#and that's why he slays

[hauntedandmurdered]

Clarice: What a wonderful piano!

Hannibal: *doesn't take her hint* What song do you wish me to play for you, love?

Clarice: *plays with the leg slit of her ruffled dress and pushes herself against the keyboard* My song, Hannibal. Just my song.

- fake quote

[u3pxx]

sorry everyone im back on my shitpost elysium bullshit

from this one sorry i read the word swing and blacked out

[the-twst-cast-needs-therapy]

Thank you for your service, soldier 🫡

[linterteatime]

The way you draw Gabriel is so

Slay

Thank you, it was unintentional, but here is Gabriel giving you a V1 while slaying

[koi0boi]

CHARLIE SLIMECICLE? MORE LIKE CHARLIE SLAYCICLE OH MY LORD OH MY GOODNESS

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.

[riinchu]

Drew Gabriel in a dress . . . again ✨

This dress genuinely fits him so well AAAAAA!

Heres the dress for reference <3

[mirror-and-mind]

Unpopular opinion but I actually don't find the second Medicine Seller all that talkative. True, he's more talkative than the first Medicine Seller, but all that's required to be more talkative than the first Medicine Seller is a willingness to say good morning to someone instead of staring at them like a morally offended cat.

As I said after the first time I watched the movie, the first Medicine Seller actually seems to me to talk more, if only because he has stuff to say about the mononoke's Truths and Reasons. Movie Kusu is extrovert talkative—he'll talk if he wants to gossip or if he just wants your food. Series Kusu is introvert talkative—he won't chitchat, but give him a topic he's interested in and he'll tell you about it in detail and at length.

[a-scary-lack-of-common-sense]

A phone call between brothers (takes place AFTER this incident and Fiddleford's phone call)

Sorry if this is OOC!

[limeariee]

Killer y2k realness

[metanarrates]

what I find very interesting about the narrator's choice of reward - ie. an eternity of supposed bliss inside the cabin - is that while it seems on its surface just another instance of him projecting his desires onto you, it actually isn't. he himself probably thinks that he would desire an unchanging eternity like the one in the cabin, but...

when he is talking about his reasons for wanting to remove death from the world, his focus is almost entirely on connections to others. he talks about the greater good, having loved ones, wanting better for them. it's those connections that drive him to submit to death in the hope of defeating it. he is definitely selfish, but if he was totally selfish, he wouldn't have been able to do that. he believes his own death is a worthy sacrifice for the continued existence of his world. his vision of an ideal eternity, as he describes to you, is one where connections are endlessly and joyfully rediscovered.

in his ideal ending, you've killed off the only being you could ever meaningfully connect to. and this is one of the main reasons his plan dooms itself. who could bear the weight of an eternity alone? not him, certainly.

[lavb-b]

Soup Store

First grocery run, not going well.

[tanblaque]

[deepseamuse]

hey so can we talk about this

[friendofoyster]

[gaywineauntsstuff]

I just saw someone say that Tim was the only member of the batfamily who didn’t suck at math.

With the exception of Dick (acrobatics) and Cass (body language) none of the Batkids are THAT much better than the others at a certain skill

Yes Jason is a better shot

Yes Tim is a better detective

And on a technical level they’re much better

Sure

But that means that if they have a 0.001% chance of cracking a case or making a shot. There will be a noticeable difference between Tim being the character or say Damian.

Otherwise

Not particularly.

Think of each skill like a normally distributed curve okay with the mean being your average hero/olympian/hacker/genius

Right

The Batkids will be at the 96th percentile in the skill

With the exception of 1 of them being at the 99th percentile range

Unless you are writing something you can comfortably say is complex/difficult enough to warrant drawing attention to the 3% difference. It’s annoying to bring it up

I exclude Dick and Cass

Because Dicks introduction is the fact he can do something the rest of the kids can’t to the point where it’s an identifier within his own story. It’s how Tim found him, a signature only he can do.

And Cass because she is genuinely cartoonishly cracked in her own storyline and in batfamily stuff she’s borderline a mind reader

(Could also argue Jason for supernatural stuff and the all blades)

These are exceptions because yeah

If you told me Jason, Dick or Steph cracked a difficult case in a run I wouldn’t treat it as shocking information

If you told me Tim, Dick or Damian managed a tricky shot with a firearm in a dire situation (like what happens in the Grayson run) it would be interesting, surprising but like not? Shocking?

If you told me that Jason did a quadruple summersault off a building and landed on his feet I’d be confused as shit

And even WITH Dick and Cass the other kids are still FREAKISHLY good at D&Cs special skills but they both have unignorable signatures

This is a very long winded way of saying when an author simplifies a character down to

“Oh look nice flippy one”

“Smart one”

“Angry gun one”

“Pet collector”

It’s annoying because you basically ignore all the interesting overlap

Like guess what Dick literally has a habit of collecting strays (see the rabbit and 3 legged dog he lives with in his apartment in the new run)

Tim is fucking badass and is very good at dealing with explosives

Damian is canonically currently thinking of leaving the family business and no longer being a hero to maybe focus on helping people in other ways

Jason occasionally works with magic and demon bullshit

And every single one of them is a genius okay literally every single one of them could get a masters in physics, chem, bio and history in like 2 weeks flat.

Their stats are stacked

All of them know enough info to be able to do 99% of a task and yeah someone might call Tim or Dick in for detective help or Jason for muscle and restraining backup but in 99% of cases THE OTHER CHARACTERS SHOULD BE EQUALLY competent