#and there are three people in this house
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Hubert was one of the highlights of my crimson flower run tbh
#fire emblem#fire emblem three houses#fe3h#hubert von vestra#byleth eisner#hubert fe3h#byleth fe3h#hubert fe#byleth fe#my art#yes this was based on that meme going around LOL#i love hubert and him being one of the few people who would shank byleth at any given opportunity
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for those of you who grew up in or currently live in a multilevel home with stairs (so like, stairs IN your own home, not stairs leading up to your door or communal building stairs)......
"stuff" can refer to anything besides carpeting/rugs or like, things hung on the wall. i'm talking "yeah there's just been a pile of books there since 2016 for some reason" or "yep, i put items i want to bring upstairs later there"
ALSO: if you have stairs that go nowhere rather than lead to another floor (like, as the result of remodel, they now just go up to the roof or down into a wall), do NOT count those. however please tell me what you use them for
#polls#omg there's a three day option now?!#my grandparents were chronic 'it's on the stairs' people#so my mom loves leaving things on the stairs#but i picked 'sometimes' because there's also often nothing on the stairs#i did very briefly live in an apartment that was a house that had been broken up by floor for rental#so i had a set of stairs that just led up to the ceiling#i wanted to decorate them but never got around to it on account of my landlord being an asshole and me moving out
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The last episode of âThe Owl Houseâ just arrived! I will miss this show a lot haha
#raeda#cool old people#toh s3#raeda my beloved#the owl house#theowlhousefanart#the owl house season three spoilers#the owl house season finale#the owl house season 3#the owl house fandom#disney#animated shows#raine whispers#eda clawthorne#eda the owl beast#the owl house raeda#raeda brainrot#my sillies#Spotify
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Ferdibert standee commission! you can pick them up here!
#ferdinand von aegir#hubert von vestra#fire emblem#three houses#fe3h#i do love drawing people in love...............
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it's interesting for me to see how almost the entire fandom collectively despised game of thrones season 8 and how d&d turned a nuanced series about scheming and political plays into a soulless michael bay action movie with almost 2% meaningful dialogue (yOU ArE mY QUEeN) and replaced with 98% explosions, war, and fighting in dark places to NOW having people in the hotd fandom not being able to comprehend that writing about a political civil war is not just going to be 24/7 fighty fighty action blast boom scenes and that we actually need some plot development behind it first
#house of the dragon#hotd spoilers#hotd#alicent hightower#rhaenyra targaryen#house of the dragon spoilers#game of thrones#this has to be a media literacy thing because these takes are just bonkers to me#âthe series is moving too slow!!â would you rather have them shove everything down our throats in three episodes like got s8???#people even forget that got took YEARS to even get dany and jon in the same ROOM together#this is like being on s2 of got and being like âwell why has the battle of winterfell not happened yet đâ#is our attention spans so absolutely shot?
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So I was telling someone about new OCs I'm making and mentioned "you know how I love Wife Guy Sylvain who will show off his cute wife at all times" and ... it made me wanna draw Sylvain and Bernadetta again.
#fe three houses#sylvain jose gautier#bernadetta von varley#i will probably just post my new ocs to my side blog later but its pretty funny to me that they were created out of spite#bc i saw a meme about a wife keeping receipts against the husband like shes the bad guy#and im like actually what if i made that meme into a loving married couple#and if people remember my sylbadettavain stuff its usually sylvain just loving his wife#i think the wife hype is adorable ok and i love being able to multiship so i can actually#have multiple people supporting bernadetta whether its the hype like sylvain#or simply a loving husband listening to her talk about plants#anywayyyyyy time to go doodle my ocs more
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#fire emblem#fire emblem three houses#dimitri alexandre blaiddyd#bernadetta von varley#this post brought to you by A True Story. Kind Of#the irl context was my friends' own battle of the eagle and lion which was fought with foam weapons and one nerf crossbow#crossbow being limited to the porch with our friend in a wheelchair. which was the only reason it wasn't an automatic game winner#anyway they shot me in the leg and I put the dart in my pocket#and then we were the only two people left and I had to stagger one-legged up the steps while they frantically tried to unjam the crossbow#the tension was REAL#I ended up winning. narrowly.#and then I did exactly this#their team ended up winning in the end but it was hard fought on all sides#anyway. here's this
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anyway related to my "gullible" post i do think bonnie didn't really have a lot of friends / any good friends. i'm taking a watsonian approach to "some of the things bonnie does seem more like age 5-8 than 10-12", and a doylist approach to "everyone in this party grew up kinda lonely and feels disconnected from their peer group"
#thoughts#thoughts about bonnie#bambouche is so small no one woulda gotten away with being Mean to bonnie. and people were generally Nice anyway#they still had friends and got to do fun things with them#they just.. didn't get invited to play Every game#and the person they considered their best friend didn't consider bonnie to be even top three#yknow#lots of factors...#bonnie wasn't there as a baby/toddler - they arrived right at the age where kids start to remember and care who's already their friend#and bonnie and nille were 'the newcomers' and will remain as such for 10 or 20 years#and for the first couple years bonnie was behind in most social-emotional and academic skills due to their early years in an abusive house#and while they mostly caught up#'forming close bonds with peers' is just a rly hard thing to catch up on#bc if you're too far behind you just don't get the chance to practice and thus you fall even further behind#and then specifically some of the words bonnie needs help with i would expect them to already know / have no issue pronouncing#possible explanations could be that vaugardian is a second language or they've got some language or auditory processing issues#and either way - having trouble communicating can rly isolate you esp as a kid#also everyone in this party is autistic. to me#isat#bonnie#isat bonnie
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happy halloween Im putting the struggler and the yapper in the torture labyrinth this year
#this goes out to the venn diagram intersection of these two fandoms#comprised of approximately 3 people#fe#fire emblem#three houses#fe3h#999#zero escape#9 hours 9 persons 9 doors#the nonary games#caspar (fe)#linhardt (fe)#casphardt#linspar#myart#gghero art
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In the Woods (Somewhere) - Mothman!Gojo
Ghost stories around the city whisper about a creature in the forest. They describe it as a moth like monster that only brings misfortune and death.
But what will you do as you learn these silly ghost stories are true flesh and bone⌠and now haunting you?
pairing: satoru gojo x f!reader
wc: 12.9k
warnings & tags: 18+ only MDNI, monster x human relationship, loose interpretation of the mothman legends and stories, death mentions, protectiveness & obsession that can be read as slight yandere like, lot of bug discussion, monster transformation with a touch of body horror, wound licking, blood & tear consumption, magical healing, car accident, allusion to f!oral receiving, kidnapping, character deaths (this ends happy I promise) feral and lovesick Gojo, if there is anything I missed please let me know!
a/n: this is my first submission to @willowser Haunted House Collab and Iâm so honored to be part of this! Thank you for putting this together dear Willow! The title is from the lovely Hozier song. Also a big thanks to @skeletoncowboys for letting me scream about this monster & to @stellamancer for always being my dearest comrade in Gojo hell, enjoy and thanks for reading! Stay spooky!
Your grandfather once told you he believed butterflies were fairies and moths were angels.
It made sense to your child logic that butterflies could be fairy creatures. You even imagined fairies had butterfly wings. But, you had argued back in disgust that moths couldnât be angels.
âNow now,â your grandpa had laughed. âWhy canât moths be angels?â
He gently explained moths were mainly seen in the evening and around light. He believed moths were the forms angels took to keep watch over everyone late in the night when no one believed they were being protected
âAnd,â he told you with all his sweet patience. âSomething like a moth that loves the light canât be bad.â
Scientifically you now understand moths mainly were nocturnal as a survival instinct for less predators and more opportunities for prey. Some were even active during the daytime. But your grandfather's words stay with you, etched into your heart.
He is why you are here after all.
The campus at night always holds a certain hollowness.
However, the storm that blew in yesterday continues looming with ominous clouds in the sky. It cast an early darkness against the city. The thick haze feels as if something could slink out of the shadows.
When you slip out of the research lab building there, against the light outside, one lone white moth flutters in the air.
Quickly glancing around the campus stretches out before you a vacant lot. In that moment of surveying, delicate wings rapidly flutter fast and wild against your face.
âAck!â A surprised squawk leaves you at the mothâs sudden charge.
âI told you!â You hiss out waving the bug away. âYou couldâve waited for me at home.â
The moth, outraged by your words, rushes against your face harder. Silk wings flap hard while it continues waving around your line of sight in a flurry.
âCalm down, you big baby!â You snap back annoyed and start stomping towards your car.
Now the little insect stops its fluttering attack to gently land on your face. As the bug travels across your cheek, its presence is a gentle tickling sensation. It finally stops and rests against you.
âHappy now?â You mutter low praying no one spots you with a large white moth on your face.
âIâm gonna pick up dinner. So are you getting in the car or meeting me back home?â You speak casual yet still within a low mutter.
With a delicate tickle again, the moth scurries across your cheek then across your nose making your lips twitch in a slight giggle.
Then the creature flutters away, your answer.
The pizzeria you end up at is adorably cozy. You spotted it during the drive to and from campus. Once you read the online reviews and got their blessing you decided to check it out.
Christmas lights hang from the takeout counter where you wait for your order. Thereâs even a quaint bar-like area. But what catches your attention is the small section of things littering the walls behind the counter.
It reminds you of a scrapbook.
Various newspaper clippings clutter one side. A few blurry photos are folded and pinned to the board. Plenty of hand drawn images scatter among the collage and they range from adorable to terrifying.
All of these things are about one single moth creature.
The board itself is even titled -
The Mothâs Nest.
Moth nests can be disastrous. They infect fast and are hard to exterminate. Plus once they create a nest, infestation is soon to follow.
âAh, looking at our board.â A smooth voice purrs into the air and you turn towards it in slight embarrassment.
A beautiful blonde woman grins at you from behind the counter now.
âI heard the town had a moth thing but thisâŚâ from the drawings, which all included a strange humanoid like creature, this is far from the high moth population count it was known for.
The woman barks an amused laugh and it crinkles her rather lovely eyes.
âYou could say that,â she grins. âYou new here?â
âSort of.â You nod. Youâve been here for almost a full semester now and you wonder if the newness will ever melt away.
âWell then, welcome to town!â The womanâs name is Yuki and for being a newcomer she pays for your pizza.
âEven though you got this for takeout, why donât you stay? Eat here and keep me company.â She winks and you happily slide into the open seat she pulls up for you at the checkout counter.
âSo whatâs a lovely thing like yourself doing here?â Yuki asks smoothly and you almost choke on your first bite.
After she cackles a warm charismatic laugh, you swallow through your surprise and tell her.
âAn en-tah what?â She caws confused like a bird and even her furrowed brows make you snicker.
âAn entomologist,â you clarify.
In simple terms, you study bugs.
âOh!â Yukiâs eyebrows fly fast up into her bangs as her eyes twinkle excitedly. âSo youâre all about the creepy crawlers then.â
âNot all of them,â you reply back friendly.
You favored Odonatology and Lepidopterology.
The studies of dragonflies, damselflies, butterflies and in this case-
Moths.
âWell now,â Yuki grins and turns to glance at the board. âLooks like youâre in the right place to find moths.â
It was one of the reasons why you chose this program. The university boasted a plentiful and hands-on ecosystem to explore right within the townâs backyard. You just never expected an urban legend to come attached to the critter population.
Curiously you nudge your face towards the odd journalistic collection and ask about it.
Yukiâs face melts into a wistful look that casts a surprising shadow on her.
âItâs a creature that apparently lives in the woodsâŚâ she begins, low and steady.
No one knew how or when it began inhabiting the forest. Some argued itâs a simple folklore meant to scare rowdy kids from venturing into the woods.
âThe stories say itâs an actual demon.â Yuki explains.
âThereâs a belief that anyone who sees it either dies soon after or calamity befalls the town.â
Yukiâs words conjure up a poisonous fear. She adds how any sight of the cryptid, even in the strongest of nonbelievers, brought a sense of unease.
âBut,â Yuki shrugs easily turning back to you. âSome people say that thing is a hero.â
The word hero gets tangled in your ribs
Your new friend explains there are those who have seen the beast and lived to tell a different tale.
Multiple children on different occasions have got lost in the woods. Yet, they always found their way out. Most of them claimed the moth creature helped them.
âThereâs even an elderly man who went hiking and still swears up and down that thing saved him from getting attacked by a mountain lion.â Yuki comments.
âThatâs a big claim.â You admire the thought of this monstrous creature possibly being a silent guardian. However, it festers something dangerous in your heart that weaves a sticky web.
The pizza on your plate grows cold. The lone drink you were nursing now is a watered down mess. Youâve lost your appetite and decide to head home.
Thereâs not much for your mind to process. It feels like the same sensation of walking out of a horror film and trying to understand what you saw. You try to rationalize this disorienting simply the same sensation youâd also get hearing ghost stories at sleepovers.
Yuki urges you with a warm charm that youâll come and visit again, you promise her you will.
Walking out with leftovers in the box, the night greets you with a soupy fog. The lingering storms coat the streets in a mystic cloud.
You wonder if this clouded fog is inside your mind as well.
Youâre about to take a step out into the parking lot when a horrifying animalistic shriek pierces the air.
It sounds distorted, a static shrill cry summoned from an ancient abomination.
The screech shoots straight into your bones startling you and making you jump in a pause.
In that moment a car speeding way too fast for a parking lot flies by you. It drives by with a whirling speed rattling the wind.
The noise, the shriek, stopped you from stepping out into the carâs path.
You mind buzzes, maybe too much. The gloomy air seeps into your skin and brings a heaviness over your body. You exhale shakily trying to just settle yourself as you head home.
When you return to the tiny closet of your apartment, there outside against the balcony door your white moth flutters furiously waiting for you.
Sliding the door open youâre about to greet your extra house guest until the text chime on your phone draws your attention away.
As you check your phone charging on the couch, a sudden thud lands against your apartment floors. The flapping of wings flutters into the room.
Before you can even turn around, a shadow falls over you. The presence of something large looms like a ghost, silent and steady yet radiating a chill besides you. Then a firm fuzzy face suddenly dives into the side of your neck burrowing against your skin.
âYou need to be more careful.â A voice crystal and aware, yet flickering as if it speaks through the branches of the woods, clicks at you.
You think of the car that blazed by.
âIt happens and Iâm okay.â You reassure.
The inhuman face hiding in your neck draws back. Then a firm head soon enough gently butts against yours. The action jolts you out of your thoughts and you rapidly turn towards the heaviness leaning against you.
Crawled straight from the shadow of the woods, from the whispers of terrified stories, the creature before you still doesnât seem real.
You think of Yuki and the mothâs nest board at the pizza shop. All the pictures depict the creature with haunting crimson eyes.
You wish you could have told Yuki the monsterâs eyes arenât red, but instead a piercing sky blue.
And instead of two eyes, the creature holds six beautiful eyes all over his face.
All six eyes of those eyes blink at you with the depth of a haunted lake shimmering within their gaze.
-.âšËââËââžâËââË���.-
âWhy do you want to study insects?â
Discovering the cryptid could talk was honestly more surprising than discovering he was real.
Also, he had a name.
âSa-to-ru.â He had told you, pronouncing its syllables as if your little human brain might not get it. It made you scowl. Yet the name itself sounded like something that fluttered out of the forest breeze.
Currently the moth creature, Satoru, sits happily on your apartment balcony under the dark cover of night. You have articles you need to read, lab reports to finish. But, you stay sitting on the floor beside him.
âMy grandfather studied them.â You explain, giving the same answer you always do when this question is asked.
âHe loved almost every type of bug there was.â
âSounds like my type of human.â The moth amusedly chitters. âLove to meet him.â
âHonestly, he wouldâve loved to meet you too.â You truthfully admit and almost grin thinking of how excited your grandpa wouldâve been to see this creature.
âUnfortunately, he passed away a few years ago.â You add simply.
âOh.â The cryptid replies quietly. âIâm sorry.â
You politely thank him.
âIs he the one besides the moth?â
Youâre surprised Satoru even noticed that.
The frame sits on your eclectic shelf filled with books and trinkets. Thereâs two pictures in that frame. One is a photo of your grandfather during his days when he moved out here to teach at the university you currently attend. The other photo is you and him both holding up big nets when you were a little weed of a thing looking so happy besides him.
Besides those photos is his favorite sketch.
âItâs a luna moth, right?â Heâs right again. Though, youâre not surprise he recognized it.
