#and there is a lot going on visually with them in partially because of all the colors lol

[skelly-bean]

I love the character I’ve made for baldurs gate 3 SO. MUCH!

I feel like there is so much going on with them visually but I don’t even care they’re amazing

I also love the guardian I made a lot too - definitely put way less time into making her but I was so tired of overthinking in character creation haha

[petrii-dish]

Behold, my magnum opus! Go forth, my rodents (?)!

(Sketches and notes under the cut)

My first attempt at a lineup, before it was stopped in its tracks by Isabeau. It’s a little crazy that I was working on these guys for so long that my art improved so much between the takes…

And my favourite sketches! Ratdile’s really nice to draw

I’m going to be honest, this isn’t even a rat/mouse isat au, because half the characters (including Siffrin??) aren’t even rats or mice, and some of them may not even be rodents!! I couldn’t keep myself contained! I’ve been working on this on and off since the end of February, and I kept falling out of because a. certain fighter was making it difficult for me. Not naming names, though.

Notes, notes… (too many notes)…

- Siffrin, Mirabelle and Isabeau all have wrapped their tails around themselves to keep them out of the way in combat, and to mimic their belts for the character design.

- Siffrin and Loop aren’t mice, actually. Or rats. They’re small gliders, which are either possums (marsupials) or squirrels (rodents). I’ve been going back and forth.

- I modelled Siffrin off the feathertail glider, which has a body and head length of 6.5 to 8cm, and is an Australian possum. I don’t really think of the Island as being Australia?? I’m just really partial to our animals and think they’re cool.. I think someone could make the argument for Australian Sif the same way you could for so many different cultures, but that someone isn’t going to be me.

- What’s important! Is that feathertail gliders! Are small!! And nocturnal! And they can fly! In the sky!! And they sleep in trees all day. And they’re very cute. They’d also have flatter faces than the rodents, which could be uncanny to them?

- Siffrin would be capable of gliding if they unwrapped their tail and took off his cloak and hat, but I don’t think Loop would be anymore. Their tail is too unevenly weighted.

- Mirabelle also isn’t a mouse or rat. She’s modelled after the mouse-tailed dormouse, which is pretty similar to a mouse but they hibernate, are often nocturnal and have fluffy tails (except the mouse-tailed one). They have a body and head length of around 8 - 13cm (I think??). Mirabelle needed to have a scaly tail so it would look like her rope belt, but I liked the idea of her being a dormouse because of the dormont pun and I think she would get stressed trying to balance the expectation of Changing with the need to hibernate.

- Isabeau is a brown rat!! They’re one of the two main rats! They’re big (body and head length of 15 to 28cm!!) and round, and fat, and I love them. He should be (at min) like twice as tall as Siffrin, but I shrunk him down in the lineup a bit because making him bigger just made drawing him harder. And I was already having enough trouble drawing him.

- Isabeau has been a consistent hassle and a pain to rat-ify, and he has delayed this project single-handedly by months. The most important part of Isabeau’s silhouette (to me) is his arms and shoulders and his big sleeves, and the really fluid and strong poses he makes with them. Rats have no arm game at ALL. They’re like. The t-rexes of mammals. Is a comparison I will make. So trying to give Isarat arms and shoulders always looks off, because rats don’t have very visual arms or shoulders, but go too far in the other direction, and it doesn’t look like Isabeau! Very frustrating. Also, rats just aren’t built for pants. Isabeau wears pants. Annoying.

- Odile is a black rat, the other main sort of rat! They’re not as big as the brown rat (body and head length of 12.75 to 18.25cm, really specific numbers) and tend to be a lot slimmer and pointier. They have a global distribution, including across both Europe and Asia. They’re very good rats and my friends.

- Bonnie is a pocket mouse!! Pocket mice are very small (the species I modelled Bonnie after, the rock pocket mouse, tends to have a body and head length of around 7 to 7.5cm) but they have very long tails! (and tails of 8.4 to 11.2cm!!)

- Importantly, they have cheek pouches that they keep their snacks inside, like little seeds. This is Bonnie behaviour.

- Euphrasie (The Head Mousemaiden…) was… maybe a dormouse? Given her fluffy tail? But she could’ve just Changed it to be like that. I never really settled on a species for her, which ended up kinda showing. She’s Changed so much she defies taxonomy.

- Like Siffrin and Loop, the King is also a glider. He’s only in my sketches, because like Isabeau, he’d just be too big and it would be too much effort for my poor hands to draw. I modelled him after the southern greater glider (also an Australian marsupial…). He would be on the bigger side of a body and head length of 35 to 46cm, which would certainly be big enough to grab one of the smaller kiddos in his hand if he needed.

- And like Loop, the King can’t glide anymore. He’s weighed himself down by tying the tails of other gliders to his fur, which resembles his hair. The armour also doesn’t help.

I’ve said so much, I’m going to bed now

[iwtv-theories]

Daniel Molloy's sexuality (analysis/head-cannon)

I know a lot of people assume Daniel is bi/pan : like Lestat, Claudia, Madeleine, Armand, Santiago, and even book -Daniel. But honestly... I sometimes wonder if he might be like Louis (who was gay ,closeted, and in denial). Frankly, I think both interpretations are possible (but I’m leaning toward gay ).

Not going to lie , as messed up as ep 5 was for poor Daniel, I can’t get over how savage Armand was with alluding to Daniel being in the closet. He read him to filth so subtly 😅. Armand says one thing but the subtext is practically being thrown into poor Daniel’s face (when he was still trying to rationalize that he only sold himself to men for a fix).

Oh , “In middle school, you stole your dad’s playboy magazines and sold them at recess” (why didn’t you keep any of them ? Did you not enjoy them as much as your father and the other boys ?) “In high school, you told a girl you’d only do her if she had a paper bag over her head. “ (why is that Daniel? Is there a pattern here?). If you marry a woman your thrust game will be weak as hell (and of course YOU won’t be able to satisfy her) .

Daniel literally closes his eyes whenever Armand mentions him being an inadequate lover to a woman. He can’t even look him in the eye (cause deep down it’s probably one of his biggest insecurities ).

Armand also mentions that if Daniel had a nuclear family: he , his wife, and his kids would all be miserable (and he’d end up just mirroring his parent’s dysfunctional relationship and be with a woman that reminds him of his ‘mother'). Armand literally listened to the audio tape where Daniel compared marriage to “cancer” and said gay Louis (who essentially married Lestat at the altar) “had a ticket out” of that "shit". Armand really tried to convince him to “have a way out” of traditional heterosexual marriage (via death). Armand was brutal for that one…

Daniel to Louis : “Did you come to San Francisco because it was a hub for homophiles?” Projection! In ep 5, Louis even angrily yelled in the present that Daniel was a “homophile.” Not like , Louis hasn’t alluded to Daniel's sexuality before. Daniel was a regular at the gay bar and had a tab there , and the bartender knew him by name. Daniel says it was just to “score” but that’s both slang for drugs and sex (a Freudian slip?) He sold himself for drugs and partially used it as an excuse to be with men. Oh, I did it for a fix , I wouldn’t do it if I wasn’t high. Yes , he’s addicted but I don’t think he was simply “struggling “ with JUST his addiction but his sexuality as well. He used the drugs as an excuse : “I did what I had to do.” Louis’ words about denying his sexuality could also reflect Daniel's feelings in the 70s as well (only difference is , Daniel doesn't appear to accept his sexuality like Louis eventually did). "It bears repeating , I did not consider myself a homosexual man at the time. I mean, I had experiences. Guilt -shame. Floating on a sea with vodka type encounters. Obviously, I’ve come to embrace my sexuality. of course, you know that we met at a gay bar, didn't we Daniel? Did you marry?/ "Twice. But we're not here to talk about me, are we?" (Intentional or not, It really feels like Louis is low key calling him out and Daniel knows it...)

Heck , even this scene is a possible visual parallel between closeted Louis & (maybe?) closeted Daniel.

Louis denying his sexuality via: "A lie that I told myself about myself, that I was a red blooded son of the south/ “ (The gay bar) was a good place to score . I did what I had to do… I wanted drugs… I'm just a shitty little kid from Modesto."

In middle school Daniel “bartered with desire” by selling playboy magazines to boys (magazines he didn’t ‘desire’ to keep for himself).But he later ‘barters himself to men’ because that’s what HE actually ‘desired’: men , not women like the ones from the magazines.

The fact Daniel uses "homophile" is also VERY telling about his true desires. "The homophile movement was a collective term for organizations and publications supporting and representing sexual minorities in the 1950s to 1960s. Proponents of the term 'homophile' hoped to emphasize the romantic rather than sexual aspect of same-sex relationships by replacing the -"sexual" suffix with the Greek root "philos," meaning LOVE.” Daniel (probably) deep down wanted "love" from a man , but only acted on his sexual desires (where there was no emotional intimacy and it could be more easily dismissed).

Also, Armand to Daniel : oh you Interviewed a sex worker and a happy gay couple who lived in a famous gay neighborhood. “Are you trying to find some ineffable truth “ ? (cough about yourself ). "Ineffability : is the quality of something that surpasses the capacity of language to express it , often being in the form of a TABOO or something incomprehensible”. Daniel, he’s dragging you !

