#and then i was so used to it i just gave up trying

[thescriptorium]

thinking about caitlyn kiramman and how her lack of words are so fundamental to the end shape of her character. cait doesn’t say “i’m sorry” when Vi yells at her about being Ambessa’s puppet, she yells “i know” because she’s intelligent enough to see the spiral of events but not enough to know how to stop it. she doesn’t say “i’m sorry” but the very next scene she attempts to make peace with jinx. she doesn’t say “i’m sorry” but she calls off the guards so Vi can secretly try to save her sister—a terrible plan but one that Vi needs to do.

caitlyn isn’t surprised to find that jinx escaped. she expects Vi to be locked away by her sister so that she won’t chase her. because that’s the doomed tragedy of them.

everyone knows Jinx can’t be saved except for Vi.

Vi wants so badly to believe her love will somehow save her sister but it never will. her fatal flaw is that she will always try and she will always fail. and then caitlyn knows Vi will unjustly blame herself, so she’s there at the cells to ground her and remind her that this is how it’s always been. you’re getting predictable.

and then vi finally understands that caitlyn pulled all the strings for this. that she gave her another chance to open a cell and go after her sister, even knowing it would never work. it’s an apology and it’s cait saying “i know who you are.”

caitlyn kiramman doesn’t use words, she takes meaningful action because she’s only half the charismatic councilor her mother wanted her to be. she’s grown up an outsider and keeps a careful mask for everyone except violet, which is why season one opened her up so magically. she’s naturally stoic and reserved but she’s bold.

and then vi has to kiss her right then in the cells. because meaningful action means so much more than words to someone like her, who just wants to be of service to the people she loves. what caitlyn did was a reciprocation of her love language. and then Vi acts more by instantly showing her love, giving caitlyn all her love, because she’s the only person in this story willing to accept it. without hurt or heartbreak, vi can pour this massive heart she has into the only hands capable of understanding it. of being tender with it.

because caitlyn knows that vi is devoted to such a massive fault, but it doesn’t deserve to be punished. not any longer.

caitlyn kiramman doesn’t use words, but she keeps the burden of jinx locked away in her heart. all so that vi can finally know what a safe home and peace feels like ♥️ AUGH

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[misswynters]

Ma Meilleure Amour

featuring. ekko x fem!reader

a/n. doing my duty as a writer to fill the ekko tag with fics of him only (it’s translated to my best love)

inspired by. the song Ma Meilleure Ennemie and the scene with ekko and jinx in act iii (listen to it while reading)

Everything felt different. The streets of Zaun had the ever-present haze of smog seem softer, its grim edge dulled by the warm hum of neon lights. The streets bustled with life, as they always did, but the night gave the chaos a certain charm. The glow of green and pink signs reflected off damp cobblestones, while the occasional flicker of a malfunctioning lamp sent ripples of color through shallow puddles.

You walked side by side with Ekko, your steps slow and aimless, as if the two of you had all the time in the world. You didn’t, of course. With how Zaun always had a way of reminding you that the clock never stopped ticking. But right now, under the swirl of lights and the faint hiss of steam vents, it felt like time had paused just for the two of you.

Ekko’s hand brushed against yours every so often, and though he wasn’t one to initiate touch easily, you could tell he didn’t mind the closeness. He always had this way of being effortlessly cool, his swagger and wit making it seem like nothing fazed him. But you knew him better than most. You saw the weight he carried, the pressure of being a leader, a fighter, and a kid all at once. And tonight, you were determined to remind him what it felt like to just…be.

“Ever think Zaun’s kinda pretty at night?” you mused, breaking the comfortable silence.

Ekko glanced at you, one eyebrow raised, before looking around. “Pretty? Dunno if I’d call it that. More like…gritty with a side of a green glow.”

You laughed, nudging him playfully. “You’re so dramatic.”

“Says the one waxing poetic about this place,” he shot back, his grin tugging at the corners of his lips.

You rolled your eyes but couldn’t help smiling. “Fine, maybe I’m seeing it through rose-colored glasses. Or maybe I just like walking around with you.”

That earned a chuckle from him, the sound low and warm. He shoved his hands in his pockets, his shoulders relaxing as he leaned closer to you. “Well, when you put it that way…” The two of you wandered through winding alleys and across rickety bridges, the air thick with the scent of metal and oil. Every so often, Ekko would point out a shortcut he’d used for one of his time-bending escapades or share a story about an adventure with the Firelights.

But then he led you down a narrow path you hadn’t noticed before, his fingers brushing yours briefly to guide you. At the end of the path, you stepped into a beautiful hidden oasis. A rooftop garden tucked away from Zaun’s usual grit and grime. The first thing you noticed was the lights. Strings of mismatched lanterns crisscrossed the space, casting a soft, golden glow over everything. Tiny fairy lights were woven through the vines that climbed up makeshift trellises, their warm flicker like little stars in the night. The plants themselves were a mix of scrappy greenery and surprisingly vibrant flowers, their colors popping against the muted tones of the city below.

“Woah…” you breathed, turning to him with wide eyes.

He shrugged, trying to play it cool, but the faint blush on his cheeks gave him away. “It’s nothing fancy. Just a spot I’ve been working on.”

“Are you kidding? It’s perfect,” you said, your voice filled with awe.

He rubbed the back of his neck, his gaze darting away from yours. “Figured it’d be nice to have a place to get away, y’know? Somewhere quiet.”

You stepped forward, taking it all in. A small wooden bench sat in the center of the garden, its surface worn but sturdy. Around it, the plants swayed gently in the cool breeze, their leaves catching the light just enough to shimmer.

“Come on,” Ekko said, his hand lightly brushing the small of your back as he guided you to the bench. “I didn’t bring you here just to stand around.”

You sat down, the wood creaking softly under your weight. Ekko settled beside you, close enough that his knee pressed against yours. For a moment, neither of you spoke, the quiet hum of the lights and the distant sounds of Zaun filling the space. It was a working pattern. There was always a comfortable silence between the two of you.

“How long have you been working on this?” you asked softly.

“Couple months,” he said, leaning back with his arms stretched across the bench. “Takes a while to get plants to grow in a place like this. But I dunno…it feels good to build something, y’know? Instead of just tearing things down.”

You glanced at him, your chest tightening at the softness in his voice. Ekko didn’t let people see this side of him often though. I mean this was the boy who dreamed of a better Zaun, the one who carried the weight of his community on his shoulders.

“It’s beautiful,” you said, resting your head against his shoulder. “Just like you.”

He laughed softly, the sound warm and a little shy. “You’re laying it on thick tonight, huh?”

“Just telling the truth,” you said, closing your eyes as his warmth seeped into you.

The two of you sat like that for a while, wrapped up in the stillness of the garden. Ekko’s hand found yours, his fingers intertwining with yours in a way that felt natural, like you were always meant to fit together.

“Hey,” he said after a while, his voice quiet.

“Yeah?”

“Thanks. For, y’know…being here.”

You lifted your head to look at him, your heart aching at the sincerity in his eyes. “Of course,” you said softly while winking. “You’re worth it, Ekko.”

His gaze lingered on yours for a moment, the golden light casting shadows across his face. Then he smiled. It was real, genuine smile that made your chest feel light and full all at once.

“C’mere,” he said, pulling you closer until you were practically in his lap. His arms wrapped around you, his chin resting on your shoulder as you leaned into him.

“This is nice,” you murmured, your fingers tracing absent patterns on his arm.

“Yeah,” he said, his voice a little muffled. “It is.”

There it was again, the comfortable silence. The garden was quiet, bathed in the golden light of the mismatched lanterns. You rested your head on Ekko’s shoulder, feeling the steady rhythm of his breath against you. His fingers were still intertwined with yours, his thumb brushing small, absentminded circles against your knuckles.

It was peaceful, almost too perfect for Zaun, where tranquility was a rare luxury. The hum of distant machinery and the faint chatter of the streets below were a backdrop to your own private world. You thought this was it, that the night couldn’t get any better. But Ekko had other plans.

Suddenly, he shifted away from you, his weight leaving the bench as he stood. His warmth leaving your body. You blinked up at him, confused as he turned to face you, his signature grin tugging at the corners of his lips. He extended a hand toward you, palm up, the glow of the garden lights reflecting in his dark eyes.

“Dance with me,” he said, his voice soft but brimming with an irresistible playfulness.

You tilted your head, a laugh escaping you. “Dance? Here?”

“Why not?” He wiggled his fingers, urging you to take his hand.

You hesitated, glancing around. “Ekko, there’s no music.”

He smirked, a glint of mischief in his eyes. “Oh, ye of little faith.”

Reaching into his pocket, Ekko pulled out a small, beaten up speaker, a relic salvaged from some forgotten corner of Zaun. He fiddled with it for a moment before a warm melody crackled to life, filling the air with a gentle rhythm.

You stared at him in disbelief, your lips parting in surprise. “You planned this?”

He shrugged, trying to play it cool but failing miserably as a proud smile broke through. “Maybe.”

Shaking your head with a soft laugh, you placed your hand in his, the warmth of his palm grounding you. “Alright, Clockstopper,” you teased. “Let’s see what you’ve got.”

Ekko pulled you to your feet, guiding you to the center of the garden. The music swelled around you, soft and sweet, a contrast to the chaos of Zaun. His other hand found its place on your waist, and he held you close, his movements easy and unhurried. At first, you tried to match his rhythm, your steps tentative as you followed his lead. But it wasn’t long before your foot accidentally landed on his.

“Oh, sorry!” you gasped, pulling back slightly.

Ekko winced dramatically, clutching his chest as if you’d mortally wounded him. “You’re killing me here,” he said, his voice laced with mock pain.

You rolled your eyes, a grin tugging at your lips. “Don’t be such a baby.”

“Baby?” He laughed, spinning you unexpectedly. You stumbled slightly but caught yourself, the sound of your shared laughter echoing in the garden.

The two of you continued like that, swaying and spinning under the lanterns. Every so often, you’d step on his foot again, and he’d exaggerate his reaction, making you laugh until your cheeks hurt. But then, as the song shifted to a slower melody, Ekko’s movements became gentler, more deliberate. He pulled you closer, your bodies impossibly near. You could feel the warmth of his breath against your skin, the faint scent of zauns atmosphere lingering on him. Your eyes met his, and for a moment, the world seemed to fade away. The golden light reflected in his eyes, making them shimmer like they held their own constellation. There was something unspoken in his gaze, something raw and real that made your heart stutter.

“Ekko…” you whispered, your voice barely audible over the music.

He didn’t say anything, just leaned in slowly, giving you enough time to pull away if you wanted to. But you didn’t. Instead, you closed the distance, your lips meeting his in a kiss that was soft and sweet, filled with everything words couldn’t express. Your hands found their way around his neck, pulling him closer as his arms wrapped around your waist. The world seemed to tilt, the glow of the lanterns and the soft hum of the music swirling around you in a haze of light and sound.

Time felt irrelevant—ironic, considering who you were with. All that mattered was the way he held you, the way his lips moved against yours with a tenderness that made your chest ache.

When he finally pulled back, his forehead rested against yours, his breath warm against your skin. He chuckled softly, the sound vibrating through you. “I love you,” he murmured, his voice steady and sure.

Your heart swelled at his words, a warmth spreading through you that had nothing to do with the lights around you. Smiling, you leaned in and pressed a kiss to his cheek. “I love you too,” you said, the words as natural as breathing.

Ekko grinned, his hands tightening around your waist as he pressed a series of quick, playful kisses to your face—your cheeks, your nose, your forehead. Each kiss was accompanied by a soft giggle from you, his affection spilling over in a way that was so uniquely him.

“Ekko, stop,” you laughed, trying to pull away as he kissed the corner of your mouth.

“Never,” he said, his voice full of mock defiance as he caught your lips in another kiss.

