#and now even the characters are completely different

[angelltheninth]

Arcane Characters Make Food for You

Pairing: Jinx, Vi, Caitlyn, Maddie, Ekko, Vander, Silco, Sevika, Viktor, Jayce, Mel x Fem!Reader

Tags: fluff, established relationship, domestic fluff, kissing, making food, teasing

Ko-Fi | Rules | Fandoms and Characters

A/N: I already wrote this on my old blog but now is a good time to re-write it.

Jinx knows how to cook pretty well, surprisingly enough. Or maybe not so surprisingly given how she's always the one making things and experimenting. However that also means she might make some really weird meals.

It's something you'll have to deal with if you're with her and might have to develop a strong stomach. She already has it because she grew up in Zaun and ate a lot of different things. For you she wouldn't recommend some of them yet and she will try her best to make something that you'll like. And she won't get too offended if you don't eat her cooking right away.

"I made ya some breakfast, ta-da! It's a little sticky but don't worry, eat your fill and I'll clean up the mess later. Don't look at it like that, it might not look pretty but I promise ya it's so good. I could eat this every day. I hope I'll get to eat it together it with ya every day, sugar."

Vi doesn't know how to cook because she never had the opportunity to learn. The first few dishes are bad, like really bad, almost burn the toast and eggs type of bad but Vi she isn't the kind of person to give up. She'll keep trying until she gets it right.

There have been times where she did burn things and she won't let you eat it since it's not right. She wants you to have the best of the best, even if she didn't. Might get a little distracted when you're in the kitchen with her so she prefers to cook by herself even if you're there with her. Regardless of how many times she gets it wrong she at least wants to learn to cook your favorite.

"Yes, this is burned toast but this time it's not my fault, it's yours. Well you're the one who walked in here looking all cute and distracted me. One kiss is all it takes if it's from you, sweet stuff. Sit down and let me do this right and if you do you'll get something sweeter than this."

Caitlyn knows how to cook really well. She did grow up with people doing the cooking for her however she was curious and wanted to learn how to do it on her own. She's a very hand-on learner, now she can use some of her skills to make you happy.

She gets up really early anyways so she might as well make breakfast for the both of you. The first time she brings you breakfast in bed she thinks your reaction is cute, the way you stare at her, eyes wide and drooling over the food. For her it's not odd to have breakfast in bed. And if you stick with her you'll get used to her pampering you. Be sure to tell her how the food tastes.

"Good morning, darling, I brought you something. See, I didn't just brag about my cooking skills, this is me showing you I can cook. Showing off? Suppose I am a little bit, it's not my fault you didn't really think I would bring you breakfast in bed."

Maddie can cook some dishes but she can cook them well. Her skills aren't anything impressive but they don't need to be because she can get take out too. But she is more than happy to share what ever she makes with you.

She falls back on take out more often than she would like to admit. However not when she invites you over to her place, then she will put her best foot forward. A lot of that is because she wants to impress you hard, but it also gets her to work on her skills either way she wins. She keeps looking at you very intently while you take that first bite. Thankfully she doesn't seem to do a bad job if your smile is anything to go by.

"I'm not weird for watching you eat, it's called being smitten, gorgeous. Anything you do is interesting to me, you know that by now. This isn't empty flattery. I already got you to eat my cooking, I don't need to butter you up at this point."

Ekko isn't the best cook out there, he will be completely honest with you. While he does know the basic things you can't really expect anything fancy. If anything he focuses more on the dish being filling than tasty.

The thing about him cooking for the two of you is that he can only do it on his free time, which isn't a lot. Therefore he wants to make it a bonding activity. A cute date of sorts, mostly in the late evening when the rest of work is done. Sometimes he will try to surprise you but its hard when his living space isn't that big and everyone knows everything in the Firelights. The gesture counts.

"There wasn't much time so it's pretty simple, but at least it's your favorite, Firefly. No, I actually finished the new project, I had extra time to kill. Please, don't thank me! It seemed only right for me to make you something after you cheered me up this morning."

Vander knows how to cook really, really well. He kids to raise, and he was on his own for a very long time, he had to become a good cook. Plus he makes awesome drinks, being a good cook was a bonus skill for him.

He's always the first one to wake up and start the day in the Last Drop and he always makes breakfast for everyone. Not just breakfast but every meal, his kids need to eat a lot, there's always a little left over for later. Even if he feels a little sleepy himself he at least wants to put something on the table. It's the dad instincts in him. And husband instincts, hopefully.

"Don't ya even think about sneaking up on me right now, darlin'. I've got a pan full of sizzling hot oil in my hand, I don't want it all over us. Hugs are fine, I always love ya being close to me, but keep your hands to yourself. We both know ya get handsy in the morning."

Silco didn't know how to cook before he adopted Jinx, since then he's had to learn. It wasn't easy but now he does know a lot and he can impress the woman he's dating. Now when you stay over you can expect good for for your date, and good food when you wake up.

When the dating gets more serious he lets you help him cook, but until then he pretty much does it on his own. Jinx will go nowhere near the kitchen alone, not after that one explosion. He does have a list of recipes that he makes the most. And a few that he made up. Sometimes ingredients are hard to come by so he needs to improvise.

"Pass me the flour would you, love? This time I will follow the recipe, yes, the last time there was a bit too much sugar in there. I know you liked it but it's not the healthiest thing now is it? Fine, call me a worried dad, I know you think it's attractive."

Sevika isn't able too cook that well, she never was, she always liked others cooking for her though. However when you tease her about it she takes it as a challenge. And you know damn well that she doesn't back down from a challenge.

Curses a lot when she messes up, though you can bet that she's not gonna let food be the thing that beats her. When you walk into the kitchen it's a mess which will take a while to clean up. But at least she managed to make the dish this time and it's quite good. For her hard work you give her a very passionate kiss and that just makes her wanna work harder. That's the best reward she can ask for.

"One kiss for at that work, doll? I think I earned myself a little more than that, maybe you on the table instead of all this food. Yeah, I know it's gonna get cold, you're right. Can't let all this hard work go to waste, but when we're done we have to work all that food off."

Viktor doesn't have as much time to cook as he could if he worked a bit less. Not that his skills are award worthy but he can make a few things, at least in his opinion. Give his cooking a chance.

When he was a student in the academy he had to learn how to make quick meals and that is where most of his strength is. Just very simple dishes but he knows how to make them well. There are times when he himself forgets to eat so he makes sure he gets a good meal when he can. If you're part of that that's even better. Having you eat his cooking makes cooking more fun.

"If you think cooking this is so easy then you make it will you, beautiful? Ah so now you like it, I see how it is. I'm just kidding, I love making food for you when I can. But if you want to make it yourself please let me do a taste test first. I promise to be brutally honest, just like you are with me."

Jayce has absolutely no skills in the kitchen unless you need him to fix or build things in there. He knows this too and will admit it right away. Trust him he is much better in science than in cooking food.

That being said he will join you in the kitchen when you cook. He takes an interest in it because the way you cook makes his mouth water. When he learns about what your favorite food is he wants to lean how to cook it. However he does this in secret because he wants to surprise you. Sure enough he's able to get the biggest smile out of you when he presents you with your favorite meal.

"I learned it secretly, all for you, babe. Well I am quite good with my hands and I enjoy working, that was just another excuse to learn. Of course I don't have an ulterior motive for it! But if I did... and if it was kissing... would you kiss me for doing a good job?"

Mel is actually an amazing cook and knows a ton of recipes. Including your favorites of course. Do you really think she'd invite you over and offer you nothing to eat?

It's been a long time since she had to cook for anyone but herself but she's not bad at it at all. She has high standards when it comes to good food specifically because she holds herself to high standards. It doesn't matter how simple or complicated the meal is. When she invites you over and offers to make you food you better believe you're eating good that night. Not strictly food either.

"Beloved, slow down a little, the food isn't going anywhere and neither am I. We have all night. Every time I make food I do so because I want to enjoy a good meal, and you should too. And please be careful, I don't want you to choke, on the food that is."

[sophiehattcr]

no hate but some people really, REALLY need to brush up on their media literacy because caitlyn's arc so far in season 2?? absolutely scrumptious, as well as it being completely sensical for her character and her circumstances.

there were nuggets of her privilege and complete lack of touch (sometimes even disdain) of the zaunites in season 1 before jinx's attack - i think her conversation with ekko was the most blatant example of this. what mitigated it was her blossoming love and connection with vi, although what it became was caitlyn seeing vi as an exception ("i thought you were different") which did nothing to dispel her us-and-them mentality. grief and revenge has now completely overtaken her, to the point where she cares about very little else aside from her goal to flush out jinx and kill her. cait still sought the comfort and affection she felt from vi, but as soon as vi stops her from achieving her goal, caitlyn violently discards her, so strong is her revenge-borne bloodlust and resulting demonisation of zaun. i don't think the accuracy of cait's shot really would have mattered, as at that point, she wouldn't have cared who was in the crossfire so long as it would end up with jinx dead (cait has convinced herself that this outcome will lessen her guilt and pain).

fast forward to ambessa empowering cait and now she has people, firepower, and the law legitimising her thirst for revenge and anything & everything she might end up doing in its pursuit. it will come crashing down around her soon enough (heavy is the crown, after all).