Armand sifted through his mind , he probably figured all this out . Armand’s monologue to Daniel emulates the “to be LOVED by death” scene: where Santiago initially sifts through the victim's mind, then kissed her and called her a “bride “ before feeding on her. Armand before bitting Daniel, pretends to be death, caresses his cheek and whispers in his ear, “come, I’ll hold you.” He may know about Daniel’s desires ( which were probably intimacy from a man, like that gay couple he interviewed). All the drug -fueled hookups probably had no gentle words, caresses, or emotional intimacy. The symbolic insanity .

If past d.m did happen - it was probably his first “romantic “ relationship with a man. And also possibly the only time he was with a man sexually (while sober). Of course if that (more than a decade's long relationship) was erased - he’d be able to rationalize that he was just with men cause he needed a high, experimenting, etc. And , if he’s mixing up Alice and Armand in his head due to “mind -fuckery” then yeah… that could also affect how he perceives his sexuality. Of course , he could have loved Alice and just be bi (and still in denial about his queer identity ).

Daniel’s denial about his sexuality and his (probable) “guilt and shame “ about it - are more than likely related to growing up in an environment and time period that heavily demonized/ discriminated against/ and othered queer individuals.

Daniel's opinion on his own sexuality (whether bi or gay) is hard to pinpoint. On one hand , you'd think he would accept himself if he was aware of historical queer liberation movements. And he reported on the Aids crisis in the 80s when most reporters wouldn't have discussed it . But then again he could have been dating Armand when reporting about it. Or (even if he wasn’t, and was still in denial about his sexuality) he may have still wanted to report about it given the fact guys like him : drug users, male sex workers were most suseptible to the disease, and also heavily demonized for it . And he maybe even had friends affected by the disease. Daniel is rough around the edges but he does care about “those who fall through the cracks” (and are discarded by society). So even if he tried to rationalize that he was an ally who just did what he needed to do for a fix - I could still see him care about the ‘cause’ .He even mentioned the aids crisis in his promo video.

Young Daniel wrote multiple essays (that eventually were published into a book) all about karposi sarcoma (a cancer that was first discovered among aids patients). It might have scared him so much that he chose the 'figurative cancer (marriage)’ over fear of developing 'actual cancer’ (and accepting his sexuality). Which could be one of MANY reasons all his marriages fell apart.

Devil’s advocate: It’s possible Daniel just avoids references to his own queer identity because he doesn’t want his own business being brought up , and interfering with the interview. But …

Daniel may ‘pull a Louis��, and only admit he's queer post- vampirism. Daniel:" I love that man... that was Louis de pointe du lac just now making his fangs (dramatic pause) "come out." Louis about becoming a vampire: “Death, rebirth, coming out…a lot of firsts.” Daniel: "Coming out? How's sexuality play in that?"

I could definitely see vampirism being the catalyst for Daniel accepting his sexual identity .

[followthebluebell]

hello! I was scrolling through your blog (delightful) and found the post about Beef and his whiskers position, and I'm ashamed to say that in all my near-thirty years of being around cats and thinking I understand them pretty well I never thought to pay attention to the 'circle shape'. could you please expound a bit on what to look for when it comes to whiskers position and how to interpret it? Beef is an absolute sweetheart but looking at a brachy cat as an example makes it a bit hard for me to generalize. thank you!

Thank you! And also thank you for your patience--- I wanted to give some really good examples and have been scouring my blog for the best circle whisker cats I could find.

Picture heavy post under this.

so this is the cat grimace scale. It's a sort of way to visually see if a cat is in pain/distress, and it gives a simplified view of the things I'm going to discuss. It's important to recognize that whisker shape/position is just ONE piece of communication and doesn't tell the whole story. A lot of this is also based on CONTEXT as well.

When you're looking at a cat face, here are the things you really want to pay attention to:

Ear position—Ears facing forward, ears slightly pulled apart, or ears flattened and rotated outward.

Orbital tightening—Eyes opened, eyes partially opened, or eyes squinted.

Muzzle tension—Muzzle relaxed (round), muzzle mildly tense, or muzzle tense (elliptical).

Whisker position—Whiskers loose and curved, whiskers slightly curved or straight, or whiskers straight and moving forward.

Head position—Head above the shoulder line, head aligned with the shoulder line, or head below the shoulder line or tilted.

Calypso's huge whiskers give a REALLY good visual on the 'circle shape' to look for. You can see her whiskers are pushed forward and are loose and curved. She's feeling playful and engaged! She really wants to know what I'm up to and what's in my hand (spoiler alert, it was treats)

Compare that to this later picture, taken after she heard a dog bark nearby:

Her muzzle is tighter. Her whiskers are pulled back a bit, and are straight. Her ears are set differently as well, one pulled back a bit. She's concerned, but not terribly worried about this strange sound.

You can also compare it to this handsome lad:

Again, his whiskers are fairly straight. They aren't pulled back as far, but he's still very tense. He was extremely tense and upset that I took his water dish away from him (because it needed to be cleaned and changed).

Milo is another great example of excited whiskers. They're pushed forward and curved, forming a sort of circle. Like Calypso, he's interested in what I'm doing and feeling playful. He was very interested in the toy I was throwing for him.

Gumdrop is a good example of a more relaxed whisker position. She's curious, but not feeling playful. Her whiskers are held very loosely rather than being pushed forward. Her tail nub is up, indicating friendliness and confidence.

[otaku553]

Straw hat women redesigns :) I was trying to doodle some of the crew and came to the realization that I just Could Not with Nami so I wanted to play around with it a little bit

Some more design notes below:

Nami’s design actually went a lot smoother for me than Robin’s! I think canon post timeskip Nami is a very low bar. While you can argue that to some extent Nami being vain and seductive is part of her character, I do feel that there are many more integral parts of her character that can be highlighted in her design, namely map making and her combat. Though not one of the stronger straw hats, Nami does seem to be well practiced with her staff outside of its use for weather manipulation, and I think her being a physical combatant, even slightly, can be better reflected with more loose clothing for better mobility.

For her mapmaking, I wanted her to have constant easy access to her tools and to information about the locale, so around her waist she has one large pouch at the back for books and scrolls and maps in progress and one small pouch to the side for writing utensils and measurement tools. As backup she also has 2 pens in her bun, which also act as pins for keeping her hair up if she ever needs to move a lot.

I’m not sure how clearly it shows up in the notes, but Nami’s shoe soles are also made from whatever artificial cloud material makes up the weather island she stayed on during the timeskip, so that it both pads her steps to make them soundless and bounces for better mobility. The shoes are naturally shaped like heels but without the actual heel, since she tends to move around on tiptoes anyways- a nod to her epithet as cat burglar and her past as a thief.

I made her shoulders a bit broader because I think they probably get a lot of exercise with her staff, and changed out the bikini top for a more supportive chest wrap, with a loose tank over it for breathability. The compression socks and sleeve are more stylistic than anything, since I like layers, but they might come in handy for her if she spends extended amounts of time sitting down making maps for the crew.

Robin’s was a bit more difficult for me to figure out, and I might go back and revisit it at some point. For Nami, it was a bit easier to imagine what would pair well with her combat methods and her needs as a mapmaker, but with Robin, she’s an academic who fights almost completely hands off, without a specific weapon to her name. Because her strength lies mostly in her devil fruit, she has a bit more room for style over functionality, but I also still wanted her to have something that made sense with what she was. I don’t really think I succeeded in that regard, but it’s also hard to convey what she does visually— she’s more of like a professor than a field archaeologist I think.

I really really enjoy her cowboy hat but I didn’t think it would match with the rest of the outfit so I switched it out for a wider brimmed hat and kept the orange sunglasses on it, as a nod to the revolutionaries with the combination of headwear and eyewear. She deserves a trench coat. I don’t make the rules. And the rest of the fit mostly came down to things I think I would enjoy wearing, haha

The trench coat is partially a nod to the scholars of ohara, who seem to wear white coats like lab coats in some screenshots of robin’s backstory. I think also the reading glasses help to make her seem a bit more academic, but aren’t prominent enough to leave a strong impression. All in all I do wish robin’s design had more functionality in it but I also think that robin is a character who probably enjoys dressing up nicely like this, especially in the comfort and stability of the straw hats.

[noctiva]

I’m back!! I’m super curious do you have a list of general Toby Headcanons posted anywhere or am I just entirely blind? Lmao I’m super curious what your HCs for the man are like.

- 🐼

you’re not blind!! I’ve been meaning to post a general hc list for AGESSSSS you just gave me to push to do it hehe here it is!

-

Toby Rogers - General Headcanons

CW for: mentions of violence, cannibalism, self-destructive tendencies

-

Visual/Appearance

Toby is a tall, lanky mf. Standing at about 6’1 but appears shorter because he’s got horrible posture.

The CEO of having a sleeper build tbh. He looks skinny, especially under all the layers of sweaters and jackets he likes to wear, but don’t let that fool you. He’s scary strong, with a mean right hook.

Mousy brown hair that’s long enough to cover his ears. Shaggy, choppy, and uneven because he cuts it himself.

Has a ton of freckles that show best when he’s gotten some sun

Crooked, chipped teeth from one too many blows to the face, with uncannily sharp canines.

Dark, dark brown eyes with even darker circles under them.

Wardrobe

The midwest emo type

Flannels, ripped baggy jeans, jackets with patches that he sewed on himself

Either wearing a beat up pair of sneakers or more sturdy hunting boots when he’s out on a mission

Wears a ton of layers (as mentioned before) because he always feels cold even if it’s warm outside

I’m talking like; a t-shirt, under a hoodie, with a flannel over top, topped with a big comfy jacket

Personality

Sarcastic motherfucker. Even in times that definitely don’t warrant it al all.

