#and the repeated words

[dykescooby]

don't care + didn't ask + you will never break the chain

[sophegg]

Tubbo said the only time he came out was when he was playing fortnite with tommy and freddie when he was 14 and they were doing a bit about gay sex and Tubbo deadass said “well that might be nice actually”

[spookedwerewolf]

[cataclysmictide]

Pain's Like Cold Water Your Brain Just Gets Used To It

No Complaints - Noah Kahan/That Funny Feeling - Bo Burnham/Ask Polly: Help I'm The Loneliest Person In The World - Heather Havrilesky/Ladybird (2017)/Tennessee Williams/unknown/No Complaints - Noah Kahan/Perks of Being a Wallflower (2012)/Ask Polly: Help I'm The Loneliest Person In The World - Heather Havrilesky/That Funny Feeling - Bo Burnham/No Complaints - Noah Kahan/That Funny Feeling - Bo Burnham/Unknown/Perks of Being a Wallflower (2012)/'Ectesy' - Georges Bataille/Warsan Shire/Ladybird (2017)/How to Cure a Ghost - Fariha Róisín/That Funny Feeling - Bo Burnham/No Complaints - Noah Kahan

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[wispscribbles]

Ghost who's gone prematurely grey due to his lovely past (and Soap who doesn't mind)

[polinsated]

*penelope.exe has stopped working*

[thorn-agere]

this one goes out to regressors with "scary" disorders that affect your regression!

: to regressors that hallucinate when regressing!

: to regressors that experience delusions, be they comforting or terrifying!

: to regressors with personality disorders!

: to regressors with cluster b pds!

: to regressors with lesser known or talked about pds!

: to psychotic regressors!

: to regressors that throw tantrums because of their disorders!

: to regressors that are systems!

: to regressors who reclaim the evil and scary stereotypes!

: to regressors who don't reclaim the stereotypes!

you aren't less loved because you have mentally illnesses. your regression isn't any less valid because you have mental illness. you're always welcomed in my fort.

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[finn-shavocado]

Gamefreak: this is iono, she is an electric type gym leader and a streamer. She was made to appeal to the masses with how popular streaming has become.

The fans: oh okay she’s cool yeah

Gamefreak: … and this is Larry. He’s literally just some guy

The fans: LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY LARRY

[n8nt]

On the idea of love as seeing

[remotewatch]

handprints, footprints all on my glass

Jack Schlossberg x reader | 1.6k wc

minors dni please and thanks, this is hag business

summary: it’s a short ride from the afterparty to the airport, theoretically

cw: shameless smut, she comes first 💪, dry humping, dom reader sorta, pathetic simp Jack enjoyers make some noise!!!, oral (f receiving), fingering, we’re degrading him a bit whoops, accidental vabbing (?????) girl idk, reader wears the pants not the panties, they’re in one of those Mercedes vans, wear your seatbelts everywhere but here

The jet lag was undoubtedly winning. As luck would have it, the busiest weeks of the year for you and Jack overlapped nearly entirely. It had been nonstop flights, engagements, meetings, press releases, dinner parties, galas, openings of buildings for charities for either dogs or orphans, orphaned dogs maybe, for so long you’d entirely lost track and were ever thankful that most of your speaking assignments were behind you. This last afterparty had fried you both; you didn’t have a single networking conversation left in you. Collapsed opposite you in the jump seat, Jack looked just as spent as you felt.

Of course, he still looked too good. It was fucking sweltering in that venue, and he had loosened his evergreen evening tie and slightly unbuttoned his dress shirt the very second you were shielded by the limo tint. Faint wisps of chest hair peered out from the opening, a fresh tan making his teeth look even whiter. Gun to your head, he’d had his pants taken in too much at the hips, but you’d never say anything that would threaten such a view.

There wasn’t time for that; you were in the home stretch of this hell month and had a packed 16 hour day tomorrow. One last email once over, and you could abandon your work iPad and pass out for the flight back to New York.

“Have you been like that all night?” he asks tentatively.

“Like what?” There’s no immediate response, so you look up from checking tomorrow’s agenda to see Jack shamelessly staring up your cocktail dress at your lack of underwear. The spell breaks when you recross your legs and playfully kick his shin.

“Eyes up here. So what if I was?”

Jack blinks dumbly at you and clears his throat. His eyebrows draw together out of confusion.