[tkomptgoedluv]

icantbelieveiletyougetaway.

joost klein x f! reader

tags: dead dove do not eat, f! reader, non-famous! reader, reader really needs to see a therapist, established friendship, they’re so in love with each other it hurts but can’t admit it, joost just wants to be her everything, angst, hurt, comfort, all characters are dutch and speak in dutch but dialogue is written in english for obvious reasons.

word count: 4,156.

warnings: very brief allusion to drugging, heavy and frequent references to SA, violence, vague mentions of non-specific mental illness, rpf.

notes: in my head this takes place in 2021-2022 when joost had that really short, almost buzzcut like hair? like the wachtmuziek era. also, very sorry this is late!! it’s still only been half-proofread and i’m not even sure i like how i wrote the ending but here she is anyway. i love her and i hope you do too 💋.

── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ── ── ⋆⋅ ♰ ⋅⋆ ──

with shaking hands, you fumbled around the bathroom floor to find your phone. your chest was heaving, the cries that you struggled to keep quiet were getting all caught up in your throat as you fought meekly through the nausea. you wiped at your face again, desperate to clear your vision and leaving behind a mixture of tears, snot, and smeared mascara on the back of your hand.

the room itself was dark, barely lit up by a singular dim, yellow light, though despite the shadows you could still see how everything was spinning. you couldn’t remember how many drinks you’d had — it hadn’t felt like a lot, you weren’t a lightweight by any means but you didn’t know how else to explain the state you were in. you couldn’t stand up even if you wanted to, your legs strangely numb to the touch and the pounding in your head made staying on the floor all the more appealing anyway.

face down on the grimey, tiled floor you found your phone laying just underneath the sink. you ignored the low battery warning as you swiped through your contacts, squinting through your tears at the screen as if it would actually help you see any better. you were only looking out for one name; the third out of the four that were listed under the letter ‘J’, and the only name to have an emoji next to it.

over the sound of the heavy, techno bass that seemed to shake the walls and the buzz of a hundred different people all talking amongst each other, you heard the line start to dial. it didn’t make sense to call him out of everyone else that could possibly help you; he was infamously known for never picking up the phone. it was ironic for someone so notoriously attached to their screens, his face typically glued to either his phone or his ipad.

but still, you hadn’t so much as thought twice about it as you clicked on his contact and then the call button. With your head tilted back against the wall and your knees curled up tightly against your chest, you prayed to any god listening that by some miracle, he wouldn’t be busy.

“hallo?”

you let out a whimper at the mere sound of his voice, a small, pathetic noise that quickly turned into a cry that you didn’t bother to stifle. he called out your name for a second time, though now in a tone that was much softer than the one before it.

“i’m sorry, i know it’s late.” you paused to take a breath, your voice having cracked like glass as you spoke. “but i need your help. i don’t…joost, i don’t know what to do.”

“it’s okay, just take a big breath for me.” for just a moment you heard shuffling around on the other end of the line. with each of his footsteps the background noise grew quieter until it disappeared completely, following the sound of a door being shut. “where are you?”

“i’m at…i’m at this house but i uh, i really don’t wanna be here anymore. do you think you could…can you just come get me, please? i’m sorry.”

over the sound of a drum and bass beat that played so obnoxiously loud, you struggled to catch all the whispers from joost’s side of the phone call. there was another voice there, that much you could hear, and you struggled to place it despite how familiar it sounded. you tried to concentrate on the faint muttering, straining your ears to hear it over the song that blared just below you.

but then you jumped when the banging started. a sudden flurry of fists pounding against the wood and making the bathroom door rattle within its hinges. from the deep laughs that followed, chances were it was just a group of guys trying to be funny, probably thinking it was one of their friends getting lucky on the other side. and yet still, you found yourself gasping for breath as you choked back fresh tears, all the blood that ran through your veins turning cold.

“schatje? did you hear me?”

you could only hum back in response.

“i said i need you to send me your location, okay? and then i’ll come get you, i promise.”

it was the moment you figured out how to do so that your phone finally gave up on you. after hitting send, the little map displaying your whereabouts popping up in yours and joost’s text chain, your screen began to freeze. in a moment of panic you managed to choke out that you were locked away in a bathroom before it all went black, leaving you to stare at the taunting dead battery symbol.

you weren’t oblivious to the irony of it all. in a house crammed full of people, perhaps even a few too many than it was built to hold, you felt alone. just a few minutes ago that was all you wanted, to be by yourself, but now it left you with a ringing in your ears. the absence of joost’s voice was enough to throw you inside what felt like a black hole, where time seemed to slow the longer you waited for him.

you found a brief comfort in watching the time pass on the old, analog clock that hung high on the wall opposite you; you figured it was a better thing to focus on besides the sharp ache between your legs. it helped keep you distracted from the way everything just hurt now, whatever it was that was in your system already starting to wear off. without it numbing you to the pain of it all, you could feel the headache brewing behind your eyes and the sting of your split lip.

with each minute that dragged by, the slow, high-pitched tick of the clock echoing inside your ears, your mind began to slip further and further away. every time that you closed your eyes you could see it happening all over again; you could feel his hands back on you, ripping at your clothes and bruising your skin.

all the tears that you had only just managed to blink away came rushing back, continuing to decorate your face with more long, dark streaks of black. surely, this was going to be the thing to finally break you. there would never be any redemption or recovery for you — he’d get to live the rest of his life without burden whilst this was bound to be the death of you.

the more you unravelled, the more erratic your cries grew with hiccups racking your body and a deep burning in your eyes. for once you found yourself grateful for the music’s mind-numbing volume, though somehow it still wasn’t enough to mask the sound of a soft tapping against the bathroom door. like a coward you froze, failing to answer back before you heard your own name being yelled out to you, followed by a harsher knock.

“hey it’s me, it’s joost. can you open the door please?”

as you steadily climbed to your feet, using the edge of the sink to help push you up, your knees began to shake. they threatened to buckle out from under you with every step that you took, each limp towards the door sending a short stabbing pain up to your abdomen. the sensation made you wince, your jaw clenched and a grip on the door handle so strong that it turned your knuckles white.

it was almost sardonic how despite being in a house so loud, everything went quiet as soon as that door swung open. the music never stopped nor did anyone dare to change its volume, but all joost could hear was his own heartbeat thumping in his ears as his eyes met yours. all he could do was swallow, pushing down the bile that was quickly rising up his throat.

even in the low, warm light of the bathroom, he could see the streaked mascara that painted your face and the bloodied lip that was still trickling down your chin. your favourite shirt, the one that he himself had bought you, was torn and just about hanging off your shoulders. it exposed a trail of black and blue spots that started along your shoulder and went all the way down your arms, a couple even dotted down your legs.

joost uttered your name, his voice barely audible over the music downstairs. the corners of your frown twitched, your bottom lip quivering as you shook your head, already answering the question he hadn’t even asked yet. from where you stood he could see you shaking, your knees weak and barely holding you up right. he didn’t hesitate to pull you into him, an arm locking around your waist as his hand found the back of your head, keeping you hidden in his chest.

“jesus christ, what happened to you?”

you couldn’t speak, couldn’t find the right words to even try and explain what it was you had gone through. you could only weep into the fabric of joost’s jacket, so exhausted and overwhelmed that you didn’t have the strength to hold yourself together in front of him. but it was more than enough of an answer for joost who just held you tighter the harder you cried, fighting back tears of his own.

pulling away as gently as he could, joost still kept you in his grasp. his hands cupped either side of your jaw, calloused thumbs wiping away stray-fallen tears as his eyes danced over your face. with a gaze so intense, you could see his eyes growing sadder the longer he looked you over in the dull light of the bathroom.

“i left stunts outside — he’s still in the car. we could…we should go to the hospital.”

“no!” your own dramatic change in tone caught even you off guard. you couldn’t help it, you were panicking now, pulling joost back by his sleeve as he tried to guide you out of the bathroom. the action made you wobble and almost trip over your own feet, flinching at the sudden cramp you felt deep in your stomach. joost’s grip on you hardened, not nearly enough to hurt but enough to keep you from falling back and hitting your head on the sink. “not tonight. please, i just wanna go home. i’ll be fine.”

“you can barely fucking stand, schatje. you need help.”