Pretty scarred mentally from being bullied ruthlessly as a kid, so he’s actually really closed off. Pretty reluctant to get close to or open up to people because he’s convinced he’ll just end up being the butt of the joke again.

HATES being around aggressive, violent men. Reminds him too much of his father, and he’ll genuinely just freeze up completely as a trauma response.

Same goes for people who drink. He can’t stand that shit either. (He will smoke weed though, but alcohol is a complete no go).

Absolute jokester once you actually do get him to open up. Pretty carefree and funny, despite it all.

Chronically bottles up his emotions. Would much rather just slap on a smile and push everything down than actually confront them. (Leads to pretty nasty breakdowns more often than not.)

Shit disturber. Will stir drama and start fights just because he’s bored.

Swears like a sailor.

General

Chronic nail biter and skin picker. It’s partially an oral fixation type thing so if it’s not his fingers in his mouth it’s a toothpick, or gum, or the drawstrings of his sweater orrrr…

…A cigarette. Because this man smokes like a chimney. Tim isn’t fully to blame for why he got into it, but he is the one Toby stole smokes from when he first got the urge to try it.

Now it’s a constant thing. Half a pack a day on a good day. He’s always got one tucked behind his ear, and he constantly reeks of the smell of it.

Has a ton of scarring from piercings he did on himself and then decided he hated a few months later. (The only ones he kept being a septum and a pair of snakebites, but he sucks at taking care of them so they’re infected like ALL the time)

He’s flip floppy like this in a lot of aspects of his life. Constantly hyperfixating on things just to decide he hates them a few weeks later.

Also does stick n’ poke tattoos on himself like all the time. Dumb little chicken scratch doodles on his arms and thighs.

Loves sour candy like CRAZY.

A huge nerd deep down. Used to collect comic books and figurines when he was a kid, but lost them all when his house burnt down. (If he breaks into someone’s house and finds some nowadays he’s stealing them. IMMEDIATELY. Especially if it’s anything X-Men.)

Speaking of stealing, he’s a klepto. If he wants it, he’s just gonna take it. And lord knows the proxies don’t get paid a living wage so it’s not like he’d be able to afford it anyway.

Big forager. Likes to look for animal bones and pretty rocks while out in the woods. Cleans them and decorates the shelves of his cabin with them. Also likes to carve things as well. Making knives out of sticks and bones. Little figures that he whittles to keep his hands busy.

Is fluent in German, and slips back into it when he’s really pissed or annoyed (or when… yk..). His mother spoke it a lot at home when he was growing up.

Has cannibalistic tendencies and pretty nasty intrusive thoughts. Almost always bites a chunk out of his victims before disposing of their body. Has a hard time not getting a taste of the living people he knows.

Chews on his own skin because of this, gnawing at his palms to satiate the craving for blood.

Pyromaniac (duh) always has a lighter or matches on him. Sets fires just for fun, and could sit and stare into the flames for hours on end.

He hates his tics :( It’s deep seated trauma from the kids at school and shit his dad used to say to him. To the point where he’s grown a habit of hitting himself whenever he does tic, like if he punishes himself for doing it, maybe one day his body will stop (it hasn’t)

Verbal and physical tics. Often mimicry of words and sounds he hears often (common ones include whistles that mimic bird calls)

Low-key a sadist. Because he can’t feel pain himself, watching people react to being in pain is morbidly fascinating to him. Really takes his time with his victims because of it.

Virgin teenage boy levels of hormones LMAOOO. The type to have a bikini model poster plastered on his bedroom wall.

Sucks at talking to girls irl though. Puts on a way too confident facade and makes a total fool of himself more often than not.

—————————————————————————☆

yaaaay! I’ve been meaning to post this for ages

let me know if you guys want relationship hcs too (sfw + nsfw)!

[bizbat]

When They're In Love HCS - Jason Todd

~ Fem terms used for reader

~ Partially based on these headcanons

🕸️Spiderverse Masterlist🕸️

🐼JJK Masterlist🐼

~ You can find part two here, and part three here.

~ You can find more of my works here

Jason Todd seems like the type to fall hard and fast. He might not admit it for a while, but he's been developing feelings for you from at least the second or third time you met.

He's the type to call you "Wifey" or "The Missus" even when you aren't married and regardless of whether or not you to plan to.

He absolutely keeps a picture or two of you in his wallet, and no, he doesn't think it's cheesy in the slightest.

He's the type to lay on you. Your chest, your tummy, even your butt if you're laying on your stomach, your size and weight is irrelevant.

You'll be minding your own business, laying down and reading a book or playing on your phone, and he'll come out of nowhere and drop all 230+ lbs of muscle on your smaller body.

If you wheeze and try to crawl out from under him, try to push his giant hulking form off of you, he'll just wrap his arms around you and tell you he's tired, and just needs a few minutes of sleep.

Doesn't actually spend as much time reading as he would like to, but if you enjoy reading he'll always find time to do it with you.

If libraries had gold card memberships, he would be the one to have it. He'd rent any and as many books as you want.

Sometimes, he'll go out of his way to find books he thinks you'd like or that you can read together. Sometimes, he'll even give you old books from his personal library if he thinks you'll enjoy them as much as he did

I don't think he's be huge on giving gifts, I see him as more of a quality-time type (but i see almost all of the bats as quality-time types so take that with a grain of salt), but I do think he'd give you lots of tiny gifts all the time.

He'll pick up a quick breakfast for the both of you at the local bodega, he'll get your pet treats, he'll bring over your favorite candy or snack everytime he comes over to your place, etc.

Loves movie nights. Doesn't matter which movie it is, it could be some dumb, low budget nightmare made to babysit kids, or the best piece of visual media ever made by human hands.

He loves being able to talk to you, he loves hearing your opinions, loves hearing your voice. He'll recommend movies to watch just because he knows you'll have a lot to say about them.

I don't think he'd have a big moment where he introduces you to his entire family, I think he'd introduce you slowly, one person at a time.

I think he'd start with Dick or Cass, or Alfred, then so on and so forth. I think Tim and Damian would either be dead last, or have to find out on their own.

The only reason the others were told by Jason straight up is because they have that bare minimum amount of respect to stay out of his business. 💀

If you're a civilian, I don't think he'd want you to have anything to do with the more dangerous side of his life. It's bad enough you're dating him to begin with, he doesn't want to put you at anymore risk.

It's a somewhat different story if you're another vigilante. I still don't think he'd want you involved in his work specifically, but he would at least know you could take care of yourself if it came down to it.

He almost always wakes up before and goes to bed after you.

He likes seeing you when you're asleep, your hair a mess, or your bonnet askew.He thinks you're so cute when you're sleeping.

I don't think he'd take lots of pictures, but i don't think he'd mind if you did.

He might actually enjoy it if you just have a ton of selfies with him.

You are his lockscreen. Whether that was a decision made by you or him is still up for debate.

Doesn't care if you're more masculine or feminine, i think he'd find something to enjoy about both aspects.

Or if you were more androgynous.

He'd for sure call you "My girl".

A list of names I think he'd call you: My girl/wife, Wifey, Angel, Sweet thing, Princess, Baby

I've said it before and I'll say it again, the man LIVES for domesticity.

Even if you aren't married, you guys will act like an old married couple.

He's not my personal fave, but guess I had a lot of thoughts about him lol

[trippinsorrows]

ltye: in your hands

authors note: welp. here i am, once again. we're back with yet another 'what if' scenario, prompted by you lovely people in an ask that i can't seem to find to link right now. smh.

words: 3.3k

warnings: none. just sam being sam.

song inspo: in your hands by halle

Roman should have stuck with his first mind. Stayed home. Texted her some excuse about being caught up with work. She would have never found out the truth, and even if she did, he wouldn’t have given two fucks. 

Because this shit doesn’t seem to be getting any better. 

This dating thing. 

It’s gotta be at least the fifth or sixth one he’s taken her on, and each one has been just as miserable up until the point where he gets her on her knees, gagging or bouncing on his dick the minute they get back to his penthouse. Anything before that has been irksome, borderline miserable. 

Samantha is stunning. Has been since they were kids, and her body is the most desirable of the women he has on his roster. She leans on the thinner side of what he prefers, but the tits and ass are decent, regardless. She’s also just as kinky as him, which is why they’ve worked all these years.

But, the more “dates” Roman forces himself to power through, the more he’s starting to feel like bedroom activities is where it stops for them. 

Technically, he’s always known this. Even if he did have some level of desire to be in a real relationship with someone, which he doesn't, it would never be her. She’s vain, condescending, and seems to think she’s somehow better than the other women he fucks with.

If only she realized he views her just like he views the rest of the women. A warm body with a wet cunt to help him get his dick wet. 

“Roman!” Her voice cuts through his inner dialogue as he focuses on her cleavage. The dress she wore, short and tight, doesn’t help his desire to skip to the fucking part of this evening. “Did you hear what I said?”

“No.” Roman sees no sense in lying to her. “I probably don’t care either.”

She rolls her eyes and proceeds to continue like he literally didn’t just tell her he doesn’t care. “I was saying we should go somewhere.”

He’s partially intrigued now. Mostly because he’ll probably need to set her ass straight. “Where?”

She smiles and shrugs. “I don’t know. I was thinking Bora Bora.”

He shakes his head. “So go.”

She frowns, clarifying. “I said we should go, Roman.”

