#and none of them have more than three writers so

[midnightfict]

What History?

— 𓆩𓆪 —

𓆩 Lee Byung-Hun x F!reader 𓆪

Summary — Squid Game fans have been shipping two actors not knowing they have a history together.

A/N — aaaa, writer’s block is killing me. but the reqs i've been getting is starting to help. i promise i’m currently drafting for the other reqs.

request post

— 𓆩𓆪 —

The room was brightly lit, cameras positioned at every angle, and a familiar nervousness settled in the pit of your stomach. You weren’t new to interviews, but something about these promotional videos always made you a little jittery. Maybe it was the anticipation of how fans would react, or maybe it was the fact that sitting next to you was none other than Lee Byung-hun—your former high school boyfriend and now your co-star in Squid Game Season 2.

The two of you walked into the room together, followed by director Hwang Dong-hyuk, who greeted the crew with a casual nod.

“Alright,” a staff member announced. “We’re shooting two videos today. The first segment is watching fan edits, and the second is reading fan letters. Just react naturally, have fun, and remember—no breaking into hysterics.”

Byung-hun chuckled beside you. “That sounds like a challenge.”

You smirked. “You sound scared.”

“I might as well be. Have you seen those AI edits of me and Lee Jung-jae?”

The staff gestured for silence, signaling that the cameras were rolling. You introduced yourself to the camera, followed by Byung-hun and Dong-hyuk. The screen before you flickered to life, and the first video started playing.

The first edit was cinematic—a high-energy montage of Squid Game 2’s most intense moments. Gunfights, chase sequences, close-ups of steely gazes. It had everything. The booming orchestral soundtrack made every scene feel ten times more dramatic.

Byung-hun let out an impressed whistle. “Did we actually shoot something this cool?”

You nodded. “Because I don’t remember looking this badass.”

Dong-hyuk leaned forward, squinting. “Wait—when did you do that roll behind cover?”

You snorted. “That’s the one where I landed wrong and bruised my entire arm.”

Byung-hun grinned. “Ohhh, right. And you tried to play it off like you meant to do it.”

“I did mean to do it.”

Dong-hyuk shook his head. “That’s not what you said when you screamed in pain afterward.”

Byung-hun burst into laughter. Your light punch to his side silenced him, earning a dramatic yelp.

“Give respect to your elders!”

You gave the camera a look. “He’s so dramatic. We’re literally only one year apart.”

The next edit was a deep dive into In-ho’s past, set in black and white with emotional piano music. It contrasted his life as a police officer with his role as the Front Man, highlighting the tragedy of his choices.

Dong-hyuk hummed thoughtfully. “This fan basically made a better teaser than we did.”

Byung-hun nodded. “Can we hire them?”

You pointed at a particular shot. “This scene—this is when you had to retake your mask removal, what, twenty times?”

Byung-hun groaned. “Ugh. The mask kept getting caught on my hood. Every time I tried to look dramatic, I just looked stuck.”

Dong-hyuk chuckled. “We had to cut out three takes where you sighed right into the mask.”

Byung-hun held up his hands. “No need to expose me like that.”

Then came the brainrot edit. An animation of Squid Game characters dancing to some bizarre, upbeat song.

You had the biggest grin—too silly not to laugh. The video didn’t even make sense.

Dong-hyuk had his brows furrowed, an amused but not entirely entertained smile on his face.

Byung-hun, on the other hand, sat perfectly still, eyes locked on the screen. No one could tell what he was thinking.

When it ended, you all exchanged an awkward glance.

“I mean… I like it. It’s an interesting video,” you said, wiping tears from the corners of your eyes, still laughing.

Dong-hyuk fixed his glasses. “Is this what people see when they watch my show?”

Byung-hun crossed his arms. “They didn’t do me justice. Why is the Front Man not included in this video?”

The staff smirked. “Don’t worry, there’s a Front Man edit in the next one.”

The next video was different. The music was softer, the pacing slower. It highlighted your character’s interactions with In-ho—subtle glances, moments of hesitation, scenes where your characters moved in sync. It wasn’t obvious in the actual show, but with the way the editor framed it…

It almost looked like something was going on.

Byung-hun blinked. “What’s this?”

Dong-hyuk raised an eyebrow. “They created scenes that aren’t even in the series.”

You squinted. “Are we too old to understand what this is?”

It was a ship edit.

Silence.

Then, Byung-hun let out a slow, amused chuckle. “Well. That was unexpected.”

Dong-hyuk crossed his arms. “You two do have really natural chemistry.”

You cleared your throat. “I mean, our characters have history, so—”

Byung-hun nodded. “Right, right. Former police officers.”

Dong-hyuk hummed. “Well, I had another love interest in mind for In-ho, but thinking about it… your characters being shipped makes sense. Maybe I should make it canon in Season 3.”

Both you and Byung-hun snapped your heads toward him.

“Huh?!”

The crew erupted into laughter. Dong-hyuk smiled and closed the segment with a thank-you and a Squid Game 2 promotion.

After a quick makeup touch-up, a staff member placed a stack of envelopes in front of you, Byung-hun, and Dong-hyuk.

Dong-hyuk stretched his arms and grinned. “Alright, let’s see what the fans have to say. If anyone insults my writing, I’m walking out.”

Byung-hun smirked. “I’d say you’re bluffing, but we all know you’re dramatic enough to do it.”

You laughed. “Place your bets, everyone. How many letters will be about Byung-hun’s attractiveness?”

Byung-hun scoffed. “Excuse me, I am a serious actor. Not just a handsome face.”

The cameras rolled.

You picked up the first letter and smoothed it out before reading aloud.

‘Dear Director Hwang, your storytelling is a masterpiece. Every scene feels like it has so much depth and emotion. How do you come up with such gripping narratives?’

Dong-hyuk’s face lit up. “Ah, A letter for me!”

Byung-hun immediately reached over, fingers grasping at the paper. “Skip it.”

You swatted his hand away. “No, let him have his moment.”

Dong-hyuk straightened his posture, adjusting his jacket with mock importance. “Well, since you asked… My process is simple. I think, ‘What is the most stressful, painful situation I can put my characters in?’ And then I do that.”

Byung-hun leaned back in his chair, shaking his head. “I knew you enjoyed torturing us.”

Dong-hyuk grinned. “Absolutely.”

Byung-hun exhaled, then grabbed the next letter from the pile, unfolding it.

‘Was filming action scenes difficult? Especially the parkour scenes.’

You didn’t hesitate. “Oh, definitely. That scene where I had to jump from bed to bed? I had bruises for days.”

Byung-hun winced at the memory. “Oh yeah, you took a pretty bad fall.”

You sighed dramatically, throwing your arms up. “And no one even said ‘cut’ when I landed wrong! I had to just lie there in pain.”

Dong-hyuk raised a hand in defense. “Okay, to be fair, it looked intentional.”

Byung-hun let out a deep chuckle, shaking his head. “You heard it here first, folks. The director is a masochist.”

Dong-hyuk smirked. “It builds character.”

Byung-hun rubbed his temple. “I worry for your future wife.”

You sifted through the pile and grabbed the next letter.

‘To Byung-hun, was it difficult wearing the Front Man’s mask for long periods of time? It looks heavy.’

Byung-hun groaned dramatically, flopping against the back of his chair. “Oh, you have no idea.”

Dong-hyuk snorted. “He complained about it every single day.”

Byung-hun sat up, pointing at him. “Because it was a legitimate problem! The mask was so heavy, and it pressed into my face so much that I had red marks after every shoot.”

You bit back a laugh. “And let’s not forget the time it got stuck.”

Byung-hun groaned, covering his face with his hands. “Oh, please, let’s forget that.”

Dong-hyuk smirked. “We have footage.”

Byung-hun immediately turned to the camera, eyes pleading. “Dear editors, if you have any mercy, don’t include that clip.”

They did.

Dong-hyuk chuckled and grabbed the next letter. “‘Director Hwang, who is your favorite character in Squid Game?’”

He let out a dramatic sigh. “Yikes. That’s like asking me to pick my favorite child.”

Byung-hun smirked. “But we all know you have a favorite.”

Dong-hyuk tapped his fingers against the table, pretending to contemplate. “Well… I have a soft spot for In-ho.”

Byung-hun gasped, clutching his chest as if he’d been struck. “You love me?”

Dong-hyuk’s deadpan stare didn’t waver. “I said I love In-ho. Not you.”

You burst into laughter as Byung-hun recoiled in mock betrayal. “Wow, I won’t return to Season 3 then.”

Dong-hyuk ignored him, his expression thoughtful. “I love complex characters, and In-ho has so much depth. There’s still so much left to explore with him.”

You leaned in. “So, does that mean he’s safe in Season 3?”

Dong-hyuk smirked. “I mean, it’s possible, but I don’t know. We’ll have to find out.”

Byung-hun cut in, laughing. “What do you mean you don’t know? You created the story.”

Dong-hyuk simply shrugged. “Let’s just say… No one is ever truly safe.”

The next letter Byung-hun picked up seemed harmless at first.

‘I don’t know what it is, but…’

He stopped mid-sentence, chuckling as he glanced at the camera, then at you and Dong-hyuk. “I don’t know if I can continue reading this without someone getting mad.”

Silence fell over the room.

Curious, you snatched the letter from his hands and scanned it. A laugh bubbled out of you. “Who’s gonna get mad over this?”

Byung-hun gave you a knowing look, subtly hinting at someone you had dated during filming.

Your expression faltered for half a second before you quickly masked it with a tight smile. Keeping your mouth hidden from the camera, you mouthed, “We broke up.”

Dong-hyuk grinned and leaned forward to peek at the letter over your shoulder. “Well, well, well. They think you two have some history together because you make the characters so compelling together.”

Byung-hun cleared his throat, spitting out a joke before anyone could dwell on the comment. “Have you guys ever considered we are both just very good actors?”

Dong-hyuk stroked his chin, looking thoughtful. “Seeing how everybody seems to ship you two, maybe I should create a romance movie with you both.”

You and Byung-hun turned to him in horror, simultaneously shaking your heads.

Dong-hyuk simply shrugged. “What? The fans love it. I should give them what they want.”

Byung-hun laughed nervously and quickly faced the camera. “Okay let's end it! Thank you for watching this video. Don’t forget to watch us on Netflix!”

After finishing the shoot, the three of you parted ways—but the internet did not.

A week after the video was published, fans went crazy. The shipping theories got worse. Your social media was flooded with comments. Multiple media outlets invited you and Byung-hun for interviews together, riding the hype.

One afternoon, before another press event, you texted him.

Want to grab coffee before the next interview?

Thought you’d never ask.

At the café, he took a sip of his drink and smirked. “Remember how broke we were from getting coffee every other day in high school?”

You groaned. “Oh god, that was what? Twenty—no, thirty years ago? High school was rough. I don’t even want to remember that.”

“You’re mean. So I meant nothing to you?” He feigned hurt, holding back a smile.

“Oh, shush. You know what I mean.” You playfully pushed his forehead as he held the door open for you. “Besides, we lasted ‘til university, no—”

Click.

A camera shutter.

You froze. He froze.

Through the café window, a crowd had formed. Some held up phones. Others were whispering excitedly.

Fuck. They found you.

Byung-hun exhaled. “Well, I guess there’s no turning back.”

Then, with a smirk, he grabbed your hand, laced his fingers through yours, and yanked you out of the sea of screaming fans.

[theclownghoul]

Gratuitous

Opinion piece & analysis

I really hate how Jinx’s suicidality is portrayed in S2, largely in Act lll but we’ll talk about all of it.

In S1 we have about three moments (by my count) that show Jinx harming herself or trying to end her life. Hitting herself in episode 3, being careless with the staples in episode 7 and pulling the pin on the bridge also in episode 7. There is also a line she says to Vi “You’re the reason I’m still alive” in episode 9 which given other things she says in that moment could be interpreted as other ideations.

What makes these moments different from S2 episode 9? Well none of the three main writers were credited to those episodes other than the dialogue in S1 episode 9. Most of them are communicated through animation only. They also just feel different, they’re vulnerable, other things are the focus and her doing these things is just a reaction to those feelings. There was something to get from the scene besides a showcase of her pain.

Episode 9 of S2 is not that. It’s gratuitous, it’s a spectacle, it’s gory and somehow losing all its impact. There’s the music which is not what I’d call tasteful or subtle. It’s making an impression, wants to force a feeling or reaction. Make you sad or horrified and oh, I was horrified but not the way they wanted.

Even the way she digs her nails into her cuticles in S2 episode 8 isn’t really meant to show us anything about her. It’s meant to affect the audience.

In comparison I almost appreciate how people have read her pulling the pin in S1 episode 7 as trying to manipulate or take Ekko out too instead of being a completely clear cut attempt. Because it at least shows that there is enough going on with the character’s mindset that we can speculate on her motivations and how she’s reacting to all the emotions that came from fighting her old friend. If you look at her face it’s sadness and regret (S1 is also better at story through facial expressions since there was forethought). You’re free to have your own reaction, not the one that’s set out for you.

I have mixed feelings about her fight with Vi now and telling Vi that she’s okay to go out by her hand. It feels closer to the moments in S1 than later in episode 9. There’s more going on, we’re meant to consider multiple layers of both her and Vi’s feelings in the moment. It’s a non explicit parallel to the Bridge and does show a pattern of behaviour. It’s also not credited to any of the main writers.

The scene from the opening of episode 9 as a whole, is it romanticization? Heard differing opinions on this and I honestly don’t know where I stand. One one hand it shows how empty she feels and how everything has come crashing down despite trying and it communicates her emotions through the images and music. On the other the scene is meant to be visually appealing while also showing her detonating the bomb very explicitly, like you see her blood. I’m sorry but this is some 13 reasons shit. None of this is helped by the fact that Isha was killed purposely to get her in this state.

I had way more emotions about the actual story in the scene with Ekko in S1 and the scene with Vi in episode 3. Originally I liked this scene but I just can’t really remember why exactly, especially when compared to the earlier ones. The other scenes aren’t lacking in any way when it comes to showing her despair so I’m lead to believe it’s a stylistic choice in line with S2’s music video focus.

Then there’s Ekko… what did he do to deserve this? I’ve said before that if he had to he would save her but the reason he had to was because this scene sounded like a good idea. Saw someone say why is it his responsibility to save her and yeah why? He’s her romantic interest? Not from her perspective at this point and that’s a terrible reason anyway. Not only are we shown her blowing herself up in detail, being inflicted with it but he also has to see that, multiple times. Please don’t make me think too long about it… then we don’t see what actually changes her mind and actually see their bond. That also doesn’t give me a lot of faith is what they think is important to show.

Then she sacrifices herself at the end to “break the cycle” which no one is actually clear on what is meant by that and the same damn song is playing. It’s weird.

I’d like to compare it to the Poison sequence from Hazbin Hotel since that scene faced backlash for “romanticizing” abuse specifically in that scene. If I can describe what makes Poison not exploitative and what makes Wasteland so then I can safely say they are different and there is something deeply sinister about Jinx’s scene.

Poison benefits internally, inside the context of the story from being visually appealing and pretty. That tells part of the story in and of itself and eventually it cracks, mirroring how Angel feels in the scene and in his situation.

Wasteland benefits externally, it’s done for the audience as I’ve been saying. There is nothing about Jinx’s mindset or actions that we get a better insight into from the stylistic choices. We know “she loves a spectacle” but that’s the only internal explanation that I could make. Even if they wanted the cutting of her hair and the burning on the last drop but the framing could have easily been different.

Think about the staple scene for contrast, it has no interest in being something other than what it is, brutal and disorienting, just as she is feeling in that moment. Jinx would behave that way whether there were “eyes” on her or not. Poison is the same, Angel “performs” to keep his thoughts at bay regardless of an audience. Wasteland only exists in its current form to entertain.

The final “sacrifice” also falls into this, solely focusing on eliciting a reaction from the audience and making a spectacle of sadness. There is no resolution to Jinx’s earlier conversation with Ekko, we don’t see her reflect, we don’t see a change. We have no reason to believe she’s in any way in a better place. Her decision to give her life for Vi’s isn’t particularly fleshed out and this as a conclusion to her arc is bizarre at best and offensive at worst, suggesting she had to remove herself from her loved ones lives, something she simultaneously feared and was tempted by.

