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gamerspasm · 8 years ago

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My 2016 in Games

It’s that time of year again. Time for me to look back on all the games I’ve played in the last 12 months and review them for no other reason than it’s the end of the year. Honestly, last year took a while to write up, but I’ve been looking forward to this since January. Obviously, like 2015, this is a mishmash of different games, both old and new, and ONLY games I haven’t played before. What’s more, these are games I have at the very least beaten. So let’s get right to it:

Ace Attorney: Spirit of Justice (3DS)

I’m a massive fan of the Ace Attorney series, and it feels like it’s been ages since the last one. Realistically it’s only been 3 years. Like most of the games before it, Spirit of Justice does what it can to balance the classic gameplay everyone loves with new elements that help to keep the series fresh. Here, it’s the divination seance, adding literally the last moments of the victim’s life to the testimony. It’s a nice addition, offering a lot to consider, but given how previous additions make a return also, it does feel a little clustered when they try and cram them all in. Still the cases are a lot of fun. Typical Ace Attorney, with plenty of twists and turns along the way. One thing I did find irksome though was I felt some cases could have been expanded upon more in order to make the shocking reveals all the more impressive. There were a few “plot twists” that fell rather flat, basically. Plus, despite the inclusion of colourful characters, most of the time defendants are people we already know, which can lead to the stories feeling stagnant. The music is great as always and the overall look does the job. All in all it’s great, but, personally speaking, not the strongest entry in the franchise. The finales are always big in these games, but this one just doesn’t seem to have the same gravitas. That said, it does have one of the most emotional and heart-wrenching moments in the series’ history, but I dare not spoil it here. You’ll have to play the game yourself. 8/10

Another World 20th anniversary (Wii U - eShop)

This game has been sitting on my Wii U for a while now, but I finally got around to playing it this year. I never played the original, but even so I do have a soft spot for these types of puzzle/action platformers; especially those that came out during the SNES era. Graphically the game isn’t brilliant, even when updated, but it’s kind of cool that you can switch back and forth between the old and new on the fly. Sound-wise there’s absolutely nothing memorable here, which is a shame, but there’s a surprising amount of humour. I don’t know why, but all the death animations and cutscenes just made me laugh. I think it was the abruptness of them. Speaking of, the near instantaneous respawn makes failure less painful to endure, but dying can still be frustrating. For example, the game is programmed to only save progress if the player has accomplished the tasks before it in the right order. However, because the solutions to some of the puzzles aren’t very clear, it can lead to massive set backs, where the player is catapulted seemingly half the game backwards. It can be quite annoying. That, teamed with the terrible controller response time - something that seemingly feels neglected during the update - makes failure almost inevitable in some instances; and with a lot of reaction based combat being sprinkled in, it can drain the fun. Overall, the game is average. Nothing I’d write home about and it is a little short, but it’s fine. 6/10

Bayonetta 2 (Wii U)

I really enjoy Platinum Games’ stuff. No matter what they make their content is almost always unanimously fun. Bayonetta was no exception, and it’s sequel continues the trend. Going in, this game had a lot of praise. There was a lot of love for it, with many holding it up as one of the best on the system. Would I agree? Yes and no. Graphically the game is bright, colourful and lush, and the soundtrack is brilliant once more, but I couldn’t help feeling, especially in the early stages, that Bayo 2 was just a retread of the original. Story structure and level layout is very similar and there was very little new. Not that that’s a bad thing, but I guess I expected more. The plot at first is also a little sporadic and difficult to keep up with, so that didn’t help. By the end though, not only is the story proven to be really well done and thought out, but the game finally has a lot more to offer than what was previously there. Aesthetics are a little disjointed however. Whilst enemy design is magnificent and always interesting to look at, location design is often bland and boring. Even Hell, which is usually a goldmine of imagery, looks standard and uninteresting. Then of course there’s Bayonetta herself, who again seems to be mostly eye-candy for the male gaze. That does die down again, like it did in the first game, but somewhat much further along. It’s a shame really as I do think Bayonetta is actually a good character. She’s a badass who takes charge and doesn’t give a crap about what anyone else thinks. Plus she has a sensitive side beneath the bravado. I’d like to see more of this, not just the sex appeal. Ah well, I still had a blast with it, despite my own personal drawbacks. 8/10

Box Boy (3DS)

To be clear I started playing this last year, when it came out, but I only got around to beating it this year. Box Boy is a delightful and cute puzzle platformer that has all the charm and love you’d expect to find in a Nintendo game. The design is brilliantly simple but its surprising just how complex these puzzles can get from it. Each world has its own theme, with gimmicks and traps getting steadily harder as you progress, and there’s a challenge element there too. You can beat the stage using as many boxes as you want, but if you’re ruthlessly efficient you can earn the crowns. These don’t really do much outside of earn you more cash at the end of a stage, but some are really devilish to get so bragging rights are to be had too. Music, much like its appearance, is rather underplayed and standard, which is a shame, but I guess it’s forgivable. The reason why this game took me until this year to beat however, comes down to the secret stages after you clear the story. These worlds are no joke, compiling everything in the game up to that point into one gauntlet of puzzles; many of which make you feel like you’ve cheated when you beat them. It’s really interesting to see how complicated these simple mechanics can become, but the difficulty serge may put a lot of players off for a time. That includes me. 8/10

Castlevania (Circle of the Moon) (GBA - Wii U Virtual Console)