âYup, the lunar moth was his favorite.â You fondly agree.
Actias luna.
Your grandpa used it as his example of how beautiful and lovely moths could be.
âHeâs a man of good taste.â The moth compliments and for some reason it tugs at your lips. You can almost hear your grandfather's voice warmly boasting in pride.
âI wanna show you something, little human.â The moth quickly changes topic and when you turn to him, you find him grinning.
Rows of dangerous sharpened fangs flash within his mouth. They are a visible warning to not trust this creature, but you do.
âAfter your class this week, Iâll take you somewhere.â Satoru urges.
âAre you going to eat me?â You ask a bit stunned.
Satoru laughs, a flickering chirping noise that bounces off your apartment balcony.
âOh little human, if I did eat humans I wouldâve done that already.â
You glare at him but sighing you agree to whatever he has in store for you.
On your last class of the week, there outside against the campus street light your white moth flutters excitedly.
You think about how dangerous it is that he sticks around campus, even in this form.
With a rapid flurry he flies around your face. You canât help but snort at the tickling sensation.
âYeah Iâm here, letâs go.â You tease.
Under the twilight hazee, you follow the moth into the woods.
The setting sun casts a shadow over the stretching forest. The trees silently watch your hesitant trek as you follow the moth further into the thickness.
Eventually youâre in the heart of it. No noise greets you, not even the rustling of birds or the fleeing of other animals. Itâs as if in this depth all life had stilled. No movement or sign of life encroaches into this space. You realize this might have been the most ridiculous idea, following this cryptid myth into the unknown.
Suddenly the moth stops in front of a large solid tree.
âThis is what you wanted to show me?â Youâre a bit confused. The insect flutters around you in a huffy flight then goes to spin around the tree.
Satoru himself now slides out from behind the tree in his humanoid form.
âItâs not just a tree.â His six eyes narrow at you annoyed. Your eyes roll exhausted with him already.
âDo you trust me?â
The question surprises you.
Hesitantly you nod, a quiet yes. Satoru then effortlessly scoops you into his arms as if you weigh nothing.
A wild squeak escapes you. His firm arms hold you in his grasp and your mind starts scrambling being this close to him. The fur of his body tickles your arms and the solid warmth of him curls around you.
Satoruâs chittering laugh bounces among the trees.
He then takes flight.
You swallow back a petrified screech threatening to escape and simply let the wind rush around you. A solid thud comes, a landing.
âOpen your eyes, little human.â Satoru whispers excited.
You hadnât realized you had closed them.
The nest before you is a cobwebbed cocoon. You had never seen one this big. The opening of it is carved out wide, a webbed open maw with secrets trying to draw you in.
âGo in, you can see more.â His wistful voice skitters out playful, so light it could get caught in the tree branches.
Heâs eager to show you this.
Hesitantly you lean into the nest just to glance inside.
Itâs actually rather cozy. Webs and branches twist in a delicate pattern to create a solid enclosing. Leaves scatter the inside floor that is rather large. You can even imagine his large form curled in here cat-like as he sleeps.
âSo? What do you think?â He asks with an anticipated edge blooming in his voice. Heâs showing you his home.
You remember when he first showed himself to you, even gave you his name.
The logical reasoning within you thought many times about studying this cryptid. There was even a fleeting moment you considered capturing him and returning him back to the lab.
Now you are here discovering his home. You find yourself wanting to unearth as much as you can of this incredibly infuriating but wonderfully interesting creature.
âItâs nice!â You earnestly admire the space. Yet, the truth whispers a harrowing fact.
The bigger the nest, the bigger the infection and danger.
So you instead turn to glance out to the forest around. Youâre so high above in the canopy of the trees. Silence seems to settle thicker here among the sky and it mingles with the evening darkness.
The forest, even as tranquil as it appears, holds a sense of loneliness you canât fully describe.
âHave you been here at this spot for long?â
He chirps a humming yes.
âThe high placement keeps me safe and away from prying eyes.â Among the trees and leaves he is simply a shadow.
âDo people try to hunt you?â That grim thought arrives.
âA few try, but no oneâs even come close.â A cocky pride brims in Satoruâs tone.
You understand why people would try and search for him. But to hunt him like some prized sport? So you have to ask why.
âBesides some humans believe killing me will solve and save them from all their disasters, a select few who want me for other purposes.â Satoru muses as his antennas twitch.
âWhat other purposes?â You glance back at the cryptid perched on the solid large branch beside you.
In the dark, all six eyes glimmer with an animalistic reflection, a haunting gleam and reminder of the creature's true nature before you.
All those months ago, these multiple eyes stared at you from the edge of the woods by your apartment and the campus like silent terrors. Now they watch you with intent safety right by your side.
âThereâs an old legendâŚâ Satoru answers. âIt says my kind could bring someone back from the dead.â
The words spark a curious flame in you.
âWait, really? Is it true?â
The moth being simply shrugs, an action so human you almost want to laugh.
âSome believe it. Thatâs enough to hunt my kind.â
So many questions cluster in your mind. You wonder more about his kind, about him. Yet there is no way to scoop all those questions out.
All you can do is gaze out at the scenery before you.
The trees pierce the darkness with their own spiked tendrils. The night sky blankets above you with twinkle stars, glimmering pockets of faint light so clear.
Yet, for some reason this again feels so lonely.
Even with the stretching comforting woods, you canât shake the sensation of solitude slipping out.
âSo why do you still stick around?â You suddenly ask not even understanding why yourself.
âWhat? Around you or here?â He asks.
âBoth.â
A chirp of a sigh comes, heavy with an ancient weary.
âIâve thought about leaving, migrating somewhere else, somewhere safer.â His voice drops gently, a small click in the wind.
âButâŚâ His voice trails off even more delicate.
âSomething just keepsâŚpulling me back here. Like Iâm meant to be here. That Iâve been waiting for something.â Youâve never heard him this wistful and distant.
Then his response also has you curious.
âDo you have any idea what it is?â You cautiously and gently press.
âNo idea.â His answer is rapidly too casual that you snort, shaking your head.
âAnd why am I still hanging around you? Who knows, maybe I just like to bug you.â
The pun isnât lost especially on you and you groan annoyed even though a smile twitches at your lips.
Among the shade of stars and shadow of the forest, you sit with a creature of the darkness.
-.âšËââËââžâËââËâš.-
The moth had first appeared at your window balcony dancing around the light like an ethereal wisp of a spirit. It happily flew around you and even spun around your entire apartment. You eventually had to shoo it out.
For a while, it was simply you and this strangely persistent moth.
After that, six eyes began appearing at night at the edge of the woods. Strange clicks like howls erupted in the air, haunting lingering sounds that rattled you.
That same week the moth showed up to your apartment flying in a bit of distress. The wings of it flapped slower and you wondered if it was dehydrated or dying.
As you had opened the sliding door to the balcony, thatâs when you first witnessed it.
Like butterflies, moths go through a similar life cycle of emerging from a pupa or chrysalis. The new adult insects must crawl out of its old cocoon. The process is the blend of life and destruction.
You discovered the same applied to moth creatures.
The wings fell first then the twisting and emergence of a body from the small frame transformed to life a fully formed creature.
That first time the moth creature metamorphosed on the balcony you screamed so loud your neighbor across the hall came worriedly to check on you.
You had hoped it was all just a bad dreamâŚ
Now when you return home early, that monster rests in your bed instead of lurking under it like all the scary stories whisper where monsters lie.
Curled within the sheets, burrowed deep and taking up the entire frame, the creature slumbers. You barely can spot Satoru underneath all the pillows. A few of your shirts peek out from the swirl of blankets and you try not to linger on that.
The messy twisted bed cocoon however does make you think of the grand nest you saw.
A faint snore grumbles out into the room. The muffled animalistic noise should frighten you. Instead it echoes a soothing rumble as you go to make dinner.
In the meditative process of cutting, claws scratching against the tile floor startles you. Your heart skips at the sudden noise and your face whips to the entryway.
In this form, the moth cryptid has to hunch from touching the ceiling.
Satoruâs imposing frame fills up the entire space even with his thick wings folded to his body. The intricate beautiful antennas on top of his head flicker curious. Among the monstrous features, human-like qualities are visible in his arms, his legs, and the core of his body. Yet even in that familiarity, he is covered in sleek fur.
The sigh of this unbelievable being in this tiny kitchen almost has you laughing. Months ago this would have made you scream in terror. Now, his existence has settled into your life a strange blooming metamorphosis.
Then all six of Satoruâs clustered eyes go wide in terror.
His talons rattle rapidly on the floor as he scurries to your side.
âYour hand.â He comments sharply.
Glancing down, blood trickles over your hand and drips softly onto the cutting board. The cut thankfully isnât deep, simply sliced the top of your finger.
âGuess that means Iâm ordering out.â You mutter.
However your new companion immediately snags your hand.
Satoruâs grasp is hard, a terrified clutch as if heâs worried the cut will worsen. Flickering your gaze to him now, all six eyes focus at your hand with a startling petrified seriousness.
âIâm fine.â You reassure. âLet me just grab a band aid.â
The creatureâs firm hold is unrelenting, refusing to budge even as you tug to release your hand.
âHey-â youâre about ready to chide him and urge him to let go-
Until the moth cryptid leans down and with a long thin tongue begins licking at your wound.
Air gets knocked out of your lungs.
You mind canât process the sight but the wet tickle of his tongue swiping along your skin grounds you. Satoruâs tongue swipes frantically and fast, a panic.
A dangerous heat runs up your arm and claws at your chest. This shouldnât feel this intimate. Yet, it does.
You canât even exclaim in surprise because in the small dimly lit kitchen, the moth has you under his spell.
Instead of the panic, thereâs now an eased almost lazy and leisurely lap at your skin. The way his tongue slides across you is as if heâs trying to savor you. It slithers with a reverence between your knuckles, across your fingers, and your mind slowly melts.
Then with one last slow deliberate lick, Satoru draws back.
A daze has fallen over your foggy mind filled with smoke until you blink and notice your cut is gone.
Blood faintly lingers around his mouth, coloring the white fur of his face and it should scare you. And it does but the fear comes from how gorgeous he looks, and knowing itâs your bloodâŚ
The thin tongue immediately darts out to lick at the bloody traces.
The sight teeters into an overwhelming sensation and you forcibly break your focus to glance back at your healed hand.
âYou have healing powers?â You croak out trying to process the sight.
âNo.â For a creature that lives in the woods, he understands sarcasm rather well.
You glare at the creature who now tilts his face away. He avoids your eyes as he fiddles with the edge of your shirt.
âMoths can't heal.â You comment.
âIâm not like a typical moth now am I, little human?â
That damn nickname.
Annoying as Satoru is, you still canât believe the sight of your healed fingers.
âThank you for healing me.â You mutter still not able to process but are grateful all the same.
The moth creature hums a proud amused thing you quietly ignore.
Moths didnât have healing properties. Hawk Moths could recreate antioxidants in their body to replenish themselves. You wonder if thatâs how Satoru operates with his abilities.
Another part of you, one that sounds warmly like your grandfatherâs voice, whispers that the creatures of this world simply hold mysteries we may not ever know.
You suppose the cryptid refusing to leave your side is the solidified truth of that.
Suddenly Satoruâs head softly plops against the top of yours.
With soft gentle rumbles he rubs his face into your hair.
âYou know,â you begin softly as your fingers itch to run up against his fur. âYou donât have to keep sticking around here.â
âHm?â Satoru hums out a bit dreamily.
âYou can go back to where youâre from. You donât need to keep staying with me out of obligation for freeing you or feeling like⌠you have a debt you want to repay.â You breathe the words out firmer.
The nuzzling against your head stops.
âOh?â Satoru begins with a curious chirp. âThatâs not why I stay.â
His confident reply stills you.
âLike I said maybe I just like bugging you.â He grins coy. âAnd besides, I stay because eating the fabric of your clothes is pretty nice free food and I like scaring away any humans that might come by.â
âYou bring me closer to buying an electric fly swatter!â You screech and swat him away.
âAw, donât be like that!â He whines and flutters his wings almost taken back.
You ignore him and his annoying clicks vying for your attention while you order dinner for the night.
âI forgetâŚHumans are so easily annoyed. You most especially.â He says bristly and itâs the last straw.
Healing your arm or not, this creature manages to wiggle under your skin in a way that no one else has. You blame the damn moth for how on edge you feel. Yet the truth lies in the strange unfathomable heat still brewing under your skin.
As you leave you get food you stare at him hard. You sling the balcony door open, a silent demand he leaves. His multiple eyes, shimmering sapphires, search your face.
âI see...â His reply is a brisk breeze.
Turning your back to him, you head to grab your keys. You donât even see him leave and instead stomp to head out.
You even fully close your bedroom window. Itâs the crack of an entrance youâve recently been leaving open that allows him to flutter in when heâs a smaller moth.
Now as leave youâre thankful for the momentary space from the infuriating infestation.
Against the early night sky the pizzeria glows an electric beacon against the darkness. Clamoring chatter and an upbeat song greet you when you step inside. Youâre not surprised itâs packed on a night like this.
Yuki yells a bright excited welcome at you from across the restaurant and it warms you.
Now leaning at the bar your attention can't help but find its way to the bulletin board by the entryway. Even with the annoyance and conflicting desire, seeing the arranged clutter about the local moth creature draws out a strange sinking feeling within you.
âYou interested in the bug?â
A deep rumble of a voice drips out smooth and breaks your focus immediately.
Turning to the side, you discover youâre not alone at the bar.
The man is thick, solidly built and strikingly handsome. He seems older than you, with an aged weathered dignified presence about him. With only black hair and a scar across the corner of his lip, he sits looking bored at the counter with a toothpick in his mouth.
âItâs interesting.â You admit truthfully.
âThink the bug is real?â The man questions with the faintest hint of curiosity.
You shrug again. âAnything is possible I guess.â
âIndeed it is.â Now his voice holds an interested purr that sticks to your skin in an uncomfortable way.
Your eyes flicker back to him and you find his attention however is on the board.
âSome say itâs a demon.â He suddenly adds.
âIâve heard.â You agree calmly.
âWhatever it isâŚitâs bad luck.â The mystery man says briskly.
You heard that as well.
âSome say itâs not.â For some reason, a small protective spike rises in you and you even think about Yuki calling it a hero.
âYeah well, everyone can read an omen wrong I guess.â His words cast a dangerous thickness into the air that slithers up your skin.
âBesides, thereâs an old legend I heard once.â he continues.
âIt saysâŚif a moth flies into your home it means someone is going to die.â
Dread crashes into your body and consumes you quickly. Youâve never heard that saying before and it bubbles an awful bile in your stomach making you feel sick.
âThatâs awful.â You canât help but answer back sharply it even surprises you.
You think of your grandfather, his belief moths were angels, and how that guided you to where you are now.
And you canât help but think of the moth in question.
âSorry, didnât mean to upset you.â He leans back into his seat to stare at you.
No response for him seems to come to mind. If anything, a strange chill trickles down your spine as if youâre staring down a creature surveying and waiting to strike.
Yuki calls out your name and breaks your focus.
âWish I could stay and chat but weâre a bit busy tonight!â She winks at you and now you grin, eased at her presence.
You wish her a good night and begin gathering your order to leave.
âBe careful out there.â The stranger mutters. Your eyes flicker to him. His attention is back on the slice of pizza before him.
âDonât know what might be out there trying to fly into your house this time of night.â
His words create a sticky cobweb of emotions in you. You simply take your food and rush out.
Driving back to the apartment you glance at your hand fully healed and still lingering with the phantom sensation of the mothâs tongue licking at your skin.
You think of how effortlessly this strange creature carved a space in your life.
Now a sense of danger prickles against your skin, like the way the air tightens electric before a storm.
When you arrive home, a silent apartment greets you. The emptiness clouds your space and the walls creep in close and cold.
A piece of you expected him to return, maybe even hoped. But trying to sort through those emotions again bubbles a strange ache in your chest.
Before you go to bed you slightly open your bedroom window and settle under the covers. Closing your eyes, you accept the silence and solitude lingering in your room and heart.
Sleep trickles in faintly. You fade in and out of being awake.
Then your bed shifts.
A heaviness immediately curls against you. The softest brush of moth wings graze your arm. Soft chirps, faint and delicate, float into the room.
Satoruâs face burrows against the top of your head, a silent apology.
