#and then cohesively it’s an absolute masterpiece

[juliette-cai-enthusiast]

Listening to The Good Witch and getting the most insane song envy why didn’t I write this album

[stealingyourbones]

I don't really get the people who think reading the comics is such a radical idea. Don't they want to learn more about them? aren't they curious what makes them tick? what insane adventures they went on? what fears they have? what makes them laugh and smile? I'm from europe so I haven't seen any of the DC shows I see mentioned every once in a while (which means I really don't get the whole Clark hates clones thing... but that's a different thing) and it's only been this year that I have enough disposable income to splurge on comics, aka I haven't read that many just yet.

But I do think the ones I have read enhance the stories I'm trying to tell, which to me is a good reason to read them ;p but besides that, they are fun! they are just really fun to read

I’m glad you’re having fun reading comics man! It’s a shame that folks don’t read them as much but you know, I can understand it. I both asked some folks in the Haunting Heroes discord server and have some of my own points to make about this.

First of all I do still believe that you should consume some form of DC media if you’re in the fandom. It’s fun and there are comics, books, movies, tv shows, and every other form of medium known to man that you can take a peek at! Idk I’m just a bit DC enjoyer and think that looking at canon media to expand on your knowledge and help create ideas you wouldn’t have had if you hadn’t looked at said piece of media.

Now onto why reading comic books is hard:

Some folks simply prefer the fandom and not the official DC content. Whether they prefer fanon, find fics more accessible, or like the people in the fandom, they’d rather just stick to the fandom.

They simply don’t know where to start. Getting into comics can be INCREDIBLY overwhelming ( DC has done their best to fix this and has messed up more than once. My go to is to reccomend folks just start reading New 52 comic runs as it’s really good for new readers to jump into the comics with any hero that might intrigue them). Big comic events span multiple comic story runs and not a cohesive line of comics, some omnibuses for stories are out of print, the 80+ years of comics are daunting as hell, and everyone has their own opinion on the best versions of a character/where to start/what to read.

Money. Comics are an expensive hobby to have. They may cost $1-$5 each on average but that price adds up over time. I have a comic collection of roughly 1,300 comics. I’d estimate its value very roughly around the $7,800 range. It’s probably far more than that though and I know damn well reselling it I won’t get half of that value back. I’m very fortunate to be a college student with disposable income and for this hobby to be the only thing I ever really spend money on besides rent and food. Some people either can’t afford them or don’t want to buy a comic they don’t know if it’s good or not.

Varying quality. Comics are a very mixed bag thing where they can be incredibly written or some of the worst pieces of media you’ve ever read. With this being the case, it can be really hard to find a comic character or writer you like if that’s your first experience. It takes a while to learn about different writers and find out who your favorite writers are. What’s harder is some writers can make absolute masterpieces with one character and the next comic run they cover it can be absolute garbage. Not only that, everyone has opinions on what is a good comic run or not. It’s impossible to find a repeatedly stated and easily accessible list on the good comics to read.

Pretentious “Canon is God” fans. Experiencing “um actually this isn’t good because this isn’t how the canon character would act” responses from people can really fucking suck and diminish their want to experience anything that’s official DC writing. I’ve seen more than one person go into this primarily fanon focused space and insult people saying their writing isn’t canonical and therefore it isn’t valid. It’s Uber Pretentious, demeaning, and actively harms peoples interests in checking out canon content.

Timelines. I already kind of said it but DC’s timelines are a mess. hell, even New 52 has some fucked up timelines making all of Batman’s previous timelines canon but happen only within a seven year period. That’s WAY too short for how much history is packed in there. The amount of crisises that happen and fully change the lore and timelines of characters is bonkers, the comic runs that bounce between different comic runs are really confusing, and the fact that there isn’t a True Starting Point for reading makes it so hard to grasp anything that’s happening. It’s one of comics biggest issues and no matter what DC has done they have yet to find a convenient solution.

Sensitive Content. Comics from DC are littered with either intentional, badly aged, or ignorantly written plot points and writing choices that will turn away readers. DC has its fair share of sexism, misogyny, abelism, racism, abuse, sexual harassment, sexual assaults, or topics casually addressed that can be very triggering for some people. Especially since a large amount of that sort of content is handled incredibly poorly. One particular writer, Alan Moore, writes sexual assault scenes with absolutely zero tact or the delicateness that a topic such as that should be held in. It’s almost solely used as a “let’s make the bad guy do the most fucked up thing they could do” throwaway plot point. Comics of the sort dissuade a lot of readers because of both the heavy content within comics and how that content can be incredibly poorly handled. This is partially why some folks would prefer to read fics. Comics are a unknown mixed grab bag when it comes to content like this and things exactly like this is known to make PTSD symptoms worse while fics have tags and can warn you before you consume the content within.

Time. A lot of folks have busy lives and just don’t have the time to read them.

The ways they intake media. Some folks might have a better time watching a long commentary video that explains a comic or their brain can’t process the comic medium very well. I can read and retain comic knowledge but even I am unique in this aspect, my memory is frightening levels of bad and is proven by science to be absolute shit. I have to reread comics at least once a month to retain the basic bare bones plot. Just because one person can easily digest what’s going on in a comic doesn’t mean everyone can.

Comics are such a big part of my life. I love them so much and they’ve gotten me through so many things. My own experience with comics isn’t the same for others and my thoughts on reading comics differs with other people. A lot of people have equally as many reasons for why they don’t read comics as you and I have for reading them.

[therealslimshakespeare]

The Passion of Johnny 🥀

Summary: Bucky Egan takes it upon himself to give some wedding night advice to his dearest and most cunty, capable and very Catholic captain. Did it have to be five minutes before the aisle walk? Did it have to be by the stale communion wafers? Did it have to have include practice fingering? Brady has so many objections but better to get this over with than have it bleed into Egan’s best man’s toast…

Requested? OH YES ✔️

Circa: late summer 1945

Warnings: so much innuendo and dirty talk, this is sex Ed, after all. Catholicism but it’s not really impacting shit beyond vibes, and a decent amount of homoeroticism…it’s war buddies in a church y’all. That’s a staple. Brief illusion to past male SA.

Full credit to my babe Ashely who more than co-wrote this, she was possessed by the spirit of Bucky Egan in our chat and out came this, I have merley sprinkled verbs and adjectives and cohesion throughout her masterpiece. And to Christi who added copious devastating one liners throughout and held my damn hand while I choked on this hotness

They’re in the back of the church, in the vestry room, attending to all those last minute wedding details -the ring checks, the tie-fixing, the last minute dizzy spells. And once left alone with him, Bucky spots the lump in the groom’s pressed slacks from across the room. He snickers. Ah this'll be fun. “C'mere kid...come talk to me.” he cajoles, “Ya fast? Ya loose? Feel like throwing up?”

Bucky claps him on the back extra hard and Jack coughs dryly, hands falling from his tie.

“Listen,” Bucky goes on without being answered, “good ole Father Peter Paul Frank whoever is gonna get up there and try and tell you all about marriage and devotion and all that jazz...and he means well. sure... but I wanna make sure this marriage starts off right...so let's have a little chat. I ever steered ya wrong, huh?”

“Bucky, I uh...kinda wanted a minute alone.”

Bucky racks his eyes over the pristine and quite filled out uniform. “Yeah trust me I got eyes kid, we can get you all settled so ya don't make a complete fool of yourself in front of the entire church.” Bucky for his part is smoking in church, after having lit a cigarette off the candles, and Brady supposes this talk is necessary. Not he thinks, for the education Bucky so benficently seeks to relay, but rather to stave off the likelihood of all these tips and tricks of the trade coming out in a groomsman’s toast.

Bucky’s rowdy, handsy behavior normally never bothered him. Until now. Every back slap and chest shove and cheek pinch has him feeling funny, tingly, oddly eager and terribly alive. Johnny shouldn’t have spent all night trying to tug one out in vain, now he’s a goddamn confused mess. But he knows he wants to please Bucky, unfortunately always has and in lieu of a father in his life today -though god knows this dangerous, grinning man is no replacement- he acquiesces. Jack takes a seat in this same room he did as a child to review his catechism and Ten Commandments, and marvels how despite all the partying of last evening and the week before, with booze and anecdotes and bawdy jokes flying like flack, Bucky would wait until they’re beside the stale, surplus communion wafers to discuss conjugal functions.

He's absolutely sweating and that makes sense, it’s August. But Bucky is clapping him on the back again, beginning the talk like they didn’t already do this routine, “Ya look great kid.” He compliments. “Almost as handsome as Ida.”

It’s a very sincere compliment, Jack knows this, and it makes him roll his eyes all the harder although his cheeks burn.

“Ya nervous? Yeah? Good. You should be.” —this is followed by a signature cheek slap. “-you’ve got maneuvers to learn.”

Jack’s eyes grow a little panicked. More than nervous then. He wasn't this hard before. But the more Bucky talks about ‘maneuvers’ he's getting almost fully so. Frantically smashing the front of his pants down, groaning, “Bucky, stop. I beg you, stop. I'm about to walk down the aisle!”

