#and that the formatting is okay and everything

[bugflies00]

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

[musashi]

OKAY SO THIS MIGHT BE ONE OF MY FAVOURITE THINGS THAT EVER EXISTED.

I don't know if you know this, but that part of my video essay was more or less 'converted' from a fanfiction I wrote and posted in February of 2022, right after I had just gotten into Ace Attorney. I stripped it of some of the more flowery parts of my speculation and formatted it to fit in the essay, but there is a version of that speculation that exists out there with all the heartbreak and emotion unfiltered, raw, and intact. Without me holding back to make better, more concise points.

And somehow, YOU CAPTURED THE EXACT DETAILS I STUFFED INTO MY FANFICTION, EVEN DOWN TO FRANZISKA STARING AT HER FATHER'S PORTRAIT AS SHE GETS THE NEWS. I am sorry if you happened to also have read this fic and this is all very redundant, but working under the assumption that you crafted all this imagery JUST from my video essay, where I left SO MUCH OUT, you somehow managed to capture every single little fleeting detail that I have ALWAYS pictured in my head during this hypothetical scene.

You did so WONDERFULLY, this is everything I have ever, ever wanted, always and forever. I love the way you draw Franziska, too, all her sharp angles look so perfect in your style, even when she's a little baby ;_;

I want to eat this. This is one of the most wonderful things anyone has ever paid tribute to my work with. Thank you so fucking much.

Comic based off of @musashi’s video essay on Franziska!!

I’ve watched it three times and cried really bad on my first watch, so safe to say, this video has affected me. So I wanted to draw something that paid tribute to it!!! It was definitely a challenge trying to get all the descriptive metaphorical writing into a visual medium, but I hope I did it a justice!!

Please go watch the video!

[markrosewater]

Happy Saturday Mark,

I really enjoyed listening to your Drive to Work podcast on stickiness. It was one of my favorites in months! It was an interesting look behind the curtain design wise and the factors you consider when designing mechanics.

I definitely prefer mechanics that are sticky.

You mentioned that you still think it's worthwhile to design mechanics that aren't sticky but I don't think you really explained why the benefits of this outweigh the counterintuitive nature and memory issues that complex mechanics that aren't sticky create.

You mentioned that Magic is a complex game and that's part of its charm and intrigue. I think that's true, I also think it's true that everything can't be done by memory but I don't think going out of the way to create mechanics that are overly wordy and aren't sticky in a game that is inherently very complicated is helpful to the player. I think there's a fine line between tic-tac-toe and overly complex where it strongly goes against player intuition and memory bandwidth.

I also think you've proven that for 30+ years, Magic can make designs with new mechanics (and reuse existing ones) that appeal to players without going out of the way to make excessively wordy, complex and unsticky mechanics.

By the way, this doesn't mean there isn't merit or value in designing individual cards at higher rarities that are less sticky. Most planeswalker designs aren't sticky and they are often dynamic and interesting cards, although they almost always appear at high rarity and are only a small handful in a single set rather than them being full fledged mechanics that appear at common.

For example, Gemstone Caverns is a fun and dynamic card design that isn't particularly sticky and is fairly complex. That's okay but that doesn't mean it would be a good idea to keyword the mechanic, right?

I feel nearly every time there's a keyworded mechanic that isn't sticky and has memory issues, these mechanics are controversial or divisive. They seem to never be overwhelming popular (i.e. Mutate, Tempted by the Ring, Attractions, The Initiative, Day and Night) and they create so much more baggage and mental load issues compared to sticky mechanics.

I also find it counterintuitive that you acknowledge and understand that more people are playing Magic in eternal formats that are backwards compatible (i.e. Commander) but you seem to highly value creating mechanics that are highly words, complex and not sticky. In my experience, those types of mechanics overwhelm players more in those types of formats compared to less popular (but still very fun) formats like Limited Sealed.

I guess my question is that for most of your podcast you highlighted why sticky designs are a great thing and that while every mechanic can't be as elegant and sticky as Flying, it's important to make mechanics as intuitive as possible to help players, if that's the case, why do you sometimes create mechanics that are very anti-sticky?

Keep up the awesome work and have a great day!

You're conflating "wordy" with "unsticky" and those are not synonyms. I'll use one of the mechanics you listed as an example - daybound/nightbound. The issue with the mechanic wasn't a lack of stickiness. The idea of there being day and then there being night, and things caring about it is pretty intuitive. Players got the gist of what the mechanic was up to.

Day/night's issues had to do with creating inconsistencies (mostly with Werewolves) and having tracking occurring when it didn't matter. So yes, there were play problems, but not because players couldn't wrap there brain around what it did.

Haunt, as a counter example, wasn't particularly wordy, but was very hard to remember.

I believe your question is really "why do we make complex mechanics?" And the answer is there's an audience that really adores the complex mechanics, and we're trying to find a good balance to allow every player to make Magic the kind of game they enjoy.

As to complex mechanics having a bigger burden on eternal games, I agree they do, but I believe that's what players sign up for when they play an eternal format. We're not going to simplify modern day Magic for all the other players that are enjoying the many other ways to play simply to keep eternal formats, which are already highly complex, slightly less complex.

[paris-geller-was-straightwashed]

February Writing Challenge (1/28)

surprise! guess who’s doing a writer’s challenge! I’ve never done one of these before bc the idea of having to finish a writing piece every day seemed a little intimidating - but, I feel like more recently I’ve been slipping off the writing saddle and not doing as much, so I kinda wanted to try a new project and challenge myself.

I’ve collected a pile of writing prompts for the whole of february, that, with luck, I’ll fill every one out! each one will be centred around one of my otps, so if you check in each day you’ll get to see which one it is :) or, you’ll just see it in the tags LOL and if there’s anything I feel like I especially like or whatever, I’ll add it to my ao3 after the month.

without further adieu, here’s day one!

Prompt: ‘Sweet Tooth (aka binging on candy with them)’

Pairing: Rory/Paris (Gilmore Girls)

Words: 2,853 (this is my first one, but ideally they won’t be this long)

Rating: G

Notes: when I saw the prompt, I just knew it had to be gellmore, obviously :) takes place during later season; you can imagine this is after rory dumped logan after the bridesmaids fiasco, or you can simply just imagine she dumped him on her own and then her and paris got together (really, the timeline doesn’t matter, the only reason logan is mentioned is bc I couldn’t resist the roast against him in this)

Really, any garbled, frustrated noise erupting through her apartment walls should come as a concern.

But, knowing her girlfriend had absorbed herself in some, all-important secretive task, Rory could only imagine what this entailed. Her head drew up from where she was studying on her bed, breaking away mid-paragraph of her textbook – the door was closed, but it clearly didn’t take a genius to sense something was awry. The question remained though, did Rory want to go out there to calm Paris down and risk getting in trouble for prying into secrets, or stay behind and simply watch this tornado grow until it swallowed up the whole apartment?

Rory held still in the silence. Then, came some more enraged muttering and that’s not how you run a business!! and the slam of a cell phone closing. Rory sighed in defeat.

Unfortunately, she knew better.