He scoffs, looking off at the ice sculpture in the middle of the upscale restaurant. A waste of money, in his opinion. “What the hell makes you think I have time to go to fucking Bora Bora with you?” He really wants to ask her what makes her think he would want to in the first place, but he’s trying to be somewhat less of an asshole to see if maybe this could work.

His Wise Man’s nervous voice balanced out with sage wisdom returning to the front of his mind.

“If the Elders are to force you into a marriage, why not with someone you already know? Especially someone who you know would have no issue in giving you an heir.”

If only Samantha wasn’t so fucking annoying.

She leans back in the chair. “You make time for these dates.”

Out of obligation. But, he won’t say that. “Yeah, but I can get my nut and send your ass packing in the same night. Can't do that if we're out of the fucking country.”

“You’re suck a di—”

“I’m so sorry.”

Soft. It’s the first thing that comes to mind hearing her voice. Light, almost. Kind. Even with just three words being spoken. And that’s just based off audio. Visually, Roman’s thoughts take an entirely different direction.

Stunning. 

Roman’s seen, entertained, and done a lot more with some beautiful women in his time, but the one standing at their table seems to have something more than all of them put together. She’s beautiful, easily one of the most gorgeous women he’s ever laid eyes on. And her smile, small but genuine makes him pause. As does her body.

She’s wearing the same uniform he’s noticed on the other waitresses, but none of them fill them out like she does. The white, long sleeved shirt that’s tucked into the knee length black pencil skirt can’t hide the curves he can practically see through the bland outfit. Nice, heavy breast. Curvy hips, thick thighs and an ass he can partially see from the front. 

This. This is his preferred body type. A woman who has something he can grab onto when he’s fucking her from behind. And Roman can only imagine what it would be like to be holding onto those luscious hips of hers while he—

“Oh my god, are you stupid?” Samantha’s annoying voice once again pulls him from his carnal fantasies. She gestures between herself and him. “Can you not see we’re in the middle of something?”

The girl, who Roman would guess is in her late twenties, early thirties at most, immediately looks repentant. “I’m sorry, I didn’t mean—I was just going to apologize for your wa—”

“Whatever.” Samantha lifts her hand, silencing the girl who’s now looking down at her shoes, clearly embarrassed. “What’s the special for this evening?”

“What’s your name?” Roman’s question comes out at the same time as Samantha’s inquiry. However, his voice clearly presents with more of a commanding nature. 

She swallows. “S–Solana.”

Pretty. Just like her. 

Samantha notices the way Roman is looking at her and is fully confused as to why he’s asking this fat troll for her name. She cuts in again, in that same nasty tone. “Hello? I asked you a question.” 

Solana is clearly struggling with Samantha’s aggressiveness, Roman wondering why this bitch is directing whatever unresolved feelings she has onto this innocent girl. “Umm, I think—”

Samantha scoffs, nose turned up. “You’re our waitress, and you don’t even know what the evening special is?”

“No ma’am, I do. I’m sorry. It’s just—it’s been a long day.” There’s a weight to her words, a sadness in her voice and in her pretty brown eyes. Roman notices all of these things and finds himself wondering what the story is. Everyone has one, and hers is suddenly of interest to him. For reasons he cannot understand. 

“Pretty unprofessional to bring up your personal life, don’t you think?”

Solana closes her eyes, pausing before answering. She looks exhausted. Mentally and physically. “It’s Squab. That’s the main co—”

“I’m a vegetarian. I don’t eat meat.” Roman rolls his eyes. This hoe has been saying that since they were in high school, yet every so often she goes back to having a normal fucking diet only to switch back to that salad shit. “What’s on your—”

“I’ll do us both a favor and get her to shut the fuck up.” Roman has had enough, both of Samantha’s grating voice but mostly her being a bitch to this girl for no reason. He’s a dick on the regular. He knows this. But, never has he come across someone like this Solana woman who, with just her presence alone, exudes such softness. Like, she doesn’t have a mean bone in her fine ass body. And she clearly doesn’t because anyone else would have probably lost their job by cussing Samantha out. Not that it wouldn’t be deserved.

Roman catches the faintest hint of a smile on Solana’s face as she redirects her attention to him. “Give her the salmon. I’ll take your best steak. For wine, you carry Madeira?” 

She’s pulled out her notepad and finishes taking down the order before answering with a nod. “Yes, sir.”

Roman’s jaw clenches at that sir bit. He could ruin this girl. “What do you recommend?”

She’s visibly taken back by his question, probably by the fact that he’s asking her for her opinion. “Umm—”

“Roman, I can rec—”

“I didn’t ask you,” he cuts that bitch off with the quickness, eyes never leaving the pretty girl before him. “I asked Solana.”

Her smiles widens as she answers in a more confident tone. “Julio Barros…..1950.”

Roman smirks. 

Exactly what he was going to order.

“I’ll take it.”

Their gazes linger on each other a second too long for Samantha’s liking as she cuts in once once more. “You can go now.”

Solana’s smile drops again, Roman suddenly finding himself all annoyed. Her smile is something pretty that he wouldn’t mind seeing more of, though that irritation is waned as he’s granted the view of her nice, round ass and curvy hips swaying as she walks to the back to turn in their order.

Samantha reaches over and touches his hand, Roman snatching it back and sneering at her. “What?”

She sighs. “Baby, I’m trying to talk about us.”

And just like that, he’s annoyed all over again. “There is no us.”

Samantha looks sad only for a brief second. “Roman, I’m not stupid. I know what these dates have been for. You’re trying to see if it could work.”

“If what could work?”

“Us.” She goes on to share. “There’s rumors that the Elders have been putting more pressure on you to settle down and make an heir.” Sam leans over the table, intentionally trying to emphasize her cleavage. It’s nice. He’ll give her that. But, he’s certain it’s nothing compared to Solana though and those big breast of her hers. “I can do that for you. Be that for you. Be your wife. The mother of your children.”

Not a damn thing she’s saying sounds even the least bit desirable. At all. 

“I mean, we’ve been fucking around since we were kids. Why not make it official?”

For a lot of reasons. All the reasons. The main one being Roman don’t like this bitch unless she’s choking on or riding his dick. 

What he does like, however, and finds solace in is the interactions with Ms. Solana as the evening goes on. They’re not very often outside of her bringing the bottle of wine and their food when it’s ready as well as a check-in here or there on how they’re doing.

Each time Samantha sending her the dirtiest look or just being an ol’e nasty bitch, to which Roman shuts down, cutting her off and even telling her to shut the fuck up.

The girl is just trying to do her damn job. And as his eyes locate and land on her on several different occasions, he can see that she works hard. Moving from table to table, almost saddened facial expression indicates she’s on the receiving end of more verbal lashings from people like Samantha.

That actually pisses him off, Roman having to control and stop himself from doing some out of pocket shit. 

Again, for what reason, he hasn’t the slightest clue. He just knows those brief glimpses of her actually smiling, usually when she’s chatting with a coworker, do something for him. 

Maybe even to him. 

And unbeknownst to him, the intrigue goes both ways, because as shitty a day Solana Miller was having, the handsome stranger with the rude girlfriend or wife or whatever has somehow, someway made this day just a little bit better.

It’s been some time, if ever, Solana has come across someone with such a presence about them. Him dining at this uppity restaurant she was able to score a job at tells her that he’s wealthy. His disposition and the fact that he somehow secured it to where the surrounding tables of where he sits have been marked as unavailable tells her that he has pull. But, the way he interacts with her, a literal nobody, she’s not sure what that means.

Especially with the beautiful woman he’s with, because while Solana thinks she’s every bit a bitch as most of the women who come into this place, she’s a stunning bitch. 

Which is why Solana can’t allow herself to believe that that equally beautiful looking man is looking at her in any sort of capacity. 

There’s no way in he—

“Solana.”

And just like that, she's frowning again. “Mami?”

The last thing she expected to see this evening was the sight of her mother, already dressed in her scrubs, baby in her arms. 

Solana’s baby. 

Her 11-month–old daughter, Soraya. 

The shock wears off as Nina gets closer, Solana shaking her head, “what are you—”

Nina shakes her head, face apologetic and tone contrite. “I’m so sorry, baby, but I got called into work. I can’t watch Raya.”

Shit

It's inconvenient, but Solana understands it. She remembers the countless times Nina had no other option but to leave her with a neighbor after being called into work at all kinds of hours. She’s always worked so hard to take care of the two of them when Solana was growing up. 

“It’s okay, mama.” Solana easily reaches for her daughter, a wave of relief and happiness washing over her as she holds and kisses her baby. The source of all her joy. All of the struggle, every bit of it, is worth it as long as she has her daughter. She’d do anything for her. “How was she?”

Nina gives a small chuckle. “She’s like you were and still are. An easy child.” Solana kisses Soraya’s temple. “Sol…..” And just like that, Solana already knows she’s probably not going to like what she’s about to hear. “I know you’ve said you don’t want to go after him for child support, but it’s not fair for you to be out here working two jobs while putting yourself through school to take care of his child.”

Solana holds Soraya just a smidge tighter. “She’s my baby, mami.” 

Nina counters. “She’s his biological child.” Solana looks away, hopeful her manager, Aldis, doesn’t come out and scold her for this little interaction. She’s scheduled to clock out in another half hour anyway. “He should be paying you child support.”