The two of you stayed like that, wrapped up in each other, the rest of the world forgotten. The music played on, the lights flickered, and Zaun’s ever-present hum seemed softer, almost distant. As the night stretched on, you found yourselves back on the bench, your head resting on Ekko’s shoulder as he absentmindedly played with your fingers. The garden felt like a dream, a little slice of peace carved out of the chaos. And in that moment, with Ekko by your side and the glow of the lanterns above you, everything felt right. Almost perfect.

banners. @anitalenia

taglist. @diffusebread @xxblairslairxx @thesevi0lentdelights

[willowsnook]

Concerned (LN) pt. 2

lando norris x neighbor!reader

pt. 1 here

-----------------------------------

“Hey superstar,” you call out to Lando as you see him heading in to your building.

“What’s up?” He asks with a smile, and you fall into step with him towards the elevator.

“Not a lot,” you said. “Just getting ready to get out of this country tomorrow.”

“Oh yeah, where are you going?”

“Vegas.”

His eyebrows shot up in surprise. “Are you going to the Grand Prix?”

You nodded with an easy smile, “Yeah, heading out a little early to hang with some college friends, but then I’ll be there Saturday.”

“Vegas is far; I’m surprised you’re going,” he commented and you gave him a weird look.

“You know I’m from the US muppet,” you said, and he gave you an amused look.

“Did you just call me a muppet?” He teased. “That’s my word.”

“Yeah, I’ve been really getting into watching Twitch streams, guess I’m picking up on your lingo,” you said nonchalantly but with a mischievous look. Lando froze as you mentioned it, thinking back to the recent stream where he talked about you.

“Oh?” He laughed nervously and your smirk grew wider.

“Yeah, thanks for the shoutout by the way,” you said,his face instantly flushed. “I’ll see you in Vegas, babe.”

You left him in the elevator and walked back to your apartment, giggling. Torturing him was amusing and you didn’t feel that bad about it since you shared some of the thoughts he had about you.

———————————————————-

A week in Vegas was exactly what you needed, especially because of how much you missed your friends. After three days of clubbing, you were exhausted and running on fumes and RedBull to make it to the race. Only one of your friends could join you Saturday night, and you made it to the entrance a few hours before the race. A man scanned your tickets and turned to the sign, grabbing two special passes and handing them to you.

“What are these?” You asked and he gave you a weird look.

“VIP passes?” He asked and sighed as you still looked confused. “It looks like your tickets were upgraded, so you’ll have access to the paddock and paddock club.”

Your mind instantly thought about Lando and you smiled to yourself before pulling your friend along.

As you and your friend made your way through the bustling paddock, the excitement in the air was palpable. The roar of engines, the smell of fuel, and the buzz of anticipation filled your senses. You couldn't help but feel a thrill of excitement, wondering if you'd run into Lando.

"This is insane," your friend whispered, wide-eyed as you passed by team garages and caught glimpses of drivers preparing for the race.

You nodded in agreement, still processing how you'd ended up with these VIP passes. As you rounded a corner, you nearly collided with a somewhat familiar face.

“Sorry!” The driver exclaimed, reaching out to steady you. He looked so familiar, but you couldn’t remember exactly who he was. “You are Lando’s friend.”

“Yeah, you’re his teammate, right?” You asked and he nodded, sticking out a hand.

“Oscar.”

“Y/n,” you replied smiling. “I’m surprised you recognized me since we’ve never met.”

“Let’s just say I’ve heard a lot about you,” Oscar said with a slight smirk and you laughed. Lando came into your line of sight, and you saw him look panicked as he watched Oscar talk to you.

"Oh, I bet you have," you said with a grin, glancing over at Lando, who was now making his way towards you with a mix of nervousness and excitement on his face.

"Hey, you made it!" Lando called out, trying to sound casual as he approached. "I see you've met Oscar."

"Yeah, we were just getting acquainted," you replied, enjoying the slight flush on Lando's cheeks. "Thanks for the upgrade, by the way. The paddock access is amazing."

Lando's eyes widened slightly. "Oh, uh, no problem. Glad you're enjoying it."

Oscar looked between the two of you with amusement. "Well, I should get going. Nice to meet you, Y/N. Enjoy the race!"

As Oscar walked away, you turned to Lando with a raised eyebrow. “Crazy how he knew who I was.”

“Crazy,” Lando mumbled and you laughed, grabbing his hand to pull him to meet your friend Maggie.

“Maggie is a big Ferrari fan,” you told him and he waved over to Carlos, who was walking by. Carlos came over, looking down at Lando’s hand still in yours and smirking at his friend. Lando introduced all of you, and Maggie started to talk Carlos’s ear off, much to your amusement.

You turned back to Lando, talking softly, “Ready for today?”

“I think so,” he said. “I don’t really think there’s a shot at the championship anymore based on how the car was last night.”

“I’m sorry Lan,” you said and he gave you a small smile. “It’s still pretty impressive though, everything you’ve done this season and coming in second.”

“I’m glad you’re here,” he said simply. “Also I’m happy you’re talking to me and not your favorite driver.”

"I think my rankings might have changed." A slow smile spread across his face, crinkling the corners of his eyes. He pulled you into his embrace, his strong arms enveloping you in a warm and comforting hug. You took in the familiar scent of his cologne and rested your head against his chest, listening to the steady thump of his heart.

“I have to go, but will I see you after the race?” He asked hopefully.

“You have my number,” you replied, and without thinking, you lifted your heels and pressed a short kiss on his cheek. “Good luck superstar.”

You watched the race from the hospitality suite, cheering with Maggie for the Ferrari drivers while being a little sad that Lando seemed to be having an okay race. Maggie left right after the race, having to drive back home that night, and you waited around the paddock while taking in the scene.

LN: still here?

Y/N: yeah, just wandering around.

LN: wander around to the McLaren garage?

Y/N: omw

Lando was out of his race suit and just in a pair of sweats and his team jacket. He looked tired but oddly enough, a little relieved. You hugged him when you saw him, congratulating him on a good race.

“You seem relieved,” you commented and he smiled down at you.

“I am a little, most of the pressure is off now,” he admitted.

“I’m happy for you then,” you declared.

“When are you heading back to Monaco?” He asked.

“Tomorrow afternoon, I’m definitely regretting not getting an earlier flight though. I just want to be back in my bed.”

“Why don’t you just come with me? I’m going to fly out in a couple of hours,” he offered.

“Are you sure? I don’t want to be a bother,” you said and he shook his head.

“It’s decided then,” he said and you smiled. You worked out the details and told him you’d meet him outside your hotel shortly. After heading back you packed up your suitcase and headed downstairs, waiting outside for Lando.

He pulled up in a big SUV and the driver got out to help you put your stuff in the trunk before you joined Lando in the back. You had both changed in to sweats and comfy wear, ready to sleep on the plane.

You had never been on a private jet before and were amazed, walking on the tarmac towards the plane. Lando looked over at you and smiled to himself, admiring how you still managed to look good in the night lights, even though he knew you were exhausted. Following him up the stairs, he motioned for you to sit next to him in a reclining seat connected to his. He handed you a blanket and you wrapped yourself up, eager to take off.

“Have fun today?” He asked from next to you and you nodded.

“Tons, it was fun to see you in your element,” you said and he smiled.

The plane took off and you watched out the window briefly before deciding you needed to sleep. While his plane was nice, you had trouble getting comfortable, shifting around trying to find a good spot.

“Can’t sleep?” Lando asked, noticing your restlessness.

“Not really,” you replied, rubbing your eyes tiredly.

He lifted up his blanket, gesturing for you to scoot closer. You hesitated momentarily, but the promise of comfort and warmth was too tempting to resist. Slowly, you shifted closer to Lando, settling into the crook of his arm as he draped the blanket over both of you.

"Better?" he murmured, his breath warm against your hair.

"Much," you sighed contentedly, feeling your muscles relax as you nestled against him.

The gentle hum of the plane's engines and Lando's steady heartbeat soon lulled you into a peaceful sleep. You weren't sure how long you'd been out when you felt a gentle shake on your shoulder.

"Y/N," Lando's voice was soft. "We're about to land."

You blinked groggily, realizing you were still cuddled up to him. "Oh, sorry," you mumbled, starting to move away.

"Don’t worry about it, I’m glad you could sleep,” he said and your heart fluttered.

It was a bright morning in Monaco and knowing you needed to beat jet lag you suggested grabbing something to eat, which Lando happily agreed to. Sitting across from him you found yourself oddly nervous about the shift you felt between you.

“What are you doing next weekend?” Lando asked and you looked up from the menu.

“Nothing, why?”

“Will you come to Qatar?”

“You want me to come to the race?”

Lando shifted nervously in his seat before meeting your eyes again.

“I’m calmer when you’re around,” he confessed and a small smile graced your face.

You felt a warmth spread through your chest at Lando's words. "I'd love to come," you said softly. "But are you sure? I don't want to be a distraction."

Lando reached across the table, taking your hand in his. "You're not a distraction. You're... you're my good luck charm," he said with a shy smile.

You laughed lightly, squeezing his hand. "Alright then, I guess I'm going to Qatar."

Finishing up breakfast, you finally made it back to your apartment, Lando lingering by the door as if he was deciding on what to say.

“I really like you,” he blurted out.

You felt your heart skip a beat at Lando's sudden confession. You stood there in stunned silence for a moment, taking in his earnest expression and the vulnerability in his eyes.

"I was wondering when you were going to say it," you finally replied, a smile spreading across your face. "I really like you too, Lando,"

Relief washed over his features, quickly replaced by a boyish grin. He took a step closer, his hand reaching up to gently cup your cheek.

"Can I kiss you?" he asked softly, his eyes searching yours.

Instead of answering, you closed the distance between you, pressing your lips to his. The kiss was tender and sweet, with the promise of something more. When you finally pulled apart, you both wore matching smiles.

"I should probably go," Lando said reluctantly, his thumb tracing your cheekbone. "But maybe we could hang out more before this weekend?”

“I suppose so,” you said with a grin and he smirked, leaning in to give you one last kiss before he left.

tags: @sltwins @honeyhyunn @heli991113 @sarx164 @kissatelier @dying-inside-but-its-classy @daniellef89x

[mapiforpresident]

The Secret Folder

Alexia x reader

The afternoon sunlight streamed through the windows of your shared apartment as you lounged on the couch, scrolling aimlessly on Alexia’s phone. She’d handed it over to you earlier to look at a video her sister Alba had sent, but after you finished, curiosity got the better of you.

“Do you have any cute pictures of Nala?” you called out. Alexia, who was in the kitchen making a smoothie, gave a distracted hum of agreement.

“Should be a whole album,” she said without looking back.

Grinning, you navigated to her photos app, and sure enough, there was an album dedicated to Nala. You scrolled through the pictures, laughing at a particularly funny one where the dog’s ears were sticking up in opposite directions.

But then something caught your eye—a folder labeled with a single emoji: 🔒.

It wasn’t in her usual style to use something so cryptic, and your curiosity piqued instantly.

“Lex, what’s this?” you asked, holding the phone up as you clicked on the folder.

“Wait—what?” she said, her tone suddenly sharp as she spun around, eyes wide with alarm.

You blinked as the folder opened, revealing at least 100 videos—TikTok edits. Specifically, TikTok edits of you.

The first one that auto-played was set to a dramatic song, showing a montage of your highlights from the season.

“Oh my god,” you gasped, your hand flying to your mouth as you stared at the screen.

Alexia rushed over, smoothie forgotten on the counter. “No, no, no! You weren’t supposed to see that!”

You could barely breathe, both from shock and the overwhelming urge to laugh. “Are these all…?”

“Stop!” she groaned, snatching at the phone, but you held it out of her reach.

“Alexia Putellas,” you said dramatically, standing up as you began scrolling through the folder. “You have a whole folder of TikTok edits of me?!”

Her cheeks turned a deep shade of red as she crossed her arms, glaring at you in sheer embarrassment. “It’s not what it looks like!”