The brunette took in a breath, straightened up and squared her shoulders, before swinging herself off her bed. When she tentatively opened her bedroom door, she found Paris hunkered over the couch, a messily scrawled paper note on the table and hissing words under her breath that probably weren’t suited for children.

“Paris…?” Rory called out, quietly broaching the couch from the side, knowing her girlfriend needed to be approached with the caution you’d give to a wounded, snarling animal “Everything okay?..”

Ever the eagle-eye, Paris quickly caught Rory from the corner of her vision. Before Rory could even blink, Paris leapt with the spring of a jack-in-the-box, swiping the paper.

“You can’t see it!” Paris yelped, spinning around to glare daggers at Rory “And what’re you doing out here?! I told you that you can’t see what I’m working on – I need a ten-foot Rory-free radius around me!!”

“Just like in high school.” Rory said dryly “Well, when I heard you lay five different kind of insults down in one sentence, plus some Portuguese which I’m definitely sure isn’t also R-rated language, I figured I should check in. You sure everything is alright –”

“It’s fine!” Paris snapped back, pulling away at the gentle hand Rory raised, and, oh no, she’s in this mood “I’m just – I’m..working out some kinks! And, you know, god forbid that I ever expect anyone else on this planet to actually use their full brain to do things!..”

“Well, is there anything I can do?” Rory offered, trying to sneakily glimpse the paper the blonde held tight in her hand “Is it an assignment? ‘Cause if your concern is that I’m going to steal your ideas, I think you can let that one go –”

“Ha! I wish it were that easy – a school paper I can accomplish in my sleep.” Paris grumbled, leaning over the couch to swipe her phone “This is ten times both more complicated and dire!”

“Paris, relax, it’s going to be okay –”

“Don’t tell me to relax!” Paris hissed back “You don’t even know what it is!!”

“Then let me help! It’s clearly stressing you out –”

“No!” came the panicked yelp, and, this time, Rory could actually see rising anxiety break through the anger glazing over the brown eyes “I-I have to do this by myself! It’s of the upmost importance I get this perfect –”

“Paris, if you just tell me what it is –”

“No, you can’t know! This is my project Gilmore, stop trying to piggyback.” Paris deflected as she went over her sheet, causing Rory to sigh “If I can just – I just need to – I..dammit, okay, fine, not that I’ll..I’ll..ugh, I can’t do that either!!..”

“Paris –”

“Rory –”

“Paris.” Rory broke in forcefully, finally able to place a hand on Paris’s back, feeling the jittery girl relax against it slightly “At this rate, you’re going to get another noise compliant put in against us. Please just tell me what it is, and then maybe I can help so that neither of us have to worry over whether the next second is the second you’ll implode.”

That got her to quiet. Paris nervously teetered on her feet, vulnerable browns holding Rory’s gaze, but you could see the metaphorical flames start to dial down. Eventually, Paris sighed, shoulders slumping and arms folding in, finally uttering so low Rory could barely hear –

“...I’mtryingtoplanourValentines..”

“..What?”

“I’m trying to plan our Valentines!!” Paris tossed up her hands, her cheeks going pink “Alright?! And I want, I need, it to go perfectly! I’ve been trying to plan but I keep coming up against blockade after blockade – and, of course, usually, there’s no wall I at least can’t bulldoze my way though, but this is different! The ideal restaurant, my top pick, is apparently booked out for a month, no exceptions, and now apparently, the waiter has too high of morals to accept my offer of two hundred bucks under the table! So I went with the next best option, but when I called them they couldn’t even guarantee a window-side view! Who the hell runs their business like that?! The other place has more availability, but I know they don’t have as many of your favourite dessert options, and obviously, I know you enough to know that’s a high priority – and that’s not even to mention the Valentines Lights stroll put on at the park I wanted to take you to after, but depending on the restaurant we’re at, we may not even make it with the fifteen minute window I laid out –...”

Rory simply stood back, letting Paris roll out her frustrations – and, listening, couldn’t help but feel herself melting. A soft smile pulled over her lips, watching the blonde. She hadn’t even imagined that this was about her, but now, of course, she should’ve expected nothing less then Paris, her Paris, wanting to make their date night perfect. No detail spared, all cards on the table.

There’s been jokes passed around that Paris wasn’t exactly the romantic type – nothing about Paris was conventional, obviously, but Rory knew enough about her to know this was just as big of a display of love as anything mushy.

Rory reached in, grasping onto Paris’s wrists. That was enough to click Paris back into reality, slowing her rant, and finally turning face to face so Rory could lean in and kiss her cheek. Paris blinked back in surprise, finding not upset or annoyance, but Rory smiling back at her.

“Paris.” Rory began, grasping on her hands “While I should expect nothing less from you for going a hundred and ten percent, trust me when I say, that I do not need all the red carpets pulled out for me, especially when it comes to Valentines day. I mean, aren’t you the first to say that it’s just a consumerist trap anyway?”

“I mean, it still is – racking up five dollars for some cheap heart shaped crap is just one of the failing points of consumerist capitalism.” There she is “But I was also single then too.”

Rory snorted “I see..”

“Also..”

“What?”

“..This is our first Valentines together.” Paris explained earnestly “And I love you. You deserve the best, to put it bluntly.”

Rory’s smile grew “..Well, that goes for you too. And I don’t want to have you stressing yourself over some extravagant event that’s one night only.”

“I’ll reiterate Gilmore – it’s our first Valentines together. It needs to be special. Frankly, you’re the best relationship I’ve ever had; you’re my best friend. I won’t go half-way for you.”

“You never go half-way for anything.” Rory couldn’t help but tease, seeing the twitch of Paris’s lips.

“This is true. The fact that you thought I wouldn’t pull out all the stops for you, or even just for any event I’m planning..”

“How foolish of me.”

“Also, I refuse to be out-done by Logan Huntzberger – I know that Rolls-Royce car show model cut-out would’ve flown you to the moon if he could’ve, and I will not fall in second place.”

An uncontrollable laugh burst out of Rory. She had to bite into her bottom lip to tamper it, rising the back of her hand to her mouth as a poor mask. Paris was, of course, deadly serious by the finger she pointed in Rory’s face, but there was still mirth dancing along her tilted lips.

“..I appreciate that.” was all Rory decided to say, smiling as she swung her and Paris’s clasped hands “But am I allowed to voice an honest opinion on this whole thing?”

“You know I only speak in honest opinions.”

“..I really don’t want a whole red-carpet, put-out-all-the-stops Valentines. I mean, you do know me Paris; I’ve never really been a Valentines gal. And..doing a whole fancy restaurant ordeal..you know I get nervous just standing in those super spotless, sparsely packed boutiques where a t-shirt costs more then a brand-new car. You put me in a restaurant booth where our neighbours are some rich guy who owns three different blocks of the town sitting with this fourth wife, I feel like I’m gunna be more nervous over that ordeal then focused on us.”

As always happens, Rory expected some kind of argument, a rebuttal, so she was pleasantly shocked when Paris just nodded mutely. Not without some disappointment though, which got Rory to squeeze their entwined hands in gentle encouragement so Paris’s nervous eyes find hers.