Her mom is right. Solana knows this, knows that it’s not fair for her to have to be the sole provider for her baby girl, while Cruz lives his best life as an absentee, deadbeat dad. And she’s considered on several occasions going to the courthouse to see what she needs to do to get that ball rolling. 

But, every time, she’s haunted by something he said the last time they spoke, not even a month after her daughter was born. 

“Don’t you get it? We were fine before she came in the picture! We could be fine again if she wasn’t.”

Solana’s never been more disturbed than she was to hear those words leave his mouth. That’s why she’s glad he’s gone, that he wants nothing to do with her or his child. Because she would never trust to leave her baby girl with him in the first place.

And if that means she does it without him contributing financially, that’s exactly what she’ll do. 

Solana shifts Soraya from one hip to the other. “I don’t need him, mami.” And she doesn’t. Because if Solana had to resort to sex work to take care of herself and her daughter, it’s exactly what she’d do.

Nina gives a heavy sigh. “Mija, you know I help you when I can.”

“I know.” Because she does. But, the same way that times are hard for her. They’re hard for her mom, too. Everyone’s struggling these days, it seems. Everyone except the rich people who wine and dine without a care in the world around them. “I’ll be okay.”

Always will be.

Nina gives a knowing nod, hugging her daughter and gently taking her granddaughter’s hand, kissing it, speaking in Spanish. “I’ll see you later, okay? Abuela loves you.”

Solana smiles. “Thanks, mama.”

“Always, baby.” 

Nina reaches Solana the diaper bag, Solana placing it on the bar stool, knowing it’s bound to be left alone. These rich ass people would never bother with the Ross purchase. With a final parting smile, Nina is off to the hospital, leaving Solana with her daughter who’s just now waking up.

“Hi, baby girl,” Solana giggles at the almost cranky expression on her baby’s face. Raya is definitely not the happiest camper when being woken up. 

A glance at the time reminds Solana that she technically is still on the clock and really shouldn’t have her child with her. But, with no other option, she accepts she’ll just have to clock out early and take whatever those consequences are.

But before that, the least she can do is grab the bill from the table where the handsome stranger and his girlfriend sat. She’s briefly disappointed to see the table empty, even if she remembers his deep voice thanking her for her assistance this evening as she brought them that same check earlier. 

It’s a silly thing, really. And she tries to push away the disappointment at not properly telling him goodbye. A stranger. 

Silly.

Soraya grasps at the collar of her shirt while Solana walks over to the table, pausing as she gets close enough to see that there’s more than just a bill with a signature. There’s cash. A stack of it. Money in hand, she’s confused, because this man paid with a black card, so what—

“Good.” 

Solana gaps and spins around, her eyes widening as she looks up. He’s a lot taller than she realized, burly body nearly eclipsing her view of anything else, silky black hair in such a neat, perfect bun. “Wanted to make sure you got it.”

Brows furrowed, it’s hard for her to speak for a lot of reasons. One of which is the fact that this man cannot be real. A man cannot be this handsome. But, he is real, and he’s looking at her.

And Soraya. 

“I—” She shakes her head, clearing her throat. “Is this—you already paid—”

“That’s not for the bill,” his voice is so velvety, smooth, and deep. “It’s your tip.”

Eyes widening, her gaze snaps to the wad of cash as Soraya continues to grasp and squeeze her shirt. She doesn’t even need to count to know that this is a nice amount of money. 

Too much.

“I can’t—it’s too much.” 

He chuckles, “do I look like I can’t afford it?” Her eyes roam over his big, muscular build dressed in fine, expensive looking clothes. He just oozes wealth. 

And power. 

“N–no.”

“Dealing with Samantha, trust me, you earned it.” Solana looks down, wanting to hide her small smile. His gaze redirects to the child in her arm. “Who is this?”

And just like that, Solana’s proud smile returns. “My daughter, Soraya.” It’s like Soraya knows she’s being discussed, lifting her little head to look at Roman. A big grin on her face before she buries her face into Solana’s neck. 

Roman makes a sound, and she can almost swear she sees the smallest smile on his handsome face. “She looks like you.”

That creates such a warm, fuzzy feeling in her stomach, “thank you…..”

He looks at her a bit confused, like her unspoken question surprises him, before answering. “Roman.” Roman. “Roman Reigns.”

Roman Reigns. Even his name is powerful.

It fits him.

Solana shifts Soraya around as she starts to get wiggly in her arms. “Well, thank you, Mr. Reigns.” She’s certain the shock of just how much money this random, rich stranger has given her hasn’t truly set in. Because if it had, she’d have a much more visceral response. 

A lot more.

“Roman,” he corrects. “Call me Roman.” 

“Roman….” 

Something indecipherable flashes in his eyes, something that makes her feel a bit unnerved under his intense stare. It’s broken, however, by her now irritated daughter.

“Mama.” Soraya makes her dissatisfaction at being still for too long known by punching her tiny fist against Solana’s chest. “Mama!”

“Shhhhh,” Solana kisses her temple, trying to quiet her down before someone makes Aldis aware of her presence. She looks at Roman, eyes softening, “thank you again.”

Truly. Honestly. He hasn’t the slightest clue how much this will help her. It’s why she can stand here without anxiety and concern about making it to the bus stop on time. Tonight.....tonight she’ll treat herself and her baby with calling an Uber instead. 

Might even stop and pick up dinner.

Roman nods, eyes briefly glancing at her daughter again, the smallest smile on his face. “I’ll see you later, Solana.” His head dips a bit in acknowledgment towards her baby. “Soraya.”

The smile is plastered on her face even as he walks off without another word. And it’s only a good two minutes later that she catches onto what he said. A certain word in particular standing out the most. 

What did he mean by later?

[aromacaque]

Quick S5 Analysis and Theory

I AM GOING TO RAMBLE ANALYSIS BECAUSE THEY ARE DRIVING ME CRAZY

I cannot stop thinking about the way Wukong reacts to Macaque when he goes "oh no 'gee thanks for saving me macaque!...'" cause if this were before the S5E2, he would have snapped back at him, like he always does.

We know Macaque does this solely to rile Wukong up. It's how we're introduced to his character in S1E9 and he does it throughout the series. This is why he did it here too (or at least partially), BUT WUKONG DOESN'T TAKE THE BAIT THIS TIME.

While he's obviously still reeling from seeing the memory of their fight he was forced to watch,

you can still see that, for a split second, Wukong almost does snap back, but he instantly rethinks that and decides to be passive

Macaque, again, pokes at him trying to get a reaction, but this time Wukong doesn't even think about snapping back. He simply responds casually/lightly (before then realizing that MK is in danger)

This tells us possibly two really important things

Macaque sacrificing himself in S5E2 was a turning point for Wukong's perception of him. An increase in personal trust/faith/etc.

2. Seeing the memory of their fight made him rethink his behavior toward Macaque

For the rest of the season, they don't get a lot of moments because of, well, Everything, but we see Wukong is not only more willing to show concern for his wellbeing, but also seems to be more open/emotionally vulnerable in front of him than before (in little moments, anyway).

Granted that has been building up since S4E11, arguably before that but I'm not going to deep dive analyze season 3. He's being more communicative with Macaque in S5E1 about MK too. In other words, not completely shutting him out or pushing him away, which seems like their natural progression from S4E11 as well.

All of that being said, this brings me to The Scene. Which I am completely normal about because there's so much to unpack about it and I am so normal about that. Evidently.

First of all, they wanted to hold hands during their final moments. MK and Macaque are the two most important people in Wukong's life, I feel like that speaks for itself.

BUT it's Wukong who reaches out here.

This is Wukong's first major attempt to bridge the gap between them, at least in such a direct way. In my opinion, it's almost a wordless forgiveness on top of acknowledging how Macaque has changed and improved himself, as well as his reciprocation of that behavior. He wants to fix their relationship too, just as he has seen Macaque willing to do the same.

This moment being interrupted was actually a good thing. It's a good visual reminder that, despite them both wanting to reconcile, they aren't Quite there yet. There's still a lot left unsaid between these two, most importantly Macaque's death. (I'LL GET TO THAT. HOLD THAT IN YOUR BRAIN)

For macaque, this moment has another important meaning.

AND NOW I GET TO TALK ABOUT ONE OF MY FAVORITE WRITING TOOLS HELLO PARALLELS!!!!

In S2E7 we are introduced to this shot of Wukong on a pedestal over Macaque, turning his back on him and abandoning him. This is firmly established in that episode as one of the main reasons Macaque resents Wukong.

He is also portrayed as above him, subsequently nodding at Macaque feeling inferior to him.

In S4E11, we actually watch how this dynamic destroys their friendship. It is a MAJOR reason for their falling out. Macaque feels neglected, overlooked, ignored. Promises are broken and trust is lost. To him, Wukong is selfish, self-righteous, egotistical, uncaring, etc.

Obviously we as the audience are aware Macaque has a rather skewed perception of Wukong that seems to be influenced by his projection of his own insecurities, but that is a whole other analysis for a different time.

In S5E10, this shot is paralleled. Visually demonstrating that Wukong isn't forgetting about him this time. He looks for him. Macaque is being considered in a way he had previously believed was lacking in their friendship.

Not only that, but they are on level ground. Balanced and equal.

Macaque is reluctant to reach back out. His trust in Wukong is practically non-existent, has been for a while (understandably), so it's a little hard for him, but he reciprocates because, like Wukong, he's acknowledging that he has changed. He wants to try to fix this too.

TO RECAP!