I probably shouldn’t feel the need to make such a caveat but I am aware that the could be a matter of preference when it comes to how scenes like this are portrayed but the way this scene was done continues to strike me as odd. I can’t help but think it maybe intentionally or unintentionally is playing into the “sacrifice” message where, it may be a sad thing but Jinx had to die. And that’s a horrible thing to say.

[harocat]

Shoutout to Cdramas* written by women, we love you Cdramas written by women.

*And one Taiwanese drama.

What are your faves that aren't on here? Let me know so I can watch them. 👀

[solarhysm]

"what’s your name again?" | JEON JUNGKOOK [FOLLOWERS POLL’s CHOICE]

one shot

> summary: jungkook met you at a costume party for the new year eve. you're bold, drunk and horny.

> pairing: jungkook x reader

> genre: small smut, one shot (shorter than i thought tho)

> warnings: smut, protected sex!!, public quickie in the female restroom (i'm not good with warning)

> word count: 2.8k

*french writer, i apologize in advance for my awful english!

Jungkook never likes masked parties. But when Hoseok suggests going to one where everyone is in costumes, he reluctantly agrees. He has nothing better to do for New Year’s Eve anyway, and it seems better than drinking alone at his parent’s house. He sighs as someone bumps into him—that’s why he avoids crowded places.

Everyone wears costumes as if it’s Halloween. He’s not surprised to see most of the women in tight, short dresses. Jungkook considered dressing as a character from Squid Game but decided against it—there are already too many of them here.

Instead, he throws on his old Spider-Man costume from Halloween three years ago. It’s been gathering dust in his closet, but it saves him time and money. To account for the cold, he adds gray joggers and an old black sweatshirt. Tonight, he’s not Peter Parker but Miles Morales. He doubts anyone will notice the reference, though.

“Damn, I didn’t expect it to be this crowded,” Jimin says, handing beers to his friends.

Jungkook glances around and nods. It’s New Year’s Eve, so of course, people their age are out celebrating.

“It’s been a shitty year,” Taehyung groans, downing his beer in one gulp before heading to the bar for something stronger. His girlfriend dumped him last month, and he’s still obsessively checking her Instagram, where she flaunts her new boyfriend.

Jungkook shakes his head, amused. It was a rough year. His grandfather was diagnosed with pancreatic cancer, none of his romantic flings went anywhere, and the company he worked for went bankrupt. Now, he’s living with his parents –again- and working a terrible job under an abusive boss. He sighs and takes a sip of his beer.

“At least we’re still standing,” Hoseok says, ever the optimist.

As the night goes on, the four friends drink steadily in their corner of the nightclub. Taehyung ends up crying on Hoseok’s shoulder, while Jungkook rolls his eyes.

“I don’t understand,” Taehyung whines. “I’m a good boyfriend! I used to bring her flowers all the time and give her all the attention she wants.”

“She’s a bitch. You’re a good guy,” Jungkook says, leaning closer so Taehyung can hear him over the music. “Stop wasting your tears on someone like her.”

“Maybe I’m bad in bed?”

“Stop it,” Jimin groans, grabbing Taehyung’s shoulder. “With your third leg, it’s definitely not about sex. Some women are just terrible people. Go find someone new tonight.”

“What?” Taehyung sniffles, while Jungkook silently gestures for Jimin to stop talking.

“Yeah, Tae,” Hoseok chimes in. “Find a girl, have some fun, and forget about her.”

Jungkook buries his face in his hands. Taehyung is too drunk for this advice. He’s not a one-night-stand type of guy and will probably end up vomiting on whoever he approaches.

“I need a smoke,” Jungkook mutters, getting up and wiping his hands on his joggers. He weaves through the crowd toward the exit, hating how packed the nightclub is.

“I’m sorry!” a voice gasps as their bodies collide. Jungkook instinctively grabs the stranger’s arm to steady them. Both of them are clearly tipsy, but they look more unsteady than he does.

His gaze falls on the person in front of him—his very own Gwen Stacy. The mask hides all of their face, but the costume piques his interest immediately.

“It’s my fault,” You begin. “I didn’t—” You stop mid-sentence when you look up at him. “Oh, Miles Morales!” You giggle, recognizing his costume. And your laugh makes him smile.

“Hi, Gwen,” Jungkook smirks, the alcohol making him bolder.

“Hi,” you reply as you both step outside into the chilly air. It’s a welcome relief from the stifling crowd inside. Jungkook pulls out a cigarette and lighter.

“I like your costume,” he says, noticing you scanning the crowd inside, probably looking for your friends.

You remove your mask and smile. Jungkook doesn’t expect you to be this attractive—especially the kind of attractive he’s drawn to.

“Thanks. I like yours, even if it’s a little inaccurate,” you tease, making him chuckle.

You pull out your own cigarette, accepting his lighter with a nod of thanks.

“It’s too cold to be Spider-Man.”

“Well, not Tom Holland’s Spider-Man,” you quip, freeing your hair from the costume.

Jungkook’s eyes linger on you briefly before smirking. “Marvel fan?” he asks.

“Hm, you?”

“Hm.”

You’re pretty and a Marvel fan? Jungkook looks up at the dark sky, silently thanking the universe for this coincidence. Before he can come up with something to say, you speak again.

“I almost dressed as Wednesday Addams, but it’s way too cold for that,” you explain, and he nods.

“Wednesday was my first choice, too,” Jungkook jokes, making you laugh.

“I’m Y/N,” you say.

“Jungkook,” he replies.

“Did you come alone, Spiderman?” you ask, and Jungkook shakes his head.

“I came with some friends.”

“Yeah, me too. It was either this or sleeping early. I figured it’d be more fun to get drunk,” you say, tossing the bud of your cigarette. Jungkook licks his lips with a smile. He guesses you’re a yapper, which is a good thing because he’s not drunk enough to talk freely without embarrassment. “Do you drink tequila shots, Spiderman?”

“Are you offering?” he teases, and you nod. “Alright.”

Even though he asks, once you’re at the bar ordering a round of six tequila shots, Jungkook is the one handing over his credit card to the bartender. You scold him, insisting you’ll pay for the next round. He’s just happy that you’re thinking about continuing the night with him, though he’s a little apprehensive about drinking more.

“Alright, on three,” you say with a smile, counting down before you both toss back the first shot and bite into a lemon. “Where are your friends?”

“Somewhere in the club,” Jungkook replies, his head nodding to the rhythm of the music.

You grab his hand and guide him to the dancefloor. Jungkook marvels at how easygoing you are. Most girls he meets play hard to get, but you’re different—just here, vibing with everyone around you. His smile widens as he watches you mimicking the dance steps of a guy dressed as a banana.

You burst into laughter when you mess up the choreography, and the banana-guy spins you back toward Jungkook, probably assuming the two of you came together. You stumble into his arms, your rosy cheeks and bright giggles captivating him even though he can barely hear it over the music.

After the fourth shot, Jungkook has to stop, reaching his limit. He isn’t used to drinking this much, especially tequila. But he chuckles, watching as you confidently take down two more. When you turn to him, he shakes his head in disbelief.

“Already?” you tease, giggling, and he rolls his eyes, amused. You finish the remaining shots by yourself, and he’s genuinely impressed. How can someone as small as you handle so much alcohol?

Jungkook blinks a few times, shaking his head. He’s almost certain you’re going to regret this if you keep bouncing around to the music like that.

“Are you drunk?” you ask, leaning closer, and he nods, patting his chest to settle the burn in his throat.

He grabs a bottle of water he ordered, takes a sip, and offers it to you. But you shake your head, and Jungkook can’t help but feel a strange responsibility to make sure you’re okay. You’ve only just met, but he’s already trying to sober you up a bit—anything to avoid you ending the night sick.

“Do you drink often?” Jungkook asks, grimacing as he takes another sip of water. He’s already done with tequila—probably for life.

“What’s that supposed to mean?” you chuckle, your tone playful as you make him smile and shrug.

“Just that you definitely know how to hold your liquor.”

“I just needed to get drunk and forget this year,” you admit, tossing your hair over your shoulder.

“Do you want me to walk you to your friends?” Jungkook offers, his voice laced with concern.

“Are you tired of me, Spider-Man?” you joke, swaying slightly as you both half-dance to the pulsing music.

“W-What? No!” Jungkook stammers, looking adorably flustered, and you laugh at his reaction.

“I’m kidding,” you say, nudging his shoulder with a grin.

“Can… I have your number? Or maybe your social media?” he asks, leaning closer to your ear to make himself heard over the music. You pull back to meet his gaze, your hands resting lightly on his shoulders for balance. Both of you have hooded eyes, softened by the alcohol and dim lights.

Jungkook feels a rush of admiration for your boldness. You don’t care about the people around you or their opinions. His hand hesitates before resting on the small of your back. You tilt your head, your nose brushing his as your lips hover dangerously close.

“Do you want to have fun?” you murmur, your mouth brushing his ear, the music muffling everything else.

“What kind of fun?” he asks, his breath caressing your cheek. He feels himself leaning into the moment, emboldened by your energy. Why not? There’s nothing wrong with a little flirting with a stranger on New Year’s Eve.

You smirk slowly, your hand slipping into his to guide him off the dancefloor. Jungkook frowns slightly in confusion when you lead him into the women’s restroom. Before he can ask why, you cup his face, pulling him into a kiss that sends his heart racing.

He finds it thrilling—kissing someone he just met, in a place he’d never expect. It’s not the kind of fun he was imagining, but he’s definitely not complaining. You guide him blindly into one of the stalls, closing the door behind you as he presses you against it.

“What if someone catches us?” he whispers, his lips trailing along your jaw.

“We can stop if you want,” you reply, threading your fingers into his hair before pulling him into another heated kiss.

“No,” he says honestly, making you smile. “But we’re drunk.”

“Can’t get hard when you’re drunk?” you tease, your lips brushing the column of his neck. Jungkook chuckles darkly, grabbing your hand and guiding it to his joggers. Your eyes light up as you feel his growing arousal beneath the fabric.

Jungkook’s breath hitches as your hand starts to stroke him above his jogger. His mind races—this is new for him. He’s had his share of casual flings, but never with a stranger and never in public. Surprisingly, the thrill of possibly being caught makes the moment even more exhilarating.

He wonders if you’ve done this before—you seem so at ease. But before he can ask, your hand slides under the waistband of his joggers, palming his growing bulge. His eyes close almost instantly, a soft groan escaping him as your touch sends heat coursing through his body. His own hands find your backside, squeezing gently, grounding himself in the moment.

“Do you want to fuck me?” you whisper, nipping lightly at the sensitive skin of his neck.

“What—I—right now?” he stammers, wide-eyed, and you nod. Pressing your back against the door, you reach behind to unzip the bottom of your costume, your movements deliberate and teasing. Jungkook’s gaze remains locked on you, his mind racing.

His eyes widen further as he begins patting the pockets of his joggers in a frantic search for his wallet. He knows there’s a condom in there—he’s certain he hasn’t used it. A chance like this? No way he’s letting it slip by. He’s just a guy, after all, and if a beautiful woman wants him, Jungkook isn’t about to say no.

“What are you doing?” you ask, laughing as his wallet slips from his fumbling hands. He scrambles to catch it, earning another amused giggle from you.

When he finally retrieves the little plastic wrapper, he holds it up proudly. You smirk, pulling him into a heated kiss while he helps you peel off the bottom half of your costume. The black panties underneath match the dark tights perfectly, a sight that makes Jungkook’s breath hitch. His hands twitch at his sides, trying to maintain control.

“I’ve never done this before,” he admits softly, hiking your leg up to wrap around his waist, pressing you against him.

“Yeah, me neither,” you reply with a playful giggle, one hand gripping his shoulder for balance while the other threads through his messy hair. “New year, new experiences, right?”

“You’re really something else,” he chuckles, his tone equal parts admiration and disbelief. His eyes meet yours, silently asking for permission. You nod, and his hand slides between your thighs, fingertips brushing against you through the thin fabric of your panties.

“Fuck,” you whisper, your head falling back against the door as your hips instinctively press into his touch. Your reaction sends a shiver down his spine; he swears he’s never heard anyone curse so beautifully.

Jungkook frees himself from his boxers, giving his cock a few slow strokes while watching your every reaction. His gaze flickers between your face and the way your body trembles under his hand. When he pushes your panties aside, he hesitates momentarily to open the condom.

“Tell me to stop,” he says suddenly, his voice wavering as he tries to cling to the last shred of his rationality.

“Don’t you dare,” you reply with a grin, tugging at his boxers to free him completely. He groans, any semblance of self-control slipping away as he feels your hand stroke him again, this time skin-on-skin.

The muffled music from the club outside only adds to the surrealness of the moment. Every so often, someone walks into the restroom, and Jungkook tenses, half-expecting a knock on the door. But the thrill of being caught only seems to heighten his excitement. When you grab his face to focus him on you, your lips brushing against his, he realizes he’s long past the point of no return.

“Fuck,” he mutters under his breath as he rolls the condom over his length. His other hand pushes his joggers just low enough to give him room to move. “Are you sure?” he asks one last time, his voice trembling with need.

“Yes,” you answer without hesitation, guiding him to your entrance. His fingers dig into your hips as he presses forward slowly, the stretch eliciting soft gasps from both of you. He stills for a moment, his forehead resting against yours as he adjusts to the overwhelming sensation.

“God, you’re so tight,” he whispers, his voice rough with desire.

“Please, move,” you urge him in a whine, your nails digging into his shoulders. He doesn’t need to be told twice. His hips pull back before snapping forward, setting a steady rhythm that has you biting your lip to keep from moaning too loudly.

Jungkook’s movements grow more erratic as he loses himself in the sensation of you. The cramped space of the stall, the muffled music, and the ever-present risk of being caught only add to the intensity. His hands roam your body, gripping your thighs and waist as he thrusts into you with increasing urgency.

“You feel so good,” he groans, his voice a low rumble in your ear.

“Faster,” you gasp, your hands sliding down to grab his ass and urge him deeper. He obliges, his pace quickening until the sound of your bodies colliding fills the small space. “Fuck –“

You bite down on his shoulder to muffle your moans, and he curses under his breath, the combination of your teeth and the tight grip of your walls pushing him closer to the edge.

“I’m close,” he whispers, his breath hot against your neck. His thrusts grow rougher, the door rattling slightly with each movement.

“Me too,” you manage to reply, your voice shaky as the tension in your body builds. His thumb finds your clit, circling it with just enough pressure to send you spiraling over the edge. Your walls tighten around him as you climax, your muffled cries vibrating against his skin.

“Fuck,” Jungkook groans, his hips stuttering as he follows you, spilling into the condom with a final deep thrust. He collapses against you, his chest heaving as he struggles to catch his breath. The countdown outside ends in cheers and shouts of celebration, but neither of you notices, still lost in the aftershocks of your high.

For a moment, the two of you stay like that, tangled together in the aftermath. Then Jungkook pulls back slightly, pressing a kiss to your forehead. The sounds of celebration seep back in as you both begin to steady your breathing.

“That was…” he trails off, unable to find the right words. “Hot.”

You smirk, cupping his face to leave a lingering kiss on his swollen lips.

“Happy New Year,” you whisper, your voice soft but playful.

“Happy New Year,” he replies, his hand snaking behind your neck to pull you into another kiss, this one just as passionate as the last. Jungkook knows he has to go back to his friends soon.

“What’s your name again?” you laugh, your breath mingling with his as he chuckles.

“Jungkook. Yours?”

“Y/N.”

hiiii!! first of all, happy new year to you all. may 2025 be a better year for you. secondly, i know, I KNOW, i'm a little late with the one shot i promised, i'm sorry! i was too busy those last few days. to be honest, the one shot didn't result as i was hoping for. I had a few ideas about it and it doesn't look like... what i expected. but i promise you a jk one shot for the new year so here it is. i'll do better next time, i swear!! but i do hope that you enjoyed reading it <3 I'll see you around, and on that, i'm going back to write the DOU chapter 6 now that i have free time!! luv y’all — Riza

[onyxstyx]

ʜᴀɴɢɪɴɢ ʙʏ ᴀ ᴛʜʀᴇᴀᴅ | emperor geta

pairing: emperor geta x fem!reader

summary: the fates spin the thread of destiny, and mortals have no choice but to follow its path. you have other plans.