“I love that you wanna make it special. Again, I should’ve known better then to assume that you wouldn’t have done all you could. But, I don’t want all that glitz. I just want you.”

By now, Rory knew how to parse her words with the firecracker that was her girlfriend. And when that quiet, careful rarity of a smile grew over Paris, Rory couldn’t help her own.

It’s true, that there was something special when someone who bares sharp teeth at everyone else, allows themselves a soft happiness towards you. About being the only one who gets to see it.

But Rory also just loves that smile.

“..But you’re still expecting some kind of chocolate or dessert too, of course.” Paris finally spoke.

“Oh, well, I assumed that was a given.”

Paris scoffed warmly. She lifted her and Rory’s entwined hands up to her face, kissing the back of the pale hand.

“Just like in that ‘Princess Bride’ movie you made me rewatch at least ten times, as you wish. I will find the perfect alternative.”

“I don’t doubt it. Am I allowed to offer any kind of input or help in this whole thing?”

“Try and intervene and you’ll be sleeping with one eye open.”

“Got it.” Rory rolled her eyes playfully, pulled away when she heard her watch interrupt with a beep! “Crap, that’s the hour – I gotta get ready for my evening class. I’ll see you tonight?”

Paris hummed in reply, a wry smile still playing on her lips, altogether letting Rory know that she was back in the confidence saddle. She placed her freed fingers under Rory’s chin, tilting her face in her direction to place a light kiss at the corner of her mouth.

“You go on my love.” Paris encouraged as she began backing up towards the bedroom, holding up her scribbled piece of paper with a grin “In the meantime, I’m going to cook up an idea for the best Valentines you’d ever witnessed.”

“So we’re actually going to have desserts then?”

“Don’t insult the hand that feeds Gilmore.”

-

And impressed Rory was.

To be fair, she didn’t have a lot to go off of in the first place. After that initial bump, there were no more moments of finding Paris tearing her hair out because she couldn’t make time-constraints bend to make her Valentines plan work. She seemed to have crafted the perfect idea, content to wear a smile of secrecy and keep it from Rory.

Now, Valentines was here and come. Rory was waiting for the invite, waiting for an ask, but Paris hadn’t even said boo about her idea; now, Rory was coming off of her late study-hall group, the evening encroaching, and when she’d called her girlfriend to say she was headed home, all Paris said was that she was just waiting for Rory to walk in the door, and then things would kick off from there.

Rory wasn’t expecting anything too wild, especially after explicitly telling Paris that wasn’t what she wanted – but, that didn’t stop her from speculating. She figured when she walked in, Paris would be ushering them right back out to head to the event she’s picked out. Something like that.

What Rory wasn’t expecting, was for her to open the door and find Valentines staring back at her instead.

No, there wasn’t any red and white balloons shaped like hearts clouding the room. There were no giant ‘Be Mine!’ teddy bears, or pink hearts strung up everywhere. What was there, was a complete massacre of candy.

Their whole coffee table covered in treats. Rory couldn’t even see the table anymore. Bowls of brightly coloured confections and chocolates, lined up creating a rainbow of colour. A pile of red licorice matched beside packets of oreos. Near the table, was an ice bucket of champagne accompanied by two flute glasses.

Rory stood gobsmacked for a good couple seconds. This was the last thing she would’ve thought of – and it was the best thing she could’ve thought of.

A noise of shuffling feet got her attention. Paris had appeared, idly standing off of the couch with the ghost of a smile on her face as she watched Rory. She was dressed in a nice, white sweater and simple jeans, blonde strands of hair grazing over her cheek. Rory always did like her with her hair down.

“Told you it’d kick off the moment you opened the door.”

“Paris..” a bemused laugh fell out of Rory as she took in the sight again, sliding off her bag and kicking the door shut behind her “I – you did all this?..”

“Don’t look so surprised.” Paris raised one of her brows, but her smile widened “Putting all this together was nothing – the hardest part, really, was hiding all the candy from you.”

“Oh, yeah – where did you hide it?”

“Behind that healthy cereal I bought that you claim tastes like cardboard.”

“Devious.” Rory grinned. Paris smirked. She walked over to take the brunette’s hand, pulling her into the apartment.

“But that’s not all – if you could glance upon the kitchen counter..”

Rory turned to follow Paris’s directions, finding an all new assortment – of chocolate and caramel sauces, with some whip cream and peanut butter. Surgery condiments, which could only mean..

“Unfortunately, you don’t get the whole picture as the ice cream had to stay in the freezer, but trust me that I bought at least three different flavours so you can double-stack your sandwich.”

“Ice cream sandwiches?? Wait, so, where’s the replacement bread –”

Rory followed Paris’s pointed finger to see the oven, which was usually only used to reheat leftovers when the microwave stopped working, this time had a cooling rack ontop littered in chocolate chip cookies. Cookies. Now Rory’s jaw hit the floor.

“You baked?!”

“You can thank Nanny for those. I needed something to sandwich the ice cream, and though I’ve yet to conquer the culinary world, that woman knows a baked good well enough she was able to walk me through the steps of her signature recipe.”

“Are they edible?”

“Funny. I actually tried one afterwards, and dare I say, they’re more then edible.”

“..I can’t believe you cooked.” Rory beamed back at her girlfriend “You cooked for me.”

“I baked a simple cookie recipe Rory, it’s not rocket science.” Paris waved off, smiling back “After having to reroute my original Valentines plan, I mulled over what it is you’d really like – and, frankly, in the end, I knew you would’ve loved a night in watching all our favourites, gorging on surgery snacks, over any elaborate escapade. Or, at least, that’s what I’m hoping you’ll say..”

The way Paris was looking up at her through her lashes, nervously biting on the answer, Rory couldn’t stand how cute it was. An all new smile bloomed over her lips.

“It’s perfect.”

The smile that burst over Paris could’ve made Rory lovesick. She lit up, rocking up on her toes, her grin reaching up all the way to her ears.

“Really?..” She asked softly. Rory let out a gentle laugh. She reached into cup Paris’s faces, a tiny pull inwards so she could kiss her cheek.

“I love it so much, and I love you. The array of treats – you really know the way into a Gilmore’s heart.”

“This many years on, I’ve learned some tricks.” Paris teased back, crossing the space to softly kiss Rory in return “Happy Valentines..”

“The best one yet.”

“Does that mean I beat Huntzberger then?...”

“Well, he never make me homemade ice cream sandwiches..”

“Ha!”

“Alright, alright, hurry up with your gloating – I wanna try these sandwiches paired with that champagne I saw earlier, and I want my girlfriend to try it with me..”

“As you wish, my love.”

[sanjifucker42069]

Looks Like Lingerie to Me - Sanji x Reader

Word count: 854

We gender-neutral and short af today boys. This is crack treated semi-seriously lmao, and an actual drabble. I love idiot!readers, there isn't enough rep for us dumbasses. This is written with OPLA!Sanji in mind bc I dig the super effective suave vibe

Suggestive, there's swearing, the word cock is used once. Brief description. (Ha! Brief!)