Fun story. When I was first getting a Game Boy Advance, I couldn’t decide which launch game to get with it. F-Zero Maximum Velocity or this. This was before I had ever played a Castlevania game, and so I ended up going with F-Zero; but looking back, I think this would have been a better fit for me at the time. As Castlevania games go though, and having played plenty now, it’s a little rough. This was very clearly the starting point for some of the later GBA and DS titles. Never the less, it’s a lot of fun. Graphics are gorgeous for its time, gameplay is mostly intuitive, and the soundtrack has its moments. Difficulty’s a bit cruel, mind, and there were some bizarre decisions made regarding design. Why is walking even an option? Why do I have to get a power-up in order to run, and even then, why do I have to double tap a direction to use it? These set backs make the game needlessly finicky at times, and the alternative isn’t so great when the game has an excruciatingly slow walk speed. For what is supposed to be a fast paced action game, you can see why this can be an issue. Then of course there’s the endgame structure. No real spoilers, but having a final boss that can kill you in one hit isn’t hard, it’s cheap; and having to grind for a stupidly long time in order to beat said boss is also poor design. Even so, I had a good time with the rest of it. 7/10

Chibi Robo Zip Lash (3DS)

Being a Nintendo fan is sometimes less fun than expected. With a company that has so many beloved franchises you’d think they’d use them properly. Well turns out, no, actually. Instead Nintendo has been taking some of its IPs and experimenting. Nintendo have been doing this so much recently, I’ve decided to coin a term for it: Genre-flipping. Chibi Robo Zip Lash is one example of this. Chibi Robo is a time management series, with fun visuals and an adorable character. Chibi Robo Zip Lash is not a time management game and nor are the visuals that fun. At least they got the character right. I’m not truly sure where to start. Visually, it’s bland, with environments being seemingly made out of lego bricks, and the soundtrack is absolutely forgettable. From a design standpoint, taking Chibi’s mechanics into consideration, it’s a little fun, but ultimately nothing special. It’s all rather by-the-numbers. There are a few collectables here and there, along with some bonus medals that do absolutely nothing. Of everything though, the most bizarre thing about this game is its wheel-of-fortune way of progressing. At the end of each stage you spin a wheel that tells you how many stages you advance through. Essentially it runs like a board game, with one path doing a circular from numbers 1 through 6 and then again. My question is: why? Beyond being pointless, it’s also annoying. You, the player, don’t get free movement of a world until you beat every level, and because you have to essentially roll a dice to decide which level you go to, you could end up doing laps of the world just to get to the level you need to play. Oh and FYI you need to clear the level again in order to roll again. Fun. Eventually, I learned a trick that guaranteed that I would play each level consecutively after the other, but again, that just hits home how pointless the gimmick is. The only explanation I have is that very early on this game was going to be a free to play game, only they changed their minds at some point and went to retail. The final boss is also dumb, asking the player to essentially buy the final level (if this WAS free to play, you know it would have been locked behind a pay wall). Still, it comes with a Chibi Robo Amiibo. So that’s nice. 5/10

Dante's Inferno (X360)

What’s that? A game that was no where near my back log and practically forgotten? Sure, why not, chuck it on. This year I’ve kinda had a thing for all things Hell related. I just find interpretations of it fascinating. That’s what led to me playing this. Graphically it’s a little dated now, but not hard to look at, and the music is actually quite impressive. Mostly its just choir and eerie instruments, but it’s Hell, what did you expect it to sound like. Mechanically it doesn’t really do anything special though. It’s about as standard a hack-n-slash as you can get - borrowing elements from games like God of War and such. That’s not really a bad thing, as the game plays fine, it just gets a little repetitive as you go. Furthermore, the difference in difficulty is too vast. On easy, enemies die in seconds, but in normal, you’re hacking away for ages. I never even bothered wasting my time on hard. Personally however, the thing I loved the most about this game was the design from an aesthetic standpoint. Each circle of hell is given a different theme that is faithful to its source material, and I often found myself just stopping to take in my environment. I wish the levels were longer to be honest, but at least everything keeps moving, unlike Castlevania: LoS last year with the intrusive results screen at the end of each “stage”. What I also like is how the game ties the levels of hell into the story of our hero. It’s not exactly an original plot, but it was interesting how Dante had committed sins worthy of each circle, and that every descent brought him closer to redemption. It’s certainly a nice adaptation, and the game ends on a never to be realised “to be continued” but it doesn’t need a sequel. it’s fine as it is. 7/10

Destiny (PS4)

There are certain genres I have no interest in getting involved with for whatever reason. MMO is one of them. Multiplayer games just don’t grab me as much as single players do, so generally, I don’t bother with them. So, when Destiny was released, I couldn’t care less. That coupled with the infamous lack of content didn’t really spur me into buying it, but when the taken king DLC pack came out I decided to give it a go. As stated, I’m not really an MMO gamer (shooter or otherwise), so I’m very aware there are probably much better games in this field, but I have to admit I kind of like it. It looks stunning, if a little too spacious, and there’s always something to do, even playing in single player. By far the most fun I had was playing with others though, time that led to some genuinely memorable moments. Enemy design is interesting, albeit unoriginal (the Fallen are essentially the Covenant from halo - like for like). Bizarrely, it’s the small stuff that makes this game good to me. All the big stuff where the budget clearly went (i.e. voice talent) doesn’t add all that much. What did shock me though, was when the Taken King story began. Not only was it a better campaign to play through than what had come before it, but it also highlighted just how bare bones the original title was at launch. This also goes into another matter of constantly re-releasing the game with brand new bells and whistles every 6 months - something I have no time for - but I digress. If you haven’t played it yet and you have a couple of buddies online too, give it a whirl. Nothing ground breaking, but enjoyable enough. 8/10

Doom (XBO)