➺‘the fates, who give men at their birth both evil and good to have, and they pursue the transgressions of men and gods… until they punish the sinner with a sore penalty’ - theogony, hesiod ➺‘whatever happens to you has been waiting to happen since the beginning of time’ - marcus aurelius

A/N: i watched gladiator ii, devoured all the geta fics i could find (ty writers for feeding me <3) and i’m still ravenous. the man is gnawing at me from my insides so i had no choice but to get typing. haven’t written for like a yr so bear with me. if this flops it never happened xx

warnings: mention of miscarriage (not reader's), period-typical misogyny, morally ambiguous reader bc she’s fighting for her life out here. she’s just a girl fr :( YOU try being a girlie in ancient rome :/ enjoy !!

w/c: 5.9k

latin translations: fatum - fate, carissima - dear, domina - my lady

As the moon ascends in wake of the sun’s descent, the gilded walls of the imperial palace glint softly in the moonlight. Glorious tapestries line these walls, each one telling the tale of hallowed heroes, of terrible tyrants and of revered rulers. The history of the Roman Empire.

Their patterns, depicting stories of both rise and ruin, are woven by none other than the three Fates. One Fate spins the thread, and an heir is born. Another Fate weaves it, and a battle is won. The last Fate cuts, and an emperor meets his end.

As three pairs of hands work nimbly in the heavens, another tapestry begets itself in the mortal realm, where our story takes place.

From a tender age, you had been taught to believe in fate.

Fatum.

You had first learnt the word as a little one.

You’d been a curious creature, like most children are. Sheltered from the terrors of the world, your appetite for life was insatiable. You’d wake up with a hunger for new knowledge about the world around you, and go to bed still hungry for more, no matter what had transpired during the day. Thus, you found it impossible to go to sleep of your own accord - you relied on your mother’s bedtime stories to satisfy your appetite, and lull you into slumber.

Perched by your bedside with a gentle hand stroking your hair, she regaled you with the tale of Rome’s beginnings. A tale of abandonment, wolf-mothers and fratricide. Enough thrill to tire you out, she hoped. To her chagrin, she looked down to find widened eyes, without a trace of sleep in them, staring up at her expectantly. Instead, your eyes shone bright with the excitement of unanswered questions.

She sighed fondly before prompting you to talk. “Yes, carissima?”

And so the floodgates opened. You fired her with questions with all the sternness of a Roman general, and she listened intently with all the patience of a loving mother.

Why did the king try to kill the babies? Why didn’t the wolf eat the babies?

And finally, taking great care to be gentle, you placed a tiny hand on her rounded belly and asked the most burning question. Why did Romulus kill his brother? Your innocent mind struggled to comprehend it. You hadn’t even met your little sibling yet, and you already couldn’t fathom the idea of bringing harm to him. Or her, you thought, but your father had insisted that all refer to the babe as the male heir he so desperately desired it to be.

“Fatum,” was the simple answer she supplied. “Without the king’s cruelty, without the wolf’s mercy, without Remus’ death, our great city would never have been built.”

Eyes shining with knowledge yet untold, her gaze held yours. “Whatever happens to you, has been waiting to happen since the beginning of time,” she quoted, a tone of finality in her voice.

As well-loved children do, you’d lapped up your mother’s answer as readily as the twin babes lapped the wolf’s milk.

You had first witnessed fatum some years later, at the age of twelve.

On the brink of adolescence, much about you had changed compared to the little girl having bedtime stories told to her. Much except one. Age hadn’t quelled your curiosity - if anything, it had grown.

You’d exhausted all the resources available to a girl of your standing. You’d read enough philosophical texts to debate with Aristotle himself, asked questions faster than your tutors could find answers and yet, you knew there was much more that the world had to offer. So, you decided to take matters into your own hands.

With age had also come a newfound deviance. Observant as you were, you’d learned that there was much to be gained with certain types of information - if you knew how to use it to your advantage.

As such, you’d taken to eavesdropping on your father’s meetings with his fellow senators from behind a pillar. For weeks on end, they had spoken of a play becoming popular amongst patricians and plebeians alike. Oedipus.

At the centre of their discussion was a ploy to ban the play from being performed. Abhorrent, they had called it. A threat to their authority, if the people are led to believe that even kings are subject to a thing as fickle as fate. At that statement, your eyes twinkled with mischief and a devious smile found its way to your face - you were determined to see this for yourself.

So, on the fateful night you caught your older cousin in the arms of a man bearing no resemblance to her betrothed, you knew you’d struck gold.

Desperate to protect her reputation and far too embarrassed to berate you for sleuthing around when you should have been asleep, she’d hastily agreed to the terms of your silence. She would sneak you into the city’s amphitheatre to watch the next production of Oedipus, if you swore to secrecy.

And so your plan commenced. Hidden under the large folds of her toga, you observed the story unfolding before you. The mighty king of Thebes brought to his knees by the tragic fate he’d tried to escape, to no avail.

A real spectacle, the performance elicited emotions from you that were both old and new. In a short two hours you’d been perplexed, horrified, scandalised. You’d learned quickly why you had to be sneaked in - fate wasn’t the only mature theme you were educated on that night.

But you only came to understand fatum when it took the person dearest to you, two summers ago.

Pregnant again, the fifth time that you could remember, your mother had taken ill. Perilously ill. After years of unsuccessful attempts to produce an heir - one daughter, two miscarriages and two stillbirths - she had breathed her last. In her womb? The son your father demanded of her. The son he had longed for. Prayed to the gods for. What else could bring forth such a tragic end, if not the hands of the Fates?

Now a grown woman, the beliefs your mother had impressed upon you would soon be tested. Left with no living sons to continue his legacy and no living wife to bring forth such living sons, your father’s lofty political aspirations could only be fulfilled through his daughter. You.

Your father wasted no time in advancing his plans.

After a long day spent praying at the temple of Pluto, you had been ready to wind down and relax. A good distance away from the centre of the city and situated atop a number of hills, a trip there takes up the whole day. You had set out at dawn, and as the sun set over the Tiber river to bring forth dusk, your shadow darkened the entrance of your family villa.

Exhausted both emotionally and physically, your body went through the motions of preparing yourself for supper, but your mind remained absent - occupied with thoughts of what could have been and what will never be.

After your bath you called for your maid and allowed her to dress you, head still in the clouds. It was only when you caught a glimpse of yourself in the bronze mirror atop your vanity that you noticed something was amiss.

Your eyes squinted as you inspected the image reflected on the polished surface.

“Why have you dressed me in these garments? I wish to wear my usual attire.”

You wore a tunic, the draped garment secured by an ornate brooch resembling an owl, with eyes made of precious gems. Nothing out of the ordinary.

What was out of the ordinary, was the saffron yellow hue of the tunic — since your mother’s passing you had been in mourning and thus only wore dark colours. A fact well-known by your maid, who dressed you day and night.

The hands fastening the brooch faltered as she gathered a response.

“My apologies, Domina.” She stepped back, head bowed in deference. “I assumed you would revert to your previous wardrobe, seeing as yesterday marked the end of…” She trailed off meekly, allowing you to fill in the blanks.

The previous day had marked a year since your mother’s passing, and thus the end of the customary mourning period. As such, it would be socially acceptable for you to appear happy and content again, reflected in the abandonment of deep plums and drab greys for sunny yellows and bold blues. You supposed it was not odd for her to assume you desire to don brighter colours.

But upon closer inspection, your suspicion rose again. Detailed with beautiful patterns and made of the smoothest damask money could buy, the tunic was much too elaborate for a simple family dinner in the villa. The last time you wore it was to a relative’s wedding, where your father made a point of telling anyone who would listen just how much it had cost to import the material from China.

You poised yourself to question her further, but the words died on the tip of your tongue when you saw the pleading look she gave you.

“Please, Domina.”

She offered you no further explanation, but the fear in her eyes was explanation enough. She was not doing this of her own accord, but under instruction. And if you knew your father well, under strict instruction.

Whatever plans he had for you, you knew you would have little to no choice in the matter.

Wordlessly, you acquiesced and allowed her to continue. You did not protest when she brushed, braided and pinned your hair into an elaborate updo. You were compliant when she lined your eyes with kohl and blotted your lips with mulberry juice.

Primped and primed like a prized show horse, you dismissed your maid, sat by the window and awaited your fate.

Not long passed before the sound of a male timbre filled the room.

“It appears your outfit is missing something.”

You turned to the direction of the voice to see your father standing in the doorway. Instinctively, you stood to your feet - less as a show of respect and more because you were used to being on guard in his presence.

In his hands he held a translucent, gauzy material, sheer in nature and vibrant in colour, that was all too familiar to you.

Your mother’s favourite veil.

Usually fixed firmly atop her head during special occasions - festivals, birthdays, weddings and the like - you could recognise it from a mile away. Growing up, you had associated this veil with womanhood itself. You would traipse around the corridors of the villa with it wrapped around your head haphazardly, the excess fabric trailing behind you as you ran as fast as your little legs could carry you.

What a foreign sight it was to see it in the hands of your father. And what a foreign sight it was to see him in your chambers.

Following your mother’s passing, the two of you had not conversed beyond what was formally required of you, your already fragile relationship fracturing completely. Yet here he was, extending a peace offering. An olive branch.

Pleased as you were to receive it, you were not foolish enough to believe this to be a genuinely affectionate gesture. A politician through and through, your father was no stranger to symbolic gestures, and he had made no attempts to mend your relationship prior to this moment. This sudden generosity, paired with your extravagant dressing, could only mean one thing.

He wanted something from you.

Now, you had two options. Comply with his request, or comply with his request begrudgingly. You chose the latter, of course. Even if obedience was your only option, you weren’t going to make this easy for him.

You casted him a quick look of derision. “If you wish to barter for my forgiveness with a piece of cloth, I am afraid your efforts have been wasted.”

Unphased, he stepped further into the room.  “Now, now, peace, dear daughter. Let us be civil.” The faux humility in his tone was almost comical.

“Perhaps you feel…wronged by me for holding your mother to a certain standard. But, you must understand that I was simply fulfilling my duties, by encouraging her to fulfil her own. I have particular responsibilities to this family. As do you, now.”

You levelled him with an icy glare, wise enough not to express your discontent verbally, but too headstrong not to express it somehow.

“And even if I have, in some unfathomable way, wronged you; to err is human, to forgive, divine.” 

After knowing him for as long as you did, you knew this was the closest thing to an apology you would get. You also knew your father was a talented orator - it’s how he gained a large enough political following to join the Senate, after all. And so you prepared yourself to be subjected to one of his moving speeches.

“It is common knowledge that women are the weaker sex,” What a great way to start, you snarked to yourself. “Yet, I have always seen a unique strength in you. Not physical strength, of course, but a mental fortitude. Since you were a young girl you have been willful, stubborn,” he took a step closer to you with each word, purple-lined toga brushing the floor as he advanced. 

As he said the last word, he gave you a knowing look. “Nosy.”

You failed to hide your shock. “Oh yes, I saw you slinking around behind the pillars.” He waved a hand dismissively. “It matters not, now. In fact, whatever dregs of information you picked up from eavesdropping on my discussions may soon prove useful.”

His face was a picture of smugness, with an eyebrow cocked and the corners of his mouth upturned as if he knew something you didn’t. With just a few sentences he had complimented you (even if it was backhanded), revealed that he knew your secret, and teased you with a nugget of information. The perfect combination to make you anticipate his next words.

Silence filled the room as he kept you in suspense, mind whirring as you mulled over his cryptic words. 

One hand held your mother’s veil in front of him, while the other caressed its folds delicately. His eyes had a faraway look in them that suggested his mind had travelled to another time.

“Your mother was a strong woman. Not strong enough in the end, regrettably, but strong nonthele-”

“Don’t.” You interjected. “You will not sully her memory with your caustic words.”

His lips spread into a diplomatic smile, but the twitch of his eye betrayed the irritation he felt. Belligerent as he was, he ignored your outburst and continued. 

“Unlike her, you have the makings of a lady of great influence. Much like me, you have the mind for politics. That potential lies latent within you.”

With a gentleness you wished was also reflected in his words, he draped the veil over your head. “I advise you not to waste it, dear daughter, and suffer the fate of lesser women.”

You scoffed at his words, readjusting the veil so it rested perfectly atop your head and shoulders. “And how do you suggest I fulfil this…potential? The Senate is not exactly welcoming of women.”

Well-pleased that your interest had been piqued, he finally reveals his true intentions.

“Accompany me to the imperial banquet tonight. We will celebrate the successful conquest of Britannia.”

“I do not care for banquets, nor do I spare a thought for conquests.”

“You may not care for military conquests, but this banquet itself is a conquest of the political sort. In my experience, much more is won with words, than with swords. And tonight’s event presents an opportunity for much gain.”

Again with the cryptic words.

“Allow me to present you to the Emperors. Your face is comely enough to garner their attention, and for some reason unbeknownst to me, some men find opinionated girls like you to be charming.” 

Is he insinuating what you think he is?, you thought incredulously. Surely not.

“The Senate may not be the place for women, but the Senate is not the only facilitator of politics. Why not practice your politics from Palatine Hill?”

There was no mistaking it. He intended to make an Empress of you. Equally as curious as you were sceptical, you decided to test his logic.

“Beauty is fleeting. Charm wanes with time. How would I maintain their favour?”

“That, dear daughter, is up to you. I am certain you will find a way, formidable as you are.”

While it pained you to admit it, he was right. You and your father were more alike than different, what with your scheming and blackmailing. Besides, you were formidable. You were cunning. You were capable.

There may be greater things in store for you yet.

And those greater things began with this banquet.

Upon arrival, you were met with the most magnificent sight you had ever seen. Sat proudly upon Palatine Hill, the palace looked like the image your mind conjured when picturing Olympus. After ascending the intimidating number of steps that led to the entrance, you truly felt like you’d ascended to the land of the gods. Wherever you looked there was amazing artwork that instilled equal parts awe and fear in you. 

Look up, and there were grand arches to behold. Look to the side, and the spectacular frescoes offered a feast for the eyes. Look down, and there were beautifully designed floor mosaics you almost felt bad for stepping on.

As you passed through into the atrium, it was much the same. Ostentatiously decorated, it boasted gilded walls and glorious tapestries, each feature a testament to the Emperors’ opulence, and Rome’s riches.

But it was impossible to focus fully on the artwork with the room heaving as it was. Eyes darting from one person to another with every passing second,  you were captivated by the spectacle the hoard of partygoers presented. Something seemed to be happening in every square foot of the room, each guest having their fill of whatever their vice of choice was for the night. Wine was in abundance, giving way to loose lips, and scantily-clad whores prowled about in the shadows, giving way to loose purse strings.

You had been to your fair share of lavish affairs, but this was a whole new world of revelry.

Between the loud percussion of the musicians’ instruments, the aroma of the heavily seasoned foods and the leering gazes of overexcited men, you began to feel overstimulated. You stuck close to your father as he led you into the heart of the throng, finding comfort in the familiar when surrounded by the foreign. Better the devil you know.

Oblivious to your discomfort, he reprimands you under his breath. “Stop clinging to me like a child, lest our venture fail before it has even begun.”

You’d been so taken by your surroundings that you hadn’t registered where your father was leading you to. Now you stood in front of the two men at the centre of this affair, who were seated majestically upon a golden threaded couch. You prayed you didn’t look like the bewildered little girl you certainly felt like. 

With a grand, sweeping gesture of his hand, your father bowed. 

“Imperators, what an honour it is to partake in these…wondrous celebrations with your Majesties.”

“Senator,” one of them said, voice smooth like honey but with an edge that demanded caution. His face bore a smile, but his tone was calm and measured. “What a pleasure it is to see you.” The twitch of his eyebrow suggested otherwise. “In a more agreeable mood, might I add.” The man beside him sniggers.

More agreeable? Whatever could that mean? For the second time in one night you found yourself deciphering cryptic words. Father must have angered the Emperors, somehow. 

“And you’ve brought…” He trailed off, looking at your father expectantly.

“Yes, Emperor Geta, Emperor Caracalla,” with a single clap and an officious clearing of his throat he stepped to the side, no longer obscuring their vision of you. “May I present my daughter…”

You managed to regain your composure, exhibiting a grace only a lady of the upper echelons of society could possess when you sunk into a deep curtsy. Lifting your gaze, you were met with the hair-raising sensation of being observed. Not just observed – scrutinised.  