Let's be real...Sanji might wears shirt stays....and that's hot as fuck

It was midday when you found yourself outside the men's quarters. You had been lounging around on the upper deck when Usopp had asked you to grab a wrench he'd left in his room. Fair enough, you weren't doing anything, wouldn't hurt to help. And so you padded off, making your way to the bedroom. It was the middle of the day, no one should be in there. You'd passed Zoro napping against some bags, you could still hear Luffy. Sanji definitely had to be in his domain of the kitchen. Still, you offered a quick courteous knock as you flung open the door to the men's quarters, wandering into the space with no preamble.

"Sorry boys, I gotta grab Usopp's- Holy shit!"

Sanji's head shot up to stare at you, cheeks lightly pink. He was stooped over, pants pooling at his knees. Sure, his thick thighs were enticing, and his position stuck that gorgeous ass out at a delicious angle, but your eyes were fixated on the crossing fabric that adorned his upper legs. Was that…a garter belt? You felt lightheaded at the view before you. He looked delectable. The cook quirked an eyebrow at your staring.

"See something you like, love?" He drawled, sending you a cocky grin. Sanji felt his ego swell when you tripped over your words. Had you actually paid attention, you'd notice how his usual clothes were covered in flour, but you weren't exactly the most perceptive.

"I…thighs." You spoke dumbly, causing you to mentally smack yourself. "I mean, sorry. I didn't think anyone would be in here at this time." 

With great hardship, you tore your eyes away from the garment. It looked like a garter belt, had to be! You always knew Sanji liked fashion, and that he could be a pervert, but you didn't expect him to be unembarrassed at being caught wearing lingerie. As if they were possessed, your eyes trailed their way back to his thighs. The elastic was biting into his thigh meat, bulk deliciously spilling over the edges. Saliva flooded your mouth. What you wouldn't give to touch them. To bite them. Fuck what if you-

Wait. 

Sanji had said something.

"Wha?" 

Nice going idiot.

Sanji had abandoned his grip on the trousers, gracefully dropping them and stepping out of the puddle of fabric. Your breath hitched as he turned to you.

Abort mission! 

Fuck you didn't even look at his underwear. Shit, fuck, that…that was clearly the outline of his cock, a pair of grey boxer briefs doing a horrible job at hiding his silhouette. You were thankful that the length of his dress shirt covered the majority, or you'd be due a visit to chopper from fainting.

"I said can I help you, love?"

An awkward cackle escaped your throat and you blushed. Oh, he could help you alright. Instead, you opened your dumb mouth again.

"Is that…why are you wearing a garter belt?"

Sanji froze. An uncomfortable silence filled the room.

Oh shit! Oh fuck!

You opened your mouth to apologise when that bell-like laugh permeated the awkwardness. 

"What?" He laughed incredulously. "They are shirt stays."

Sanji felt his heart squeeze when you cocked your head confused. You really had no idea how cute you were, did you? Trying to be polite and stop laughing, he coughed into his fist.

"They keep my shirt tucked in sweet thing. Can't be looking unprofessional around you cuties." Sanji winked, smirking with satisfaction as your face grew redder. He expected an 'oh' or a 'sorry'. He certainly didn't expect a;

"I'd call having no pants but lingerie on unprofessional."

"You were the one who bust in here!" He argued. "And it's not lingerie!"

"Ah…sorry about that. I meant to grab a wrench Usopp left in here. I…uh…I should go."

"Mmhmm." 

You wandered stiffly to where Usopp slept, finding the tool with ease, and trying desperately to not look at the cook. Sanji watched you, amusement clear on his face at your robotic movements. Wasting no time, you rushed back to the door. 

"Oh, uh, Sanji?" The man hummed in response. "I, uh, I'm sorry for thinking you were wearing lingerie. Not! Not that there's anything wrong if you were, you'd look hot in it. I mean! I….uh…no, you'd definitely look hot in it. What was I saying?"

Silence. Sanji was staring at you with wide eyes, face now red from your comments. You clicked your fingers.

"Right, right! You should probably put some clothes on. Don't want you catching a cold ha ha." You forced out a robotic laugh. "Sorry again."

You slammed the door shut, leaving a confused and slightly aroused man in your wake. Sanji sighed, making his way back to his sleeping area to change into clean clothes. The door creaked back open. Sanji groaned quietly. Who now?

"You have to admit, they are kinda slutty though, right? Sorry! Bye again!"

You were gone before Sanji could even process your words properly. He groaned audibly this time, raking his hands down his face. He needed a fucking smoke. You were going to be the death of him.

[mage-ical-character-person]

Time for more because. Because!

first off: wanna point this out: Meme games

The fact that the minigame format like Meme is used for WOTFI instead of the using the usual non-minigame challenges, or the choose your own adventure of WOTFI 2023 despite the whole “We should really do this again sometime”

And Just... That's Puzzles' whole thing. Don't know what to make of that!

and... this

hehehe… sillies… Second, some stuff from other posts I’ve made and discussions I’ve had I wanna stick here so it’s all in one place. Colored text is new stuff if you've read the other posts already and don't want to read repeat info and musings. Alternatively if you haven’t read the post and you want to. I got links.

First from here: Puzzles and Four both struggle with empathy to some extent. Four has more practice with the aspects of empathy that can be learned (cognitive empathy) but it’s still something he usually needs to actively think about, which is something he forgets to do sometimes. Puzzles sucks at just about every form of empathy. But they both still care very deeply for the people they consider friends (see reblog above about protectiveness)

Also Four and Puzzles both put people through torment for content. Puzzles with just about everything he does, Four with stuff like “I put Mario in Danger for Views” “Mario Does Literally Anything for Views” and this

Next, this.

Mario only is friends with SMG4 as a result of not being the Mario he was before Four showed up. When Mario is briefly turned back during the Lawsuit arc, Four and Meggy make him back into the Mario they're friends with without any input from him. This sorta parallels the whole Leggy situation in a weird way. In addition, Puzzles brainwashes people to make them more entertaining and cooperative for his shows. The USB SMG4 arrived in did the same thing for Four automatically as soon as he arrived.

And!

We're talking about It's Gotta Be Perfect again. Puzzles gets a fatal error that tells him to contact the manufacturers, then we get eye imagery. Then we get the IGBP Goop.

Notably, this happens when Leggy is turned back into Meggy. In other words, when Puzzles loses his only friend and source of support. I've gone on and on about how what snapped Four out of it in IGBP is his friends and being reassured they'll always be by his side, and what that means for Puzzles. and this is just... another instance of that.

But with the Goop, there's something else. It seems to be tied to strong emotions, but the fact that it shows up when Four is worried about being left behind for not being good enough--and being reassured otherwise is what allows him to break free-- AND the fact that with Puzzles it shows up when he loses his only friend and wants her back...

And, well... This...

(Seriously what was up with the stuff that happened to Three in IGBP I feel like we don’t talk about it enough) It's... well, it's something. Puzzles would do ANYTHING anything to not lose his friend, regardless of if said friend is okay with it. I don't know if Four's quite to that point, but he's... adjacent to that, at the very least.

The desperation to be seen... and the eye imagery associated with the Goop... it’s something

...Not wanting to be left behind, wanting to hold on to the people you have... wanting to be perfect...

Well... I mean, it parallels other characters, too.

