#and then not show me all of them giving him their number???

[no-144444]

farm girl- o.piastri

summary: what's a better way to a guys attention than shouting at him for being too slow?

pairing: oscar piastri x fem! clarkson farm, farm-hand!! reader

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅

You weren’t the biggest fan of Jeremy’s reality show, but you enjoyed working the farm, so, as per your agreement, you wouldn’t be featured in episodes as much as possible. You were so far removed in fact, that you didn’t even know that someone else was driving the tractor when you shouted for them to ‘stop being shit’ at driving it. 

“Y/n!” Jeremy shouted. “Stop being rude!���

“What?” you scoffed. “I swear to god, if Finn doesn’t fucking speed up I’m going to-” you started, but stopped yourself when you saw none other than Oscar fucking Piastri in the driver’s seat with an embarrassed and guilty smile on his face. “Sorry,” you offered, internally cursing yourself. “Continue on!” you announced before turning back and continuing on with more of your duties. 

Oscar looked after you as you walked, an amused smile on his face. “Who’s that?”

“Y/n, one of our farmers,” Jeremy explained, a chuckle on his lips. “She’s… fiery.”

“She’s damn good at her job!” someone from off-camera chimed in, making everyone chuckle. 

୨ৎ⋅୨ৎ⋅

As his day went on, he caught glimpses of you. You were tending to animals, or showing someone around, or just generally being beautiful and mysterious. He was desperate to know more. He asked a million questions about you, and he was sure everyone was aware of his not-so-secret crush on you.

“You should ask her out, she likes F1,” Jeremy advised as they sat down to lunch. “You’re one of her favourite drivers.”

He still got surprised when people knew him, forgetting sometimes that he is, in fact, a public figure. “Yeah?”

Jeremy laughed. “Yeah,”  he scoffed. “Kids these days…”

୨ৎ⋅୨ৎ⋅

When his day of hard labour came to an end, he made it his plan to seek you out, humoring Jeremy’s theory. 

“Hi,” he smiled, standing just behind you. 

You startled, jumping up from whatever it was that you were doing and cursed. “Fucking hell! Announce yourself!” You let it slip before you could really stop yourself, but you didn’t feel all that bad, he should have announced himself. 

He laughed. “What did you think I was trying to do?!”

“Scare the shit out of me?” you scoffed. “I don’t know.”

“I’m Oscar,” he held out his hand to be shaken. “Nice to meet you.”

You took his hand,shaking it quickly. “Y/n. Sorry about the whole…  tractor thing.”

“Nothing but a bruised ego,” he chuckled. “So what do you do around here?”

You shrugged. “A bit of everything, I guess.”

He nodded, and you both stood in silence for a minute. 

“Did you need something?” you questioned. “-Not to be rude, or anything, I just… I've got to get back to the rest of my stuff so… yeah.”

He smiled, enjoying the fact that you were as awkward as him. “Can I get your number?”

You stared at him for a second, then you broke out into one of the most beautiful smiles he’d ever seen. “Why?”

He stepped closer to you. “I think you’re really pretty,” he explained. “And I want to get to know you more.” 

You nodded. “Give me your phone.”

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅

navigation for my blog :) (masterlist)

[ghostgirl-22]

Hi! <3 You’re like my favorite writer for Artrick! I swear you characterize them perfectlyyy

I keep thinking about the idea of Art and Patrick going on a date when he’s at Stanford. Like obviously Art wouldn’t admit it’s a date, but I imagine it’s after Art reluctantly admits that he wants to hang with Patrick alone when he comes to visit and that he’s a bit jealous of Tashi. So they basically have an unofficial date night. How do you think this would go, and how would Art go about initiating something physical between them because he’s obviously not gay right?

Okay but you’re actually such an amazingly talented writer and I love your stuff so much! Thanks so much for this request I honestly don’t think I did this ask justice and I’m sorry it was so long but I hope this attempt brings you some amusement <3

CW: 18+ !NSFW! 3.8kish words

—-

It’s not that Art is jealous. He’s not jealous. He’s not. But up until now Patrick’s always called him and stopped by on his little trips to Stanford. It’s not like he expects Patrick to stay long, he knows he’s not the main event… but he at least expects him to come by.

So when Patrick shows up at his door three days later, asking if he can stay in Art’s room, Art tries his best not to express his irritation that he hasn’t once come by his room till now. And it really stings because Art knows the only reason he’s here now is because of the limit on how many days he can consecutively “visit” her dorm.

“You’re saving me man,” Patrick says, patting his arm as he drops his duffle on Art’s designated chair full of stuff.

Art shrugs. “Yeah well. Happy to be an afterthought.” He mumbles.

Patrick raises his eyebrows and then gives him a crooked smile. “You are never an afterthought.”

“It’s fine,” Art says, already embarrassed that he brought it up. “You’re dating Tashi Duncan. It’s totally understandable dude.” He tries to sound nonchalant, hopeful that it’s how he comes across. He feels like he spends so much time these days swallowing down on feelings. Feelings he can’t name, feelings he doesn’t even really understand. None of them jealousy. He’s really not jealous.

He does often wonder what they do alone. He thinks about what they do in bed since the most he really knows is that they’re fucking. He knows Patrick calls her all the time because he doesn’t really call Art that much anymore. They used to sit on the phone for hours, barely talking or talking too much, sometimes till late in the night. The same way they did when they were sharing a room in high school. But gradually it became, Patrick leaving the call earlier and earlier. To Patrick not really calling that often at all.

“You know, you can help me with something actually,” Patrick says, flopping onto Arts bed.

“What?”

“I’m taking her on a date tonight, we’re going to get dinner and see a movie.”

“Oh,” Art says. “What movie?”

“The new Saw movie. What number are they on now? 11?” Patrick laughs.

“Oh I didn’t know she’d like something like that,” Art says carefully.

”Yeah well, she saw the first one and she said liked it. She never got around to the others. I asked her if she’d be scared to see it but she said even if she was… she wouldn’t mind being scared if I was there. Isn’t that kinda… hot?”

Art shrugs again, swallowing it down.

”Sorry, is this hard to hear?” Patrick asks, patting his cheek.

“Fuck off,” Art mutters. “I’m just… I’m thinking about my game on Sunday. I’m not really worried about your relationship actually.” He lies.

“Good cause I was just gonna ask for your advice on what to wear. She tends to dress up for this kinda thing and I don’t want her to be annoyed if I show up in shorts and a t-shirt again.”

“You want me to help you pick out an outfit?”

“Yeah… you’re always put together,” Patrick says.

“All your clothes are tailored. Just pick something.” Art says, dryly.

“Okay but I want to wear something comfortable. Not something that makes me look like I’m about to donate a hefty sum at some stuffy fundraiser.”

Art sighs, “fine what’d you bring? Lay it out.”

Patrick empties his duffle on the bed, everything he has that isn’t training gear, playing gear and t-shirts is all wrinkled but Art has an iron. He helps Patrick pick something out. He’s still irritated, but he thinks he covers it well.

He’s actually stunned by how happy it makes him when Tashi calls and says she has to cancel. She does kids tennis lessons for extra spending money and a client wanted her help to prep for a game in the early morning.

Patrick’s talking to her, his tone understanding making her feel better about canceling last minute and promising to see the movie another time. He’s such a good boyfriend. It’s so weird that he’s not fucked it up by now. Art can’t remember Patrick ever dating anyone this long before.

Art’s sitting on his bed, back up against the wall, kicking his feet over the edge, listening to him.

“Sorry man, you’re stuck with me all night,” Patrick says after he hangs up. He knees the bed and sinks into it, settling down and leaning close to Art, he picks up his half ironed slacks and frowns.

“Mm… why don’t we go out?” Art suggests.

Patrick laughs and so does Art, feeling himself beginning to flush.

“Or… I mean… we could just hang out. Watch Hell’s Kitchen or something,” Art says quickly. He looks up when Patrick doesn't reply and Patrick is staring at him, a peculiar look on his face.

“Fuck it, let’s go out.” Patrick smirks. “You can be my date.”

“Yeah? Why not?” Art smiles. “I mean who says two friends can’t go out for dinner and a movie.”

Patrick laughs a bit, his expression flitting quickly between amusement and something Art can’t recognize. “Mm right. Platonic date night. Here we come. You have something nice right?”

”Yeah,” Art says. “I can wear that one shirt I wore to the awards dinner last year.”

“Oh yeah, you look so hot in blue, wear that,” Patrick teases.

“Shut up,” Art smirks, ignoring the weird feeling that blossoms in his chest after Patrick calls him hot.