Another cheek smack. “Don’t fuckin' roll your eyes at me kid, where else ya gonna learn this? The goddamn Padre? Now listen up, those two fingers, raise your fingers, those two- what the hell is that one even doing? -not like that, c'mon take this seriously.” Bucky presumptuously adjusts Jack’s long, elegant fingers, “You ever felt a cat's tongue? You know how it's sorta rough, like sandpaper? Well there's this spot inside her, it's gonna feel sorta like that, only softer. And that's the magic spot, kid. I'm telling ya, aim for that spot and you'll be golden.”

Brady, he was pleased to see, was no longer rolling his eyes. The pupils, however, had taken over the blue. "Can I- can i get to it with my tongue, Bucky?"

“Uh, no, my dear young novice, but that shouldn’t stop ya from trying. Never stop trying to get at it with whatever, anything God or your job gives ya. Christ kid, you even seen a pussy before?"

Brady manages nothing more than a big swallow, "She showed me hers."

"She showed you- when?"

"Last Wednesday."

"She showed you her Tussy Muzzy last Wednesday? Holy hell, Miss Tilly!" Egan whoops loudly before Brady shushes him with a few scowling smacks to his chest. "Well, tell me, wha'd she say when she showed you her pussy?"

Brady begins to retract, "Sir I can't

-I can't say,"

"Oh listen up, listen up good and hard, right now. What a lady says? She means, and you should always listen to her, but she never says it when she means it. So you gotta remember it and file it away. To use against her later. Nicely, of course. Jack? Wha'd she say?"

Brady, with eyes heavenward and looking like all he was missing were the drops of blood, "She said she wanted me to take her and that it -it-it was throbbing and -fuck uh, that- that it would be mine Saturday, uh that’s today, that it’d be mine anyway? Oh Fuck."

Bucky, he sees, is eating this shit up. Bucky practically whoops again, right here in church. “Miss Tilly.” he murmurs in the most salacious voice ever. “Goddamn.” he utters, “GODDAMN!” a second time much louder.

Brady stares at the embroidery on the chapel cloth. Green and gold stitching interweaving to make leaves. Eternal life and shit.

“Well,” Bucky is rallying, “since ya seen one -fucking idiot not touchin' it when you could’ve…First rule of marriage: don't go turnin' down offered pussy. And you heard her, none of that timid chivalry shit, you take her, you hear me?”

“I’m hearing you sir.”

“Didn't think she was the type.” he whistles, still stuck on the fact that Miss Tilly Macon with her straw hats and white gloves begged Jack Brady to take her in a car seat just days before, “Right, well, tell me, did ya get a good look? Was she shiny?”

“It... glittered.” Brady spaces out recalling the petals of it in the red glow of the stop light.

“Well that’s good, we’ve got something to work from kid. Alright, that cat tongue I told ya about? Can’t get to it with your tongue, gonna need your fingers. Now c’mere, closer, come here dammit. Yeah ok, so,” Bucky holds up his palm, like he’s gonna swear an oath, “you're gonna find the spot and when ya do, you’re gonna rub and rub and keep rubbing -go on, try, try it against my hand, c'mon Jack don't be a prude"

Egan watches as Brady shamefacedly begins rubbing between Bucky's thumb and forefinger with surprising skill. The kid’s a natural. “Damn, fixing my headache, ok yeah like that uhuh.”

“It’s just the C major cord.” Brady rebuts with a small eye roll that morphs into a cringe in expectation of another loving slap.

But Bucky holds his peace and bites his lips, and Brady wants to please him so, he lets Bucky ramble on and do his odd little puppet show with his fingers.

When that is over, Bucky turns and casts about for his next prop before grabbing a stack of charity bibles, cigarette still hanging out of his mouth. He begins stacking the Bibles and pretending his fingers are now Tilly and Jack and the Bibles are a makeshift bed. Like Johnny doesn’t know what human limbs look like. And Brady, he knows he’s lost a great deal of mental capacity since seeing Tilly’s scared parts, -running into doorframes and spacing out during planning, to the point where Ida and Eugene think he needs to be shrinked- but this feels more than a little silly.

“Well that’s that part. But, back to the beginning.” Bucky straightens from his demonstration, puts one leg up on the desk and despite the absence of his animated fingers, the Bibles look terribly suggestive stacked there on the mahogany edge, “First thing,” he is pointing at Jack, “when you get upstairs, ya ask her...if she's ever had an ice cream cone in July.” Bucky is nodding with a big smirk that Brady feels like he should answer, “Know what I mean huh?”

Brady shakes his head and rubs his neck bashfully, to be perfectly honest he has suspicions but this is Bucky, and it’s safer to admit he hasn’t a goddamn clue. "I'm gettin' that the ice cream cone ain't literal.” He ventures.

“Trust me,” Bucky insists, “all this boring church business... the dancing, the punch, I'll make a nice little speech that won't make your ma keel over...soon you'll be the god damn ice cream cone right there in those nicely pressed pants.” Bucky saunters over to where Jack is sitting on the table top part of the desk, takes the back of his hand and whacks Jack's noticeable bulge. “There's your ice cream cone kid.”

Jack jumps back startled on the desktop, and Bucky cackles, muttering something about Goddamn Prudes and Jack has to keep shushing him.

“Anyway...so she gets a couple licks... and then..” Bucky is pacing and wagging his finger, “…you get a little taste of your own... real important now... work the tongue in that pretty little hole and get her started…”

Jack is about to hyperventilate at this point as Bucky starts throwing out more ice cream analogies. Lots about cream. And licking. Something about cherries. Then somehow baseball works it's way in. Predictably. So many bases, first and second and bats and stroking and more cream. There is a fly on the rim of the gold chalice, at least it’s stopped it’s buzzing little circles.

“Ya got stamina buddy boy?” -Jack has got no idea how to answer that. “Ya don't wanna be the husband who blows the second ya slide into home.”

“Trust me...after last night…” Jack grouches, letting the details slip through in his angry belligerence at his own stubborn erection.

“That sucker is from last night?” Bucky howls. “You friggin Catholics don't even wear rubber socks either do ya?” Bucky is rubbing his hands together, Brady feels half sick, half close to coming untouched from all this talk about condoms and such, “I'll be uncle Bucky before the year is out and the first one better be named after me!” Bucky crows, then softens as he sees Johnny’s overwhelmed face, “It's gonna be great kid, I'm telling ya.. worth all that Nazi camp bullshit.” He sniffs roughly, “Plus..uh, ya know Tilly seems like a swell girl...makes a decent meatloaf I heard...sickness and health all that jazz…” He comes closer and claps Jack on the shoulder a few times.

Brady feels the overwhelming and embarrassing need to assure him he’s always welcome to the meatloaf.

Bucky acknowledges this with a soft, saddened smile before his beautiful, capable hands slide up Brady’s stiff shoulders and come up to cradle Jack's sweaty, rosy face, “Damn proud of ya kid.” he swears gruffly, “Think of me when ya slide in tonight... Lord knows I'll be wishing I was there…” Bucky whistles but it doesn’t feel crass, not the way it did even ten minutes ago. Brady has a lump in his throat and a stupid desire to say ‘same’ but he doesn’t because it must be some sorta fucked for him to long after a man he fought for, a man he got ready to die with, a man he’d gone to hell for, a man who he’ll still be obeying. Even tonight of all nights. Maybe the camp fucked him up worse than he knew. Or maybe it’s just Bucky and how Bucky’s always been, how he’s always been around Bucky -always his aggravated fool.

Whatever Tilley will prove to be for Jack, she’s not that. And that’s as it should be. Still, he feels like meatloaf is a small thing to offer as those hands finally slide away.

💋 Hope you enjoyed! Feedback is a writer’s lifeblood, please feel free to scream in comments or the inbox, I love it and wanna hear it all. Trust me, nothing is “too dumb”. Your thoughts mean the world to me.

MOTA taglist, I only have one so ignore if this is not the universe you signed up for:

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@vendylewin

[starwars-art-events]

Star Wars Art Events: Original Characters Edition

Hello there!

This is an informal, for-fun art trade event, meant for people who enjoy drawing for others. It's a pressure-free and casual trade! No need to create a big masterpiece--just something others would happily enjoy.

The theme this time around is Original Characters! Your art should feature some original character (OC) for Star Wars. You may create your own OC, make art of one you've already created, or even make something for someone else's OC (with permission, of course)! Any sort of content--within limits--featuring the OC(s) will be welcomed. The OC can be one of many in the art, or the sole focus. As long as the OC is of notable importance, you can submit the art to the event!

Types of art welcome:

Drawings (digital or scanned traditional)

Short comics

Short animation

Photo edits

Video edits (music or otherwise)

Music creation

Moodboards/photo collages

Quotes-and-photo collages

Other (contact moderator ASAP)

Dates to post:

December 29th-December 31st

Information:

This is a broader event, rather than a trade. There is no signing up for it--if you want to join, you simply have to make art and post within the time frame (though late acceptions are okay this time, as no one is depending on others).

That being said, if enough people WANT a trade, either send a message/ask to here or the moderators. We can create smaller pockets of trading if desired.

You don't have to be "great" at any art to join! This is an informal event with no level restrictions. The important thing is that your art absolutely must have effort. For example, a moodboard should be cohesive, and it should contain enough photos that it could be worthy of giving as a gift. Make sure you are satisfied with what you are giving out (to your abilities levels, of course--don't expect the Star Wars Mona Lisa if you aren't to par with DaVinci's skills!).