“But I saw you get dressed this morning. Where’s that pair I just bought you?”

“They’re wrapped in your pocket square. Did you forget to switch it out for a dry one before lunch?” you ask, holding back a shit-eating grin.

It’s hard to deny the rush you get watching Jack go pale and fish the handkerchief out of the breast pocket of his discarded suit jacket, still sticky from cleaning you up a few hours ago. Sure enough, there’s a crumpled La Perla thong cradled in the middle. You interrupt his stuttering protests when you kick your pumps off and slide a foot up his leg.

“Oh please, like you don’t love walking around smelling like me.”

“I do,” his ears are turning red. “but I hugged like twenty people today!”

“Page six has been trying to pin down that musky “cologne” you use for ages. I think you’re safe.” You briefly wonder if you’re leaking onto the leather seats, but that train of thought is halted by Jack’s hand reaching to remove his tie.

“Keep it on.”

He snaps to attention at the direct order.

“Oh yeah?”

“Yeah, I like my handle.”

“Do you come with an off switch?”

Break lights flash on in the surrounding lanes. Just your luck; it’s complete gridlock in the few miles between here and the airpark. Maybe there was a little time.

Your foot slides higher, and Jack hisses through his teeth at the contact.

“Why don’t you try and find it?”

There’s barely a millisecond of hesitation before he falls onto you, licking stripes of sweat off your skin from your cleavage to your cheekbones. As always, he’s loud in the way that only a guy who never gets told to shut the fuck up can be: every breath shudders its way out, and he’s basically whimpering into your mouth by the time he gets there, louder when his right hand finds you, in fact, dripping all over the seat. You doubt you’ll ever get used to how thick his fingers are, or the vulgar noises they make when he’s showing off his grip strength knocking on your g spot.

He’d rolled his shirt sleeves up for the afterparty, but his watch was still squarely in the splash zone, and for the briefest of moments you wonder if it’s as waterproof as the cheaper ones he wears surfing. The thought is quickly pushed aside as Jack works you until you’re jolting off the seat trying to get his fingers deeper.

One good yank on his hair gets him off your neck, and he’s so dazed and fucked out already that you almost cum right there.

“Someone looks hungry,” you tease.

“Fuck, please let me-“ He’s cut off by the van suddenly lurching forward and throwing you both off balance, leaving only your vice grip on his tie keeping him in place. There’s a filthy squelch when he pulls his fingers out to suck them clean as he sinks down to his knees. It’s so warm that your dress is sticking to your thighs, and he rapidly loses patience trying to slide it up to your waist.

“This is a rental!” you squeal when the fabric rips, spraying sequins all over the floor. Jack doesn’t even flinch and wraps his lips snugly around your clit.

“Whatever, I’ll buy it,” he mumbles without breaking contact. You find yourself sliding down the sweat slick leather to grind against his face, and he has the nerve to lean back to watch your hips buck desperately.

“I love when you chase it,” he grins. Without missing a beat, you lock your legs around his head and shut him up against you.

“Don’t fucking tease me. I’m not the one humping the floor like a dog.” The mumbly, docile “sorry” that vibrates through you is the hottest thing he’s said all day. And he really is, if his overly enthusiastic slurping indicates anything. Those rapid, precise little strokes of his tongue always froth you up like he’s got a mouthful of soap. By the time you get tired of spelling your name on his nose and shove him to the floor to straddle his face, he’s completely lathered in you.

He lets out a little bleat of surprise when you roughly grab his hair and start manhandling him as if he’s a wet wipe, though he really should expect it by now. Normally, you’d be distractingly aware of the very real possibility the driver can hear the way you’re snarling his name, but time is not on your side right now. The last break lights recede, leaving the compartment only lit by dim blue under-seat bulbs. Your movements grow more frenzied; you’re totally disregarding Jack’s lung capacity and not even aiming for his mouth anymore, just using his whole face like it’s all he’s made for. Right as you begin to worry you have nothing left in the tank due to the lunch commute, a muffled, drawn-out “please” from beneath you sends you tumbling right over the edge. Your orgasm hits you more like a tranquilizer than anything else as the last dregs of your energy drench his face.