“then i promise i’ll go in the morning! but right now i just really need you to take me home, okay? i’m begging you.”

perhaps if joost had a little bit more of a backbone and wasn’t so hopelessly head over fucking heels for you, he would’ve had the courage to say no. he would have been able to look you in the eye and still say that he was going to get you to a doctor, whether you wanted to go or not. but no matter how much he wanted to, how much he hated what you were asking of him, he couldn’t. feeling you trembling in his hands and hearing the fear that shook your voice meant there was longer a single thing that joost wouldn’t do for you.

you were his best friend just as much as he was yours, regardless of all the very non-platonic things the two of you had done together over the years. as far as you were concerned it was just something that you’d do sometimes, only ever as friends. there were never any conversations about it the next morning, never any acknowledgment for what it was you had done the night before; it was almost like it never happened until it would undoubtedly happen again. you always liked it like that though — as long as it meant that you never had to think about how you really felt.

joost, on the other hand, was painfully aware of what he felt about your situation, about you. it was never just sex for him, not even once, and he wanted to talk about it. and he tried to, a couple of times, spending the first few mornings after trying to coax you back into bed just so he could hold you skin-to-skin for a little while longer. but you never wanted to stay and you never wanted to talk about it, either, so joost stopped. he let it become another pain he had to live with and spent each day telling himself that he was okay with that.

it was with only a slight hesitation that he nodded before standing back up straight, slipping his big black jacket off his arms and draping the material gently over your shoulders.

you let joost take on most of your weight as you leaned into his side, letting him guide you back through the house as you focused on just trying to make it down the stairs without tripping. to say that the place was packed was an understatement. people were crammed into every room like sardines, dancing and grinding against each other with stiff, swinging jaws. you hadn’t even heard what it was that had been said over the music, its volume still just as loud and disorienting as it had been when you first arrived.

but joost had heard every word, somehow, despite the sound of his own song polluting the room. it made him freeze on the spot, pulling you to a stop right along with him as he slowly turned to face the group of guys that were standing just in front of the front door. you felt your throat start to close at the sight of him amongst them, standing front and centre with a sick grin plastered across his face, his eyes darting between you and joost.

“what did you just say?”

it might have been the gruff, nauseating voice that you recognised, or maybe it was those ring-heavy hands of his that you could still feel pressed into your skin. you didn’t know, and it didn’t matter, because you knew it was him.

“i said good luck with that one, dude. she doesn’t go down easy; kept trying to fight me the whole time.” his stare then fell from joost onto you, his tongue gliding over his bottom lip as he looked you up and down. “but we still had our fun though, didn’t we schat?”

the crack of joost’s knuckles colliding with his jaw was something you heard before you saw it; the thud of him hitting the ground following soon after. a chorus of screams and cheers rang painfully in your ears as you watched a small circle quickly form around you. anyone that could still see straight had either ran from the fight or pushed forward to get a better view of it, their phones held high and already recording.

“bet that made you feel like a man, huh? forcing yourself on a girl half your size. you piece of fucking shit, i should fucking kill you!”

in all the years you’d known him, you had never seen joost like that before; his voice low and angry as his shouts drowned out the music. he hadn’t waited for him to get back up before throwing another punch, the sharp crunch of his noise breaking making you wince and your eyes water.

you went to step forward, your hands already reaching out to grab joost’s arm when one of his friends pounced. a shriek was ripped out from you when a fist struck joost right across the cheek, knocking him into you hard enough to almost send you both tumbling to the floor. any chance for you to try and intervene again vanished when you were pushed back before you could get close enough, joost quickly shoving you behind him as he swung for the other guy.

a strong pair of arms wrapped your middle and pulled you further back as you cried for them all to stop, keeping you locked against their chest no matter how hard you thrashed. distance was put between you and the fight when you were picked up and half-dragged out the door, joost’s blond hair disappearing from sight amongst the growing crowd around him.

the bitter air of the early morning stole your breath, your chest tight and aching as the cold consumed you. small flakes of snow drifted down from the paleing sky, dusting each rooftop and the old, cracked pavements in a thin layer of white. still, there were a handful of people gathered on the house’s front stairs, clad in various leather and latex, that only stood and watched as you were hauled away from the party.

“get the fuck off me! we’ve gotta go back, we can’t just leave him! stuntje, please!”

your feet only met the floor again once you were next to stunt’s car, safely across the street. even from there, you could hear the childish chanting of ‘fight! fight! fight!’ and the occasional glass break from inside.

“martijn -”

“- stay here; i’m gonna go get him.”

you weren’t allowed to argue, so you just did what you were told. for four minutes you sat waiting in the back of the car with the heaters on full blast and still shivering as you nestled yourself deeper into joost’s jacket. after another minute you saw them heading back your way, their pace fast as they slipped past the last few people that loitered on the steps. in the glow of the streetlights you could just about make out the soft shade of purple that was joost’s eye, and the deep scowl that contorted stuntje’s face.

neither of them spoke as they joined you in the car but for joost, you never really gave him the chance to. his seatbelt hadn’t even clicked into place yet before you were turning away from him, desperate to pretend that he wasn’t there burning holes into the side of your head. if joost knew that you could see him staring from the corner of your eye, he didn’t care. if anything, he probably would’ve hoped that it might have made you look back at him, because then that at least would’ve been something.

but seeing joost storm out of that house with a violet eye and raw knuckles, having just risked everything for you without a second thought, it scared you more than you wanted to admit. he was only supposed to come find you, and bring you back home. you never wanted a fight, never wanted joost to wind up with a black eye over you. so no, you couldn’t look at him — couldn’t even talk to him, either.

except your silent treatment didn't last very long, did it? it couldn’t, because joost wasn’t going to let you get away with it this time. for as long as he had known you, you always had this habit of internalising what you felt and shutting down. it never mattered what it was you were going through, you just wouldn’t talk about it.

this time though, he wasn’t going to let you disappear in on yourself again, and he wasn’t going to let you shut him out, either.

as soon as the car came to a stop, joost was up and already outside your car door. with a sweet smile, gentle hands were pulling you up and slowly helping you onto your feet before you had the chance to protest. there was a part of you that wanted to, now too proud to admit that you still needed his help. already, he had done more than enough, even too much, for you.

still, you didn’t dare to fight it — or him, rather. besides a small goodbye to stuntje, no words were spoken as he slipped an arm under your knees and pulled you up to his chest. it was like that, that he carried you up the three flights of stairs of your building, glancing down at you every so often with soft, worried eyes. it was miraculous how he managed to open your front door with you still in his arms, his very own key to your home dangling from the clip on his jeans.

it wasn’t long before the soft leather of your sofa was dipping underneath your weight, its cushion beneath you feeling cold against the bruised flesh of your thigh. joost left you for only a second, just to switch on a couple of the lamps you had dotted around and to dig out your old first aid kit from the bathroom.

you still weren’t really looking at him, not even as he perched on the edge of your coffee table and carefully took your jaw in his hold. the brush of the alcohol wipes along the small cuts that marked your face stung and made you wince, your nose scrunching up at the pain. a string of quiet apologies followed as joost concentrated on cleaning you up, wiping away each and every smear of blood and smudged makeup.

the longer that you sat there whilst joost devoted all of his time and energy to you, the more teary-eyed you felt yourself becoming again. it felt almost…foreign to feel so loved after everything, like you were still somehow worth saving. there was no way that you could possibly deserve it — nothing you could’ve done to deserve having someone adore you so unconditionally without earning it.

and yet here he was, your joost, doing anything and everything to try and help, and you couldn’t even fucking look at him.

the only thing you could do was cry. the way you clutched your mouth did little to muffle the sounds of your distress and it drew back his attention after he turned away only to throw out all of the dirty, used wipes. it was the guilt that was doing this to you, the guilt of knowing that you were the reason why joost now had a black eye. that joost had risked his whole career by starting that fight, and you had been the one to punish him for it.

a warm hand squeezed your knee as another tucked fallen strands of hair behind your ear. it took a few tries of quietly calling out your name to finally get you to meet his eyes, but eventually you got there. nothing could have prepared you for just how sick he looked, the bags under his eyes seeming considerably darker than before and a deep frown tugging at the corners of his lips.

“i’m sorry i did this. i never should’ve gone with him, i know i shouldn’t have because i know that i know better but i still went and i should’ve done something more, i could’ve hit him harder or yelled, and i’m sorry i called you because your eye, that was me, that was my fault and i’m sorry, i’m sorry, i -”

with your face pressed flat against his chest, his sudden embrace almost swallowing you whole, you couldn’t find the rest of your slurred, blubbering words. somehow, at some point, joost manoeuvred you both onto the sofa and with his arms around you, kept you curled up against his side. a few fingers moved up the back of your neck to scratch your scalp as others held onto your hip.

it was the only thing he could think to do to shut you up, to calm you down enough to take big, slow breaths, in and out.

he didn’t have it in him to let you finish that sentence.

delicate reassurances were mumbled into your hair, quiet ‘you’re okay’’s and faint ‘it wasn’t your fault’’s becoming mantras that helped soothe the pain in your chest. you wanted to believe him and knew that you didn’t. you knew that as the deep baritone of his whispers slowly lulled you to sleep, you’d wake up with that pain still very much there.

but joost wasn’t going to stop trying anytime soon, noor was he going anywhere. it was one of the few things you’d actually let him do for you, making himself a home on your sofa whenever you would have one of your episodes. he’d sleep there, eat there, work there. sometimes joost would spend entire weeks of his life in your living room just so that he could know for sure you were still alive and breathing.

he was the only thing offering you the slightest bit of comfort. you could feel his fingers running through your hair as you curled up even further into his side, his voice still low in your ear. it was becoming to struggle just to keep your eyes open, but you knew that he wouldn’t mind.

you could fall asleep just to wake up with that same ache in your heart still there, but joost would still be there too. for now, that was all you needed.