Last year I wrote about Halo 4, and I talked about how it was the game that pretty much ended my affair with First Person Shooters. Realistically that hasn’t changed; I’m still not a massive fan of FPS games, but Doom got my attention. There was a lot concerning me about this game. No pre-release reviews (which is never really a good sign) and a lot of the gameplay footage resembled every other FPS game out there, so I was a little split on picking it up. Still, I gave it a whirl and I have to say this game is an absolute breath of fresh air. Action is thick and fast; locales are always different; and set pieces are easily distinguishable. Even the story, which you’d expect to be quite weak, is engaging. The ultimate word I would use though is fun. This game is a blast play. The character of the Doom Guy is so enjoyable to play as you can’t help grinning from ear to ear as you mow down the hordes of hell’s army. Which reminds me, enemy design is not only unique but also faithful. I’ve never played a Doom game before this one, but looking at the older games and seeing how the designers remained true to the originals I can see how much this game is a labour of love. The soundtrack is brutal and raw; not exactly something I would stick on my MP3 player, but enough to get the blood pumping, and there is a surprising amount of content. I think what makes Doom so enjoyable though is that it knows what it is. It’s a video game. It’s not focused on keeping things realistic. It’s all about carrying an arsenal on your back, destroying demons in endlessly satisfying ways, and finding little mini figurines, secrets and references. A surprise hit for more than just me, Doom may be one of the best 2016 had to offer. 9/10

FAST Racing Neo (Wii U - eShop)

FAST Racing Neo is a game that got a lot of hype, both before and after launch. It was easy to see why. Not only did the game look truly outstanding, but to many, it was the worthy successor to F-Zero that they were craving. Unfortunately it’s anything but. This is not F-Zero. It may look like F-Zero. It may sound like F-Zero. Hell, it may even want to be F-Zero, but it’s not. So what’s wrong with it? Simple: mechanics and design. There are some good ideas here, but an hour of testing should have told them they were going the wrong way about them. Changing colours to suit the boost pads is nice, but said boost pads are few and far between. Not to mention how truly difficult it can be to drive at such speeds. Turning or adjusting course is just straight up stressful when it’s this unreliable. This leads me on to the next problem, the difficulty itself. It’s way too hard for the earlier difficulties. It just throws you in the deep end. Refreshing as it may be, it’s certainly not welcome. It can lead to genuine frustration, and can make the player feel as though the game is unfair. This tied in with easily the biggest issue of them all: the boost pellets. Scattered about each course are small pellets that fill up your boost meter which can ultimately turn the tide. Again, nice idea, and on paper there’s nothing wrong; but when these pellets are incredibly tiny and laid out in tricky positions you can see where the issues come from. Not to mention the speed your travelling. Yes, I know it’s *FAST* Racing Neo, what did I expect, but the game has to accompany that speed. Fast is great, feeling like everything is based on luck with a near vertical learning curve, isn’t. 5/10

Fire Emblem: Awakening (3DS)

Fire Emblem is without a doubt one of my top 5 favourite gaming franchises, so you’d think it strange that I’ve not really played it in about three years. Maybe even longer. Thing is, Fire Emblem is a series that deserves respect. No distractions and no commitments. Just you and the game. So, earlier this year, when all my distractions and prior commitments were dealt with, I decided to finally play what many consider to be one of the best. It’s hard to disagree. As a Fire Emblem veteran, Awakening is probably the most refined of the series thus far (I haven’t played Fates yet). It’s simplified for newcomers, whilst maintaining the difficulty, and it introduces a lot of value to the support system, leading to some great battles. It also introduces the quick reset function for the purists. The characters are brilliantly likeable, and with the ability to play previous maps again and again, it allows you to get the most of the team mates you don’t typically use. The inclusion of an Avatar is a welcome change too, as is the chance to get specific special characters as a reward for gaining S rank support. The music is also wonderful. If I had any downsides it would be that it is overall quite easy by comparison to other Fire Emblem games, with only a handful of levels proving any challenge; allied AI is almost intentionally crap, with CPU villagers running headlong into enemy fire; and the story is a little disjointed - it feels more like three different stories, with one thread running weakly through them. These problems don’t really effect the overall experience however, and as always I walked away absolutely satisfied. An absolute gem. 9/10

Hyrule Warriors (Wii U)

There are hack-n-slash games and there are hack-n-slash games. Some play out a narrative or story that requires you to take out a number of enemies to progress, whilst others set an objective and ask you to mow down hundreds of thousands of foes to see it through. Hyrule Warriors falls in the latter category. Coming from the same studio behind the cult-hit Dynasty Warriors series, the game is a collection of levels and maps with a set task and just hordes of enemies between you and it. I’ve never played the Dynasty series, nor have I had any inclination towards this vein of hack-n-slash, but I have to say the experience was extremely enjoyable. In many ways, tackling army after army is cathartic and in the simplest of ways plays into a person’s deep desire for destruction. Want to feel godly? Play one of these games. Surprisingly though, there is a hell of a lot more on offer than you’d think. There are challenges and bonus tasks to each main stage, plus rewards for playing the stages in unorthadox ways, and that’s just the main game quest. There is an absolute boat load of content outside of that, with practically over a hundred levels and challenges, all of which encourage you to play the game to the fullest. Play as various characters, upgrade in various ways, grind, farm, there’s so much to do in fact that any attempt to 100% would be enough to drive you out of your mind. You’re looking at 200 hours, easy. As a result, there’ll come a point when you just stop. Not that the game gets bad, or gets stagnant, but that the way forward just gets too trying. I might jump back into it one day to relive the same joys, especially since they’re releasing DLC, but until then, I think a breather wouldn’t go amiss. Oh and the soundtrack is flawless. 8/10

Kirby and the Rainbow Paintbrush (Wii U)