They get dressed. Patrick’s clothes fit him so well. He’s in an outfit that might read as casual (fitted t-shirt, slacks, and a blazer) if not for the simple elegance of it all being quietly wealthy.

He’s also got a great body and anything fitted on him is going to bring that out. Art doesn’t think about his body often or anything like that, it’s just something he notices. The sky is blue, water is wet and Patrick Zweig has a great body. It just is.

They go to the movies first. “I prefer that when I go out on a date, so we have something to talk about over dinner or drinks,” Patrick explains as he drives them over to the theater in his jeep. “You know in case the date is boring. Not that that’s ever the case with Tashi. Actually, you know what’s crazy? I feel like she’s as easy for me to talk to as you are.”

“Hm,” Art says, swallowing down on something bitter in his throat. “Well I think you should try to find a balance. Talk to other people. You don’t want to scare her away by only ever talking to her.”

“Oh is that what you think?” Patrick says, smirking. “I don’t only talk to her actually. I’ve just got a lot of pressure on me. The only time I get a chance to rest I’m so exhausted— I got one phone call in me and so you know…”

“Oh,” Art says. “Well yeah I guess that makes sense.”

“Are you seeing anyone?” Patrick asks.

“Mm, I mean… I think I might be interested in this girl on the team. She’s really good.” Art lies. He’s not really interested in anyone and he’s probably wasting his time, thinking more about Patrick and Tashi than he spends thinking about his own social life. He wants her so bad unfortunately every other girl he meets just pales in comparison.

—-

They’re actually on the 4th Saw movie, and it’s as stupid as Art might have expected. They laugh about it over dinner at Applebees. Patrick’s got this pretty realistic looking fake id so he orders a drink and they split it when the waitress isn’t looking. Not that she cares, she’s also a Stanford student. She’s been to a few tennis games to watch Tashi play but she knows Art is the number one singles player on the men’s team.

“You’re really good,” she smiles at him and he can feel his skin flushing as Patrick grins at him from across the table.

”Thanks uh— but Patrick actually plays professionally.” Art says.

“That’s so cool,” she says, she smiles at Patrick and then looks back at Art. “I would love to learn to just hit the ball over the net.” She laughs.

”He can teach you that easy,” Patrick says. Art kicks him under the table and he just grins wider.

“Can you really?” The waitress asks, flipping her pretty blonde hair over her shoulder.

“Yeah I mean… whenever,” Art says, awkwardly.

“Cool, I’ll be back. You guys want anything else?”

Patrick gives Art a meaningful look and then orders a second drink.

“When were you gonna tell me you got number one singles?” Patrick asks, watching her as she walks away.

“I figured Tashi told you,” Art says.

“Yeah but you should have told me,” Patrick says. “She’s hot right?” He adds, gesturing back towards the waitress.

“I mean… I can tell her you think she’s hot,” Art says. “I don’t think she believes you’re actually dating Tashi anyway.”

Patrick laughs, “God you’re such a dick. I meant for you. That would be a fun night.”

“I guess,” Art says, rubbing his palms on his lap. It’s all he has to say for Patrick to keep teasing him throughout the rest of the night, getting her to come back over and flirt with Art. He orders more and more drinks which she happily brings over.

In spite of the teasing, it’s actually really fun. Of course Art has been to movies with Patrick before, even gone out to dinner with him and their friends or family before, but this feels different. Art can’t figure out why… maybe because he gets to be in Tashi’s place. Maybe because it feels like old times.

They probably spend two and half hours in Applebees talking about the movie, high school, tennis, their parents, video games, girls and anything else that pops into their heads. They only leave because its 12 am and the restaurant’s closing. By then they’ve split a total of six cocktails and Art is feeling so tipsy.

“How much is it?” He asks when the waitress brings the bill.

“I’ll take care of it,” Patrick says.

“Dude it’s okay we can split,” Art says.

“No relax, it’s our platonic date night, right?” Patrick pulls out his credit card. “I can give you this though.”

He hands Art the non singable copy of the receipt and on the bottom the waitress left a note: For whenever you decide to teach me how to serve, Jenny. Followed by her phone number and a heart.

“She drew a heart and everything,” Patrick teases.

”It’s for you,” Art says, shyly.

“It’s so clearly for you, Stanford boy,” Patrick smirks.

“We probably have to take a cab home,” Art hiccups. Changing the subject. He does slip the receipt into his jeans pocket though.

“Oh yeah,” Patrick says. “You’re so responsible by the way. I love that about you.”

Art snorts a laugh and Patrick starts laughing too. Patrick leaves a big tip and they call a cab. Art promises to come back with him to pick up his jeep in the morning and they share a cigarette while waiting for the cab. When it arrives they hop in the backseat for the 25 minute ride back to campus.

Art’s feeling sleepy, the combination of food, alcohol and a long car ride is lethal for him. He closes his eyes, head slipping to settle on Patrick’s shoulder. Distantly, he feels Patrick rest a hand on his thigh and he opens his eyes, suddenly wide awake. It should be a nothing feeling but Art goes rigid, he feels it all up and down his spine and even worse, his cock starts to wake up.

“Did you have fun?” Patrick asks, quietly.

“Yeah,” Art says, he stares at the meter on the cab. He feels so dizzy and confused as Patrick’s fingers play a light pitter patter along his thigh.

“I’m sorry I’m not… free all the time. Like in high school, you know?” His voice is soft, Art can almost feel the vibration of it from where he’s leaning. He can feel Patrick’s breath on his cheek. It makes no sense the way his body is reacting. Maybe he’s drunker than he thought.

“Uh,” Art sits up. “Don’t worry about it. We’re both um— busy.”

“I know,” Patrick says, he’s still playing the pattern on Art’s thigh. “But I feel like I’ve been neglecting you.”

Art feels anxious, he looks up front, he can see the driver glancing back at them in the rear view. “Look… obviously your girlfriend comes first. We can do bro stuff whenever…” Art says as he gently eases Patrick’s hand off his thigh even though it feels nice. His heart is racing like he’s running some kind of marathon he doesn’t know why but it’s probably just the drinks. All the alcohol making his head all fuzzy.

“Yeah,” Patrick sighs. “Bro stuff.” He rests his head against the back of the seat and they’re mostly quiet for the rest of the ride. Arts mind is racing. All he can think about is how close they are but how much it feels like something is slipping away.

The halls are mostly empty as they get back to the dorm. There’s a few students still up. A couple talking softly to each other. One girl on the floor with her headphones plugged in watching something on her laptop. Some guy exits his room, talking on his cellphone as he breezes past them.

“You think I can sneak back to her room or no?” Patrick asks, one arm resting on the door frame as Art leans in to unlock his room.

Art feels his heart still beating oddly fast, probably because Patrick is right behind him. He’s never been able to manage personal space as long as they’ve been friends but right now Art is just so… aware of him. “You can stay here. It’s just one night. I’ll even let you have the bed all to yourself.” Art says.

“It’d be two nights. I leave on Sunday.”

“Okay, two nights then,” Art pushes open the door, breaking the closeness. It feels like a temporary bit of relief.

Patrick follows him in and slips off his shoes. “That’s the one thing I hate about dressing up. Fucking boat shoes.”

Art smiles. “I’m really drunk I think.” He says, kicking off his own shoes.

“Yeah?” Patrick smirks.

“Yeah, I don’t know how I’m gonna make it to practice tomorrow.”

“Isn’t it in the afternoon?” Patrick pulls off his jacket and then his t-shirt. He digs through his duffle for something to put on.

“Yeah but still.” Art realizes then he’s been watching Patrick undress, like he hasn’t seen him butt naked before. He shakes his head and goes to change into his own night clothes.

“Don’t be mad,” Patrick says as Art gets his jeans off.

“What?”

“I think I need a session, maybe I found that waitress hotter than I realized,” he’s in his boxers holding himself. His eyes fall over Art’s body.

Art looks down and swallows. He’s seen Patrick erect before… even touched it… But they were a lot younger last time. They’d actually grown out of doing it in front of each other a long time ago.

But ever since Patrick brought it up that night… ever since they kissed… Art’s mind would occasionally wander to what it might be like to see it again. And now there it was… just… right in front of him. Patrick holding it idly like it’s not ridiculous to be carrying all of that around. Art’s fingers twitch, his mouth is suddenly too wet and he swallows again. The worst part… he’s getting hard.

Patrick sighs. “I’ll go in the bathroom.”

“Um…” Art can hear his heartbeat in his ears, he sits on his bed just because his knees are shaky. “I thought… I think she’s hot too.”

Patrick is still for a moment watching him, before he smiles and approaches Art. “Right? I think it was the skirt. I mean those fucking legs.”