(With Niles Specifically, I can't help but think that the Goop is some kind of virus similar to Niles/Eldritch Zero. I mean, it was invoked by an adware)

On the subject of characters other than SMG3 and SMG4 that parallel Puzzles, let's talk about Clench and Tari.

Both Puzzles' TV head Clench are prosthetics in a way, and Puzzles can transport people into TV shows, while Tari can, with Clench, do the same with video games. And for what it's worth, with Western Spaghetti, they're sort of on the same... frequency? Tari being able to interface with the simulation and hijack Puzzles' signal to bring forth dancing Mario.

AND

Oh and also Puzzle has parallels with Axol as well.

I mean just...

friendless childhood to becoming obsessed with media to creating that media (still obsessive).

And.. resourcefulness?

Yeah we'll call it resourcefulness.

Puzzles Parallels Post

feel like I keep repeating things over various reblog chains and stuff and my thoughts are never all in one place so. This where I keep linking said reblog chains. One of which has an endpoint that does not involve me but sshhh.

Mr. Puzzles and SMG4 have SO much in common. Four comes pretty close to Puzzles-level bad on some occasions and they share a lot of the same insecurities

I believe part of the reason Puzzles targeted Four in the first place (because I doubt “You’re the stupidest show I’ve ever seen!” Is the only reason) is because it’s easy to exploit the insecurities of someone who has the same insecurities as you, because you know that feeling in and out. Even if for Puzzles he probably didn’t have a lot of self awareness about it. Probably something more along the lines of “Oh, this guy clearly cares the correct amount about pleasing an audience and the quality of his content! But he’s not even good at it! I can use this!”

The difference is that Four has friends. He has a support system to pull him out of it when these insecurities start to make him spiral. Puzzles does not have that and frankly seems to have given up on ever attaining it. Twice.

AND THEN THERE’S ALSO THE PARALLELS WITH SMG3

Because part of it is because SMG3 and SMG4 already parallel each other so you can’t have Puzzles parallel one without the other.

But ALSO! Very similar motivations of wanting to be seen and appreciated. With a side of pettiness and jealousy. Also this

And this was also an incredibly SMG3 adjacent moment

But also the show keeps calling attention to SMG3’s difficulty making friends. Which is also Puzzles’ whole thing.

I need them to actually go somewhere with this so bad. Because 3 and 4 might be the only people who can actually understand Puzzles. Or at least let them understand themselves better as a result of Puzzles.

I NEED the “You and I aren’t so different” moment SO BAD!!

[x-amount-of-posts]

Addon to [this] thing i drew.

@cnwolf-brainrot

[cometshift]

hi phighting tag. here's some phighting-themed graphics as a new years gift :} (mostly medkit-themed but i'd like to do graphics for other characters in the future!)

all free to use, no credit needed. go wild n__n

also a tiny subspace. she doesn't do anything but stand there. you're welcome

[kindred-spirit-93]

post vengeance saga: inspired by this post lol

--

bonus lol

im wearing a shawl btw. i hear the underground is quite chilly.

the mug is full of my tears 👍

[saturdaylemon]

Take all the time you need! And please ping me when you expand on those thoughts - if you don't mind.

Okay, back to designing.

I'm moderately opposed to making the Shades talk for previously mentioned reasons, but I could see giving "X speaks of Y" style summaries in the action popup. They're not really the people who died (or almost died), more like impression fossils. The lights are on, but nobody's home. We think.

The Ku Flame

Your idea for Hikari are a worthy inclusion, the only question is how. And the answer to that depends on how the fight works. If I were programming a game I'd be more inclined to do a mostly-standard boss fight with some extra narrative. If I were writing a fic, however, the 2v2 with Path Actions, Talents, and Latents all getting involved would be easier to pull off in that format. The quote would be something like "Ageha, you are relieved of duty!" In a more standard boss fight it fits better as "entering second phase" or maybe post-boss dialogue. In the 2v2 narrative puzzle it can be a Full Boost quote. It really only makes sense to say once; and maybe Ageha's Shade could seem to respond to it? You probably get prompted to activate Light's Radiance for the final blow.

Ageha's Shade shouldn't get minions. He was a general in life, but like you said, he's the last vestiges of the old Ku. He doesn't have an army anymore. On a side note I want this guy to yell "FIX BAYONETS" so bad but guns aren't available yet. Need to pick out a Boost message, a Boost Attack, regular moveset because it can't be all support... so everything. Definitely gets Rally Troops or a similar move by the same name though.

Tanzy was an aspiring playwright, but it seems she never published. In Giselle's troupe she served as director, so it could be fun (more fun in a standard boss fight where there are more characters) to let her Shade mess around with turn order. Like, oh, you were setting Hikari up to counter Ageha's shields off? Haha no the adds just got moved to the top of the round and used up the Vengeful Blade stacks, Ageha's Shade is shouting orders, and Tanzy's Shade is about to hand you your ass. Speaking of adds, the most obvious basis is the other troupe members... but Tanzy pretty conclusively left them behind. Another possibility is to reference her unpublished scripts with unfinished marionettes, or if we want to have some fun, give Tanzy's Shade the same minions as Arcanette. Tanzy begins praying.... -> BREAK HER SHADE NOW! If this is a 2v2, Ruinous Kick makes sense as the Boost Attack because that's half your dudes. In a more standard fight, the Boost Attack should be something a bit more powerful. Regular moveset has the summon, the turn rearrange, probably a buff or two, and maybe a physical attack that inflicts something.

Agnea's Boost quote is mostly babbled interrogatives.

The Crackridge Flame

Ori's Shade is weak to Polearm/Dagger/Bow/Fire. Guess why. (some kind of Light element attack because come on it's in her name) Stop the Presses! / So Tired: inflicts Speed Extremely Down Dear Diary: equivalent to the Merchant job's Rest. Name does not change after Ori's Shade is broken for the first time. Ori can't do this anymore. -> this is gonna hurt

The Final Night sounds like it should be the Boost Attack for Lucian's Shade, but it would also be really funny to have it be the weakest attack. We'd need to name Lucian's other works to name the Shade's attacks... think we could crib Nearer the Flame from the Stormlight Archive? Lucian retrieves a notebook.... -> this is gonna hurt slightly less

Temenos starts going through all of Lucian's works, trying to line them up with the Shade's attacks, and Osvald is experiencing the internal conflict between "not my SpIn, not my problem" and the knowledge that it is Very Much His Problem. Castti is probably in the background like "oh shit I have seen that girl before."

Osvald will offer to explode the person responsible even if you hit Crackridge after Flamechurch. There is no expiration date on Grandpa Blast.

The Toto'haha Flame

Hm, fair point. I figured Castti's usual Slightly Unhinged Boost quotes fit the emotional charge well enough, but this wouldn't be that long after Trousseau. The metaphorical wound is still raw. She could have a Boost quote demanding that the Apothecary's Shade get out of her way. It can't understand her, but she doesn't know that. We could give the apothecary a name, but it also works to leave him completely unknown. Just another cooling body.