If there’s one thing I hate, it’s gimmick games. No, not games with gimmicks in them, but rather games built around gimmicks. The DS suffered from an influx of these at the start of its life, with every title shoehorning needless touch screen elements into their games, but thankfully they started to die out. Nothing stays dead for long, it seems. Enter Kirby and the Rainbow Paintbrush, a follow up of sorts to the DS’ Kirby’s Canvas Curse. Let’s get the good out of the way first. Straight off the bat, this game looks gorgeous. The clay motif is wonderful to look at, and the lighting really makes the colours pop. Soundtrack-wise it’s nothing exceptional, but there are some good songs in there, along with some classics from the previous Kirby games. And that’s it. There is nothing else this game has to offer. Look at screen shots and listen to the soundtrack online; you do not need to play this game. Why? How about the game being 100% touch screen controlled. Buttons do nothing, and so you the player must scribble the life out of the Gamepad in order to do anything. I’ll try and convey how atrocious the controls are. For a start, once Kirby starts moving, he doesn’t stop. So he will just keep rolling about until you direct him otherwise. This leads the player into a wrestling match to keep the little bugger from wandering off. Then, in order to turn Kirby around, you “simply” draw a wall in his path. Except if your wall is drawn upwards and not perfectly vertical, Kirby will mount it and roll up it instead. Then there’s the limit to the rainbow rope. I get it, I know why there’s a limit, but once you draw a line, there’s no way to make it go away without using MORE rainbow rope! This can lead to the groundless levels being painfully frustrating, and even the standard levels aren’t much better. You can’t truly relax, you’re just always in a constant state of rage. You can forget collecting everything too. Not only is Kirby a pest to control in order to get all collectable items anyway, but many collectables are hidden in mini game rooms. These rooms are not fun. They give you 15 seconds to figure out what you need to do AND get Kirby to play along for a change. The number of times I came so close, only to be thrown out. It’s a joke. So yeah, bad, BAD, game with only a few - and I mean a few - moments of enjoyment. It’s only marginally more playable in multiplayer, but even then its just a game of babysitting that nonce, Kirby. 4/10

Kirby Triple Deluxe (3DS)

I actually don’t hate Kirby games. I mean, they’re not masterpieces, not by a long way, but they seem to get the right things down. Most of the time. By and large Kirby games are fun, if a little easy, but fun all the same. Triple Deluxe is just that, fun. I kinda don’t know what else to say about it really. Graphically it looks good - with some great character animations - and the music is, again, okay but nothing truly spectacular. It was good to play Kirby as he was meant to be played. Even if it wasn’t that hard, there was still a lot of enjoyment to be had. It’s classic Kirby gameplay with a slight 3 dimensional twist. If I had any negatives it’d probably be the ending, which I do feel goes on overly long with boss fight after boss fight after boss fight. Some would say it makes the finale all the more impressive and epic, but, to me, there’s only so epic a Kirby game can get before it outstays its welcome. It’s more of a personal reason, I know. Overall a quaint and charming game, which is certainly more relaxing than a certain other Kirby game I played this year. 7/10

Legend of Zelda: Picross (3DS - eShop)

After my frankly unhealthy addiction to picross at the end of last year, I’ll take any excuse to get back into it. So when Nintendo went ahead and released a Zelda version (essentially for free to My Nintendo users) you better believe I snapped it up. What can I say, it’s picross. It’s the same simple, enjoyable, and addictive puzzling its always been, only now you’re drawing Zelda things. For what is a cheap pick-up-n-play title, there’s actually a fair amount to get through, along with a new mode if you succeed at beating the main challenges. That being said, this “new mode”, otherwise known as Mega Picross, isn’t actually that great. Besides being needlessly complex and confusingly explained, you’re solving the same puzzles as before, only everything is convoluted and frustrating. All in all though, it gave me the perfect picross fix. Just don’t expect it to hold you for longer than a weekend. 7/10

Legend of Zelda: Twilight Princess HD (Wii U)

Nostalgia can be a difficult thing to get past. Case in point, Twilight Princess; a game I felt was truly a flawless game the last time I played it on the Wii. Playing the HD update however, I’m not sure I can say that anymore. Don’t get me wrong, it’s still a fantastic game, with great structure, dungeon layout, mechanics, graphics and soundtrack. Furthermore, it isn’t *worse* because it’s a HD remaster, its more or less the same - with slight improvements and detriments. It’s more that, playing over it again and doing everything I could to 100% it, I found a lot of the game more frustrating than the last time I played it. Certain side quests that were ultimately poorly designed. For example - having to manually trek back to the beginning of a quest if you fail it rather than just being transported, is a pain. I even rage quit at one time because it was so infuriating. There were even parts of the main quest that I felt were needlessly elongated. I know they were for story purposes, but when you’re having to travel back and forth to the same points over and over again, it can be a bother. In terms of what’s new in this version, much like the Windwaker HD, it’s mostly small items that don’t shake the foundations, but they certainly can be a big help. I also felt some of the collect quests were made a little easier, but I can’t be too sure about that. Of all my problems with this game though, my biggest comes down to the controller mapping. It’s not unplayable, but, just rather bizarre. The way certain buttons are mapped is a little backwards in my opinion, with some buttons literally not being used at all. It just feels odd that in the process of making the game slick and smooth on all fronts (gameplay included) they would seemingly botch this area up. Ah well, the game is still great, and one of the best in the series; even if my eyes have been opened to its shortcomings somewhat. 8/10

Liberation Maiden (3DS - eShop)

Japan is an odd place. There are some games that struggle to get a western release despite a built in audience abroad, whilst there are others that get released without any real problem. In the latter zone we have liberation maiden, one of a compilation that was released digitally outside of Japan by Level-5. Why do I emphasise Japan so much here? Well, because if I had to describe this game in one word I would say: Japan. It’s everything you would expect from a Japanese title. You are the princess of a space colony that is tasked with stopping the evil metal aliens from polluting the planet by using a giant, meta-morphing battlebot. See what I mean. If you take out the (questionable) english voice acting, this game practically screams “Japan”. But lets move off that shall we. Graphically, this game doesn’t look all that good, and the soundtrack is...well...it’s hard to say. Most of the time the music is really quiet and you can’t hear it over the sounds of explosions. As for the gameplay itself, it’s a little stiff, and it’s all rather confusing. I spent a little too long waiting for the game to grab me, and even then it never did. I found the combat to be rather bland, and the levels to be quite repetitive. That’s not too bad though, considering realistically you can beat the game in a single sitting. Generally, it was a decent way to kill an afternoon, but ultimately, its about as standard as it gets. 6/10

Limbo (PS3)