Art nods. He reaches for Patrick. His head is all fuzzy, his ears are ringing and Patrick straddles him on the bed. Art touches it through his boxers. It’s heavy and really, really full.

Patrick eases his fingers into Art’s hair. “And she’s blonde….I think I like blondes more than I should.”

Art grips him properly. It’s not just lengthy, it’s thick. The only thing he can think about is what it might feel like in— in— just in.

He rubs it up and down, like it’s his own. He’s never done anything like this before so he’s shocked when Patrick reacts, “Fuck,” he gasps, this quiet sound that makes Art shiver. Art grabs at the front of his boxers and eases them down, revealing a shock of dark hair and Patrick’s cock as it bobs forward. Circumcised, all pink, and all so real. So much bigger than the last time Art saw it like this.

He leans over and licks at the shaft.

“Whoa,” Patrick breathes and then he chuckles.

“I uh—‘m sorry,” Art looks up at him, anxious that maybe this is too much, too far. That he did something wrong.

“God Art. You’re so fucking…” Patrick breathes and settles down on Art’s lap. He takes Art’s face in his hands and kisses him. Art breathes in as their lips touch. It almost feels the way it felt that night. Something warm, almost on fire. Their chemistry overwhelming.

God, is he into this? Is he into Patrick? He thought it was all because of Tashi but this still feels good even when she’s not watching. And right now Art knows he wants to feel more of Patrick’s tongue. He wants to lick his cock again. His mouth hasn’t really stopped feeling wet, but the kiss feels good in spite of it…maybe because of it. He finds himself exploring every inch of Patrick’s mouth. His heart is still racing. He knows Patrick can feel how hard he is. The way he feels Patrick poking against his stomach. He grips it and gets excited when Patrick hums a pretty little moan.

Patrick eases them out of the kiss and looks at Art, fingers tangled in his hair. His cheeks are all flushed and rosey. His freckles are so vivid up close. He’s actually incredible. “You want to taste it again?” He asks, brushing up against Art’s lips.

“Mmhm,” Art nods.

Patrick takes a deep breath and he actually stands up in front of Art, so his cock is just right in front of Arts face. Art stares at him and nibbles on his thumb. Patrick’s got freckles on his tummy, just a couple spattered here and there. Art wants to lick those too.

He sits up and grips Patrick’s cock again. It feels so warm he must run at a thousand degrees. Art licks at him. He can see the way Patrick’s muscles tense. Hear his little breaths. Art starts licking more. Up and down, all over the length of him. He likes how it feels along his tongue. The heat of it, how soft and solid it is at the same time. He likes the taste and the smell, salty and heady. He sees the pearls leaking from the tip and tastes that. He really likes how it tastes so he sucks on the tip a little more. And it’s all punctuated by the way its affecting Patrick.

“Mm, fuck sweetheart, I know you want to explore but this feels insane.” Patrick breathes. “You’re gonna mess around and make me shove it in your mouth.”

Art feels warm at the way he says sweetheart. And the thought that Patrick might lose control over him.

He opens up and takes in more.

“Fuuckk,” Patrick sighs like he’s sinking into a warm bath. Art closes his eyes and runs his tongue over the length. He’s almost sure he can taste Patrick’s heart beating through it. It feels incredible and Patrick starts moaning for him which makes Art begin to lose himself in it. It’s too big to get it all inside at once but he tries to take a little more. His mouth is so wet that when he pulls back spit drips onto his thighs. He licks and then takes it in again, more this time.

“Oh shit,” Patrick gasps. He starts moving his hips like he can’t control himself and Art needs to grab on to keep him from shoving it too deep. But he likes the sliding feeling as it moves back and forth over his tongue. His own cock is aching. He feels like he might start pushing up against the air too. It’s so hot how he’s the one doing this to Patrick. It’s all him. His mouth. His tongue.

“Can you look at me?” Patrick gasps.

Art hums and looks up as it’s sliding out of his mouth, he takes a small breath before taking it back in again but his mouth starts filling immediately. Art feels it hot and thick slipping down his throat and he starts coughing. Which makes it start spilling everywhere, dripping off his lips and Patrick’s still coming so Art licks around the tip to try and taste it.

“No… wait, fuck, fuck… that’s too sensitive just… relax,” Patrick gasps, breathlessly. He pulls his shorts back up and stumbles to sit on the bed next to him. He rubs his thumb over Art’s messy lips, Art licks at it and Patrick smiles letting him suck it for a minute before pulling it away and sucking it into own mouth. “Come here.” He rubs his thighs.

Art stares at him for a minute and then moves to straddle him. “Sit,” Patrick says, softly.

Art settles on his lap.

“Have you ever done that before?” Patrick asks, rubbing him over his boxers.

“No, is it okay?” Art asks, his voice a little hoarse.

“So fucking okay,” Patrick says and he starts kissing him immediately. It feels so satisfying, rubbing his tongue along Patricks after having a mouth full of him. He feels Patrick’s fingers ease into his boxers, gripping his cock where Patrick starts jerking him off properly. That combined with the stimulation from the kissing makes Art finish embarrassingly quickly all over Patrick’s fingers and in his shorts.

“Mm I need another cigarette,” Patrick laughs, licking his fingers and gazing at Art.

Art swallows hard, mildly panicked now that he’s back in his right mind. He climbs off of Patrick’s lap.

“What?” Patrick asks. ”And don’t say sorry.”

Art bites his tongue and takes a deep breath. “I think I drank too much.”

Patrick grins. “I don’t know. You kinda spilled some of it,” he gestures to Art’s lap, a bit of pearly liquid settled there.

“That’s not funny,” Art says, biting down on a smile.

“Oh it’s really funny.” Patrick says, getting to his feet.

“Where are you going?” Art asks. Strangely enough he just kinda wants to be near him.

“I’m gonna wash my hands,” he says. “And clean up a bit.”

Art bites his lip.

“You want to come?”

Art nods and gets to his feet. “I’ll just brush my teeth and um… change my…” he gestures vauguely.

Patrick smirks and beckons for Art to lead the way. “So,” Patrick says. “Where do you wanna go tomorrow night?”

[luvismenu]

09 — miss your touch ✎ ,, index

nsfw warnings: kissing.

note: she's not pregnant you guys dw 😭

wc: 3.4k

a week.

it's been a week since you've seen jungkook.

there were a few texts from him, asking if you were okay, but nothing beyond that. you answered with short replies; a yes or a no. sometimes, you asked how he was, and he'd say he's okay. but there’s a clear shift now, an invisible line drawn between you two.

a line you’d already crossed once but now seem to be retreating behind. back to where you started; strangers who just happened to share something.

you might’ve overreacted.

the thought stings, but yeah, maybe you did. he wasn’t even that late. you believe him when he said he had to deal with something. that something being a female, it’s not like he hid it. still, for reasons you can’t explain, just thinking about it makes you roll your eyes.

but he came straight to you after that.

and you know jungkook doesn’t lie. at least, that’s what you’ve learned about him in these two months.

two months.

it’s been two months, and yet here you are, acting as if he’s yours.

he isn’t.

and that’s good. you don’t want a relationship. you never did. relationships are nothing but unnecessary stress or drama. or at least, that’s what you keep telling yourself.

you can’t let jungkook fall into the “relationship” category. but calling him your casual fuck buddy feels off, because you’re both closer than that now. thinking of him as just a friend, though... that feels wrong. unnatural, even.

it’s so complicated.

it shouldn’t be. but it is.

sometimes, it feels like he doesn’t care. you wish he’d show more emotions, something more than his usual calm, nonchalant demeanor.

it feels like you’re the only one overthinking this while he’s just... fine. unaffected.

why do i feel like a wreck? is it just me? you wonder.

you don't wanna miss his touch.

you don't wanna miss him.

but you miss him more than you want to admit.

and now, you don’t even know how to approach him. things feel so awkward. you’re not sure how to cross that line you’ve suddenly drawn.

a week without seeing him feels like forever. especially when, for the past two months, he’s been part of your every day. whether it was texts or calls, he was there.

which is why you’re here. at the business expo everyone’s been working so hard for.

you don’t know much about it, just the bare minimum yoongi mentioned. apparently, other majors can attend as long as they say they’re interested in learning something.

as if. you would never attend something like this.

but for him? for jungkook?

you’re here anyway.

jungkook feels like a wreck.

he misses you.

a lot.

but at the same time, he thinks he needed that break. from everything. a week isn’t much, but it gave him enough space to clear his head.

iseul tried to contact him again. he blocked her number.

then she tried to approach him in person. he blocked her out of his life too.

he knows she’s probably furious, and maybe even hurt, but he couldn’t let her keep dragging him into the same cycle. not anymore.