[vigilskeep]

there are so many things in veilguard that have made me go "wait what??? okay i guess i have to totally rethink the character i'm roleplaying now" that it's literally impossible to guess what thing you're referring to as The Thing That Happened. obviously extremely curious to hear what it is once you've detangled it

it’s kind of like that but it’s also less that and more... okay i should probably just say it, i’m being weird and unhelpful and i need to write it out anyway so i can think

MASSIVE SPOILERS UNDER THE CUT for a companion quest, do NOT say i didn’t warn you. also please don’t respond to this if you know more than me i am in distress but i still don’t want spoilers

so i just finished lucanis’ “a murder of crows” quest. and lucanis. first talon. for some reason. (this is the writing choice i’m ??? on. also i’m ??? on lucanis’ whole storyline, frankly. the writing was. well. like i said, we’re not unpicking that right now, i don’t want to get into it at this point, not the conversation i’m having.)

lifelong trauma of being in the crows and fighting to get someone in a talon’s position and keep them there -> the thing that gave sol all their diseases and made them, to be frank, fairly suicidal

viago: ultimately can handle it without them, especially with teia’s backing.

lucanis: CANNOT handle it without them. holy fuck. for like twelve hundred different reasons, unthinkable, completely laughable, that he can handle this. who is going to protect him. the only reason this could be better at keeping sol mentally stable than watching viago’s back is that they will never feel purposeless or need to go looking for an adrenaline rush, because forget crows, an ambitious blackbird could eat that man alive. he can’t scheme. he can’t even SCHEME and the very fact that he trusts sol DE RIVA demonstrates this. sol is a crow! from another house! does he have no memory at all of the fact that his own parents died in crow infighting? sol could have been playing him this whole time, it wouldn’t have even been hard, and if they were that kind of person, then right now the first talon’s house would have just fallen directly in their hands like a gift from the maker, and they can’t even say a part of themself they can’t shut off isn’t thinking about it that way! how is sol supposed to keep someone like that alive?

you see what it’s like trying to sleep while sol is having this discussion in my mind.

ahem. anyway. pathways for sol’s life assuming they indeed make it through the game:

becoming lucanis’ guard dog the way they were for viago, which (even if they could mentally handle that, which they can’t. or can they??) means switching house loyalties which would surely destroy them eventually -> bad

somehow trying to persuade lucanis to give this up, as if that wouldn’t be throwing house dellamorte completely to the dogs, which at least sol can’t imagine any crow is capable of, let alone someone so dedicated to clinging to what remains of his family that he couldn’t even kill a traitor -> bad

going ahead and leaving the crows, but sol now has to leave BOTH viago and lucanis behind and also lucanis is going to die in there because they left him to do this alone -> bad

solution: sol is back on their original “if a blighted dragon eats me by the end of this, i don’t have to experience consequences” train

and maybe they’re right and i should not worry about this because i’m painfully aware it’s VERY bold to start deciding what happens after the game at this point, when they might still get trapped in the fade or turned into paste or something. and admittedly they did know and dread the possibilities from the first moment they felt something for lucanis, which was why they so wanted it to be anyone else, because anyone else in that lighthouse could have given them a different world, and he is the one who regardless of his best or worst intentions can only tie them tighter to a burning building. and SURE, i see the solas/mythal breakup parallels of sol still leaving, i’m looking at them, that doesn’t mean i have to LIKE them

he hasn’t even kissed them. they’re doing all of this unkissed. lucanis dellamorte when i get you

again please absolutely do not respond to any of this with even the vaguest of hints if you know more about the rest of the game than me 🙏 it’s probably best if no-one responds to this at all lmao i am just thinking out loud. you can reply with a “that’s rough buddy”. for sol

[thecoolerliauditore]

do you have a specific thing you'd like to talk about but haven't found the opportunity (analysis/observations/anything else) etc? if so can you respond to this ask with that :3 and if not you can share some images you'd like to post or something

alright finally calling on this

Let's talk about Wild Life alliances and "family". (long post)

"family" is a word that gets repeatedly thrown around this season and, unlike in LimL, it's not just limited to being one group's running gag. While the Clockers parodied the family dynamic, Wild Life alliances revolve more around the concept of family itself, and the differences in how each player treats that word can be viewed as telling of their own understanding of "family".

The most noticeable example of family as a theme in WL is from Joel, who literally looks into the camera and says that's what his theme is going to be this season.

Joel's understanding of "family" is, in a lot of ways, a little shallow. First of all he's doing it all within the context of Fast and Furious references, which is funny but on a character level could be seen as him mimicking media instead of really understanding what he's doing.

His "family" with Gem doesn't really operate any differently from any other alliance he's had -- if anything, his behaviour changes in relation to people outside of Gem are infinitely more notable. All throughout the season he has gone out of his way to be helpful, such as when he teaches Skizz to crit, or teaches Tango about the effectiveness of lava buckets due to the gimmick, or when he helps BET rebuild their trap that they just tried to kill him with.

Even more notable are his interactions with Jimmy, who DID kill him, but he remains amicable to even after yelling at him that he hated him just an episode ago (for, again, trying to kill him).

This all goes back to Joel's original monologue that bought up the family theming in the first place -- to Joel, family look out for eachother, are nice to eachother and put eachother first (not completely unlike what Scott values, which I'll get to in a sec). But he's not actually doing this for "family", he's being nice so that people are less likely to kill him, and he believes embracing "family" and being nicer will help him perform better.

What Joel actually wants is to shed his antagonism, so he's gone the opposite direction into being super nice and forgiving. "Family" is more or less a filler concept to help him realise it.

But Gem, on the other hand, has a very different approach to "family". When she asks Etho to the family, she expects loyalty and when he allows Pearl to grab food from Gem's barn, Gem scolds him and lets him know "we're not friends with Pearl".

Gem's idea of "family" is a lot more concrete than Joels i.e. she naturally expects to be listened to and to move as a unit.

"Control" is an interesting factor in terms of Gem's behaviour in this season, as she seems to believe it's a vital aspect to "family", as seen previously with her scolding Etho. She also yells at Scar for letting Jimmy threaten to kill Joel, telling him "no! we're supposed to be family!" and to "control your guy!"

Which is, strangely, reminiscent of a conversation she had with Scott where she asked him to "control" Pearl as well.

Maybe it's due to Gem being newer and therefore more naive or the fact that the use of the word "family" was spearheaded by Joel and Gem simply adopted it, but it's curious to me where the line between "family" and "alliance" are for Gem. It's hard to tell for sure because her control in Gem and the Scotts really was never challenged until Scott's permadeath, and tasks like the zombie task literally put her in control, but it is interesting to me that she is much more verbal about her allies behaviour now than she was before (<-- footnote: this might be partially because she is allied with Etho right now who is insane this season)

She also is the one that tends to say stuff relating specifically to family out of the two as well, such as "family don't steal from eachother!" and so on.

Gem likes to lead and be in control, and that attitude is reflected in the way she talks about family. I for one would love to see an instance where Gem is the one who needs to be "controlled", I think it'd be enlightening. Right now she feels to me like a kid parroting things adults have told her, since she is absolutely a more rebellious spirit and challenges when people who Aren't her have more control than she thinks they ought to (such as when Etho mentions building his base out of copper and she asks him why he has to listen to Bdubs).

Speaking of family and control, that brings us to the big heavy hitter faction, GGG(GG).

Early on, Impulse declares the alliance to be his family and since then, although the word "family" itself hasn't popped up as much compared to Gem and Joel, it certainly has been paraphrased. i.e. Scott's compared himself twice now to a parental figure, once more generally and the second time specifically towards Pearl. He also labels Cleo as the other parent, which quietly acknowledges their place as the alliance's pseudo-leadership.

Impulse saying this is. Dubious to me at best, since he says this and then goes on to be his usual, independently moving self after this episode. He even agrees with Pearl to keep his farm a secret from Scott and Cleo, which isn't very "family-like" at all.

We know from the past that Impulse is a good liar and has a more or less traditional view on family if his DL run with Bdubs is anything to go by. I do think Impulse has some weirdness attached to emotional investment in his alliances, most evident I think in TIES and Gem and the Scotts, but in this case. Ehhh I'm not an Impulse guy I can't draw any conclusion there, but it sure is a strange thing to say!

There is of course also Scott literally saying to Pearl "we're family, whether you want it or not" -- which is quite curious because Pearl Isn't Actually Scott's family. She does have a choice to leave, yet that isn't framed as a possibility.