A pair of eyes, deep brown like rich soil, trailed over your form. The man that addressed your father with contempt - Geta. His brows furrowed as he took the sight of you in. Lined with kohl much like yours, his eyes were smouldering in their examination.

Another pair, red-rimmed and cloudy with the haze of inebriation, were the perfect contrast. The man that sniggered - Caracalla. With irises of a cold blue hue, they would have been intimidating if they belonged to a face other than his, what with his rosy rounded cheeks and seemingly perpetual impish grin. 

Despite their differences, the relation between the men was clear as day. Flaming locks of hair and the gold laurels that circled their heads confirmed their identities. These were the infamous twin tyrants.

But it wasn’t just the weight of their eyes that you felt. Lounging around the couch in various positions and in varying states of undress, was an entourage of courtesans. You did your best to avert your gaze, as theirs bore into you. 

And what a pleasant sight you were. Adorned with ornate jewellery and clad in the finest of silks, you were easily one of the best dressed at the banquet. Before a word had been uttered, your appearance relayed a message – you were a lady of fine stature, more than accustomed to luxury and thus, would be well-suited to palace life.

Well-suited to be Empress.

Not taking any chances, your father decided not to leave anything up for interpretation.

He began listing your virtues as if reading from a handbook - 100 Things to Look For in a Roman Wife. He spoke of your piety, your beauty, your fertility. With every trait of yours that was mentioned, you grew increasingly more irate and keeping the docile smile on your face became increasingly more difficult. 

“...and lest I forget, she is most gifted with the lyre-”

“How quaint.” Caracalla interrupted, a peal of childish laughter bubbling from his lips. “He presents his daughter’s hand as if he is lobbying for a law to be passed!”

Geta scoffed, “Or a conquest to be forfeited.”

At this, Caracalla doubled over in laughter, the overfilled cup of wine in his hand threatening to spill over the rim with every jostle of his frame. Clearly there’s a joke you’re missing here.

There’s a wicked glint in Geta’s eyes that tells you this joke has guile. 

“Three sennights have lapsed since you last stood before us, spewing nonsense about abandoning our pursuit of Britannica.” The vitriol that coated his voice strung a discordant note in the mellifluous tune of his brother’s continuous laughter. “Yet here you stand in your Emperors’ palace,” he gestured at the ongoing frivolities. “Drinking and making merry with spoils from the very war you so vehemently opposed.” 

Ah. It finally clicked. From what you had picked up from your father and his associates’ discussions, you knew that this conquest had long since been under contention among the Senators. The campaign was taking longer than anticipated, and required more reinforcements than expected. The Roman force was fatigued. At home, the starving plebeians of Rome were one famine away from revolting, and without the full support of the army, politicians relied on empty promises to appease their constituents and maintain order. Yet, the Emperors were adamant on expanding Rome’s borders.

For whatever reason, at the last Senate meeting three weeks ago your father had been the unfortunate soul to suggest that the troops should draw back. And now he stood before them at the celebration of the successful conquest, presenting you as a bargaining chip to secure his pardon. Opposing the Emperors was costly, and he decided you were going to pay that price on his behalf.

Geta leaned his head on his hands as he asked, “Tell me, Senator, what makes you think you will triumph this time?”

You watched your father’s reaction with bitter disbelief. For the first time in your life, your silver-tongued father, the man that had landed you this fate, floundered for words.

Fine. If this was the hand dealt to you, so be it. But you were going to do this your way.

“Your Majesties,” At the sound of your sweet voice, Geta’s gaze affixed itself to your face. Instantly, he was beguiled. “If I may…” 

With the slow incline of his head, you were permitted to speak. 

“I know little of war,” you feigned ignorance. “But I do know that defying the odds to bring glory to Rome is no small feat.” Preening at your praise, Geta leaned forward in his seat, a silent encouragement for you to continue. “Rome and her citizens are fortunate to be led by you, Imperators, and I am grateful to be in the presence of such wise rulers.”

His mouth spread into a self-satisfied smirk. “I bask in your praises, my lady. It pleases me to see that someone in your family has a semblance of loyalty to the powers above them” A pointed look was shot at your father. “You see, all those that oppose their Emperors,” His venomous gaze roved over the group of Senators shifting uneasily as they watched this ordeal. “Will soon learn that there is only one way for a man to wield power.” He held up his index finger for emphasis and paused for suspense. “War.”

With all the self-assurance of a man that has never truly been challenged, he stalked towards you.

“What other power can bring a man to his knees and cause him to surrender?”

“I can think of nothing greater than war!” Caracalla piped up from behind him.

“Yes, brother.” Geta held his cup of wine up in agreement. “By no other means can a man wield such power. I am sure my lady agrees?” He offered his right hand, each finger as bejewelled as the next.

The ultimatum he presented you with was clear. Kiss the ring, let all be forgiven and allow this encounter to end pleasantly. Refuse the ring, and…well, don’t refuse the ring.

But compliance was predictable, and would only get you so far. Your beauty and charm had ignited a spark of interest in him, but that wasn’t enough. You needed that spark to burst into a flame.

With swan-like grace you knelt before him and took his hand, smiling inwardly when his eyes followed your descent with rapture. You didn’t miss his quick intake of breath when you halted your movements to look up and meet his eye, lips an inch away from the stunning signet ring.

“Upon second thought,” You tilted your head as if considering his words. “There exists another power great enough to make a man kneel in surrender.” At your bold words, the hand you held tightened around your fingers until he had a firm grip of your hand. “A power so great, even Emperors are not immune.”

Gasps of shock came from the onlookers sober enough to process what they had heard.

“Impertinence!” Caracalla’s cry of protest tore you from the captivity of his brother’s gaze. 

“Forgive my daughter, she oversteps her bounds.” Your father spat the words out and fixed you with a look of warning, a late and unappreciated attempt to de-escalate the night’s proceedings.

With a wave of Geta’s hand, his words were dismissed. For the sake of keeping your resolve, you pretended not to see the Praetorians return their drawn swords to their scabbards.

You returned to the intense stare of brown eyes narrowed in… intrigue? Suspicion? You weren’t sure, but you had his attention. 

“And what power would that be?”

Your gentle smile had him entranced. “The strike of a drum, the strum of a lyre’s strings. Music, my Imperator, holds much power.”

See, while your father was busy waxing lyrical about you, you had been studying Geta closely. As he listened to others speak, his fingers unconsciously tapped the thigh of the courtesan perched on the arm of the couch. But they were not tapping any old rhythm – they tapped to the beat of the percussion in the background.

The ring your lips had puckered up to kiss was not embossed with an imprint of Mars, the god of war, but Apollo, god of music. Geta the Emperor championed conflict and violence, but Geta the man held music dear.

Rich eyes twinkled as his laugh rang in your ears. “Ah, yes. Your father mentioned your skill with the lyre. He failed to mention your humour.” He didn’t believe you.

“I assure you, Imperator, my lyre-playing is unparalleled.” You indulged him with a coy smile.

“You believe you would best our most talented musician? That your playing would put your Emperors’ finest to shame?” He challenged your claim.

“Given the chance, I would outplay each of the Nine Muses,” you asserted boldly. You rose to his challenge.

His eyes gleamed with ardour as he regarded your statement with a raised brow. “I await the day I hear you play with baited breath, my lady.”

“It would be my pleasure, my liege.”

Not risking any more excitement, you curtsied and took your father’s arm as he guided you towards the outskirts of the atrium, and away from watching eyes. He wasted no time expressing his displeasure.

“Have you lost your senses, girl? Has some strange plague come over your mind?!” He released an exasperated sigh. “You should have held that tongue of yours.”

 “Oh, and left you there, stammering like a bumbling fool? Father,” you uttered the paternal term without an ounce of familial affection. “You entrusted this ploy into my hands, so leave it there.”

Anger flashed across his face like a clap of thunder. Before he could berate you for your indolence, however, a piercing shriek stole the moment.

You pushed through the crowd to see the commotion, weaving past bodies stilled with shock at whatever it is they were witnessing. When you got to the centre, you were met with a most harrowing display of fraternal discord.

Geta lay sprawled out on the marble floor, the corded muscle of his limbs tensing as he strained to hold back the man towering over him, wielding a dagger above his head. Caracalla. 

At first glance one may have supposed this fray was borne of anger, but with the spittle flying out of gritted teeth that gnashed and snarled like those of some inhuman beast, the incoherent stream of words and the crazed look in his eyes, it was clear that he did not have full agency of his person.

The rumours were true. He was having one of his infamous episodes.

Your eyes darted from Praetorian to Praetorian, waiting for one of them, any of them to take action. Their hands rested on the hilt of their swords, hesitation rooting them to their spots. To raise a hand against Caracalla would be treason, punishable by death. To ignore the distress of Geta would be treason, also punishable by death. They were at an impasse.

The chatter of mingling guests and the ambience of the musicians’ instruments had long since stopped, leaving the grunts of the brothers to take their place. All watched on in stunned silence, revelers turned horrified spectators.

Their scrambling continued. Geta managed to hook a leg around Caracalla’s ankle, toppling him over to join him on the cold marble. Wine cups clanged as they were knocked to the ground, collateral. The cacophony of sound nearly masked the sound of Geta’s desperate plea.

“Break the spell! Break the spell!”

Moved by an impetus you couldn’t explain, you barreled further through the crowd until you reached the musicians’ corner. You grabbed the lyre from the hands of the bard (who was too focused on the ongoing tumult to protest), and started strumming the tune of a nursery rhyme favoured by Roman children both rich and poor. 

Dulcet tones and sweet symphonies echoed through the chamber as you sang of Rome’s rolling hills, of fair maidens awaiting the return of brave soldiers, of the Tiber River’s ebb and flow.

Those around you listened intently, enraptured. They stepped aside, clearing a path for you towards the quarreling brothers. You walked forward as you sang, and as you reached the last verse you stood a few feet away from where they squirmed, limbs akimbo. 

From your position you saw the exact moment the muscles in Caracalla’s face relaxed, and his body went limp. He released a weak whimper better-suited to an injured animal than the tyrannical emperor he was rumoured to be.

Eyes fixed on you over his brother’s shoulder, he dropped the dagger as if compelled. Tears began to run down his face as he wailed, balling himself up into a foetal position. When they noticed his change in disposition, his entourage took the chance to spirit him away from the room. 

The final note of your song rang out. A beat passed as everyone came to, as if they too were held captive in a trance. Then, a slow, steady clap from one became a roaring applause, your fellow guests lauding your performance as if it had been planned. 

Chest heaving from exertion, Geta used a three-legged (formerly four-legged) stool to pull himself from the floor and adjusted his toga. At the raise of his hand, the clapping stopped. Flopping back to sit on the couch, he gestured for you to come forward. His expression was inscrutable. 

Before you could scrape together an apology, or some sort of explanation, you were utterly disarmed by the grin that spread across his face. 

“My lady,” He huffed between words, still catching his breath. “I stand corrected. It appears your flair with the lyre is equally as bewitching as your looks.”  

Your cheeks heated up at his confession of attraction towards you. “It pleases me that you think of me so, my Emperor.”

“Mmm.” He hummed, dark eyes taking their time to appraise you. “The power to bring a man to his knees can be very dangerous, you know. I believe it would be in the best interest of Rome and her citizens if such power was… managed by the capable hands of their Emperor.”

The chill of deja vu ran down your spine when he extended his hand in your direction. A second invitation to kiss the ring. Most people only get one.

“Wouldn’t you agree?”

As your lips made contact with the cold metal of Apollo’s face and you sealed your fate, you closed your eyes and said a silent prayer. When you opened them again, you found eyes the colour of rich soil searching yours. 

He turned the hand that gripped his and pressed a surprisingly sweet kiss to the back of it. His kisses travelled up your arm, growing more and more fervent, the plush of his lips leaving warmth on every spot they pressed against. He used his hold on you to pull you towards him until you were close enough to smell the heady scent of patchouli mixed with the subtle musk of perspiration, and count the freckles on his speckled cheeks, peeking through the layer of makeup. 

His palm ran up and down your arm repeatedly, inching further up each time.

“You will make a home for yourself here, in these palace walls.” Brown eyes gazed into yours, full of a veneration you couldn’t fathom. “And you shall be my little Muse.” 

As if the troubles of your life thus far had not been a sufficient allotment of suffering, the Fates had now tasked you with weathering the twin tempers of the Emperors Geta and Caracalla. And surviving.

Gods help you.

A/N: thank you ever so much for reading ! i'm working on part two so let me know if you want me to post it when it's done <3

likes, comments and reblogs are appreciated x

© onyxstyx tumblr 2025

[lyrefromthesea]

You’re absolutely one of my favourite writers 💙 Please could I request hashira x reader, where the reader looks after the hashira’s family/ those they care for when they are on a long mission 💙💙

Male pillars x reader - family matters

pairing: Tengen x reader, Obanai x reader, Rengoku x reader, Sanemi x reader, Giyuu x reader, Gyomei x reader

content warning: none

Tengen:

who would've expected nearly the entirety of the Uzui family to fall sick? it luckily didn't hit him, but Hinatsuru, Makio and Suma all fell ill.

you would've done it without his pleading, but when he asked you so kindly to take care of his wives, you couldn't say no.

you were in a relationship with them too, it was only right to take care of your loved ones, right?

so when Tengen came home and saw you put wet towels on all their head with the outmost patience, he felt his heart swell with pride.

"i'm back, are you all feeling better?" he asked, looking down at the three sick women. they were cuddled up in their shared bed, not wanting to be alone.

he was glad when he watched them slowly nod and tell him how good you've taken care of them.

"thank you, beautiful.." he said to you, glad that there was someone he could trust. "let me help now."

Obanai:

when Obanai left for a mission and left Kaburamaru with you, he knew you would take care of his friend. however, he didn't expect finding you like this.

you have fallen asleep in the kitchen, your cheek squished against the counter. Kaburamaru had found his place around your neck, as if he wanted to keep you warm.

Iguro looked around, seeing Kaburamaru's food bowl. it was empty, but he knew the snake had eaten today. he could tell by the way Kaburamaru was sleeping with you, having filled his stomach.

furthermore, there was a plate full of food placed near you. he could see another empty plate in the sink, indicating that you've already eaten.

he had told you when he would come back from his mission, figuring that you've prepared the second plate for him.

he looked at you with a gentle gaze, not wanting to wake you up, but knowing you shouldn't sleep in the kitchen. with a quick and careful movement, he had picked you up and carried you to the bedroom.

you had taken care of him and his snake, it was time to take care of you now.

Rengoku:

multiple bottles of liquor stood in front of his family's estate. they were all empty.

he knew those were the bottles his father used to buy, but the man would never place them here.

knowing that you had been staying in his house for the past few days, he figured it would have something to do with you.

"i'm home, dear!" he greeted, happy when he saw you run up to him. perhaps you had been spoiling him too much, but he was used to a kiss on the lips whenever he returned to you.

"first you take my sake away and now this? i'll puke!" Shinjuro scolded you, but you just smiled back at him.

Kyojuro was confused at first, quickly remembering the empty liquor bottles in front the family estate.

"don't pretend like you didn't like the past days! you even played board games with me and Senjuro." you countered, sticking your tongue out.

perhaps it was because you weren't a demon slayer, but Shinjuro could speak to you much more calmly than with others. or maybe it was because you reminded him of the peace of earlier days.

"you did? let's celebrate my return with another board game!" Kyojuro enthusiastically offered, earning a happy nod from you.

"you're going to play as well, right?" you ask Shinjuro, not surprised by him rolling his eyes, knowing he would join you two and Senjuro.

Sanemi:

"is he okay?" Sanemi asked, his fists clenching hard. he was desperate to know about his little brother's state.

when he heard that Genya had been hurt during his fight with a demon, he had wanted to see his brother right away, but he couldn't look him in the eyes anymore.

he knew that Genya hated him for what he had done, he had no right to worry over him now.

naturally, his eyes lit up when he saw you take over the role of a nurse, watching over Genya properly.

"he's doing better." you answered, seeing him quiet down and nod. he felt relief settle in his heart, coming closer to hug you.

his head rested on your shoulder, his arms hanging by his side. his heart was trapped in a mix of guilt and relief.

"you know, he told me that he missed you. you should see him.." you told him, knowing the story the two brothers shared was a sad one.

"no.." he simply said, but you could hear the sorrow in his voice. he probably wanted his brother back as much as Genya wanted him.

"thank you for looking after him.."

