isnt doing anything in return, to show his own affections/trust/respect/etc. But what does the game have you do immediately after that?

You help with his research!!

Link literally travels ALL OVER HYRULE searching for every single ancient statue (which Im pretty sure he marks on your map for you?) to collect additional books of Sky literature for him. Link doesnt do nearly as much to help out Rusl, Auru, or Ashei...he literally travels across all of Hyrule for Shad (that seems pretty romantic to me)

After you get Shad all the verses he needs, he once again chants it for you, to open the path you need to get through, and once you find the cannon inside and realize you need to transform into a wolf in order to warp it to where you need to go, meaning you have to ask Shad to give you some privacy...he does!! No questions asked!! He trusts you enough to leave you alone with the cannon the both of you worked hard to find and get to, despite not knowing why you need to be left alone with it in the first place!

...and then never questions it when both you and the cannon mysteriously disappear, which is also funny to me

Im pretty sure thats the last actual required canon interaction you have with him, other than the fact that he joins the resistance group to save your butt when you make your way through Hyrule Castle, but still, those are at least a couple of very significant interactions with Shad that you have in the game

As for the manga...I dont think i even havr to explain that one. Just read it. Their interactions in the manga are so gay and I love it. Shad and Link literally leave Ilia behind to go on a date and fight a dragon. Its amazing 💕

Shadlink is the most random pair. They don't even have interactions.

YES THEY DO

[brilliantsprout-blog]

How To Use Linux Liv https://ift.tt/2qnJ5uv

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[time-teller]

Made a little thing for you. Spoilers under the cut for anyone else viewing.

You'd want to get a couple things here, and it's kinda sad there are only 3 benches in this place, all of them far apart from each other. Here's a small map I marked, i darkened a couple areas here that arent necessary. try not to fall when you reach the left though.

I marked grubs in green and anything else in red. red x's are breakable walls. I'll make a couple bullet points for you to keep in mind because there are suprises you probably dont want to know about.

First and foremost, there's a charm at the bottom right that you cant get unless you have a late game ability. there's a roadblock not letting you get it so you'd best be off coming back for it (if you want). dont worry, there's a tram that you can take from Ancient Basin to get down there so you dont need to go through the whole of Deepnest to get to it.

Grub at the top right is surrounded by mimicks. Use your dreamnail to know which one to free (or i could just tell you, it's the third i think).

There's a boss next to the bench at the bottom. i assume you've gotten it but if you havent, the quick way is in the area i darkened. or you could go around the area next to it in order to free zote and grab another bench at the top.

the boss area has a grub and pale ore if you feel like upgrading your weapon. to access the boss though, there's a breakable wall. stand on the high platform at the bottom of the room right of the X and use vengeful spirit to break the wall. if you did it correctly you should hear the little bell sound effect.

There's a mask shard near the Mantis entrance that can only be accessed if you drop in from Wastes from above.

Next to the bench at the bottom is a soul vessel fragement. however, you can always come back for it via the Tram from Ancient Basin.

Zote is blocked off kinda. you need to exit the room he's in, go left and enter an entrance on the floor. the next room is full of reanimated bugs (you know, the creepy crawling one) and you need to kill all of them to access him. you cant skip this if you want to complete his side story.

Above him, there's a bench. go all the way to the right and you'll find the key for the tram. it'll be useful for you to get the charm at the bottom right later.

left of the bench and downwards there's another boss. i think the entrance has glowing grass in front of it.

There's going to be a big room at the bottom, you can see it with a red and green X and it's curved on the right. It's a big platforming section and you have to be careful to not fall. stick towards the top right and past a devout to find an entrance to a building. it has a charm inside of it, just dont go under the floor (you'll see, dont waste your time for that).

After that big room, go all the way left, try not to fall AGAIN because if you do, you'll have to make a detour to get back up (unless you want dialogue from a character, she's down all the way to the right. if you revisit her she gives a lot of tidbits of story each time you reenter the room but that's all she does).

There's a stag at the top right of that final room, but it doesn't have a bench.

Inside the Distant Village, it's sort of like a maze. All i can say is try not to miss the grub inside it and that the dreamer is behind a devout. there's also a bench but it's at the end of the maze. Dont forget!! you can dreamnail the dreamers for story tidbits (Herrah doesn't have a boss, don't worry).

hk enjoyers can you guys please backseat game my deepnest exploration ive had enough of this place already 😭 i don’t care about spoilers i just want to leave