You raised an eyebrow, playing another video. This one was a compilation of your funniest moments during training, overlaid with the caption like when she’s funny and hot.

“Lex,” you teased, biting back a laugh, “this definitely looks like what it looks like.”

“I thought I had a lock on that folder!” she muttered, covering her face with her hands.

You grinned, loving how flustered she was. “Do you, like, watch these when I’m not home? Or when you’re bored? Is this what you’re doing on long flights?”

“Stop,” she whined, but her lips were twitching, betraying the smile she was trying to suppress.

You leaned in, lowering your voice in mock seriousness. “Be honest. Which one’s your favorite?”

She groaned again, grabbing a throw pillow and burying her face in it.

Your teasing softened as you set the phone down and wrapped your arms around her. “Lex, this is actually really sweet,” you said, pressing a kiss to her cheek.

“Sweet?” she mumbled into the pillow, peeking up at you with one eye.

“Yeah,” you said, smiling. “It’s nice to know you’re just as obsessed with me as I am with you.”

That made her laugh, finally lowering the pillow. “I’m not obsessed. I just… like seeing you. You make me proud.”

Your heart melted at her words, and you kissed her properly, pouring all your affection into the gesture. When you pulled back, her cheeks were still pink, but her embarrassment seemed to have eased slightl.

“For the record,” you said with a grin, “I’m totally telling Mapi about this.”

“Don’t you dare,” she warned. But you did and Mapi teased her about it every single day, and sent her a few to add to her collection.

[beloveds-embrace]

dukedom!AU but they realize she’s quickly become a type of ‘peoples princess’ outside the duchy

The timeline for this one is before reader tells john her request! I got this ask before part two dropped and already had some of it written. Hope you enjoy, anon! <3

Dukedome au masterlist

I can imagine them realizing it not from seeing it, but from hearing it, maybe during a gala hosted by John and uou. The evening is alive with music and laughter, the grand ballroom brimming with nobles and dignitaries. Yet the chatter revolve around one figure: you.

“She’s truly remarkable, isn’t she?” one elderly countess says, her voice carrying across the marble floors and gleaming ceilings. “Always so graceful, so kind. I am quite glad she is Duchess Price, now.”

John stands near the refreshments table with Simon, and overhears the conversation. His hand tightens slightly around his glass, though his face betrays nothing. Nothing new to be talked about, it was natural. And yet-

“Graceful?” a younger lady chimes in, voice calm and polite. “She’s more than that. Did you hear she personally visited the orphanage last week? Brought food and clothing, spoke to every child. And not for show- she refused to let any journalists near. That’s a true duchess.”

Simon’s brows furrows slightly, his jaw tightening. He exchanges a glance with John, the unspoken thought between them clear: she hadn’t told either of them about that visit. It wasn’t because John didn’t trust you, or that you need his permission; he just wanted to be aware of where you go and which guards you’ll take. For your own safety.

“She’s so approachable too,” a lord adds, gesturing with his wine glass. John knows this lord, he always ends up drinking too much and being too handsy. Why would you need to speak to him? “I spoke to her briefly earlier- she didn’t just listen, she cared. You can see it in her eyes. It’s no wonder the people adore her.”

Adore is putting it way too lightly.

From the other side of the room, Kyle watches as a small group of maids gossip near the staircase. He wasn’t one for eavesdropping, but their excitement is hard to ignore.

“I heard she gave her own jewelry to the head maid’s daughter to help her pay for her dowry.” One of them whispers, clutching her tray.

“That’s not all,” another group are speaking, talking about her as well. “The market vendors say she always pays more than is needed, even when they insist she doesn’t do. Such a lovely woman.”

“Wish the other nobles were like her,” the first maid says with a wistful sigh. “She’s the only one who treats us like people.”

Kyle’s lips press into a thin line as he adjusts his gloves. He prides himself on protecting you, but hearing how far your kindness extends fills him with a quiet sense of urgency. What if someone takes advantage of you and your tender heart?

It’s not just in the main hall that these words are said; down in the kitchens, Johnny is busy ensuring there’s enough food with the rest of the chefs. But still, he can hear two others talking while they work, trying not to sound too snappy or angry while he listens in on them.

As the night continues, the men find themselves more and more aware of how often your name arises in conversation. They hear nobles discussing your fashion choices (Simon secretly preens), others whispering about your visits to the poorer parts of town and the funds that have been allocated into revitalizing the areas, and even rival duchesses grudgingly admitting that you’ve set quite the high standard.

“I heard she stopped Lord Clinton from evicting his tenants,” one man says near the dance floor, though not quite close enough to be drawn into the dancing bodies. He is within John and Simon’s earshots.

“Not only that,” someone else “whispers”. “She made sure they had food and shelter through the winter. commoners love her, and she truly embodies what it means to be a noble. A true people’s princess, I say.”

John’s gaze flickers toward you, standing across the room and laughing softly with a group of nobles. You’re glowing tonight, the light catching in your hair and your smile as warm as ever, adorned in a beautiful dress.

“They don’t deserve her,” Kyle mutters, sidling up to him while holding a plate of finger foods.

John doesn’t respond, but his grip on his glass tightens again. It’s a wonder the glass hasn’t broken et.

Simon’s voice is quiet when he speaks. “The people see her as theirs.” He pauses, his gaze hardening. “But she’s ours first.”

“I cannot blame them.” John sighs. “She is the perfect duchess. But she is also my duchess, and they seem to have forgotten that.”

John means his words, and he knows his men agree with him. The world may love you, but they know the truth: no one else can have you- not the people, not the nobles, no one but them.

The ballroom continues to buzz with conversation, and John focuses back on the two men near the edge of the dance floor.

“She’s wasted on a duchy,” one of them says, swirling his wine with a smirk, more than just a little drunk. “With her charm, she could outshine the Queen herself.”

“Not just charm,” the other adds in, just as drunk. “But Influence.”

Simon stiffens, his fingers flexing at his sides. “Influence” isn’t something he takes lightly when it comes to you. It’s a dangerous thing in the wrong hands- or with the wrong admirers.

“Careful,” John mutters to him. “They’re complimenting her, not threatening her.”

Simon’s glare softens ever so slightly. “Yet.”

Johnny slowly makes his way towards a hidden corner of the ballroom, gnawing on his lips as he listens to the whispers of you.

Did you see the way she stopped to speak with the gardeners?” one of them asks. “She even complimented the hedges I trimmed last week!”

Johnny’s grin fades, his fingers drumming against his thigh. He enjoys seeing people appreciate you, but this feels different. They speak of you with reverence, as if you’re some untouchable figure. But Johnny knows better. You’re no untouchable goddess- you’re his. Theirs. That’s what matters most.

It’s when you step onto the dance floor that the tension truly rises. A duke- one who’s been eyeing you all evening- approaches you with a bow, extending his hand for a dance. You hesitate, glancing toward John out of instinct. He doesn’t move, but his eyes darken, his jaw clenched as he watches you take the duke’s hand.

The music swells and you move across the floor, laughter bubbles from your lips at something your dance partner says. The men see it for what it is: polite, nothing more. But it doesn’t stop the knot of irritation tightening even further.

“She’s a vision,” someone murmurs nearby, unaware they’re being overheard.

“Who wouldn’t fall for her?” another replies.

The words hang in the air, heavy with implication.

Kyle’s gaze sharpens. Johnny’s grin vanishes completely. Simon’s fists clench at his sides. And John, ever composed, finishes his wine in one long swallow, his eyes never leaving you.

He can’t allow this to go on for any longer.

The dance ends, and as you return to the edge of the ballroom, you’re immediately surrounded by more admirers- ladies complimenting your gown, lords vying for your attention. Or would have been, if John hadn’t started making his way towards you, presence larger than life.

“Your Grace,” he says smoothly, and extends his hand to you, his expression unreadable. “Dance with me.”

The request- or rather, the command- is met with stunned silence. The nobles exchange glances, but a single glance from John keeps them all silent.

You blink up at him, momentarily caught off guard, before placing your hand in his. “Of course.” you murmur softly.

John’s grip is firm but gentle as he leads you to the dance floor, his other hand resting lightly at your waist. The orchestra begins a soft waltz, and he pulls you into the first step, his movements confident and assured.

Around you, the crowd watches, whispers starting anew, though you barely notice. All you can focus on is the intensity in John’s eyes as he looks down at you.

“You’ve been busy tonight.” he says after a moment, his voice low enough that only you can hear. It sends a shiver up your spine- his voice always so nice to hear.

“It’s my role,” you reply, offering him a small smile. “Everyone has been so kind.”

He hums, his eyes flicking briefly to the onlookers before returning to you. “Too kind, perhaps.”

You raise an eyebrow at his tone but say nothing, letting him guide you across the floor. His hand tightens slightly at your waist, and he pulls you even more closer.

“You’ve done well tonight,” he says after a moment, his voice softer now. “Better than I expected, if I’m honest. But I shouldn’t have been surprised. You always seem to surprise me, my dear.”

Your cheeks warm at the unexpected praise, and you smile up at him. “Thank you, John. That means a great deal.”

He leans in just slightly, his breath ghosting over your ear. “The way they look at you,” he murmurs, his voice dropping even lower. “They can’t take their eyes off you. And I don’t blame them.”

You glance up at him, startled, but his expression is unreadable once again. He continues to lead you effortlessly through the dance, his movements precise.

“But,” he continues, his gaze locking onto yours, “they’ll have to remember who you belong to.”

Your heart skips at his words, and for a moment, you forget where you are, the world narrowing to just the two of you. His eyes soften, his grip steady as he twirls you into the final steps of the dance.

As the music fades, he leans in again, his voice barely above a whisper. “You’re exquisite tonight, wife. Don’t let them forget it.”

With that, he leads you off the dance floor, his hand never leaving yours. The crowd parts for the both of you, their gazes following you both as John guides you back to the edge of the room, where the others wait.

You’re still breathless, his words replaying in your mind as he steps aside, positioning himself at your shoulder. Whatever protests the nobles might’ve had about your absence dissolve under his watchful glare.

And though John doesn’t say another word for the rest of the evening, his presence alone is enough to ensure no one dares to crowd you again, and no one comes between you and them. Simon and Kyle keep you busy, chatting happily with them, and Johnny joins later when the guests begin to trickle out and no one would question why a chef is there.

People’s princess you maybe, you are still theirs. John simply had to show and remind everyone of that fact.

[nottsangel]

blood moon — t.n. & m.r. part 1

pairing: dark!theodore nott x fem!reader x dark!mattheo riddle. (mattheo makes his appearance in pt2)

warnings: smut 18+, dubcon, breaking and entering, violence, blood, knives (cutting into skin), rough oral sex (m. receiving), mask kink, mentions of murder, swearing

word count: 4k

summary: purge night— a night you’ve feared all year despite coming from a rich and powerful family. but when six masked men show up at your door, are you really as safe as you thought?

the purge au… moodboard. nav. more.

“This is not a test, this is your Emergency Broadcast System. Announcing the commencement of the annual purge sanctioned by the Government. Weapons of class four and lower have been authorised for use during the purge; all other weapons are restricted. Commencing at the siren, any and all crime (including murder) will be legal for 12 continuous hours. Police, fire, and Emergency Medical services will be unavailable until tomorrow morning at 7:00 a.m, when the purge concludes. Blessed be our new founding fathers—”

“Blah, blah, blah… we get it. Same shit every year.” Pansy sighed dramatically through the phone, her tone dripping with annoyance. You could tell she was rolling her eyes, and you didn’t need to see her to know she was slouched lazily somewhere. 

Not much later, the ominous, bone-chilling sirens blared violently through the entire city, blasting through the walls and echoing in the still-empty streets. The all so familiar sound never failed to give you goosebumps all over your stiffened body, instantly raising your heartbeat. You briefly closed your eyes, trying to steady your racing heart as you struggled to control your shaky breathing. 