I think the lines between alliance and family are very blurred for Scott specifically, who quickly named Jimmy as his husband (aka family) in 3L with very little hesitation and claims he "loves everyone". Scott genuinely believes his love for his death game teammates is comparable to that of a family and, possibly enabled through Impulse's words, has become a lot more brazen about it.

Like Gem, I think Scott sees control as a necessary aspect in order for families to function, and as such follows his infantilization of Pearl both through the blatant comparisons of her to a child in his care and through him saying in roundabout ways that she is too emotional to be trusted or too immature/impulsive in her decision-making.

I have relatively less to say about Cleo despite her being Mother Clocker which you'd think would make her more relevant to this discussion, but afaik she's been more or less dodging the "parent" stuff that Scott has been dipping into. Maybe it has something to do with Scott's very detached sitcom-esque perception of what motherhood entails, maybe she's like Etho and has shut it all out after LimL, eitherway lmao.

In short: alliance = family --> those who subscribe apply their concepts of family (e.g. control/discipline, emotional investment) onto their alliances --> dynamics get weird as many who meant to come out with an attitude of "I care for -- or even love -- my teammates" get morphed into treating their teammates as Literally their children or siblings

One alliance that entirely and utterly rejects the "alliance = family" notion is BET (I refuse to write "Tuff Guys" for the entirety of this post).

Right out of the gate they establish that they are more roommates than ride or die, and that everyone will betray eachother eventually anyway. They also yell and bicker and talk behind eachother's backs almost constantly, to the point where other people even pick up that they don't see to like eachother.

So it's interesting to me that BET.. Do care for eachother, despite what they say, but it's almost always hidden under non-acknowledgement (Etho protecting Bdubs from a skeleton, Bdubs trying to save Etho in the slow-mo fight at the beginning of episode 4) or balanced out with verbally ripping eachother to shreds right afterwards (Etho trying to help Tango get a kill and yelling at him for being incompetent when he fails repeatedly).

It's like, if they really are "every man for themselves", why help Tango at all?

When it comes down to it, BET have chosen eachother over other alliances -- even ones that they are "family" with, when Etho lures Joel and Gem over to Tango's trap.

One conversation between the three I don't see bought up much is them half-mocking Etho displaying the flower he got from Gem, I think it was Bdubs who pointed out that the flower would be useless if it weren't for Etho putting worth into it by showing he values it, and that once you show that you value something, people will see it as something they can take from you.

This, to me, is very telling when combined with how they have insisted they don't care for one another this season -- if they don't value eachother as allies in the first place, they can't lose eachother as allies.

It's the polar opposite of the "family loves eachother" approach to alliances, and "control" over eachother's actions only becomes relevant when things get desperate and all of them are involved.

Once again using the example of Gem telling Etho he "doesn't have to listen to Bdubs" -- I think it's interesting that Gem assumes that Bdubs is making Etho build out of copper, when in reality Etho asked Bdubs for a suggestion, Bdubs said copper as a joke (and later even reacted in shock when Etho took him seriously) and Etho's gone the full 100 miles with it. As well as the fact that Etho completely dodges that part of Gem's sentence, leaving her in ignorance of the fact he willfully listened to Bdubs -- of the fact he /valued/ Bdubs' input.

I hesitate to say more for now but I am excited to see how this develops and what brand of emotional attachment to one's teammates will come out ontop.

Anyway. Rambly post done. This means absolutely nothing have a good day. Freud would have things to say about this

[backtothefanfiction]

Reading this just made me feel more proud of my writing abilities and reminded me of some of my favourite sex scenes I have ever written and it has really made me want to highlight them for you and why I love them so much.

Each one of these scenes is so completely different from one another, showing the true depths of the characters within them as they use these acts of intimacy to really help develop and flesh out who the characters are both as individuals and as partners. Each scene has a different need to be fulfilled and emotions to be shared and I am so incredibly proud of each one of them.

Angel In The Garden of Evil Chapter 19: Wash It Away

A mob!au Peter Parker Story

The intimacy of this scene coming as a conclusion for all the characters have been through not just during the story as you the reader reads it but also all the history they have together. It’s oddly sweet and tender as he takes the time to carry her into the house, to wash her in the shower and show her how much she really means to him. To literally wash away the old before they make love and bring in the new. It’s almost a whole cycle of life, death and rebirth moment. It’s the deep longing connection of husband and wife and how some loves just endure despite their tribulations.

Make Me Forget

Amazing Spider-Man Peter Parker x Harry Osborn Imagine (part two of crushed)

Running to the one person you shouldn’t to make the hurt go away. Asking your now ex boyfriends best friend to take you as his own after he rescued you from your abuser and asking them to claim you as their own and show you how to be treated right. To kiss away every hurt. To rewrite every touch on your body. It’s both painful and yet beautiful and hopeful and healing.

Nothing Ever Good Happens After 2am

A Joel Miller Story (Part 3 of the Insecure Series)

This is hate fucking at its finest. There’s so much tension and history and anger for both the past and present. Although so familiar with one another’s bodies they instinctively reach for each other due to that familiarity, but there is no resemblance of the way they once fucked to how they do now. The way they know each others bodies so well they can weaponise them against each other to do even more damage, leaving neither of them fully satisfied in the end and the act in fact only works to make their situation worse just feels heartbreaking on everyone, characters and readers alike. It’s short and to the point and makes me so proud.

What Benny Doesn’t Know Chapter 5

Frankie’s story

This is all about toxic love. It’s all the things well accepted when we are blinded by love. Overlooking the glaring problems just so you can be with them. Accepting their lies and bad behaviour. It’s doing drugs in the middle of the act. It’s cheating on partners. It is love and pain and longing and finally getting what you want but it’s at the wrong moment in the timelines and destined to fail from the second it started. Although a fun read and a wild time, the emotional weight and lessons for the reader also really shine through and I will always be proud of how I chose to handle this one, both for the characters and the over all story and it’s development.

the secret to writing good smut that doesn't feel like you're just repeating the same words for junk and fucking over and over is to spend your effort writing about everything happening around the sex and everything happening inside the heads of the people having sex and before you know it you have four paragraphs of introspection and two paragraphs describing the space and it's okay to use the word cock again

[xclowniex]

Okay I need peoples opinions in this.

There is a tik tok creator and author who has a series on tik tok they're trying to turn into a book called Cafae Latte.

It is this very queer and diverse series. All characters are played by one woman, the creator who is white.

She has 2 jewish characters, both are dragons who shape shifted into humans. One wears a magen david and the other is orthodox and wears a tichel. The creator wears them when portraying the respective characters

Now I have an issue with this for a few reasons which all fall under the big glaring thing of, they didn't consult any jews or do any research past the surface!

First issue of business is the tichel. I do find it incredibly disrespectful for a non jew to wear a tichel when you're portraying a Jewish character and you can't even get tzniut correctly. It wasn't until they finally got a tichel, that they learnt thay they needed to cover their collar bone and elbows. Especially when you also don't call it a tichel and just call it a "jewish head covering". If you're trying to make a Jewish character who keeps tzniut, these are basic things you should know if you did any research!

Second order of business, the magen david. I do find this disrespectful as it's not really for non jews to wear???? Like it's not like you commit this great atrocity by wearing it. But considering their poor rep with the character above, I doubt they know anything meaning behind it and why its important to jews. Plus it's pretty much literally just used to signify that the character is Jewish and that's it.

Thirdly order of business, idk how else to start this besides, they unjewished hebrew??????

Like they were creating a family crest for one of their jewish characters and had this design with the tree of life and some hebrew and wanted help on getting the hebrew correct and said "hebrew speakers and that probably include jews, I think. I need your help with this hebrew".

Like excuse me what. Not all jews speak hebrew and not all hebrew speakers are jewish, but the majority of hebrew speakers are jewish. Adding jews as this after thought which may technically be included is awful.

Last order of business. This time, not about the jewish characters but the arab and muslim one.

Therre is this character they play who is a Muslim arab amercian and they said in their intro post for this character "I'm not sure which arab country specifically she is from as I'm not educated enough". Like excuse me what. There are cultural differences between different arab countries, not in a way which they're completely different from each other but it is a thing.

And to make matters worse, she has a YouTube video giving tips on writing diversity well.

And idk it just really irks me as they are a published writer, who is all about good diversity representation yet can't even do it properly. Consulting jews, not even jews actually, hebrew speakers to use their words, is not enough to give good rep. You need to talk to rabbis, jewish community leaders in general.

[valentine-cafe]

oh, to be a cute, little journalist wanting to expose the crimes of herrera husbands (verse 209) to the public. . .