Giyuu:

he had trouble revealing his feelings to other people, but when he heard Tanjiro being hurt once again, you noticed the look on his face.

when you told him that you'd temporarily look after the young demon slayer, you saw the man relax slightly. he trusted you and he knew you'd do your best.

he wanted to do his best for you as well, deciding it would only be fair to visit you and Tanjiro now and then.

"Tomioka-san!" Tanjiro beamed, nearly making his way out of the bed, but you held him back, letting him remember that he needed to rest as much as possible.

"Tanjirou, are you feeling better..?" he asked, stepping into the room Tanjirou got assigned. he glanced up at you, seeing a soft smile form on your face.

he made his way towards you while he listened to the boy talk.

"i'm feeling so much better already! [name]-san took great care of me!" Tanjirou said, enthusiastically fiddling with his hands. Giyuu moved to your side, placing a soft kiss on your cheek.

"thank you for taking care of him." Giyuu whispered against your ear, turning your head to face him. "i have another mission now, wish me luck, love."

you nodded, knowing that you would pray for his return every day, you just didn't know Tanjirou would speak up again. "Tomioka-san! Tomioka-san!"

naturally, Giyuu hurried out of the room.

Gyomei:

"namu, cat cute.." he mumbled, pressing the small animal against his body in a squeezing hug.

you chuckled quietly, seeing the cat meow and wiggle in an attempt to get out.

you had found it a few days ago, the cat couldn't walk due to it's injured paw. when Gyomei came back that day, he was fine with you keeping the cat until it was healthy.

truthfully, he was more than fine with the addition to his home, especially when he found the cat sitting on one of his shirts a few days later.

he took it as a sign that the cat liked him, first feeding it and then trapping it in his arms.

"was this really a good idea? i feel like the cat is getting more attention than me." you teased, not expecting his strong arm to wrap around you as well, now trapping you in the same hold as the cat.

"you're cute too, don't worry."

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[signedsfs]

not to out myself but Yeah...I think it was all such a Bad Idea, and I. am a little confused about people who are generally so objective and analytical about most character choices Agreeing with him that it was a necessary choice to "help" Damian.

I have a vent fic wip that I may or may not finish so I just need to tell someone that I am...feeling so many things all the time about the consequences of the 16th birthday but...

primarily, right now, at this moment. without Robin/Bruce, Tim thought he would lose Dick and everyone else he knew through Robin. and then a little bit later when he quit for Jack, he got radio silence for Months until he became a potential victim, and even then it was just Cass stopping in to give the message and be like "I'll watch you to keep you safe 👁️👁️ ok bye" and he had actual Proof that without Robin, he would lose everyone.

and then. Dick "you're my equal (even tho I'm drastically changing your life without your knowledge or permission), you're my closest ally (even tho you don't even have a name to go out in the field to assist me as backup), I need you (even tho, as mentioned, I made a huge decision without your input because I didn't need it because I know best actually)" Grayson.

skipping over the fact that Dick didn't even have the time to say "you're fired" or anything resembling that, when Tim lost "Robin" to Damian, he felt like he lost everything else too. it didn't matter what Dick said about "equals" or "allies" or "needing". he already had Concrete Proof that it was all false. cheap words that are easily disproven do nothing in this situation, Dichard!

(disclaimer: I love and respect Dick Grayson, I just also think Dick Stopped Existing as soon as he made Damian his Robin for the most pathetic stupid illogical risky-ass excuse he could ever give for making anyone Robin (or a vigilante in general). "because he'll kill someone again". who the fuck says that?? who thinks "oh no oh god oh fuck this kid is gonna go off the rails he's gonna kill someone, I need to Put Him In A Place Of Power Over Oblivious Innocent Untrained People Who Are Expecting A Kind And Empathetic Hero To Save Them" hUH???? ok sorry, I just wanted to rant about what Tim "losing Robin" meant)

I agree with ya. Dick Grayson is fantastic, but it seems weird that he nuked his entire relationship with Tim (a very strong one that other fans have referred to them as "The Brothers") for the new kid.

Yes, Damian is a ten year old traumatized kid who just lost the dad he didn't really have the chance to get to know. Yes, Damian needed guidance, boundaries, and compassion.

But DC spent so much time and effort building up Tim and Dick's rapport only to obliterate it once the "blood son" came in (I also love Damian. This is not hate on the kid. This is confused commentary on DC's choices). It's just a strange idea, but that's also why it hurts so much when Dick does that to Tim.

Then you tie in Tim losing Robin by Dick to Tim's experiences before? Fuck. You are so right for that.

As far as the RR run, Dick could've handled Tim believing Bruce a bit better. I don't necessarily blame him for that one. I get why he wasn't supportive in the way Tim wanted, even though I would've chosen differently for my siblings.

Dick taking Robin, though? That was fucked up. I, honest to the gods, do not see how that was a justified course of action. I can understand his perspective, but it's still not okay. At all.

There's your very adequate analysis:

Robin, for Tim, is his tie to his loved ones. He has proof (twice) that without it, he does not have access to the people he cares about and his support system.

Dick said a lot of pretty words about "equals," but his actions were precisely contradictory to his "intentions."

Tim has had Robin taken from him before or had to give it up. He chose to go back despite this. He obviously feels strongly about being Robin

Damian has not proven, at this point, to be trustworthy as a vigilante (someone in power without oversight). He has instead shown use of excessive force

This isn't even going into the way he found out. That's just an extra layer.

The way Tim has repeated lost and regained Robin (even after RR) as well as his title as Red ROBIN are, to me, a sign that he's still trying to hold on. It's my belief that he would have moved onto a new title, like his predecessors, if it hadn't constantly been an unsure role.

His start was rocky as hell due to Bruce not initially wanting it. Tim had to prove himself and put himself into the costume.

He "quit" twice before it was taken from him in a traumatic way (nothing like being instilled with the fear that the position you've held for four years can suddenly be yanked out from under you without warning)

Damian and Jason both vehemently protested to him being Robin

It would make sense if all of these factors combined to Tim's unwillingness or inability to just let Robin go, especially when we factor in his reason to be Robin. Since Bruce never really gets "better" and continually falls back into bad habits, Tim needs to maintain his task of pulling Bruce back from the edge. We could also throw Jean Paul into this to further how Tim is forced to play as the barrier between a grown adult and their desire to harm others in the name of good.

So, Tim's time as Robin is marked by consistent instability while contrasted with his inherent position as Bruce's leash and the batfam fixer. While the other Robins did have times of doubt, the predecessors of Tim did not have the pervasive role insecurity with regards to Robin.

They had their big moment at the end and some smaller moments in-between, but not quite on the continous scale of Tim. Tim had three big moments and was still sucked back into Robin when Damian quit.

To be Robin is to earn Bruce's love and the ability to be part of the Wayne family. To lose Robin is the risk of losing that (at least to the perspectives of the Robins if not 100% the reality).

I'm not sure I'm articulating this accurately. Regardless, no wonder Tim clutches the title of Robin with bleeding hands no matter how much it cuts him and costs him.

[felibrary]

╭──╯ TWO TRUTHS, ONE LIE

PAIRING: aventurine x reader

SYNOPSIS: in which you invite aventurine to play a drinking game with you: "two truths and one lie." it's an amusing game, what could possibly go wrong? that is until one can't distinguish between the truth and a lie.

wordcount: 1.8k | content & warnings: unestablished relationship, drunk - not really drunk rather intoxicated confession? or drunk idk, alcohol, barely any metaphors - like little to none but more dialogue (i’ve improved..ig!!), the title basically says everything

AUTHORS NOTE: i needed to write something and its two almost three am, im dying. istg i pulled this out of my asscrack. So who am i to proofread?? also this is kinda similar, kinda (really) similar to my other fic. what if i cried. when writers block gets so bad you start copying yourself dawg

“it’ll be fun!” 

you blissfully cheer as you take out two shot glasses out of your cupboard before fetching a bottle of vodka and setting it down onto the big and fancy dining table that stands in the middle of your living room, a moving gift for your new apartment which you received from none other than aventurine. 

(he insisted that it’s a fitting gift for your new home - well it certainly didn’t fit well through your front door, only after a few tries from aventurines employees they managed to transport it inside your new apartment.) 

with quick movements, the blond grabs the transparent alcohol and pours the two of you a glass. “how gentlemanlike of you.” you comment, a pinch of teasing in your words as you let out a huff, smiling as you shake your head before sitting down, right in front of him. 

a faint laugh escapes aventurine's lips and he can only hum in delight as he slides over your glass from across the table. “so if i understood it right, you for an example, tell me one lie and two truths and if i were to guess them correctly, i as the victor get to see you, the loser drinking a shot?” he props his elbow onto the dining table before leaning his cheek into the palm of his left hand, curiously awaiting your answer.

your eyes gleam in excitement “bingo!” and he can’t help the smile that finds its way onto his face. “though we’re not gonna do it one go, we’ll have turns. for example, i start off by telling a lie and you guess if i was telling the truth or not, then it’s my turn to guess, then it’s yours again and so on.” 

you grab the glass from above and lazily twirl around the vodka. “how does that sound?” you tap your fingers around glass before slowly tracing the edges of your glass with your index finger in a languid motion. “is this a wager you’re willing to indulge in, mr. aventurine?” you smile. what a tease you are.

“sure, sure. i see no reason to decline your generous offer.” he returns your smile with one of his own, similar to the one he gives to his clients, polite and charming. “well then, it’s only natural for you as the guest to start, right?” you set your glass down and it makes a light “thump” sound. 

“how kind of you.” he looks down at the dining table, scanning the items with his eyes. a white tablecloth which is stained with some light brown-yellowish spots, probably from the times when you spilled coffee onto your table and weren’t able to properly wash them out. 

he hums as he taps his fingers against the hard surface of the table, deep in thought as if pondering what to say. “let’s start off with an easy one, the critters were a gift from the trailblazer.” a lie.

you’re quick to respond “that’s a lie. although you and the trailblazer get along well, they’ve never gifted you something like a pet. the person whom you received them from is veritas.” upon that aventurine can only give you a content smile before gulping his glass down in one go. 

“very well.” he praises you before opening the alcohol bottle and pouring him another glass, not once breaking eye contact as he shoots you a knowing look that says “your turn.”

unlike aventurine you don’t need a long time to think about what you’re going to say. “i used to like you a lot.” a partial lie - you still like him. 

“that’s a lie.” aventurine immediately points out, not even bothering to meet your gaze. can this be considered a rejection? technically you didn’t confess but you admitted your “former” feelings which he immediately denied as if he doesn’t want to have anything to do with them. in response you can only quickly down your glass, hoping that the alcohol would somehow help you. (does making you feel worse count as help?) 

he continues without any effort, simply just brushing off your admission from just now. “i get along well with topaz and veritas.” the truth.

your eyes that were on his once also glance down at the table as you bury your nails into the tablecloth. “that’s the truth.” you manage to choke out, there’s no way you’re going to start getting all emotional now and start sobbing and weeping, instead you take a deep breath before continuing. 

“although it sometimes gives the impression that you don't get along with either of them and the three of you are just acquainted with one another through work, they trust you a lot and also somewhat get along with you. for an example when topaz entrusted you with her cornerstone during your mission on penacony or as mentioned before when veritas gifted you the critters. he thought you’d take a liking to them. perhaps you’re not friends but at least reliable colleagues that trust each other.” you answer as you continue to dig your nails deeper into the piece of fabric.

“i should’ve known that this was too easy for you.” aventurine chuckles as he drinks the vodka out of the glass, not leaving a single drop behind. “okay, it’s your turn again.”

you can only hum in agreement before speaking up. “i have a high alcohol tolerance.” a lie, a big one at that.

a honeyed laugh meets your ears, the sound of sweet laughter makes you glance up again. aventurine’s laughing. how sweet, bittersweet even.

there were nights when you were curled up in your sheets, wishing that there was someone beside you and not just a cold and empty mattress; wishing that there was aventurine who was laying by your side as he whispers sweet nothings into your ears as one of his arms is draped around your torso, tracing shapes onto your soft skin and tickling you. you’d push him away and laugh at which he could also only laugh. 

laugh like this; laugh like right now.

the delicate and tender moments you yearn for more than anything else are like birds, as soon as you get close to them, they get scared, they flutter their wings and quickly fly away. before you’d ever have a chance with aventurine he’d always be out of your grasp - out of your reach. 

he’s free on his own, not bound to anything and anyone. not having someone to rely on and someone whom he always needs to worry about. someone who’d keep him caged like a bird with little and restricted or rather no freedom.

“why are you laughing?” you shoot him an offended glare as you part your lips at him, a small pout decorating your face. “why are you sulking?” he responds in a teasing tone, it’s supposed to be light hearted but there’s care that glimmers in his eyes. great, does he care about you now?

“i  am not sulking!” you huff as you try to hide your expression from him, putting your arms down the dining table and burying your head in between them. 

“oh you so are!” he laughs lightly.

“shut up ‘rine!” you groan from where you’re laying.

“fine, fine.” if you were to look up at him now, you’d see him admiring you and fondly smiling while looking at the back of your head.

“my answer is that that's a lie. a blatant massive lie! you have a low alcohol tolerance and are basically a lightweight. i mean just look at your face, your cheeks are flushed and so are your ears, they’re literally beet red.” he chuckles. 

you get up from your lying position and greet him with an annoyed look. quickly you grab your glass and gulp everything down to the last bit, eventually you wipe away the remnants that cling onto your skin with your arm before pouring yourself another drink and laying back down, so now you’re back to your previous position. 

“well, it’s my turn again. because i started off with an easy one, i’ll also end it with a simple and really easy one. i have a shopping addiction.” a lie.

“lie! you yell from your place. “what kind of lie is that even?” you complain to him. 

“i told you i’d end it with an easy one. but can you also tell me why it’s a lie?” he asks curiously.

“you’re not too fond of spending credits on materialistic stuff, you use them to help out people who are in need. despite your job.”  the last part was muffled and intended for yourself only but you should’ve known that aventurine would hear it. “what was that?” despite my job?” he asks in amusement. “just forget it!” you groan.

“anyway you do that or buy cute toys for your critters. You prefer to keep your friends close with words, gestures and actions, not money.” you whisper.

“jackpot.” aventurine chuckles before proceeding to drink the vodka in his shot glass. now what will you surprise him with next?

“i still love you.” the truth.

in the past minute you gathered together several questions, statements, personal experiences in your head only to splurt out with this? the boldness came from the vodka, at least that’s what you try to tell yourself nevertheless you’re sure of one thing: alcohol definitely wasn’t a good idea.

“bold as always.” aventurine chuckles amusedly. “the truth.” he hums before standing up from where he was currently sitting, moving towards your side of the table and standing in front of you. you’re dizzy - lightheaded, but you try to look up to where he’s standing, with much effort you move your head into his direction, still lying on the table though. although you feel dizzy you’re able to make out a faint smile on his rosy lips. 

he opens his arms before wrapping them around your body, just like how you always longed. it’s unfair. even though vodka reeks, he doesn’t smell like it at all, rather it’s still his signature scent, a somewhat fresh note mixed with something sweet, the scent that you like so much. “sorry for being an ass before.” he hums as he looks down at your temple and carefully brushes the hair which covers your face, away.

i love you too. he wants to say, but he can’t. aventurine still can’t come to terms with himself and his love towards you. he doesn’t know how to voice it out loud or show it through actions. three simple words that he can’t say together, fearing that they’d be too intimate and wouldn’t seem sincere, especially in this scenario. 

but in all honesty, you’ve probably already caught on. you’re smiling like a lovesick idiot when you stare at him, but who wouldn’t, when aventurine is looking at you with an expression that says more than “i love you” ever could. 

you knew instantly, he too, was guilty. guilty of loving you.

hey girly hold still!!!! this is uhm yeah dedicated to @azullumi i'm not writing you a sappy not until i get mine!! THAT DOESNT CONSISIT OF ONLY BLANING ME FOR MY TYPSOS also childe does no wrong. ajax, you the boy who fell into the abyss, later on known as the 11th harbinger tartaglia whom we met in liyue and called himself childe and then turned out to be apart of the fatui and we also later on meet in other nations, azul loves you a lot!!

© VYNICITY 2024. stealing, copying, translating, reposting my works on other platforms or feeding them to ai is not permitted.