Keep the Grotesque Monster's weaknesses (Axe/Bow/Ice/Light), mostly physical moveset since the Apothecary's Shade is handing out debuffs. Give it the Grotesque Monster's Piercing Cry, because if I heard someone like Petrichor start screaming out of nowhere I would be pretty freaked out. Petrichor gives off an ominous aura! -> Apply axe to face, repeat. Hunt the Weak: single target physical, damage increases with number of debuffs and afflictions on target. This is kind of a dark mirror of Drastic Measures, but it works.

Someone's Shade is passing out every negative effect in the game. Bow weakness works, maybe also Dagger and something else for game balance I dunno.

Ochette's Full Boost quote for this fight is "I can't forgive you!"

At some point Temenos makes the connection between some of Petrichor's comments and Roi's disappearance, promptly flips out.

The Flamechurch Flame

The design philosophy here is basically OKAY EVERYONE, PUT ON YOUR ARCANETTE HATS, TODAY WE ARE BEING MEAN TO TEMENOS! And part of that is making him watch two of the most important people in his life aid and protect their killer. So that's 3 and 4. 3 has the extra gutpunch of making him wait for the other shoe to drop.

Crick's Shade can keep his playable moveset. Weak to Sword/Staff/Dark. You know why. Crick is watching Temenos.... -> For a moment, a player could mistake this for a "skip a turn" message, maybe a hint that the people who left the Shades behind are still in there (this is intended to be perceived in-universe)... NOPE THAT'S THE BOOST MESSAGE. Also a callback to the Felvarg. Should we make Crick's Shade have a Boost Attack that sacrifices itself, or is that too limiting in Mean To Temenos potential?

Pontiff Jörg's Shade gets the Standard Cleric Weaknesses of Sword/Dagger/Axe/Dark. It has reason to use the Cleric moveset, but I was thinking we could nab something else from the Claude fight and give it Reflective Veil from the OT1 Cleric. Also, Lock Away. The move that prevents the target from recieving aid or items from any other party member. (And a slight nod to Whatever Was Up With Alpates.) Starts battle by using it on Temenos.

(Balance-wise, Temenos can break Crick with his base kit but not the Pontiff partially because this works with the story - Temenos hitting Crick's worldview with a metaphorical sledgehammer vs That's Your Dad - and partially because between Temenos' Latent and Throné turning into a protective blender it's probably fine.)

Throné uses her "Sorry, but I won't hold back!" Max Boosting quote for this fight, but even using the same voice clip it's meant to come off in a slightly different light. (You ever think about how her HP Thief bark is a sarcastic "You're too kind." and her "healed by Temenos" bark is a much more genuine "You're too kind, Temenos"? Because I have.) Temenos tries to talk himself out of a breakdown when Max Boosting. He fails. Possibly devolving from "keep it together, that isn't really him" early in the fight to beaten-dog whimpering in the second phase.

2v2 narrative puzzle ramble One reason I'm more inclined to use this for a fic is that the Journey For The Dawn locks you out of your daytime Path Actions. Sun's not rising. In writing, there's less trouble with carving out an exception in the game mechanics. The idea I had was that the Shade battles would yank the corresponding travelers into a sort of dream space where it isn't day exclusive or night. Kind of like a cross between Temenos' "The truth lies in the flame" Detective Vision thing and whatever was going on while Hikari duked it out with his shadow. (Said shadow: "Not me this time. I'm not touching that with a ten-foot pole.") From the outside, the two fighting appear to be asleep standing up, twitching and mumbling as if caught in a particularly vivid dream. Temenos "Commitment to the bit" Mistral sees two people snap out of that trance for the first time and immediately goes "Welcome back. ^_^" Throné may or may not be winding up to smack him.

This also works with having both the Arcanette fight and the Shade fight at Flamechurch. Arcanette certainly looks like she could cast Spell of Really Bad Trip. Basically Throné and Temenos are in the Terrible, Horrible, No Good, Very Bad Boss Fight while everyone else is trying very hard to kill Arcanette with hammers.

Back to Path Actions, I still don't know how all of those would work. Going down the list

Agnea: Entreat to get "Tanzy" to show you her journal works, Allure doesn't. Both these people have chosen their paths. Hikari: Challenge is a little redundant but potentially serviceable, Bribe less so.

Partitio: Purchase and Hire could both work for trying to coax "Ori" back to the land of the living. Purchasing a paper moreso. Osvald: Trying to get at Lucian's notes fits Scrutinize or Mug, although Mug is again redundant. Let him see that!

Ochette: Provoke is already happening, especially with Petrichor's Shade dropping everything to focus Ochette down if she summons one of the Creatures of Legend. Befriend is... not happening. Petrichor can starve. (Party pretty sure this is the first time they're heard Ochette curse.) Castti: Inquiring to get the unknown apothecary's name so the party can effectively lay him to rest is kind of sweet. In that vein, Soothe has already been done with Malaya and also believe her she's trying!

Temenos: Guide has also been done already, and Coerce is not only kind of already happening but isn't going to work on Shades. Sorry, Temenos, no chances to say goodbye for you. Throné: Stealing in combat is already part of the Thief kit (also pickpocketing Temenos' family in front of him is Not Cool Dude). Ambush is OP in anything resembling an actual fight, so that's another no.

So we're 4/16, 5.5/16 with partial credit included. Unless you have better ideas. Still wish to subscribe to your newsletter.

Latent Powers, Talents, and EX Skills though...

All Together Now... probably not. Dance Session maybe. Song of Hope a more positive maybe Learned Skills would be great if this were Jin Mei's Shade. See Light's Radiance prompt above.

Hilarious though Negotiate Schedule may be, nothing of Partitio's really works here. Teach... maybe?

Indomitable Beast into Beastly Fangs looks fun. Or Indomitable Beast into Provoke Beasts. Get her ass, fellas! Concoct has potential for showing the Apothecary's Shade how it's done... except it's mindless.

Moonlight Judgement: hehehe. Could have it not proc at the start of battle, wait until Temenos pulls himself together enough to effectively fight the Shades. This works better in the Arcanette + Shades version of the fight. Prayer for Plenty and Heavenly Shine both have story potential. Blessing of Darkness: "Consider the following: mine's better." Veil of Darkness is also good here.

Took "standard class weaknesses" from the Dolcinea fight with Love's Marionette, for the record.

Things about Octopath Traveler 2 that I think about WAY too much 2/????

Under the cut for late game spoilers, loose and speculative nonsense

So the four sacred flames and their connections with the gods connected to each one.

Brand and Sealticge to the Ku Flame

Alephan and Bifelgan to the Crackridge Flame

Dohter and Draefendi to the Toto'haha Flame

And Aelfric and Aeber to the Flameschurch Flame

Going to go ahead and put it out there, that my head canon is that the Moonshade order successfully completed the sacrifices line out in the Book of Night in this manner: Pontiff Jorg (Cleric, Temenos chapter 1), unnamed apothecary in Canalbrine (Temenos Chapter 2), scholar in Canalbrine (who's name I don't remember, also from Temenos Chapter 2) Tanzy (dancer/Sealticge aligned), Petrichor (Hunter), Ageha (Warrior), Ori (merchant), and Crick (Thief, as mentioned in some dialogue in Stormhail about his background).