“jungkook, i’m sorry, honey, i didn’t mean to snap at you that day—” she said, her voice was soft, almost pleading.

but he cut her off, firm and final, his words heavy but deliberate.

“i think it’s for the best if we move on now.”

he couldn’t believe those words came out of his mouth, but for once, he didn’t regret them. saying it felt like a weight had been lifted, one he’d been carrying far too long.

it wasn’t easy, but it was necessary.

now, though?

all he can think about is you.

you told him you were fine now. the conversations between you two since then have been brief, surface level, and awkward. it feels like a wall has been built, and though neither of you acknowledges it, it’s there.

jungkook wishes you’d talk to him soon, break through whatever tension is lingering.

when you told him to leave that day, he froze for a moment. it stung, but he understood. if you needed space, he’d give it to you. the last thing he wanted was to make things harder for you when you were already unwell.

but he feels awful.

all he did was add to your stress, and now the guilt is eating at him. he’s ready to do anything—absolutely anything—to make things right with you, to hear you say you forgive him.

yet, it feels strange.

why does he feel this way about you?

whatever this is between you, it was supposed to be no strings attached. that was the deal. you both made it clear from the beginning. but somewhere along the line, things shifted. you’re not just a hookup to him anymore. you’re so much more than that, though he’s not sure how to define it.

he wonders if he should set boundaries, remind himself of what this arrangement is supposed to be. but it’s hard—impossible, even. every time you’re together, he’s drawn to you. it’s like you’ve got this pull on him, and he doesn’t even want to resist it.

he doesn’t wanna miss your touch.

and right now?

right now, he just misses you. everything about you.

“jungkook, is that you?” a voice cuts through his thoughts, pulling him back to the present. jungkook turns, searching for the source of the familiar voice.

“ah, it is you!”

his lips twitch into a smile when he spots the person approaching him.

“jin hyung,” he says, a little surprised to see him.

jin strides up to him, pulling him into a firm hug and patting his back.

“took you long enough to show up,” jungkook says as they pull apart, raising a brow.

jin lets out a dramatic sigh. “had to deal with things, you know how it is,” he says, waving a hand before flashing a grin. “but hey, i’m here now, aren’t i?”

“yeah, you are,” jungkook replies, shaking his head lightly, though the smile on his face betrays the faint scolding in his tone.

“oh, come on,” jin says, feigning offense. “is that it? is that all the welcome i get? give me a proper one! i am one of the guests tonight, after all.”

his grin grows wider, and jungkook can’t help but chuckle at his hyung’s playful energy.

where is jungkook?

you're in the auditorium, surrounded by bustling booths, neatly arranged tables, and groups of students passionately discussing their projects. you didn’t realize business majors went all out for an expo like this.

you feel like yelling his name at the top of your lungs. you've been walking around, searching through a sea of unfamiliar faces, but you can’t find him anywhere.

“uh, hey,” you say, tapping a guy’s shoulder, interrupting his conversation.

woah, this guy has really broad shoulders.

he turns around, and you’re momentarily taken aback. the man is tall, dressed in a suit that looks like it was tailored for him, glasses framing his handsome face, and hair styled perfectly.

“yes?” he asks, polite but slightly curious.

you hesitate, then decide to go for it. “do you know where i can find jungkook? i mean, jeon jungkook? he’s supposed to be here somewhere,” you say, unsure if he even knows who jungkook is. but you’re desperate now.

his lips curl into a small smile. “why, of course. i was just speaking with him a few minutes ago. he excused himself to use the restroom, so he should be back shortly.”

“thank you,” you reply quickly, already preparing to make your way toward the direction of the restrooms. maybe, just maybe, you’ll bump into him as he’s walking back.

“are you one of his friends?” the man asks suddenly, stopping you from taking a step forward.

you glance at him, unsure how to respond. “uh... yes, kinda. sure,” you say awkwardly. you catch the faint arch of his brow, as if your answer only piqued his curiosity more.

why didn’t i just say yes? you mentally scold yourself, feeling ridiculous.

clearing your throat, you quickly excuse yourself.

"excuse me,” you mumble before turning and walking away, hoping the restroom isn’t far and jungkook will finally appear.

you walk through the rows of booths, still scanning the area for any sign of jungkook. the loud chatter of students and the hum of discussions fill the air, but all you can focus on is the thought of finding him.

as you near the restrooms, you catch a glimpse of a familiar figure standing by the entrance, hands stuffed in his pockets, his posture relaxed yet somehow tense.

it’s him.

your heart skips a beat, and you can’t help the small sigh of relief that escapes you. he looks as good as ever, effortlessly drawing your eyes to him. he’s wearing a sharp black suit that fits him perfectly, making him look every bit as important as you’re sure he is. he must be a key figure in this expo, you think.

all you know is that he’s supposed to give some kind of presentation. that’s it. nothing more. you didn’t bother to find out the details because, honestly, none of it matters to you.

all you want right now is to see him.

you walk towards him, taking slow steps, unsure how to act. you haven't seen him in what feels like forever, and all that awkward tension you’ve been trying to ignore creeps back up.

when he notices you, his eyes widen for just a second before a small smile breaks across his face. it’s a smile you haven’t seen in a while.

“hey,” he greets you.

you nod, trying to keep your cool despite the rush of emotions. “hi,” you say, feeling your heart race. you look at him, searching his face for any clue about how he’s been, but you can't tell much.

“i didn’t think you’d show up,” he admits, his gaze flickering over you. “thought you were gonna skip it.”

“just wanted to see what this is all about.” you say, trying to sound casual

he chuckles softly, his eyesglancing down. “didn’t expect you to be interested in this stuff.”

“well, i’m not,” you say, feeling the need to explain yourself. “but i wanted to see you. jungkook.”

there’s a brief moment of silence as his expression shifts, and you can’t tell if he’s surprised or if he’s just been waiting for you to say something. his eyes meet yours, and there’s an intensity there that makes you second guess every word you just said.

“i’ve been meaning to talk to you,” he says quietly, stepping a little closer. “i know things have been... off. and honestly—”

loud chatter in the background interrupts him, making both of you exchange a quick glance before he speaks up again.

“follow me.”

you follow him without thinking. the sound of people fading away as you walk through the crowd. he leads you to what feels like an empty lecture hall, making sure to lock the door behind you. you stand there, waiting for him to speak, the quiet now heavy between you two.

“i know things have been different recently,” he starts again, his voice soft. “and i honestly don’t know why...” he sighs. “but i want to apologize for that day. i’m really sorry.”

you swallow, trying to steady yourself. “i forgive you,” you say, your voice steady, but there's still an uncertainty in your chest.

“really?” he looks at you, his gaze searching yours for some kind of reassurance.

“yeah,” you nod, “i was just sick and i guess i overreacted a little, i’m sorry for that.”

he shakes his head quickly. “you didn’t. you didn’t overreact.”

a quiet but heavy silence fills the space between you both.

“so, uh, cool event,” you say, trying to break the tension.

“don’t act like you care,” jungkook smiles, the familiar smirk finally making its way onto his face.

you smile too, shrugging lightly. “yeah, i don’t.”

there’s another brief silence. you’re not sure what to say next, the awkwardness still lingering in the air. what if he’s going to end things? what if he’s had enough? what if.

“jungkook, i—”

his lips are on yours before you can even finish your sentence. the kiss catches you off guard, but his arms wrap tightly around your waist, pulling you in, and any hesitation melts away. his warmth seeps into you, grounding you in the moment as his lips move against yours with a desperate sort of tenderness.

you don’t pull back. instead, you let yourself fall into it, let him guide you. the kiss deepens, and with it, the questions and uncertainties that had been weighing you down dissolve, replaced by the overwhelming feeling of him. here, now, with you.

when you finally pull back, your chest heaves as you gasp for air. your mind is racing, your heart pounding in your chest. you don’t know how to respond. a part of you wants to spill everything; how much you’ve missed him, how unbearable the distance has been, how empty you’ve felt without his touch. but the words catch in your throat, like they're stuck somewhere.

“i’m sorry, i…” he begins, his voice barely above a whisper. his hands don’t leave your waist, holding you close as if afraid you might slip away. “i missed you.”

those three words hit harder than you expect, stirring something deep inside you. warmth spreads through your chest, a quiet comfort you didn’t realize you’d been craving.

it’s simple, almost too simple, but it feels like it’s enough. like it’s the answer to everything that’s been weighing on your heart; the confusion, the space, the silence between you two. suddenly, none of it matters.