Limbo has been one of those games that I’ve watched from the sidelines. A lot of people praise it, it’s earned a lot of respect in the indie community, but it’s never really shot to the top of my to-play list. That was until the developer released “Inside” earlier this year to the same critical acclaim. Right off the bat, Limbo makes you feel like it’s a game with more style than substance, but as you play you get given more in-depth challenges with more dangerous obstacles. By and large its a puzzle game, but each brain teaser keeps you on your toes and forces you to think differently using the game’s design and logic to win the day. Visually its impressive. The dark tones create a brilliant atmosphere, as does the eerie soundtrack. It’s also a game with little to no frustration. If you fail a puzzle, you die; but you respawn so quickly, that the whole trial and error prospect doesn’t seem too bad. Honestly I wish more games did this. It’s a little on the short side, pretty much beatable in two sittings, but it’s just about the right amount of enjoyment. Like a French Fancy cake. 9/10

Mario and Luigi: Paper Jam Bros (3DS)

In spite of the fanbase, I actually like the recent run Mario and Luigi games. I mean, of course the original DS trilogy is better, but these are hardily trash. Hell, I actually think Paper Jam Bros gets the series staples bang on. It has refined and purified all prior game problems to create an experience that is efficient in its execution, and one that never asks too much from the player involved. With that said, it is strange then that this game is not the series best. I can’t really describe it, but it just feels as though this game is missing somewhat of a soul. Don’t get me wrong, the music is great again; it’s visually interesting; the battles are really clever and can be quite strategic; the writing and humour is some of the series’ best; and the overall gameplay is fun. But it’s something beneath it all. There’s no grandness to the adventure. No point or reason to having it. It just feels like an idea that, whilst done well, didn’t really have the weight to go anywhere. Structurally it’s not terrific either, with the game bouncing back and forth between the main adventure and mini-games. The mini-games do offer a nice distraction, but they aren’t really paced properly, which can make them feel completely out of place more than once. And if they aren’t thrown in at random occasions, they’re predictable. It all feels by the numbers really. The game is great, and in no way do I regret playing it; but it just doesn’t have the same quality and heart as previous entries. 8/10

Middle Earth: Shadow of Mordor (PS4)

Let’s get the obvious out of the way first: Shadow of Mordor doesn’t have an original bone in its body. Realistically, this isn’t a bad thing. It has the free roaming and wall climbing mechanics of Assassin’s creed, whilst also bringing in the combat and stealth segments of the Arkham games. In many ways, it delivers on the best of both worlds - albeit in a little clunky fashion. I did like the “power system” though, a near limitless roster of ranked orcs that you can take out, sometimes more than once, and the overall interface was quite intuitive. Graphically it looked great too, and the background music was atmospheric and cinematic right when it needed to be. The story too is quite interesting, offering not just an adaption of the events preceding the Lord of the Rings, but also an enormous amount of lore to get stuck into. Not to mention the side quests and bonus content available if you’re willing to put in the time. Sadly, in spite of all it’s good qualities, and there are a lot, the fact that there isn’t really anything that makes this game stand out from the crowd can lead people to just shrug it off. The final boss is also incredibly anti-climactic - unless of course you pay for the DLC which gives you a “better” send off. Typical WB; what are games for if you can’t make money off of them, amiright? 8/10

Overwatch (XBO)

I’m repeating myself. Multiplayer focused games just aren’t my thing. I can appreciate the design, and I can love the overall experience, but the games just do not have the power to hold me for longer than a week. With that in mind, Overwatch is incredibly enjoyable, with a few minor drawbacks. The cartoony style looks lush and interesting, and the characters are all beautifully realised and unique. The maps are quick and frantic, leading to some genuine fun and epic moments. It’s not all smiles and celebrations though. Naturally there are some pros out there who can play this game blindfolded, which in turn can make some matches incredibly one sided, and when there’s a heavy emphasis on teamwork, having that one teammate that does nothing, or even having a smaller team than the opposition, can make things un-fun very quickly. Fortunately, there is an option to play against CPUs, but these matches do not give out the same rewards to playing against real people. The rewards themselves are also meagre. They’re random, can be duplicated, and half the time they’re locked behind micro-transactions. You’re essentially gambling to get worthwhile skins and other cosmetics. Beyond all of this, there isn’t much the game offers, but I will say that when you’re playing with friends, it is a lot of fun. Definitely for its competitive audience, but that doesn’t necessarily include me. 8/10

Pokken Tournament (Wii U)

I feel I should point this out now. This game’s score is attributed exclusively to the gameplay. By that I mean the fighting. Whether its between you and a friend or the computer, it’s fun. Combat is surprisingly in depth, offering a lot to fighting fans, and the graphics are spectacular. Plus there are plenty of characters to choose from, so you can tell this had some effort and thought put into it. As for everything else though, it’s a little bare bones, and frankly tedious. For starters, all you can do is fight; and you fight a lot. There is literally nothing else this game has to offer. There is a story that pans out as you play through the game’s “league mode” (essentially a ranked arcade mode) but beyond that all you can do is fight. Over and over again. The way the league matches are organised is incredibly repetitive and asks for a lot of patience out of the player. As a comparison, imagine being asked to play street fighter’s arcade mode upwards of 8 times just to advance to the next bit. Sounds like a slog doesn’t it? Furthermore, the menus are intrusive and, as a result, make the player less inclined to change their fighter during the main modes - given that you have to pick a default fighter from the start that can only be changed by going to the main menu itself. Finally, the voice acting; oh god the voice acting. Not only is it obnoxious coming from your “guide” character - who will not shut up unless you switch her off - but it is also woefully bad. Delivery is a farce with lines and emphasis not matching up, and the general dialogue sounds like it was written by a 5 year old with no idea what pronouns are. Still, the gameplay is good. 7/10

Rhythm Paradise Megamix (3DS)