[feeder86]

Feeder 86: The Top Ten

Can you believe that the Feeder86 ‘Orginal Gainer Stories’ blog will soon be posting the two hundredth story? I thought of many ways to celebrate. But then I stopped and realised that I would probably be best using the time to address one of the questions I get asked about most frequently. Which of the stories do I personally like the most?

This was not an easy list to make as I very rarely go back to re-read my own work after I have finished editing and posting them. This is not because I do not like them, but because I always see bits that I want to change. Nevertheless, this project was the perfect opportunity to revisit a few oldies that I remember being very proud of at the time. 

Hopefully you will see this list for what it is: a glimpse into how I write, my motivations and drive; rather than just a self indulgent pat on the back for myself. Yuck!

So, with that being said, let us begin...

#10 The Feeders’ Formula: This tale certainly had to be placed into the list. After all, it is the one that kicked off ‘Original Gainer Stories’ all those years ago. There are many amazing examples of instant body weight transformation stories out there. I felt that I needed to write this one as my contribution to the genre. It went down well at the time. I swiftly wrote a Part Two, then followed it up with others (The Feeders’ Formation, The Feeders’ Formalities, The Feeders’ Foreclosure, The Feeders’ Forecast, The Feeders’ Former Years), becoming something of an ongoing saga in recent years; focusing on the different Feeders from that very first meeting. As a writer who sometimes struggles to find the ending, these are wonderful to write as they all have the same inevitable conclusion. There is also so much freedom to be had when you’re working with characters who are pretty much pure evil. I know so much more about the Feeders than I’ve ever written down, so it is great to tease out those little details with each new installment. The newest of these tales (The Feeders’ Foreplay) was the darkest yet, but seems to have provoked a very favourable reaction from many. Who knows what the Feeders may get up to next? I do! And you can find out too, once we start a whole new sweeps season of stories this April! Come with me into The Feeders' Fortress!

#9 Only One: Where do I start? Only One has my absolute favourite type of feeder. Ben is big, sexy and very in control. He’s one of those rare types of guys who always stays on top and is a step ahead of absoultely everyone he meets. Who wouldn’t fall for him? I certainly did! In fact, I loved him so much that I wrote an entire prequel for him (and none of you even noticed!) Check out Rewire if you want to see how Ben became the man we know and love.

#8 The Wright Boys: The idea of a weight gain that cannot be stopped or controlled is a tempting one for many. How much easier would it be if you didn’t have to second guess your choices or face the pressure to lose weight? This was the first tale of what I see as ‘The Curses’ saga that eventually bled into many other stories (including another one on this list!) and culminated in Wright vs Beckett. However, this story remains my personal favourite of these. If you’re a fan of looking for crossovers between my stories, these are some of the most explicitly linked. I followed it up with a spin-off tale (The Wright Boys: DNA), but continue to have ideas about how I could go back to these boys in the future. Watch this space.

#7 Making Monsters: The title of this story really does give away how I felt about it at the time. This is quite the saga, spread over into not just two, but three parts! It began as a story that was very similar to Blackmailed; a tale that I had written previously about a guy voyeristically enjoying seeing his friend fatten up her boyfriend. However, this story evolved even further for me, with Tommy’s love of eating and gaining weight being both his greatest love, and his biggest shame. His denial only heightened the tension for me, and, when he does eventually give in, the gains feel all the more satisfying as a result.

#6 The Pig Feed: It’s not easy to write a gainer story where there isn’t another character spurring the events along and encouraging things. In this tale however, that role is given to a very tasty and surprisingly addictive pig feed mixture that Steve gets himself hooked on. It’s a story that I really enjoyed writing and still feel very happy with. I have considered writing more stories around this interesting feed. However, I am yet to do so; deciding (for now at least) that things are perhaps best left as they are. But, feel free to let me know your thoughts on this.

#5 Farm Boy: Whether you grew up in a big city, or a small rural community, like Hayden in this story, we can all relate to having desires and attractions that those around us don’t understand. And, thanks to how well connected we are these days, we now know what it’s like to realise that you’re not actually alone, and the whirlwind of excited emotions that follow. I enjoyed writing this story because I, quite simply, fell completely in love with Hayden. As kinky as he was, he still retained that fresh faced innocence throughout. If any of my characters were destined to be together forever, I imagine that these two would be my top choice.

#4 Keeping a Crush: This is one of those stories that I wrote in a matter of hours, and I was so pleased with it when I was done. Getting the train to go to work is not necessarily something that many Americans have to do, and so the location had to be switched to the UK (quite refreshing, I thought!). For me, it’s one of those really rare instances where placing very solid restrictions on the structure of a story (In this case, having it all take place during the commute to and from work) and finding that it actually elevates the sexual tension and mood. All scenes take place in public settings. All conversations could, in theory, be overheard. These days, so many people meet online and flirt for weeks by messaging back and forth, before they even see each other for the first time. Nowadays, for better or for worse, the actual, real fantasy is finding a connection with someone you just see in the real world; perhaps with a person you literally just met on the way to work...

If you’ve not read this one, I really would highly recommend it.

#3 To the Max: Stories with a magical element to them are either loved or hated. However, I find that this tale walks that line very successfully. Ned gets his hands on a love potion and makes straight guy, Max, fall for him. I’m sure we’ve all been there with that fantasy! However, it is in the consequences of inviting someone into your life, someone that you actually know very little about, that the entire eroticism of this story is based. I won’t spoil it for those who have not read it, but believe me when I say that things soon start getting very interesting indeed…

#2 Tommy’s Two Hundred. Don’t recognise this one? Well, that's because none of you have read it yet. 

Now, I’m not just saying this because I want you all to come back for the two hundreth story, but this is genuinely one of my absolute favourites. For my big milestone stories in the past, I have written something specifically for that event (Wright vs Beckett, The Seven Feeders of Finn). However, this is just a tale that I adored writing and decided to hold back for you all, especially for this occasion. It’s a story of domination and submission within a fairly open, but very kinky, relationship. Strapping Hunter plays the part of a very controlling feeder, making me break many of my own rules and stretching my boundaries to the absolute limits. You’ll either love him, or you’ll hate him. That’s all I’m going to say…

Also, this story is going to be the first Feeder86 story that will be fully illustrated. It’s all thanks to the amazing talents of Spellwell9 who was given an advanced copy and asked to imagine the characters in four different scenes. I cannot wait for you to see this!

Put it in your diary. All will be revealed from Friday 5th April…

#1 F80 Control: This is perhaps a controvercial choice (especially as my #1). I have previously admitted that this story strays a little from its purpose of being a gainer story. In other words, I get very caught up in the background story that is being told. However, I feel that the science fiction genre is surprisingly underused in tales of weight gain. Yet, the combination of Aritificial Intelligence and submission seemed, to me, to be the perfect blend. It really is a beast of a story if you can follow it all the way through to its conclusion. 

With the advent of improved artificial intelligence software in recent years, I felt the time was right to develop the world further, with the addition of F80 Ctrl Alt Del; a spin-off tale set slightly before the main story. Then, unable to help myself, I followed this up again with another companion story, F80: Kidnap and Control. 

The reason I chose this universe as my favourite is because this is where I am happiest writing. With AI, I don’t need to consider the morality or motivations - I know exactly what their aims are and I can see multiple ways in which it will cause conflict with humanity (and their waistlines!) I would also love to write more for this world one day, and I even left a little unused subplot in the last story that I think would provide the perfect starting-off point for another chapter. Will I ever write it? Well, we’ll have to wait and see…

So, there you have it! The the complete list!

This was a much harder exercise than I expected when I first embarked upon it. Stories like: Jiggle the Jock, Meticulous, Rule Number One, Freaks, Leftovers I and II, Ethan: The Secret Feeder and, not fogetting The Consequences I, II and III all crept in and out of the list, unfortunatley missing out on the final cut. There are many, many others, of course. But this list cannot go on forever...

So, why not tell me which ones were your favourites? Feel free to write in the comments and post a link to any other stories that you have enjoyed from myself, or from other authors. Hopefully, if we all work together, this could become a great resource for people in the future, filled with signposts and reccommendations.  

Also, don’t forget the Feeder86 Contents page where you can find links and descriptions of all the 200 stories posted so far (as well as plot outlines for upcoming tales as well). Please continue to enjoy the vast catalogue of stories, and even have a go yourself! I love supporting the many new gainer fiction writers who contact me. So please do get in touch if you need advice, or to talk through your ideas. Let’s all encourage a whole new generation of people to get typing away! I’m sure you will cheer them on just as much as I will.

Thank you to everyone who supports the stories blog here on Tumblr. Keep checking in every Friday througout April for a whole new sweeps season to celebrate this milestone. Stories will include: Tommy's Two Hundred, Train for a Gain, The Feeders' Fortress and The 1% (a companion story to The 5%). For now, I thank you all for taking time out to sit and read the very bizarre tales that sprout from my mind. You are all wonderful.

Happy 200 stories!

Feeder86

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[good-griief]

losing game pt. 1

HEYYYY i'm actually back with a lil smutty angsty ellie fic bc i needed to write for this woman... anyway here's part one its only a lil angsty i just wanted an excuse to write rly gay smut so enjoy and p2 tmrw!!

as most of yall know any reader i write (as a poc writer) has no race, i just wanted to use a picture of taylor momsen bc i love tpr and that's definitely the vibe of the music in this fic

part two part three

read me click me

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Being in the rock scene was your dream. You started with small gigs, then small venues and festivals, and now you had a band to go along with your music. Your career was kicking off and it felt like heaven; every performance, every song, all the adrenaline made for some of the best nights of your life. 

When you picked your band, you hand-selected each member, and to say you picked your guitarist for any reason other than how pretty she was would be a lie. Yes, she was amazing, but you also couldn’t speak when she walked in for her interview. She just smiled, laughing at the way you stared at her before your manager started talking for you. He often did, she came to realize. 

She still accepted the moment you offered her the position, but she made it clear that she didn’t like your manager. She accepted for you; to be with you.

And she slowly became your favorite part of performing. You had this way of connecting with each other — of course, you were close with all of your band members, but she was different. You’d spend time together one-on-one, smoking a joint and talking about nothing until one of you had to force yourself to go. You’d get coffee together, have dinners, and even spend the night at each other’s apartments. Whenever someone asked about you two, you said you were best friends. Even when she was waiting for you at the end of the carpet, and you both laughed at your answer like it was some kind of inside joke. 

Even when you were onstage, on your knees, singing your most sensual song to her as she melted to your level, smirking as her hips thrust against the electric guitar. Sometimes, she even sang with you. You’d hold her face, or thread your fingers through her hair as you held eye contact or rested your forehead against hers with shut eyes, and if there was a break in the song you’d kiss her hard — a stage kiss that the crowd would erupt in cheers over. But they happened offstage, too… after a shared joint or during a party. Nothing more.

She’d let you place your fingers on the strings of her guitar to find the chords as you stood behind her, her head leaning back on your shoulder in a way that showed the muscles on her neck as she breathed in heavy, hot breaths. She let you wrap your hand around her throat, groaning in your ear as fans caught pictures of you dragging your tongue over her sweat-ridden jaw or biting her shoulder as she grinned. 

There was one night you let her take over the mic as you danced along. She played her guitar, singing and watching you until you sang with her. Your hands drifted down her thighs as you kneeled behind her, the crowd screaming as you lifted her shirt and came around to kiss the line of hair below her belly button. She smirked, stopping her playing and fisting your hair to pull your head back as you laughed. 

Nights when you’d take off your shirt, tossing it into the audience and pouring your water on yourself before she came to lick it up, tongue dragging over top of your breasts as you sang breathlessly. There were times she had to wrap her arm around your back to keep you standing when she did that, the action so intimate, so arousing, that it was hard to remember why you were on stage and not in your dressing room, alone with her. Some nights she’d take her shirt off and give it to you if she didn’t want anyone else to see you, smiling at you with her shirt on before you came over to kiss her cheek. 

There were moments with other band members, but none of them were like her. They didn’t make you feel the same — none of them were her. 

So, when the end of her contract came up and she talked to you about leaving to pursue other things, you were devastated. You didn’t think she’d leave, but after a talk with your manager, her decision was set. 

“I think you should,” you told her anyway. “Whatever makes you happy, Els, seriously. I’ll support whatever you do.” She smiled, taking your hand to kiss. On the inside of her fingers, and yours, you could see the matching tattoos you got months ago, threading your fingers together so they match up. 

You dedicated your last show with her to her. It was a surprise, and she cried when you said it in the beginning, but she just turned away to shake it off quickly. At least, she did until you started crying during a song you wrote for her — it was another surprise from you and the rest of the band, but the minute she saw you crying she couldn’t keep it together. She came over to hug you, kissing the top of your head as she let you hide your face in her chest. The crowd awed, but Ellie took the mic to say you’d be back. She set it down and lifted your head to make you look at her. “I love you, pretty girl,” she said, away from the microphone so no one heard her, but they could sound it out if they wanted to. “Please don’t cry.” She wiped beneath your eyes, ignoring the camera flashes and screams from the crowd. “I hate that I can’t do anything about it right now.”

You smiled. “I’m gonna miss you so much.” 

She laughed at you. “It’s not like I’m going anywhere.” She nodded to the microphone. “Finish my song, I wanna hear the rest.”

“You’re an idiot,” you said, now standing at the mic and making the audience laugh. 

You were such an idiot. 

She never told you what other things she wanted to pursue, but you should’ve known. 

Of-fucking-course she was pursuing her own music. Of-fucking-course she was starting her own band. With yours. Of-fucking-course all of their contracts ending over the course of a few months would amount to this. Of-fucking-course each last show you dedicated to them meant nothing. 

You couldn’t even be mad. It was smart. But you were beyond hurt. 

And she still dedicated her first show to you. She texted you herself, asking you to come. 

When would you learn your lesson?

“I just want to thank you guys for coming,” she said to an audience of mostly your fans. “You might know me — us — from a backup band, but we got a little tired of being backup, didn’t we?” The band laughed. “So, uh, my name’s Ellie if you don’t know… probably don’t,” she laughed as if you’d never thanked or introduced your band before. “And I just want to dedicate this show to the previous artist I worked with. I wouldn’t be here without her, so she means… a lot,” she said it so fucking snarky, “to me, and… I have a few songs for her… if you all wanna guess which ones they are.”

And her first song was the biggest Fuck You song you’d ever heard. 

Still, she texted you after the show. 

She didn’t ask you to come to another show, and maybe that was because you announced a break from music, or because she was getting so much attention that she didn’t care. You saw her at award shows sometimes, and she would cheer when you won. Of course, you’d cheer for her too, but it never went beyond that. Almost like it was an unspoken rule that you weren’t on speaking terms. 

But the minute you came back to the scene, almost a year later, she texted you for the first time since her first show. 

You didn’t reply at first. You hadn’t kept up with her at all during your break, your manager telling you to stay away from any of her and her band's promotions and interviews. He had you block all of them and their numbers, but you couldn’t bring yourself to block Ellie’s. And you were glad you didn’t. Usually, you didn’t have your phone on you until late at night, your manager having your assistant handle your messages and social media, but you were about to fall asleep when she texted. As if she remembered your schedule. 

And it prompted you to look her up. Then her and you, and you could see countless videos. 

every time ellie has mentioned “her” compilation was what you decided to click on. It was made by an account that was clearly a big fan of hers, so you readied yourself for any hate that’d be thrown your way. 

The first clip was an interview, asking her why she split from your team. “You know, I really loved her and her team,” she said, “still really love her. It’s just hard being reminded, constantly, that you're a stepping stone and your time is running low, you know? We might’ve held her back if we stayed, and she was moving on to better things,” it sounded like she was quoting someone else. “—I mean, she always wanted us to shine, and I’m so grateful for her. I really miss being on stage with her, but I don’t miss anything else besides her and I think that says a lot.” 

Another was on her way into a hotel, a reporter asking if you congratulated her on an award. You could remember seeing her at the show before your manager called you over just as she was walking your way. She laughed, “haven’t talked to her in months.” 

Another of a sit-down interview with the whole band, your name being brought up and Ellie snapping at them, “You know I really wish people would stop asking me about her.” She got choked up as the others answered, nose reddening when the question finally circled back to her. “We’re not friends, we don’t talk, she doesn’t want anything to do with us, so...” She shrugged, pissed off. 

The next was another interview. It seemed she was just having to get used to being asked about you. “I’ve tried to reach out,” she said, “maybe she changed her number.” 