Important note: All skin tones and disabilities must be accurately portrayed. No skin tone should be lighter than the actor/character's actual skin colour. Disabilities must be depicted correctly. If not, you will be dropped. The same goes for respecting canon cultures. Please refrain from depicting Children of the Watch or Tuskens without their garments, unless the scenario is explicitly of situations where the removal of clothing/armour/helms is acceptable. Please cover the heads of Twi'lek women, and that of Mirialans. These requests are not only personal wishes of the moderators, but also just basic decency. Do your research portraying someone different than you. Do not fall prey to harmful tropes. This hurts others.

IF YOU HAVE ANY FURTHER QUESTIONS, PLEASE DM THE MODERATOR. You may do so here, or at @engagemythrusters or @darlin-djarin.

[transformers-mosaic]

Transformers: Beast Wars - Second Chances - Page 22

Originally posted on February 2nd, 2011

Story - Mike Priest Art, Letters - HdE

deviantART

wada sez: The sunrise seen here, and the ripple effect in the final panel, both evoke similar visuals from Dinobot and Depth Charge’s storylines in the actual Beast Wars cartoon. See below for Mike Priest’s original script, titled “New Dawn”, and some thumbnails, along with a little afterword written by Mike Priest just for this archive!

Beast Wars: Second Chances- Page 22

“New Dawn”

By Mike Priest

-

(FIRST PANEL:  Dinobot in robot mode, sitting on a flat rock outside, with the future Mount St. Hilary behind him.  His sword is stuck in the ground, with one of his clawed hands resting on its hilt.  He seems relaxed and yet vigilant at the same time.  It seems like dawn- the first hint of the sun is peeking out, catching Dinobot in a shaft of light.)

DINOBOT:   (Narration box) I find myself with purpose again.  A noble purpose.  A lofty one.

(SECOND PANEL:  Dinobot peers over his shoulder, still seated, looking at the Ark’s resting place.)

DINOBOT:   (Narration box) Behind me, the past…and the future!

DINOBOT: (Narration box) And once more, I find myself its guardian.

(THIRD PANEL:  Dinobot looks to the rising sun, now standing on the rock.)

DINOBOT: (Narration box) I will not falter.  I will stand tall, even as some…

(FOURTH PANEL:  Depthcharge, robot mode, in knee-deep water, wading out into the ocean.)

DINOBOT:   (Narration box) …descend back into the depths.

RAMPAGE:   (Unlinked dialogue bubble) You could have let it end.  You could have granted us peace.

(FIFTH PANEL:  Different angle, Depthcharge is up to his chest in the water now.)

DEPTHCHARGE:   Guess it’s just not in my nature to grant you even a moment’s peace.

RAMPAGE:   (Unlinked dialogue bubble) And you think this will be any better?  Being trapped with me?

(SIXTH PANEL:  Depthcharge is almost completely submerged, only his head from his optics up is visible now.)

DEPTHCHARGE:   I’m not your prisoner.  I’m your jailer.

RAMPAGE:   (Unlinked dialogue bubble) You’ll live to regret this.  Live forever.

DEPTHCHARGE: I’ve accepted my fate.

(SEVENTH PANEL:  Depthcharge has vanished under the water, leaving only ripples and bubbles.  We see the sun has risen in the sky, as reflected on the water’s surface.)

DEPTHCHARGE:   Have you?  

I'm proud of what me and the others accomplished with "Beast Wars: Second Chances", but it was a long hard road getting to a finished project.  It was an interesting exercise to work with multiple writers on a single cohesive story, but I do think we ended up getting in each other's ways most of the time  We all had specific visions and ideas, not all of them saw the light of day, and the finished project had to be rather ruthlessly hammered into shape just to get to the finish line.  The story itself is functional, but I can still see the flaws within it, flaws that I admit exist even in my own original pitch.

For one thing, someone just conveniently arrives to "switch the plot off" in all versions of the story, be it the Vok (in my original pitch) or Starscream (in the finished project).  Actually, a lot of my gripes revolved around Starscream.  I don't think we made it particularly clear that Starscream was gonna keep Terrorsaur's body at the end, and I still am unsure why he'd need a CR chamber on his final page.  

I remember fighting for Starscream to appear in his War Within body in the Ark, but it was eventually decided it would be his G1 form to maintain consistency with the original material.  Even then, the artist ended up drawing his Masterpiece body for the finalized page!  I even pitched that Starscream should go find Skyquake's body so he could become Machine Wars Starscream, but that would have probably been too complicated too.

All that said, again... I look at the finished project and am proud of it.  Some of those pages and covers are absolutely beautiful- I particularly love Daniel Olsén's cover of the entire cast in beast modes and I even have Jeffrey Witty's Dinobot/Depth Charge Wolverine-homage cover framed on my wall!  I always worked well with HdE and he brought a certain distinct flair to my scripts in this and several Mosaic pieces we collaborated on.

I don't know if I'd ever want to repeat the experience of trying to write a focused 22 page comic story with four-to-five other writers.  However, even with any squabbles we may have had, I had so much fun exchanging emails within the creative team and they were all passionate, talented people.  I'd work with any ONE of them again anytime (one at a time, this time!)

[winns-stuff]

LO RANT:

Because why not? I just don’t understand the way that fans think, on one hand we can’t associate or even compare Lore Olympus to the myths because they’ll say “well it’s her retelling she doesn’t have to do things exactly alike” but on the other hand when you’re talking about the story by itself they’ll then try to counter whatever argument against Lore Olympus by saying “this is what they did in the myths!! why are you guys mad at greek mythology??” so which one is it because it’s giving me a headache. I get so tired of seeing the exact same argument from fans it’s so redundant and I mean that in the nicest way possible, I’m sure a lot of you are great people but the things y’all say and do for this comic is insane.

Rachel is adding yet another sex scene and people are rightfully angry. We’re in the climax where the world is basically in an apocalyptic state and the gods are all in danger of having no mortals to worship them and give them any purpose and it’s all because of Persephone, no one is thinking “oh yeah this is the perfect time for intimacy” and if you wanted to give fan service to those who are craving it you should’ve did it in a more calmer setting?? No one is threatening Rachel and telling her that she needs to add these ridiculously high stakes to her comic which prevents her from smoothly writing NSFW of the main couple, she’s literally doing this herself which is one of the reasons why it gets so annoying whenever fans get mad at people for being upset or disappointed. She’s doing this to herself, am I saying harass the woman or cyber bully her? No but that’s not what a lot of these people are doing, in every single webtoon especially one as big as Lore Olympus you’re going to have people who view your content differently or disagree with the way you’ve written things. I’m not trying to encourage the idea of changing your entire story to bend to those people but a large majority of your fandom are starting to have the exact same complaints and it’s clear that your plots are not being fleshed out at all, these people are just asking (no, begging really) for a cohesive story not a masterpiece.

Which brings me to my next point, all of the criticisms and explanations many critics have been sharing are entirely valid. You cannot put a sex scene as a replacement to storytelling, it just never works since it adds virtually nothing to what’s happening. Especially right now when, like I said before, Rachel is starting to spiral the plot into chaos (I’m not being insulting by saying this it’s literally chaos it seems like all of the characters are in trouble) and introducing or welcoming back a lot of intriguing plot stories and characters that many people are excited to see. To make an odd and unnecessary shift to romance in the middle of absolute destruction is crazy, especially when none of it is earned. I’ve said this in my later rants but I’ll say it again because it’s true, the romance between Hades and Persephone has no stakes and it never will it seems since Rachel doesn’t even allow stuff like that to happen. Nothing about their romance keeps you straddled on for the ride or leaves you at the edge of your seat which is why so many people are bored with their dynamic if there even is one to begin with. Slow burns and other romances are all about the payoff that’s what everyone’s here to see, after chapters on chapters of wondering if their love will brave the dangers around them and between them we finally get our question solved with appropriate intimacy.

Lore Olympus as a whole rarely wants to develop actual relationships in real time, it only skips to “the good bits” while completely ignoring the fact that the entire bonding experience between your ships and your fans rely heavily on us actually witnessing their chemistry/bond and being shown why they should be together, not being told by forces outside of the relationship.

All in all the potential sex scene is just terrible timing on Rachel’s part and it should’ve been done while literally nothing was happening to avoid all of the backlash that it’s getting now.

[best-at-episode]

Round 3 - Poll 5 of 8

Simon & Marcy:

1,000 years in the past, a young Marceline navigates the wasteland with her guardian, Simon Petrikov.

Come Along With Me:

BMO narrates “The Great Gum War” in which Finn, Jake, Marceline, PB and the Candy Kingdom go to war against Gumbald and his army that will determine the fate of Ooo once and for all.

propaganda under the cut

Simon & Marcy:

Have not stopped thinking about it ever Episode that forever altered my brain. An absolute masterpiece

Thanks to this episode I cry whenever I hear the Cheers theme song

watches simon and marcy. cries for eleven minutes straight. watches it again and cries the whole time again really though, it’s great- on a technical level, it paces itself well and uses the time given it the best that it can. sets up the framing device without spending too long on it, sets up all the First Act stuff that will become important in the Second Act neatly and at the right time without rushing or focusing on it too much. and as for the story. it is without serious flaw. an earnest, unflinching glimpse of the post-apocalyptic world, our first time seeing the dynamic between little marceline and the person who basically raised her - not to mention our first time seeing the man the ice king used to be on a personal level. it’s beautiful and sweet and clever and heartbreaking.