This is new.
Heâs never done this before. Heâs never slept on your bed with you. But your heart races too fast in your chest and your mind still feels so clouded from this night that you canât even react.
Or, you donât want to react.
This is new, yes. But a wild desperation inside of you sinks its claws into this new proximity. You simply keep your eyes closed and shift to settle deeper into the bed, deeper into his warmth.
The smell of the brisk forest, clear and earthy, lulls you to sleep.
Waking up the next morning, youâre alone.
A part of you wonders if you dreamed his return.
Yet on your nightstand rests a sweet plucked wildflower that wasn't there before. It greets you a bright good morning.
-.âšËââËââžâËââËâš.-
Your open apartment balcony door brings in a warm evening breeze. A favorite series of yours plays on the television as you grab another mouthful of popcorn.
âCan I have some?â Satoru whimpers.
âNo.â You answer through the mouth of popcorn.
âSo mean! Why are you so cruel to me, little human!?â He pouts and you simply ignore him.
Even with the moth creature crouching on the floor his body still looks frightfully full and large. His fur is fluffed out more and he almost looks adorable like this simply sitting beside you.
His presence should create a distorted sense of reality. Yet no sense of panic rises within you. If anything, only more curiosity has started gnawing in you.
What kind of moth species did he originate from? Where was he even originally from? Did he have a family?
âWhatâs your favorite human activity to do?â It seems you were not the only one curious.
Recently Satoru has begun pestering you with a plethora of questions from what foods did you like the most to these more strange human specific ones.
âDonât know, I have a lot.â You answer truthfully.
You rationalize all the questions you have and that he even asks are mutual inquisitive curiosity about the otherâs species, a chance to learn.
Except, for you, the source of your curiosity masquerades as a yearning you donât want to hunt out yet.
âHumans are terrified of the oddest things.â
Satoruâs comment breaks your thoughts.
You turn towards the creature who stares at the television with all six eyes.
The series you had put on had been an old favorite of yours, supernatural and fantasy based. The main heroes in this episode were being terrorized by monsters that came alive from a childrenâs book of old fairy tales.
âWell this series is older so the effects and monster makeup isnât all that impressive.â
âNot that.â The moth corrects you quickly. âI mean that creature isnât even scary.â
You want to make a comment about how of course a creature that crawled from the woods and haunts a town would not find this terrifying.
âWhat are you afraid of?â Again the moth humanoid questions.
You shrug. âA lot of things.â
âYou donât need to be afraid of anything.â He chirps so matter of factly it surprises you. âEspecially because Iâm here now.â
You canât help but roll your eyes at his cocky boast. Yet your heart flips at the protective claim.
âButâŚI do think humans may be the scariest creatures of all.â Satoru notes with a wistful distance in his voice.
You wonder if heâs trying to tease you or even be a bit poetically pessimistic.
âI agree.â You nod reaching for popcorn. âHumans can sometimes be scary.â
In all the beauty that comes with being human, you know there is a darkness that comes with the territory. The lovely prickle of rain starting to fall soothes you as the episode jumps to the next.
Itâs one of your favorites. The main character gains a secret wish stone that transforms into her love interest because she desires and wishes for him most of all.
You rise to the kitchen to grab a drink.
âWhat do you wish for most, little human?â
His words stop you frozen. They come out so simple, a curious purr almost.
Your mind tries to reach towards something noble and grand like to wish for world peace or wish for climate change to end. You think of wishing for a better car, better apartment, to get rid of your money problems.
Yet it all cultivates into a simple easy response.
âLove, I guess.â Itâs a simplified answer.
âThat?â Even Satoru sounds dubious.
âYeahâŚlove. If you have love, then everything else sort of just falls into place.â With love at the cornerstone, everything can build from there.
A chittering like sigh dances into the room.
âBoring. At least say something interesting like an endless supply of sugar or something like that.â
You canât help but snort at such a silly answer.
âIs that youâd wish for then?â You now ask the creature.
âMhmâŚmaybe. Or maybe something extra special your little human mind couldnât comprehend.â Such a coy response only makes you roll your eyes.
But for some reason, that answer feels heavy like it needs to be unearthed. You donât push the answer, or him.
As you clean up around the kitchen, you glance back to the living room. There Satoru rapidly consumes all your popcorn as fast as he can.
âYou freaking pest!â You screech annoyed and he simply blinks his six blue marble eyes at you as if he did nothing wrong.
âIâm not a pest.â He replies innocently and it annoys you even more.
âYouâre literally a moth! What is more pest-like than that?!â
Satoruâs monstrous face flickers. It faintly crumbles until his eyes hollow out a cold downcast.
âRight there? You just sounded just like every other human.â His words, low, raw and sharp, rip through you.
He doesnât say it but you hear the undercurrent.
I thought you were better than that.
A festering ache swells in your chest as the weight of his words drag you under.
Quietly you start making two bowls of popcorn now. You grab the chocolate syrup. Satoru had a fierce sweet tooth. It took you by surprise when your gas station candy treat went missing and his sticky fur said enough.
So you drizzle plenty of chocolate over the salty snack then you quietly speak.
âIâm sorry, I shouldnât have said that.â
A moment of silence fills the space.
âItâs alright little human... Sometimes I forget your little human brain makes so many mistakes like that. I canât get too mad.â He chirps so bored.
Youâre tempted now to throw away the chocolate popcorn.
Thankfully the air seems to lighten as you head back to the living room two popcorn bowls in hand.
There Satoruâs multitude of eyes are entirely glued to the television now. The familiar dialogue comes and you whip your attention to the screen as well.
The big realization between the main heroine and her love interest unfolds as he realizes what her wish manifested as.
The moment is heated, drenched in undeniable chemistry. The magnetic pull even has you entrapped. Then the love interest without hesitation pulls the heroine and kisses her with a fierce released love.
Now it feels so intimate, too raw to watch. You turn away under the guise of grabbing more popcorn.
âIs that how humans show affection?â Satoruâs voice is a curious twinkle of a chirp.
âYup,â you weakly agree while you check your phone hoping to seem disinterested.
âSeems aggressive.â For some reason his disgusted comment makes you snort.
âUh, it depends. Kissing isâŚâ thereâs much you can say on the manner but you simply shrug.
âItâs nice.â A simple but true answer.
âWhatâs it feel like?â The question drips with an inquisitive click but for some reason it slithers dangerously under your skin.
âUhâŚagain, it depends. Thereâs different types of kisses for different situations and the emotions can change with them.â You explain.
âSounds complicated.â Satoru muses and you snicker relaxed with the episode ending.
âI thought you knew all about human interactions?â You now ask, curious yourself.
âNot in that way.â Thatâs fair.
âOr reallyâŚIâve just never been interested in seeing humans interacting in that way.â He adds rather low.
âUntil recently.â That addition he gives cuts across you as if itâs covered with sharp glass edges.
âGuess this series does that, even to moth creatures.â You lightly try diffusing whatever shift starts to swirl in the room and drag you into its current.
Satoru stays quiet, curled into himself and his wings. Very faintly his antennas droop, enough that you notice it.
Rain now steadily prattles on peacefully mixing with the episode playing. Yet in the silence your skin crawls with something unspoken you canât evade.
You close your eyes hoping to avoid any more questions and pretend youâve fallen asleep. Naturally, a nap overtakes you and you jolt awake when a text message brightly wakes you up.
âSo what episode are we on?â You sleepily ask, noticing the cryptid hasnât left. Evening would be arriving soon, the time Satoru normally slipped back into the woods.
âA weird one.â He mutters and now curiosity flickers in you over which episode it is.
Your eyes widen.
Of course it would be this one.
The heroineâs best friend falls in love with a monster living in a cave. Itâs another one of your favorites. Now, the obvious reality sinks its fangs into your throat.
âThis is the most ridiculous one by far.â Satoru scoffs. âNo human would actually love a monster like this.â
His words deflate something in you. All the nerves and prickling emotions scatter.
âI donât know.â You offer back lightly. âMaybe thereâs something extra human to love a monster.â
All six eyes rapidly blink towards you. Their glassy yet sharp attention focuses so intently and itâs unnerving.
âYou donât mean that.â He snips and it distorts his voice more than normal.
You shrug.
âWhat do you mean by that?â He annoyingly asks, persistent.
What you mean is sometimes humanity can see through what society deems as monstrous and instead love the core of what a being is.
âI mean, itâs like what the episode says,â you nudge towards the television.
âIf love is fanged even between humans, why canât a monster find that same love?â You quote it vaguely but enough to capture the core.
The same goes for humans you explain.
âCause like what we said earlier, humans are a bit scary from time to time right? A little bit monstrous ourselves?â
So why not settle with a love fanged and coated in the shadows.
The episode takes a shift when the heroineâs best friend greedily kisses the bat-like creature. An electric desire jolts across your spine as it dries your throat.
âI never knew humans couldâŚdesire something like this.â Satoruâs eyes now unabashedly stare at the television with a religious focus almost afraid to look away.
âSome do.â You try sounding casual, but your voice croaks.
A heavy fog clouds your mind. Before he can ask or comment anything else you brightly announce youâre going to take a shower. You scurry to the bathroom without even once glancing at the moth monster.
Itâs a pathetic excuse but itâs early evening now. This decision isnât entirely out of the blue. You just need to cool down and take yourself away from the moment.
However, under the weight of the water, under the heat of the steam, you try washing away the festering arousal seeping into your veins.
The episode flashes in your mind. Except this time you picture yourself in the arms of the towering moth creature.
This danger has been brewing well beneath the surface and now slips past its shackles.
It rips you open raw and wild, unrelenting in a way that a slick heat already pools between your legs. You should not, by all rational means, be attracted much less so attached to this monster. Yet, you are.
You remember how easily he swept you into his arms, how solid and built his frame is. He is stunning. You canât even deny that.
You even think about how comforting a presence he was in your bed. Those thoughts melt and mutate dangerously.
Now, you imagine how warm and solid he would feel against you, between your legs. What he looks like drunk on pleasure-
Exhaling shakily, you turn the shower as cold as you can.
When you return to the living room after the shower, the sliding door is still wide open. Rain continues to twinkle its beautiful song into the living room, a living room now very vacant.
No moth creature is in sight and the bowl of chocolate drizzled popcorn remains untouched.
-.âšËââËââžâËââËâš.-
In the research lab you grade quizzes from the class you work assisting with. This time during the week the lab is thankfully empty and it gives you time
to catch up on your articles and work.
A surprise knock however disrupts that peace.
Your advisor walks in with a warm grin. Besides her is the man from the bar.
A confused anxiousness seizes your heart and you try keeping your face composed.
You politely smile as your advisor calls your name.
âThis is Toji Fushiguro. Heâs an agent from the local conservation group trying to investigate where our dear little moth friend went.â Your advisor explains polite and casual.
Your heart sinks rapidly.
The unknown moth had been in a large observation box the first time you saw it.
It had been a new and recent find. Being a first year in the program, you simply were allowed to watch and observe the new species.
Bigger than a typical silk moth, the unidentified moth had beautiful intricate designs on its wings youâd never seen. The little creature was also incredibly feisty. On multiple occasions it flew into the side of the box as if trying to push its way out.
Now that glass enclosure sits empty.
âDo you think it would be alright if he asks you a few questions?â
You happily agree hoping that cooperating will divert any attention from yourself.
With a grin your advisor leaves the room to give you and Fushiguro space. Now alone with the man from the bar, he sleepy grins a coy amused thing.
âSo, we meet again.â That deep voice sulks out with a lure that feels poisonous and sticky.
âWe do.â You nod politely.
âShouldnât be surprised youâre a bug fan.â He scratches at his jaw and for some reason his casual attitude towards you twists your stomach.
You want to make a witty comeback but nothing comes to mind. Instead you stare down this mysterious man.
âWhat makes a cutie like you get into bugs huh?â He asks casually.
âMy grandfather.â You answer truthful and curt.
âHm, thatâs nice.â Fushiguro nods understandingly.
His eyes begin scanning the lab with that same boredom he wore at the restaurant bar.
âSo when did ya let the moth escape?â His relaxed question makes you choke.
âExcuse me?!â You snap. âI didnât let the moth out.â
Except you had.
The first night you stayed late at the lab you accidentally forgot to close the windows.
In that mishap, the moth escaped. You were thankful another class used the lab after you and disrupted the possibility of anything being pinned to you.
The department of course was a bit disheartened. However, everyone warmly joked about half of the job of being an entomologist is chasing after things way too fast to catch.
That happened months ago.
âIâm going to be honest with you.â Toji Fushiguro leans against the table with a brazen ease. âIâm here looking for that thing cause itâs dangerous.â
For some reason, you donât fully believe him.
âRemember what I told you about moths? Theyâre bad luck.â His stare is unwavering and cold.
âThatâs arguable.â You surprisingly fire back.
Toji Fushiguro shrugs. He slides his hands into his jogger pantâs pockets.
âIf thatâs all you wanted to discuss, then I need to ask you to please leave. I have work to do.â You answer sharp and composed.
He simply shrugs again and pushes himself off the table he leans against.
Without another word Toji Fushiguro simply heads to the door. Before he leaves the man stops.
âThat bad luck I told you about? Sâgonna catch up to you soon, pretty. Just want to give you a warning.â
It sounds like a threat instead of a warning.
At his words a venomous bile pools in your mouth and you almost want to snarl at this man. He leaves with just a casual wave of his hand and not another word.
The rest of the time in the lab you canât focus on anything. You simply float in this strange inertia.
When you leave, no moth flutters outside to greet you.
A new wave of terror wiggles through your stomach.
Your apartment is also deadly silent. Worry prickles all over your body as you slide open the balcony door. You even peer out into the woods hoping to find six gleaming eyes staring out.
Yet only the darkness, eternal and empty, stares back an ancient unforgiving warning.
So try pushing aside this rattling worried energy. You try to make dinner, even put on a favorite movie for background noise.
Your mind however canât leave the thought of Toji Fushiguro. Mainly, you worry about the absence of your moth. Fear eats away at you as if an actual creature has crawled inside.
And maybe he has.
You miss him. You miss Satoru. Youâre worried about him.
Heâs become a staple in your life, a strange fixture pestering you. You canât imagine a day without his presence now.
Then a realization trickles in a slow and sticky truth.
He is a creature of the woods, a myth of the darkness. Maybe he never meant to be yours.
Now here you are. A selfish human simply trying to keep him all to yourself.
A sudden clash of something solid rams into the balcony rail. You canât help but shriek.
Thee moth creature rapidly shoves his way into your living room. He crawls inside feral like something out of a horror movie.
âSatoru!â You cry out his name and rush towards him.
Satoruâs piercing sky eyes, all six of them, are wide and frantic. His gaze darts around the room. Then he begins sniffing around the space.
âSomeoneâs been in here.â Satoruâs voice drops, a waterlogged frantic gurgle.
âWait what?â You ask terrified. âHow do you know?
You start glancing around the room now and follow Satoru as he continues rapidly smelling the space. There are no signs of someone breaking in and entering. Nothing even seems out of place or stolen.
âI smell something new. Itâs not either one of our scents.â Satoruâs voice drips with a sharp dread and it chokes you.
âWhat does that mean?â You croak trying not to get caught up in the terror and panic, but their current is so strong.
Suddenly Satoru whips around.
There in the hallway of your apartment he completely consumes the entire space with his imposing frame. The darkness of the hallway and dim lighting casts a grim shadow over him. His wide frantic eyes are animalistic, more than youâve ever seen.
His shoulders heave with rapid breaths. In a blink Satoru suddenly crams his body against yours.
This giant of a monster curls down to crouch into you. His face begins rubbing against yours. Soft growl like purring rumbles into the air.
You canât help but whimper his name as fear has you in its maw.
Whatâs going to happen? What could you do?
You try to voice these questions, these worries, but the words get tangled in your throat.
âNothing will harm you.â Satoru snaps deadly as the edge of his tone wavers into a frayed growl.
Those strange humming clips and chirps he makes float into the air while he continues comforting you.
Clawed hands curl into your back with a noticeable pressure. Thereâs a hint of danger in his tight grasp. But then you realize youâre also clutching onto him with an iron hold.
Frustratedly you try blinking away tears managing to stubbornly spill down your cheeks.
Satoru, who still rubs his monstrous face against yours, immediately notices your tears.
A distressing chattering noise comes and youâre readying to reassure him youâre fine.
His tongue instead moves to lick at your tears.