Another. “She was my best friend, I miss her a lot. I hope she’s doing okay.” 

And another, asking about her songs. “Yeah, I wrote a lot about her — No, I don’t regret it. I feel like it reflects a moment in time, you know? It was a really nice moment — I mean, I still have our matching tattoos,” she laughed, showing the tattoos on the insides of her fingers. 

Another, after a show. She was always emotional after shows, and it made it harder to watch as she wiped her eyes when the interviewer asked what your relationship really was. “I don’t fucking know,” was her answer before she walked away. 

Some of them were sweet, memories you shared that made you laugh. Others made you sick with guilt, like when she mentioned your lack of response or you blocking the band. Some just made you sad. And you felt like an idiot for doing this, but after reading the comments, some defending you for not running your socials or phone, or angry with you for the same reason, you played a compilation of the two of you together from the same account. 

Then you called Ellie. 

It rang once before sending you to voicemail and you just hung up. You kept your attention on the video to distract yourself from how much that stung. 

But she called right back. 

You stared at the phone for a moment, seeing the contact poster of the two of you at her last show with you lighting up your screen and feeling your words get caught in your throat as your eyes stung. You grabbed the phone, answering quickly. “Ellie?” It was silent, “Ellie, I just wanted to say, I had no idea… I understand if you never want to talk to me again, but I—“ You cleared your throat, trying not to sound like you were about to cry. “I’m really sorry.”

“I thought — I didn’t think you were going to — It feels so good to hear your voice,” was what she settled on after stammering through a few sentences. “You have no idea how much I’ve, just, wanted to talk to you…”

You bit down on your lip as you listened to her. She didn’t sound angry, but she clearly had so much to say to you. Her voice was filled with feeling as she went on, trying to get everything out as if she thought you’d hang up the phone at any minute. You just listened, shutting your eyes and bringing your hand over your face as hot tears spilled down your cheeks. You couldn’t bring yourself to understand why you were so emotional, maybe it was the fact that you misunderstood her so easily, or that your manager had ruined your relationship with her, or maybe it was even that you were just getting to hear her talk after so long, but she paused the moment she heard you trying to calm your breathing. 

“Please don’t cry.” She already knew. “I hate it when you cry and I can’t do anything about it.”

“I’m sorry,” you mumbled. “Keep talking. What were you saying?” You looked at your computer, auto-playing something else of the two of you. It was clips of you on stage and during interviews, heads on each other's shoulders, hugging, kissing each other’s cheeks, singing together. You pursed your lips, tears coming quicker as you slammed your laptop closed. “Ellie,” you cut her off, biting at your lip as you looked at the empty spot on your bed she used to take some nights, “what are you doing right now?” 

“I’m on my way,” she said quietly, and you could hear her shuffling on the other line. She was probably getting ready to go to sleep, and wake up to no response just like every other time she messaged you. And you would have woken up with no idea she even texted you. “Do you want me to stay on the phone?”

“If you’re already headed to sleep—“

“I’m coming over,” she said. “I’m already in the car, I’ll be there in ten, okay?”

“Okay…” Now you felt bad for making her leave her house, looking outside at the snowfall and sniffling as you tried to wipe your eyes. “I’ll see you soon.” You hung up the phone and groaned at yourself, shoving your head in your pillow. 

You opened your laptop, typing in the song names people speculated she wrote for you and queuing them all. Not one was the one you heard during her first show, and it made you feel even worse by the time the doorbell rang. You moved off of your bed, wiping your eyes and going to the door to buzz her up to your apartment. 

You waited by the door, balls of your feet kicking at the floor as you crossed your arms and waited for her to knock. It was the same rhythm she used to knock in, and where it usually made you smile, it made you cry more. God, you missed her, and you didn’t even realize how much until now. You took too long to open the door and you heard the lock click. She still had her set of keys, and that made you feel worse, too. She’d probably texted you about returning them, and you never got to see it. Nothing was making you feel better as she opened the door, and seeing her face just made it worse. 

“God,” she muttered, immediately bringing her arms around your waist. She tucked her head into your shoulder, shutting her eyes as your arms went around her shoulders. Her hands held you like you’d disappear the minute she let go, thumbs running soothingly back and forth over your shirt. “I missed you so much,” she said. “They all wanted me to get over it, but I knew there was no way — I knew we had something more than just — fuck, I know you better than they do. I know I do.” Her lips brushed your skin with every word. “I missed you so fucking much,” she repeated, hugging you tighter. 

Just her touch made your tears slow to a stop, relaxing into her hold and hugging her so tight, but she didn’t care. She was happy to be back in your arms. Your hand drifted to her hair, cradling her head to your shoulder. You could remember the nights you spent playing with her hair until you fell asleep and the thought made you run your fingers through it. She sighed, pulling her head back but refusing to let you go. 

There was a silence as you moved her hair out of her face, tucking the strands behind her ear. Slowly, your hand cupped her cold, flushed cheek. She leaned into your touch, eyes falling to your lips as your thumb stroked her cheek. 

“Ellie,” you muttered and she hummed, turning her head to kiss the inside of your palm. “I missed you, too,” was all you chose to say despite the wanting in the way you said her name. Her hand took yours as she kissed the inside of your wrist. “So much…” Her kisses trailed up your arm, with more of a meaning behind them than any of the kisses you’d given each other before. 

You moved your hand back to her face, turning her head toward you. She met your eyes, hers shining in the low light. They fell to your lips again and she leaned in, kissing your cheek. She kissed away every tear stain, still wet and warm. She moved closer and closer to your mouth, but never kissed you, kissing away the stains on your other cheek instead. 

Then you turned your head, catching her lips for a brief moment before she pulled back. There was a moment of hesitation, neither of you able to speak before she pressed her lips to yours. They were still cold from being out in the snow, but they warmed as you kissed her back, pressing your body impossibly closer to hers as she sighed into your mouth. She couldn’t tell you how long she had wanted this, but she knew it was long enough that her waiting for you was pathetic.

[quin-ns]

Invisible String (Joel Miller x Reader)

Word count: 3K

Summary: bill and frank host. tess is jealous. joel is confronted with his feelings. you cry over a shower

Tags: 2007 (as seen in ep3), age gap, protective!joel, jealousy, tess isn’t painted in a bad light but she gets her feelings hurt a lil, angst, joel being emotionally suppressed, everyone hiding their emotions actually no one copes normally, emotional hurt/comfort, hugs, pining!joel, hugs, fluff

Request: anon: “hello! i am totally obsessed with your work! i was womdering, if you still take requests, if you can write a joel x reader fic where the reader has a tough exterior with everyone, including Joel, but he knows how sensitive and delicate she is on the inside and behind closed doors. picture this for reference: she had warm water at bill and frank's and she started sobbing uncontrollably, but in front of joel she will always deny she doesn't feel depressed and emotional, but he knows better that this and they both help each other to open up.”

Request: anon: “loved your first joel fic!! if you’re okay with requests can you do another joel fic where maybe tess is jealous of how joel softens around the reader? like he’s not really an affectionate guy but with her he is and tess realizes how he feels about the reader? maybe they’re at frank and bills house and she knows joel doesn’t want to stay but for the reader he will? or something like that it’s up to you- you’re the writer after all”

A/N: so since both of these requests included joel being soft for the reader and them being at bill and franks, I decided to combine them. I liked both concepts and I thought mixing them would lead to something interesting. I feel like there’s more to this story so if y’all want a part two lmk

TLOU masterlist + main masterlist

When you, Joel, and Tess first met Bill and Frank, none of you had any idea how you’d end up feeling about the two men.

Frank had allowed the three of you to enter their isolated town and introduced them both (okay, nice enough), and then Bill had pointed a gun at you (not so nice). Why you? No particular reason other than that you were his closest target. From that moment Joel wasn’t a fan.

“If you’re gonna point that thing at someone, point it at me. Not at her,” Joel said sternly, his hardened gaze fixed on Bill. The two stared one another down for a moment as Bill quickly identified Joel’s weakness. Tess looked at Joel, working hard to hide the frustration on her face.

He obliged, turning the gun onto Joel.

“Bill,” Frank said softly yet firmly.

Bill glanced at Frank, who was silently asking him to relent. Bill lowered the gun with a huff.

With the hostility out of the way, or at least set aside for the moment, Frank offered you an apologetic smile.

“Would you like to see our home?” he asked as a peace offering.

“We’d love to,” Tess answered at the same time as Joel, who said—

“We actually should be going.”

You didn’t say anything, which caused them both to look at you. Tie breaker.

Tess had a feeling you’d agree with her, but what happened next still bothered her.

You and Joel exchanged a look, having a silent conversation. Joel registered that despite the gun incident, you weren’t fearful. It was only because of that that Joel looked at Frank and nodded.

“Alright,” he changed his answer.

Tess wanted to scream.

Frank seemed relieved and his smile grew. He led the three of you to the large white house that the two men called their home.

“You’re welcome to anything in the house,” Frank said kindly, ignoring the disapproving grunt that came from Bill. “Clothes, medicine, water, food—although Bill will be starting dinner soon—and of course the shower,” he listed off.

Your ears perked up at “shower.” Joel could tell by the way you actually lifted your head. Just a day ago you had been reminiscing on how long it had been since you felt clean. Like, really clean. Hot water, soap, soft towel—you longed for it and Joel knew that.

Frank noticed too. “Shower it is.”

“Thank you,” you said immediately. “For being so kind and sharing your home with us.”

“If I’m being honest, I’ve been bugging Bill for us to find some friends,” Frank admitted to you quietly. “Speaking of which,” he started. “Bill? Maybe you could get our other guests some drinks? I’m going to show—“ he looked back at you.

“Y/N,” you filled in.

“—Y/N to the shower,” Frank finished.

You didn’t hear what Bill had to say, but that was the least of your concern as Frank gestured for you to follow him.

Joel watched as you followed Frank away. He itched to go after you, not comfortable with you being apart from him. He felt incredibly protective over you and maybe it wasn’t the healthiest reaction, but he didn’t like to let you out of his sight. It scared him—not that he’d ever admit it.

“Don’t worry, I think she’ll survive without you,” Tess said sarcastically, smothering the genuine bitterness she felt at the man’s reaction. Joel was never like this before. Well, before you.

Joel threw her a glance, but didn’t say anything. Bill was approaching them and grumpily suggested they follow him into the kitchen.

They all made casual conversation, Tess doing most of the talking.

Upstairs, Frank was showing you to the shower. He’d given you a towel and found you soap, shampoo, and conditioner.

“Thank you so much,” you said yet again. Frank just laughed it off and told you no worries, and that if you needed anything you could just call for him.

You closed the door, isolating yourself in the bathroom. You turned on the water and held your hand under it until it was warm. A smile spread across your face. You quickly stripped and stepped under the water, longing for the feel of a hot shower.

It was everything you had hoped for. You relished in the hot water rushing over your tired body.

You prided yourself on being tough—like not even flinching when Bill pulled his gun on you—but something about the comfort that reminded you of the old world brought tears to your eyes. Their house was so normal. Nothing like the wilderness, the destroyed towns, or even the QZ. You were only a child when the pandemic happened, but you held onto a few fond memories. You never felt at home in the QZ.

The only thing that made it feel comfortable and safe was Joel, but this was still so much better than the QZ. It was overwhelming.

Next thing you knew, a sob of happiness broke free. And once it started you couldn’t stop.

In the kitchen, Bill was standing at the stove cooking. Joel didn’t know what it was—but it smelled delicious. Frank had excused himself to set up a table outside so everyone could eat together in the nice weather.

“Sorry, by the way,” Bill announced, off topic from the previous discussion. He didn’t look up from his task of sautéing onions as he spoke. “For the uh, gun thing. Can’t be too careful.”

Tess and Joel looked at one another. They both suspected Frank must’ve said something to convince him to apologize. But beyond that, they both thought back to the incident. A flash of anger shot through Joel at the memory of the weapon being targeted at you. Tess remembered how reckless Joel had been, asking Bill to turn the gun on him. Would he really trade his life for yours? Once Tess started thinking about that, she couldn’t stop.

She started to become quiet during the conversation, which was pretty much when the talking fizzled out. Joel wasn’t very talkative, and clearly neither was Bill.

“I’m gonna go see if Frank needs help,” Bill decided after a few minutes. Joel and Tess exchanged a look. Obviously he just wanted away from them for a moment of relief—he wasn’t anticipating having to be social and wasn’t too happy with it.

Once they had a moment alone, Joel had a feeling Tess was going to unleash. It had been building up, Joel could tell her mood had turned sour.

“What was that?” she asked vaguely. Joel furrowed his brows. “Earlier,” she clarified.

“I don’t know what you’re talking about,” Joel stated. He had an inclination, but he was hoping Tess would drop it.

She didn’t. “You asked him to point a gun at you!” Tess said in a hushed yell, frustration seeping out in her scolding tone.

“He wasn’t going to shoot me,” Joel deadpanned.

“He wasn’t going to shoot at all,” Tess confirmed. “So then why did you tell him to turn it on you?”

She was pushing for an answer she didn’t want, but now that she had started Tess wasn’t going to let up. She was stubborn like that.

“I didn’t like him pointing a gun at Y/N,” Joel admitted. The memory of it made him clench his fist. Tess didn’t see that, but she saw the way Joel wouldn’t hold her gaze.

Her jaw clenched. “You’re too soft on her.”

At that, Joel scoffed. The sound came out before he could stop it. “How is that being too soft on her?”

Tess was quiet for a moment, contemplating her next words. “It’s not just that,” she said, quieter, almost distant. It was a contrast to how loud she’d been getting.

Joel took a deep breath through his nose, then let out a heavy sigh. He finally looked Tess dead in the eye. “I’m not having this conversation with you.”

If it wasn’t for the desperate look on Tess’s face, he would’ve gotten up and walked away. She wasn’t done. She was struggling to say what she wanted to say, and Joel didn’t want her to.

“The moment she came into our lives, that was it,” Tess told herself just as much as she was saying it to Joel.

She was backing Joel into a corner. “Where is this coming from?” he questioned.

Tess let out a humorless laugh. “This has been a long time coming,” she confessed. “I see the way you look at her, how you act around her. She’s just about half your age and yet you always seem to find something in common. You cut me out, Joel.”

Joel was at a loss of words. He couldn’t seem to find the words to defend himself. Tess continued.

“We’ve been in that scenario before, do you remember? When you and I were making a trade and the punk pointed a gun at me?” Tess recalled. Joel recovered the memory quickly, and he began to zero in on exactly why this meant so much to Tess. “You never would’ve considered trading yourself for me. I know because you didn’t.”

“That was different,” was all Joel could come up with.

“I never would’ve made you choose between me and her, but you did on your own,” Tess held firm. Her jaw clenched as she fought to not let herself get any more emotional. “And you chose her. I see that now.”

“Tess,” Joel started, but she shook her head.

“Don’t try to lie to me. Please.”

“I wasn’t going to,” Joel said. He wasn’t even sure what he was planning on saying before. This had all come out of nowhere. At least for him, Tess had clearly had this on her mind for a long while and today just happened to be the final straw. “I’m sorry,” he decided, but it was too little too late.

Tess liked you. She really did. And you hadn’t done anything on purpose. You probably didn’t even know the effect you had on Joel. That’s what made being jealous of you so hard. She wanted to not like you, to blame you for stealing any ounce of affection Joel allowed himself to have, but she couldn’t.

She cleared her throat. “I’m going to go check and see if they need any help setting up outside.” The sudden calmness was eerie. Joel looked at her cautiously. “We’re going to just… drop this,” Tess decided. “And we can all try and have a nice time together, eat a real meal, take hot showers, and relax for the night before we head out in the morning.”

Suppression. Tess was going to bottle everything up. Ignore it and move on. It was something her and Joel had in common.

She left him then, and Joel felt no desire to go after her. He felt guilty about that, but he had nothing left to say to Tess about that and she’d concluded her piece.

Instead, Joel found himself leaving the kitchen table. He followed the sound of running water upstairs. You’d been in the shower for a while and there was a nagging feeling in Joel’s chest that longed to find you.

His feet carried him to the bathroom door, where he knew you still were.

Joel heard a sad, gasping sound from you. It was nearly drowned out, but he heard it. Concern overwhelmed him in an instant.