As soon as he feels your contractions lessen, he’s tossing you off to sit on his thighs and fumbling with his belt buckle. The van makes a hard right turn onto the final road to the airpark, and Jack lets out a frustrated groan knowing the clock is ticking. Still, he knows not to get in your way when you shove his hands away and slide right back on top of his dick, so hard you can feel the heat radiating through the fabric. You know you’re fucking up his dress pants grinding on him like this, but if nothing else, the linen will dry fast.

“I’m sleeping on the plane whether you finish or not, so make it work.” He doesn’t have enough time to be pissed at you, and he knows it. The sight of him so desperately rutting up against you is nearly enough to get you there all over again. All the tendons in his neck stand out as he presses his lips together trying to focus. His legs splay frantically in an attempt to ground himself, one jet black Oxford wedging under the jump seat and the other pressed flat against the far window. Jack’s head tips back and his eyes screw up in concentration, but you can’t have that, no matter how tasty his Adam’s apple looks. You loop his tie around your hand one more time and yank him back to earth,

“Uh-uh. Look at me when I’m making you cum.” That’ll do it. His expression softens then freezes as his eyes unfocus and his mouth falls open. He sounds downright melodic when he cums, just one long note that gets bounced up and down the scale before trailing off to a whine, and you relish every little twitch of him spilling into his pants, so far from you but certainly close enough.

The van rolls to a stop, and suddenly it’s a fumbling nightmare of you both trying to fish your shoes out from under the seats and smooth each others hair. You snatch Jack’s blazer to cover the rip in your dress, shove the iPad and pocket square-thong mess into your work bag, and throw the door open with what you hope is a believable amount of nobody-get-between-me-and-my-lie-flat-seat urgency.

Wobbly legs insist you grab his hand to step out of the van, and, of course, there’s a fucking pap pressed to the tarmac fence. Jack’s reflexes don’t stand a chance at turning him away in time after what you’ve put him through. When the flash catches his face, you can only look horrified as it perfectly captures the shine you’ve left on him.

Gossipy headlines and vague, tasteful PR statement drafts are already zipping through your head. Add it to the agenda: 16.5 hour day incoming.

[zzoupz]

do you understand my vision

[smoothriverrocksrock]

So for fun and curiosity’s sake, I decided to watch flatland… safe to say it was an experience. Genuine thoughts on the movie (I watched the 2007 version) and stuff under the cut, spoilers!

I hear the book is an actual, genuine political comedy (and honestly I believe it if that’s what the movie adaptation looked like) so Ima go see if I can buy it and I recommend y’all do to!

Aside from the whole “what the fuck is going on” feeling that kinda permeates the whole movie, it was actually more than a nothing spectacle! I liked the whole “flawed higher power” theme that the movie had going on. The way the president caused a purge and framed it as a riot, the way the general/warden only wanted war and glory. The vain sphere, the 3D shapes’ general lack of empathy for Asquare.

The oxymoron that is the president circle being all “oooh am I doing the right thing?” And him still turning around to murder a bunch of guards for nearly no valid reason is 🤌. Classic corrupt politician

I LOVED that scene where it’s the Sphere in the elevator, and each time the elevator is in the public eye he poses like a celebrity, and when the elevator hides again Asphere returns to a bored/uncaring pose. No dialogue, and honestly just a really simple scene, but it speaks volumes.

Mrs. A was kinda annoying at first (all the lines deserved better voice actors) but that “Hear my battle cry!” Scene immediately raised her to my favorite. AND??? MRS. B CASUALLY MURDERING TWO GUARDS??? Queen shit, go save your husband girlie

Good time to mention the casual misogyny in the film. If I had a nickel for each time a shape called a woman an “it” I’d have tooooo many nickels. The “woman are actually really dangerous/lethal” thing is kinda funny, but if you really try and interpret that it gets kinda gross. I imagine (hope) it’s an actual point in the book, but in the movie it’s just not addressed. The movie is an alright commentary, doesn’t completely fumble the message but it does distract a lot from it. Like… I enjoy the idea of the chromatic leader being a irregular shape, but to give him such a silly voice is reallyyyy undermining some of the movie’s point. Other examples and all, but watch the movie yourself. If I ever make an analysis for the book, I’ll then give a better analysis for this movie (compare and contrast, the good stuff)

[diplegia]

[mossypidder]

FINISHED MY LIST OF PROMPTS, GUYS

If anyone uses these, please feel free to @ me, I’d love to see how people interpret them. I guess you could also just use a tag. #piddermermay I guess? Idk. I’ve never done anything like this before.