The action stills you immediately. The slick appendage rapidly slithers across your face trying to quickly wipe away your tears.
You think about when he healed your hand, when his tongue wiggled across your skin to lap at your blood. Now here he is again, consuming you, trying to heal and comfort you.
His tongue however slides down across your cheeks tasting the salt of your skin. It immediately sparks to life an intoxicating heat that drowns out the panic.
A part of you wonders about the danger swirling around him and how there might be a possibility that doom is seeping into you.
This might be your doom, to adore a creature composed of myth and nightmare.
You blink and a few lingering tears rapidly run down your cheek straight to the corner of your lip.
Satoru, fast as ever, moves to lick them up. In the process his tongue slithers close to your lips, running across the edge of them.
You inhale sharply and your eyes canât help but snap open wide. Youâre breathing heavily. The way Satoruâs large shoulders begin heaving, so is he.
Suddenly he breathes out your name and it gets tangled in your heart.
âMine.â Then his voice, animalistic and monstrous, cracks the air with a low possessive growl.
His tongue begins running across your lips without hesitation. The wet wiggling intense sensation has your eyes closing in absolute bliss. You sigh and want to open your mouth to let his tongue slip inside.
âYouâre mine.â He snarls out feral and wild. Those strange clicks of his come faster and soon enough his claws draw you closer.
Suddenly Satoru inhales deeply against your skin.
Then he groans a terrible wonderful noise that makes your knees buckle.
âOh you smell so good.â He slurs. He continues to smell every inch of your skin, trying to map and memorize your scent.
A whimper escapes you and Satoru rumbles out a comforting click.
He begins dragging his down your body with a focused intent.
âStronger, itâs getting stronger.â He mutters against your clothes.
âSatoru-â you say his name a bit worried.
The moth creature shoves his face unabashedly against your clothed sex. He groans loud, almost debauched and all thoughts float out of you. His antennas rapidly twitch.
âOh itâs here.â Satoru mumbles in awe, possessed, as if heâs found a deity. âYou smell so good here.â
He growls frustrated as he tries burrowing his face closer and closer to your dripping arousal.
You croak out his name waterlogged.
Satoru snaps to look up at you from his knees. All six eyes are glossy and frantic.
âPlease? Please, my little human, can I have more?â He begs.
Thatâs when you notice his mouth is wet drenched with saliva. Heâs drooling at just the thought of you, drunk on your smell.
All you can do is nod, caught in the same intoxication desire.
Effortlessly he claws apart your pants at the seam and dives in. You canât even chide him for that.
Your mind goes blank, consumed by pleasure and lost in its woods. As you cry out while his thin tongue runs up and down every inch of you, you realize Satoru is right.
You are his. And maybe he is yours.
Satoru arrived in your life and never left. He instead stayed in the safety of your light with you under the cover of his wings.
-.âšËââËââžâËââËâš.-
âDonât go to class today.â The moth mumbles.
Satoru has been glued to your side since the discovery of your intruder last week. He barely leaves the apartment and when he does itâs only because you need to leave. Currently he sits on the bedroom floor with wide sleep deprived eyes.
The antennas on top of his head flicker quickly. Heâs tried been pushing himself to stand guard even during the day.
âIâll be fine, itâs just a lecture.â You reassure him.
âBesides, you should take this time to sleep. You need to rest.â
âIâll be fine.â He mirrors your words back to you.
Your monsterâs six eyes hold a daze focused like heâs trying to be aware of everything all at once. Slowly and delicately you let your hand run against his soft face.
The delicate fur, now a tangible dream under your fingertips, is so sulky. The touch jolts the creature into awareness.
Satoruâs eyes all flutter you and instantly his face melts against your hand.
âDonât go.â He whispers a static like mumble.
âIâll be okay.â You even lean down to kiss the side of his face.
âFine, then Iâm going.â He snaps a firm unwavering decision and you canât argue with him.
As you walk to the lecture hall building he flutters so swiftly and dizzying in his normal moth form. He even flies all around your face, another angry urging for you to not go.
You gently hold out your hand. Slowly the moth flutters to land on top of your hand.
He is gorgeous in every form including this one. Shimmering wide eyes, large intricate wings, all composed in this sweet creature furiously crawling over your hand.
âI know youâre still upset, but Iâll be fine.â You softly reassure him for the hundreth time.
He stops and stares at you. Gently you run a finger across his fuzzy little head careful to not touch his antennas.
He flies from your hand and lands immediately on the corner of your lips.
A goodbye kiss.
Your lips twitch amused and deeply fond.
âIâll see you when class is over.â With that you head to class.
Walking into the classroom, one of your peers excitedly speaks to everyone present in the room.
âDid you guys hear?! Someone just saw the mothman thing on campus a few minutes ago?!â
Terror unfolds in you and your heart collapses among its cage. He must have transformed in the woods, or in flight.
âReally? Are you sure?â A skeptic quickly emerges and you cling to their words.
âNo I swear! Everyoneâs been talking about it online! So many people saw it fly into the trees by the woods!â
You havenât been this terrified since the contained moth was missing or since you first saw six reflective eyes staring at you from the dark.
Chatter breaks out immediately with so many discussions. Some of your classmates show their disbelief while others eagerly ask for more information.
You try to keep your composure as you slide into your seat.
âHey,â someone says your name. Your friend that sits next to you stares at you with a scrunched up face of concern.
âYou okay? You look kinda sick.â She frowns.
You wearily smile and use the excuse that you have been under the weather. A cold chill even runs up your spine.
âThen head back home,â she comforts you with understanding eyes. âIâll send you the notes from today and let you know if you miss anything.â
Grateful you wearily thank her and she nods warm, reassuring, wishing you rest. As you turn to head out you catch the last bit of conversation bubbling along with your classmates.
âWellâŚif someone saw the moth thing, doesnât that mean something bad is gonna happen soon?â
âYeah thatâs what the legend says.â Someone grimly agrees.
Scrambling, you shove yourself out of the classroom before you hear anything else.
Now out of the room you shakily exhale trying to calm yourself down.
At this time in the evening the hallways are deathly silent, harrowingly so. Unlike the lab building, so open and light with its many windows and expanded hallways, the lecture hall buildingâs tight corridors create a haunting clustered stillness.
That stillness seems to be creeping in more and more.
As you walk towards the elevator, sudden footsteps begin stomping behind you.
They are solid and firm, staying a decent pace away from you. The anxiousness from these past few days create an unbearable itch that crawls over your skin.
So you turn around.
And the hallway is dead empty.
No one walks behind you.
Fear tastes icy and rotten as it infects your body. Instantly you whip around to rush to the elevator.
You clash straight into someone.
The collision knocks you out of your thoughts and you quickly blink into focus.
A rush of apologizes stammer out of you.
âHey, itâs okay.â The man you ran into warmly reassures you.
You finally get a good look at him. Heâs handsome with a strong jaw and a faint mustache. He looks official in his suit. The smell of cigarettes surround you.
âActually, I was wondering if you could help point me in the direction of the main office.â The man smiles warmly.
This had to be the source of the footsteps you heard. The dread you have slowly simmers at the sight of him.
âOh course.â You grin weakly at the man, thankful your fear is calming down. âYou have to go down to the other end of this hallway-â
A sudden hand comes up from behind you.
It slaps over your mouth with a painful grip. Then something sharp pierces your neck.
The scream from your throat fades along with your focus.
The last thought flashing through your mind before you fade into darkness is that Satoru was right.
You shouldnât have gone to class.
-.âšËââËââžâËââËâš.-
The jostling of your body wakes you up.
Groggily you blink into focus. You first notice itâs late at night. Next, youâre laid across the back seat of a car and your hands are tied.
In the front seats sit the man you ran into at the school and Toji Fushiguro. You go to scream but a tightly wrapped cloth blocks your mouth.
âYouâre awake.â Toji drawls out slowly and surprised.
You screech at him through the material.
âYeah, I knew you were with the moth this entire time.â He grins at you through the rear window.
You continue to scream as best as you can, sounding feral and panicked as tears fill your eyes.
âGuess living with a monster makes you sound this wild.â Toji Fushiguroâs accomplice mutters without even glancing once at you.
He begins typing away on his phone.
âWe got more buyers willing to pay if we bring the moth in alive.â The man comments.
Everything clicks.
They were after Satoru. And youâre the bait.
Maybe Fushiguroâs accomplice is right. Maybe living with a monster has leaked into you because the noise you make doesnât sound human.
Your scream, still stifled, carries so many emotions. Your pain, terror, anger and frustration, all of it courses through your veins and rips out in waves.
âHey.â Toji Fushiguro glances back at you from the rear mirror. âKeep it down. I donât wanna get too aggressive, but I will.â
He casually pulls out a gun and waves it around.
The horrifying casual threat causes your eyes to go wide and now all the fight you had trickles out.
âWatch it!â Suddenly the man in the driver's seat screams out.
Your eyes flicker forward.
Against the darkness, illuminated by the carâs headlights, a looking figure stands in the middle of the road.
Six eyes stare out from the darkness a brilliant terrifying electric blue. Delicate wide moth wings flare out and break against the night.
Through the fabric you scream out his name, except it gets drowned out by the revving of the engine.
Toji speeds up with full intent to hit the creature.
âWhat are you doing?!â The other man cries out.
You even scream in panic. Your moth however flies up, missing the impact.
Heâs gone from sight.
A solid clang lands on the roof.
A sharp stab pierces the top of the car with a snap. The screeching of metal being ripped away follows fast. The eyes of the monster stare into the car with a disastrous terror.
Satoru smiles wild and gleeful at the men, a predator that's captured its prey.
ThenâŚEverything happens in a blink.
The car swerves. The speed makes you feel as if you are flying. The colliding noise of scraping metal and then a solid impact. Everything becomes distorted as if you are in a snow globe spinning and trying to focus on a dizzying fuzzy world.
An unholy monstrous scream rips into the air. Itâs all you hear as you fade in and out of consciousness.
You blink and suddenly twigs from the forest floor press against your body. A sharp object pierces your side. Every inch of you screams in pain while also a numbing sensation starts creeping in.
An inhuman roar screeches out and your eyes snap open.
Off to the side along the trees you see the faint edge of Satoru within the darkness. Faintly you hear a wet ripping sound. Itâs visceral, like a vulture digging into a macabre carnage.
You watch his clawed hands viscously dig into whatever he stands over. You try gathering your voice trying to say something, anything.
Then six electric eyes snap up to you from the dark forest. He is the terror of the woods, a feral monster interrupted from its hunt.
Your vision however goes blurry and it gets harder staying awake.
A wreck howl of your name breaks into the air.
Tender clawed hands scoop up from the ground. Youâre cradled against him gently and tight. The fabric in your mouth gets ripped away and now the metallic taste of blood fills your mouth fast.
You wheeze out Satoruâs name. Thereâs so much you want to say. But youâre getting so tired.
âStay awake!â He snarls desperately sensing your exhaustion.
Nothing feels real. Even staring up at your creature, his six eyes seem to become twelve, like clusters of galaxies carved out in the night sky.
But youâre fading. You know and he knows it.
Breathing hurts and now a cool chill runs across your body from the inside.
Your grandfather's words about moths being angels float into your mind.
You recall how terrifying angels are sometimes described. Some of them are composed of wheels of fire, with many wings.
Yours has many eyes.
Youâre grateful Satoru is here with you at the end. Youâre grateful this angel found you.
Water droplets plop onto your face and you wonder if itâs raining.
Satoru screams your name with absolute anguish. A darkness crawls over your eyes. Soft and peacefully, you fall into its waiting arms.
-.âšËââËââžâËââËâš.-
A soft steady beeping pulls you out from the darkness.
Wearily you open your eyes. But the bright light of wherever you are immediately has you shutting your eyes tight.
A cold hand touches your arm.
The touch jolts you awake. In a panic your eyes immediately snap open and your body shoots up only to find yourself tangled.
Tubes run from out of your arms. One tube even rests under your nose. The beeping noise you faintly recognize is a heart monitor and realization hits that youâre in a hospital.
Then when you turn to the side, a man you donât know sits beside you.
You have never seen a man as gorgeous as him. Striking cloud white hair, a chiseled jawline, broad shoulders and thenâŚ
The brightest blue eyes, clear as a summer sky, stare at you so frantic and hesitant.
The man says your name, his tone faintly pleading.
For some reason his voice sounds vaguely familiar. But that thought is put on hold when the door to your room opens and a nurse walks in.
âOh thank goodness youâre awake!â She sighs genuinely warm to see you and even seems a bit surprised.
What happened? You were dying. You were sure of it.
âDo you remember anything that happened?â The nurse asks gently as she checks your vitals.
âIâŚâ your voice wavers as the memory clips at you, terrifying and heartbreaking.
âItâs okay if you donât.â The nurse says comfortingly. âItâs common for accident victims to have a foggy memory. Plus after the one you were in itâs understandable.â
Weakly you question about what happened, how you got here.
With soft eyes the nurse explains it all.
You were the only survivor of the car crash. A part of you vividly remembers Toji Fushiguro and the man with him. A part of you dark and hollow gleams grateful they are no longer here.
You however didnât walk away unscathed. You have a few broken ribs, a very bad concussion and light internal bleeding being monitored.
âWe even found damage near your heart that couldâve been deadly-â
Yet, you were alive.
âAndâŚ.â The nurseâs eyes twinkle warm and adoring as they flicker to the man behind you.
âThis man found you and brought you in. Came into the hospital with you in his arms like some kind of bloody guardian angel.â
You whip your attention back to him as well. The manâs blue eyes stay so intently focused on you.
They remind you so much of the pairs of six eyes that watched you with the same unwavering gaze.
Then the nurseâs words click.
An angel.
No. This couldnât beâŚ
The idea so wild and unbelievable barrels into you fast. It knocks you breathless that you canât help but cough out.
Everyone instantly scrambles to grab you something to drink. Itâs your mystery man who hands you a cold water first and you guzzle it down with a frantic speed.
âIâll let you get some rest. Please hit the call button if you need anything.â The nurse squeezes your shoulder and you thank her with a weak cough.
Now in the quiet safety of the hospital room, your attention snaps to the man still intently staring at you with glossy blue lake eyes.
You take the jump. It might be the most far stretched idea and you can blame the concussion but -
You whisper out Satoruâs name.
The white haired man nods fast and a sob escapes you.
Itâs him.
Through tear soaked questions you ask him how.
âRemember that legend I once told you? About us being able to bring someone back from the dead?â
His voice is now clear, so distinctly him even in this form you canât miss it now.
His words are a chilling breeze.
âI died.â You whisper the cold realization.
And he brought you back.
âBut youâŚwhat happened?â Your eyes so clouded with tears scan his very beautiful and human face.
The Satoru before you is so familiar yet so different. The deep inhale he gives moves his shoulders. Youâve seen it before when his wings moved with the same exhausted exhale. Instead now a weary weight, a very human one, colors his stunning features.
But a sudden eased smile tugs at his lips and the sight is stunning.
âWeâre allowed to bring someone backâŚitâs just at a little cost.â His voice flutters out light and his words get trapped in your throat.
You canât fight the tears. They come in waves and your shoulders shake as you cry.
âWait,â Satoru rapidly panics as he slides closer to you. âWhatâs wrong?!â
He gave up everything. His form, his livelihood, his essence as a creature of the myth, he gave it all for you.
That solid truth rips so much sadness and guilt through you all you can do is angrily cry, frustrated.
âWhy are you crying?â He asks concerned and a bit confused.
âBecause,â you hiccup. âBecause I did this to you.â
You would carry this guilt for the rest of your life.
âWhat? Donât like the way I look? I thought I was pretty handsome in this form, yeah?â He lightly teases to perk you up.
You give him a look of disbelief wondering if you should call the nurse to escort this headache away from you.
âOkay okay,â he says, thankfully understanding your heartache.
Gently Satoruâs hand moves to rest against you on top of the itchy hospital blanket. Fondly he runs his hand over your leg. You watch as his eyes follow the path of his hand like heâs trying to solidify your presence beside him. A sadness shimmers within his blue pools.
âIf anyoneâs to blameâŚitâs me. I did this to you.â
Quickly, through a teary blubbering mess you reassure Satoru he did nothing wrong. His hand softly squeezes your knee.
âDo you remember when we were watching that weird show and you asked me what Iâd wish for? What I wanted more than anything?â
Suddenly Satoru speaks firmer, eyes still not facing you.