“Hellooo? Are you still there or have you been murdered already?” Pansy joked with a taunting laugh. Your eyes snapped open, her static-filled voice dragging you back to reality, and her humorous tone nearly making you forget the reality of this cruel night. 

Because it wasn’t just any regular night— it was Purge Night. The one night you’d been dreading all year, every year, in which all crime becomes legal for twelve long hours. Logically, you were well aware that you had nothing to fear. Your parents were successful entrepreneurs with plenty of money to afford the most advanced security equipment, keeping you safe from any outside danger.

Yes, to protect you, and only you. Not them— they were out at a purge party, the details of which you didn’t even want to know, shamelessly networking with other high-profile elites while the poor were brutally murdered in the streets surrounding them. Everything about this night gave you a sickening feeling in your stomach. But of course, you knew it would be fine. All you had to do was survive— survive in your mansion, surrounded by unbreachable security. Nothing was going to happen. 

“Yeah, yeah, very funny.” you responded, your voice tinged with irritation as you hurried from your bedroom down the wooden stairs to the security room, figuring that if you could check the cameras around the house, it might calm you down a bit. You couldn’t shake the feeling of needing to tiptoe carefully down each step, as though someone might hear you— which was ridiculous, considering how large and heavily secured the house was. 

The eerily quiet house was broken by the first distant, chilling screams of pure terror from outside, making you grimace as you opened the creaky door to the small room, your eyes instantly squinting at the many bright screens that made your eyes burn. 

“It’s just… I hope this night will be over soon, that’s all.” you continued, one hand holding the phone close to your ear while your eyes fleetingly scanned over the security cameras, which were strategically placed to cover every corner outside the house. 

“Oh please, don’t be such a scaredy-cat! Every year it goes just fine, so this year will be no different. When has anything…” Pansy chattered in her usual attempt to comfort you, completely unaware that her words were only doing the opposite, when her voice slowly faded away into the background and your eyes narrowed at one of the top-right screens, which was focused on your front door. What the fuck?

With your heart nearly pounding out of your chest and your hand shakily gripping the phone, you inched closer to the screen, moving as slowly as possible, almost as if the slowness would somehow alter the nightmare playing out before you. A sudden coldness washed over you, your eyes rapidly blinking. No, no, no… this can’t be happening. 

On the pixelated, dark screen, you saw six masked men standing in front of your door, their heads tilted as they stared right at the cameras. You felt lightheaded, your left hand reaching up to lightly clasp your throat, the panic threatening to overwhelm you once you noticed the various weapons they were holding— baseball bats, knives, axes, and god knows what else.

“P—pansy… I, uh… there are people standing in front of my door…” you stammered shakily, still staring at the screen, your body frozen in place with your hand gripping the phone so tightly that your knuckles turned white and your breathing became ragged and uneven. 

“Oh, they’re probably just trying to scare you, babe. I mean, come on, they can’t even come in for fuck’s sake!” she let out a mocking laugh as the chaotic thoughts in your head raced a hundred miles an hour, leaving you paralysed with uncertainty. 

“Pansy, what the fu— you know what? Forget it.” you snapped, your trembling fingers tapping frantically at the screen before finally ending the call, frustrated at not being taken seriously by your best friend— though, to be fair, when had she ever? 

You hastily slipped your phone into your back pocket, already dreading the snarky text she was sure to send you for ending the call, before shifting your attention back to the screen. One of the men removed his mask, prompting you to move even closer with narrowed eyes, your forehead nearly touching the cold glass. 

“Good evening.” he called out in a stoic, chilling voice, his shiny black hair neatly styled, and his stance tall, commanding and unmistakably intimidating. 

“Sorry to bother you at this ungodly hour, but let me kindly introduce myself. My name is Tom, and these guys— they are my friends.” The scene you were intently staring at filled you with pure terror— this unknown man named Tom, surrounded by men in masks, each carrying weapons that could easily kill you, weapons that were already completely soaked in blood, the dark droplets dripping ominously onto your front porch. 

“This can go one of two ways; you simply let us in, and we will steal— sorry, I mean take whatever we desire, and then, we leave! Or…  we can do this the hard way. But I can assure you, you will not survive the latter.” His tone was almost amused as he finished speaking, and through the grainy pixels, you could see a controlled, sinister smile spreading across his pale face. 

“Do not think you are invincible. We can enter any home we want. And we will want, as wanting is our will on this fine purge night. Do not force us to hurt you.”

His menacing words sent tingles across your skin, all the muscles in your body tightening. And for a good ten minutes, they did nothing but stand there, staring straight into the camera, waiting—expecting—for you to open the door for them. 

It was a chilling sight. Almost as if you were staring at a photograph, the men stood completely still, their blood-covered hands tightly gripping their equally blood-soaked weapons, knowing your blood would be next to splatter across them, mixing with that of other poor, helpless victims. 

When they realised you weren’t going to open the door, Tom gave his men a quick signal, waving his finger in the air, which caused you to cock your head in both curiosity and unease.

“Alright then.” He said, the sinister smile on his face growing wider. But it was fine. You knew they couldn’t come inside anyway. Your house was so securely protected, there was no way they could come in and— Is that a fucking blowtorch? 

“Yes, we are prepared. And you— oh, you chose the wrong option.” Tom coldly stated as if he could read your mind, dragging the words in a chilling tone. Two of his men quickly got to work, the blowtorch slowly cutting through the thick metal doors, meanwhile, Tom continued to stare directly at the camera, his evil, dark smile never faltering, his soulless eyes not blinking once.

“Oh, fuck, fuck, fuck.” This was when real panic set in, your eyes flickering with pure terror as you slowly backed away from the screens, gripping whatever furniture was nearby to steady yourself. You hurried out of the room, realising this was the time to hide.

Quickly but silently running up the stairs again, you heard the agonising sound of the blowtorch cutting through the metal, sending shivers all over your body and urging you to move faster. 

You burst into your room, breathless, slamming the door behind you and you panickedly scanned the small space, frantically searching for the best hiding spot. There weren’t many options, but the closet seemed like your only chance, so without hesitation, you flung the door open, stepped inside, and crouched down, wrapping your trembling arms tightly around your knees. 

“It’ll be fine, it’ll be fine, it’ll be fine.” You kept repeating to yourself in a quiet, trembling voice, desperately trying to gaslight yourself into believing it. But who the fuck are you kidding? They were inevitably coming in, and then… well, you didn’t even want to think about it.

You gasped loudly at the sudden sound of a loud bang, followed by distant voices and approaching footsteps downstairs. Nibbling on your bottom lip and one hand clutching your throat, you struggled to calm your ragged breathing, but hoping to make out the conversation happening downstairs— although you weren’t even sure if you wanted to hear it in the first place. 

“We are coming, aha! And we will find you, you little fucking bitch” an unfamiliar voice taunted from down the stairs followed by a menacing laugh, clearly relishing the undeniable fear they were instilling in you as the footsteps and faint chatter grew louder with every passing second.

“Mattheo, control yourself. Search for the girl downstairs, and Theo, you check upstairs. The rest of us will take whatever is valuable and leave for the next house.” You heared Tom instruct two of his men, his voice stern and cold, before adding, “Oh, and whatever you do, make it as painful as possible. I want her to suffer.” 

Goosebumps covered your entire body hearing the chilling words, and you could tell that these guys didn’t fuck around. Everything about them was incredibly organised and prepared. This wasn’t their first time purging. No, they knew exactly what they were doing.

Heavy, resolute footsteps then made their way up the stairs, each deep step resonating through the house, making the silence feel like it was closing it. Theo. There was no way out of this. The only thing you could do was pray that he wouldn’t find you. But deep down, you knew he would. 

“You can’t hide from me, piccola.” a deep, husky voice teased, his voice slightly muffled by the mask he wore. It surprised you to hear a foreign accent— Italian, you guessed. And fuck, you could punch yourself in the face right now for finding it… hot. 

The steps grew louder, tantalisingly slow, until his footsteps reached your room. Your hand flew to your mouth to keep yourself quiet, your brows furrowed as you squeezed your eyes shut, focusing on steadying your breath. Your heart beat out of your chest, and you worried it was beating loud enough for him to hear. 

Then it was quiet. No sounds. You swallowed, your mouth feeling dry with tears brimming at your waterline, and you gasped when you suddenly heard his voice so close to you. Thank fucking god you still had your mouth covered. 

“You’re here, aren’t you?” He said in a dark, knowing manner, and the only thing you could do at this very moment was repeat ‘please don’t find me’ in your head while only hoping your death would be less painful than Tom had ordered it to be. “I know you are...” 

The closet door then abruptly swung open, causing you to let out a loud, surprised gasp. The tears you had so desperately tried to suppress now uncontrollably streamed down your cheeks as your head shot up. Soft ‘no’s slipped from your lips when he grabbed you by the arm and aggressively pulled you out of the closet, the words barely audible and you panickedly shook your head, feeling lightheaded due to pure fear. 

“Shut up, cazzo.” he muttered irritably as he threw you on your bed with exasperated aggression. And you immediately complied— not only because he asked you to, but because you didn’t want Matthew to hear you, knowing that Theo had found you, worried of what he might do to you. Matthew… Was his name even Matthew? 

He stood still before you, and for the first time, you took him in, scanning him from head to toe as his imposing, tall frame loomed over you, casting a shadow over where you sat on the bed.

A white mask fully covered his face, and in his right hand, he held a bloody, sharp knife, causing you to gulp in fear. Oh, he looked fucking terrifying— but there was something else, something other than fear deep inside of you. A feeling you desperately tried to suppress. A feeling you felt ashamed to feel. A feeling you could not bring yourself to admit. 

“Huh.” he commented, his head tilting slightly to the left. “Tom didn’t tell me you were such a pretty little thing.” he reached his hand out, his thumb brushing over your cheek, causing you to instinctively pull away, stiffening under his touch. 

“Così carina.” he chuckled mockingly, and your eyes were drawn to his hand that was expertly spinning the knife. His other hand then abruptly gripped your hair, making you gasp, and he slightly tilted your head to expose your neck. 

From your peripheral vision, you could see the bloody knife drawing closer to your neck, making you instantly shut your eyes with furrowed brows, knowing this was it. 

“Can’t wait to see these white sheets turn red.” Theo taunted, but you were shaking, crying and nervously biting down on your lip so hard that blood welled up, waiting for the moment you finally felt the sharp knife against your delicate skin.

And then you did. You felt the cold blade lightly dig into the skin of your neck, the sharp, stinging sensation causing you to tightly grip the sheets, followed by fresh, crimson droplets of blood slowly trickling down your skin— but then he stopped.

“Hm. You know what, bella?” Theo paused for a moment, crouching down to get on eye level with you. The closer he got to you, the faster your heart raced, your whole body heating up with a mix of fear and something else. The deep sense of guilt you felt for feeling… this way gnawed at you from the inside. 

“I might just have other plans for you.” Your head snapped toward him, and you hissed at the fresh cut stretching open, your hand instinctively reaching to the wound, carefully dabbing your fingers on the blood still trickling out.

“You wanna live?” He questioned, and you reluctantly nodded, still unable to shake off the feeling of unease, even as a slight sense of relief—or maybe hope— began to grow inside of you. 

“Then I advise you to get on your knees before I change my mind.” You blinked rapidly, unsure if you heard him correctly. Surely not. 

“I— what?” You stammered, breathing in so fast you nearly choked on air as your heart pounded out of your chest. 

“Oh, you heard me.” He rose to his feet, and your eyes intently followed his every movement. The way the moonlight seeped through the blinds illuminated him, and for the first time, you could clearly see his ocean-blue eyes gazing down at you with intense focus— the only feature of his face that was visible through the mask. 

He reached the knife out again, causing you to flinch, but this time he pressed it under your chin to lift your head, the pointy end digging into your soft skin.

“You don’t think I noticed?” he began, and you sat frozen, knowing that a single movement would press the knife deep into your skin. 