“you missed me?” you ask softly, your voice trembling just slightly. it’s as if you need to hear him say it again, to be sure you’re not imagining it.

he nods, his eyes locked on yours. his voice is gentle. “yeah, i did.”

you stare at each other for a moment, the air between you thick with many unspoken feelings. then, without thinking, you lean in, closing the distance as your lips find his. your arms wrapping around his neck as if pulling him closer could erase all the time you spent apart. he responds immediately, his lips pressing against yours with equal fervor, like he’s been waiting for this.

your right leg slides up instinctively, brushing against his hip, and he understands your silent request. his hands move to your thigh, gripping it firmly as he lifts you effortlessly. your legs wrap around his waist, and his strong hands shift to cup your ass, holding you securely against him. the closeness sends a rush of heat through you, your bodies fitting together perfectly.

the kiss deepens, his tongue teasing against your lips until you part them, granting him access. his tongue brushes against yours, slow and deliberate, sending a wave of warmth straight to your core. you hum softly into the kiss, the sound vibrating between you, and his grip on you tightens.

he places you on the nearby desk, his lips never leaving yours. his hands grip your waist, keeping you steady. your fingers slide down to his chest, gently gripping his shirt as if holding on for balance. he pulls back for a brief moment, giving you both a chance to catch your breath.

without hesitation, he shrugs off his blazer, carelessly tossing it to the floor. the sound of it hitting the ground barely registers as his hands return to you, cupping your face with a tenderness that contrasts the heat between you. his lips find yours again, urgent yet soft, and you let him take control, your hands moving to cup his face too.

your legs wrap around his hips, pulling him closer, and you can feel his soft bulge pressing against you. the sensation is enough to make your breath hitch, and you instinctively tilt your hips toward him, craving more of the pressure.

he pulls back slightly, his lips brushing against yours as he murmurs, “you drive me crazy.”

oh fuck.

“what—” you start to ask, but the sound of knocking interrupts you.

both of your heads snap toward the door, your bodies tense.

“jungkook!? you in there?” a familiar voice calls out, loud and clear.

jungkook immediately recognizes it and clears his throat, trying to steady his voice. “yes! jin hyung, i’m here.”

“i’m about to give my speech, so you better be there asap!” jin’s voice is full of its usual dramatic flair. “i came all the way here for this moment, and i don’t want you to miss my glory.”

you hear his footsteps retreating, his words lingering in the air.

jungkook exhales, his head leaning slightly forward until it rests against your forehead. his hands remain on your waist, his touch warm, grounding you in a moment that feels anything but steady. he mumbles under his breath, almost as if he’s scolding himself. “of all the times…”

your heart races, and your mind spins in circles. what does he mean by you drive him crazy? the weight of those words presses down on you, heavy and confusing.

“jungkook,” you start, your voice barely above a whisper. “i think you should go.”

he lifts his head to look at you, his brows furrowing slightly. the regret in his eyes is unmistakable.

maybe i shouldn’t have said that. he thinks as he takes a small step back, creating a gap between you that suddenly feels too wide.

“are you going to stay?” he asks cautiously, his voice softer now.

you open your mouth to answer but hesitate. you don’t know what to say. this was never part of your plan. all you wanted was to see him, to tell him you were sorry too. but now, standing here with him, everything feels so much more complicated.

“___,” he says your name gently, snapping you out of your daze. your gaze meets his, and he blinks at you, his expression searching.

“i know things have changed between us, and—”

“what do you mean? we’re fine, though,” you cut him off quickly, the words spilling out as if saying them will make them true.

he lets out a heavy sigh, “are we?”

the question catches you off guard. your frown deepens as uncertainty settles in your chest.

are we?

your silence answers for you, and he notices. he always notices.

“it’s okay,” he says softly, almost like he’s trying to soothe you. “i don’t know how to deal with it either.” he pauses, his voice quieter. “i don’t know what we are right now.”

what are we?

the words echo in your mind, and you hate how much they hurt. it wasn’t supposed to be like this. you never wanted it to turn into this mess.

“i think…” you start, and his eyes are on you immediately, waiting, hoping you’ll say something that will make this all easier.

“...i should go.”

you don’t miss the way his shoulders drop just slightly, the smallest sign of defeat. you hesitate for a moment before sliding off the desk, your movements stiff and uncertain.

you gulp, forcing yourself to meet his gaze one last time. “good luck with your presentation,” you say softly. you linger for a second, watching him, hoping he’ll say something to stop you. but all he does is nod, his response quiet and unreadable.

with a deep breath, you turn around and walk toward the door. every step feels heavier than the last.

behind you, jungkook exhales a long, weary sigh, running a hand through his hair.

did i mess it up? he wonders, his chest tightening with something he doesn’t know how to name.

a/n: um haha.... jin with glasses yay!! 🏃🏻‍♀️

📜 series taglist: @deepikhaprakash @rjooniesdimples @wombatkitten127 @hoseokteardrop

📜 permanent taglist: @lovieku @deluluisdasolulu @ddanasjk @onlyforyoukook @diamondjeon @nnybtitts08 @lil0u0 @butnotmontana @fr0ggieth1nk @minimoninini @whoa-jo @lola75111 @iswearimover5feetall @rispwr @genevieveeeee @kookoo-kachoo @junecat18 @iheartchanelle @internetrando64 @jkvias @134340-kr @mar-lo-pap @fluttershypoo @kyuupii @https-mei @elinaki92 @jungkookmyoneandonlybaby @winterbeartaehyungbestboy @jaykay-world @jmscaffeine @libra04 @beigerin @nikidream24 @svnbangtansworld @mimi1097

[afterglowkatie]

too early? | k.m./c.f.

katie mccabe x caitlin foord x child!reader | 1.1k | it's never too early for christmas

ˏˋ°•*⁀ this is part of my new little starfish universe. i hope y'all like it and it makes up for the lack of fics lately!

‘Don’t you think it’s a bit early for that,’ Caitlin had come home to see the entire lounge covered in tinsel and christmas tree decorations with both you and Katie in the middle of it all singing and dancing to christmas music while putting up the christmas tree. 

Even if your mummy thought it was too early for christmas, she still cracked a smile at how adorable her two girls looked dressed up in christmas clothing, your hair in two little pigtails with tinsel wrapped around. Poor Coopurr was even dressed up and whenever he tried to sneak away you would grab him back until he curled up on the couch accepting his fate.

‘Mummy!’ You dropped everything in your hands, trying to run over to Caitlin despite all the obstacles in your way. Caitlin bent down, arms out, you always would run into her arms and she’d pick you up. But you stopped right before, ‘It’s never too early for Christmas, Mummy!’ Caitlin held back a little laugh, it was hard when you stood in front of her your arms crossed, with a little pout and your eyebrows furrowed. 

What made it even harder for Caitlin to not laugh was the fact Katie was a bit behind you with the same expression on her face, ‘Oh is that right?’ Disbelief flashed across your face at the thought your mummy would question you before a cheeky grin took over. You grabbed a handful of tinsel and threw it on top of Caitlin. With her still kneeling she ended up covered head to toe in tinsel.

‘Much better!’ You grinned, happy with yourself, grabbing hold of your mummy’s hand, ‘Come help me and mammy,’ The three of you finished decorating the christmas tree. Your mummy lifted you so you could reach the top of the tree so you could put the star on, with some help from your mammy of course.

‘Starfish,’ Your mammy called from the kitchen, she’d gone to make the three of you some hot chocolates while you and your mummy picked out a christmas movie for the three of you to watch. It didn’t take long for Caitlin to give up on the ‘it’s too early to start christmas’ since she was out numbered anyway. As soon as November hit it was time for Christmas.

You slid off of your mummy’s lap and made your way towards the kitchen, ‘Do you wanna show mummy what we got today?’ Katie handed you a little bag, your eyes lit up. You’d almost forgotten what you’d bought today while it was just you and mammy. Before you could run off your mammy reminded you to be careful, you walked carefully back to your mummy, you didn’t want to ruin the surprise.

Katie was close behind you, somehow balancing the three hot chocolates, ‘Starfish and I have a surprise for you love,’ While leaning forward, handing Caitlin one of the hot chocolates she snuck in a little kiss. Smiling at each other, Katie attempted to sit next to Caitlin but it didn’t last long before you wedged yourself in between the pair. 

‘What you got there, starfish?’ Your mummy nodded towards the bag you were holding up while you were wiggling your way between them.

You held the bag away from Caitlin when she pretended to try to look inside the bag, ‘Close your eyes mummy,’ Katie leaned over to cover Caitlin’s eyes making sure she wasn’t peeking, ‘Mammy says be careful,’ Your mummy let out a little chuckle, whenever you wanted to come across more serious you always brought Katie into it. It was like if you said that your mammy said it then no one could ever go against it, you were the exception to that though with the amount of times you liked to push your mammy’s buttons.