âI wished I could be with you. I wanted to live a full life by your side.â His answer is low, but so beautifully clear itâs like dawn breaking over the forest.
Those endless blue eyes turn to you.
Gingerly Satoru raises his hand. He runs his fingers against your face with a tender touch, a delicate brush like that of a mothâs wing.
âNever feel guilty about what happened. I would make this decision over and over again. I donât regret it and never will.â He says firm, absolute and devoted.
Tears return again but this time for another reason, one so beautifully overwhelming it consumes you.
Satoru gently draws you into his arms to hold you steady against his sturdy chest.
âCan't get rid of me now, little human.â He teases but the faintest edge of emotion cracks his voice.
A laugh escapes you among the tears.
âYouâre a little human now too, bug boy.â You joke as the new nickname comes so easily to you.
âThereâs nothing little about me, especially in this form.â He deeply purrs.
Youâre about to snap at him for being crude until he shrieks.
âAnd bug boy?! You never even called me that before! If anyone is the bug freak itâs you!â
You laugh, truly laugh, and a warm buoyancy floats within your entire body. He joins in alongside you. His laugh is such a wild and free noise you want to keep it forever.
âThis being a human thing,â he suddenly mutters against the top of your head. âMight take me a little while to get used to it.â
âItâs okay,â you whisper back, fully resting against him. âWeâre all still trying to figure it out too.â
Satoruâs hand begins rubbing against your back effortlessly, so human and natural.
âYou already seem to be doing a good job.â You mumble feeling sleepy again.
He hums amused. âI know. Iâm just that good.â
You want to make a snide remark but then Satoru kisses the top of your head. Your heart jumps at feeling his lips.
âI get to do this all the time now.â He whispers slightly in awe, like he spoke a hidden thought out loud.
You canât help but grin giddy.
Before, you had begun experimenting very enthusiastically about getting to learn how to kiss him in his old form. But you understand.
This felt right. It always did, even when you never wanted to admit it before.
âNo more mothman.â Satoru mutters a quiet realization and you clutch his shirt.
âYouâll always be my pest.â You reassure him.
âHey.â You can hear the mock frown in his voice and you snicker.
You think about Satoru as your cryptid emerging straight from legends.
If he was seen as a harbinger and warning of danger, it strangely has you thinking about love.
For what is love if not a warning? A âbe careful, donât run too fast, please be safe, please let me protect youâ warning morphed into a wish and want to keep someone safe. Horror and love sometimes walk hand in hand together after all.
In the arms of your harbinger, you wearily start falling asleep. Satoru senses it too and places another kiss on your head.
When he gently moves to rest you back on the bed your eyes glance to the window. The dark evening night stretches out deep and wide
Against the glass, you notice a fluttering movement.
Soft green delicate long wings catch the light from the hospital room.
Actias luna.
More tears brim in your eyes.
The beautiful lunar moth dances against the window, against the darkness, as if to greet you a warm hello and wish you well.
#this is probably for likeâŚme and three other people but here it is đ¤Ą#happy spooky season ya cute ghoulies!!!#willowserâs haunted house collab#Gojo đŠľ#Gojo x reader
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Forgot to share these doodles here đśđťââď¸â¨
#will I color them?#weâll let the people decide#fe3h#fire emblem three houses#fire emblem#sylvain jose gautier#ignatz victor#sylnatz#felix hugo fraldarius#annette fantine dominic#netteflix
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a little training break
#sylvain jose gautier#ingrid brandl galatea#byleth eisner#fire emblem three houses#fe3h#drew this one for the sylvainfanbook on twt!#the leftover sale is open until the end of feb#anyway im pretty proud of this one!#partly because of that horse#and also because the people turned out pretty well!#really happy w byleth's face and hair#nagas art
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Cry me a river
summary: Aemond finds her wounded and left to die in the middle of nowhere. her desire for vengeance helps her survive â and her unbreakable spirit inevitably draws the prince to her. authorâs note: her betrothed does what Daemon did to Rhea... this time, the woman survives đŞ also, couples who kill together, stay together, I donât make the rules warnings: archery (described in unprofessional language), slow burn (... and then not so slow), mentions of blood and murder (duh), it gets a bit heated words: ~ 11K song inspo: Tommee Profitt ft. Nicole Serrano â Cry me a river (cinematic cover) đĽ
>>>Â Aemond is caught in heavy rain midair, in the depths of a starless night. The storm rips through the clouds, and the lightning flickers across the sky thatâs bowed over the Vale. He tries to resist the voice of reason that urges him to land, heâs no little boy to be afraid of the whims of nature. But the downpour only grows more ferocious, and the rattling of thunder soon drowns out Vhagarâs displeased roars.
Begrudgingly, Aemond sets his pride aside and peers into the darkness that stretches as far as the eye can see. He can barely make out a vague outline of the mountains but the rocky terrain is a poor resting place, that much he knows. Exasperation slowly claws at him as the wind howls, his clothes drenched and heavy, and the ribbon of moonlight slips away into the gloom.
When his gaze suddenly catches a flicker of light, a faintly lit cave in the distance â Aemond thinks itâs the Gods' mercy as it is. He is yet to find out that the Gods are leading him that way for a reason.
>>>Â The landing is rough but Aemond holds back complains and runs for cover, breathing a sigh of relief once he gets to the cave. Vhagar curls up in a heap, and her enormous silhouette can easily pass for just another mountain in the valley.
The prince tiredly wipes the raindrops off his face â and only then notices a spot of crimson right under his feet. He recognizes the color of blood in an instant, and the realization fills him with dread. Slowly, he turns around, his eye following the gory trail, his hand reaching for the dagger. But the sight heâs met with leaves him frozen in place.
Aemond is sure heâs never been so stunned and horrified all at once.
At the far end of the cave, a woman is lying next to a waning fire, with her eyes closed and face drained of color. She is dressed in bright red, and the blood on her hands blends into the laced fabric of her long sleeves, and Aemond is struggling to locate the injury that left her unconscious. She looks so helpless, a breath away from irrecoverable, he throws caution to the wind and rushes to her side without much thought.
Aemond kneels, examining her bare and bloodied feet, the torn hem of her dress, the smudges of dirt on it. With timidly blossoming fascination, he takes in the softness of her features stained with tears, green leaves tangled in her hair. Aemond reaches his hand to smooth a strand of it when he sees a splash of red framing the side of her face. His fingers barely graze her temple â and once he sees them stained with red too, his breathing hitches.
Heâs no stranger to cuts and bruises but he doesnât know how to treat a head wound. And his fighting skills wonât be of use against the Stranger.
A feeble voice brings him back to reality:
âI am not dying.â
Startled, Aemond lets his gaze fall on her lips, parted and faintly tinted with pink. Her eyelids flutter before she opens her eyes â they meet his in an instant. The feeling he gets bears no explanation: itâs sudden and overwhelming, raging like a hurricane that hits right at his chest. She doesnât look away while her hand finds his â his fingers are still in her hair, and he shudders at the touch; her skin is cold but the grip is surprisingly firm.
âIâm not dying tonight,â she repeats, her tone a bit steadier. âI will not give him the satisfaction.â
His brows furrow from the lack of understanding. His body tenses at the very clear hint that he gets.
âWho did this to you?â Aemond asks with concern.
But she already drifts out of consciousness, back to where she canât hear him. The thunder rolls and the lightning tears the cover of darkness, illuminating uninhabited mountains and valleys. The terrible weather seems like the least of Aemondâs problems.
>>>Â It rains all night, and the dawn comes shrouded in white mist. He cannot sleep a wink. The woman tosses and mumbles incoherently as her mind lapses back into the grasp of the unknown suffering. Aemond finds the sight so unnerving, itâs almost painful to watch, but he doesnât take his eye off her.
He keeps the fire burning to help warm her up, ignoring his own discomfort. Not his shivering but hers eventually compels him to peel off his wet outer garment to dry it off faster. He hastens to put the clothes back on but leaves out his coat to cover her with it, black material over red, a night draping over sunset. Hesitantly, he rubs her arms and back, his usually deft fingers now tentative, until he sees the life returning to her cheeks. It puts Aemondâs nerves at ease, and he belatedly realizes how stiff his body has become from hours of sitting in agonizing suspense. And yet, he never leaves her side.
The mountain tops stay hidden by the clouds, the sky coated in gloom the sun canât peek through, but around midday, she wakes up again. Her eyes dart to Aemond who moved to feed the fire with branches. He doesnât rush into conversation, giving her a chance to come to her senses. She is looking at him with distrust but without a hint of fear.
âYou stayed,â she concludes in a hoarse voice, slightly shifting in place.
âLeaving you all alone didnât seem fair,â Aemond responds, which only earns a huff from her.
âI am perfectly capable of managing on my own,â she rebuts, trying to prop herself up on elbows â and instantly groans at the ache in her temple.
Aemond comes closer in a blink of an eye, and itâs hard to miss the empathetic look he gives her. He politely stays at armâs length which she is thankful for.
âYour bleeding stopped but such a serious wound must be examined by a maester,â Aemond tells her peacefully. âHow far away is your home? I shall accompany you there once the weather calms down.â
He sees emotion flashing through her face, and for a moment it gets so quiet, he can only hear the rain still drizzling outside the cave.
âI do not have a home,â she forces out, and Aemond is surprised to notice that she doesnât sound sad. If anything, there is ire in her words. âYou shouldnât bother.â
âI am sure your family is worried by your absence and ââ
âMy family valued me so little, they got rid of me at the very first chance,â she cuts him off, her voice stern. âSo I am not going back to them, Iâd rather you leave me here.â
He looks her over â her ruined dress and anguished face, dried-up blood in her disheveled hair. No doubt, she is hurting, and it would be unbecoming of a prince to leave a lady in such dire straits.
âI can do no such thing,â Aemond insists. âYou survived a severe injury but whatever discomfort you are now feeling can be eased.â
âComplaining would only make me look pitiful. I need none of that,â she is sitting with her fingers pressed to the aching part of her skull, her brows knitted.
âOnly seems reasonable to pity anyone with a bleââ
âDid anyone pity you?â she interjects, looking straight at his eyepatch.
The question is meant to cut him yet it doesnât â too much time has passed, and his once painful memories are now dust-covered images at the back of his mind. But he finds her intent amusing. Wounded and weak, she is supposed to be at his mercy, but her spirit stays unbendable, and her gaze is so blazing, itâs nothing less of a fire. She keeps her eyes on him, waiting for his reply, confident that she will get it.
âHardly anyone,â Aemond admits. âBut I wasnât left in a cave to die, so the comparison doesnât work in your favor.â
He expects her to snap again, he almost wants to have another taste of her insolence â a trait so uncommon among any women heâs met, Aemond deems it not offensive but thrilling. She only hums in response, throwing him a glance, and he sees curiosity shining through her cold stare, like a ray of sun in the storm clouds. Their exchange of pleasantries is cut short by another one of her groans. He is usually patient but the sound of her suffering is a test that he fails.
âYou will not get better on your own and you know it,â Aemond tries to reason. âI can take you to the greatest maester there is,â â and his persistence is akin to a plea. He anticipates her fears and allays them before she can utter a word: âYou will be free to leave at any moment, you have my word.â
âWhatâs in it for you?â she narrows her eyes at him, her whole demeanor a clear evidence of her refusal to give in just yet.
Aemond thinks for a moment. The real answer to her question lies on the surface and is as vivid as her dress and as her blood: he knows nothing about her and he wants to know everything. He has trouble not only voicing but coming to terms with his desires.
âI am afraid that guilty conscience will disturb my sleep,â Aemond says, and itâs not entirely untrue. He can already tell heâll think of her many nights to come.
She looks at him appreciatively, slowly, as if her gaze can cut through the cotton of his shirt, flesh, and bones his body is made of. Whatever is her verdict, he canât tell because in the next moment, she is stricken with pain again, and talking isnât of much help.
âWe shall leave at dawn,â Aemond recapitulates, helping her lay down to have some rest while he canât find any.
âDo you happen to have any water?â she mumbles more humbly. He senses that showing weakness doesnât come easy for her; heâs not the one to gloat at something he can perfectly understand.
âI will fetch you some,â he reassures and pulls his coat over her again â and hurries outside.
The mountain valleys welcome him with stillness, and Vhagarâs eyes are two beacons in the mist. The dragon seems comforted by the rain and pays Aemond no mind as he climbs up to get a flask with water he luckily brought, and some lemon cakes Helaena insisted that he take (âshould something happen on the roadâ, she said; he makes a mental note to thank her later).
They eat in silence â she has no appetite, and Aemond feels food stuck in his throat. She tells him nothing but her name; he savors the sound of it, a weave of letters he can now put to her face. Aemond studies her discreetly and although he canât read her yet, he puts everything in memory, down to the smallest detail. The slight tilt of her head, the pensiveness of her gaze, a blizzard of feelings trapped in her irises, the stubbornness in her lineaments paired with beauty. The curve of her neck and a thin golden chain around it, her collarbones flowing down in that hollow spot his thumb would fit in... He stops himself from looking further down; his face flushes nonetheless, and something sparks inside him, dangerously unnamed.
The evening approaches stealthily but comes chilly and dank. They go to sleep early, both laid next to the fire, and Aemond courteously keeps his distance. She notices the goosebumps that snake under his shirt; her suspicions are soon confirmed when she catches the sound â and canât tell if itâs the hammering of rain or his chattering teeth.
She considers him: his sharp profile, tense angles of his jaw, lines of his cheekbones seemingly chiseled by the Gods themselves. With his silver hair and eye the color of wisteria, she expected a different attitude; everyone knows the Targaryens to be self-righteous at best and prideful as a given. But the man next to her is instead stoically enduring the hardship he can easily avoid â if he only rolls closer and allows their bodies to trap the elusive heat; he doesnât dare to. She realizes he couldâve taken advantage of her if he wanted, but it seems like the thought hasnât even crossed his mind. She finds it way more endearing than her vigilance would usually let her â the pain mustâve dulled her sanity, she thinks, reminding herself that itâs the sole intent of surviving that should motivate her.
No words will work against his wit so she wastes no time snuggling up to him, with her forehead against his shoulder, her hand resting on his chest as she shares his own coat with him. A quiet gasp escapes Aemondâs mouth, but he stays still.
âI can hear you shivering,â she can feel it now too â his skin trembling under her fingers. âYou are risking to catch a cold.â
Aemond is frozen for a minute, his heart thrumming at that unexpected boldness, at the feeling of her â malleable curves and no rigid edges, their ribcages in contact, their thighs brushing. Calming his breathing is an arduous task; heâs used to fighting off opponents but now heâs battling with himself, with the need thatâs treacherously strong, almost primal. He barely quells it, and only by some miracle his inhales are soon steady again.
He moves his arm â the one sheâs lying on â a little to the side, giving her more space to settle into, tips of his fingers stopping at her lower back. He does feel undoubtedly warmer. Aemond glances down at her, his voice a whisper tinted with mirth:
âIsnât this called pity?â
He hears a faint cackle. âCall it rationality,â she refutes. âSince we are to leave soon, and only one of us can fly a dragon.â
The words roll off her tongue like it is the most mundane thing, not a centuryâs worth of power encased under the thick-scaled skin of a creature the size of a castle.
âYou do not find the beast scary?â Aemond canât stop himself from asking.
âWhy would I? It is only a dragon,â her voice grows smaller, eyelids become heavier. âUnlike some men, the dragons are at least not known for their ill intentions.â
At that moment, a wish is abruptly made â to find out who harmed her, make sure it happens no more. The fury in Aemond is a mounting force meant to cause destruction, tamed yet never really dormant. But he listens to her breaths and pushes his anger aside, and the full moon is the only witness of his surrender. As he falls asleep, he tries not to think how nice it is to have her body pressed to his.
>>> What he should be thinking of is how to explain all this â him, unwed, bringing a woman to the castle; a scandal, no less. And yet, it is the last thing on his mind. Itâs only occupied with this moment he wishes would never end â with gusts of wind tucked under the dragonâs belly, clouds spread out around; and, most importantly, his arms snaked around her waist, her back touching his chest.
It is bittersweet, truth be told because her pain isnât gone overnight, and he canât heal her with just his hands and his words. The splotches of dark maroon are even more visible in her hair in daylight, and she winces at loud sounds, at the harsh flow of air that bites her skin while Vhagar soars up, and she has to grab onto Aemond a little tighter.