“You don’t think I noticed the way you looked at me with those pretty eyes?” You raised an eyebrow in puzzlement, unsure of what he was hinting at, and you absolutely hated this— the vagueness of his words. You hated having to guess what he meant. It made you anxious. 

“I have purged a lot of people, bella. And there is one thing aaall of them have in common— they all have this same, fearful look in their eyes.” he continued, and it made you wonder what he saw in yours. 

“But you… cazzo. With you, I see something else sparkling in those pupils.” The way the mask muffled his voice made you unconsciously lean in closer to hear him better, and he did the same, but for an entirely different reason, until you were merely inches apart. It was a strange observation to make in such a moment like this, but oddly enough, he smelt nice, very nice. A pleasant, musky cologne with the undertone of cigarettes filled your senses. 

“With you I see… lust, yearning, desperation.” he whispered into your ear, the knife digging deeper into your skin, yet still not deep enough to draw blood. Your eyes shot wide open before locking with his, and you felt caught. He hit the hammer right on the nail. 

“Go on, tell me I’m fuckin’ wrong.” but you couldn’t. You couldn’t tell him he was wrong. Because he wasn’t. Your eyes darted nervously around the room, unable to meet those intense, piercing eyes as the ache between your legs only grew stronger. 

“Yeah… that’s what I thought. Bet your panties are soaked already, aren’t they?” you heard a muffled, condescending chuckle coming from under his mask as he slowly twisted the knife under your chin. You so desperately wanted to bite back, to defend yourself, to tell him that he was being ridiculous— but the words were stuck in your throat.

“So… back to where we were.” he growled as he unbuckled his belt and pushed his pants down, suddenly remembering Matthew wandering around downstairs and being able to walk in at any time, causing him to rush. 

“C’mon sweetheart. I need to feel those pretty lips wrapped around me if you want to live, a’ight? If Mattheo finds us, it’s over for you.” Ohhhh, Mattheo… right, right.

You hesitantly walked over to him before getting on your knees right in front of him— right in front of his already hard erection trapped in his boxers, desperately wanting to escape as the tip formed a wet patch of precum on the fabric. 

“Well… you know I could just kick you in the balls right now and run away?” There it finally was— the words that had been stuck in your throat, and the boldness inside of you that had finally come free. It was that unexpectedly tender demeanour of his emerging in brief moments, causing you to see him in a humane light, which stilled your fears. 

He scoffed before aggressively gripping your hair and pulling your head back, causing you to hiss at the fresh wound on your neck stinging at the movement. He drew closer to you before suddenly holding the knife to your throat again, the softness you’d glimpsed earlier vanishing in an instant.

“Oh yeah? You don’t think I’m gonna find you and cut you open? Go for it. Give it a try. Let’s see how that ends.” he warned in a low, menacing tone, your brows furrowing as you clenched your teeth, staring right into his narrowed eyes. 

“Acting as if you aren’t practically begging to suck me off right now, tsk. Hurry the fuck up.” he ordered in a harsh tone, abruptly letting go of your hair and retracting the knife from your throat.

Realising you had no other choice but to follow his orders, you stared up at his masked face, before your gaze fell on his boxers. You could tell he was big just from the imprint through the thin fabric— oh, there was no doubt in that. Reluctantly, you drew your head closer to his crotch, teasingly using your teeth to pull the waistband of his boxers down before slowly sliding them off. 

“See, I knew you were a fucking slut.” he growled, his amusement evident as his erection sprang free against his toned abs, precum glistening at the tip. Oh, well fuck. He was indeed huge, causing your eyes to widen momentarily as you swallowed hard. You glanced back up at him one more time, and he gave you a sharp nod, his hand on the back of your head pressing insistently, urging you closer. 

Your head slowly inched closer to his intimidatingly large cock, and you started with placing soft kitten licks on the tip, tasting the salty precum, when suddenly a mischievous smile began to curve your glossed lips. In one swift, unexpected motion, you wrapped your mouth around his throbbing length, firmly pressing your teeth into the skin while at the same time your hand darted to his balls, your sharp nails digging deep into the sensitive flesh. 

“That fuckin’ hurts, you bitch. Cazzo!” Theo cursed, aggressively pushing you back until you hit the bed, yet the same mischievous smile on your face only widened. It confused him how the terrified, weak girl he saw earlier had transformed into… this. 

“Didn’t expect you to be such a fucking pussy.” you challenged him, fire burning in your eyes. Not because you wanted to die, but because deep down you knew you weren’t going to. If he wanted to kill you, he would’ve done that already. With the precum leaking from his painfully hard erection right in front of you, you knew the only thing on his mind was finding his release. He was a man after all— simple, driven by his desires.

“You better shut that little mouth—” 

“Or what? You're gonna threaten me again with that stupid little knife—” before you could even finish your sentence, he grabbed you by the hair, yanking you roughly towards him, his cock forcing its way into your mouth. The tip hit the back of your throat instantly, triggering your gag reflex as you struggled to breathe around his thick, aching erection. He quickly set a brutal rhythm, bucking his hips aggressively into your mouth, and you felt your eyes well with tears, saliva running down your chin. 

“If you stop, I’ll make you fucking regret it.” His hand gripped your hair in a tight ponytail, pulling you to meet his thrusts as he relentlessly fucked your mouth. Gagging sounds filled the room as he forced your head down as far as possible, groaning at the sight beneath him— a sight that could so easily make him come already.

“You wanted this from the start, huh? Such a pathetic—” Theo’s sentence was then abruptly cut off when the door suddenly swung open and slammed against the wall, causing you both to freeze and stare, wide-eyed and horrified. A chill ran down your spine as you noticed another masked man standing in the doorway, holding a blood-soaked baseball bat while casually leaning against the doorframe. Oh no.  

“Well, well, well… look what we have here. You really thought I wouldn’t find out, Theodore? How cute.” 

Mattheo. 

reminder: reblogs and comments are greatly appreciated and keep me motivated. ty! ♡

a/n: thank you sm for reading ^_^!!!!!!! this was supposed to be one long fic but i decided to cut in into two (or maybe more if needed) parts! im not sure when the next part will be posted but ill try to work on it soon !!! <3

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[anonymousicecream]

Prada (Karina x M Reader)

Milan, Italy, September 2024. As a Korean idol, you are popular worldwide, especially after debuting with your group TXT, under Big Hit Entertainment. Tonight’s your first solo event as an idol, after being invited by Prada to their show in Milan.

You calmly sat down as the show progressed, before your attention was diverted after someone tapped your back repeatedly.

“Oh, Karina-ssi!” You greet your junior from a different company, Karina from AESPA.

“Y/n sunbaenim. Nice to meet you.” She offers her hands, which I shook. “Nice to meet you too.”

“Take a seat here, it’s empty.” I offered her the seat next to me, which she kindly accepts.”

The two of you watched together as the show continued, before it eventually ended. You were about to stand up, but your goal was disrupted when Karina held you down. “Wanna take some selcas?” She asked.

“Of course. Whose camera are we using?” You asked her. “Mine.” She said as she grabbed her phone. She gave you her phone, allowing you to manage the angles as she got very close to you, leaning her body against you. It accidentally made you feel her huge tits, through your shoulders, but you shrugged it off, instead focusing on the selcas, as the two of you increased your smiles as you took more pictures.

“Your turn now, do it from your angle.” You told her, and she grabbed her phone, before adjusting it to the right angles. You leaned closer to her, making heart cheeks on her.

“AISHHH WHY DID YOU DO THAT???” Karina jokingly pouts at you after she looks at the results of the pictures. “What do you mean why? It’s cute!” You replied. Karina groaned before she wrapped her arms around your neck, pulling her in onto her shoulders as she took more pictures.

“God, we do look like a couple there…” You told her, making her blush a little, before turning her attention towards you. “Y-Yeah. You look even more handsome in person.” She said, analyzing the pictures.

“You’re such a flirt.” You told her, making her smack your arms. “Careful there Karina, don’t flirt too much, we’re in public.” I reminded her.

“So what? Plus, call me Jimin.” She said, “You don’t want dispatch making up rumors of us do you?” You asked her. “I don’t care, plus it looks quite empty now. What’s wrong with having some fun?” She teased. “Careful, don’t tease too much, you might not be able to handle the aftermath.” You told her.

“Let’s see about that.” Karina said, scooting over even closer to you. “At this point, I might just kidnap you to my hotel room, despite the rejections from our agencies.” You told her, making her chuckle, before she asks, “What’s stopping you?”

“The fact that I want to do it right here, right now.” You said. “Nothing’s stopping you boy.” Karina said. I then grab her fingers, interlocking them and guiding her out of the main hall. It took me a few minutes before I noticed the direction of the toilet, which I guided her into. Once inside the toilet, I pushed the doors of each stall, making sure it’s empty before I locked the door, and then guided her into the corner, and largest stall.

“I’m sure you know what to do now.” You said, watching as Karina walks seductively towards you. It didn’t take long before the two of you met lips, allowing you to feel her soft, peach lips. You saw her tiptoe to meet your lips, letting her feel more of your lips. You moved your hands onto her hips, caressing them before you moved even lower, now onto her thighs. Not long after, you felt her legs wrap around yours, before you lifted her up into the air. 

“Aaaah!” She shrieked, allowing you to divert your focus on other parts of her body. You start kissing her neck, earning gasps and groans from her, while your hands try to lower her dress straps, successfully doing so, exposing her black bra. “Fuck, I love your big tits.” Karina smirked at your words, before replying, “Want a taste?”

“No, I need your pussy now.” You saw a change in demeanor from her, becoming a bit more shocked. I set her down on the floor before I sat on the toilet seat, lowering my trousers and inviting her onto me. “Come on.” Karina soon followed as she sat on your lap. “Fuck, you’re so wet, I can feel you through your shorts.” Karina’s face blushed a bit, before she maintained her cocky demeanor again, and then asking “What will you do about that?”

You moved my hands under her dress, feeling the sides of her safety shorts, before lowering them. Immediately, you felt her lace panties covering her pussy, coated in her juices. You streaked your fingers all over her panties, feeling the extent of her wetness. At the same time, you felt her hands lower your boxers, exposing your hard, throbbing cock. She starts stroking them, matching the pace of your fingers on her panties. It didn’t take any longer before you decided to set her panties aside and lift her up, aligning her with your cock before you lowered her slowly.

“Mmmmhhhh you’re so wet and tight.” You told her as she lowered herself even more. “I know, and you’re so fucking big.” Karina replies as she lifts herself off your cock. She repeated this a few times, doing it slowly and steadily, adjusting to your size before she wraps her hands around your neck as she increases her pace. You used your hand to play with her body, caressing different parts of her body as her pace increases.

“Fuck, faster baby.” Your groans echo in the mini stall as Karina’s rides get faster.

“You love my tits?” Karina bunched up her tits, showing you her enormous tits. You nodded at her question before you unhook her bra and threw it to the side, exposing her perky nipples. You used your right hand to cup her tit, while using your mouth to suck the other one. You started off by licking her nipples, going up and down on them, matching the pace in which she rode you, before you took control of her, controlling her pace.

“Play with yourself.” You instructed her, earning a nod from her as you now move your hands onto her hips, helping her control her pace. Karina used the time to rub her clit under her dress, helping her increase her stimulation. “Fuck, you’re getting tighter.” You saw a smirk from Karina, before she took over again, riding you even faster now. At the same time, you also felt her juices leaking onto your cock, which got even faster and more intense over time.

“AAAAHHHH FUCKKKKK!!” Karina moans as she lifts herself off your cock, squirting HARD all over your lap. You hugged her intensely, feeling her still rubbing her clit as she squirts continuously all over your lower half of your body. “Fuck, that’s it Jimin-ah.” You whispered to her, whilst caressing her back, helping her come down from her orgasm.

“T-Thanks. You haven’t cum yet?” You shook your head after hearing her question. Karina grins slightly before she gets up and kneeled in front of you, splitting your legs open to put herself in between your legs, and more importantly, in front of your cock.