. . .only to become their newest obsession <33

˖⁺. “ new scoop ! ” : 

﹙ yandere mad doctor & scientist x gn journalist reader ﹚.𖹭 ݁

. . . verse 209 jìngyí x gn reader x rishen !! 🍒: ﹙ mad doctor ˖ snake monster ˖ yandere character ˖ mad scientist ˖ moth-spider-mantis hybrid ˖ yandere character ﹚

they never expected a journalist to come as close as you did. that definitely garners quite the morbid interest. after all - how could they not obsess over someone so obsessed with them?

﹙ cws ﹚: dark content ˖ yandere behaviour ˖ stalking ˖ item stealing ˖ manipulation | wc : 0.5k 

﹙ receipts ﹚: i saw this request and immediately jumped to write it last night ybcdc

꒰  other treats : guidelines ˖ m.list ˖ characters ˖ our lore  ꒱

oh they have dealt with the media. ten times and over. the suspicious interviews. the baiting headlines. they know the trifles of fame — especially on their level. but you — oh, you were different. you were magnificent.

while few were foolish enough to blame them for the classics: useless scandals, corruption, big pharma. . . you went another route. they were almost offended to not have picked up on your little investigation long before.

of course they inserted themselves into this investigation. intentionally selecting you to dish out your questions during press conferences. meeting with you after interviews to discuss your stellar skills. showing interest. building a relationship.

oh and you simply took what you could get your hands on. perhaps befriending them would be an opportunity to worm your way in and get the good scoop? it's a sacrifice you are willing to make. and they seem the least but aware.

you let them right into your life. follow up interviews. private ones. coffee dates — wait, was that last one apart of the plan? where did that necklace come from? right. a gift from jìngyí. and that expensive perfume? ah, that's right. rishen's spoils for your birthday.

you started having dinner with them too. but you had to focus. had to ensure that you garner whatever info you can. even if it was the slightest. you'd stage before your wall of a pin chart at home. information, photo evidence. completely unaware that they took have a little board of you at home. filled with your pictures. your articles. your handwriting. strands of your hair. clothing items. the trusty pen that went "missing" last week. evidence too. evidence of their obsession with you.

what a fun game between work hours. to watch you get so close to a lead, if only the ends to be snipped off entirely. it frustrated you. but that frustration could wait, you have a night out with - with them - no! what are you doing? why are you indulging them?

but you'll continue to do so. after all, it's for duty - right? you'd never expect the hooks of their manipulation to settle into your head. whisper so sweetly to your ears that maybe you were wrong. maybe they are simply kind men of science. perhaps the voices of those enigma are false.

what does it matter anyway! you've been invited to their lavish home at last. you can't believe you thought the worst of these two. they are simply an indulgent couple. who do their best to help society. living here with their four dogs and one cat. loving one another. loving you.

loving you indeed. you see it. in the dinner that you all share. the laughs and affection. the sweetness of their lips. the slew of polaroids strung upon walls. the letters, articles pinned upon boards. a room full of you. and all that you do. oh, you'll certainly learn about the extends of this love. when the door of the room you'd stumbled into ( and now stood like a statue in ) shuts tight. locked behind you.

well, they did say curiousity killed the cat.

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[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David��� Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[makutaservaela]

A janitor/scientist bio-engineered a bunch of spiders, unleashed the spiders on an island, the spiders wiped out every living thing on the island, and then the dude renamed the now barren rock of an island after the spiders.

The one survivor of the genocide joined the CIA, was renamed "Survivor", and gets stronger the more pissed off at him you get.

Another janitor/scientist tried to science the Skeleton Orcs, gave them absurdly broken powers, and then got exiled for being a massive fuck-up. His name now means "Failure".

In the Skeleton Orcs species, the females are more aggressive. In the prominent Hobbit species, "female" refers to coding that makes one more passive. The main Skeleton Orc gang, who are males by their species rules, are never considered females to the Hobbit species despite the fact that they should be what the Hobbits define as "female".

Some of the janitor/scientists get flash-banged into blindness when they accidentally see Jesus disintegrate. They overcome this blindness by forcing brainwashed slaves to ride piggy-back on them and use telepathy to see out of the slaves' eyes. Two of the slaves are really into this, and after being unbrainwashed, one of those two throws a fit because she preferred the slave job.

There are multiple characters named after real people. One of those real people was the wife of the author.

There are two characters whose names are one letter apart, one of whom was made out of the other, but the similarities of their names is a coincidence.

There is one race of hobbits capable of being either sex. Despite that, the only blue one in the group is the only female.

The light-hobbits and their kin grow larger when standing in God's heart for no discernible reason. This happens to no one else except for one guy, which is explained in story into him just making himself bigger.

A character is killed and immediately replaced by an exact replica whose only stated name is that he is the replacement of the original guy. He's not a clone. He's a completely different guy who looks the exact same and has the same powers.

A guy repeatedly hypnotized his coworker until his coworker became mentally disabled.

A guy repeatedly lashed out at and physically disabled multiple of his coworkers, and they just kept putting up with his shit. They literally had entire rest of the planet to leave to, or multiple armies to use to gang up against him, and instead they all stayed in one place around him and ignored him.

While there is a system set in place to bring people back to life, one character was mauled so violently by sasquatch that it is impossible to revive him.

The lizard tiddy dominatrixes also have wigs and high-heels. They are capable of wearing masks that give superpowers, but would rather not because they are too vain to hide their faces.

Trying to kill yourself in front of your brainwashed friend is a surprisingly effective way of snapping him out of the brainwashing.

A hobbit broke into the CIA's bosses office and was rewarded with employment and a car with legs.

A guy capable of creating anything and who has the ability to teleport himself, other people, and large objects, had something stolen from his office by his janitor/scientist/bodyguard. He threw a tantrum about it and had the CIA murder everyone who knows where his house is, including their own staff, rather than the guy just building better security or moving his house somewhere else.

Cthulu traded bodies with some dude for a while. The above guy is capable of forcing them to swap back against Cthulu's will, yet somehow he still didn't even both considering a way to protect his own house other than whining the CIA into murdering a bunch of people.

A guy was supposed to be a doctor, but was so awful at it that he kept hiding his traumatized patients, and his home became the word for "hell".

Yaoi-Hands Sword-wielding Nerd Husband has an item that lets him open dimensional portals. He considers using it to drop kaijus on cities amusing.

One of the cities Nerd-Husband dropped a kaiju on was the brain of God. Despite dropping a kaiju on the brain of God, there is no mention of him facing any disciplinary actions for this, although he is punished harshly for selling himself as a bruiser to a gang for sentient drugs.

Nerd Husband later fell into a pool of sentient drugs and tripped out so hard he gained ethereal knowledge.

A hobbit has the ability to teleport by walking in slow-motion (granted the place he teleports to is in walking-access). Despite him and his ability being very prominent in the early story, the author of the books never was able to learn what was intended by this guy's power.

Two video games that introduce more lore fluidly to the story than most other media of that time are retconned out of canon.

Reblog with your favourite piece of Cursed Bionicle Lore.

[v88sy]

There are some blogs optimistic about Tommy back at some point, what are your thoughts about it?

I don't want to get too optimistic, because that's how we got ourselves here in the first place. Let's be honest. This was always a possibility and was even laid out as a possibility in the articles/interviews, we just chose to get too high on the hope. We were treating it as a sure thing and that was never the case. We duped ourselves a little on this one, and yes, I'm absolutely including myself.

Now, as many have pointed out (which I absolutely agree with) if you were to be completely oblivious about the articles and/or what they said, the breakup very much looks like it's open ended. It looks like something that's unresolved or meant to be resolved at a later date. They made it something that could be resolved. Something like moving away or wanting completely different things in life is a lot harder to work through and more definative. They clearly both want to be with each other. Tommy said he wanted to be Buck's last. He said he wouldn't be able to deal with the (what he thought was inevitable) heartbreak. You only get hurt that deep when you lose something you wanted that bad.

This is honestly the first time we ever heard Buck even utter the words "engaged" or "married" to any of his SOs. I do think it's something he wanted down the road, I just don't think he was there yet, and that's absolutely fine. The relationship was still very new. There was clearly a lot they didn't know about each other yet.

It was far too soon to make the commitment of moving in, and Tommy was just trying to stop things from getting any further before he got too deep (too late, me thinks.)

If you remove the clear bias of the journalists writing these "exit interviews" (is that even a thing in television?) they start to sound much like your run of the mill interview they do with every main after they have a major storyline play out on screen. Look at the direct quotes, not what the journalists are inferring for themselves.

All that being said, I'm not getting my hopes up, and I'm not planning on watching live again until I have a definite as to where the storyline is going, and if that takes until the final episode ever, so be it. I will get back to it eventually. Until then, I'll be keeping tabs on what's going on through Tumblr.

Now, this is just a little thought in my brain that has absolutely nothing to back it up whatsoever. I think maybe either Lou needed this break to get away from the bs and finish his role on SWAT, or they gave it to him and he's taking it.

We know he was surprised, but what he was surprised about was how soon it happened. Tells me that at least a temporary break was planned, just not until further down. Or maybe he only meant the disagreement.