But soon they reach the clear canvas of the sky, the serene emptiness, and she looks around, taking it all in â and then the corners of her mouth curl up. There are sparkles of delight in her eyes, and still no sign of fear. And he thinks that her smile is the closest thing to the sun.
They cover many miles, crossing the lands as Vhagar bursts through the clouds, and the time allotted to their inadvertent closeness runs out, mercilessly as ever. Once they land and he helps her climb down, his anxiety comes back, like a wave approaching shore. But then a sound of her whimper reaches him, almost inaudible; he only has time to turn around, to see her pained expression. She passes out â he catches her; itâs his heart that falls, and no other thoughts and explanations matter.
When Aemond is seen at the castle, heâs carrying her in his arms, his lips pressed into a thin line, and not a word slips out after he calls for the maester. The prince pays no attention to the guards and the maids exchanging glances, to his mother stopping dead in her tracks upon seeing him, her hand over her heart. There is a question hanging in the air, parting Alicentâs lips, but she doesnât voice it and only watches her son walk away, hurried and fearful in a way she forgot he was capable of. She struggles to remember when was the last time she saw Aemond in the company of a lady. And if he ever looked at a woman the way he looks at this one.
>>>Â Aemond is pacing the corridor, his eye on the floor, on the pattern of the stone surface. His mind is treading at the doors that were closed in his face after she was carried into the room. She was breathing still, and thatâs what helps him keep it together, his hands clasped so tightly his fingers go numb.
He wonders if maester Mellos has always been so annoyingly slow. Thatâs the only wondering he can allow â otherwise the noxious thoughts will flood his head:Â how much blood did she lose before he found her? What if he was the one being too slow? What if â
âHer life is not in danger as she regained her sensesâ the maester moves with the pace of a cat, his face wearing the same unbothered expression. âThe long flight mightâve been tiring for her impressionable female nature.â
That assumption is disregardful and uncalled for â Aemond hates it; still, heâs glad to hear the rest. He lets out a breath that frees his chest from the chains of agitation.
âI will fetch her some herbal ointment to help the cuts and bruises heal faster,â the old man then adds.
Aemondâs expression hardens; clearly, he knows the meaning behind the words but he cannot fathom them. Violet marks of violence blooming on her skin, how could he miss it? How did she get them? He accidentally thinks of it out loud.
âIt is a rare luck to get only bruises after taking a fall from a horse,â the maester looks at him askance. He gives his final verdict before leaving, followed by a sigh: âThe young lady surely must rest.â
The displeasure is a tiny tongue of flame at Aemondâs ribs. He is vexed by not knowing (nothing new in that, not with his eagerness to learn all and everything ever since he was a kid). Unexpectedly, he is equally vexed by not seeing her â so much so, that he almost reaches for the handle of the door that separates them.
Aemond stops himself, his reticence a fetter but also a necessity: she needs her rest, and he shall leave her be. He will not go beyond the bounds of decency.
She canât be niched into any bounds, he soon will learn.
>>>Â Aemond is good at many things but not at waiting, as it turns out. In the morning, after he wakes up, anticipation already laps up in him, his day a blur â breakfast, sword practice, the lines in a book he picks at the library all merge and bore him. He only glimpsed the maids leaving her chambers once; it took all of his willpower to go the other way.
In just three days, his impatience smolders â then flares up, then erupts into a wildfire, his head in a haze that makes him lose focus. The more Aemond tries not to think of her, the harder it gets.
He pushes yet another thought aside as he sees Ser Criston approaching, armed with a longsword and perseverance. Aemondâs training is never a dull routine â the knight makes sure of that and doesnât make concessions. Their swords lock and clank, and time is a whirl; in the midst of it, Aemond finds himself reminiscing about her shining gaze. He almost misses the hit aimed at him and ducks at the very last second â spins, glares, strikes, his blade stopping an inch away from Cristonâs face.Â
The knight chuckles in good spirits, and the pride he feels is almost paternal. âSuch a shame you arenât the one for tourneys,â he pants, wiping the sweat from his brow.
Aemond rolls his eye, a brief respite not helping with his frustration. The subtleties of his emotions are unknown, unreadable like an ancient language: heâs daydreaming of her hands, her face, her â
âWhat a shame, indeed.â
Aemond turns to the sound of her voice. The whirl is silenced in an instant.
Itâs different from his memories and his dreams â better than both: she is alive and well, sheâs right next to him. She isnât wearing a dress but a tunic and a pair of breeches, cool-toned material against her sun-kissed skin. Her wound is cleaned and healing, the mark left is a lightning peeking from her hair, the waves of it loosely braided. The simple attire doesnât take away from her beauty (nothing can, he thinks), and it takes him a second to blink the enchantment away.
Aemondâs voice comes back, a tad low. âArenât you supposed to be resting?â Heâs looking too joyful for it to sound like reproach.
Thereâs laughter in her eyes. âNo one forbade me from stretching my legs. Am I interrupting?â
âNot at all,â Ser Criston chimes in, cautiously curious. âIf only you donât find the sight too unsettling,â he twirls his sword, the steel soundless in his hands.
âOn the contrary, I find it entertaining. Although that wouldnât be my weapon of choice,â her gaze follows the blade up.
Aemond throws her a surprised look but Ser Criston is the one to raise the question. âYou have your preferences? Do tell,â he turns his head to the weaponry on a nearby table. âWeâve got shortswords, flails, axes...â
âAll of which lack speed,â she remarks pertly, leaving the knight mystified.
Aemond sees no mystery; he knows that in the highlands catching prey is way trickier than killing. Knives, swords, blades of any kind wonât cover a long distance. Something else will.
âArchery, then?â the prince guesses.
âDoesnât seem like the type of weapon you Targaryens prefer,â she shrugs but her disinterest is feigned.
Ser Criston catches onto that. âCanât have preferences if there is nothing to choose from,â he grins, then calls for one of the guards, giving short instructions.
The man runs back in a minute, with a bow and arrows, and her eyes light up. They glide over the tight string, the polished wooden bend, concave at each end; itâs crafted beautifully.
âI must ask you to spare the guards,â Ser Criston jests while she takes the weapon, laying hold on its grip. âBut do not be shy about taking your pick,â he points randomly at a stack of barrels, about thirty yards away. âThese might be nice for a start.â
âThat is too easy of a target,â she barely glances that way, then takes a good look around. âDo you truly think so little of me?â
The knightâs cheeks heat up. âMy apologies, I didnât mean to ââ
âOh, I do not find it offensive,â she grants him a meek smile without looking, already eyeing something much further away. âTo tell you bluntly, it only spurs me on,â she mounts the feathered end of the arrow against the bowstring â and then pulls it.
Both men follow the direction the arrow is pointed at. Right outside the castle gates, thereâs an apple tree, tall and branched, bent slightly over the stone wall. The fruits are bulked and ruddy, mouth-watering; but from where they are standing, the apples can barely be seen, obscured by foliage the wind breezes through.
Ser Criston raises an eyebrow, not incredulous but intrigued; Aemond only gets time to take a half-breath. The first arrow is fired with no warning â it cuts through the air, a flash of color above everyoneâs heads, â and pierces an apple, pinning it to the trunk. A moment later she takes another shot; after the second one, Aemond isnât looking at the apples, his eye instead drawn to her.
He suddenly can see nobody else.
Her every move is concise and simple, but her gaze is dead-set on the tree. She repeats each shot with a honed precision, controlled yet gracious; one of her arms set in a straight line, the other one follows a well-learned pattern â an arrow out, an apple down. Thatâs where, he thinks, her intrepidity comes from: the deadly weapon in her hands sings like a musical tool. The chance to watch her is bliss, and sheâs a vision.
Only when sheâs down to the last arrow, her hand unexpectedly flinches. She doesnât miss, still, but the iron tip veers off and knocks the apple to the ground; a shadow of discontent glides across her face. Ser Criston is too impressed to notice yet Aemond knows that feeling all too well. Heâs always strived to be the best too, and he knows how poisonous the pursuit of excellence can be.
âWith that level of skill you might be unrivaled,â the knight praises, his words backed up by some of the guards and passersby clapping.
She seeks no praise, her quest is more troublesome. âI can do better,â she says, with her disappointment forced down. Her voice wanes a little when she adds: âI will do better by the next full moon,â and that hidden meaning holds unfathomable weight.
Aemond is too eager to bring her comfort to read between the lines. âThe bow and arrows will be waiting for you, shall you decide to train more. But do have mercy on the tree,â a smile ripples her lips, a warmth ripples his heart. âI will ask for some target rings to be made.â
That gives her a dollop of contentment, and their fingers brush when he takes the weapon back. As Aemond gazes after her, he wonders if she feels it too â blood stirring, sweet dizziness, limbs lightweight.
Ser Criston watches the prince with a knowing look, a smirk tugging at the corners of his lips. âIt is so rare to find a lady with such a competitive spirit and a talent to match,â the knight muses. âHer husband must be a lucky man.â
Aemondâs joy shrinks, that mere word disturbing. âShe doesnât have one,â he responds. The uncertainty of his answer leaves a sour taste in his mouth. Doesnât she really?
âThat might not be for long,â Ser Criston carelessly comments. The princeâs cold stare makes no impression on him. âShall we resume our training?â
Aemond goes to pick a shorter sword, his blood now boiling for another reason. Thereâs a gaze thatâs akin to a caress, to a gentle tap on Cristonâs shoulder â he turns readily to meet it, dark brown eyes that are a mirror of his own. Alicent casts a glance at her son, questioning and worrying, then holds the knightâs gaze once more. The looks they share are hand-written letters â both of them write the same thing.
>>>Â Alicent goes looking for answers first â she walks into the womanâs chambers the very same day, with the elegance of a Queen, with the benevolence of a mother. She doesnât push but guides the conversation; she faces no resistance from the woman sheâs facing.
When they are both seated, she tells her a story as old as time, a tragedy lived out by many. Her mother died when the girl was ten years of age, too weak to carry on her blank existence, and her father couldnât even bear to look at her, no matter how much she tried to please him. Growing up in the Vale felt freeing but lonely, so she preferred archery over embroidery to leap at every chance to get away from home, into the beauty of the wilderness she had no one to share with. But she held out to hope that her life would change. She couldnât predict that said change would start as an accident â her horse slipping on wet grass.
Alicent canât help but bring her into a compassionate embrace at the mention of it. Her embrace turns into an offer â of a place to stay, of a shelter, and a friendly ear (maybe those were all the things her younger version wished for but was robbed of). The lie Alicent heard was so skillfully woven into the truth, she didnât get suspicious.Â
Once Aemond learns the story from his mother, he discerns the misleading part in a second. All the other pieces fit together like a puzzle â her being self-reliant and guarded, her brazenness a shield, just like the one heâs grown accustomed to. But that last bit was made up, he can tell. And yet, he just doesnât know how to approach the subject and not scare her off.
Aemond takes a task on earnestly.
>>>Â He looks for an opportunity to talk â he ends up tirelessly watching her, and he canât say that there is no pleasure in it. She does resume her training, and every morning sheâs the first one at the training yard when the sun is barely up, and no prying eyes can witness her dedication. Him having an eye on her doesnât seem to be a problem.
His relentlessness has always been something Aemond prided himself on but itâs hers that he grows to enjoy. He carefully notes her refined movements, her sharp focus, her gaze cutting through any target before an arrow does. Itâs easy to be fascinated by her; it takes him a couple of days to look past her outward calmness to catch a flicker of a feeling he can effortlessly recognize â an undercurrent of fury. And then he grasps that each time she aims at the wooden boards, she means to hurt someone. And maybe that is the exact reason she struggles with her every last shot, and her hand keeps flinching, unsure, or maybe too overwhelmed with certitude instead.
On one of those mornings, Aemond gets an idea, an outburst of bravery (or madness, but heâs too excited to care). Sheâs grimly collecting the arrows, inspecting them for damage when she sees him out of the corner of her eye.
âI couldnât help but notice that somethingâs been troubling you,â Aemond comes closer, hands behind his back. She gives him a look that holds no denial but no explanations, either.
Aemond goes to the wooden boards, round and lined up on a hastily built frame, â and stands in the middle, right in front of them. He then puts out a hand with an apple in it, ripe and deliciously red. âMaybe I can help.â
Nothing short of shock flashes through her face, her eyes darting from him to the fruit and back. âWhatâ â her jaw drops as the words escape her; she strings them into a sentence. âWhat are you doing?â
âHelping you focus better,â Aemond offers in the calmest tone he can master.
Itâs not uncertainty that leaves her speechless, her proficiency hard to deny. Itâs the genuine, borderline naive trust that he shows her â with his open gaze on her, his body not moving from the spot, his faith in her as unwavering as his posture.
The moment is fleeting, soft like a morsel of a gossamer cloud, with so many words not shared; in another blink of his eye, it ends. The change in her isnât drastic but chilling, like a touch of steel blade to the skin â her hand doesnât waver when she reaches for the arrow, her gaze firmly locking on him.
As her last attempt at leniency, she notes: âThere is no stopping an arrow once itâs shot.â
Aemond doesnât think twice before replying: âYou trusted me with your life once. I trust you not to kill me.â
She lifts the bow without hesitation, and he keeps eye contact with bated breath. The never-ending movement of life abates and the pale sunlight fades, and Aemond is deaf to everything but his booming heart. She drops the bow out of the way just a little and pulls the string up to the tip of her nose. She waits at full draw, the passing seconds endless and fulminant at once, before her hand flows back, her fingers relaxing â and the arrow slices through the air.
The first one hits somewhere above the apple; Aemond doesnât dare to even take a glance, standing motionless, rooted to the ground. The second one follows soon. Itâs a blood-curling contrast â how quiet is each shot until it reaches the target, and then the arrow rips right through the board, a deafening crash, a waft of death heâs spared from. Until she draws the bowstring again.
Aemond hears the third and the fourth hit, his hand unmoving, every muscle in his body tense. He is rarely scared, and itâs easy to mistake the fluttering of his heart for fear. But with how his eye is riveted on her, his gaze rapt and throat soar, â he thinks, it might be some other feeling. He gets no time to guess as the fifth arrow â finally â plunges into the apple and pins it to the board.
Itâs a momentary reprieve, a quivering wave going through his body; and yet, she doesnât lower the bow, eyes still fixed on him. Aemond can see her inhaling, the metal tip of the arrow pointing in his direction â and then released smoothly. In a split second, it lodges into the gap between his ribs and his arm, the feathery end stopping right next to his heart. When Aemond looks at her, he catches fiery glints of mischief in her gaze â and then something else, bright but short-lived like a glare on the water.
She puts the bow down, and they both know â her hand didnât flinch once.
Only when Aemond steps away, he sees that the six arrows form the letter âAâ, with the red apple right in the middle.
>>>Â Heâs afraid the change is transient but it lasts â she is now watching him, too. Aemond finds it befuddling at first, not considering himself worth the attention, not used to being seen as something other than a wreckage of man, intimidating, and lonely, and harsh. She doesnât look daunted. On the contrary, every time she sees him, the ice of her concentration thaws, and her gaze softens and lingers on him, mending every part of him thatâs been broken by his insecurities.
She doesnât recoil from the parts that are irreparable, either. She shows the same understanding when he canât find the right words and shrinks into his shell â in the middle of conversations, in between rows of bookshelves, at bustling dinners; her company is a haven he can retreat to without a word. She welcomes his every impulse to talk and to share â thoughts, meals, books he thinks she will like (she bites down a smile thinking how much time he spent looking for any mention of archery).
She stays by his side when he doesnât want to talk and when he overshares, when heâs bleakly taciturn, and when his temper gets as rigid as his sword; sheâs enthralled by his anger, never burnt by it. One week turns into two, then into three. Day by day, Aemond wakes up earlier to watch her hit every target without fail, and she then watches him win one bout after another with evident amusement. They explore the castle, get lost in the library, take rides to the woods â she laughs as her horse breaks into a gallop, she basks in the sun, wind ruffling her hair, and his heartbeat raises to a clamor upon seeing her like that.
Her seat is next to his at the dining table, their chambers not too far away, and he persistently walks her to her doors, and every evening he dithers before saying goodnight and parting ways. Her presence soon becomes a warming light nurturing his days â and simultaneously the reason for him losing sleep. But as he lays at night, watching the moon wax, he thinks of another constant, bothering him like a page missing from a book, a closed door heâs got no key for â itâs her secret that he is yet to uncover.