Karina grabs your cock, hovering her mouth over the cock before she drops a gluck of saliva onto your cock. She stroked it gently, lubing your cock with her saliva before she put your mouth into her cock. You groaned, feeling her warm mouth and soft tongue, licking your cock aggressively. Her pace of licking you soon got faster, making you squirm even more under her method of pleasuring.

“Chill down. You haven’t fucked my tits yet.” Karina’s words shocked you. To her however, it seems like another normal day as she moves your cock onto her cleavage. She then squeezed your cock with her tits, before she started sliding them up and down. “Fuck, that feels so good.” Karina’s pace got even faster, enjoying the reaction you made from her actions.

“F-Fuck I’m close.” You groaned, starting to thrust up onto her tits and mouth, allowing your cock into her mouth again. “I know, paint my tits baby.” Karina said, stopping all of her actions to grab your cock. She slapped your cock on her tits a few times before she started stroking it, gripping it tight and stroking it very fast.

“Cum for me. Cum on me. Paint me. Paint my body. Imagine everyone watching you paint my glorious tits.”

The last sentence was the final straw as she helped you bust, shooting your load all over her tits. Karina continues stroking you as your load busted all over her tits, painting them from her cleavage, and onto each of her tits. After you finished cumming, she helped milked out the last of cum from you, before she stopped. She then sucked her hands, tasting your cum on her fingers. “Mmmm, tasty.” Karina then grabbed her phone and took a selca of her covered in your cum before she sent it to you.

[homeofthelonelywriter]

The plane was filled with soldiers, all getting ready to land and start the mission. Everyone was preparing in their own way. Some people were listening to music; others were reading either a novel or the mission briefing. There were the quiet ones, their eyes closed, and their head leaned back against the wall behind them. Simon was one of those. Before missions, he wanted to be in his own bubble. He’d drown out the noise around him, go through the plan again and again until it was in his blood. But this time…he couldn’t. Because of you.

“Love…” he sounded exasperated as he addressed you. “…what are you doing?” You glanced up at him before your attention returned to the project in your hands. “Crocheting, why?” He watched you for a few moments, the way your eyebrows were pulled together in concentration and your tongue peeked out from between your lips. You looked adorable. “Nothing, just curious, babe.” He leaned down and pressed a kiss to your temple, ignoring the mask separating the two of you. By now, the pair of you were used to it.

Simon closed his eyes again and thought back, trying to remember if he had ever seen you crochet before, but nothing came up. This must be your first project. He couldn’t help but peek at you again, especially at your project. He desperately wanted to know what you were creating, but before he could ask, Price came up to him, gathering his attention.

“Ready?” Simon nodded and got to his feet. Unlike most of the other soldiers, the 141 was going to parachute out of the plane. He turned to look at you one more time, reaching down and tilting your head up to kiss you properly. “See you soon, love.” You smiled, though he could see the fear in your eyes. “See you soon, Si. Be careful.” He nodded, before joining the rest of his team.

The mission was cruelling, and he couldn’t wait to be back in your arms. They spent two weeks in enemy territory, trying to get the intel they needed. The rest of the soldiers were used in different missions to keep attention away from the task force. And it worked. After those two weeks, they had what they needed and returned to camp, where you were already waiting.

Being a medic, you rarely ventured out onto the field. Mainly, you stayed at wherever the base camp was and waited for patients to come to you. But when news traveled that the 141 was on its way back, everyone knew not to bother you. After all, you would never forgive whoever kept you from Simon. And the moment you saw him, you jumped into his arms. “I missed you.” He chuckled, holding you tightly. “I missed you too, sweetheart. Come, let’s rest a bit, yeah?”

The plane back to Britain would leave the next day, so you had a few hours to relax before that. Thankfully, the task force members all had their individual tents, so you could enjoy the downtime without Simon having to wear the mask. However, when he immediately wanted to get into bed and cuddle, you had to send him off to shower first. He stunk. Plus, it gave you time to prepare your little surprise.

When Simon returned to his tent, he found you kneeling on the field bed, wearing only one of his shirts and panties, while hiding something behind you. “Oh? What did I do to earn this?” You chuckled and shook your head. “Get your mind out of the gutter, Si. I’m not having sex surrounded by horny soldiers.” The faux disappointed look on his face made you laugh again before you waved him closer. “But I do have a surprise for you.”

He stepped closer to you, even kneeling down right in front of you when you asked him to. “Okay, close your eyes.” The way he didn’t even hesitate, the way he trusted you, made your heart swell with love. And though it wasn’t what you actually wanted to do, you couldn’t help yourself but lean in and press a soft and short kiss to his lips. “Keep them closed.”

Finally, you brought out what you had been hiding behind your bag and pulled it over his hair. Slowly, his eyes fluttered open and he looked up, confused as to what you just placed on his head. “It’s not perfect, honestly, it’s the first time I even tried crocheting, but…” Simon stood up and grabbed the broken piece of glass he used as a mirror. “…when I saw it online, I just had to make it. Once I’m better, I’ll make it again, I promise. Just…do you like it?”

Simon stared at the beanie on his head, it was black and fit perfectly. “I love it. Thank you, babe.” You grinned and bounced to his side. “There’s more.” While making sure that he was still looking into the poor excuse of a mirror, you gently unfolded the edge of the beanie until it was a balaclava covering Simon’s face. A soft gasp escaped him when he realized why you wanted to make it for him. “This way, if you ever feel uncomfortable in public, you can just roll it down, you know?”

Without a word, Simon placed the ‘mirror’ down and spun around, pulling you into a tight hug. “I love you so damn much. I don’t deserve you, my love.” You chuckled, happily wrapping your arms around his neck. “I love you too, big guy. Now, cuddles?” With a grin, he nodded and picked you up, carrying you to the bed, where he laid down with you on top of him, the both of you quickly falling into a deep slumber.

A/N: This one is long...oops. Based on this TikTok. Also, I don't usually post on Sundays, but this is a little thank you for all the love you guys showed me recently and for 3000 followers! Hope you like it!

[bonniepop]

atsumu opens the door to his house and is greeted by silence and a dark first floor. it’s to be expected; it’s nearly midnight, and he got stuck in traffic on the way back home from practice.

toeing off his shoes by the door, he leaves the keys to his car on the console table and uses the flashlight on his phone to help him navigate in the darkness. he climbs up the stars and hears muffled voices. it sounds like a movie.

the upstairs hallway is fairly lit, so he uses the sound to guide him to his child’s door. gently, he turns on the knob and pokes his head in. there’s a laptop playing a children’s movie on the desk, a flurry of toys on the floor, and a mother and child snuggled on the bed.

“hey, sweetheart,” he greets softly, grinning when he catches his daughter’s attention and she perks up.

“mommy,” she says, tiny hands tapping her dozing mother’s cheek. “mommy, daddy’s here.”

—

“mommy,” your daughter calls again, and your eyes blearily blink open. “mommy, it’s daddy!”

you twist your head and smile sleepily when your gaze lands on your husband. “hi, tsum.”

“hi, baby,” he greets, slipping inside and dropping his gym bag by the door. he moves to sit but his daughter stops him.

“no, daddy,” she whines. “you can’t go on my bed. you’re dirty!”

you snort while he blinks, and you push yourself up to sit.

it takes him a while to process what she just said. “i’m not dirty!” atsumu protests, placing his hands on his hips. “i’m clean! i changed clothes before i left the gym—”

“no,” she says, wrinkling her nose and pointing to his bag by the door. “you have to shower.”

“these clothes are clean—”

“nooooo,” she whines, slapping the cushion in frustration. “shower!”

“but mommy’s on the bed and i wanna be on the bed, too—”

“but mommy’s clean!” she whines again. “shower, daddy!” she extends the r of the word shower, baring her teeth in a scowl.

his jaw drops, then he turns to gape at you. “you’re not gonna say anything?”

you tamp down your smile and shrug. “it’s easier if you just do as she says. i had to shower before i even entered her room.”

“where did you learn this?” he asks, turning back to his daughter with disbelief. “i bet it was from your grandma, ‘cause your mom ain’t as much of a neat fre—”

“okay!” you interrupt him, climbing off the bed before your daughter could expand her vocabulary. “i’ll make sure your dad bathes, sweetheart.” you lean down to kiss your daughter’s forehead.

“thank you, mommy,” she says sweetly, kissing your cheek.

“what about my kiss?” atsumu asks, shouldering his bag and frowning.

“shower first,” his daughter says resolutely.

“jesus,” atsumu mumbles under his breath, low enough that his daughter can’t make it out, and you herd him to step outside the door.

you laugh when it clicks shut behind you. “it’s your bag, you know,” you mention, walking alongside him. “whenever she sees it, that’s when she thinks you’re dirty.”

“why? i spray this thing all the time with the little—” he makes a spritzing-like motion with his fingers. “what’s it called? the thing you gave me.”

“deodorizer?”

“yeah!”

“smelling deodorized and smelling clean are different,” you point out, then point to your bedroom. “go. shower.”

he sighs in dismay, but true to himself, he's not down for long. he wiggles his eyebrows in your direction. “care to join me?”

you roll your eyes. “nice try. i’m gonna put your gross clothes in the laundry room.”

he brightens. “i can do that! after we shower together, that is.”

you sour. “and let the stink simmer? no way.” you reach out your hand. “give it to me; i’ll do it.”

he pouts a little. “but it’ll be more fun if we shower together!”

“no.”

“come on! for me?”

it's almost emasculating, seeing him beg like this, but your gaze is stone cold serious. “no.”

he grumbles in defeat and hands his bag over. “fine. but just so you know, i’m not a happy husband right now and you’ll need to make up for the lack of love and commitment at some point.”

“i give you plenty,” you say with finality before turning on your heel and heading down the stairs.

“you promised for better or for worse and i am going to collect!” he calls after you.

"shower first, then we'll discuss my marital commitments."

[taradactyls]

I think the one I see this most strongly with is Pamela; Or, Virtue Rewarded by Samuel Richardson.

It's hard to read in the modern day. Pamela is a servant girl who spends a lot of time trying not to be raped by her employer, who eventually kidnaps her, and the only other woman in a position to aid her actively helps the attempted rapist to assault her in various ways. At one point she holds Pamela down in bed so it can happen (apparently the woman is this awful because she's an atheist). At another time the employer actively says that he would've continued and actually raped her if she kept fighting him, it was only because Pamela fainted that he stopped the attempt. She woke up from that attempt with her stays (underwear) cut up.

Pamela ends up marrying this man, after realising she has fallen in love with him, who is then 'reformed' by her 'goodness.'

It's meant to be a happy and uplifting tale. Obviously, to us, it's more of a horror story.

We see the victim blame in 'if you'd kept fighting you would've been raped' and also know that being unconscious actually makes you more at risk, and understand that a woman who eventually gave in to her master's advances is not any less 'good' for fearing being violently raped (or worse) if she continued protesting. We are less likely to believe people can be so entirely reformed by the 'virtue' of others, and see a man who would take advantage of power dynamics like that as bad even if he wasn't so aggressive in his advances. There are no real consequences for his crimes and continued harassment of a FIFTEEN YEAR OLD in his employ and who had zero protection or options. It's just all round horrid to our modern eyes.

But in many ways it was actually progressive for the time.

Pamela is a servant who ends the book married (not mistress to) a gentleman with an estate and eventually being accepted and adored by the land owning class. This is a rise of a magnitude far higher than Elizabeth marrying Mr Darcy, Jane Eyre and Mr Rochester, or even Cinderella as she was highborn, and was really making the case that servant women could and do have as much inherent worth as gentlewomen by birth. For how classist 1740 England was, that's a controversial take.