Come Along With Me:

Ending a series as long and wonderful as Adventure Time is a tall order, and while CAWM couldn't wrap up all the stray plots, it feels emotionally honest and thematically cohesive with the series as a whole

[susandsnell]

What are your top five horror movies?

<3 thanks so much for sending this Mira! while some of my answers may appear a bit obvious in hindsight, narrowing it down to my top 5 was a lot more challenging than I thought!

Top Five Horror Movies!

Under the cut because I can be a wordy bastard!

5. Noroi: The Curse (2005), dir. Kōji Shiraishi: Ultimately, it came down to Noroi for me over Blair Witch because the mockumentary style lends it a lot more cohesion as a narrative and a very polished feel. Some cheesy effects notwithstanding, Noroi hits the platonic ideal of found footage in that it utilizes its multimedia elements and medium to craft a classic ghost story grounded and entrenched in modernity. I'm obsessed with the role of the archivist/the use of documentation in horror (as I've talked about many times, and as is the appeal of Dracula and countless other works), and that's on full display here with the pieces of the mystery coming together through reality television clips, talking head interviews, and a video-within-a-video archiving a ritual gone very wrong. The storytelling is methodical, spreading out the scares sparingly yet threading them together with such a crushing sense of dread. Like other works of Japanese horror, the thematic battle between the mythic and modernity, the consequences of modern alienation over the collective, and urbanization encroaching on the natural are at the forefront of the film, but the found footage conventions imbue it with such a subtlety you're too focused on the characters and their plight to even catch onto this on first viewing. (Should the spiritual be trifled with? Should the natural world give way to modern development? Should the outcast or the outstanding be made a spectacle of by those more integrated into society?) On that note, you grow an attachment to every single one of the characters and are right there with them trying to solve the mystery and hoping against hope they will prevail. And the atmosphere makes this one an absolute must for October watches; shades of analog horror used sparingly and delightfully, all the wanderings of Blair Witch, the supernatural desperation of Ringu/The Ring, and something that's just all its own. Some argue that found footage horror is stylistically limiting, but Noroi showcases what it can be at its best - that is, the bare-bones terror of stumbling on something horrific in broad daylight, and catching it on tape.

4. American Psycho (2000), dir. Mary Harron: The best horror comedy out there to date! This satirical send-up of yuppie culture and consumerism's lending itself to the desensitization and dehumanization of oneself and others in the quest for meaning in a society where it all comes down to capital is beloved with good reason. Genuinely hysterical kills and endlessly quotable scenes aside, the use of music in this piece is a masterstroke that many other films utilizing needle drops have only barely tried to imitate, and it remains one of the most effective presentations/deconstructions of misogyny put to film. Christian Bale is at his best here, leading a whole cast who's at the top of their game; each scare is played to perfection, and I even love the ambiguity of the controversial ending - it serves to drive home the futility and meaninglessness the whole film slowly but surely draws back the curtain on as the underbelly of the life of the hyper-successful during the era. The final conversation being about Reagan drives it all home in a way that plays as a bit on the nose today, but like with the more provocative or controversial moments, is so delightfully so you can't help but dance along to Huey Lewis. 3. The Fly (1986), dir. David Cronenberg: Cronenberg's masterpiece! A guttingly romantic Kafkaesque tale of illness horror, reflective of the time's anxieties around the AIDS crisis but also classic horror themes of scientific hubris and shades of Faust and of course, Cronenberg's preoccupation with abjection of the body, this film is truly one-of-a-kind. The fear of intimacy and fear of illness, the destruction of your lover (all contextualized with deeper tragedy by the era in which the film was made) are woven together so deftly in a film that uses classic B-movie conventions to strike upon deeper truths while also remaining hilariously funny. Cronenberg is by no means subtle, but in an age where every horror film feels the need to not only be About Something but announce it's About Something and hamfistedness is the name of the game, I really do appreciate the elegance in the commentary on gender politics, relying on symbolism and the characters' relationship dynamics to convey ideas of toxic masculinity and female autonomy and queerness and alienation. It's sexy, it's wrenchingly sad, it's the absolute best.

2. Hereditary (2018), dir. Ari Aster: Aster's nearly-instant popularity has lent all his films greater scrutiny, but this film blew me away the first time I saw it. Toni Colette gives a tour de force (and frankly, Oscar-snubbed) lead performance as a disturbed grieving mother seemingly unable to escape the patterns of fear and abuse that make the 'family curse' that is the subject of this film take on dimensions all its own. The portrayal of grief as horror is something that speaks to me very personally, and this gorgeously shot work presents this concept at its most poignant. Everyone and their mother (please imagine Toni Colette barking the word with pure venom) has talked about the end of the first act 'twist', but the execution rocked me to my core upon first viewing. I will never forget the way the pit of my stomach dropped out watching the lingering shot of Peter's empty, frozen face drag out for over a full minute. Gore and jumpscares abound as is an Ari Aster mainstay, but they're used effectively here; what takes centre stage is the characters and their relationships, performed to pitch perfection by every single actor. Alex Wolff deserves a particular shout-out, balancing teenage ne'er-do-well impassiveness with the warmth of a genuinely caring big brother until the great tragedy and the slow, encroaching terrors of its aftermath slowly but surely push him into a regressive, childlike state of terror. It's about grief, it's about the family curse and family secrets, it's about becoming your parent, your grandparent, your sibling, it's about mental illness (and how it's not taken seriously in women), but mostly it's about the joys of a nice family dinner.

1. Carrie (1976), dir. Brian de Palma: You all knew this one was coming, but I can never run out of good things to say about it. While there are perhaps films that boast greater spectacles, feats of special effects, tighter editing, more profound themes or more abstract/debatable symbolism, Brian de Palma's Carrie is the horror film I will always rank as my favourite. Stephen King's inverted Cinderella storyof the hellscape that is adolescence is granted operatic tragedy grandeur by a perfect cast, an unforgettable score, mind-blowing setpieces and imagery that I am happy to say will stay burned in my brain forever. The use of tension and buildup through the entire Prom sequence needs to be taught in schools, particularly with how it leaves you laughing one moment, moved to tears the next, then gripping the edge of your seat. Each scene is given either a dreamy or nightmarish tone that makes it instantly iconic. The sensuality of blossoming sexual awakening contrasted with the gutting mundane horrors of bullying and abuse played relentlessly set up perfectly for the tonal shifts later in the story between the romantic haze of prom and the hellscape made by Carrie's act of vengeance. The camp moments of the film heighten the jarring scares of the final act, and the forays into 70s teen comedy (yes, even with the goofy split-screens and fast-forwards) ground it in a relatability that makes it the horror classic. Every adaptational change from the book is either for the better for storytelling flow, or is at least impossible to imagine the film without. (As sad as I am that we don't get the book ending with this Carrie and Sue having their moment of connection, there's something so shatteringly tragic of Carrie in her final moments sheltering in the prayer closet that was her prison, clinging to the body of the mother who tormented her for comfort, and the cutting to the angry painted eyes of Saint Sebastian is an instantly unforgettable horror image). The denomination/sect of Christianity followed by the White family is unclear from the book, but the choice of de Palma to make them offshoot Catholics allows for so much integration of art history and its frightening images -- the use of the Last Supper behind Carrie and Margaret's dinner scene! don't know if it's the absolute first horror film to employ the Final Jumpscare, but certainly, it's one of the earliest and most memorable examples. Sissy Spacek in the titular role is an absolute revelation and maybe my favourite performance in all of horror media. Much has been said about her study of Catholic martyr art to end every scene in the pose of a person being stoned to death, but she runs the full gamut of emotion, of teenage suffering, of victimhood and villainy, and you are with her for the entire ride. The Catholic martyr art is apt, because her expressions evoke Falconetti as Joan of Arc, and Carrie is nothing if not a subverted Joan. Many say she's far too conventionally beautiful to play Carrie, and while it's true Hollywood is going to Hollywood, no actress has so successfully embodied the aching sweetness, the haunting disturbance, the yearning for love and the burning divine retribution that make her at once one of horror's most memorable monsters and one of its tragic heroines. Piper Laurie is terrifying and campy and hilarious as Margaret White, our villain for the evening, Nancy Allen is delightfully loathsome as Chris, Betty Buckley gives Ms. Collins some real good-natured toughness (questionable methods of handling teens notwithstanding), and Amy Irving lends Sue the exact groundedness and good intent you get from her book counterpart. Carrie has been the refuge for many a queer and/or outcast teenager, and it will likely remain that way for years to come. Thanks so much for this!!