Your mummy held her hands out and you carefully took out the little bauble and placed it in Caitlin’s hands. You picked out the colours and how it was decorated and personalised. You were quite proud of yourself, it was just like the ones you and your mammy had on the tree already. 

You sat back in your mammy’s lap, her hands leaving Caitlin’s eyes to wrap around you. Caitlin opened her eyes and instantly teared up at the present in her hands. Her smile reached her eyes, looking between you and the bauble. The bauble in Caitlin’s hands was forest green with silver writing on it, ‘mummy’ with the year underneath it was written across with little snowflakes all around.

The year was this year, when you started calling Caitlin mum/mummy. It matched the one you had with your name and the year you were born, along with Katie’s ‘mammy’ bauble. When you were getting it made Katie couldn’t decide between matching the year with yours and hers but she decided it would mean a bit more having the year you officially started calling Caitlin your mum.

‘Do you like it?’ You asked when you thought your mummy was silent for too long. Caitlin was taking it all in, processing everything. She was so grateful for the little family she had with you and Katie, forever thankful for being allowed to love and be loved by both you and Katie.

‘Starfish, I don’t like it. I love it,’ Caitlin had to add that she loves it quickly, seeing your face start to drop and the warning glare Katie started to send Caitlin’s way, ‘Come here,’ Your mummy gently gave your mammy the bauble to keep safe and scoped you up into her lap, her arms wrapping around you tightly, ‘I love you and I love the present so so much Starfish,’ 

You cuddled into your mummy, Caitlin glanced towards Katie, a smile thrown her way with a little thank you mouthed. Katie placed the bauble down where it would stay safe and threw herself on top of the two of you, joining in on the cuddles. ‘Mammy,’ you laughed out but wiggled enough to wrap one of your arms around your mammy as well. 

Eventually you grew impatient and wanted to see the bauble join yours and mammy’s on the tree. Caitlin stood up, holding you on her hip while she got the bauble, you reached out for your mammy’s hand, holding it while you all stood in front of the tree. The third bauble was the perfect addition and soon enough the three of you would be adding a fourth and who knows after that.

Both Katie and Caitlin’s hearts were full as the three of you cuddled up together on the couch, watching Christmas movies, movies that only Caitlin would stay awake throughout while her two girls fell asleep either side of her. Caitlin smiled, giving a small kiss to yours and your mammy’s foreheads while you slept. Life was perfect, even if Christmas started coming earlier and earlier every year.

[supremechancellorrex]

Okay, then, it's online space, we can go back and forth forever as it's all public discourse and there's no such thing as trespassing. Please give me examples of Mai saying fascist rhetoric or looking down on other nations racially. Aside from her just existing as a FN character born on the wrong side of the border. "Zuko did x" is actually a good measure when there's a double standard. Funny enough, I've met even people who call Zuko fascist and dislike Zuko's redemption story as it ends up with him as an absolute monarch, who mishandles the Fire Nation colony problem and puts FN citizen interests above Earth Kingdom interest for much of the Promise. The word is hardly stirring in this fandom now. Others have called him an abuser for how controlling he was in the Beach in who Mai could talk to. And they tell me all of that is so apparent. It seems in some opinions Zuko is badly written, despite the feels and "kindness" conclusions.

Also with Sokka and Suki it is not a "false equivalence" because Sokka and Suki were friends and then lovers who meet up again and kissed in the Serpent's Pass after spending days together and that whole spiel about Yue, his first girlfriend. He rebuffs Ty Lee in the Crossroads of Destiny by saying he's "with Suki now". Sokka went into a fit of rage and cried in Day of Black Sun over Suki, yet he didn't think of her missing until Azula mentions it despite it being weeks. Then as soon as they meet up again Sokka tries to smooch her immediately. They are in a relationship, it goes without saying. This is the nature of Avatar. You could complain the relationship between Suki and Sokka is fast, it could also be complained that Sokka forgets about Suki for a long time despite being committed to her. Arguably makes Sokka seem rather callous if one is to ignore this is an episodic kid's show, same with Zuko.

As for your conjecture of "We're supposed to think", that's just your interpretation, a rather absolutist one, but the context, voice acting, body language/smiles and structuring of those scenes, including the quotes I have shared but you're free to watch them yourself, make it unlikely for quite a number of others, myself included. Since you've talked about what you hate, I'll tell you what I dislike in the fandom. Absolutist takes where everyone in the audience is told "We're supposed to" with no evidence provided. This is what Azula stans say, they say "We're supposed to sympathise with Azula", "We're supposed to see that she's an abuse victim child and not judge her at all", despite it just being their interpretation. Mai does not dismiss everything Zuko says, there are many times she tries to understand and comfort him in Book 3, and Zuko's actual reasons for leaving are stated in the show.

Zuko: "Everyone in the Fire Nation thinks I'm a traitor... I couldn't drag her into it."

This is a protective measure for her, not "anti-war rhetoric" fears.

I think it's quite clear he didn't think she was going to do anything to him. He expresses no actual fear towards Mai at all. Even when he runs into her in the Boiling Rock, still no fear. It's because Mai and Zuko actually have a level of trust, because Mai has been often supportive of him despite a couple mistakes here and there. The more Zuko and Mai got to know each other in the show, the more time goes the more they ironed out problems like how most relationships work.

I also disagree with your accusations of how I allegedly "misconstrued" your argument when I actually think you misunderstand and misconstrue mine. You don't have to say someone doesn't need to be as bad as Ozai or Azula to be an abuser, although it's rather irrelevant, and I never said Mai's difficulty emoting was a good thing. Just like I would never say Zuko taking out his anger on others is a good thing, if we're talking about the relationship and responsibility. The funny thing is, Mai learns how to emote more and express herself. She even smiles more as the series progresses, she confronts Azula, she chooses Zuko over fear and bitterness. As for 'just "being human" and a teenage girl", think you restructured my sentence there, but regardless I never said Mai was perfect, there are reasons why, and I just don't believe it takes her out the running from having a relationship with Zuko just because they both have baggage or aren't perfect at communicating in every interaction. If you don't think Mai is "nasty", then why would Katara be supposedly justified in punching her in the throat and never liking her? I think the word is actually a good summary of your view of her, since you claim she's an "abuser" and "mean" to everyone, demanding a relationship with Zuko as if this is an entrapment case (despite Zuko clearly wanting the relationship as well and making his own decisions).

Zuko [surprised, happy]: 'Mai! You're okay! They let you out of prison?"

Mai : "My uncle pulled some strings. And it doesn't hurt when the new Fire Lord is your boyfriend."

Zuko: [happy, smiling] "So does this mean you don't hate me anymore?"

Look at Zuko's response, look at the context. Think we can take it that Mai isn't demanding anything here if they both know each other and what each other wants. Zuko is receptacle because he wants to be back with her, and she knows it, which is the context of the dialogue. It feels like you're forcing Mai into an aggressor/abuser role that doesn't fit her character. Mai herself is critiqued in the narrative for suppressing her emotions, and as the narrative continues we see her learn to express them more to the point she not only yells in the Beach but later goes against Azula. But Mai is never an abuser. Whether you appreciate this or not, these are canon scenes. You can argue bad writing, but it doesn't change that the writing is geared to Mai being a certain character, and that is likely not the one you're accusing her of, even with her earlier villain rep that felt rather mild in the narrative ultimately. She didn't even want to chase Katara and Sokka through slurry.

As for Ukano, guy hardly seems like a threat, Mai handled him and everyone easily while holding a toddler. Perhaps Mai didn't think Ukano would achieve much, or join with Azula, who was supposed to be in asylum. Do I think it's bad writing? Sure. Entire New Ozai Society is. Same with how I think Zuko regressing his character arc and getting advice from a genocidal maniac like Ozai is bad. At worst, they're just both muddled about their bad fathers and manipulated at times, Ukano plants doubts in Mai's mind in Smoke and Shadow (that undermine Maiko), Ozai plants doubts in Zuko in the Promise (that consequently undermine Maiko). Not sure how this adds to your Mai is an abuser narrative, Ukano and Ozai are a better fit for the blame by messing with their kids' feelings and relationship.

"I think Katara would get along with Azula/Mai because female solidarity!"

Cool. I think Katara would punch fascists in the throat.

[asongofstarkandtargaryen]

Love your blog so much!!

What's your headcanons on Jon and Rhaegar's relationship? The fandom is always Jon-Ned this, Jon-Lyanna that, won't someone ever think of the Jon-Rhaegar bond?? It's my favorite father son relationship that never was. Imagine Jon growing up with Rhaegar as a dad, what would their lives have been like?