And though it's considered a backwards view now, this was the first novel/work which was really reaching out to lower-class women and saying 'your virtue is worth as much as upper-class women.' I dislike the whole concept of sexual virtue and disagree that Pamela's virtue would be lost through rape, but the point remains that this book was making a case for greater equality between classes in a time where the ruling class relied on being considered naturally better by birth and chosen by god to rule. The novel was criticised for exactly this.

Not only that, but by promoting virginity, he was also championing a woman's right to say no. Pamela's ability and decision to refuse is upheld both positively and as what should have been the final word. The male main character only becomes a 'good' person once he truly understands and respects that. An idea only becomes outdated once the societal framework supporting the status quo has changed, and Samuel Richardson was writing in a time where a servant girl (or any woman really, for instance marital rape wouldn't become a crime for another 250 years) who refused her master's advances would have little recourse or sympathy if he didn't respect that no. This novel was telling all those girls your sexual autonomy is worth fighting for... you're worth fighting for.

And, though we see that Pamela's abuser essentially gets what he wanted and gets off scot-free (an illness and a change of heart isn't going to fly with a judge, you douche), it was revolutionary for the time in that it's told from the victim's perspective as a horrible series of events. These acts, many of which were common place and not illegal (some even actively considered romantic) at the time, was a criticism of many masculine behaviours and championed the woman's/victim's perspective. It drew attention to what we now consider domestic violence and abuse of power. Though we might argue about his methods (a minority of contemporary readers viewed the novel as salacious because of the inclusion of the assault scenes) the author's intent was to actively give moral instruction into proper domestic behaviour. Which, aside from 'sexually assaulting your employees is bad' does also include less radical and actively harmful views such as 'be loyal and loving to your employers no matter what.' Historical novels are a mixed bag like that, but he was still advocating for mutual social contracts towards each other, and rejecting the idea that the rich men who ruled the world could do whatever they wanted. He was speaking for the powerless against those in power.

I'll probably never read the book again, it was too uncomfortable for me, but without an understanding of the time it was written it would feel like gratuitous assault and a glorification of abusive relationships, when really, it was the exact opposite. We're just lucky enough to live in a society where many of his arguments have been accepted both socially and legally for so long that it's hard to imagine a case ever needed to be made in their favour.

tbh nothing frustrates me more then when people brush off classics like pride and prejudice or jane eyre because they don’t fit into today’s modern standards of feminism and social justice etc.

remember that these novels were published in the 19th century. and that some of the things that were written in these books may seem trivial to us today but would have absolutely fucking shook readers in the victorian era

like,,,,,elizabeth rejecting mr collins because she doesn’t love him even though it would have been considered her duty in her family to marry him? or jane eyre not agreeing to marry mr rochester unless it was on her own terms? hell even anne brontë wrote a lesser known novel about a wife leaving her abusive husband with her five year old son to live a better life?? do y’all realize how unheard of that would be in the 1800′s?? where women were considered more of a commodity than actual human beings??

even though they might not be up to todays standards of modern feminism and romance, they were still HUGE building blocks for equality for that time period. so if you’re a reader who says to themselves ‘I read classics with modern standards applied and I can’t get past that’ then you are most likely going to be disappointed when reading classics and not fully understand their significance to that time period 

[the-offside-rule]

Lando Norris (McLaren) - Two Hands pt. II

Requested: yes

Prompt: this ask

Warnings: smutttt

Part 1

The atmosphere at the Las Vegas Grand Prix was electric. The sun reflected off the vibrant paddock, buzzing with drivers, team members, and fans. Y/n and Tate had just wrapped up soundcheck for their opening performance and were now taking in the sights. It wasn’t every day that you got invited to perform at one of the most glamorous racing events in the world. "This place is insane." Tate said, spinning her phone around to capture the glitzy energy of the paddock. Y/n nodded, shielding her eyes from the desert sun. "Yeah, it’s wild. Let’s not get lost, though."

"Lost? In the middle of this crowd? No chance." Tate replied with a mischievous grin. "But you know what we should do? Film a TikTok." Y/n groaned. "Tate, no."

"Y/n, yes. It’s perfect! We’re at a Grand Prix, we’re musicians, and we have viral audio just begging to be used." Reluctantly, Y/n agreed. She followed Tate to an open section of the paddock, where they started filming. "Okay, when I point the camera at you, you lip-sync the 'Leclerc' part and strut like you own the place." Tate instructed. "Fine." Y/n said, rolling her eyes but unable to suppress a smile. The camera started rolling. Y/n gave her best sultry walk, mouthing the words perfectly as the audio played. "Leclerc! Leclerc! Charles Leclerc-"

She was so focused on the TikTok that she didn’t notice the person in her path until she collided with them. "Oh my gosh, I’m so sorry!" Y/n exclaimed, hands flying up to steady the person she’d bumped into. "No harm done." The man said with a chuckle, brushing himself off. "Y/n?" Came the all-too-familiar voice from behind her. Her stomach twisted as she turned to see Lando standing there, arms crossed and his trademark smirk firmly in place.

"I see you’ve taken out my physio, Jon." Lando teased, motioning to the man Y/n had bumped into. "Oh my god, I’m so sorry." Y/n said again, her cheeks burning as she addressed Jon. "No worries." Jon said with a friendly smile, clearly used to the chaos of Lando’s world. "Nice TikTok work, by the way." Lando added, the teasing edge in his voice unmistakable. Y/n shot him a glare before grabbing Tate’s arm. "We need to go." She said quickly, dragging her friend away.

Once they were safely out of earshot, Tate burst into laughter. "That was gold! You walked straight into his team like you were aiming for it." Y/n groaned. “This day cannot get worse.”

"Oh, I think it just got better."

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

Back in the hair and makeup trailer, Y/n leaned back in her chair while a stylist curled her hair. Tate, however, couldn’t help but poke the bear. "Alright-" Tate started, her eyes glinting mischievously. "Spill. What’s the deal with you and Lando? And don’t say nothing.' Y/n groaned. "There’s nothing to spill."

"Bullshit!" Tate exclaimed, pointing a comb at her. "Nothing does not constitute blushong like a schoolgirl when you bumped into him earlier. What happened? Did it end on bad terms?" Y/n hesitated, but Tate’s relentless stare wore her down. "It didn't end on bad terms, it just shouldn't have happened." She muttered. "It started in Miami. I was trying to get into this club, but the bouncer wouldn’t let me in. Lando saw me outside, recognized me, and invited me to join him instead."

"And?"

"And we ended up back at his hotel room. Drank way too much from the mini-bar, talked about everything, and... yeah, one thing led to another." Tate’s jaw dropped. "You know, i would have really appreciated if you had told me you had slept with Lando before all of this." Y/n shushed her frantically. "Keep it down!"

"Oh, this is gold." Tate said, practically bouncing in her chair. "Wait. Is he why you wrote Two Hands?" Y/n didn’t answer, instead focusing on the stylist adjusting her makeup. "Oh my god, it is!" Tate exclaimed, laughing loudly. "You’re shameless."

"Can we please focus on the performance? You're like a kid!" Y/n grumbled, desperate to change the subject. "Fine, butafterwards? I am asking every question under the sun."

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The stage lights were dazzling, the crowd roaring as Y/n and Tate took the stage. The beat of Two Hands reverberated through the paddock, and Y/n let herself fall into the music, swaying and singing like the world was watching. As the bridge approached, her eyes scanned the crowd. Her heart skipped when she spotted Lando standing near the drivers, arms crossed, a smug grin playing on his lips. The lyrics spilled from her like a confession:

I want them all to see, you look good on top of me. At this time, at night, I need. Not one, not three.

Her gaze locked with his, and she sang directly at him, her voice sultry and unyielding. Just your two hands on me. The smirk on his face faltered, replaced by something darker, more intense. She smirked as she turned back to the audience, the final notes lingering in the air. The crowd continued their cheers as Y/n and Tate began their dance break, before finally ending in their poses and smiling as the crowd erupted into roars. "Thank you Vegas!" Tate exclaimed before the pair ran off stage.

Backstage, Tate was practically vibrating with excitement. "Okay, wow. You really went all in during that performance. Wonder why?" She teased, winking exaggeratedly. "Shut up." Y/n muttered, though her cheeks were warm.

As they finally landed back in their hotel room, Y/n collapsed onto the bed, exhausted. Tate began rambling on about something random while Y/n's phone buzzed, and when she checked it, her stomach flipped.

Lando Come see me. Room 1208.

She stared at the message until Tate, who had been scrolling through her phone nearby, glanced over. "Oh my god. Is that?" Y/n nodded. Tate squealed, jumping up and down on the bed as Y/n thought of a response, or whether to respond at all. "You have to go!" Tate shouted, landing down beside her friend. "No way!" Y/n said, shaking her head. "Yes way!" Tate insisted. "You’d regret it if you didn’t and you know it. You gotta go."

After much convincing, Y/n found herself standing outside Lando’s door, her heart pounding. She raised a trembling hand and knocked and waited for him to answer, fumdbling with her fingers in anticipation. What if someone were to find her there? What would the media say? Not even a moment later, the door opened to reveal Lando, his grin as cocky as ever. "Took you long enough." He started as he leaned against the doorframe.

But Y/n didn’t let him finish. She grabbed his shirt, pulling him down into a kiss as she pushed him back into the room. The door clicked shut behind her as she kicked it closed with her heel. Their bodies collided, the familiar feel of his hard chest against her breasts igniting a fire within her. She moaned softly as his strong arms wrapped around her, his fingers digging into her hips possessively. "I've missed this." He whispered, his warm breath caressing her neck. "Missed having you like this."

Y/n's hands roamed over his broad shoulders, relishing the feel of his firm muscles beneath her palms. "I've missed you too." She confessed, her voice barely audible. "Missed the way you make me feel so alive." Lando's lips found hers, crushing her mouth in a hungry kiss. His tongue invaded her mouth, demanding and possessive, as if he was claiming her all over again. Y/n responded eagerly, matching his passion, their tongues dancing in a familiar rhythm. The kiss was a battle of wills, each trying to dominate the other, but it was a battle they both wanted to lose.

Breaking the kiss for air, Lando trailed hot, open-mouthed kisses down her neck, leaving a trail of fire in his wake. His hands traveled up her thighs, lifting her skirt as he went, his touch sending shivers of pleasure through her body. "You're so fucking beautiful." He growled against her skin, his hands reaching her lace panties. He hooked his fingers into the sides, tugging them down her legs, his eyes never leaving hers. "I want to see all of you."

Y/n stepped out of her panties, kicking them aside, her heart pounding in her chest. She knew Lando loved to watch, and the thought of being on display for him only heightened her arousal. She stood before him, completely exposed, her breasts heaving with each rapid breath. Lando's eyes devoured her, his gaze traveling from her flushed face down to her glistening pussy. "So fucking wet already." He murmured, his voice thick with desire. "Eager, arent you?"

He dropped to his knees before her, his hands gently grasping her thighs, urging them apart. Y/n's breath caught in her throat as she felt the warmth of his breath on her sensitive flesh. With slow, deliberate movements, Lando leaned in, his tongue flicking out to taste her. A soft moan escaped Y/n's lips as his tongue swirled around her clit, sending shockwaves of pleasure through her body. He teased her gently, licking and sucking, driving her wild with need. His hands held her hips firmly, keeping her steady as he feasted on her, his dark hair brushing against her inner thighs. "Oh, Lando." She whispered, her fingers tangling in his hair. "Don't stop, please."

Lando chuckled, the vibration of his laughter against her sensitive skin sending her closer to the edge. He increased the pace, his tongue working its magic, driving her higher and higher. Y/n's thighs trembled as her orgasm built, her body tense with anticipation. "That's it, baby." He encouraged, his voice hoarse. "Let go, cum for me." His words were all it took. Y/n's body convulsed as an intense orgasm ripped through her, her juices flowing freely. Lando lapped at her eagerly, drinking in her essence, his tongue never slowing until she was reduced to a quivering mess.