I’ve never played a Rhythm Paradise game before, and really, I didn’t exactly want to. They looked like fun, but when they were being packaged and retailed at the same price as other, far more in-depth games, I couldn’t bring myself to get into them. When Nintendo announced they were going to be releasing what is essentially a collection of the entire series up to now though, well that was a different story. Honestly, I’m kinda glad I skipped the series before now, as I can experience the greatness of the franchise in all its glory all at once. I’ve got to say, RPM is an absolute blast. Brimming with life, colour, and most importantly, rhythm, the game is almost impossible to put down. It’s highly addictive and more fun than you might think. Plus there’s actually a lot of content to get through, with challenges, highscores, and unlockables. The best thing going though is the soundtrack. Every stage has a completely original song made just for it, and each one is wonderful to listen to. I often found myself playing through the same levels over and over again just for the hell of it. If I had any draw backs, I’d have to say its more what they could have done, or should have done, but didn’t. For example, the perfect campaign, the ability to earn rewards by clearing a level without missing a single note, shouldn’t even exist; Three goes and then it kicks you out? Why? Why not instead just have it always on the level and then if you fail it doesn’t stop the song and boot you? Also sometimes the margin for error varies too much and occasionally button presses aren’t recognised on some of the faster games. Finally, why is there no randomizer option, or playlist function? These seem like no brainers to me, as the game is already the perfect down-time game. Ah well, the game is still a lot of fun, and I think I’ll be humming its beats until the day I die. BA BOM BOM BOM! 8/10

Rise of the Tomb Raider (XBO)

Tomb Raider’s latest reboot was a brilliant surprise last year, so I couldn’t wait to dig into this one. Right away, it certainly ups the ante. The game plays a lot smoother and the newer mechanics give depth and strategy to the overall experience. Lara’s character is irresistibly good, and still retains a lot of her strengths from the last game, but the good news is, they’re actually taken further here. The developers could have easily carted out the same old Lara, but it’s good to see they really care about her as a character. Now, Lara’s much more tenacious without being over-confident. She’s vulnerable, but resourceful; and she’s formidable but not impervious. The way she develops as she goes ties into the game’s title really well; this is Lara truly becoming the Tomb Raider we want her to be. Stealth elements are beyond intuitive. Everything flows without coming to a standstill and it’s all incredibly simple. Crafting items like bombs and Molotov cocktails in the midst of battle can also shake things up, and the layout and design compliment these elements perfectly. Everything is laid out so well that, if you play your cards right, you can take down an entire platoon of enemies without them even seeing you in a matter of seconds. In terms of content, there’s a lot to do and find, and the interface is so useful that the path to 100% is rather straightforward. Negatives? It does feel a little shorter than its predecessor, although I don’t know if that’s because the individual areas are a lot bigger or not. I don’t know. Honestly, I really struggle to find fault with this game. It was a lot of fun to play, and on top of that, it’s incredibly well made. 9/10

Shantae (GBC - 3DS Virtual Console)

After playing and loving Shantae and the Pirate’s Curse last year, I thought I’d go right back to the beginning with the Gameboy Colour original. And how was it? Well...let’s just say it’s certainly come a long way. Oh the game is good. It’s a lot of fun, with a startling amount of content for a Gameboy Colour title, but it is a little rough around the edges. Not only is a lot of the game not really laid out for you (forcing you to question whether or not you’re going the right way) but it’s also unspeakably difficult. Like, immediately this game pulls no punches at all. From the get-go it’s hard, with enemies doing a hell of a lot of damage, and Shantae herself being unable to hit them without getting really close. Not only that but there are insta-death zones everywhere, and also there’s a day and night feature which rotates every 5 minutes. How is that bad? Well enemies take twice as long to kill and do twice as much damage at night. This can make a lot of areas unplayable in the dark in the earlier stages, and as the game is designed in a metroid-type way, there’s a lot of back tracking involved, so you’ll be passing through the same areas a lot. Finding the warp squids makes travel less cumbersome, mind, but even so it doesn’t make exploring the wilderness any easier; a lot of the game’s secrets frankly require a strategy guide. By the end though, despite the unforgiving difficulty, I was somewhat sad to leave it all behind. I did have a lot of fun when all was said and done, and even though I’ll probably never play it again, I would recommend it to those looking for some retro adventure gaming. 8/10

Star Fox Zero (Wii U)

Here we are: arguably the most divisive game of 2016. One half claiming it’s great, with a lot of value and charm; whilst the other half calls it a broken piece of trash that doesn’t work. Frankly, I have no idea what the latter group is on about. Star Fox Zero is a fantastic game that’s a hell of a lot of fun to play. It looks brilliant, with a style that seems to be both realistic and retro at the same time, and the music is really engaging and great to listen to. The opening level has one of the best tracks to get the blood pumping. Honestly, going in I had reservations. I was worried about the controls. I feared they would get in the way of the gameplay, but I was surprised. In fact, I played the entire first level without even using them. Plus, they’re customisable to a degree, so you can mix and match to suit your style. Granted there are some learning curves later on, specifically with the walker, but as far as I’m concerned, if you’re willing to put in the time, you’ll be rewarded in spades. If I did have any problems I would say that the branching paths don’t really feel like proper levels, as they’re more like bonus levels; I wish the game wasn’t just a reboot of the series; and the final boss almost doesn’t feel like the final boss; but realistically that’s it. The controls are fine unless you have literally zero patience or tolerance for trying something new, and half the time you can play without them. And on top of all of this, it has the best tribute to Mr Iwata. I’m just glad to have Star Fox back. I’ve missed you, buddy. 8/10

Steamworld Dig: A Fistful of Dirt (3DS - eShop)

