#and then season 3 happens and the entire facade Shatters like glass
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i know tim being patient zero for the operator is kind of super obvious but then sometimes i remember the entry where the operator shows up during alex's 5th birthday party or whatever and i bang on the walls like WHAT DOES IT MEANNNN WHY DID THEY ADD THAT
I LOVE that entry because I have my own little interpretation of that one :3 I think I’ve probably posted about it before but I like to talk SO
To me, that was definitely a video that TTA edited, not a video he found. Brian has been the one hammering in the “It’s all Alex’s fault” from the very beginning, but because he very rarely just outright Says things, the point of this video was to present that thesis statement, and not necessarily to provide proof/evidence of it.
Like, in every video the Operator actually appears in, it is a tangible, physical presence in the scene. Other characters can see and react to it, and it takes up space and is beholden to whatever lighting happens to be in the scene. Except for this video, when it appears as a presence only after the lights have gone out, in a space of the frame that is already occupied by people:
It’s not at the right height or distance in the frame to be actually present in the room, and the quality of the image doesn’t match the absence of light in the shot. Also none of the characters in the scene react to it, even though most people can see in the dark better than a camera can. So, to me, the Operator isn’t actually present with Alex at the party, it was edited in by Brian, specifically, to communicate his idea that Alex is the one to blame for everything that went wrong.
Brian doesn’t find out that Tim was the one with a tangible history with the Operator before the college years until around Entry #59/60. So at this point, it makes the most sense to him that Alex was the one who brought the Operator into the group to begin with. This video is the first time he actually presents that idea instead of just alluding to the idea that Alex was keeping secrets and hiding things. It’s basically just the nonverbal version of “DECAY” where Brian says “You caused this”, lol
(Your mileage on this interpretation may vary, of course, given that this birthday footage was donated to Marble Hornets, not shot by Troy and the gang, so if they wanted the Operator to be in the scene they would have had to edit it in no matter what. But I think they’re good enough editors that I think they could have framed it more consistently in the shot if they wanted it to seem like it was actually in the scene. So, to me, the fact that it does look so blatantly edited — especially since the staticky and stark black/white style is a very core totheark aesthetic — is a way to imply that it was a character editing the footage, and not anyone behind the scenes)
#marble hornets#mh lb#like i think there’s Just enough space behind the kid’s head that you could put the Operator there#and actually make it look like he’s lurking there in the back#even if you still had to screw around with the editing to make it ‘visible’ in the low light#and they also could have fucked with the audio a little more to have someone yelp or say something about actually seeing it in the room#the fact that they didn���t just makes it feel like the regular totheark style editing to me#so i very much believe that was the point#and Alex really didn’t have any encounters with the Operator until he was in college#Brian is sooooo fascinating bc he loves to present himself as Guy With All The Facts Who Knows Everything f#and then season 3 happens and the entire facade Shatters like glass#that’s why he’s so pissed off at Tim the latter half of that season. also TO ME why he follows through on attacking Alex less#(eg Entry 67 when Brian has ample opportunity to beat / SHOOT alex to death with a gun and just. doesn’t)#because the medical records he found completely broke the foundation of his conviction that it was ALL Alex’s fault#and now he has to reconcile the fact that he doesn’t actually know much more than anyone else does
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August was a blur, wasn't it? I blinked and it was over. Somehow I managed to actually get a few books read while it all rushed by. Here are the books that I read this month:
Empire of Storms (Throne of Glass #5)
by Sarah J. Maas
704 Pages (25:23 Hours)
The long path to the throne has only just begun for Aelin Galathynius. Loyalties have been broken and bought, friends have been lost and gained, and those who possess magic find themselves at odds with those don't.
As the kingdoms of Erilea fracture around her, enemies must become allies if Aelin is to keep those she loves from falling to the dark forces poised to claim her world. With war looming on all horizons, the only chance for salvation lies in a desperate quest that may mark the end of everything Aelin holds dear.
Aelin's journey from assassin to queen has entranced millions across the globe, and this fifth installment will leave fans breathless. Will Aelin succeed in keeping her world from splintering, or will it all come crashing down?
I went into this book thinking that it was the last one in the series. Boy was I surprised when it left off on a bit of a cliff hanger. I then discovered that there will be at least 2 more books in this series with the next one coming out in a few more days! Woohoo! I really like this series and I want to know what's going to happen next.