I feel like, in a lot of ways, these flames would have been great spots for boss fights. I feel like, for a game like Octopath Traveler 2, just getting to relight the flames with ease was a bit too easy. There's a couple of different routes I personally would have taken with them.

Option 1 (least favorite) - the party fights a shadow creature of some type (excluding in Flameschurch because there is already a boss fight there). Alternatively, remix the chosen travelers' final chapter boss fight.

Option 2 - the party fights the shadows of the sacrifices associated with that flames gods (so Ku would be Ageha and Tanzy, Crackridge would be Ori and the scholar from Temenos Chapter 2, Toto'haha would be Petrichor and that unnamed apothecary from Temenos's Chapter 2, and Flameschurch (after Arcanette), would be Crick and the Pontiff (not a fun fight for Temenos especially)). Standard boss fights would be cool, but you could go a step further and have it a two on two fight with the chosen travelers against those shadows where path actions and skills came into play in defeating the shadows. Also makes the relighting of the flames a bit more personal. You've got potential either way with this option for some really cool character exploration and thematic resolution. This one is probably my personal favorite.

Option 3 - the party (or just the chosen travelers for that flame) fight the gods themselves (as a test). There's a few ways to do this too: 1. fight images of the gods. 2. the statues of the gods by the flames come to life and you fight those, not dissimilar to Osvald's chapter 4 fight with the Golem. 3. You fight a being of combined powers of the two gods, a strange and otherworldly combination of Alephan and Bifelgan for example, staff and scales in hand, plying magic and calling allies, making it rain in leaves as easily as flashes of magic lightning, or Brand and Sealticge (which I think would look something akin to Hinoekagura). This is also a personal favorite just to see how when faced with the gods, our travelers might act, when within the world itself the gods are mostly pretty hands off. The situation with Vide is an urgent one, and I think the gods would be willing to test their chosen in the final hour to make sure that they are truly ready.

I just think it would have been neat

[rosewheresheshouldntbe]

> Rose: Confess to Kanaya!

Rose: I love you.

Kanaya: Y Yo Ati, Rose.

> Rose: Get swallowed by something that looks like Venom.

> Rose: Get sent to super hell!

> Kanaya: Have something very gay and homophobic happen to you.

Kanaya: ...

What an absolute diversity loss. You find yourself thinking "love loses!"

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[shesmore-shoebill]

As promised: An Amangela fic inspired by the whole "Hey Siri, remind me I'm an asshole at 2:30 tomorrow" arm grabbing in the latest Sounds Fishy video.

Written sporadically over the course of today, edited on the go. Completely platonic although there ARE bits in here you can interpret otherwise if you'd like.

also yes when i posted about this earlier today i said it was 2.6k words. You might notice it is 4.2k words. Thats because I wrote everything leading up to the actual inspiring event. And then when I tried to wrap up the fic the actual event snuck in and doubled the size. Oops.

[solar-halos]

can u guys do me a favor and tell me if these annie week prompts are any good? ill love u forever 

monday - gaslight, gatekeep, girlboss

sometimes, annie can find herself in some difficult situations. create a scenario where she gets herself out of one all by herself

tuesday - walk, walk fashion baby

whether she’s in capitol clothing or back in district 4, we all know annie cresta is serving absolute cunt. let’s talk about that

wednesday - free space

create whatever you want, with none other than annie cresta being the star!

thursday - queen of the craft

create a scenario where annie lets her creativity shine

friday - into the unknown

annie makes a discovery. is it about her sense of self? about her district? about a secret third thing? well, that's up to you

saturday - paint the town red

lets have annie go a little apeshit. as a treat

sunday - paying it forward

by now, annie is pretty familiar with pulling herself out of a difficult situation. lets see her help someone else out of a tough spot

[zentriii]

written for the march foxglove editorial, inspired by this drawing by @noenoaholi and beta'd by @fish-with-more-eyes/mac

There aren't a lot of things Atsumu likes to ignore, but Kiyoomi’s abysmal cooking skills are certainly one of them. Not a single person with working tastebuds or a functional sense of self-preservation would trust Kiyoomi in the kitchen. For the sake of his sanity, Atsumu likes to pretend Kiyoomi wasn’t ordering takeout on the regular before they moved in together.

Although if there’s one thing Kiyoomi can be trusted with, it’s baking desserts and using a blender. Atsumu has no idea why those two out of everything, but Kiyoomi’s cookies are to die for and his chocolate milkshakes are delicious. He’d brag about this if Kiyoomi didn’t have the shitty tendency to mix it up and make healthy drinks too.

They’re pungent, vile and disgusting.

They’re not even easy to make, what with a million and a half ingredients and three thousand steps. Atsumu wants to puke whenever he thinks of how much energy Kiyoomi puts into waking up early and making it for him. Sometimes there’s a lump in his throat choking him up if he thinks about it too long. He shoves the feeling down ruthlessly every time without fail: he doesn’t want to think about it.

Most days Kiyoomi can’t even be assed to get out of bed until the absolute latest he can get away with. And whenever he can, he traps Atsumu there too with his stupid long legs and stupid warm cuddles.

He’s up early this morning.

Kiyoomi’s side of their bed is empty; Atsumu finds him diligently chopping carrots in their kitchen.

“Omi-kun,” Atsumu whines, wrapping his arms around his sadist of a boyfriend and doing his best to resemble a kicked puppy, abandoned outside in the cold rain. “C’mon ya made this yesterday. Do ya gotta make it so often?”

“Drink it.” Unfortunately his boyfriend’s the most stubborn person Atsumu’s ever met. He’s ruthless and heartless. Kiyoomi shoves the glass of green yuck into his hands. “All of it.”

Atsumu sniffs haughtily and graciously pinches his nose; he chugs it all down in one. It’s bitter and foul and Atsumu wouldn’t do this for anyone else in the world.

He pauses.

His mouth is filled with the most disgusting drink while the pieces click into place: he loves Kiyoomi. It’s so on brand for them, he can’t help but laugh a little. Atsumu tunes Kiyoomi’s complaints about what he finds so funny out, and gives him a little kiss over his moles.

He starts planning out the most dramatic way possible to break it to Kiyoomi in his mind. He’s a little nervous, but the urge to make Kiyoomi regret the day he ever thought dating Atsumu would be a good idea wins out. His itch for mischief drowns any fleeting feelings of apprehension easily.

Atsumu’s grateful he can still taste that nasty green drink for the first time. It makes keeping the smile threatening to break out over his face at bay. Kiyoomi calls it his plotting face. Atsumu’s more inclined to call it his moment-of-genius face. His fun face. He’d go so far as to say it’s his handsome face, but that’s just his everyday.

Kiyoomi’s never going to see his confession coming.

[n7punk]

She-ra (2018) Official Merch

I've made a loooong post about She-ra merch and its weirdness, but I wanted to summarize it in the most comprehensive list of official merch for the 2018 Netflix reboot that I could assemble. I'm sure I've missed some stuff, though, so I'll update this if I find anything. Thanks to everyone who contributed, especially Clare and Tippen.

I did deep dives (with pictures and details) on con exclusive and promotion exclusive merch. Basic info on those is included below the read more of this post.