Steamworld Dig is an odd game to talk about. I don’t really know where to begin. On the one hand I could call it a dungeon crawler - although that’s not entirely accurate - and on the other I could say its an exploration adventure game. Tell you what, I’ll go with the title. Dig. Because that’s what you do. You dig. Downwards and sideways and sometimes even upwards. That’s practically 90% of the game. And it’s awesome. Who would have thought a game that asks you to do the same menial task again and again within seconds of each other would not only be fun but also incredibly addictive. Forging your own way through the underworlds below, finding treasure and mining ore as you go, as well as uncovering more of the plot, all come together into a highly enjoyable package. There’s just something incredibly soothing and cathartic about smashing a rock until it breaks. I rarely got tired of it. Even when I did, I was back to playing it after a few hours. It’s just a blast, surprisingly. There are a few downsides of course. It’s a little on the short side, even with the different worlds to uncover and the music is rather standard outside of the main theme, but these are just minor details when all is said and done. Pick it up if you can, it’s certainly good for a weekend. 8/10

Super Luigi U (Wii U)

Can DLC really count as its own standalone game on this list? When it’s released as its own retail copy it does. And what a strange one it is. It’s not Super Luigi U, it’s New Super Mario Bros. U + New Super Luigi U. That’s the name of the game. Meaning when I put it in my Wii U, the console had no idea about my NSMBU save file. But I digress. Super Luigi U is all right. Well it wasn’t really going to be anything special when it’s essentially built on top of a pre-existing game, but I do like what it’s trying to do. All stages are practically speed runs, with only 100 seconds on the clock, and a number of challenges between you and the goal. This is probably the game’s best feature. Honestly, I didn’t feel like I was trudging my way through another Mario title, but rather breezing through it at an alarming pace. It’s also pretty straightforward to 100%, even if Luigi plays like he’s on roller-skates and some of the levels are a little on the difficult side. At the end of the day though there was no shaking that this title didn’t really feel like its own game. I mean, I know it isn’t and that it’s DLC, but still. It’s more of a pleasant distraction than anything else. I would like to see Nintendo do more with Luigi, but until they start giving him his own proper space, instead of having him just run around in Mario’s, he’s always going to be second rate. 7/10

Tengami (Wii U - eShop)

Tengami to me is a classic style over substance game. There is some substance admittedly, but this game is clearly built on its look; which is paper. More specifically, origami. I do have a soft spot for it though. Having everything being treated like a literal story book, turning over pages and such, it did bring a certain charm to the game. Then again, it was developed by ex-rare staff, so we’re clearly dealing with some talent. It’s essentially a point-and-click puzzle game, but when I think about it there actually weren’t that many puzzles. The puzzles it did have were great, with some intriguing and inspired brain teasers, but it would have been good to see some more. Easily the game’s biggest strength though is it’s soundtrack, which honestly floored me with how good it was. This game came out in 2014, along with Shovel Knight, Bravely Default, Shantae and the Pirate’s Curse, and Donkey Kong Tropical Freeze. It got me thinking: 2014 was a bloody good year for Video Game music. Speaking of Donkey Kong Tropical Freeze, the soundtrack is done by the same guy; the irrefutably gifted David Wise. He captures such mysterious nuances to everything he puts his hand to here, and it’s truly remarkable. Even if you’ve never played the game, I implore you to look up the soundtrack. I’m going a little off topic here, so let’s talk about Tengami’s problems. For starters, it’s short. Alarmingly so in fact. I beat it in a single sitting and with very few moments of pause; which is even more damning when you take into account the other major flaw. The game’s nameless hero moves so - bloody - slow. It’s painful sometimes, and god forbid you forget to do something before you move on because back tracking is an absolute chore. Overall, I don’t regret playing it, and if you’re looking for a decent game to unwind to, look no further; just be prepared to wait a while for your character to get his arse in gear. 7/10

Theatrhythum Final Fantasy Curtain Call (3DS)

Hey, big shock, I like Video Game music. You wouldn’t know it, would you? All joking aside, Video Game music is some of the best music out there in my opinion, and it’s a shame it doesn’t get more attention. So when a title comes along that takes video game music and makes an entire game around it, you know I’m down - especially when the music in question belongs to Final Fantasy. Theatrhythum Final Fantasy Curtain Call is a sequel of sorts. I played and enjoyed the first game, and found myself getting addicted to it, so it was only natural I played the follow up. Funny thing is, it’s not really a follow up, or a sequel, it’s more of an ultimate edition. This game is the first game again, only with a bazillion more things in it. It’s a rhythm game with some of the best songs in the Final Fantasy library; only now there are over 200 songs to play through, on multiple difficulties. Yikes! No joke, the way the game works, I hadn’t even played all the songs once by the time I reached the credits. Plus, you keep unlocking new songs as you go, which just adds to the playtime, and, whilst the first game just featured the main canonical Final Fantasy games with a few bonus extras thrown in, this game features music from any game with Final Fantasy in the title. It’s insane. Plus it doesn’t just stop there. There’s also a cool adventure-type mode, that sees you playing song after song, sometimes on the hardest difficulty to reach the end. You have to play through these if you want to get even close to unlocking everything. Oh did I mention the unlockables. As well as extra songs, the game also has extra characters, collectable cards, and Sound Test items to unlock. AND THEN, even though it has SO MANY SONGS to begin with, there are DLC songs too, just in case you were thinking of giving up on the real world altogether. This game has so much in it, in the end I just had to cut the cord whilst I was still plugged in. For the sake of my health I just had to put it down for good and walk away. Definitely a great time, but be careful you don’t lose yourself to it. 8/10

Thomas Was Alone (PS3)

One of the more random games I decided to pick up this year, Thomas Was Alone is a fun, quirky, and most of all funny puzzle game. I got plenty of Portal vibes off this game while I was playing. The dialogue is so witty and humorous. Add that to Danny Wallace’s excellent comedic delivery and you’ve got a game that has you laughing on every stage. Graphically the game is lacking, although this is intentional, and the same goes for it’s soundtrack. But the design and narration easily make up for the absences. It’s a little short, but it’s charming. No other game has given faceless, coloured shapes personalities before. That’s got to count for something. 8/10

Uncharted: Drake's Fortune (PS3)