As her trembling subsided, Lando stood, his eyes blazing with satisfaction. "That was just the beginning." He promised, his voice low and dangerous. Y/n's eyes widened, anticipation and desire mingling in her gaze. She knew Lando wasn't one to hold back, and the thought of what was to come left her both excited and apprehensive. He guided her towards the bed, his hands roaming over her body, leaving a trail of goosebumps. With a gentle push, he laid her down on the soft sheets, his muscular form hovering over her. "You're going to feel every inch of me." He growled, his voice laced with raw desire.

Y/n's heart raced as she felt the bulge in his pants pressing against her core. She reached down, unbuckling his belt with trembling fingers, eager to free the hard length of him. Lando's breath hitched as she slowly unzipped his pants, his cock springing free, thick and straining. "Fuck, you're beautiful." She whispered, running her fingers along his length, marveling at the way he throbbed in her hand.

Lando groaned, his eyes closing momentarily as he savored the sensation. "I need to be inside you." He rasped, his voice rough. With a swift movement, he positioned himself at her entrance, his tip nudging her wet folds. Y/n arched her back, inviting him in, her body yearning for the familiar fullness. With one smooth thrust, he filled her completely, their bodies joining in a perfect fit. "Yes!" Y/n cried out, her nails digging into his shoulders as she adjusted to his size.

Lando began to move, his hips thrusting in a steady rhythm. Each stroke sent waves of pleasure through her body, his cock hitting all the right spots. He moved with purpose, his powerful body driving into hers, his breath hot on her neck. "You feel so good." He grunted, his voice strained. "So tight around me."

Y/n's hands gripped his ass, urging him deeper, her body craving every inch of him. She matched his rhythm, her hips rising to meet his, their bodies moving as one. The room filled with the sounds of their passion—the wet slaps of skin, their labored breathing, and the bed creaking beneath them.

"Harder." She panted, her eyes wild with desire. "Fuck me harder, Lando." Lando obliged, his thrusts becoming more forceful, his cock pounding into her relentlessly. Y/n's body trembled, her orgasm building again, her senses overwhelmed by the sheer intensity of their union. "That's it, baby." Lando growled, his jaw clenched as he fought his own release. "Cum for me again." His words were like a trigger, sending Y/n over the edge. Her body convulsed around him, her pussy clenching and releasing his throbbing cock. Lando let out a primal roar as her climax milked him, his own orgasm building to an unbearable peak.

With one final, powerful thrust, he emptied himself inside her, his hot cum filling her depths. Their bodies shuddered in unison, the pleasure overwhelming, as they rode out their shared climax. As their breathing slowed, Lando collapsed onto the bed beside her, his chest heaving. Y/n turned towards him, her fingers tracing the contours of his face, a satisfied smile playing on her lips.

"That was-" She began, searching for the right words. "Incredible," Lando finished, his eyes sparkling with satisfaction. "Just as I remembered it." Y/n's heart warmed at his words, knowing that despite the time apart, their connection remained as strong as ever. She snuggled closer, feeling his strong arms wrap around her, and they lay there, content in the aftermath of their passionate reunion.

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@f1fantasys @willowsnook @aerie717 @lifeonawhim @henna006

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[theactualsunshinechild]

Seeing this post always immediately reminds me of a fun story from early on in my relationship that my partner and I affectionately refer to as

The Can Opener Incident

This was back in my college days. That semester I was living in a dorm that was more like a collection of small apartments on the very fringes of campus territory. My partner had come over to spend the night at my dormroom, and we were going about making some pasta in the little kitchenette. The pasta was already fully cooked and strained when we suddenly encountered a problem:

The canned pasta sauce I had bought was not a pop top, and rummaging around the kitchen for a can opener revealed that I had neglected to bring one.

Not one to settle for miserable, dry pasta on a cozy home date, I ran over to the dorm room next door and asked to borrow a can opener. They're a little startled to find someone knocking on their door at 9 PM, but they let me borrow it with no resistance. Upon bringing it back is when the problems truly began.

You see, all of my life I had used a can opener which you latched to the side of the can and twisted the knob to make the sharp ring cut into the top of the can vertically, parallel to the side of the can. This one looked similar, all the right parts were in the right places, so I gave it a shot... but nothing happened. My partner comes up and tells me I'm using it wrong, and I think to myself "oh, okay, so maybe he's used this kind of can opener before, I'll let him at it," and I hand it off to him.

The can opener my partner has used his whole life is the kind that you latch on to the TOP of the can, so instead of holding the handle at the side, you're holding it horizontally over the top of the can. I didn't know that kind of can opener even existed, so when he tried using this one his way, I looked at him like he was insane. This look quickly intensified as this method also didn't work. Things rapidly went downhill from there. He defensively explained the way his can opener at home worked, and I started pointing to the structure of the can opener and arguing why this one wouldn't work that way. We're a little frustrated, but it's nothing some pasta can't fix, so I propose I simply go over next door to the people who I borrowed the can opener from and ask them how to use it.

As I reached over to take it from him, he held it out of my reach.

"No! I'll figure it out myself!" He announced.

"What? Why? It's easier to just ask the owner," I argue, jumping around trying to get at the items.

"Because I can figure it out!"

Okay. Fine. I guess he wants to solve this like some kind of puzzle for enrichment. I give up and I wait. The fiddling begins. I'm standing there watching him try increasingly improbable methods of getting that thing to work over and over. The pasta is getting cold. He's testing methods that have already proven not to work, trying new methods that physically couldn't work, then trying the ones that have already failed us all over again. My stomach growls.

"We should really just ask," I grumble, hungry and frustrated.

"No, I've got this."

He does not fucking got this. I want my goddamn food and I do not have time for this puzzle solving.

"Give it here."

"No."

"I'm just gonna take it to the owners and ask them to show us how to use it, you can come with."

"No! I want to figure out out myself!!"

"And I want my food god fucking damn it!!"

This went on for a bit. The pasta was drying to the side of the pot and getting crusty. At some point during this yelling match I got so pissed off that I stormed out of my own apartment into the cold with no coat on.

'I need to make him see reason!' I thought to myself, making my way through the snow. One building over was where two of his friends were rooming together. I knock on their door, boiling with rage. It is 10 PM.

"Hey, can you come over? [Partner] is being completely unreasonable and obstinate over figuring out how a can opener we borrowed works and won't let me take it to the owner to ask. Please help me convince him to hand it over, I'm literally too short to wrestle it from him."

"Alright, let me grab my coat."

We head back over to my place to find my partner Still Messing Around with that godforsaken can opener.

"Let me see that for a second," says his friend, taking his coat off. I experienced a moment of relief, thinking to myself, 'Finally!' as my partner pouted for a second, but relinquished the can opener.

This peaceful glorious relief fizzled out into horror as his friend began to try to open the can the same way I had.

"That's weird. It really looks like it should work this way..." he mutters.

"Try it from the top, that's how my parents' works," my partner suggests.

"No no, that won't work, just give me a second to figure it out."

Oh my fucking god.

I stared blankly, watching them study the can opener and turn the can this way and that, both completely absorbed in finding the solution to this hour long problem. I was going to lose my fucking mind. Perhaps in that moment I really did. Shellshocked, I stood, wondering how it had come to this. I just wanted some fucking pasta and a relaxed night in, and instead I've gotten these goddamn STEM majors milling around in my kitchen at 10:25 PM arguing over how to use a can opener that isn't even mine. So I went and did what, in retrospect, I should have done ages ago: I went next door for help.

I can't imagine what my neighbor must have thought of me, showing up over an hour after borrowing their can opener, looking as if something inside of me had died, and, with a hint of desperation in my eyes, begging them tearfully to come next door and show us all how to use their can opener. Over an hour after borrowing it.

Well, whatever they thought of it all, they did oblige my pleas. Their arrival thankfully broke up the debate, and as all three of us watched intently as hawks over their shoulder, they cracked open that can of pasta for us.

Using it the exact same way I had tried at the start of it all.

It was just dull.

"I don't need a shopping list; with effort, I will remember that I need this item"

Okay but will you be able to remember that you already bought it? Because apparently I can't.

[jambalaya-enthusiast]

Can I ask for Headcanons/Scenario with the crew members where it's a normal tulpar haul. But the reader is an extremely experienced captain of another ship,and they're older,more built and more strict. Like think 6'7,built like an extreme weightlifter,very classy and formal.

And they're on the tulpar to look after everything because it's an incredibly important shipment? What would the crew members reactions be to the reader appearing very strict,no-nonsense,cold and condescending. But once they get close, the reader is actually very nice.

also can it be a male reader? Thank you! I love your writing. <3

Melting the Ice away.

Crew Members x Male! Older! Strict! Reader. [ Reader is a high ranking captain of another pony express ship ]

a/n; this ask was basically buried deep in my inbox,i was just scrolling through and found it.

Tulpar! Captain,Curly.

Oh boy,and they used to say that curly was the most able employee at pony express. Clearly they lied,Cause LOOK. AT. YOU.

For the first time in his career,he felt intimidated.

The way you basically hovered over him,gave him chills ngl.

He admires you so fucking hard, your efficiency ,your capability, and your experienced nature. you need something? Grant Curly is on it!... He found himself trying to... Impress you???

He was basically always looking for your approval at things,no matter how small or trivial it was. He needed your opinion.

He was also starting to wonder wether or not the feeling of intimidation... was rather something else.

He is definitely feelin a lil somethin somethin.

When he actually got to know you,and saw how kind and sweet you actually were. This guy just fell,he fell guys,he just fell.

Co-Pilot, Jimmy.

Manz is PISSED.

He is freaking LIVID,as if Curly wasn't already enough,bossing him around.

He'll never ever admit it to anyone,but he was basically scared of you,of how... Domineering you were.

He is jealous of how put together you were,always effortlessly classy.

He couldn't decide whether he wanted to be you,or wanted to be with you.

He didn't even notice it,but you found him staring,so intently that it actually concerned you.

Whenever you would try to interact with him he'll make up an excuse and run away.

But he,too wanted to get on your good side.

He'll die before ever admitting it,but he was craving your praise so fucking bad.

He is just dying on the inside,he desperately wants to hear you call him a 'Good Boy'.

Maybe he'll have to impress you some other way,who knows?

Nurse, Anya.

Let's be fr,the first time Anya saw you,her heart skipped a bit. I mean c'mon! Can you blame her? She doesn't see handsome, capable, disciplined male colleagues on the regular,does she?

Cut her some slack for staring! She can't help herself for wanting to admire you!

Like the others,she also tries her best to live up to your expectations,to be on your good list. She tries to make sure all your needs are met,(which aren't even bothersome,you prefer to do things your own anyway) but she always insists upon helping you out!

You began to notice that no matter who else wasn't around,Anya was always there in the corner of your eye. Was she... Following you around?

By Gods,she can't help it! No other person on the ship is as pleasant to be around as you! She feels at ease when she's with you. And you don't mind.

When she finally gets to know the real you, the butterflies in her stomach settle down into something even more soothing and calming.

Her puppy crush is beginning to grow,maybe someday in the near future, she'll ask you for things, beyond the professional limit.

Mechanic, Swansea.

He is just glad that there is someone on this godforsaken ship who has the screws in their head straight.

He does feel a bit relaxed that he doesn't have to worry about things going wrong with you onboard.

He sometimes has you deal with Daisuke instead. More relaxation time for him.

He can count on you. And he likes you the best on the ship.

Doesn't shy away from praising you in front of others.

Intern,Daisuke.

"WOWZER MISTER YOU'RE SO COOL!".

He was a bit scared of you at first,but quickly warmed up to how refreshing you were.

You were strict,yes. But not as much as Swansea. You never scolded him,or complained about him to others.

Instead you always, efficiently taught him how to do things properly.

The way you spoke,the way you presented yourself. He didn't find it strange how his other, older, colleagues were swooning over you either.

Grew to like you the best on the ship as well,always right by your side.

He does think you're hot,but is intimidated pretty easily.