They know they both want to fix things

They can see and have acknowledged changes in their behavior on both sides

Wukong seems to be less prone to arguing back, which will most likely make Macaque less likely to try and provoke him. All in all, they will be more civil with each other and most likely argue much less.

They are being held back by things left unsaid.

WHICH LEADS ME TOO...

WHERE DOES THIS LEAD THEM IN S6?

The obvious is they need to address Macaque's death. If they don't do it in this season it's bad writing and they are dragging it out for too long. It's the obvious natural progression here.

This is where they will have an actual, long overdue constructive conversation. It is literally singlehandedly the only thing preventing them from reconciling at this point.

Now, the problem, is how this would happen. Because we all know neither of them are going to randomly apologize out of nowhere. It's gonna take something to push them into that direction. And that should be how it happens otherwise it'd most likely feel forced in the script.

WHICH BRINGS ME TO A THEORY. A GAME THEO-

I'm not going to get into the nitty-gritty details of this particular theory, but just know that I am a firm believer in the "Macaque was consumed by his own powers and that's what killed him" theory. I do think Wukong played a substantial role in his death, enough for Macaque to reasonably believe Wukong killed him, but ultimately it was less Wukong directly killing him and more indirectly causing it and not saving him.

That being said, Wukong and Macaque's relationship is a major subplot in this show with a considerable amount of focus. They have been slowly building to their inevitable mending relationship since Macaque's first episode, which means that they're going to want to reach that climax in a pivotal emotional moment. Not a random conversation smacked into an episode.

And what is going to be plot-relevant next season??

MACAQUE'S CHAOS POWERS.

S5 built up to Macaque being an established member of the group

(Also the VO here being "change can be terrifying" is absolutely foreshadowing to some degree)

Now, there's also something else I need to address. Macaque has gone out of his way 3 separate times, 4 if you count the LBD fight, to save Wukong. On the other hand, Wukong obviously cares about Macaque, but ultimately hasn't had many opportunities or reasons to try to save him specifically.

With all of those details in mind, I think Wukong will need to take direct action by either saving him/protecting him/etc. because I think it would be a high-stakes moment that inevitably kickstarts an apology/conversation between them. Maybe it's something that reminds Wukong of their fight or that macaque can die (hence the chaos powers potentially harming Macaque in some manner or maybe a potential difficulty controlling them reminds Wukong of their fight, something along these lines).

Why this route?

Macaque has regained Wukong's trust. He basically says as much in S5E2. And while it's fairly obvious with Macaque's behavior and choices that he has learned from his past mistakes and is working on his faults, he definitely needs to acknowledge his wrongdoings. However, I think that would naturally happen during any conversation they may have (or the aftermath) regarding his death and their feelings.

That leaves Wukong because he made a promise to Macaque that they’d spend eternity together and that he would protect him and their home. A promise he broke multiple times and has not made up for yet. He needs to mend that and make it right to solidly regain Macaque's trust in order to reconcile.

[erinwantstowrite]

might seem a bit out of nowhere

but i wanted to ask how you get started in writing. and i mean like how do you get into the ✨️flow✨️ of it after sitting down. 'cause i just tend to stare at my laptop

i struggle with getting into the flow a lot. which sounds crazy with how much i write, but it's true. usually when this happens, it's because i have a lot of inspiration, but no energy to complete anything. i have to make sure i start writing when i'm feeling good, after taking a break from my writing space. sometimes it's because im so exhausted from outside sources, which is more annoying than if i just needed a break from writing

but sometimes that writer's block hits HARD. sometimes i'm also staring at my document and not writing for hours on end. and when i do write, im in a constant state of "i don't like this" where i rewrite a chapter or just a singular scene over and over and over again. THIS is where i'd say i struggle the most with getting myself into the flow, and i can share what i do to guide myself out of it (here's a post i made a while back with other tips)

IMPORTANT: notice how i said GUIDE. you can not FORCE yourself into a flow. I repeat, you can not. it's impossible to force a flow, and if you try, you'll only make yourself hate writing. however. you can help yourself to get into a flow

-i take the time to go outside and/or get some exercise. i also mentioned that in the linked post but it's important so i talk about it a lot. i've recently decided to take up photography and birdwatching, and I got myself a hammock. as someone who's struggled with finding ways to enjoy being outside (I live in Louisiana and it's like i'm being slow cooked to death during the spring and summer), that's what gets me out there. i also make sure i hydrate and eat well because our bodies need fuel in order to create

-i read something new or i go back to something i haven't read in a while, and that (usually) helps TONS. i recently read some Sherlock adventures and I had a blast. right now I'm picking apart a "psychology" book (this author should be glad we will never meet, my annotations have not been kind), and i'm reading a book about fashion history. and my friends and I are going to start reading Dracula in our book club soon, which is exciting!! i have a lot of books on my to-read shelf and i annotate all of them. the annotations aren't necessary for this if you want to try but it's fun for me

(^ that being said, i'm gonna add on: sometimes i go reread fanfics that i like, and that's all well and good. there are very talented writers who only write fanfic!! but it's important to also read published works as well. if anyone wants a random recommendation for a book to try, hit me up. i'll give you a book that i have on my shelf or that i've been wanting to read for a while)

-i make a playlist or listen to a playlist to get in the mood before i try writing. specifically, i need something that i can imagine some scenarios to. i can't listen to music while i'm writing cause i'll get distracted, but doing so before helps me figure out the vibe im going for

-drawing. oftentimes i need a visual of what i'm trying to write. whether it's something like a character interaction or something like "i have no idea where everything/everyone is in this scene," it helps to have some paper nearby

-journaling!! i've talked about this a lot on here but i journal more than Ford in Gravity Falls. I'm not joking. I have a bookshelf dedicated to literal decades of writing and learning about writing. i have two notebooks for LoF, one for my DnD campaign, one for my personal records, etc. I have a new notebook ready for writing essays about the books i recently bought and am reading. my LoF notebooks are dedicated to messily writing up brainstorms or writing through scene ideas, i've written partial chapters in them by hand, etc etc. this helps me when im not in a writing mood to at least be doing SOMETHING. i rewrite my outline a LOT. also it helps me keep track of my timeline (i still fuck it up sometimes)

-actually forcing myself to sit down in front of the computer.

this sounds like the most obvious thing, but i'm talking i close out all my other tabs that i don't need for writing, i put my phone away across the room or in a different one entirely, i put on headphones and listen to only brown noise OR i get on a call with my friends to make myself not want to open Youtube or anything else. i'd rather sit there and stare at my computer than sit there and scroll on my phone or get distracted with something else and then be upset that i didn't write. even just staring at the document and working it out without writing a single word is better than that, because it means i was still working

in all honesty, you don't know you're in a flow until it Clicks. you could go do all of these and gain experience and knowledge for months on end and not write anything that whole time, and then one day you sit down and you knock out an entire chapter like nobody's business. it's just important to take care of yourself in the meantime and keeping your mind fresh

[thewanderingmask]

my submission for the hermitcraft season 10 fan art gallery: Xisuma Eternal! (actual size on left, embiggened version on right)

there are a ton of little thoughts that went into this and i will now go off about them at length (ramble under the cut)

let's start with the image layout and composition! my first idea was to do an homage to the original doom box art because of X's skin, but ultimately I decided on referencing this Eternal cover (hence the title of the piece) because it sparked some stronger ideas in my brain.

i still wanted to keep that link to the original though, so i did my very best to emulate the original logo with X's name - replacing the original texture with binary as one of many references to X's role supporting the technical side of the server.

(for no reason other than my own amusement, the binary in the letters is translated lyrics from X's verse in the hermit gang song. i don't even know how much of that is still visible after lining the letters, but i liked putting it there)

i've only been watching hermitcraft for a few months, and there's an awful lot of history i don't know about. so i focused on doing my best celebrating builds X has worked on here in season 10! i would have loved to include his base as well, but ultimately i ran out of room.

(there are still a few nods to other seasons based on knowledge i've acquired through osmosis. evil X is the most obvious, but i was also able to sneak in a couple small carvings next to the X in the title text!)

coming back around to xisuma's work on the technical side, that's why Evil X is backed by error windows. it's also why xisuma is holding a toolbox! it was the best visual metaphor i could come up with for the digital job of maintenance and repair.

(and of course he has a lovely cup of tea as well)

the allays (holding redstone) are partially in reference to farms X has been making, partially bringing back in that angelic/demonic vibe of Doom, and mostly because their intended role of supporters and helpers feels very thematically appropriate for X.

the lines in the sky are of course meant to evoke the shapes of mace race, and the black cube is a minecraft-ified version of the Soulside Eclipse logo.

(if you're not familiar, that's xisuma's music! it's good!! give it a listen sometime! it's on youtube!)

the silverfish at the very bottom are visual reference to the demon hordes of Doom - and of course they're also much more directly referencing X's very clever prank in impulse's city.

finally, on the walls of spawn we have the carved symbols - one for every other hermit. i remember X mentioning in a stream once something about fulfillment from supporting others. (i apologise if i'm remembering less than clearly.) it just felt like if i wanted to represent X, it felt important to include them as well.

and of course it made me happy to do something for Every hermit, since all of them

(smallishbeans/joel was actually the one i got most stuck on! there wasn't really a single item or symbol i could think of to narrow him down to. ultimately i decided on a torii gate and a little letter J, but i'm honestly still thinking about it)

ah right, and the Actual last thing: this turner out to be totally unnecessary, but i absolutely did draw this in the minecraft map hex code colours. it's a tricky palette to work with, and i learned a LOT about pixel art while trying to get the sky to look nice!

this piece took about 10 days to complete, maybe the longest i've ever spent on a single illustration like this - and honestly, i'm really happy and pretty proud of how it turned out!!