Joel pressed his ear to the door. He almost busted in, but wanted to take a moment. And it was good he did. What he had first thought were sounds of distress, was actually you muffling cries of relief. He could tell. He wasn’t sure how—maybe it was the tone, or the softness to the sounds, or he just knew you too well—but he could tell.

His hand reached for the doorknob. Joel grasped it and contemplated turning it. He leaned the side of his head against the door.

“Y/N?” Joel called through the door. He went blank over what else to say. Should he ask if you were alright? Would you be weirded out if he asked to come in? You were showering after all. Instead he said nothing.

You went silent. Joel felt bad now. You were never emotional around anyone, you tried to hide it from him. Joel wished you wouldn’t. But he supposed you were just following by example.

“Yeah?” you asked.

“Um,” Joel stalled. “I was just checking on you.”

“Oh, um, I'm alright,” you replied. A few seconds of quiet passed. “Thank you, though.”

Joel listened to the sound of water rushing from the shower. You’d stopped your tears it seemed, but Joel could hear the quiver in your voice when you’d spoken.

“It’s okay if you’re not,” Joel told you carefully.

“I’m fine, Joel,” you assured.

When Joel first met you, you were innocent despite the dark world and wore your heart on your sleeve. You used to express yourself emotionally, but now Joel couldn’t remember the last time he’d seen you let yourself break.

You’d gotten better about hiding it. He wanted to help you open up, but that was something even he struggled to do.

Joel went down the stairs and to the living room. No one else was in the house, he could see out the window that Frank was showing Tess around their garden while Bill was setting up the food.

Joel sat on the couch and thought over your interaction through the door. He wished he would have waited for you to come out of the bathroom to talk to you, to make sure you were okay, but he couldn’t bring himself to. Because then he’d have to explain himself as to why and after the conversation with Tess, he feared how you’d react to the knowledge of his feelings.

As if on cue, there were light steps descending down the stairs. Joel turned to look at you.

Your hair was damp, and you were wearing an oversized clean shirt that must’ve come from one of the hosts (Frank was the nicer one, so Joel guessed it was him who lent you it) and a pair of jeans that you’d packed that you hadn’t worn yet.

“Hi,” you greeted.

“Hey,” Joel said, watching you as you moved over to him. “Everyone else is outside.”

“I see that,” you said lightly. “Is everything okay?”

“Why wouldn’t it be?” Joel asked.

You shrugged. “I thought I heard arguing earlier. You and Tess,” you explained. “Bathroom is right above the kitchen…”

A brief moment of unease filled Joel. “What all did you hear?”

“No words clearly, just Tess raising her voice,” you revealed. Joel just gave you a slight nod. He had a feeling that wasn’t the only thing you had to say. “Did you, um… hear me earlier?”

Joel knew instantly what you meant. “No.” He hated lying to you. “Yes.”

“I thought so. I just”—you searched for your words—“I’m fine. That was just—”

“You don’t have to explain yourself.”

You swallowed and took a breath. “I’m not weak.”

Joel let out a small huff. “I know that.” That fact that you thought you had to tell him was amusing in an odd way. He was well aware.

“Well, alright then,” you said decidedly. “It’s just been so long since we’ve had hot water and—“

“You don’t have to explain yourself. You’re allowed to feel,” Joel reminded. “I know you. You’re strong. But you’re also a good, sweet, caring person and I just”—Joel sighed, struggling for his words even as they were tumbling out—“I don’t want to see you go numb to the world. I don’t want you to end up like me.”

You looked at him curiously. He stood for some reason, it felt more natural for him. Your eyes held his on his way up. “You’re not numb, Joel,” you told him, sounding so sure of yourself. “I don’t think that. I think you put on a brave face just like I do. Although I guess I’m not as good at hiding it as I thought.”

A small laugh left you as you shook your head.

“What?”

“It’s just been so long since I talked about… feelings,” you admitted.

“Same here,” Joel agreed.

“It’s weird, isn’t it? I shouldn’t be, but it is.”

Joel got an idea. He hoped it wasn’t a bad one. “Maybe we can… help each other with that. Y’know, find a way to talk about it.”

You gave him a gentle smile. Before Joel could process, you were wrapping your arms around him and clinging to him in a hug. It was a sudden, unfamiliar movement. Joel held you against his body, resting his chin on your head.

“That’s a good idea,” you told him, your voice muffled against him.

Joel hadn’t touched, let alone held, someone in so long. It was nice. Mostly because it was you.

The sound of a door opening and heavy steps alerted you, causing you and Joel to part from one another. Frank approached the two of you with a welcoming smile on his face.

“Dinners ready,” he informed, looking between the both of you.

“Seriously, we cannot thank you enough, Frank,” you said kindly. He gestured towards the door in an “after you” manner. You gave him a smile and headed outside. Before you stepped out, you gave Joel one last grateful look.

There was a slight smile on Frank’s face as he looked at Joel, who hadn’t moved yet.

“It’s nice to have someone in a world like this, isn’t it?” Frank asked in a sincere tone.

Joel looked out the window towards the garden where you joined the table. You smiled at the sight of the food and took a seat.

After having a whole conversation about allowing feelings, Joel decided that he didn’t want to suppress the small smile of appreciation that crossed his own face.

“Yeah, it is,” Joel answered.

starting a joel taglist, if you’d like to be on it lmk through an ask or message!

joel taglist: @the-ice-frozen-ground-red-rose

[sinning-23]

Hello,

How about a LA luffy where he's dating Reader and he keeps talking about her but no one believes him until she comes and rescue them or something I know not much details but please take this to your account English isn't my first language so excuse me

OMG THIS IS PERFECT! Thank you for the request! I apologize for taking so long to write it I've been so busy and full of writers block its insane! I added a little twist with his and made th reader a gunslinger sooo yeah(for the plot) Anywa here we go! Enjoy

Warnings: None

The strawhat crew was becoming increasingly irritated with how much Luffy would speak of this mystery woman who he claimed to be his 'girlfriend'. In all honestly, neither of them thought he had the romantic capacity to even GET a girlfriend to begin with. But the way he spoke of her...it couldn't all be lies could it?

He mentioned how you'd saved him with your remarkable skills as a gunslinger and you were an amazing shot. He gushed about how it took only one bullet to kill three men who had threatened him and when it was all over you 'pepper his face with kisses'. How you were always there to save him more times than not and that you were just absolutely beautiful. The 'prettiest girl' he'd ever seen as he told it.

"If you guys are so in love why didn't she join you on this little pirate adventure." Nami quips, eyes rolling at the most recent story Luffy had explained. He only tilted his head and smiled as if the answer was just so obvious (it wasn't.)

"It wasn't her dream." He smiles, rocking back and for a bit as Zoro finished off his drink before speaking.

"This wasn't exactly our first choice either but here we are." the swordsman smirks, his arms crossed over his chest.

The smirk was soon replaced with irritation when the waiter went to speak.

"That's different. Besides, I'm sure Luffy wouldn't leave a woman like that all on her lonesome. Right?" Sanji questions, more so trying to convince himself Luffy had more sense than that. But the brunette only shakes his head.

"Nope, she said we would cross paths again one day and I let her be. It was a deal! And now I get to wait until one day I see her beautiful face again." And before anyone could protest or pry any further, Luffy stuffed his face with food.

A sigh rang out from Nami as she leaned against the seating of the booth they're in, only to quickly shoot back up with wide eyes. Since Luffy's bounty had got a hell of a whole lot bigger, there was always the occasional run-in with someone who claimed they'd be getting their money sooner rather than later.

On this particular night though, a gang of about 6 or 7 had strutted up to their booth and slammed his bounty on the cracked wood of the table, making it shake. Zoro paused, debating if these idiots were worth the fight and Luffy continued to eat without a care in the world.

"I'm getting that bounty tonight." Then, what they all assumed was the leader spoke, his hand drawing his sword. This could have gotten ugly rather quickly but the fight seemed to be over with the sound of fired shots ringing through the eatery.

It was so quick you'd almost miss it…each shot followed by another, and one by one each of the men dropped like flies, screams and gasps of frightened patrons filling up the space momentarily. From the darkened corner of the bar stood a woman in a rather large coat that almost touched the floor.

The revolver in her hand rattled before she tucked it away into one of the many pockets that adorned her body. She was a decent height, and her hair was pushed out of her face most likely to keep her line of sight from being obscured. Finally, the once look of disgust that was painted over her features was filled with joy as she stepped over the bodies of the men she'd just laid to waste.

"Luffy!" She squeals, practically vibrating as the Stawhat leaped form his seat and embraced the mystery woman.

This wasn't the usual hug though, Luffy had simply lifted the lady and twirled her, his face buried in the crook of her neck and she giggled and tangled her fingers in his hair.

"I'm sorry did we miss something?" Nami quips, looking to the rest of the crew to confirm they were just as lost.

"This is her! Remember the girl I've been talking about!?" He practically shouts, his hand secure at your waist as that iconic smile plays over his lips.

Oh okay it was finally starting to make sense. Two cinimon rolls but one can and will kill you if they so desire...well-

Nami is the first to laugh, disbelief filling her but the closer she looks the more her laughter and smirk dies down. Luffy's hand was firm at your waist, yours on his chest as you flash a content smile.

"Y/n, meet my crew!" Luffy introduces as you jut your hand out happily, meeting that of whom you soon learn is Usopp and Sanji. Nami was next and Zoro simple noddded in your direction.

"You really know how to pick em! Congratulations on this bounty by the way love." You hum, pressing kisses over Luffy's freckled cheeks.

Damn how much love and affection could you give? It was like every two seconds your lips were pressed somewhere against their Captain’s face! And he didn’t seems to mind at all! Well, not that Luffy was bothered by it but still! With one last kiss to your boyfriend’s face, you usher the crew out of the eatery, sliding the bartender some extra berrie to apologize for the ruckus.

The two of you looked so inseparable like that, hands interlinked and swinging back and forth simultaneously.

“You know what this means don’t you. Usopp teases, sticking his hand out awaiting Nami to fulfil her end of the bargain.

She swears in defeat roller her eyes before paying.

Who wouldn’t make a bet on something as outlandish as their captain having a girlfriend!?

[tiredandoptimistic]

I've seen the take floating around that Henry's death at the end of season three was unnecessary, so now I'm feeling the need to ramble a bit about why it had to happen that way.

We all know that the vibes of MASH gradually shift over the run of the show, and that the first three seasons are a lot more lighthearted overall than the later ones. More Requiem for a Lightweight, less Death Takes a Holiday. While the show is never exactly "hijinks at the front" and does have some early episodes that lean into darker themes (such as, famously, Sometimes You Hear the Bullet), it's still more comedic than dramatic in the early years.

Because of this tone, the audience is set up to expect things to be a little angsty here and there but still turn out alright overall. Sure, soldiers die all the time (even named ones like Tommy), but all the main characters were supposed to get out okay. From a Doylist perspective, they need to survive because they're leads on a show and they're getting paid to come back regularly. Not Henry though. McLean Stevenson chose to leave after season three, and the writers had to give Henry a proper sendoff.

I'm not feeling the need to go on a tangent right now about how great Henry is, but rest assured that I love his character. The show makes it clear that he's the one with the most waiting for him back home. Sure, Trapper and Frank have wives and kids too, but Henry gets multiple episodes about how much he loves Lorraine and even home videos of his happy domestic life. Plus, he's got a baby son born while he was overseas, someone he desperately wants to meet. Out of all the characters, he's got the most American dream and apple pie life waiting for him across the ocean.

All of that makes Henry a great person to send home, and it's why he could never make it there.

Once Stevenson decided to leave MASH, Henry was fated to leave as well. He got the discharge letter and the celebrations; everything all the characters had been dreaming off since their deployment. It would have been so easy to just let him return to his family. He's off the show either way, why couldn't the writers let him be happy? Because it's a fucking war, and even a plane home doesn't guarantee anyone's safety. The show needed to kill Henry off to remind the audience that they are watching a tragedy dragged across dozens of countries and millions of people. The closer they let him get to home, the more pointless his death was in the grand scheme of things; the more important it became.

Killing Henry is how MASH fully lived up to it's own expectations. The show is full of little tragedies and people with rich lives who never returned to live them, but we never really felt that loss as more than a concept. Sure, Tommy is instantly likeable and his death his deeply impactful, but we the audience only get the implication of Hawkeye's deep friendship with him. Henry is someone we've come to love on our own. All these deaths are pointless and cruel, none of them had to happen. Because we've spent three seasons getting to know and care for Henry (and are aware that the writers could have easily let him live), we finally feel that pointlessness.

Going forward after Henry's death, nothing is quite the same. Death is suddenly a true option, and no one is entirely safe from needless tragedy. When Trapper goes home and Hawkeye doesn't get to say goodbye it isn't just sad because he can't throw his friend a party or give him a hug, it's heartbreaking because he doesn't know that Trapper will even make it back to Boston.

Going home will always be the ultimate goal of all the characters, but it can never be a simple "get out of trauma free" card. The war will always follow them.

[revelboo]

Your writing is AMAZING! I love your works, and honestly, you're the only writer I like here. Keep up the amazing job! 💜

Aww! Thank you! 💕

Everything Is Alright Pt 119

IDW Starscream x Reader, Soundwave x Reader, Megatron x Reader

• Head lifting when the cassette compartment door opens far too soon and Soundwave reaches for you, there’s no point resisting. Letting him pick you up and pull you back out into the madness when you just want to hide in the dark and try to figure things out. And you can practically feel the tension radiating from all three of them as Soundwave almost seems reluctant to put you down. Making you wonder what they’ve been discussing. Because Megatron still has that psychotic smile in place.

• “I’m beginning to regret saving you, pet,” Megatron growls, servos curling into fists as you frown up at him. Finding out how ridiculously short your life span is tempting him to go to drastic measures. To consider handing you over to Shockwave to figure out a way to prolong your life. It’s almost a cruel joke. To be bonded to a weak, fragile mate that’s going to be gone far too quickly and drag him along with you. “Do you have any clue what you’ve done to me?” Can hear the anger creeping into his own voice as you fist your fingers in your robe.

• What you did to him? Like all of this is your fault and you’re so over it. “You kidnapped me, okay?” Jabbing a finger at Starscream to make his wings drop. “Wrecked my car! Scared me half to death and kept me in a damn energon cube! And you!” Rounding on Megatron and finding him still grinning, thinking this is hilarious no doubt. You really wish you had something to throw at him. “I didn’t do anything to you! If you’d just left Starscream alone, none of this would have happened! None of you ever ask what I want or need! You just decide for me, because I’m just the helpless, little human and I’m sick of it!” And they’re all staring at you like you’re something they’ve never seen before. “I’m not a damn pet.”

• Wings drawing tight to his frame as your voice rises, Starscream wants to reach for you, but he’s never seen you so furious before. So angry you’re crying now and it hurts him. So angry with all of them that you smack Soundwave’s servo when he tries to reach for you. Making him feel guilty as he vents and wishes he could go back to before Soundwave had discovered you. When it was just him and you. Try to do better by you, because this anger isn’t new he’s realizing. You’ve just been bottling it up. Ignoring it. “I know you’re not a pet,” he says as it really soaks in how terrible a job he’s done as your mate so far to make you feel that way. Do you hate him? Have you always hated him?

• Servos flexing, Soundwave can’t stop reaching for you. Can feel your anger and hurt and it’s crippling. Even if you hadn’t screamed at him, he’s been making demands of you this whole time, too. You’d just been a curiosity at first, feeling your emotions and unable to block you out. Kneeling in the floor, he rests his chin on the berth you’re on and cautiously touches your arm with the tip of a servo and you hit him again, little eyes welling as you try to shove his servo away. His head lifts when Megatron sits on the berth beside him. “Go find some engex. I need a drink,” Megatron growls at Starscream.

• Servos pressing against his head, Megatron watches you slap at Soundwave again and his communications officer just loosely curls his servos about you, refusing to stop reaching for you. And Starscream doesn’t budge to obey him, wings tight to his frame as he reaches to grip the edge of the berth, staring at you before stretching out his own hand. Servo brushing you as you just angrily slap at him, too. Trying to figure out how he got roped into this mess when you finally make a little, hitching noise and stop fighting Soundwave and Starscream both, laying your cheek on Starscream’s hand. You’re definitely a lot more trouble than he’d imagined, but he remembers tangling in you when he’d bonded you fully. Seeing all of you, knowing you. Or at least he thought he had.

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