The Black Prism (Lightbringer #1)
by Brent Weeks
661 Pages
Guile is the Prism, the most powerful man in the world. He is high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. Yet Prisms never last, and Guile knows exactly how long he has left to live.
When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart.
This was my RBA book of the month and I really enjoyed it. It was really refreshing to have a cast made up almost entirely of POC characters. I wish more writers would do this. I also really enjoy the style of magic, which is based on colours. I think colour magic might be my favorite type of magic (other than baking magic, of course). I really enjoyed the characters and the plots of this book and I'm looking forward to reading the rest of the series.
The Handmaid's Tale
by Margaret Atwood
331 Pages (11:00 Hours)
The Handmaid's Tale is not only a radical and brilliant departure for Margaret Atwood, it is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States, now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men of its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment's calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and tour de force. It is Margaret Atwood at her best.
Everyone is abuzz with The Handmaid's Tale TV series, and I'll admit I was intrigued by all the talk. I don't have cable, so I can't watch the show, so I decided to listen to it instead. That and I like to have the book under my belt before seeing a recreation of it.
The story, although simplistic on the surface, has a deep undercurrent as you delve into what happened through Ofglen's memories. Even though this was written in the '80s, it still feels very current, as if this could happen at any time. Sometimes the best dystopian novels are the simplest ones. I'll let you know if the book was better.
Thistle & Thorne
by Ann Aguirre
103 Pages (3:08 Hours)
After a catastrophic spill turns the country into a vast chemical wasteland, those who could afford it retreated to fortresses - self-contained communities run by powerful corporations. But for Mari Thistle, life on the outside - in the Red Zone - is a constant struggle. To protect her family, Mari teams up with the mysterious Thorne Goodman. Together, they'll face an evil plot in both the underworld of the Red Zone and the society inside the fortresses that could destroy those on the outside...for good.
Speaking of dystopian novels, this story falls more into the fantastical side of it. It wasn't chilling or thought provoking like The Handmaid's Tale was, but it was a hell of a lot of fun. Ann Aguirre never dissapoints and I always enjoy picking up her stories. In 3 hours, she can still give you in-depth characters to love and a underdog fight to cheer for.
Gather the Daughters
by Jennie Melamed
341 Pages (10:09 Hours)
NEVER LET ME GO meets THE GIVER in this haunting debut about a cult on an isolated island, where nothing is as it seems.Years ago, just before the country was incinerated to wasteland, ten men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.GATHER THE DAUGHTERS is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.
I guess I really wanted dystopian audiobooks this month. This book straddles the line between not real and too real. It was thoroughly disturbing while also being whimsical and innocent, which I think might make it more disturbing. The terrible things that happen are never spoken aloud or even put into words, so it took me a little while to understand what they were referring to. There were many parts that made me want to cry or to stop listening, but the story of these girls begs to be listened to and acknowledged.
Blood's Pride (Shattered Kingdoms #1)
by Evie Manieri
435 Pages
Evie Manieri's Blood's Pride is the first book of The Shattered Kingdoms, an engaging, action-packed, and "highly imaginative" (Kirkus Reviews) series of fantasy novels with epic scope and "the perfect mix of romance, family ties, betrayals, and agonizing dilemmas" (RT Book Reviews).
Rising from their sea-torn ships like vengeful, pale phantoms, the Norlanders laid waste to the Shadar under cover of darkness. They forced the once-peaceful fisher folk into slavery and forged an alliance with their former trading partners, the desert-dwelling Nomas tribe, cutting off any hope of salvation.
Now, two decades after the invasion, a rebellion gathers strength in the dark corridors of the city. A small faction of Shadari have hired the Mongrel, an infamous mercenary, to aid their fledgling uprising—but with her own shadowy ties to the region, she is a frighteningly volatile ally. Has she really come to lead a revolution, or for a more sinister purpose all her own?
I really wanted this book to be good. I mean, just look at that cover! It's not often that you see a badassed chick covered in that many scars. I wanted to know her story.... I still want to know her story.... This book had so many plots that it was hard to get into any of them. I feel like this one book could've been stretched into at least 3 books and I would've read them all. There was major character development, but you knew so little about the characters that it didn't really make any difference to how I felt about them. In fact, I didn't care about any of them at all. Too bad. It makes me not want to read any more of the series.
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