He gets his chance when he least expects it.
>>>Â The month is nearing its end when Aemond is nearing the dining hall, brimming with emotion he cannot capture â excitement, unrest, sprinkling of anguish. He last saw her hours ago, when his mother came to her in the training yard, and the two of them hastened to leave, seemingly in some agreement he knew nothing about. He caught bits and pieces of words â mentions of fabrics and seamstresses, but it didnât help with his confusion which soon turned into worry he had trouble coping with. And it wasnât the worst part.
Whatâs worse is the comprehension, icy and unforeseeable like a blast of northern wind: itâs only been a few hours, and heâs already missing her. He looks back at the days she wasnât with him, but they all seem too far away and forgotten, his life before her a blank canvas that sheâs now painting with colors. He keeps thinking of her, getting more pensive with each step, until he reaches the doors, and walks in, and âÂ
the ground is cut from under his feet.
All is the same in the hall: long table in a cloud of mindless chatter, silverware clanking, a rich palette of scents. What stands out is the color, bright like rubies formed within the earthâs crust. Itâs the red of her dress â the same old and brand new â and he can only catch a glimpse but itâs enough to leave him dazed. It lasts a second before she senses him, her conversation with Helaena interrupted; she springs to her feet, the dazzling hue stirs up his ardor â heâs almost blinded when he gets an eyeful.
He is staring at her, everyoneâs staring at him.
Helaena stands up with a laugh in her attempt to smooth things over: âIt isnât very nice of you to keep a friend waiting,â they both sit down then.
Aemond goes to join them with cotton feet.
He mustâve been too busy last time, her injury too big of a disturbance, so he paid the dress no mind. But once heâs seated, he canât help but notice: the layers of fabric, flowing lines of her body, the cut in the front, the golden chain now ten times brighter. She casts him a wondering glance, he drinks half the cup in one swallow. The minutes that follow are like a fog, and although the conversations carry on, Aemond canât bring himself to take part in any.
That is until he hears vaguely his sisterâs delighted voice. âThe stitching is barely noticeable! What an excellent work,â she marvels at the red dress, then looks at him with the spontaneity of a child. âWouldnât you agree, dear brother?â
Heâs certainly grateful heâs not drinking otherwise heâd choke. Aemond manages to cast one furtive glance. âA fine work indeed.â
His mother gently picks up the discussion. âIt was only fair to help repair the thing your friend holds so dear,â Alicentâs gaze is directed at her. âYou can now wear it on more than just one occasion.â
Why would she hold so dear the dress that only carries the memories of her pain, he wonders. The dress that was covered with blood, with fingerprints of someone who wanted her dead. He takes a peek at her, and her face expression gives away no answers but for a second too short to comprehend he sees the undercurrent again; only it never takes shape. She puts on a smile that doesnât reach her eyes, and heâs the only one to notice.
âI greatly appreciate you taking your time to help me,â she says, and Alicentâs smile â a genuine one â only grows wider. Maybe even a bit too wide for it only to be about some stitching.
âI suspect we tired you out with all the measuring and dressing up,â his mother points at her plate. âYou hardly ate, my dear.â
âItâs been a long day,â her fingers close around a cup but she doesnât drink from it, âAnd the dress brought back some memories,â her grab tightens, the only sign of everything sheâs keeping covered. âBut I am glad to get a chance to wear it one more time.â
âAnd I am happy to help,â Alicent assures, âBut please, go have some rest, you have seen enough of our boring dinners.â
âI was never bored,â thereâs a glimmer of gratitude, a tone of sincerity as she gets up from the table and looks at the faces sitting at it. For a moment, it seems that she wants to say more â grand, meaningful, closer to the truth. And yet, she just opts for a short, âThank you for having me.â
She barely has time to take a step before Aemond all but jumps to his feet. âI will walk with you,â the words leave his mouth as he stands up with unflinching determination. And itâs not that he wants to leave as much as he wants to follow her.
His eagerness doesnât come off as a surprise. No one says it but it seems that everyone knows â Alicent and Criston sharing the same looks, Helaena beaming, Aegon smirking into his cup. Aemond only waits for her reaction, his eye focused on her face. She isnât against it â just like sheâs never been before, every time he found a reason to come to her and be with her, and even when there was no reason to do so. She gives him a nod, a tad guiltily but more so accepting (and maybe just as eager as he is).
While they are on their way out, Aegon turns on his chair to say something but Helaena covers his mouth with her hand.
>>>Â Aemond breathes a little deeper and walks a little slower, gathering his words, â and before he knows it, they are talking again, his infatuation receded, although never truly gone. He asks about her day, and in the corridors and hallways curtained with silence, her voice flows lightly. He can tell that sheâs abashed by all the fussing over her.
âOur seamstresses are quite fierce,â he chuckles. âI fear no sword of mine will stand a chance against their needles.â
âThey said this dress was made for feasts,â she quotes, fiddling with the material as if she canât see whatâs there to admire.
âWell, Aegonâs name day is approaching. That will surely be a feast we are all invited to endure,â Aemond jests.
âI donât think that I will ââ she doesnât finish the sentence, biting down her lip. Heâs too distracted by that movement to pay attention to whatâs left unvoiced. âYou do not find those celebrations to your liking?â she changes the topic swiftly.
âI find them boring,â Aemond huffs. âThe same old lords boasting about their wealth, making up achievements that are each so hollow.â
âSounds like ladies arenât a part of those conversations?â
âTheirs are hardly better so you should keep your expectations low,â he ruefully remarks. âĐĄourt gossip is one thing you canât avoid. And then theyâll either lament about their husbands or try to find one for you,â he doesnât think much over his words until he sees her smile dropping. And then, before he can find a reason not to, he adds: â...Assuming you are not already married.â
As soon as she hears it, she stops â Aemond does too, and he can tell that she isnât looking for lies and excuses. She only timidly looks around, as if sheâs afraid the walls have ears, and the truth sheâs about to tell him is only meant for his. They managed to reach his chambers first, so without a single word Aemond goes to open the doors, and she accepts the nonvocal invitation.
They walk in â both are hasty and agitated, but he gives her space and scarcely hides the trembling of his hands. She finds it hard to utter a particular word. âI was... betrothed but not anymore. The man in question now believes I am dead.â
Her face is turned away from him, her gaze gliding over every object in his room, searching for something to fall on. She hesitantly walks to his table, glancing over a stack of books on it.
Aemond gives her a minute, then inquires: âWas he the one to hurt you?â
Her pain is still fresh, her face briefly splashed with it but she pushes through. Her response is not affirmative and yet, itâs enough of a confirmation. âI shouldâve known better than to trust him.â
His anger rears up its head, a beast on a chain readying to get loose. âThere is no excuse for what he did,â Aemond punctuates. âThere cannot be ââ
âThere isnât,â she cuts him off, not harshly but with a weary acceptance, her finger grazing thick book covers. âAnd Iâm the last person to ever make excuses for him. But IÂ shouldâve known.â
Aemond is hurt by the thought he gets, but her torment is even more hurtful so he says the words, each letter scorching his heart. âYou canât take the blame for having feelings. Love often makes people let their guard down.â (And for years, he never did. Not until her).
With how fast she retorts, his ache is cured: âIt wasnât love.â Whatever it was, she regrets it so deeply, itâs written all over her face. âNow that I think about it, it never was.â
Her fingers travel down to the table surface, her thoughts straying back to the time thatâs too distant but too haunting to forget.
âLord Dykk Hersy is a son of my fatherâs friend, weâve known each other ever since we were kids. He was always too noisy, then turned too self-centered, not much to like about that. And I never thought he fancied me, either. But my father made a decision about us some years back, and he wouldnât take no for an answer. So Dykk started coming more often, following me around, being very nice. And I wasnât...,â she stops fumbling with strewn parchments and lets out a sigh. âNot a lot of people were nice to me back then. I was naive to mistake his kindness for something else, and he was smart enough to say all the right words to make me believe him.â
Her fingertips reach his dagger, unscabbarded and left in plain sight. His eye is drawn to her every movement.
âWe were betrothed when I was ten-and-six. I grew to like his company, and I think he did try his best, at first. For a couple of years, he was courteous, generous enough to give in to my every whim. Not that I had too many,â sheâs glassy-eyed, and Aemondâs glare would be enough to kill. âBut the illusion didnât last for long. I soon began to notice pitiful stares, taunting whispers behind my back, maids dropping their gazes in shame. Three years in, I found out one of them was carrying his child.â
âAm I right to assume he denied it?â
âHe did,â she chuckles bitterly. âHe seemed taken aback by my anger, tried to persuade me he was falsely accused. But I could never blame the girl, itâs not her fault he was so good with words... I fell for them too,â her sadness is washed off with virulence; her fury awakened again, flames of it rising from the bowels of her restraint.
Aemond finds himself only a few feet away from her, pulled in by empathy at first, enamored somewhere in between the first and second steps.
âFrom that day, the complaints began, the excuses â he was too busy to stay for long, then got too busy to visit.â
âWas it so hard to saddle a horse?â Aemond bristles.
She casts him a glance followed by a half smile. âHe lives in The Reach.â
âSo chivalry is dead,â he snorts, and her laughter gives him a spark of joy. âIt isnât far away from here,â Aemond notes.
âTakes way longer to reach the Vale,â she explains, then pauses. Her memories eat up the merest hint of cheer. âOnly he wasnât road weary. He was burdened by me.â
Aemond almost reaches out for her, but clasps his hands together, his knuckles whitening. Her finger traces the very edge of the blade.
âAnd then, on his latest name day, my father made a poor joke,â her smile is crooked, hating. âHe said me and Dykk were meant to stay together unless death do us part. Thatâs when, I think, he got the idea.â
âIt is unworthy of a man to ever nurture such a thought,â his voice is embittered, his chest ablaze with wrath.
âI shouldâve known,â she sounds dull like an echo. âHeâs always called himself a man of traditions â the start of the month was meant for hunting, and he preferred the grounds of Grassy Vale, the shore of the Blueburn river. But then, all of a sudden, he wanted to explore the mountains of the Vale,â she wraps her hand around the hilt. âSaid he wished to reconcile, that the trip would bring us closer, made me wear a dress,â she stumbles over the words, âAnd I didnât even want to come or to see him, and all the signs were there, but I put on the stupid dress, and I was the one being so unbelievably stupid and ââ
His palm covers hers in a rush of tenderness, his gaze more telling than a poem, confessions embedded in it â so many of them, it would take all night to unravel. They stand still, their eyes locked, his affection sweeping in between his fingers and her skin.
âNone of that was your fault,â Aemond asserts. âAnd no one is to blame but him. Your fortitude is only worthy of admiration.â
Itâs alluring how unrelenting he is in his desire to please her; the shift of her body toward his is barely noticeable, and she looks a second away from giving in. Something stops her, a sign of regret on her face, her gaze averted.
âAnd yet, he continues with his life thinking he got the last laugh,â she bemoans. âAnd I fear I... will never forget the feeling of his stranglehold as long as we are both alive.â
âYou survived the unthinkable,â he tugs at her hand, caring in a way no other man ever was with her. âWhy canât it be enough?â
She ponders, hesitates, her outrage tempered by his solicitude. âI guess some lessons can only be learned the hard way,â she draws conclusion.
There it is again â the puzzling implication, a mystery wrapped in an enigma; it leaves Aemond with a sense of unease. âYou deem that lesson to be worth it?â he questions.
The truth slips away from his grasp, but her hand stays, and it is too disarming of a sensation for him to think clearly. âI am afraid itâs too soon to tell,â she deflects, her thumb pressed against the flat of the blade. She canât resist glancing briefly at it.
âYou seem to like this little thing,â Aemond observes. âIf so, you can have it.â
Her face is so bright with glee again, all the light in his room grows dim in comparison. âIâve never seen such an intricate pattern,â she clarifies shyly, then adds with appreciation: âItâs truly beautiful.â
âIt is,â heâs only looking at her.
âTeach me how to use it,â she unexpectedly asks. She looks at him again, her gaze exulting, and his heart skips a bit. âProperly.â
âAnd why would I do that?â he asks, undeniably willing.
âWhy wouldnât you?â she teases, her hand moving from his, clamping the dagger tightly.
Aemond misses the feeling â her skin against his, tighling with warmth, â and he catches her fingers in the same second. The distance between them is shortened down to a few inches; they donât seem to care.
His touches are light and feathery. âYou need to make sure your grip is strong,â he gently presses his forearm to hers, her hand positioned in his palm. âNot too tight so thereâs some room for maneuvering. But with all your fingers in place,â he gives instructions, and she eagerly follows.
The red of her dress is a striking distraction; as is the softness of its lace, of her touch, of her lips parted in wonder, her diligence bewitching. She waits, his blood rushes; Aemond gulps.
He continues. âIt is a common mistake to take a swing with a pommel up,â two of his roughened fingers latch onto her palm. âBut the backhand grip works better,â Aemond rotates her hand in the right position, a steady motion with unsteady breath; her shoulder comes in contact with his chest.
He halts all movement, she makes no attempt to step away. He wonders if she can feel... He lacks the words to describe it. But he can discern her bosom heaving with every breath, and his heartbeat is caught in his throat.
He keeps the dagger pointed down, then calmly guides it up and away, their fingers intertwined. âThis way, the point of the blade always comes first,â her eyes are on the steel, on the veins scattered on the inside of his wrist. âWhich means that the threat also comes faster,â his eye is on the curve of her neck, on the necklace gleaming, beckoning him to glance lower.
Both of them feel the pull, too spellbound to resist â she takes a half step back, he meets her halfway. Her back is now fully propped against him, every bit of his body overflushed with yearning. Their hands stay adjoined as his words vine through her hair: âYou try it.â
And so she does. The first time she repeats the movement, itâs almost reluctant, and his long tenacious fingers lead the way. He inadvertently leans in, his forearm molding into hers, a touch that edges towards embrace; her bashfulness then disappears without a trace. The metal shines coolly as she dexterously twists the blade, and Aemond should be concerned with how easy it comes to her; he is instead utterly transfixed.
She looks at him over her shoulder, his breath fanning out over her cheek, the space between them almost nonexistent. She makes a turn, torturously slow, their hands an inseparable duet, bodies longing to share heat.
âSeems like you did have some practice beforehand,â Aemond notes, voice barely above a whisper.
âOr you are a good teacher,â her eyes slip over his lips.
âAnd you are a fast learner,â he says under his breath.
This once, his gaze wanders, like a wayward traveler in search of means to satisfy his hunger; she is the one he craves. His fingers are itching for every curve of her body â sheâs burning in all the places she wishes he could touch her. The tension rises, floods their bloodstream like fever, and â
âHardly fair to leave me deal with our grandsire on my own!â Aegon bursts through the doors without knocking, a cup in his hand. âDid I ask for a lecture on table manners? I did not!â
He then sees them, already a step away from each other, and thereâs a hint of surprise in his eyes which quickly turns into suspicion. Heâs about to voice it when she blurts out: âAegon would make for a good target.â
The cup heâs holding doesnât reach his mouth. â...I beg your pardon?â
âI talked your brother into teaching me how to throw a dagger,â she lies slyly. âWould you mind stepping back to the door?â
Aegon blinks, incomprehension evident on his face for a moment, until he frowns and does move back to the door â only to open it and rush out, grumbling: âBoth of you are utterly insane.â
The second he leaves, she bursts into laughter, and the same sound, low and hearty, spills from Aemondâs lips. She glances at him â his face relaxed, cheeks adorned with dimples, and he catches her gaze. The moment is lost but their desire isnât, still swelling in both, unabated fire under the navel.
But now she tarries, her delight eclipsed by a grim understanding she chooses not to put into words. She tries giving him the dagger but Aemond gently pushes it back: âI meant it, itâs yours.â
âThank you,â she puts it into a scabbard he hands her, then murmurs, sincerely grateful: âFor listening, too.â
âI am glad to be worthy of your trust,â he replies warmly.
Thereâs a ringing urge in the back of his head to come closer to her again. But she is unanticipatedly avoidant of any intimacy, mumbling something about the late hour, moving out of his reach â and then the urge turns into a need so desperate, he canât keep it bottled up.
âI think he is the biggest fool in the Seven Kingdoms,â Aemond lets slip.
She turns to him when her hand is already on the door handle. âBecause he couldnât manage to kill a woman?â the smile she gives him is acerbic, but her gaze is sad.