[macabr3-barbi3]

ahem now that I have properly awoken and have the mental capacity to scream in a cohesive manner:

I COMMISSIONED @chefskjss AND SHE DREW THE MOST ABSOLUTELY PERFECT SCENE OF VOX AND KORA I COULD HAVE EVER ASKED FOR LOOK AT THIS MASTERPIECE

MY SWEET LITTLE IDIOT BABIES IN LOVE! VOX IN KORA’S ‘FUCK’ SHIRT! THE EXPRESSIONS! THE POSE! I AM IN AWE ALFJAKFIWPGKSBWIGOWKGIWKGKRY

🥹📺💛🩵🥰

you can find the fic that these two doofuses are from (new love, new skin) here! I have so much planned for these two and I’m so so grateful to Chef for bringing them to life in such a cute and beautiful way 😭

[horrorvillaintourney]

watched maxxxine the other day. Thoughts (and spoilers!) below the cut.

It’s definitely not as good as the first two movies. It felt tacked on as an afterthought to an already complete and cohesive narrative formed by the first two movies. The themes felt as if they were still embryos, not yet fully formed. I think the somewhat incestuous undertones of Maxine’s relationship with her father were probably the best-done thing in the movie, but they made a mistake in not elaborating on some other things that they just hinted at, like how violence and trauma have affected Maxine’s sexuality or how they’ve affected her dreams of stardom and her sense of safety in that stardom. For example, there’s a really great scene early in the movie where a man attempts to mug Maxine in an alley, and she forces him to strip and suck on the gun she’s carrying, and then crushes his balls under her high heel. It’s a horrifying and very well-done scene, and it’s shot to make you see the gun as Maxine’s dick, and then just - never brought up again. This physically harmed me.

In the same way X is The Texas Chain Saw Massacre and Pearl is The Wizard of Oz, Maxxxine is Psycho, but it’s so obviously Psycho with absolutely no subtlety. X wasn’t subtle either, but at least it didn’t have the exact TEXAS CHAINSAW HOUSE for Maxine to hide in while Kevin Bacon was in hot pursuit. I think the Psycho themes could have been well done if they ran through the movie as a sort of constant thread instead of just showing up overwhelmingly in certain scenes.

also my lovely friend who I saw the movie with called the twist forty-five minutes into this overlong affair, AND despite all of Ti West’s more progressive, reimagined takes on slasher tropes, they fell back on possibly the worst horror habit of all time, which is of the first three kills, two were the film’s only Black characters. Speaking of one of said characters, whatever accent they had Halsey doing was abominable and unnecessary.

In short, I liked it and was disappointed by it. I’m used to the X films feeling like extremely detailed masterpieces, and I am merely left with a decent slasher.

[rivetgoth]

Nobody asked but over the last couple of days I decided to listen through every mainline Skinny Puppy album (all formal LPs + Remission which is for some reason considered an EP, never fully understood that) from beginning to end in order of release. I've listened to all these albums 5 billion times and know them more or less by heart but it occurred to me after the last show that I don't know if I've ever done this.

After each album I wrote a little Twitter-sized review of it and highlighted a few standout songs. This is, of course, because I originally did this on Twitter. It was a really fun little post-concert activity so I figured I would share it here too.

Maybe even a good introduction if I still have any followers putting off checking them out...? 👀

Remission (1984). The one that started it all. Kind of. Simpler than the rest maybe but still so iconic. “Far Too Frail” continues to be my favorite, hearing it live for one of the encores blew my mind. “Film” as the encore opener also brought tears to my eyes.

Bites (1985). Still simpler than later outputs but also still a classic. Has a ton of really underrated instrumental-heavy/atmospheric tracks, and “The Choke” and “Last Call” are perfect songs. “Assimilate” is legendary but unfortunately gets hardcore overplayed lol.

Mind: The Perpetual Intercourse (1986). The addition of DRG is palpable. SP starts coming into their own and sounding less like a Cabaret Voltaire tribute band. Lol. Moodier, more complex, and lush with dark soundscapes. “God’s Gift (Maggot)” is one of the best.

Cleanse Fold and Manipulate (1987). From the first beat of “First Aid” onwards, this is one of THEE quintessential Skinny Puppy albums. IMO the real start of their “golden era.” Contains some of my favorite songs of ALL time. “Addiction” is easily a no contest top 5 SP track.

VIVI SECT VI (1988). One of the greatest. Noxious war zones, sterile hospitals, choking, burning, cold clanging cages in animal laboratories. One of the darkest, most nightmarishly psychedelic, heaviest, absolutely masterfully crafted albums. “VX Gas Attack” remains unparalleled.

Rabies (1989). Hi Al. This album just oozes sex appeal. I never get tired of it. It has a deranged masculine militaristic machine gun energy unlike anything else. I’ll never tire of “Hexonxonx,” “Worlock,” or “Tin Omen.” And ending on the dreamy delirious “Spahn Dirge”… Goddamn.

Too Dark Park (1990). A lot of people call this one THE supreme SP album. It’s legendary. Pure unadulterated Skinny Puppy. Sounds like home. An endless barrage of chaos and stormy monstrous polluted amorphous landscapes. “Grave Wisdom” is an all time favorite ever.

Last Rights (1992). The most utterly mindblowing devastating masterpiece of an album maybe ever made. The cohesiveness of the themes, sounds, lyrics, imagery—pure art. It’s a terrifying and desolate hellscape. Flung into sonic Knowhere. “Mirror Saw” is pure perfect transcendence.

The Process (1996). I have some trouble with this album—It can just make me very sad. You can both feel and hear the devastating loss. Barren and hopeless. Still, it’s TEEMING with absolutely rocking, heavy, guttural bangers. “Cult,” “Blue Serge,” and “Curcible” stand out.

The Greater Wrong of the Right (2004). A personal fave. Forever enthralled by the dreary smoking futuristic cityscapes painted by the various textures across each track. An epic journey through destruction of civilization and the mind. “Goneja” is an easy top 5 SP song for me.

Mythmaker (2007). Used to struggle with it, was even my least favorite, but it’s grown on me and I love it. A high octane reality-bending journey through alien dimensions and human mythos. If Ogre’s alien Other belonged to an album it’d be this one. I adore “Dal” and “Pedafly.”

HanDover (2011). Grossly underrated and constantly written off, I ADORE this album. It captures a sort of dreamlike melancholic sharp surrealism unmatched by anything else, like rain falling softly atop a rusting metallic dystopia. “Gambatte” is a stand-out forever favorite.

Weapon (2013). A fitting end. Nostalgic familiarity rejuvenated with sharp crispness. This one taps deep into my imagination; post-apocalyptic fantastical mechanical wastelands haunted by ghosts of the past. “Plasicage” is an all-time fave, and I love the reimagined “Solvent.”

[gummybearzgocrazyagain]

kinn/porsche fic rec

Fake Dating AU

Tell Me That You Love Me (even if it’s fake) by @whitewalkers [luuuuuv me a fandom as ripe with fake dating trope as kp, it never quite loses it’s charm innit. kinn has a high school reunion to attend, and of course why not use it as a ploy to sway his most annoying bodyguard into confessing his nascent feelings... well-done, tis a rec]

Vigilante/Special Agent AU

Deep Like a Coastal Shelf by @Lilla_Torg [aight so this is an author with the very distinguished storytelling pattern, that i can not help but appreciate, their world-building and characterization is usually top notch, and this particular babie is not an exception: porsche and chay were brought up by someone from the syndicate that targets organized crime, and now that people, who used to call themselves their parents, are gone, Porsche is left with the ominous List, and a black leather vigilante suit, to keep their legacy alive. korn and gun are dead, Main and Minor fams are combined, tankhun has taken over as the Leader. kinn handles their overseas ops. amazing quality of storytelling, as always. DNI if you can’t handle pairings other than kp, as this is a multi-pairing piece, as it is customary for this author. but again, the story is so good, i didn’t even skip kimchay/vegaspete bits, which is a feat on it’s own. max kudosssssss]

the house don’t fall (when the bones are good) by @bytheriveriwept [i often say that i luved some works, but there are works i luved, and then there are works i LUVVEEEEEEDDDDDDDD with my whole-ass heart, this bit of genius masterpiece is the case of the latter. kp are special agents, colleagues, parts of the same organization, cohesive unit, and all that. only until porsche decides to take on risqué assignment, and go undercover. will they still be them, when he is back....? what can i say, this was sooooooooo up my alley in so many ways, i don’t even wanna say no more, if you haven’t read this.... what the hell is you even doing]

Third person POV

First Impressions by @AirgiodSLV [oooohhhhh how i luv me some piece of delicious 3rd person pov, yummmmm, Bank is a new hire for the Major fam, and this is the first time he is present at the meeting between the families.... yumm👌]

Alternative Meeting AU

stumbling to the edge by @FireRisingOverTheHills [absolutely delightful and underrated series for those who is not looking for heavy feels: it is light-hearted, sweet, well-written and entertaining, all without being angsty or plot-twist-heavy. despite the alternative meeting, it is still pretty much in-universe compliant. kp meet at a bar under different circumstances, but end up pretty much in the same compromising position that we all love to see them in. much kudos🙏]

the less i know the better by @mslunita [yummmmm, delicious morsel of tinder hookup-turned-softness, i really enjoyed this one: kp initially meet on the apps, and yet, being themselves, immediately turn this motha all soppy and lovey-dovey, - extremely canon-complaint, if you ask me. exactly the kinda content i am here for🙏 super-well done]