[kayakima]

Why do you think Jean and Pieck work well as a couple? (srs)

I know you have a fic of it but I'm curious about your direct take.

Oooo I’m definitely not the first person who has said this but a lot of the appeal with Jean x Pieck lies with the post-canon potential between the two of them as opposed to scenes that you directly see in the manga/anime!

Jean and Pieck are both shown to be incredibly pragmatic, level-headed, and loyal characters, (where their loyalty primarily lies with people as opposed to the systems that brought them up. I.e. Pieck saying she doesn’t trust Marley but the people she’s fought with, and Jean telling Reiner that they’re no different from each other, so it’s wrong to judge their actions), and in their few short scenes together, it shows that they immediately read how the other works in a way that they can work together efficiently in a fight. They don’t hold anything against each other for past instances, because right off the bat they both understand that nothing is personal in war, and when they’re finally at a point in the narrative where it’s time to join up, they do so immediately without hesitation.

From a physical standpoint, Jean canonically likes girls with dark hair, and while that in and of itself isn’t enough to say “oh they’re canon because she has black hair”, it does lend to the idea that Pieck may have partially been designed to serve as a potential secondary love interest for Jean, considering that she was originally supposed to be a middle aged man. Even if that change wasn’t intended to open that door, their scene together on Eren’s Titan very clearly pushes a “hey guys this is also a new potential love interest situation so pay attention to these two!!!” Type of agenda that’s really common in this type of storytelling. Pieck herself is portrayed as being inseparable from Porco, who also has a fiery temperament and dirty-blonde hair, and while Porco and Pieck lack the absolutely absurd height difference between her and Jean, we still see her interactions with a male character that has similar traits with Jean. Once Porco dies, Pieck is clearly upset, but then chooses to push forward to fulfill her duty to her fellow warriors (who else in this story chose to follow through to make a difference to honor a comrade that was in one way or another killed because of Reiner???) they’re reflections of the same character traits in different bodies, and they mirror each other incredibly well when they barely even interact onscreen.

But in the parts where they DO interact, I can’t tell you how many shows and movies I’ve seen that have had two side characters that previously didn’t talk much suddenly wind up in a long fight sequence together, and more often than not, it does lead to a character change and emphasized romantic potential by the end of the story. Character blocking in scenes is incredibly important, and when two characters are placed together for a 4-5 minute scene of just the two of them, then the contrast of both their visuals and their personalities is much more noticeable. Then we get into the boat scene, where Pieck is the one to tease Jean about his hair, and he makes just as equally cheeky a response. I do think their time as ambassadors would put them in close quarters very often, and in real life, people fall for each other all the time when they’re together 24/7. I think it was intentional that Pieck was the one to start the banter with Jean to go back on my previous statements, and I think by the end of the story, that’s implied that there’s a good chance the two of them either currently have something going on, or that there’s something that will happen between them eventually. I also like the idea that since they met as adults, and with wildly different life experiences, they could have a lot to learn from each other without years of trauma and baggage that affects their relationship. They’re two entirely separate people that have the potential to become something completely new together as opposed to being together in the shadow of everything that happened to them when they were younger.

Also consider this: incredibly attractive and smug man meets even more attractive and smug woman. Then they have four kids.

[lovewireds]

been meaning to post my designs for these little guys forever. insane splatoon rambling under cut to explain design choices and lore related things ... read my autism boy

btw this is a repost from our art side blog this was written and drawn like months ago <- minorly rewrote some things tho

thx splatoon users drfreeman & drcoolatta for fueling my splatvrai autism brainrot ... i hate u /J

GORDON

idk how to explain this but Theoretical Physicist is inkling coded . maybe its cuz splatoon species social hierarchy

Native ink color is Orange, but he has Dark Brown tentacle roots.

Uses custom weapons to attach in place of his prosthetic; It works best with Splatlings but can be adjusted to attach other weapons.

If the thing above didn't make it obvious, he's a Splatling main. He switches out depending on his mood though.

sighhhhh technically an Agent... stares at the ceiling...Main character...

His arm loss is like pretty much the same as in-canon but it's with the octarian army shrugs. don't ask me why he doesn't just regenerate it cuz hes a squid thats for me to know and you to find out. (get partially sanitized loser)

Born & Raised in Inkopolis pre-splashtags; He wasn't informed of the switch to Splashtags being expected when participating in most activities around Inkadia.

TOMMY

I forgot why i made him an inkling why did i do that. I think it was bc i didnt wanna make them all octolings but i was wrong srry we all make mistakes /hj I ALREADY REDREW HIM ONCE IM NTO DOING IT AGAINNN

Native ink color is orange-brown.

His hat has an eye guard for sensory reasons; He covers up as much of his skin as possible because he doesn't like the feeling of foreign ink on him.

He isn't a specific weapon main, he just uses any long-range weapon to minimize the possibility of getting ink on himself. If he has enough guarding, he prefers to use N-ZAP '89.

Makes his own gear for sensory reasons as well :) It's legal when ur dad's the G-Man.

Exclusively plays in Turf Wars, Anarchy Battles, etc with friends. He hates playing with people he doesn't know.

Born in Splatsville !! He feels like a Splatsville resident. His occupation is resident I cannot imagine him doing Anything

His dad is that creepy curtain in one of flounder heights windows /j

BENR(E)Y

Octoling bc I wanted him to be sanitized :) Other than the visual part of being sanitized, I thought him being clinically dead fits /hj also lore reasons below

Pre-sanitization, his native ink color was blue.

Great Turf War veteran; He didn't do anything in the war itself, he was just enlisted lol. He was primarily security for the Octarian Domes in the years after the war. Yes, that also means he is over 100 years old.

"Raised" (debatably) in Octo Canyon.

E-liter main (4-star Base + 5-star Scope) and avid squidbagger. He also uses any heavyweight weapons (dynamo, tenta, etc)

Absolutely hates working at Grizzco, he only does Turf Wars and Anarchy Battles. He only works at Grizzco during Big Runs. The type of guy that does X battles.

Professional Anarchy / Ranked / X Battler btw. That's literally 90% of what he does.

Got on Gordon's azz over him not having a Splashtag; i wonder what that parallels.

BUBBY

Genuinely don't have a lot to say about his design. He gives off Splatoon 2 Octoling vibes (showoff /hj) also i wanted to make his hair wispy like it should be.

Native ink color is a light blue-gray gradient.

The drawing doesn't give it credit but I swear those are glasses not goggles .. they're opaque-colored slanted oval glasses !! ^_^ u can interpret them as spiked or just eyelashes, both are right.

oh also the text under bubby says "Is Best" in some splatoon font we downloaded awhile ago . i think it was ripped from splatnet

Blaster main. I don't know how to explain this one but it feels right.

helps with the practical Map props (ie ink rails) and with some weapon gear manufacturing ^_^ tech guy

COOMER

Was going to make him an Octoling for the convenience of making his hair curly but i didn't want to make all of them octolings + i think his personality generally fits Inklings more.

Native ink color is an off white gradient.

Slosher main cuz he likes moving his arms. this makes sense to me. Also is a fan of Splatlings and other Shooters.

i felt ill trying to design coomer without making his eyes two lines with eyelids

War Veteran...Stole some octarian tech and got fucked up super limbs. Cyber Inkling stealing from octos !! [inkadia crowd goes wild] /j

anyways outside of the war™ he's a data researcher. just generally. he does shit with splatfests and eggstra work.

If you splashed him with ink he would stand unmoving. He would not shake it off.

DARNOLD

Ok i'll be honest the Octoling choice is primarily bc Octolings have the afro style & inklings have no textured hair styles (i didnt have the energy to design smth that could work) . His personality fits octoling too though :3

Native ink color is red-orange.

The fucked up guy that makes those drink effects people never use ( i use them ... )

He doesn't participate in Turf Wars or Anarchy Battles, but he works some gigs at Grizzco for extra cash every once in awhile !

the type of guy that goes after flyfish cuz no one else will . god bles !!!

not a lot to say about his design & his place in inkadia , it kinda speak for itself . he just wants to get by and make his drinks in peace . #autism ... he is pretty much exactly the same as his canon self

[fantasy-anatomy-analyst]

How would ungulates do sign language with a more limited possible set of signs? I feel like ears would be a big factor, but they can't replace hands. Leg motion could be a partial factor, but then they couldn't really walk and talk.

My assumption is that you mean a quadrupedal sapient species, like sapient deer or horses, since walking on all fours would indeed prevent the use of any forelimbs being a tool of silent communication.

in this case, I think they would put a lot more emphasis on facial expression and body language. The examples I'm drawing are all in profile because ungulates tend to have very wide vision with a blind spot directly in front of their face. as a result, visual communication would be best done while two of them are standing next to each other.