We very much know Tim likes to plan out his story about 5 seconds in advance, there could be a tentative plan to maybe bring Tommy back down the road, say, after the midseason hiatus. Could even be the "project that may or may not be happening" that Lou had mentioned.

Buck is my favorite character, but I'm not interested in seeing him regress or go through the same storyline for the millionth time. If he doesn't at least try and fight for Tommy or talk things out with him, it's just more of the same season 5 Buck. I love 99% of the other characters too, but they also suffer from the Groundhog's Day writing and I'm just old and tired.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[rawbin-hsr]

Hi! Could i request Feixiao, Boothill, and Argenti with a s/o who has panic disorder (or panic attacks in general). Just generally how they react and such :)

@dragon-anon

A/N: Surprisingly I found this a little difficult IUESJhief I have a lot of experience with. having anxiety when I was younger. I think I was even diagnosed with it at some point ? Which is weird because I’m not diagnosed any longer and I no longer really get anxiety attacks so idk what the fuck that was erm. Anyways that’s beside the point. I really struggled to make Feixiao and Argenti different because I think they would handle it similarly (hence why Argenti’s part ended up so much shorter than the other two, cause I didn’t want to just. Repeat Feixiao’s whole part.) and I’m a little worried Boothill is ooc because I haven’t done the new quest and it seems like it showed a lot of his backstory so forgive me if I’m not up to date on that. Sorry about rambling I’ll get on with it now help

Reader has an anxiety disorder

Characters: Feixiao, Boothill, Argenti

Cw: anxiety/panic attacks (descriptions kept brief, not very detailed), slight mention of self-harm inflicting behaviours in Argenti's part (only reader unintentionally scratching themself, not necessarily done out of a desire to harm oneself).

Lmk if there's anything else I should add !

────── ⋆⋅☆⋅⋆ ──────

╭──────────.★..─╮ Feixiao ╰─..★.──────────╯

Oh she’s great 

Amazing at picking up your signals, amazing at assessing what course of action would help you most, amazing at following through with it

She can tell what sets you off, even without you telling her, and she has a lot of firsthand experience with handling other people’s anxiety (both from more intimate relationships and from soldiers she doesn’t exactly know on any personal level). It’s not hard for her to figure out what calms you down most quickly. 

Your episodes have never been shorter than they are with her around 🙏🙏

I’m not sure exactly how I imagine her handling it, because I think it switches a lot depending on what she knows about you. If she knows you find physical touch comforting, she’ll hold you and gently talk you down. If you’re the type who doesn’t need much reassurance, she’ll firmly remind you of where you are, that she’s with you, that you’re safe, etc, etc. She’ll find whatever solution works best for you. 

Apart from being great with damage control if you do have a panic attack, she’s also pretty good at preventing them from happening in the first place. 

If she recognises you’re stepping into an environment you’re likely to have an attack in, she’ll either steer you out of it if she can or she’ll make sure you’re in there for as little time as possible. Like, for example, if you’re bad with large crowds, she’ll usually just find a less packed road to take around the mass of people.

Obviously it’s unavoidable sometimes, and she won’t always be able to adhere to you completely because she does have a very important job that she can’t really put on hold for your sake, but like I said, she’s great at handling it then too. 

If something needs to be done but you can’t do it, she’ll do it for you (after gently trying to encourage you to face your fears and do it yourself — but she does quickly relent if she notices you really, really don’t want to)

10/10 would recommend she’s amazing

╭──────────.★..─╮ Boothill ╰─..★.──────────╯

I feel like Boothill would be absolutely dogwater at preventing any anxiety attacks from happening, but he’d be great at stopping them once they do happen

Like obviously he won’t trigger you on purpose but he won’t tiptoe around the things that put you off either. Both because he doesn’t usually have much choice in the matter considering his line of work, and because he believes in exposure therapy. And because he maybe sort of kind of forgets. 😭

But he’d be great while you’re in the middle of an anxiety attack ! So that counts for something !!!!

He always manages to snap you out of it pretty quickly. Takes you out of the situation once he recognises the signs that the attack is coming, then gets you present in the current moment again. How ? That’s very simple. He confuses the fuck out of you

You know that tip about making someone having an anxiety attack bite into a lemon ? Yeah

(If you haven’t heard about it: a way to snap someone out of a panic/anxiety attack can be to make them lick a really sour lemon without any warning. The sensory input is really overwhelming and the person having the episode might be so shocked by it they kind of just snap out of it because who the fuck makes you taste a lemon when you’re at your lowest like that ???)

You’re curled up in a ball, hyperventilating because there are too many people, too many sounds, too many what-have-you ? Not anymore, now you’re too busy being confused and lowkey angry at him for shoving an ice cube down your throat. Like wtf are you doing my guy

Usually his little stunts do the trick to get you out of that headspace, and then he can just verbally talk you down so you’re nice and calm again. Will let you cool off while he solves whatever issue it was that led to your anxiety attack. Don’t worry about it anymore, he’s got this. 

If he can’t confuse you out of it, though, he’ll just do whatever you’ve instructed him to do while lucid. If it’s hugging you and talking gently until you’re calm, he can do that. If it’s to just take you into a quiet space and let you ride it out, no problem. If it’s to just continue on and let you just stand next to him, sure. 

Only thing he won’t do is to avoid your triggers altogether. He can give you a heads-up when possible, he can let you sit it out if you really need to, but he won’t (in his words) “baby you”. In his opinion, you’ll never get over it if you just avoid it forever. 

He says it in a kind of harsh way, but there’s genuine care in his tone and his expression, so you know he doesn’t mean it like that. 

All in all I think Boothill is really great if you’re the resilient type and you have the kind of anxiety that can actually get better through treatment, but if you’re sensitive and need someone who actively helps you avoid your triggers I definitely wouldn’t recommend him 😭

╭──────────.★..─╮ Argenti ╰─..★.──────────╯

Obviously amazing at handling it is there anything he’s not good at ? 🙄 (/j)

He immediately becomes very serious when he realises your control is slipping, falls silent and looks at you worriedly. He recognises surprisingly quickly what’s happening, and steps into your field of view and crouches down, makes sure you can see his face. Takes both of your hands in his, wishes he didn’t have armour so he could let you feel his heartbeat.

He calmly talks you out of it. He sounds so sure of everything he does, to a point where you’ll question afterwards if he has firsthand experience with this. 

(He does. He used to experience a lot of anxiety and panic attacks as a child, it is only natural when you grow up surrounded by war; you’d never guess just looking at him now, though.)

He’ll obviously switch how he handles your panic attacks if you ask him to, but his default is to hold your hands (both to prevent you from accidentally scratching yourself, and to remind you he’s there) and to softly reassure you

I think he becomes sort of hyper aware of what triggers you, and does as much as he can to avoid it. Lowkey starts to baby you a little, but just a little, and even if it’s annoying it’s done with love, done out of a desire for you to be happy. It does put him in some tough spots though, considering it means he sometimes tells you to sit an adventure out, but the plan was for it to have the both of you and it’s harder to handle a lot of things alone 😭

Overall super good though I love him <3

────── ⋆⋅☆⋅⋆ ──────

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[lamentationsofalonelypotato]

@zepskies

Girl, it's not just an emotional rollercoaster it's a full on emotional CARNIVAL 🤣

I love this observation. That's exactly what I felt inherently when I was writing that line. It felt more powerful to me than "I told you so" or the like. It has the feeling of that, but with more of an edge, even though you know he cares about her.

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

LMAO I remember someone saw the preview of Part 2 and commented, "the quiet, but devastating anger he'd be reckoned with if he said that to me." And I was like, YEP, that's exactly it. Mans playing with his life. 😅😅😅

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

That's precisely how I intended it! Now looking back, I feel like I should have had her leave him by himself in his room to sleep in another room. But at the time I was writing, I was thinking that for her in particular, despite this being the biggest fight they've had so far in their relationship, he's still the one that makes her feel safe after a bad hunt. 💙

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Aww thank you! 😭😭 Weirdly enough, that was one of my favorite parts to write? Maybe I just like the heartfelt hurt/comfort breaking into fluff moments. The "better off alone" thing I thought was implied throughout the later seasons of the show after Dean lets go of Lisa and Ben, so I wanted to explore that deeper here, even though it hurt my heart to write it. 💙

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Everyone's crying!! 😭 YES ABSOLUTELY SHE DOES -- and she's a verified crier. I see a lot of fics where the reader is tough as nails, "doesn't cry very often," but I wanted to create a reader character who is a badass, but still has a soft heart. (Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL. 🤣🤣)

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Sorry for jerking the angsty chain again there! 🤣 Poor guy, he went through an ordeal just as much as she did.

Please never apologize for the angst. I LOVE IT! And I really did also love how emotional this fic made me. It was wonderful lol.

Fun fact on her confession! When she says I love you twice, she's actually saying it in two different ways:

I love you, you’d said. I love you ("te amo," you're my love) and I love you ("te quiero," you're my family), more than you can believe and understand.