For Want of Fighting by @Mara [this fandom sure does luuuuuuv it some alternative meetings aus, huh, and i ain’t about to complain. great short piece, Businessman AU, first meeting is not too drastically different to canon, but the context does slightly differ. very entertaining and def a rec]

Sports AU

Salt by @ronadnhermy [oh. my. god. what a fucking catch, luv luv luved ittttttt, so well-written, so entertaining, there is plot, there is emotional turmoil, morally dubious kinn, maybe the younger versions of them is not exactly my jam, but with such quality, who cares... porsche is like 18-19 and on the Thailand National Taekwondo team, kinn is in uni, and sees something he likes, thangs spiral from there... super recommend, ah-mazing, allllllll the kudos]

bar owner!porsche AU

like real people do by @motherfleckers [Kinn is a celeb, Porsche owns a tiny bar in a tinier fishing town, simple premise with a delightful resolution: eyebrows, usual canon levels of audacity, motorcycle rides, and, most importantly, kinn’s dick is not small. it’s very very good (the fic, not kinn’s dick, although that too). major kudosssssssss]

Now make your bed (now lie in it) by @deliciousblizzardshark [2-for-1 tropes sale, apart from bar owner!porsche, you get accidental babie acquisition, my beloved <33333 fair warning, one must brace themselves for being gutted with longing, as well as general adorableness of kinn going “i’ve only had this random babie for 1,5 days but if something happens to her imma end everyone in this establishment and then myself”, adored this one sooooo much, prolly one of my personal faves, sooooooo many kudosssssss]

Cabin crew AU

before i leave, i want it a thousand times by @mslunita [despite somewhat disparaging reputation real-life cabin crew have acquired in my city, i clearly have no issues reading porsche being one slutty flight attendant, and hey, when your client is kinn anakinn theerapanyakul, who could actually blame him for slightly loosening his morals up on occasion, right? certainly not me, you go boiiiiii]

Historical AU

Love and the Art of War by @fortunehasgivenup [oooooowwwwww yassss, this is sooooo far up my alley it ain’t even funny. first of all, this author is everything, man, love all their fics, must reads, all of them. this specific babie is sooooo precious though: set in some nebulous middle ages, it’s a war camp setting, kinn has been away from home for months, and upon returning from some battle or other, gets an unexpected visitor waiting for him inside his tent. ngl, i would have read 200k of this, but author gave me 4, and i lapped them up like a man starved. perfection, truly. not to mention the use of “anakinn” in any context just does it for me🤷‍♀️]

Sex worker adjacent AU

escort AU by @Oscarian_Flame [Porsche joins the same agency kinn has been a long-term client of, and the universe expands from there. well-written and fun to explore, with interesting oc’s, worth a read for sure!]

Cliff Jump by @AirgiodSLV [ooohhhhh yeahhh babie we talking with this one💅 soooo.... vegas is using the same agency, and it kinda triggers kinn’s competitive side, earning him a certain...  reputation. once every twink is bangkok is so exhausted that ain’t noone is able to deal with his over-the-top shite no more, the agency sends someone who has enough stamina to withstand the lengthy bounds of athletic... interactions. yeahhhhh, you guessed it. so very entertaining and plot-twisty. so very delightful]

even though you’re not mine, you’ve got that look in your eyes by @fortunehasgivenup [highly highly doubt there are people left in this fandom who have not read this masterpiece, and yet could not exclude it from the recs, it’s that spectacular. if one must create escort-by-misunderstanding AU.... do it to such level. spectacular work, allllll the kudos]

Night Call by @ziusik [one of my fav pieces in this fandom no cap, if you know this author, you know, i obvi adore every single word of both mileapo and kp this author has everrrrr written, and this particular stripper!porsche au with absolutely helplessly besotted idiot-kinn is outa this worldddddddd great. it’s like if “under the influence” by cb was a fic, the vibe is simply immaculate]

Comedy/Crack

Wilderness Camp by @housseao3 [wholesome and endearing piece of fun, i lichrally cackled multiple times, i meannnn, tankhun with his rompers, chan/tay, sugarplum/chicken, unforgettable ken/groundskeeper....? adorable, entertaining and praise-worthy attempt at light-heartedness and humour, super-well done]

School/Uni AU

let there be no barriers (between you and i) by @anakinn [being both adorable and hot is a general qualifier for ending up on my rec page, so here it goes as well. porsche has had a crush on one of his classmates for the better part of their university journey. one day being bored in class, he decides to test some random online advice, and see whether anyone of his mates is a mind-reader.... you guessed it folks, one particular person just might be. short and to the point delicious morsel of general canon-appropriate kp horniness for eo <3]

i gave a second chance to cupid by @haeseolar [omnomnomnom *chomps down on this fic with gusto* you know the feeling you get while consuming media, this overwhelming regret that the magnificent piece of work you’re currently devouring has already been perceived by you, and you never get to experience it for the first time ever again...? big time my energy while reading this one, what a mind candy, i reeeeeeeeeally enjoyed it🙏🙏🙏 kinn is 39, he is teaching lit at a private school, when the new 24yo PE teacher joins their roster fresh off uni... i dunno what to tell you, this author just gets it, when i say all the kudos, i quite literally mean all the possible kudos for this one]

Various in-universe AUs

The One Where Porsche and Kim Are Gym Buddies by @fortunehasgivenup [oooiiii, what fun, what funnnnnn: kim and porsche are both in the fights, and occasionally meet at the gym... reluctant comradery ensues. they talk to each other about their respective crushes, none the wiser that they have been railing each other’s nong and phi... what else is there to say, the author is so good i even attempted to read kimchay, which is practically unheard of, lich-rally all the kudos]

Here With You by @Yeetyeetbroski [daaaaaaaamn sonnn, the tension, the tensionnnnnn..... “scrumptious” is an understatement for what a treat it was. thank you dear author, much much MUCH kudos p.s. while you’re at it, i’d recommend to go through this author’s whole catalogue, their rendition of kp dynamic is a delight to read]

The Aftermath by @Yeetyeetbroski [yippy, the softness <3333333 So this is an Ep 6 aftermath, an AU for Ep 7. absolutely lovely and adorbs. soft besotted kinn is universally accepted as one of the fandom fav versions of kinn, so in regards of delivering on this front this fic is def up there. awesome read]

Post-canon

Storm to Weather by @archay [it was soooo good, i luv this typa vibe, bitter-sweet, but hopeful <333 the theerapanyakul empire is done for, and kinn and porsche are out to fend for themselves in a real world. tis a rec]

Whittled Down by Another War by @rageprufrock [i... are there even words... abso-fucking-lutely legendary piece, the way theerapanyakul bros dynamic is portrayed in this.... damnnnnnnnnnn, if there is anyone, literally anyone left who has not read this yet... what the fuck are you doing with your life, GO READ THIS ABSOLUTELY MINDBLOWING FIC]

fell in love with the fire long ago by @builtempires [wieeeeeeeeeeee, what a tasty treat: kinn is away on business, and a certain head of the minor family decides that sending his partner some racy pics while separated by thousands of miles would help the situation... it both does and doesn’t. very entertaining, super hot, much kudos]

Magic AU

Instinct by @the-wayside [ohhhhh this bloody gorgeous muthafuckin thang.... i remember being so overwhelmed after reading initial chapters that i even dmed the author, cause it was cloying at my skin, the story is superb. not everyone, but many people got an instinct living inside of them, and what do you think happens when kinn goes to some random underground fight held at some random seedy club and his instinct meets porsche.... yeppp. something about reading how the most animalistic, primal part of kinn wants and longs for what is his is just.... maaaaaaaan, If you haven’t read it yet and there is still an opportunity for you to experience it for the first time, i am so fucking envious no cap]

Poring Down Crimson Fire by @Lilla_Torg [whatttttttt, this was fucking insane, like...??? the world-building??? i fucking can’t, off the charts, insert chief kiss emoji size of a sun. i don’t even know how to rec something like dat, just... insanely devastatingly interesting story, and yeah, technically it’s not even kp fic per se, cause the whole fucking gang be giving off main character vibes. must read]

+

bonus:

MILEAPO

......................................................................................................................

disclaimer: realizing how tricky the whole topic of rpf might seem, i myself have not dipped a toe in this pool in a long, long time, therefore do completely understand and accept any potential discomfort anyone may have with using names/likeness of real people for fanfiction writing purposes. kindly, if you are uncomfortable with the topic, do not proceed any further, thank yew. p.s. also, as it has been noted so many times before, if you didn’t want us to write/read fanfiction about you, maybe you shouldn’t look at your work colleague like dat, bruv, just saying

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Starting Ambitions by @iffervescent [abo rpf, fucking masterpiece, luv this story sm]

Marked by @oliviacirce [yeahhhhhhhh... this. this was... an experience. they are about to film the scene in pete/porsche’s room, but the special effects person is out with the stomach flu, and there is no one to apply the fake hickies to apo’s neck. mile comes up with the brilliant idea that saves the day. no words, only squeals and cheers]

Whole New Kinds of Weather by @archay [short, sweet, hot and to the point 👌 after the NYE 2023 the whole team comes back to Tong’s for an after-party (for the live of me, i dunno why is it always Tong in the fics, tis has become some kind of established fanon by now), and thangs transpire in his bedroom (sorry, phi!!! pls don’t kill them)]

obviously, every single word @ziusik has ever written, especially Limerence, your lips in the street lights, and of fucking course, just a step away, which is definitely one of my fav ma fics everrrrrr and forever fandom classic

and finally...

said you’d be coming back this way again, baby by @concernedlily [this is what i’d call an ultimate ma fic, jokes aside, if there would be a limited amount of fics a person is allowed to read in they lifetime, this would make the cut every time for me. no matter how many wonderfully written, extremely talented ma works are out there, this would always be the ma fic for me, absolutely fandom-forming, i can never praise this work enough]

[whatareyoudoingwithamaserati]

yessss, two friends showed me jennifers body a couple years ago! the movie deserves every single bit of hype it gets, i had so much fun, it was delicious!