(image description: four simple sketches of a deer-like creature's head, displaying different forms of body language. first, the option to use its large ears like semaphore flags, moving them in different directions. second, the option to use blinking as morse code. third, the option of head motion, shown here as a nodding movement. fourth, the option of an expressive face, shown here as the creature making a face of disgust with its mouth open, nose crinkled, and ears laid back. end description.)

you could go with a combination of these, studying the body language of horses in particular. horses are domestic animals that have a complex relationship of communicating with humans, so that's a good place to start for nonverbal hands-free communicative language!

morse code and semaphore flags rely heavily on alphabetic spelling, with their signs mostly just representing singular letters. but your ungulate folk can assign bigger meanings to their own ear and blinking signals! especially combining it with the motion of the head and the expressiveness of their mouth, I'm sure they could create a whole complex language. it may not directly translate out into clean english grammar, of course, but neither do real human sign languages.

I don't think they would, for example, be able to communicate something as distinct as "oh I think I see a strange creature hiding between the trees just ahead of us", but they could communicate "strange creature [that direction] hide" or something like that. it's not necessary for their language to have complicated grammar. Language only needs to be able to convey ideas in a clear manner.

hope that helps! i'm no expert on sign language, so maybe some of my followers will have more ideas to add.

[cripplecharacters]

Do you think it’s ok as a person w/o psychosis to have jokes in a story that revolve around hallucinations? Not in a ‘that person is so crazy hahahaha’ way, more like the humour comes from the character being exasperated because their hallucinations aren’t realistic and are clearly fake to them, but they’re still seeing them and they’re fed up of it.

I partially wanted to include this so that the character’s hallucinations aren’t considered to be only just scary and evil (there are some moments in the story where the hallucinations are more intense because of the character being in a bad mental place, so I wanted to avoid showing hallucinations as only dark), and partially because one of their regular hallucinations revolves around seeing wild animals, and they don’t live in an area where the animals they typically see are common, so naturally they’d be out of place. Also, this idea for the jokes mostly came from the fact that I personally suffer from paranoia/intrusive thoughts, and get very exasperated when I know one of my thoughts is unrealistic, but I’m aware that my experiences are different from people with psychosis, so wanted to check in here. Thanks:3

Hello!

Yes, I think it definitely can be done in a way that's respectful. Psychosis is obviously serious and can be scary, but so are a lot of other things that people make jokes about. I have made jokes about some of my hallucinations and I know other people who do that as well.

I think I see where you're coming from with the idea, but I will say first that even the hallucinations that are extremely obviously fake (including to the person experiencing them at that time who is aware that it's not real) can still be very stressful and scary. To have myself as an example here, a few years ago I had a visual hallucination that was clearly out of place, essentially nonsense. I'm fairly good at recognizing when I'm hallucinating something and was able to tell "that's not there, it's literally fake". At that time I did actually make fun of it because Lol, saw Weird Thing, and it was kinda funny, but it doesn't mean I didn't also stare at it and had my heart rate go up a dangerous amount. Being scared in a situation with a clearly Strange Thing of that nature is an uncontrollable physical response I think (I'm presuming it's much less intense for people who hallucinate very frequently or at all times), kinda like getting a fake spider thrown at you - you know it's fake approximately 1 second after the fact and it can be funny, but your body is still going through some sort of response because for that 1 second it took you to figure that out you got scared.

This is a very long way to say that this is both a thing that your character could joke or be frustrated by ("Why do I still feel dizzy, it was literally just [XYZ]? What the fuck.") and that scary hallucination =/= hallucination you can't joke about. Some people will actually make fun of the more distressing ones because it can be a decent coping mechanism when you're scared. It can ease up the tension, especially if other people see you and don't know what to do (it's absolutely awkward).

My one advice on the type of jokes the character makes is to keep in mind how they relate to actual psychotic people. E.g., don't make a joke that has "you'd have to be stupid to not notice that something is a hallucination" as an objective conclusion because well, a lot of us can't tell. I suppose it could be different if the character is being self-deprecating and just insulting themselves, but if you're going that in-depth on the character I'd recommend working with a sensitivity reader.

Basically try to consider - is the character joking about themself and their hallucination, or are they just punching down psychotic people? Again, jokes on how "psychotic people be like" aren't sacred or fully off limits, but it's not really what I'd be looking for from an outsider author.

There's also I think room for showing hallucinations as strictly scary/dark (most, if not all of us have/had these), it's just to not have horror soundtrack playing during it. If (example) your character experienced the most movie-stereotypical "demons, blood, satanic activity" type hallucinations and was actually treated with sympathy, I wouldn't consider it to be demonization of psychosis. Sometimes it can be scary and ugly, but it doesn't make the person experiencing it an evil monster.

I hope this helps,

mod Sasza

[lazyleafeon]

i put a lot more time into my piece for the serenity zine than I usually do, so ive been wanting to make a write up with more details about what i was intending + stuff thats easy to miss (full piece without the character names can be seen here)

[ID: a drawing centered on a young kim dokja writing in a notebook, surrounded by paper cut outs of ways of survival characters. there are names next to the cut outs to clarify which characters are which. End ID]

1: text on the characters

the text on all of the characters are all quotes from orv. for characters from specific rounds, the text is specifically linked to those rounds (ex: 1863 uriel has text from when kdj is thinking about how gabriel isn't aware of her own betrayal of eden). Where i could, i tried to find text that paralled kdj somehow (sp with changing the 999th worldline, and 41 sys with her resentment towards yjh paralleling kdj's towards lsk for leaving him behind.).

for characters that aren't from specific worldlines (or where i couldn't find text i wanted to use that related to their worldlines) , the text either centers something i feel is central to orv (ex jhy talking about the final wall is used in both of her cut outs), kdjs perception of the character or thoughts of them from wos (ex lsh and his line about not really knowing her), or something about the character that parallels kdj (bihyungs cut outs are both about his ending of sacrificing himself, yma is about yjh leaving in the epilogue and her belief he won't come back (which works doubly as yjh leaving as kdj often did, and yma being left behind by her guardian)).

there is also sunfish yjh. who only says "the sunfish" because of the constraints of being a tiny piece of paper. The full quote is "Maybe I had been lucky until now. I might be the 'sunfish' rather than yoo joonghyuk" from chapter 38.

i don't think everything like, perfectly follows these categories, but that was the intent for the most part. One intentional exception is that the yjh near the bottom of the drawing has the text: "I want to read this story for a little bit longer"

if you want to read all the text, I have it up on a doc here. (you can also ask me about thoughts behind specific quotes if you want to know why i chose them)

2: amount of characters + visual details

there are 2 versions of each character for the most part, with 4 exceptions: kdj (3), yjh (6, counting the sunfish but not the kkoma), and na bori and knw only having 1.

the reason there's only one na bori is because her fate is, for the most part, set before her story can be changed by yjh. there is only 1 of her in all of the characters memories, outside of the 1865 worldline (though given we see knw after kdj kills him, its not out of the question there isn't a worldline where she reappears.)

for kim namwoon, its part because of kdj's hatred for him as someone he sees himself in, and part because kdj in orv like. replaces knw pretty directly by killing him and trying to become yjh's companion. so in kdjs notes and doodles based on wos, knw is here only as an outergod king, where kdj is unaware of him.

the outer god kings all have at least one element that sets them apart from the other cut outs: sp has his crumpled paper cloak, knw's cut out is in the shape of dragons near the edges, uriel is on fire, lhs is partially tin foil, and ljh has a water stain and some of her paper is peeling off into water. this represents them being unbound from the worldlines, but since they're still bound to the story they're still made of paper.

anna croft (near uriel) is intentionally a little more 3D than the other characters, since she has memories from past worldlines. she's supposed to seem like shes going against the tide.

1863 uriel is also a bit of an exception, though not intentionally, since her halo looks better as a separate piece of paper, and i wanted her to have flames too... it fits because shes a constellation and seeing the story from a somewhat outside perspective but is still a part of it, but it wasn't intentional.

near the edges of the piece towards the right, some characters outlines start to become faded, and the paper cut out outlines become more irregular. the outer god kings are exempt because they've managed to keep their sense of self to an extent outside of the worldline.

some of kdjs books are from his library in orv.

the text for all characters is slightly cut off (i tried to make it so most of the quotes are missing some texts so you can't actually read them in full). this is both because they're cut out of a larger page, and because kdj can't actually learn everything about the characters once he meets them by reading them because you can't read people like that. so some of the text is out of view because the characters are viewed as characters to kdj and not "real" yet, so kdj doesn't see their full stories.

some concept art + one of the earliest digital sketches i have. all of my works in progress have a billion notes left on them so i know not to forget something when i get back to them:

[drawing of yjh made of paper, and an earlier sketch of the overall piece]

i sort of wish i kept the paper style of this yjh, but it wasn't meant to be....

3. final thoughts........

this really is the most... orv piece i've ever done (?), in a lot of ways. there is nothing that makes you feel more like kdj like searching up orv quotes from memory and then scrolling through the epub on your phone to find what you want. i even ended up explaining it to my mom and having to show her what a sunfish was.

there are things i would change about it if i did it now (i would probably erase the outline from adult kdjs cut out and emphasize his shadow falling on it instead), and things i didn't get to do that would've made it more like what i envisioned (ideally i would've reread all of orv to find quotes. and i didn't do that).

It's personal to me in ways that are kind of silly. I used to doodle a lot of paper cut out creatures in high school, which helped a lot with getting the sort of paper movement down here. and of course the handwriting is just my own, so i had to actually rewrite the quotes i found. it's probably the most ambitious piece i've drawn yet composition wise, and i don't think ive spent so long on a single illustration besides art studies for school. It feels like a love letter to everything orv means to me.

if you've read this far, thank you :)! i don't normally go into this much depth about my thought process, but there's a lot here i don't expect people to pick up that i wanted to get into