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Thank you SO very much!! Honestly you don't know how happy it makes me that you're enjoying this series so far -- and spoiling me with such lovely and thoughtful feedback. 🥰💕💕

No, THANK YOU for writing this wonderful fic/series! 😊

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader 

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster. 

Then he holds you down as he drinks your blood. 

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming. 

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done. 

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his. 

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires. 

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest. 

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital. 

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead. 

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness. 

He shifts so he can see your face. “You okay?” 

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him. 

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead. 

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it. 

“I hope you’ve learned your damn lesson,” he says. 

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you. 

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls. 

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.” 

“Yeah, well, color me surprised that you’ve made it this long,” he snaps. 

Your temper flares hotter. “You know, you’re not so goddamn perfect either.” 

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms. 

“What’s this, some kind of Latina temper?” he asks snidely. 

You truly become incensed at that. 

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks. 

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn. 

Dean calls your name in frustration. 

“What?” you hiss. 

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks. 

You’re still covered in your own blood, and he hates it. He hates it more than anything. 

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town. 

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own. 

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes. 

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back. 

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence. 

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space. 

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music. 

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts. 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table. 

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips. 

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard. 

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself. 

“You trying to give me a heart attack?” you ask with a hand on your heart. 

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.” 

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible. 

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.  

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him. 

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—” 

“Dean,” you say with a sigh, but he raises his hand. 

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it. 

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid…afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes. 

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms. 

“You don’t have to cry for that,” he says, a bit teasing. 

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.” 

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.” 

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday. 

It’s just…days like yesterday remind you why that could be a very bad idea. 

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet. 

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face. 

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room. 

“Have you ever danced before?” you ask. “Like real dancing.” 

“Not salsa, I’ll tell you that,” he quips. 

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.  

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve. 

Eventually, Dean breaks with a sigh, and a shake of his head. 

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing. 

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.  

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in. 

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand. 

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.  

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance. 

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing. 

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.” 

You giggle at that, though you correct his steps when he leads with the wrong foot. 

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit. 

You eventually return to him with a warm hand against his chest. 

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.” 

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders. 

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance. 

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles. 

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss. 

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question. 

“More of a connoisseur,” he replies, smirking. 

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts. 

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine. 

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close. 

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.  

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck. 

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there. 

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms. 

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze. 

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him. 

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs. 

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye. 

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin. 

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms. 

Oh, fuck yeah. 

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs. 

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up. 

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control. 

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls. 

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums. 

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk. 

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground. 

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit. 

He’s still panting heavily. You giggle and press your warming face into his neck. 

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.  

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you. 

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask. 

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love. 

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze. 

“Are you making a mess of my clean bunker?” you tease. 

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts. 

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs. 

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.  

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.  

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase. 

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room. 

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest. 

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment. 

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room. 

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again. 

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand. 

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]: 

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]: 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

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[fireboltposts]

When Chris comes across fanfiction you've written about him

A/N : Hope you like this silly scenario haha. Picture credit goes to the owner. On that note, I wonder if Chan has a secret Tumblr account haha, I wouldn't put it past him.

• It was Chris' day off and he was lying on his bed under the blanket with his phone in his hand, scrolling through his private Instagram that only his close ones knew of and the one he used to stalk his fans.

• As usual, it was his favourite hobby to stalk Stays online, always curious to see what Stays were up to. He was scrolling through edit after edit, some where he was being the adorable Channie and "cute as a button", according to Stays' language, not his, and others where he was in full on wildin' in Christopher mode on stage.

• He chuckled at some of the comments made by Stays and felt shy at the same time. What he gathered was one group of people found him super adorable (he wondered how on earth could people find him adorable when there were the other members in the group) while other Stays were thirsty, each comment made him flustered and left him red in the face, it was like he was in his own episode of Thirst Tweets.

• He scrolled down next to find your fanfiction titled "Dangerous Alliances" pt 15. It was a fanfiction about him. He was intrigued to read it especially seeing the dark edit of himself in a black suit.

• He was fascinated by the way you portrayed him as a powerful and the most feared mafia boss, mysterious and alluring, surrounded by danger. He was used to being seen as the leader and "protective older brother" type, but the idea of him being a dangerous mafia boss was a wild twist to his personality.

• As he starts reading from part 1, he raises his eyebrows at your gritty and intense portrayal of him, surrounded by his seven trusted men, as in the rest of Stray Kids, each one had a different and important role. In the story he had a painful past and he also discovered that his parents were a part of the mafia in the past. He was back and had risen up the ranks.

• As he read on, though, he’d become more intrigued, maybe even amused, secretly flattered by your imaginative take on his character. He’d never imagined anyone thinking of him that way, the dark brooding mafia boss with a dangerous aura only soft for his seven friends and the reader who was not from the mafia but was just as daring and didn't even hesitate to take a bullet for him by his enemy and almost had seen death in the face (his world had almost collapsed that day but he was so so so relieved you were alive).

• Wow, he thought, the female lead here is strong and intense and fiercely loyal to his mafia character and takes no shit as he read the part where your character, the reader, had come back and threatened the enemy that whoever hurt Chris would have her to deal with her, and you had eliminated the threat that made the other mafia families treat you with respect and fear and see you as a force to be reckoned with and not just Chris' lover or just some woman.

• Chan would seriously be impressed by how you turned him into a powerful, mysterious figure, even if it’s such a different side of him. Part of him would want to laugh it off, but he’d find himself getting invested in the storyline, wondering what’s going to happen next. He was shocked when it was revealed that the reader actually was a lost mafia princess on a mission, and that she was seducing him just to eliminate him and all that bullet taking for him was all an act.

• Chris was reading with two eyebrows raised now, completely lost in the storyline. He was eager to know what happened next and kind of wanted a happy ending only to discover that part 16 was not yet posted. He saved the posts and followed your account,clearly wanting to read the next part as soon as it was released.

• After reading, Chan would decide to leave a supportive, playful comment, making sure to stay in character as a fan without giving himself away.

• @ cblurking97 : "OMG, I LOVE this version of Chan! 😳 The way you wrote him as this powerful, feared mafia boss is so intense—it’s like he’s a completely different person! I bet the real Chan would be so shocked if he saw this. 😂 And the twist 😳. Keep it up, author ! You’ve got me hooked!! 👏🔥 I do hope it's a happy ending though 😅".

• Chris would chuckle after posting, secretly entertained by the idea of encouraging you in disguise. He’d feel a bit mischievous, knowing you’d never suspect the actual person you were writing about was hyping you up in the comments.

• Chan would be thoroughly amused by his anonymous support. Part of him would feel proud that someone could see his leadership qualities in such an intense light, even if the setting was a bit extreme.

• His thoughts after commenting would be something like "well, that’s one way to think of me, but wow, this person is really talented… I wonder how the story will end."

• He’d quietly enjoy the way you’d brought such a unique version of him to life and rooting for you as a "fellow fan" from afar, looking forward to the plot development.

A/N : Hope you liked it. Do like, comment, reblog and follow if you did. The rest of my masterlist is here.

[ninja-confession-go]

I don't know if this has been discussed before, but the direction they've taken Zane's character always makes me a bit... sad? Zane was my absolute favorite character from the start, I even purchased that one old ass book from the pilots about him when it published. His characterization from S1-S3 was solid and consistent. I related to him greatly, and despite him being a nindroid, he was treated as just another person. Which is important for the message they where conveying at the time- that just because someone acts different, or is 'othered' doesn't mean you can strip them of their humanity. Of course, I was ecstatic that they brought him back after S3. But since then his character was never treated the same. More often than not he was the brunt of jokes that directly dehumanize him and they used his status as a nindroid to make him have quirks he previously didn't have just for the sake of comedy. Zane started to feel useless to me in terms of his contributions to the team and show.

Now, it wasn't that bad before March of the Oni, and don't EVEN get me started on how Zane says he deletes traumatic memories :(- which sure, it could be an explanation for the dramatic personality shifts he has. We got more of the original Zane in S8-S9, but right after that? He was a shell of his character. Ever since he became titanium, he was different, you can't simply die and come back without something changing. But I feel like they used that as an excuse to mold Zane into a role that they need for each subplot which makes him change his fundamentals at a moments notice. He's not consistent. At all. He's whimsical one moment, completely robotic the next, sasses people and understands sarcasm one moment, and completely derails everything due to him being a 'robot' the next. If it was a more linear transition, it'd be great. But they retcon everything about him every two seconds. It makes me sad, I guess. He could've been a much more solid, interesting character, if they made him stick to who he was more, y'know? So now he's no longer my favorite despite little me thinking he'd always be my favorite.

This is NOT a 'I miss the old ninja' post, by the way, just how they've written Zane as a whole is lacking. This isn't limited to Zane at all either, but he makes me the most sad. I could talk all day about Zane. But yeah, sorry for the long post!

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