(if you have more recs? 👀👀 I love literary/audio horror but ive been too... idk, scared? because i don't know what i like when it comes to visuals?)

LET’S GOOOOO!!! I put off watching Jennifer’s Body for so long because I was worried it would not live up to the hype but MAN was it worth it. They have been plaguing my thoughts ever since. I am especially a massive fan of the costume design because they NAILED that shit!!

Admittedly I’m more into horror movies than novels (it is . So hard to read these days) and podcasts have never caught my fancy, but it would feel wrong to not recommend sign here by Claudia Lux and the ever infamous American psycho by Bret Easton Ellis. I actually haven’t finished American psycho because it is a dense read but my god it’s a beautiful masterpiece of a book and I did not expect it to be as hilarious as it is

Movie wise I tend to jump all over the place and watch whatever catches my fancy so this is. Not a very cohesive rec list and not full of very many older homoerotic movies but. I plan to watch more when I can

First and foremost I am an absolute die hard fan of house of 1000 corpses. I cannot put into words how much I love it in all of its weirdness. It was made by rob zombie of living dead girl fame and you can TELL in the best of ways. It’s got fun colour grading, excessive swearing, weird ass characters, and such a fun setting. I’d say it’s on the medium-heavy side of gore with a couple of body horror scenes and a good bit of blood and mutilation. The seocnd movie is good, third eh, but you don’t actually need to watch those two. They take the camp of the first movie and turn it into a more gritty realistic energy that is almost meanspirited in nature

I’m a HUGE cabin fever fan and I will recommend it at every chance I get, BUT! There is a caveat and that is that it is not only significantly gory but also that it is weird, campy, kitschy, and a real big fan of slurs, LOL. I think we hit several n-words, an r-word or two, and some use of faggot. Some of the later scenes are downright WEIRD but despite it all it is one of my favourite horrors with some really haunting scenes

Hellraiser in general is a wonderful franchise, I love Clive Barker’s choice to base the cenobites around a mix of BDSM and gay culture and how he characterizes pinhead, even if the later movies fuck it up a little. The 2022 standalone is a huge favourite in particular, I love the imagery and the cenobite redesigns that lean heavier into body horror as well as the cinematography. Jamie Clayton’s pinhead is fucking INCREDIBLE to boot

If you like erotic horror, X is definitely a good one to watch - the plot centres around sex workers determined to make an erotic film and make it big, with some immaculate commentary on desirability, beauty, and aging. Good bit of tits and ass in that one, as well as medium level gore. It also has two sequels, Pearl and MaXXXine, which are set in the past and future respectively. Pearl was secretly shot at the same time as X in the same location and focuses on the lust for fame, the need to make it big, and a youthful mania of sorts coming from Pearl. MaXXXine I haven’t actually seen yet so I cannot say much about it, but I hope to get to it soon!

The fear street trilogy is also a remarkably well done series that seamlessly covers one long tangled mystery throughout three different timelines, using the same handful of actors for each one! The use of setting and cinematography is so fuckint cool, the eventual mystery reveal is absolutely wild, and there’s even a canon queer relationship! The gore isn’t too bad, I’d say light but there are some moments that push it to a medium at best

Ready or Not is a movie I enjoy for a variety or reasons (I think the iconic shot of Grace in a ripped and bloody wedding dress is pretty big on the internet), from the setting to the storytelling to Samara Weaving’s fucking banshee screams, with medium-light gore (though the bits that do show up are impactful as all hell. Cabin in the Woods is fun as a deconstruction of the horror genre (and a story that theoretically makes every single horror movie made canon, wow), though it’s also just really fucking funny. Another medium gore!

Candyman 2021 is a brilliant take on an old legacy of movies (again, no previous ones need watching) with a wonderful exploration of gentrification, black trauma, and what makes the candyman the candyman. I know I keep talking about cinematography but holy fuck, the multimedia use in this film in particular. Immaculate. I feel practically obligated to recommend Deathgasm, which is an indie horror with some pretty wicked gore, if not just because the main characters are all metalheads, and as one myself, it’s SO COOL to see us as protags in a horror movie

Last but not least, Prey 2022. Holy fuck, Prey is an utter masterpiece. It’s the latest addition to the predator franchise, another one of those ones you don’t Need to have watched in order to watch prey, but havint seen them gives the watching experience a good bit more depth, with iconic lines being given a new spin. It’s technically a prequel to the first ever predator movie, focusing on one of the first few appearances of a predator on earth (ehhh debatable considering the canon of aliens vs predator but I’m ignoring that for the sake of conciseness), giving it more a more basic appearance and weapons, while also letting it kick absolute ASS. The plot is incredible, the cinematography is incredible, the CGI animals are so much better than ever expected, and it’s also the first ever feature length film to ever have an official Comanche dub!!! Holy fuck!!

As a bonus, though I haven’t seen it, Doctor Sleep also seems like a really well done movie! It’s based off of the Stephen King book set after the shining, reprising and revisiting a lot of iconic moments to tell a new story with fucking incredible visuals that put their own spin on the shining

[charlierosewriting]

This viewing of Stop Making Sense, in a cinema I went to alone, did two things: it ruined every other time I'll ever try to watch this film again in my life, and revealed itself to be what it has been this whole time. Anti-performance anxiety propaganda. It also cracked me wide open.

I've always seen Stop Making Sense in one of two modes - communally on a TV through it's built-in speakers, or on my phone alone with my big chunky noise-cancelling headphones. I pick whether I want to hear it with others but sacrifice the sound quality, or to hear it at its most beautiful but by myself. In a mostly empty cinema, Stop Making Sense becomes both at once. I can't be sure if it's the A24 remaster or just hearing it on a capital everything SOUND SYSTEM, but the entire experience feels warmer and human this way. Tina Weymouth's bass playing is clearer than ever before, the synths taking a bit more of a backseat to its rumble, and the percussion of both Chris Frantz's drums, David Byrne's boombox and (most transformatively) Steve Scale's set-up hit almost with the force of actual, unshielded, live drumming. After each song, the couple behind me cheered and whooped (half-ironically), and after the midway point I joined in (completely earnestly). It's still not perfectly analogous to a live concert, even then. The audience noise is near immersive in surround sound, but it still feels as distant as the band does all the way over up on that stage. When the songs end and the crowd noise begins, the cinema experience feels strange and hollow and disconnected. I love this way more than a perfect Disneyland imagineered recreation of a Talking Heads concert.

That last point is actually where the most magic is found in seeing Stop Making Sense in a cinema, and what really started to pierce into me; the craftsmanship is more visible. These are small chips in the paintwork you can't see until you get your nose right up to the masterpiece, and every one of them adds more texture and beauty to the whole.

It's easy to be swept away by the sheer magic of Stop Making Sense in any of my usual viewings, because it's already perfect. In Crosseyed and Painless, the camera pans between Alex and David as they trade absolutely cracked guitar solos, and it is a frontrunner for my favourite shot in any film. The whole thing feels effortless and fluid from beginning to end, a document of a band in their peak, beautiful moments of improvisation and genius popping up from both the performers and the cameramen, something divinely ordained.

But when Tina Weymouth is 20ft tall, you notice her lips don't quite match the audio track on Genius of Love, and remember that the film was shot over four nights, not one continuous concert. It isn't a gift from the goddess of music, it's a team of creatives sweating in a studio with probably not great A/C to make something that feels cohesive. When David dances with Ednah and Lynn on Burning Down The House, they perfectly match his strange movements and mimic the guitar playing, and when they're 20ft tall you remember that there must-have been a rehearsal. You remember that the physical CD of Stop Making Sense you own includes a booklet, in which every movement and stage direction is documented, and you wonder if that was written before or after the performance.

One I noticed long before I saw it in the cinema was during the objective pick for best Talking Heads song, This Must Be The Place (Naive Melody), when David enjoys watching the lamp he dances with wobble back into place for just long enough that he misses his cue to sing, and is back at the microphone just half a beat AFTER he starts singing on the audio track.

This is not nitpicking. This is revelatory, this is beautiful, this is the best the film has ever been. This is the autism of Stop Making Sense.

Like Stop Making Sense, I am profoundly autistic. I have been autistic all my life, and I will continue to be autistic. If you asked me if I'm proud to be autistic, I'd say yes, but at the same time I'm sadly not sure if that's true. I have masked so thoroughly and for so long that removing the veneer isn't freeing. Taking it off doesn't let my skin breathe, it exposes raw flesh so tender that it is stung by the air. Some people never have experience with air, tell you not to worry about it, but I think that David Byrne has.