The Uncharted series has been on my back log for a long time, but this year - with the release of Uncharted 4 - I decided to finally get stuck in. And it’s ok. That’s it. Sorry, Sony-boys, the original Uncharted is only just above average in my opinion. Maybe for its time it was a much better example, but right now it’s a little dated. Graphically it’s not too bad, though environments are rather stagnant, and the music is very cinematic, but the gameplay is rather bland. Combat is tiresome, with firefights being overly long and boring. Seriously, you take on something like thirty guys every time; what other word is there but tedious. Then there’s the puzzle segments of which there aren’t that many. Most of the time you’re climbing which is equally as overplayed as the combat, and when that’s your lot it doesn’t take long for the game to get a little exhaustive. The structure here is also questionable. When Nathan Drake steps foot in a secret chamber no one has been in for centuries, why are there suddenly armed guards to take out in there? Basically, it seems combat is used as a device to add variety to the exploration, but there are surely more and better ways to do this. The best qualities this game has however are the plot, which is highly engaging, and the characters who are irresistibly likeable at all times. The overall gameplay is fine - although very clunky and rough around the edges - and for the most part it is enjoyable enough. A decent first effort from Naughty Dog but nothing truly spectacular. 7/10

Uncharted 2: Among Thieves (PS3)

Coming off the back of Uncharted 1, I didn’t really have a lot of enthusiasm for the sequel. But, a lot of people had said that it was ultimately a better game and so I gave it the benefit of the doubt. Thankfully, it paid off. Among Thieves is a much tighter experience than its predecessor. The story is just as good as the first, and of course the characters and writing remain brilliantly entertaining; but on top of this Naughty Dog have worked on the faults of the first game. Combat is much more balanced, with firefights now making a lot more sense, and there are a lot more environments to explore. There are also a lot more puzzles, although 90% of the solutions require climbing. Fortunately, that too has been improved, with Nathan moving a lot quicker and seamlessly from foothold to foothold. General variety is up too, with combat not just being the only thing to do. Generally the whole game is a mark up from the last one, but there are still a few problems. It does still feel clunky moving about - more than once Nathan swan dove off a ledge I didn’t want him to go near - and some of the newer elements, more specifically the stealth aspect, don’t exactly work. All it needs is a button prompt when you’re close enough to do a stealth takedown, but because it’s not there, Nathan just swings his fists like a maniac and draws all the attention to himself instead. Luckily, no parts of the game require stealth, but it’s frustrating none the less when you want to be stealthy but the game messes you up. In the end I gave up on sneaking and just went in guns blazing. All in all Uncharted 2 is a much better game and seems to be going in the right direction. A few weak areas here and there hold it back and I’m still waiting to be absolutely blown away but it’s definitely a great game. 8/10

Undertale (PC)

I am a firm believer that video games are art. Art - to me - is a means of expression that can be interpreted in different ways by different people on top of connecting emotionally with the viewer. So basically, so long as the user is connected and is invested in someone else’s creation, it is art. Now, not all video games should be considered art, but there are nevertheless plenty out there that could. Undertale is one of those games. Quite frankly, this game is a masterpiece. Part RPG, part bullet hell, not only does it do new things and break the mould of its genres but it also exemplifies the video game experience. Now I’m sure I’m not the first person you’ve heard say these things about this game, but I’m in earnest. This game is a triumph. In many ways, Undertale is the true Citizen Kane of gaming. Like Orson Welles, Toby Fox is pretty much a one man army with this project. Designer, Director, Writer, and Musician, among many other things I’m sure. Speaking of musician, can I take a moment to bring up how immaculate the soundtrack is. It’s easily the one of the best video game soundtracks of the decade. Every track is perfection and immediately recognisable, not to mention incredibly well made. Gameplay is excellent and intuitive, and it’s one of the games where the player’s actions directly impact the game as a whole. This is a game that rewards you for not killing, and vice versa. Beating the game on a pacifist run (do not kill a single enemy) will give you arguably the true ending to the game, whilst beating it on a genocide run (kill literally every living thing in the game - yes, that’s a genuine possibility) will result in the game being broken forever. I never had the guts to attempt a genocide run. For starters the characters are too endearing and full of life, but also because, if you constantly kill, the game openly does what it can to make you feel like a horrible person as you play. Music becomes distorted, your inner monologue becomes much more hateful and aggressive, and characters and NPCs regard you with fear. It’s seriously messed up. Honestly, the pacifist run alone is what made this game truly exceptional. I can’t say too much without spoiling it, but I’ll just say during the perfect pacifist run something happens that changes the way you see this game. All previous assumptions get turned on their heads. That sudden change in perception is what cemented this game as a work of art. I thought it was just a brilliant and fun game, but it’s something a lot more special. Undertale is the real deal; the genuine article, and you owe it to yourself to play it if you haven’t already. 10/10

Yoshi's New Island (3DS)

Ah, Yoshi’s New Island; or as I like to call it: Yoshi’s DO IT ALL AGAIN. This game is just disappointing, and I’m saying that after going in with low expectations. It’s hard to believe this game came out in the same year as Yoshi’s Woolly World (i.e. a vastly superior game). Presentation is lazy, soundtrack is obnoxious, and level design is bland and generic. I also find it ironic that the game calls itself Yoshi’s *NEW* island, and yet it seems hellbent on re-enacting the original SNES game. Every world is themed and structured identically to it, but whereas then it made sense given the structure of the island, here it doesn’t work. Why is world 5 a snow world? In the original it was because you were climbing the mountains, but here it’s just snowy. The game as a whole adds a little bit here and there, but nothing ultimately earth-shattering, and it’s not exactly hard. The overall design is just unfair for completionists though. The way collectables are placed can lead to some genuine fury, and if you end up missing that one red coin, that’s right, you have to do the whole level again! Not surprised I gave up on 100%-ing this after a while. Oh, and as if to throw in some form of self awareness, the final boss repeats itself. Nothing changes, it just asks you to, literally, do it - all - again! Fine as a “Babies First Yoshi” game, but for fans, stay away. 5/10

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