Aw, thank you !!

I love all of Jon's important relationships which include the relationships with his parents ( Ned, Lyanna AND Rhaegar). I've already written some posts about Rhaegar and Jons parallels but I don't remember writing headcanons about their potential relationship in an AU where Targs won the war. So thank you for giving me the opportunity to write this!

We know that little Rhaenys hided in her father's room to seek safety. That shows that Rhaegar, despite being a busy crown prince, also spend quality time with his kids. I'd expected that Jon would feel the same safety his older sister frlt inside his father's chambers.

And let's not forget that Jon is the youngest kid of Rhaegar's so it's possible that their father would be even more doting with the baby of his family.

Toddler Jon going to Rhaegar's room after a nightmare, and Rhaegar calming him down by singing him lullabies.

Rhaegar loved to read so ofc he would read to Jon when he was too young to do it himself. Rhaegar retelling tales of their Targaryen ancestors and Jon asking for the tales of Aemon the Dragon knight or Daeron the Young Dragon again and again.

Rhaegar trying to teach Jon how to play music instruments and sing but failing miserably (it's okay Jon, you have other talents).

Also, since Rhaegar took his leadership responsibilities seriously, I'd expect him to teach both his sons how rule and maybe even help them train with the swords when his schedule allows it.

Jon being annoyed when his father shows him affection in public but he's the baby of the family! His family will always see him that way!

Rhaegar totally understanding that Jon doesn't want to marry out of duty. When Jon decides to marry out of love, Rhaegar would be his number one supporter (he really is his father's son on this aspect).

Jon and Rhaegar spending quality time, Jon being able to share his concerns or views with his father but also enjoy being able to enjoy the silence together. The crown prince and his youngest son are bonding while brooding together.

[bodybeyondstories]

story prompt: A tailor has the power to enchant clothes to change the wearers body and does so when clients have unreasonable asks. like a guy with a flat butt ask for pants that flatter his rear so the tailor inflates his butt out of proportion…that kind of thing

My first thought with this was what if there was some sort of less than ethical business model based on forming a runaway positive feedback loop where someone had to keep coming back to have clothes altered and then ended up altered in some way, which would be fun to write eventually. Here I riffed on some classic careful-what-you-wish-for ass expansion.

1313 words

_____________

"You might have to adjust the seat a little, I've been hitting leg day pretty hard." Danny glanced down at me with an expectant smirk as I ran the measuring tape across his backside.

"Whatever you say, Cake Boss," I said, pretending the number wasn't exactly what it always was. "I might need to run and get a few more yards of fabric for this dump truck."

"Big butts are in style and I need to show off these gains." He swung his hips back toward the mirror to check himself out, eyes focusing expectantly on an unremarkable backside.

Are the gains in the room with us now? I thought, chuckling out loud.

Danny and I were good friends, and as such, he occasionally took advantage of the very generous friends and family discount for my tailoring services. This time, he wanted to get his suit refitted for the upcoming commitment ceremony of our mutual friends and favorite throuple, Jean, Gene, and Jerome, who were officially, begrudgingly, tying the three way knot. He had been through my shop no less than six times in the past several months, begging for an adjustment of this or that pair of trousers in anticipation of whatever new workout routine he had jumped into. He was obsessed with his ass, specifically--tragically--its undeniable flatness. I was a damn good tailor, but I could only do so much. News I had to break to him on a regular basis.

"Can't you like, work your magic or something?" he asked, winking down at me.

I thought for a long moment and relented, feet taking me toward the back of the shop. "I can try."

I reached behind my desk and pulled out a well worn notebook, decorated by decades of page folding, sticky noting, coffee staining, and annotating. It was one of many strange, sentimental pieces of inheritance I received from my mother, a practitioner of the craft who disappeared with her coven years ago. I was left with half memories of their gatherings, what little training I had paid attention to growing up, and of course, this notebook, my own annotations slowly forming a cross-generational palimpsest.

Occasionally, especially with my more tedious clients, I'll let my hobby cross into the tailoring business, enchanting the fabric with whatever magical push the wearing needs to feel their best self.

I pulled out a container of ink--hand made from ingredients foraged sustainably under the light of a full moon--and drew out what I hoped was the right mix of sigils for illusion and manifestation, sprinkled with a little bit of chaos, to give Danny the booty of his dreams. I stitched the small slip of paper into the waistband of his pants and handed them back to try on.

He slipped each leg in and pulled them up his toned quads, gasping as he stopped suddenly at the top of his hamstrings. What usually slipped on with minimal effort was now blocked by a perky bubble butt perched behind him.

"Nice!" he exclaimed, giving his newly hefty ass a jiggle. "I knew you could do it."

---

I rolled into the ceremony just as it was starting and posted up in one of the empty rows towards the back. As I passed the gaggle of bridesmates, gentlethems, attendants and henchmen (they all got to pick their own terms), Danny gave me a wink and a thumbs up, adjusting his waistline as the procession began.

As they walked down the aisle, I got a better look at my handiwork, and apparently so did everyone else. When he had left my shop his ass had looked delectably round and perky, but the pair of cheeks fighting for space as he strutted towards the front were on another level. They looked big. Really big.

Maybe it was the light? I tried to convince myself with a twinge of worry. I kept my gaze as professional as possible as he stood at the front with the rest of the attendants with his shoulders squared and hands clasped firmly in front of him. As the ceremony progressed, he seemed increasingly uncomfortable, squirming in place as he shifted from one foot to the other, the tails of his suit jacket riding up over his meaty buns.

Those cheeks were definitely bigger than they were during the fitting. In fact, they were bigger than they were twenty minutes ago. The sheen of sweat on his forehead and small winces of discomfort confirmed what I--and likely others--had picked up on. His ass was inflating imperceptibly but undeniably.

Something must have gone wrong with the spell. Or maybe something went too right? I don't know. I hoped I could intervene before things got out of hand, but time was quickly running out on that plan. The attendant behind him took a step back as his ass slowly ballooned from his otherwise slim frame, straining the fabric of his pants to their limit.

Even a magically enhanced pair of trousers can only take so much. When Jean, Gene, and Jerome were two thirds of the way through the sharing of vows, the seat of Danny's pants finally gave way, revealing his now basketball sized buns spilling into the open air clad in a pair of plaid bikini briefs.

A shockwave of gasps and murmurs spread through the crowd. "Ooo girl," "Need his leg routine," "The whole bakery..." could be heard among the general whispers of surprise and politely restrained chuckles. Danny, face a flush of embarrassment, tried to hold what remained of the seat of his pants together as he slunk away, the attendant behind him quickly taking his place before the soon to be betrothed could notice the commotion or his wildly jiggling buns disappearing out of sight.

I found him behind the reception tent, clutching my handbag full of emergency repair materials for just this situation. But I quickly came to realize that some heavy duty thread and patches wouldn't be enough.

"Dude, it won't stop!" he exclaimed, trying and failing to cover the globes of his ass. "What do we do?!"

"Okay, um," I said, grasping wildly for solutions, "I have my notebook, I can try and figure something out on the fly. Just take your pants off and the growth should stop."

"...I can't."

"What do you mean you can't?"

"I mean I can't!" he snapped, turning to show me the waistband stuck just below his hips, unbuttoned and stretched to the limit yet still woefully incapable of making it over his massive--and still slowly expanding--posterior.

"Okay, Plan B," I said, reaching into my bag. I brandished a seam ripper as I turned him around and traced the waistband of his pants until I found where I had installed the sigil. "Wow," I muttered, marveling at a pair of globular, gravity defying glutes that were nothing short of a work of art.

"What's up?" he asked, panic rising in his voice.

"Nothing, nothing, it's just...it's a lot..."

"Yeah I think we've all figured that out. Can we address this crisis while I still have any hope of wearing normal clothes?"

"Right." I snapped back into focus, searching along the seams for my signature stitch. "Found it!" I beamed, slicing through with one deft cut and yanking the sigil from the fabric.

"Thank fuck," he whispered. "Can you stitch this back up before the reception?"

"Yeah, I should have everything here, just let me--"

I was cut off by the unmistakable soft staccato of seams tearing. With the spell broken, and the pants returned to their mundane state, the overstressed fabric no longer stood a chance against the melons ballooning from Danny's lower back. Seams split one after the other as what was left of his pants fluttered apart, revealing every extensive curve of his beyond bodacious butt.

"Okay," I said. "I might have some spandex in the car."

[victoriansnakearts]

In all honestly, perhaps this might be tinfoil hat time, but I'm just going off what I've seen. It just feels like Viv wants to be popular/have a giant fanbase following her and so she's always going with what is most popular or doing something that won't give her that much negative feedback.