He writes more songs about buildings and food, he dances either like a marionette or like a panic attack, he sings like he is bearing his soul or like he's having a panic attack, the polyrhythms the band finds are joyous grooves or they are panic attacks. Talking Heads is sensory overload about sensory overload, confusing music about being confused, failing radio transmissions about badly communicated emotions.

The difference is, Talking Heads will express that feeling, that disconnect, that hellish radio static in the back of my mind, and make it listenable and funky and fun. When I'm overwhelmed, I'll storm out and cry alone, when David Byrne is overwhelmed, he writes Born Under Punches. When I'm happy, I smile and, if around no-one but my girlfriend, maybe giggle and flap like I wish I could more often - before regaining control and putting the mask back on. When David Byrne is happy, he releases Don't Worry About The Government and the world listens to it.

I want to write songs about buildings and food! I want to write songs about Garak and Power! About the career of Ahmed Johnson! Let me! But I won't, and I don't. I don't think I can right now. But then there's Stop Making Sense.

Stop Making Sense takes every complicated, negative emotion in the discography of Talking Heads, and does something amazing with it; it makes it a party. In its original studio form, Life During Wartime is midtempo and reverby and distressing. The groove is there, but feels intentionally shot in the shin, only allowed to lope in a way that brings out the tension and danger of the lyricism. Then it Stop Making Sense it SKYROCKETS!!! The panic is still there, that essential tender skin of autism, but it is transformed into one of the most bracing and captivating performances of the whole film. Rather than monotonal, almost krautrocky guitar solos, it is given ecstatic synths and almost double the tempo. The studio version of David feels cramped in his situation, the film David runs in place! He wriggles! He sprints laps around the entire stage! The crowd claps and screams! I clap and scream!

This is Stop Making Sense in minutia. The tension and overload of autism is constant, it is pervasive, but what is present is the joy and not the pain. When I stim around my girlfriend I feel completely free momentarily, Talking Heads in Stop Making Sense feel completely free for eighty-eight minutes, and it's infectious.

Masking, at least for me, is performance anxiety. I have an ideal self in my head and, despite my constant trying to change this, she doesn't openly present as autistic yet. I want to perform my best, ideal self, and I need my autism to be part of that, but revealing myself that much to the world is terrifying.

But, once again, here's Stop Making Sense, and its perfect flaws.

The version of Tina we see sing Genius of Love isn't the version we're hearing, but she is beautiful, and I love her. David misses the cue to go back to the microphone, but I still hear his wolf howls and I smile. Chris beams like a headlight at all times, he's having the time of his life. Ednah and Lynn are always so ON that they feel more like Energizer Bunnies than people sometimes, and I wish I could be more like either of them. Jerry is consistently serious looking and kinda wooden, and he's doing so damn well up there. Alex seems to only know one dance move, it's to kick about as high as his chest and look to the right, and it's the coolest thing I've ever seen every time. Bernie looks so self serious at all times, which makes his basic ass solos on Making Flippy Floppy so much funnier and better. Steve Scales, on top of having the best name ever, keeps looking at the crowd like a kid whose parents have come to see him in the school play, and I love him. I love them all.

They are and were real people with interiority and darkness that I'll never know or comprehend, they all did bad things to good people at some point in their lives, and the version of themselves that was captured across these four nights and painted into this eighty-eight minute gasp of euphoria are my family and they are my friends.

David gets to the microphone too late and I hear the wolf howl and I smile, they all continue the song together and I clap, and then I squeal and then I shake and I flap my hands and the mask falls to the ground, and there are two people behind me who can definitely see me right now and they can definitely tell, they can so definitely tell, but this must be the place (naive melody) is the best song ever so I dont really care and the song ends and i find there are tears in my eyes and they dont fall, and before i can reach to pick up what i dropped the synth arpeggios of once in a lifetime start and i no longer have time so i sit theere and i watch and i listen and david dances and now hes wearing glasses and I'm just an animal looking for a home and, share the space for a minute or two! And I'll love you 'til my heart stops! Love you until I'm dead. Eyes that light up, eyes that look through you. Cover up my blind spots, hit me on the head! Awoo!

Postscript:

I tried writing this once on my phone, but the app crashed and deleted my progress and I almost had a panic attack lol. Glad I rewrote it, I want to put this somewhere, but it is somewhat more masked and less raw than the original version. Oh well, it's probably better written.

The one concert movie I've seen that REALLY goes into exposing how it's a construction over different nights is Beyoncé's Homecoming which is a masterpiece in its own right. The way it blatantly shifts outfits and colour schemes across shots is wonderful, people need to talk about that more. Probably shouldn't be me though lol.

[starwars-art-events]

Art Event 4: Different Genres

Hello there!

This is an informal, for-fun art event, meant for any person who enjoys making art. This time, it's a two-parter: both a trade, and just a casual event for those who just wish to create art for themselves. It's a pressure-free event! No need to create a big masterpiece--just something you or others would happily enjoy.

The theme this time around is "Different Genres." You can choose any character(s) from any media(s) and put them into a different universe entirely. Make a clone a mermaid! Toss Thrawn into a K-drama! Hondo Ohnaka could sail the seas in the Golden Era of Piracy! Anakin Skywalker could be a Warrior cat! Whatever genre you can dream up, they could be in.

Types of art welcome:

Drawings (digital or scanned traditional)

Short comics

Short animation

Photo edits

Video edits (music or otherwise)

Music creation

Moodboards/photo collages

Quotes-and-photo collages

Other (contact moderator ASAP)

Dates to adhere to:

Deadline to join the trade: February 10th (There is no sign-up or deadline for free-posting individuals)

Dates to post: March 30th-31st

Rules:

For the trade: Joining requires creating art. To recieve art, you must create art! Simple as that. Many types of art are allowed (see above), and all can be adapted to how you wish to conceive yours.

You don't have to be "great" at any art to join! This is an informal event with no level restrictions. The important thing is that your art absolutely must have effort. For example, a moodboard should be cohesive, and it should contain enough photos that it could be worthy of giving as a gift. Make sure you are satisfied with what you are giving out (to your abilities levels, of course--don't expect the Star Wars Mona Lisa if you aren't to par with DaVinci's skills!).

This is an anonymous event. You will know who they are creating art for, but you will not know who you are recieving from! Until posting dates, please keep your art to yourself (or a trusted non-participating friend). In the words of Gandalf the Grey: Keep it secret; keep it safe.

Art should be created for your giftee based on things/characters/ideas they enjoy. Do a bit of "pseudo-stalking" (not real stalking) of their tags. See what the person enjoys, both in terms of mediums and concepts. If they have clone trooper OC's, base something off those guys! If they are a big Ezra Bridger fan, see what types of AUs they enjoy! If the concept of the Force makes them go wild, include that in your art! If you are at a loss for ideas, send an anon message to the person to see what they are interested in OR contact the moderator.

Please sign up only ONCE. You will recieve art from only ONE artist. The artist may wish to give you more than one piece of art, but it will only be from THAT artist alone. If you wish to make more art for someone else, arrange that on your own time, please!

If you need to drop out, that is okay! Things happen. You are able to drop out at any time. Please contact the moderator ASAP if you need to drop. Please understand that the other artists are putting their own time and effort into their pieces. The artist gifting their time and effort to you is no longer obligated to do so anymore. If you drop out, they are completely allowed to drop, too.

Important note: All skin tones and disabilities must be accurately portrayed. No skin tone should be lighter than the actor/character's actual skin colour. Disabilities must be depicted correctly. If not, you will be dropped. The same goes for respecting canon cultures. Please refrain from depicting Children of the Watch or Tuskens without their garments, unless the scenario is explicitly of situations where the removal of clothing/armour/helms is acceptable. Please cover the heads of Twi'lek women, and that of Mirialans. These requests are not only personal wishes of the moderators, but also just basic decency. Do your research portraying someone different than you. Do not fall prey to harmful tropes. This hurts others..

IF YOU HAVE ANY FURTHER QUESTIONS, PLEASE DM THE MODERATOR. You may do so here, or at @engagemythrusters or @darlin-djarin.

Sign Up Form for Trade Here

Thanks, all!

[daniel-profeta]

For years I thought Hi, How Are You was the perfect encapsulation of Johnston's work. It felt like broken pieces of work that was held together by his personality and eclectic sense of musicality despite limited resources. It was very surreal... Yet

Today I relistened to "1990", and have decided I was wrong.

This is the first Daniel Johnston album that feels, to me, fully complete in scope and production. It is cohesive and listenable, the entire thing flows like the wailing of a ghost in the attic. It is absolutely terrifying as well, from the screaming of SATAN SATAN SATAN, to the discord of the piano hits that bang much louder and with more force, there is little respite from the overbearing pallor of Daniel's fear. A fear that is only given more strength by the hope he clings to.

The one rest from the fear we are given is incredible though. True love Will Find You In The End is a masterpiece beyond compare. Rest in peace Mr. Johnston, your work has endlessly inspired me, and I'm glad I didn't know you. I believe you could have converted me, and that thought scares me.