âBecause he didnât love you the way you deserve,â he breathes out.
She looks astonished, her mouth falling open, and he wants nothing more than for her to say another word, just to give him a reason to spill his every feeling out. But she slumps her shoulders and purses her lips, and then pulls the handle and gets out so quickly, the door slams behind her, and the sound makes him wince.
He is left all alone, with an unsaid revelation at the base of his throat â the way I wouldâve loved you, he wanted to say. And with another heartbeat, Aemond realizes: he already does. He is already hopelessly in love with her.
>>> That realization is a ball lightning that swirls in his chest, and he cannot close the eye all night. Itâs liberating to say it to himself â love, the word that sounds and tastes so sweet; itâs also absolutely terrifying. Chaotic thoughts run through his mind, and he is racked with indecision thatâs paved with his self-doubts and fears. Amidst the chaos, Aemond finds himself reminiscing of her shining gaze â and then of a touch of her hand, of her eyes on him, of her body leaning toward and her lips not shying away from his. He couldnât have made all that up, he thinks. He also canât let fear dictate his future.
Aemond leaves the room with the first rays of the sun, while its light only shyly skims the ground, but the princeâs never been more awake. His intent is a vital force, a fuel that makes him quicken his pace. He all but runs â down the stairs, through the doors, through the castle, and out of it; her name and his proclamation on the tip of his tongueÂ
â only she isnât in the training yard.
And neither are her bow and arrows.
Anxiety scrapes his ribcage and spreads like ice, then creeps, sluggish and squeaking, into his subconscious. His gaze roves over every corner of the yard, but he canât catch the slightest hint of where to look for her.
He does break into running on his way back; the corridors and walls all flash before his eye. Her chambers greet him with her absence, the maids all share his concern. Aemond tries to look for clues â a letter, a piece of anything that once belonged to her â but she had no belongings, he remembers then.
Despair crawls out, like a predator sensing blood; Aemond isnât about to give up without a fight. He goes to question the guards â surely, she couldnât just disappear into thin air, no matter what her talents are. The men in silver-plated armor are doubtless striving to help, but only one of them recalls her visiting the yard not long before the sun emerged. That knowledge is rather scant and hardly helpful, and Aemondâs determination traitorously falters.
Help comes in the form of a stable boy passing by who gleefully chirps:
âThe lady must be a skilled hunter,â he says to no one in particular, dreamingly impressed. âNot many people stick to traditions these days.â
â...Come again?â Aemond throws him a glance so piercing, the boy stammers.
âI only m-meant that itâs a full moon,â he hurriedly explains. âThey say, on that day deer move more at night hence why the hunters favor it so much.â
Thatâs when her words resurface in his mind â
âI will do better by the next full moon.â
âLord Dykk Hersy always called himself a man of traditions.â
He thinks that for a man whoâs only lost one eye, he surely couldnât have been more blind. Because the clues heâs been so desperate to find were all before his eyes this entire time. He promptly knits together all the fragments â her tireless training, haunting memories, her asking to repair the dress. Only, the one occasion she wanted it for was not some silly dinner.
Disappointment clashes with worry in his chest as Aemond leaves the castle once more, this time with a destination in mind. He blames himself for not guessing sooner; he hopes and prays that itâs not too late.
>>>Â The grounds of Grassy Vale are robed in green, a canvas of valleys and flats with lone wooden shacks interspersing; Aemond reminds himself he didnât come for sightseeing. He gazes into fields sprawled underneath, and Vhagarâs body casts a shadow that sweeps along the earth like a water stream. With how low they are flying, it wonât be hard for any of the smallfolk to spot the dragon but Aemond canât find it in himself to care.
His gaze is searching for one person only, his longing for her immense against everything in his life thatâs been measured. But soon he sees the river, and the valleys smoothly give way to forests; Aemond admits with increasing concern that heâll have to continue on foot. Vhagar grudgingly plops into the high grass, burying her claws in the ground, the flap of her wings so strong, it brings down a couple of trees. Once their rustling is stilled, the sullen peace settles in the vale.
As if to add to his unrest, the sky gets blanketed with clouds, and he can hear the thunder humming in the distance, his heart already hammering in tact. The Gods, it seems, certainly have a penchant for drama.
The sound of the branches crackling is what catches his attention first, and he discerns heavy footsteps fast approaching. In just a second, Aemond sees a man running out of the forest, and thereâs no need to take a guess â not only does the stranger look clearly aghast, heâs also got an arrow sticking out of his shoulder.
Aemond throws him a disdainful glance but Lord Hersy is too distraught to notice. âPlease, help!â he begs and whines, âI am being chased by a mad woman!â
The prince holds back a snicker, trying not to wrinkle his nose at the sight. âOh, how unfortunate,â he drawls, and every feature of the man looks hideous to him. âA woman instilling that big of a fear? It is the rarest of things.â
Lord Hersy canât seem to share his amusement. âSheâs truly evil!â he assures with wide eyes, his legs unsteady, hand pressed to the wound, red seeping through his fingers. âShe led me into an insidious trap, and I am left completely disarmed!â
âIt sounds like it required quite a lot of planning,â Aemond notes. âMight it be that she has a reason to be cross with you?â
âI am a righteous lord, I wouldnât hurt a fly,â the man lies profusely, and a dark look crosses Aemondâs face. âMy only fault was trusting her, that scheming wenââ
With one hand movement, Aemond grabs him, his fingers holding the manâs collar so tightly, Lord Hersy has trouble breathing. âBut you are surely cross with her, it seems,â the prince remarks in a dry tone, his gaze blistering cold. Underneath the ice, thereâs a flare, a spark; he is actually enjoying this. âWould you mind, my lord, telling me more about her?â
Lord Hersy seems taken aback by the request but obeys implicitly. âSheâs n-not lacking beauty, that I will admit,â he weakly tries to free himself yet to no avail. âBut ignorant of manners and so terribly short-tempered!â
âIs it her temper you are so afraid of?â Aemond doesnât hide his mocking.
âSheâs got a dagger!â the man complains in distress. âAn angry woman armed poses a horrid threat! Gods know, Iâve done nothing to merit that mistreatment!â
He opens his mouth to accuse her some more â but then finally takes note of the frighteningly stiff look on Aemondâs face. The princeâs lips curl up into a wrathful and malignant smile, and the air gets heavy with silence.
His anger is a beast that breaks the chains with its teeth.
âHm,â Aemond shakes his head with derision. âWorry not, ser, you are in good hands,â the prince lowers his face to his, his voice spewing poison when he hisses, âIÂ was the one to give her the dagger.â
Lord Hersy does attempt to escape Aemondâs grip, heâll give him that. Pathetically and weakly he twitches and wails, tries scratching his face, then reaches for the eyepatch, wobbly fingers tugging at the stripe of leather, gasping and swearing and â
all of his efforts fall short, and Aemondâs iron grip doesnât loosen one bit.
And then, out of nowhere, another hand grabs a fistful of the lordâs hair, yanking his head back so harshly, that he gasps. They both were too distracted by the scuffle to notice her draw near, but once she reaches them â engulfed in red, her gaze equally flaming â she truly is force to reckon with. The fury looks so good on her, it makes Aemond hold his breath.
âI see your luck did finally run out,â she says to the man, words filled with resentment.
Lord Hersy grows unsure about his every accusation. âI think thereâs been a grave misunderstanding,â he protests in a whiny tone. âI deeply regret causing you any offe ââ
âI donât remember you regretting dragging me down from a horse to try and crash my skull with a rock,â her voice is low, biting. The grin that follows makes her face look sinister. âI knew you couldnât finish.â
His frown betrays his irritation â he puts it out the second he pulls out the dagger. âThere are still ways for me to make amends,â Lord Hersy pleads so sickly sweet, Aemond lets out a growl. âI made a terrible mistake, I shall admit, but I did search for you! Day and night, I prayed to the Gods to find you, I cried my eyes out!â
Her face seems empty while she listens, and Lord Hersy is enough of a fool to mistake it for reluctance. But Aemond thinks sheâs never looked more sure, and thereâs no mercy she can grant the man whose fate has long been sealed.
She tilts her head, the corners of her mouth twitch, and the prince reads this expression with ease â sheâs finally facing her most wanted target. He loosens the grip, and Lord Hersy falls to his knees, gulping air, the breath of death no longer tickling his neck; but his relief is premature.
The blade in her hand pale-glimmers in the vanishing rays of the sun â the man only catches a dreadful glint before he feels the metal pressed against his throat. Her gaze is just as sharp. âGo on then, dear lord,â she sneers without a sign of mirth, each word hastening his end, âCry me a river.â
He barely gets a breath in when she swings â unmerciful and with the backhand grip; the dagger draws a scarlet cut across his throat. The wound is deep and fatal, and the blood runs fast and thick, cascading down his chest, his body going limp and falling lifeless to the ground. The red seeps out into the grass, splashed beads of it shining dully against all the green, and itâs almost alluring to look at.
Unceasingly and invariably Aemond only looks at her.
The trees sway in the wind, and the clouds race, the sky now veiled with the darkness of the unfolding storm. Heâs never been the one to value landscapes, but it makes him think: the same lush wilderness surrounded her while she was growing up, a rose among the weeds, her thorns repellent to most but no obstacle for him. With bloodied hands, disheveled hair, dirtied clothes â sheâs still the only one he wants, irresistible as life.
She stands in reverie, her gaze boring into the huddled body of the lord: âI must admit, this is poor planning on my part.â
As if on cue, Vhagarâs roar echoes in the distance, and Aemond smirks: âI know of a way to get rid of a body.â
She hums and slightly leans over the dead man, wiping the dagger off on his coat, and Aemond sees that she ripped the dress again; he finds it funny.
âNot the best choice of clothing, I might say,â the prince notes.
She follows his gaze and doesnât even bother to adjust the damaged hem. âHe thought I came back from the dead to hunt him,â she lets out a dry laugh, âI counted on that.â
âWish I could see it,â Aemond says, a gentle admiration in his tone.
Her mask of concentration crumbles, replaced by the expression he remembers from the day before. The same astonishment mixed with timorous indecision, with a tint of shyness, washes over her face as their eyes meet.
âYou came for me,â the words fall from her mouth as if she only now becomes aware.
âWhy do you find it so surprising?â he wonders because leaving her was never an option for him.
âUnreasonable, mostly,â she bashfully remarks. âYouâve been so kind to me, and yet I left without saying goodbye.â
âYou did,â he agrees, thinking that shyness only adds to her charm.
âAnd I never told you of my plans,â she admits, even more coyly, and he just nods.
Her gaze falls, mouth unsurely half-open, as if sheâs trying to pluck the right words from the grass. He watches her, and thereâs that pull again, the flowering desire in his chest.
âI think itâs time for us to go our separate ways,â she musters out, and it knocks the air out of his lungs. Sheâs curbing her own pain, deeming it to be a relief for his. âYouâve done more than enough for me... I think your conscience should be clear.â
The wind picks up, and so does his pulse. âAnd where will you go?â Aemond asks, his voice faltering.
âI am my fatherâs only heirâ she shrugs, mostly burdened than pleased. âHe will take me back and,â she works up the courage to find his gaze again, âI wonât be a problem of yours any longer.â
The thunder is approaching, a rushing sound disrupting the peace of nature. Aemond knows he will never find peace if he lets her leave.
âSo you can go,â she offers but they both donât want it, and he instead allows himself a step to her. âIf this is what you want,â she blurts out in a shaky voice that gives away her struggle no matter how much she tries to put up a face. âIf this is what your heart desires,â she adds so quietly, she isnât sure he will hear her. But Aemond does.
Something snaps in him, and his body is an arrow shot out â he closes the distance in a heartbeat, and his lips all but crush into hers. She kisses him back with the same fervor, without a momentâs hesitation, and neither of them is timid or holding back. His hands find her waist, follow the gentle bend of it as she presses herself to him, as her mouth opens more, and his craving turns into hunger, his desire not hidden any longer, erupting right through.
Aemond grabs onto her hips, desperate to feel more, ravenous in his need, and each of his kisses is a plea for her to heed to; she does. Her fingers frantically travel up, then tangle in his hair, untieing knots of his restraint, his quivering sighs all disappearing into her mouth. There are no other sounds but their shuddering breath, their lewd touches, moans â hers or his, he canât tell.
The massive storm is brewing when they part, both breathless, their lips still brushing.
âItâs you,â his confession is hot against her mouth, âYou are the only thing I desire,â the syllables flow, pouncing like a waterfall, âHe was undeserving of you, foolish, pathetic excuse of a man, and if only Iââ
His words die down at the feeling â her fingers dancing right above his cheek. The one thatâs scarred, unloved, detested by him; the gruesome sight that was supposed to be covered by the eyepatch. He mustâve missed the moment when he lost it, too wrapped up in his anger to notice the despicable lord succeed in his attempts. Aemond canât find it in himself to ask for confirmation, to even move his hand to cover half his face.
She never looks away. And then, in the gloomy evening, she smiles â the sun rises again, a crack of dawn formed by every feature of her face. Her fingertips tenderly graze his scar.
âYou asked me once if I thought it was worth it,â she recalls, her gaze affectionate, without a shadow of a doubt. âIt was. Because I would do it all again if I knew the fate was leading me to you.â
The warmth of her touch heats him up, then ignites every part of him. Sheâs still caressing the side of his face when he reaches for her â his kiss so searing, her hand trembles, while his confidently moves to the hollow of her throat; this time, the sound of pleasure is undoubtedly hers. With his eye closed, his mouth on hers, Aemond sees the vision, bright as day: him going through the layers, lace and red, until she is all bare in his sheets, and he can put his lips to every inch of her skin. And feel her, drink her, worship her, their limbs intertwined, him drawing moans from her until the night sky lets in the first streaks of light.
He has to take a labored breath to blink the dream away, to hold his ardor back for just a little longer. By the look on her face, sheâll welcome his every offering.
âIt seems that all those years Iâve been searching in all the wrong places for you,â Aemond whispers, holding her tight in his embrace.
âBut you found me,â she follows the contour of his jaw with her finger, her smile never fading. âAnd you can have me,â she makes a vow, and her lips trail for his to seal the promise.
And no storm can compare to the love for her that rages deep in his heart.
⧠if you are into stories about revenge (enemies to lovers, with angst, fighting, and quite a bit of fire involved), I have a multi-chapter fic for you ⧠two more stories inspired by songs (modern!au): with Aemond & with Aegon ⧠my masterlist tagging @amiraisgoingthruit who was kind enough to ask (girlie, Iâm sorry this one is so enormousâŚ) also big thank you to arcielee for approving the gif it was driving me insane đ
English is not my first language, so feel free to message me if you spot any major mistakes. reblogs and comments are very much appreciated!
#aemond targaryen#it took me 3 (THREE) months to find inspiration to finish the gif and I can't say I'm 100% happy so I will take NO criticism#to the ten people who will read this â I am forever grateful (I'm sending you cups of cacao as a treat)#my stuff#aemond targaryen fanfiction#hotd fanfiction#aemond x y/n#aemond targaryen x y/n#aemond targaryen fanfics#aemond targaryen fic#aemond one eye#aemond one eye x y/n#hotd fic#house of the dragon fanfics#hotd fanfic#aemond x reader#aemond x you#aemond#aemond the kinslayer
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will someone point out to jack that he too was going to get the ring for boss by marrying rosĂŠ? and he only didn't because of romantic qualms and not moral ones?
#jack and joker#jack and joker the series#jack & joker#jack & joker the series#these are the questions i ask myself to avoid insanity#because if i focus on how we're back to step one with jack hating joke and joke hating himself i am gonna lose it#and because if i think about toi ting i will actually join her and jennie's character off a balcony#if the three little pigs don't have joke's back in this whole ring business and vocally tell jack off i will be even madder#jack baby i love you and i get it really but focus on getting the real asshole killed#preferably by aran's hand#(after going through the tag and seeing how many people are mad at jack i feel like it's important that i say that he is still my babygirl)#(in this house we love complicated charachters and their fuck ups and their complicated reactions)
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wah
#fe3h#lysithea#cyril#Fire Emblem Three Houses#im back at it AGAIN - will there be more fan art? idk maybe.#whats better than drawing 2 people sitting together being cute? nothing
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#marianne#hilda#fire emblem#three houses#meme#pushing my transbian marianne hcs on people's feed like
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