Example right? Blitz n Stolas being together....this clearly wasn't planned out(nor was the whole show from what she herself has stated, twice as well as changing things around in one of the panels) and them meeting as children was fanart. Considering the fanbase was all about this pairing....well putting two and two together, she went with that.

Same thing with Chaggie. (As well as Vaggie being an Exorcist, this was a popular fan theory...)

Also Alastor being race swapped, despite the fact years ago, there was fanart of him as being white, with I believe brown straight hair, glasses and red(?) vestments, stating that was the closest of his appearance. But now he's mixed because of the whole Voodoo backlash thing she got.

Cherrisnake, another popular ship that wasn't built up at all...just thrown together because fans liked it.

It's all about getting the most positivity, it really feels like nothing else other than that. She just wants to be popular, getting all these famous VAs and so forth that.

Maybe all tinfoil hat, but it's honestly what I've just been seeing and if you criticize anything, you get blasted by the fans for it.

So it goes with the most popular thing and BOOM, it gets into the shows...at least that's what I've seen.

I don’t think your too far off when it comes to that theory lol

Viv is known to take head canons and put them in the show. I’m certain that the exorcist plot twist was 100% not vivs original plan for vaggie.

Vaggie already was confirmed to be a sinner in the pilot and was going to have a tragic death based on artworks viv did in the past.

It’s fine sneaking things in for the fans adding lil Easter eggs or building hype, but to change the narrative for the sake of adding a ship or confirming a theory ??

It’s just so weird to me, you’d think the number one priority would be to have a a cohesive story.

But then again viv has always been about style over substance.

[sad-trash-hobo]

I'll actually never fucking forgive criminal minds for giving us Reid making out with a movie star in the early seasons and then never letting him have an actual real love interest that he gets to physically interact with. Because him and Max did not really have that, one fucking vanilla ass kiss after his hungry ass kiss with Cat hours before does not fucking count. Give me boyfriend Spencer you fucking cowards

[vegaseatsass]

You know, these past two episodes I was thinking to myself, Su Yin is almost perfect in every way, simply the ideal devoted, protective, loyal, dedicated sworn brother, call him Da-ge indeed!!!, but my one piece of constructive criticism is that he needs to learn how to give real hugs - he does a lot of manful shoulder clasping, but Xiaobao is a shivering chihuahua desperately in need of cuddles and body heat, you gotta HUG THAT BOY - but now I see that Su Yin's hugs are simply reserved for his horrible little gremlin of an imperial cousinwife.

[strawberrycamel]

hey psst c'mere... no a little closer... a little closer- there we go

Loop lips are part of a racist caricature of Black people. Stop drawing Black characters with loop lips. I don't care how they look in canon, it's racist.

okay that's all you can go

[mbg159]

One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[calciumcryptid]

Decided my proposal for a We Are Series ghostship is Beer and Kleun. They could make a very chill couple.

[angelsdean]

ruthlessly deleting old 2021/2022 posts (not by me) from my dean studies tag like *click* un-incorporating that from my beliefs system! also the way SO many posts have me like ok uh-huh good aaand then say one completely wrong thing that loses me. it's so many posts.

[hesgomorrah]

atp i will straight up block people who villainize trapper for leaving like way to show how little you understand what the show is about

[overnightheartbeats]

His smirk was distracting her in all the best ways, even more so when he bit on his bottom lip. He had to know the effect it has on her. "Hm, that is tempting.Do I get a hint of what the sneak peek is?" Just playing along, because she knew he had mentioned being tired. Chances were, they'd both be passed out within minutes. "You're right, she'll have time to adjust to having another baby in the house. Otherwise, she might not want to share her dad with another sibling. Juju and I were just saying that! I was sure she was going to have a boy, but baby girl surprised us. She's going to be the first girl in the family, and first grandchild for them too. They can't wait to meet her, it's a really exciting time for the Contreras family. I'm just really happy for Juju, to be surrounded by all that love." Laurel made a show out of listening to him, her head tilted to the side and nodding encouragingly as he spoke. As if she's never heard these things before. It amused her that he thought her introductions at work were sexy. "Borrowing, yes exactly. You gotta admit babe, I do rock your sweatshirts. They all live cozily in my closet, safe and sound."

"It'd be much appreciated, it would give me a chance to block the door. Though, then you'd be late for work, so maybe not." she added to his joke before planting a kiss to his cheek. "Hm, the most serious federal crime. Absolutely no touching."

At the mention of Juju's latest show, Laurel could only laugh before nodding in agreement. "Oh my goodness, you're right. I was thinking more baby number one and baby number two, like the characters from The Cat in the Hat. But, ten nameless babies does sound more like the Umbrella Academy. Let's not get ideas from there." But, now she was picturing mini red sweaters from the cat in the hat. Thing one and Thing two, adorable. "I think so too, next time we'll break our record for naming our baby. Even sleep deprived, you are insanely smart babe. Coming up with Rosebud was a genius moment."

Her hand rested on her stomach, his proud smile making her emotional beyond understanding. "Our tiniest cheerleader. Time is moving so fast, I'm ready...and yet, I'm not," she admitted. The thought of all the Phillips under one roof was intriguing to her. She had spent limited time with all of them in one place, but she hadn't had the chance to see Eli enjoy his family. That was enough to convince her that this was the right idea. "Is this how you're convincing me, with them taking the night shift? Because I'm in. I'll work extra hard to convince them to join us here," she teased with a wide smile. Her smile growing when he brought up the cabin in Chicago. "Wait, yes. Well, not this year for sure, but soon, we'll take her. Spending the holidays there with our girl sounds like a dream. Is the festival back already? But, yes, I'd love that. Maybe we get a headstart on our Christmas shopping." Not really, but there were always plenty of trinkets that she couldn't resist. She squeezed his hand, cozily leaning against his shoulder as they walked through the crowd. "True, but if your sisters can't get him to smile, then nothing will."

Isaac spotted his brother and Laurel walking towards them, and he just waved in their direction. Inez and Emma couldn't help their smiles upon seeing them, remnants of the fun they had earlier. "We're ready, yes! It was so much fun. You should've seen Isa's face, he looked like a deer in headlights." Isaac only rolled his eyes, "I was not, but yes we should go." Shortly after, Laurel mentioned the dinner plans they made earlier, which Emma clapped her hands at. More plans, more fun. For now, at least, it was time to head home and freshen up.

Eli smirked and chewed his bottom lip. "Tell you what, once we get home and after we say goodnight, we'll sneak peek one thing off our list," the list in question was the things they hadn't done in months. Sure, this time they'd have to get creative with her protruding belly but a challenge he knew they'd excel at. "I am too not gonna lie. At least it'll give us some time and her some time to see what it's like to have a sibling like best friend. I honestly can't believe we're all having girls first. I thought since Aaron had brothers that that track record would continue." His laughter rang out as he knew that would catch her attention. "First off, when you're out of the shower and you let your hair air dry but it starts getting curly," that sight always had him staring. There was something so sexy about her hair like that. "Then, it's when you introduce yourself at work. The sexiest one of all is truly when you steal, er...borrow my sweatshirts that you never give back."

He smiled as his lips were still close to her fingertips. "So you're saying you want me to walk slower like a snail? Would that be better?" Eli couldn't help but joke since if she asked he'd do anything she asked. "I'm not sure but wouldn't that be a federal crime if they touched?"

He cringed knowing how right she was. "Poor ten babies being nameless. They'd just be baby numbers at that point. Like what's that show juju was obsessed with, oh right, Umbrella Academy. Wasn't there a kid named Seven?" Just because he wasn't really watching didn't mean he hadn't paid attention when the girls took over the TV. "I don't know. We shall see after we get our first out. But I do think there's less pressure after the first since you're a little more confident. And that was on my sleep deprived self when I came up with Rosebud. Soon as we knew it was a girl that nickname just clicked."

"She's already on our side." The proud smile spread over his features as the thought of their girl became more of a reality. "I can't believe she'll come meet us in a little under 4 weeks. That's insane to me." The Phillips under one roof was insanity but in the same place that was a dream. "It will get chaotic but it'll be so much fun. We'd put them to work the night shift with Rosebud." Laurel brought up a good point. "You know what, that's a good point. We need to take her to the cabin in Chicago. I feel like you can't go anymore but maybe we can go to that indoor Christmas festival. Something to get us out of the house." He watched her get up and was ready to render aid as he got up after her. Taking her hand was the normal and interlocked it. "Hmm I don't know. I may say debatable if he's still thinking I hate him."

They moved through the crowds easily until they found his siblings. "You guys ready to go?"