Everything with [L] at the end of its bulletpoint - or an * inside one - has a photo in the long post. I provided links to official photos/listings when possible, but most of them are defunct.

Pins/Accessories/Clothing (active):

A bunch of jewelry (necklaces, rings, earrings) and enamel pins from Han Cholo (+ one iron-on patch). I've seen resellers claim the chibi pins were exclusive to a convention, but they're up on the website. The long post* has pictures of these if they ever go down, and the actual convention-exclusive ones can be found in the con post.

Amazon print-on-demand clothing (+ tote bags and pop sockets) with a lot of different designs that are hidden on the site but still purchasable, see this post for details, and here's the direct link. Once you find a design you like, you can search its name in the regular search bar (for instance, there's a shirt design called "Power Stripes Catra," for that one you have to search just "Stripes Catra") to see all the kinds of items it comes on, usually a variety of tops/outerwear, maybe a tote, and sometimes pop sockets.

Bioworld also had licensed merch, but some designs are hidden on their store page, so the link shows everything available but includes both the reboot and the 80s original. As of writing, they have one lunchbox, two adult t-shirts, one adult crop top, and two youth shirts for the reboot.

Media (active):

A DVD of just the first three seasons (there's a box sleeve version that includes stickers and it's never clear in listings if this is the only version and they just don't show the sleeve or if they're two separate things). This is still for sale at multiple retailers, but there's no way we're ever getting a full boxset.

There were a couple of books: the Rebel Princess Guide, the Legend of the Fire Princess graphic novel, and then some small "novels." These are still available at multiple retailers, but the novels weren't made by the crew and at least some of these contradict basic facts from season one, so they're less canon than many fanfics despite being licensed.

Everything from this point on is out of production and only available via resale.

Toys/Figures (defunct):

Eight fashion dolls. The line had Adora, Glimmer, Bow, Catra, and She-ra (season one version), Battle Armor She-ra (2-pack with a model of Swift Wind featuring their Battle of Bright Moon looks), and a deluxe She-ra & Shadow Weaver 2-pack (SDCC 2019 exclusive). These dolls were supposed to be Target exclusive, but the rollout was botched and now they're collectors' items. There were also four cancelled dolls that were supposed to be part of the line.

Two Super7 action figures in a Catra & Adora 2-pack with limited articulation. They're rare collector's items too, though this time it's just because they were a limited run. [L]

A plastic toy Sword of Protection and shield sized for children. The sword lit up and said "For the honor of Grayskull!" when you lifted it. The gem was semi-transparent and had a picture of She-ra under it. This was a Target and Amazon exclusive (Mattel & Target are always holding hands 🤝). [L]

Clothes/Dress-up/Accessories (defunct):

Four licensed She-ra costumes (season one version) of varying quality: a Target-exclusive one in limited sizes, one from Disguise in a wider range of sizes, one from Party City (as well as a wig and Sword of Protection prop licensed under Classic Media) for children, and one from Rubie's Costume Company (with a season one Catra costume to match, as well as separate accessory packs and wigs for both characters) that was also available at Party City. [L]

Her Universe used their Netflix license to make three shirts, two jackets, an earring set, and a wallet. Photos in the long post* if these links go down (they are discontinued, after all). Bioworld (remember them?) are actually the producers of the earrings with their name rather than Her Universe's branding being found on the backing card.

Hot Topic made a few shirts (like, three. I don't have the primary link for the third design). [L]

Misc (defunct):

Zaks Design-A-Tumbler, a plastic see-through drink tumbler with a sticker sheet provided so you can place the character graphics inside as desired. Features the key character art seen on most other merch for the Best Friend Squad as well as the sword, the moonstone, Swift Wind for the horse girls, and some random sparkles and hearts to fill space. It was available via Amazon and Walmart.

Comcanroll made a Sword of Protection keychain, also defunct. [L]

Beneath the cut are con exclusives and promotional items that were not for sale (at all, or at least by themselves) but that you can still probably hunt down online. Also... still available apps.

I can't believe this is real but there are two apps. She-Ra Stickers is available on iOS and Android and is exactly what you expect: "stickers" (pngs) to send in texting conversations. She-ra Gems of Etheria (also still available on iOS and Android) is a match 3+ game. It doesn't have micro transactions or ads (since, you know, the whole thing is an ad) so it's actually better than most things on the app store.

@tippenfunkaport also made a post about "digital merch" (backgrounds, printed papercrafts, etc) that Dreamworks posted online.

Promotion Exclusives:

I made a separate post for promo-exclusive merch. Things marked with an [L] still have photos in the long post, but photos are better gathered for all of these things in the promo-exclusive post, so please look at that one if any of these interest you.

Lootcrate/Lootwear made a pair of socks, a notebook, and a tumbler all featuring the season one She-ra silhouette. These were only available as part of their subscription service and not for individual sale. [L]

A Sonic kids meal tie-in that featured: magnets of the characters, funko-esque She-ra and Hordak figures, Swift Wind & Imp "straw buddies," and a small inflatable toy Sword of Protection. [L]

The following is promotional material that was never available to the general public:

A statuette of She-ra sent out to family bloggers to promote season four. Very limited due to the tiny production and being fragile. [L]

An equally rare metal lunchbox was sent out exclusively to influencers to promote season one.

Media press kits included a number of items that made it to the public as con-exclusives (see below for more details): collectors cards, buttons, and a foam tiara.

Stickers plugging the Dreamworks Careers' socials were also produced, likely for recruitment. [L]

Gray zip-up hoodies with a small sword on the front (pocket area placement) and a larger logo on the back were made for the crew and never available outside of Dreamworks.

A shirt featuring a graphic of She-ra riding Swift Wind with the She-ra logo in the corner - distribution & source currently unknown. Looks similar but is distinct from an existing Amazon POD design. Best guess is it was given out at an event (con, reviewer promo, employee event, etc), but I'm putting it here since I have no clue where it was from.

Con exclusives (defunct):

I made a separate post for con-exclusive promo items. Some of these still have photos in the long post, but photos and details about which cons they were available at and such are gathered in the con-exclusive post.

Button pin sets (4 sets, 4 buttons each) were at comic cons. These were possibly also available on Amazon for a time but I can't find confirmation on that beyond a backing card logo that could just mean the backing card itself was produced by Amazon. They aren't for sale now either way.

A foam She-ra crown and flat plastic/foam Sword of Protection, handed out at multiple cons.

She-ra socks designed after her uniform (including a cape on the back) seem to have been given out at cons. Photos are only in the long post* because they aren't good and I ran out of room.

There's a number of official poster designs that were handed out (mostly as mini posters) at cons, but most listings online are reprints.

Collector's cards were handed out at cons, probably SDCC.

Temporary tattoos, stickers, bookmarks, and coloring sheets were handed out at Power-Con (years unknown) and possibly other locations, likely those that sold the Scholastic books. [L]

A plastic shopping bag, made to be a disposable advertisement, exclusive to Anime Expo 2019. This one also don't have a photo in the con exclusive post because it's just one of the poster designs already in there, but there is a (wrinkly) photo in the long post*.